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Spatiotemporal Changes and the Driving Forces of Sloping Farmland Areas in the Sichuan Region
sustainability Article Spatiotemporal Changes and the Driving Forces of Sloping Farmland Areas in the Sichuan Region Meijia Xiao 1 , Qingwen Zhang 1,*, Liqin Qu 2, Hafiz Athar Hussain 1 , Yuequn Dong 1 and Li Zheng 1 1 Agricultural Clean Watershed Research Group, Institute of Environment and Sustainable Development in Agriculture, Chinese Academy of Agricultural Sciences/Key Laboratory of Agro-Environment, Ministry of Agriculture, Beijing 100081, China; [email protected] (M.X.); [email protected] (H.A.H.); [email protected] (Y.D.); [email protected] (L.Z.) 2 State Key Laboratory of Simulation and Regulation of Water Cycle in River Basin, China Institute of Water Resources and Hydropower Research, Beijing 100048, China; [email protected] * Correspondence: [email protected]; Tel.: +86-10-82106031 Received: 12 December 2018; Accepted: 31 January 2019; Published: 11 February 2019 Abstract: Sloping farmland is an essential type of the farmland resource in China. In the Sichuan province, livelihood security and social development are particularly sensitive to changes in the sloping farmland, due to the region’s large portion of hilly territory and its over-dense population. In this study, we focused on spatiotemporal change of the sloping farmland and its driving forces in the Sichuan province. Sloping farmland areas were extracted from geographic data from digital elevation model (DEM) and land use maps, and the driving forces of the spatiotemporal change were analyzed using a principal component analysis (PCA). The results indicated that, from 2000 to 2015, sloping farmland decreased by 3263 km2 in the Sichuan province. The area of gently sloping farmland (<10◦) decreased dramatically by 1467 km2, especially in the capital city, Chengdu, and its surrounding areas. -
IE Singapore Signs MOU with Sichuan (Chengdu) Free Trade Zone to Help Singapore Companies Gain Early Mover Advantage for Business Collaboration
M E D I A RELEASE IE Singapore signs MOU with Sichuan (Chengdu) Free Trade Zone to help Singapore companies gain early mover advantage for business collaboration MR No.: 027/17 Singapore, Wednesday, 28 June 2017 1. In continuous efforts to strengthen Singapore-Sichuan economic ties, International Enterprise (IE) Singapore signed a Memorandum of Understanding (MOU) with the Commission of Commerce of Chengdu today to help Singapore companies expand their presence in Sichuan (Chengdu) Free Trade Zone (FTZ), specifically in Trade and Logistics, Financial and Professional Services, and Information Technology (IT) and Innovation. IE Singapore is the first foreign government agency to partner Chengdu’s Commission of Commerce on the FTZ, following China’s announcement on its third batch of seven FTZs, which includes Sichuan (Chengdu)1. 2. This MOU is the result of IE Singapore’s close consultation with the Chengdu local authorities and further enhances the strong economic relations established by the Singapore-Sichuan Trade and Investment Committee (SSTIC) co-chaired by Minister for Education (Schools) Ng Chee Meng. Building on the SSTIC’s work over the years, the MOU will explore collaboration beyond modern services, modern living and modern manufacturing. It will also benefit the Singapore-Sichuan Hi-Tech Innovation Park (SSCIP)2, which is situated in the FTZ and focuses on hi-tech and services industries. 3. Said Mr Lee Ark Boon, Chief Executive Officer (CEO), IE Singapore, who is currently leading a Singapore business delegation on a two-day mission to Chengdu, “Singapore was Chengdu’s second largest foreign investor in 2016. IE Singapore’s FTZ partnership builds on these existing close ties with Chengdu. -
Singapore Chinese Orchestra Instrumentation Chart
Singapore Chinese Orchestra Instrumentation Chart 王⾠威 编辑 Version 1 Compiled by WANG Chenwei 2021-04-29 26-Musician Orchestra for SCO Composer Workshop 2022 [email protected] Recommendedabbreviations ofinstrumentnamesareshown DadiinF DadiinG DadiinA QudiinBb QudiinC QudiinD QudiinEb QudiinE BangdiinF BangdiinG BangdiinA XiaodiinBb XiaodiinC XiaodiinD insquarebrackets ˙ ˙ ˙ #˙ ˙ ˙ #˙ ˙ ˙ 2Di ‹ ˙ ˙ ˙ ˙ #˙ [Di] ° & ˙ (Transverseflute) & ˙ ˙ ˙ ˙ ¢ ˙ ˙ ˙ ˙ b˙ ˙ ˙ ˙ s˙ounds 8va -DiplayerscandoubleontheXiaoinForG(samerangeasDadiinForG) -ThischartnotatesmiddleCasC4,oneoctavehigherasC5etc. #w -WhileearlycompositionsmightdesignateeachplayerasBangdi,QudiorDadi, -8va=octavehigher,8vb=octavelower,15ma=2octaveshigher 1Gaoyin-Sheng composersareactuallyfreetochangeDiduringthepiece. -PleaseusethetrebleclefforZhonghupartscores [GYSh] ° -Composerscouldwriteonestaffperplayer,e.g.Di1,Di2andspecifywhentousewhichtypeofDi; -Pleaseusethe8vbtrebleclefforZhongyin-Sheng, (Sopranomouthorgan) & ifthekeyofDiislefttotheplayers'discretion,specifyatleastwhetherthepitchshould Zhongyin-GuanandZhongruanpartscores w soundasnotatedor8va. w -Composerscanrequestforamembranelesssound(withoutdimo). 1Zhongyin-Sheng -WhiletheDadiandQudicanplayanother3semitonesabovethestatedrange, [ZYSh] theycanonlybeplayedforcefullyandthetimbreispoor. -ForeachkeyofDi,thesemitoneabovethelowestpitch(e.g.Eb4ontheDadiinG)sounds (Altomouthorgan) & w verymuffledduetothehalf-holefingeringandisunsuitableforloudplaying. 低⼋度发⾳ ‹ -Allinstrumentsdonotusetransposednotationotherthantranspositionsattheoctave. -
CHENGDU CHINA Go Wild at Corbett
Mumbai,Saturday,August 14,2010 06 lifestyle htcafé PHOTOS: KALPANA SUNDER CHENGDU CHINA Go wild at Corbett Mongolia ways leave every 10 minutes be throughout the year.The Beijing Q&A from Madurai bus stand. Bijrani zone will be open CHENGDU Youcan stayinGujarat from October 15 and the inbox Bhawan, which is just a main Dhikala zone will be stone’s throw away from open fortourists from No- Gulyang Nepal My familyand Iare plan- Rameshwaramtemple. vember 15.Currently,the Qning to go to Maduraifor 2 roadstoJhirna zone are Philippines days. We’regoing to sightsee in Iwouldliketoknow not in good condition and Maduraionthe first dayand go Qduring which months the thereare severalstreams Take awalk to Rameshwaramthe next day. Corbett National Park is open on the way, filled with down colourful Anytips on what needs to be fortourists. Iamplanning to water.Itwill be better for Jinli street GETTING THERE seen?Please tell us about what visit in August or September; youtovisit Corbett to avoid. will it be open then?Also, how between November and By air: Youcan flytoChengdu Raviunni will the weather be during that February as it is winter from Beijing; it takes about two Meenakshi temple in time?Will we be able to enjoy time then and the animals hours. Or takeatrain AMadurai is amust see. the safari rides or would it be usually come out to the What to see: Panda park, Jinli Madurai is the centrefor toorainyand muddy? open grasslands to keep Street, Wohou Te mple, Leshan both Rameshwaramand Sumit themselves warm. If you Buddha Kanyakumari. Don’t take Sinceyou enquired want to visit the Dhikala the tour buses as therewill Aabout the opening sea- zone,then youhavetofile be arush foreverything son of the JimCorbett park, an application with the Cor- and youwon’t be able to see Iwould liketotell youthat, bett reception at least two the placespeacefully.Buses right now, the Jhirna zone months prior,for astay PANDA ADVENTURE of the Tamil Nadu Road- of the forest is open and will inside the park. -
Three Millennia of Tonewood Knowledge in Chinese Guqin Tradition: Science, Culture, Value, and Relevance for Western Lutherie
Savart Journal Article 1 Three millennia of tonewood knowledge in Chinese guqin tradition: science, culture, value, and relevance for Western lutherie WENJIE CAI1,2 AND HWAN-CHING TAI3 Abstract—The qin, also called guqin, is the most highly valued musical instrument in the culture of Chinese literati. Chinese people have been making guqin for over three thousand years, accumulating much lutherie knowledge under this uninterrupted tradition. In addition to being rare antiques and symbolic cultural objects, it is also widely believed that the sound of Chinese guqin improves gradually with age, maturing over hundreds of years. As such, the status and value of antique guqin in Chinese culture are comparable to those of antique Italian violins in Western culture. For guqin, the supposed acoustic improvement is generally attributed to the effects of wood aging. Ancient Chinese scholars have long discussed how and why aging improves the tone. When aged tonewood was not available, they resorted to various artificial means to accelerate wood aging, including chemical treatments. The cumulative experience of Chinese guqin makers represent a valuable source of tonewood knowledge, because they give us important clues on how to investigate long-term wood changes using modern research tools. In this review, we translated and annotated tonewood knowledge in ancient Chinese books, comparing them with conventional tonewood knowledge in Europe and recent scientific research. This retrospective analysis hopes to highlight the practical value of Chinese lutherie knowledge for 21st-century instrument makers. I. INTRODUCTION In Western musical tradition, the most valuable musical instruments belong to the violin family, especially antique instruments made in Cremona, Italy. -
The Extension Work of Zigong UNESCO Global Geopark: an Example of Sustaining Local Communities
The Extension Work of Zigong UNESCO Global Geopark: An Example of Sustaining Local Communities Li Sun 1,2, Lulin Wang 1,* and Mingzhong Tian 1 1 School of Earth Sciences and Resources, China University of Geosciences, Beijing 100083, P.R. China; 2 The Administrator Office of Zigong UNESCO Global Geopark, Zigong 643000, P.R. China. 3 Email: [email protected] Keywords: Zigong, geopark, sustaining, local community Abstract: Zigong UNESCO Global Geopark is well known for its dinosaur findings and vertebrate fossils of the Middle Jurassic Period and a salt mine of the Triassic Period. It was recognized as member of the Global Geoparks Network in February 2008 and revalidated in December 2012. After the Administration for Zigong UNESCO Global Geopark submitted an extension application to UNESCO in November 2015, a new geopark territory was approved, which is 2720% larger than the area initially defined. More geological heritage as well as natural and cultural heritage has been included in and the increased number of communities of the territory is actively involved in the management and development of the geopark. Zigong UNESCO Global Geopark cooperates with those communities as to encourage geotourism with the help of inspiring local enterprises, creating new jobs and offering high quality training courses. The connection between Zigong UNESCO Global Geopark and communities have been gradually improved. So far, it has been proved that the geopark could not only support local sustainable development but also help local people to acquire earth knowledge as well as to improve their lives. 1 INTRODUCTION However, as stated by the Statutes of the International Geoscience and Geopark Programme Zigong UNESCO Global Geopark (UGGp) is (IGGP) and the Operational Guidelines for located in Zigong Municipal City, Sichuan Province, UNESCO Global Geoparks (UNESCO, 2016), Southwest of China. -
Since the Reform and Opening Up1 1
Int. Statistical Inst.: Proc. 58th World Statistical Congress, 2011, Dublin (Session CPS020) p.6378 Research of Acceleration Urbanization Impacts on Resources and Environment in Sichuan Province Caimo,Teng National Bureau of Statistics of China, Survey Organizations of Sichuan No.31, the East Route, Qingjiang Road Chengdu, China, 610072 E-mail: [email protected] Since the reform and opening up, the rapid development of economic society and the rise ceaselessly of urbanization in Sichuan play an important role for material civilization and spiritual civilization, but also bring influence for resources and environment, this paper give an in-depth analysis about this. Ⅰ. The Main Characteristics of the Urbanization Development in Sichuan The reflection of urbanization in essence is from the industry cluster to population cluster., we tend to divided the process of urbanization into four stages, 1949-1978 is the first stage, 1978 – 1990 is the second stage, 1990 -2000 is the third stage, After the year of 2000 is the fourth stage. In view the particularities of the first phase, this paper researches mainly after three stages. 1. The level of the urbanization enhances unceasingly. With the reform and opening-up and the rapid development of social economy, the urbanization in Sichuan has significant achievements. The average annual growth of the level of urbanization is 0.8 percent in the twelve years of the second stage. The average annual growth in the third stage and the four stages is individually 0.5 and 1.3 percentage. The average annual growth of urbanization in the fourth stage is faster respectively 0.5 and 0.8 percent than the previous two stages which reflects obviously the rapid rise of the urbanization after the fourth stage in Sichuan. -
Best-Performing Cities: China 2018
Best-Performing Cities CHINA 2018 THE NATION’S MOST SUCCESSFUL ECONOMIES Michael C.Y. Lin and Perry Wong MILKEN INSTITUTE | BEST-PERFORMING CITIES CHINA 2018 | 1 Acknowledgments The authors are grateful to Laura Deal Lacey, executive director of the Milken Institute Asia Center, Belinda Chng, the center’s director for policy and programs, and Ann-Marie Eu, the Institute’s senior associate for communications, for their support in developing this edition of our Best- Performing Cities series focused on China. We thank the communications team for their support in publication as well as Kevin Klowden, the executive director of the Institute’s Center for Regional Economics, Minoli Ratnatunga, director of regional economic research at the Institute, and our colleagues Jessica Jackson and Joe Lee for their constructive comments on our research. About the Milken Institute We are a nonprofit, nonpartisan think tank determined to increase global prosperity by advancing collaborative solutions that widen access to capital, create jobs, and improve health. We do this through independent, data-driven research, action-oriented meetings, and meaningful policy initiatives. About the Asia Center The Milken Institute Asia Center promotes the growth of inclusive and sustainable financial markets in Asia by addressing the region’s defining forces, developing collaborative solutions, and identifying strategic opportunities for the deployment of public, private, and philanthropic capital. Our research analyzes the demographic trends, trade relationships, and capital flows that will define the region’s future. About the Center for Regional Economics The Center for Regional Economics promotes prosperity and sustainable growth by increasing understanding of the dynamics that drive job creation and promote industry expansion. -
Ming Wang Whilst Studying Painting in the 1970'S, I Began Learning Chinese Music
A review of my experiences, and criticism of the music exchange projects Ming Wang Whilst studying painting in the 1970's, I began learning Chinese music. This was introduced to Taiwan from mainland China after the Chinese Civil War in 1949. Hence my first “great love” of this music, but it was extremely difficult to learn. Because of the political situation with mainland China the culture of this music was totally separated from its roots. We had very limited teaching material and literature, had no systematic pedagogical methodology. We were young and passionate at the time and wanted to find a solution, a future for this music. The introduction of Western Modernism was a great hope for us then, as it has often been in the history of China over the last 150 years. While my music friends founded the first revolutionary ensemble with Chinese instruments, to specialize in Taiwanese and Western contemporary music, I decided to study composition in Europe; to learn the western avant-garde, so that we could enrich Chinese music. With this goal in mind, since 1996 – during my studies - I have initiated or participated in several exchange projects between Austria and Taiwan. I try not only to present new european music in Taiwan, but also to introduce Taiwanese musicians, Chinese instruments and music to Europe. Twenty years later in the age of globalisation, I often think about whether such exchange projects really make artistic sense, or whether we have gradually lost our ideals in the workings of the music business. With a few concrete examples, I would like to give a review of my years of experience with the music exchange projects, and offer this topic for discussion. -
Guo Degang: a Xiangsheng
Shenshen Cai Swinburne University of Technology, Melbourne Guo Degang A Xiangsheng (Cross Talk) Performer Bridging the Gap Between Su (Vulgarity) and Ya (Elegance) Xiangsheng 相声 (cross talk), which has been one of the most popular folk art performance genres with the Chinese people since its emergence during the Qing Dynasty, began to lose its popularity at the turn of the 1990s. How- ever, this downward trajectory changed from about 2005, and it once again began to enthuse the public. The catalyst for this change in fortune has been attributed to Guo Degang and his Deyun Club 德云社. The general audience acclaim for Guo Degang’s xiangsheng performance not only turned him into a xiangsheng master and a grassroots cultural hero, it also, somewhat absurdly, evoked criticism from a few critics. The main causes of the negative critiques are the mundane themes and the ubiquitous vulgar baofu 包袱 (comical ele- ments) and rude jokes enlisted in Guo’s xiangsheng performance that revolve around the subjects of ethics, pornography, and prostitution, and which turn Guo into a signifier of vulgarity. However, with the media platform provided via the Weibo 微博 microblog, Guo Degang demonstrates his penchant for refined taste and his talent as an elegant literati. Through an in-depth analy- sis of both Guo Degang’s xiangsheng performance and his microblog entries, this paper will examine the contrasting features between Guo Degang’s artis- tic creations and his “private” life. Also, through the opposing contents and reflections of Guo Degang’s xiangsheng works and his microblog writings, an opaque and sometimes diametrically opposed insight into his worldviews is provided, and a glimpse of the dualistic nature of engagement and withdrawal from the world is revealed. -
The Sichuan Folk Songs Pedagogy at Sichuan Consevratory of Music in China
The Sichuan folk songs pedagogy at sichuan consevratory of music in china Jieke Wang A Thesis Submitted in Partial Fulfillment of Requirements for degree of Master of Music in Music March 2021 Copyright of Mahasarakham University การสอนเพลงพ้ืนบา้ นสือฉวน ในวิทยาลัยดนตรีสือฉวน ประเทศจีน วิทยานิพนธ์ ของ Jieke Wang เสนอต่อมหาวทิ ยาลยั มหาสารคาม เพื่อเป็นส่วนหน่ึงของการศึกษาตามหลกั สูตร ปริญญาดุริยางคศาสตรมหาบัณฑิต สาขาวิชาดุริยางคศาสตรมหาบัณฑิต มีนาคม 2564 ลิขสิทธ์ิเป็นของมหาวทิ ยาลยั มหาสารคาม The Sichuan folk songs pedagogy at sichuan consevratory of music in china Jieke Wang A Thesis Submitted in Partial Fulfillment of Requirements for Master of Music (Music) March 2021 Copyright of Mahasarakham University The examining committee has unanimously approved this Thesis, submitted by Mr. Jieke Wang , as a partial fulfillment of the requirements for the Master of Music Music at Mahasarakham University Examining Committee Chairman (Asst. Prof. Khomkrit Karin , Ph.D.) Advisor (Asst. Prof. Sayam Juangprakhon , Ph.D.) Committee ( Tanaporn Bhengsri , Ph.D.) Committee (Assoc. Prof. Jatuporn Seemong , Ph.D.) Mahasarakham University has granted approval to accept this Thesis as a partial fulfillment of the requirements for the Master of Music Music (Asst. Prof. Khomkrit Karin , Ph.D.) (Assoc. Prof. Krit Chaimoon , Ph.D.) Dean of College of Music Dean of Graduate School D ABSTRACT TITLE The Sichuan folk songs pedagogy at sichuan consevratory of music in china AUTHOR Jieke Wang ADVISORS Assistant Professor Sayam Juangprakhon , Ph.D. DEGREE Master of Music MAJOR Music UNIVERSITY Mahasarakham University YEAR 2021 ABSTRACT The Sichuan Conservatory of Music is the most important conservatory of music in southwest China, and so are Sichuan folk songs. Folk songs are mostly collective creations processed and improved by the masses through oral transmission. -
The “Lyrical” Expression of History: the Relationship Between History and Lyricism in the Yangzhou Play “Long Canal Willow”
The “Lyrical” Expression of History: The Relationship between History and Lyricism in the Yangzhou Play “Long Canal Willow” Zijun LIU Yangzhou Institute of Quyi Abstract: The lyric expression of history, both ancient and modern Chinese and foreign literary works have dabble in, but there is no unified theory, the author tries to introduce this concept, to the creation, performance play a certain role of inspiration. If history cannot be expressed in a lyrical way, then the temperature of history cannot be felt by ordinary people. The dissemination of historical ideas is finally rooted in the people's minds from the perspective of ordinary people. It is also a clever combination of art and history. Youyou Yunyun Willow is a representative work of Yangzhou Tanchi, which expresses the canal culture of Yangzhou. This paper will try to analyze the success of Youyou Yunyun Willow from the lyric expression of history. Keywords: History; Lyric expression; Tanci DOI:10.47297/ wsprolaadWSP2634-786503.20200104 angzhou Tanci, formerly known as Xianci, is a kind of play lyric song system based Yon Yangzhou dialect. It is mainly based on speaking and supplemented by playing and singing. The representative books include “Double Golden Ingots”, “Pearl Tower”, “Falling Gold Fan”, “Diao Liu’s”, etc. The Yangzhou Tanci and Yangzhou commentary are sister arts, formed in the late Ming Dynasty and flourished in the early Qing Dynasty, with a history of more than 400 years. It originated in Yangzhou and spread in Zhenjiang, Nanjing and the area around the Lixia River in central Jiangsu. “Long Canal Willow” is a representative work of Yangzhou Tanci, which expresses the culture of Yangzhou canal.