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Quyi
Guo Degang: a Xiangsheng
The “Lyrical” Expression of History: the Relationship Between History and Lyricism in the Yangzhou Play “Long Canal Willow”
A Chinese Opera As Rule of Law and Legal Narrative Elaine Y.L
Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)
On Inheriting Kunqu Opera – Digital Teaching and Mass Popularization of Gong-Che Notation
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Proquest Dissertations
Composing, Revising, and Performing Suzhou Ballads: a Study of Political Control and Artistic Freedom in Tanci, 1949-1964
The Women of Quyi
Levi MA Thesis FINAL PART 1
An Analysis of the Development of Xiangsheng in Taiwan and Ways to Popularize the Art of Xiangsheng Among Generation Z
JIAO, WEI, D.M.A. Chinese and Western Elements in Contemporary
A Study of Ping-Tan Narrative Vocal Tradition in Suzhou, China
A PEDAGOGY of CULTURE BASED on CHINESE STORYTELLING TRADITIONS DISSERTATION Presented in Partial Fulfillment of the Requirement
ABSTRACTS International Council for Traditional Music 37Th World Conference Fuzhou & Quanzhou, China 4–11 January 2004
Rhetorical Strategies in Shandong Fast Tales
Hidden Musicality in Chinese Xiangsheng:A Response to the Call for Interdisciplinary Research in Studying Speech and Song ✉ Francesca R
Innovation and Reform of the Hammered Dulcimer Yangqinin Contemporary China
Top View
Storytelling and Chinese Popular Prints (Nianhua)
THE TANCI FICTION JING ZHONG ZHUAN by YU ZHANG A
The Fantasy of Place in Chen Shi-Zheng's Peony Pavilion, Zhang Yimou's Turandot and Frederic Mitterrand's Madame Butterfly
A Comparative Study of the Social Function of African Algaita and Chinese Suona
Suzhou Tanci Storytelling in China: Contexts of Performance
Hai Zhou Five Main Tunes
The Social Functions of Cantonese Opera in the Edmonton Chinese Community 1890-2009: from Sojourners to Settlers
Chinese Opera: the Actor's Craft
Introduction
Inheritance and Innovation in the Process of Artistic Creation in Major Kunqu Productions in the People‘S Republic of China, 2001-2015
“Masters of Laoting Shadow Play” Experiencing Traditional Art Practice in Virtual Space by Bijun Chen Master of Design, OCAD University 2018
Folk Art Helps Inspire Fight Against Outbreak
Heritage and Integration- a Study of Hong Kong Cantonese Opera Films
The Intellectual Development of Wu Zhihui: A
1 Chapter 4 Intermedial Laughter: Hou Baolin and Xiangsheng Dianying in Mid-1950S China* Abstract the First Wave of Film Comedy
A HISTORY of JAZZ in CHINA: from YELLOW MUSIC to a JAZZ REVIVAL in BEIJING a Thesis Submitted to the College of the Arts of Ke
Lao She's Forgotten Wartime Epic Poem
Matteo Ricci's Xiqin Quyi – a Jesuit's Expert Musicking in Ming China
Information to Users
The Magic Lotus Lantern and Other Tales from the Han Chinese
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Art of Shaanxi Storytelling Honored
Introduction Lawrence Levine's Comment on Afro-American
Rules for Implementation of Copyright Law
Crosstalk Show Angers Fans with Jokes About Peking Opera Actresses
VYTAUTAS MAGNUS UNIVERSITY the MUSIC ACADEMY Piano
“The Song of Selling Olives”: Acoustic Experience and Cantonese Identity in Canton, Hong Kong, and Macau Across the Great Divide of 1949
LIFESTYLE and ENTERTAINMENT in YANGZHOU - - - Cul Under Great a the Historical of of to Bring Together Bringtogether to Comprehensible Comprehensible To
Suzhou Tanci: Keys to Performance
The Voice of Wang Shaotang in Yangzhou Storytelling*
Research on the Present Situation, Predicament and Countermeasures of Changsha Tanci Inheritance of Intangible Cultural Heritage
(Formerly ACMR Newslerrer) JOURNAL of the Association for CHINESE MUSIC Research 'P1lifl'~Li/F~* VOL