Sichuan Opera

[email protected] +86-28-85593923 2 hours Evening cultural show - Sichuan opera https://windhorsetour.com/chengdu-tour/sichuan-opera-culture-show Chengdu Have a huge smile as you enjoy an evening performance that celebrates the rich Sichuan opera. Hear the folk music, see the Sichuan mask changing, watch the dancing and more. A wonderful show to see Sichuan the way once reserved for imperials. Type Private Duration 2 hours Theme Culture and Heritage Trip code WS-102 Price From ¥ 350 per person Itinerary Sichuan Opera has a history spanning 300 years and your evening's entertainment celebrates the music, voice, dance and humor of the region. The show begins with the classic 'Nightmare of Shi Huaiyu,' which is part ghost story and part love song, featuring famous characters from Chinese fiction. Next the performance features two soloists on traditional Chinese instruments. First is the Ehru, the Chinese violin with a haunting sound that you'll never forget. Later on in the opera, a solo will be performed on the Guqin, the Chinese zither. The Guqin is associated with wisdom and nobleness and is used for only the most traditional and sentimental music. Between the two soloists will be the 'Singing of Cuckoo,' performed in classic Sichuan surd singing style. Surd singing is one of the most difficult techniques in all Chinese music, and the Cuckoo is one of the best-known folk songs among Sichuan people. The show's finale will be the joyous 'Wild Dance of Golden Snake.' This traditional folk music is full of humor, merriment, and the personality of the West Shu country people who perform the dance. Day 01 : Sichuan Opera To be met at your hotel lobby around 19:30 and then transferred to Shufengyayun Tea house or Sichuan Theater. The Opera begins at 20:00, lasts for 1.5 hours. While you enjoy the Opera, tea will be served as well. Also you can pay a little bit money for a massage or have ears cleaning. After the show is over, you will be sent back to your hotel, end the trip. Inclusions Tour notes: Please note prices are based in CNY. General inclusions: All entrance tickets as noted in the tour's itinerary. Hotel pick-up and drop-off. General exclusions: Tips for your guide and driver. Meals that are not specified in the tour itinerary. https://windhorsetour.com/chengdu-tour/sichuan-opera-culture-show [email protected] +86-28-85593923 Generated: Wed, 09/29/2021 - 06:37.

Copy Link

Recommended publications

CHENGDU CHINA Go Wild at Corbett
Mumbai,Saturday,August 14,2010 06 lifestyle htcafé PHOTOS: KALPANA SUNDER CHENGDU CHINA Go wild at Corbett Mongolia ways leave every 10 minutes be throughout the year.The Beijing Q&A from Madurai bus stand. Bijrani zone will be open CHENGDU Youcan stayinGujarat from October 15 and the inbox Bhawan, which is just a main Dhikala zone will be stone’s throw away from open fortourists from No- Gulyang Nepal My familyand Iare plan- Rameshwaramtemple. vember 15.Currently,the Qning to go to Maduraifor 2 roadstoJhirna zone are Philippines days. We’regoing to sightsee in Iwouldliketoknow not in good condition and Maduraionthe first dayand go Qduring which months the thereare severalstreams Take awalk to Rameshwaramthe next day. Corbett National Park is open on the way, filled with down colourful Anytips on what needs to be fortourists. Iamplanning to water.Itwill be better for Jinli street GETTING THERE seen?Please tell us about what visit in August or September; youtovisit Corbett to avoid. will it be open then?Also, how between November and By air: Youcan flytoChengdu Raviunni will the weather be during that February as it is winter from Beijing; it takes about two Meenakshi temple in time?Will we be able to enjoy time then and the animals hours. Or takeatrain AMadurai is amust see. the safari rides or would it be usually come out to the What to see: Panda park, Jinli Madurai is the centrefor toorainyand muddy? open grasslands to keep Street, Wohou Te mple, Leshan both Rameshwaramand Sumit themselves warm. If you Buddha Kanyakumari. Don’t take Sinceyou enquired want to visit the Dhikala the tour buses as therewill Aabout the opening sea- zone,then youhavetofile be arush foreverything son of the JimCorbett park, an application with the Cor- and youwon’t be able to see Iwould liketotell youthat, bett reception at least two the placespeacefully.Buses right now, the Jhirna zone months prior,for astay PANDA ADVENTURE of the Tamil Nadu Road- of the forest is open and will inside the park.
[Show full text]
Best-Performing Cities: China 2018
Best-Performing Cities CHINA 2018 THE NATION’S MOST SUCCESSFUL ECONOMIES Michael C.Y. Lin and Perry Wong MILKEN INSTITUTE | BEST-PERFORMING CITIES CHINA 2018 | 1 Acknowledgments The authors are grateful to Laura Deal Lacey, executive director of the Milken Institute Asia Center, Belinda Chng, the center’s director for policy and programs, and Ann-Marie Eu, the Institute’s senior associate for communications, for their support in developing this edition of our Best- Performing Cities series focused on China. We thank the communications team for their support in publication as well as Kevin Klowden, the executive director of the Institute’s Center for Regional Economics, Minoli Ratnatunga, director of regional economic research at the Institute, and our colleagues Jessica Jackson and Joe Lee for their constructive comments on our research. About the Milken Institute We are a nonprofit, nonpartisan think tank determined to increase global prosperity by advancing collaborative solutions that widen access to capital, create jobs, and improve health. We do this through independent, data-driven research, action-oriented meetings, and meaningful policy initiatives. About the Asia Center The Milken Institute Asia Center promotes the growth of inclusive and sustainable financial markets in Asia by addressing the region’s defining forces, developing collaborative solutions, and identifying strategic opportunities for the deployment of public, private, and philanthropic capital. Our research analyzes the demographic trends, trade relationships, and capital flows that will define the region’s future. About the Center for Regional Economics The Center for Regional Economics promotes prosperity and sustainable growth by increasing understanding of the dynamics that drive job creation and promote industry expansion.
[Show full text]
Classical Highlights of China & Giant Pandas
Classical Highlights of China & Giant Pandas June 25 - July 7, 2017 May 12-25, 2019 Beijing • Xian • Chengdu • Chongqing • Yangzi River • Yichang • Shanghai Dear Friends of the San Diego Zoo, We are very excited to offer our popular China Panda tour once again in 2019 — an ex- cursion sure to provide the ultimate giant panda experience! Travel with us to Cheng- du and enjoy the beautiful Panda Breeding Center, a natural home to approximately 100 giant pandas — viewing so many adorable pandas, particularly the panda cubs at their “kindergarten”, has been among the most memorable highlights for past travelers. We continue on to the recently opened Dujiangyan Panda Park, which features 50 of its own playful pandas. At the newly reopened Wolong Panda Preserve, you will enjoy an exclusive experience with the pandas — go behind the scenes and work side-by-side with panda caretakers to help clean panda enclosures, prepare panda cakes and feed the pandas. After volunteering, you will even have your photo taken with a panda! San Diego Zoo Global has a decades-long relationship with the Wolong Breeding Center, conducting essential research to help recover wild populations and remove obstacles to panda reproduction. This 2019 program also includes visits to Beijing, Xian, and Shanghai, as well as a 3- day cruise on the Yangzi River; the longest river in China. A San Diego Zoo escort will ac-company you on your journey, along with a national tour director from Asia Sublime. We cordially invite you to join us on this special adventure. Space is limited to 25 trav-elers and your early reservation is encouraged.
[Show full text]
Brief Discussion on Historical Evolution of Sichuan Opera Tune Music
2nd International Conference on Economy, Management and Education Technology (ICEMET 2016) Brief Discussion on Historical Evolution of Sichuan Opera Tune Music Shengdong Yue1 1Chengdu Normal University Academy Of Music, Chengdu, Sichuan,611130 Key words: Sichuan opera, tune music, high-pitched tune, evolution Abstract: In this paper, taking high-pitched tune, the most representative and most development-impeccable in five tunes of Sichuan Opera as one example, by analyzing relevant historical facts and materials to take brief comb and discourse for Sichuan opera tune including Kun Opera, High-pitched Tune, Huur, Tanxi, Lantern tune. Actually, the Sichuan Opera with modern sense forms in early 20th century and the reason of the formation is the urbanization and commercialization development tendency of local opera art, which promotes different tunes’ merging spread in various districts of Sichuan and then after hundreds of intercourse performance, Sichuan opera implements its localization which forces the formation of ‘Five in One Tune’ modern Sichuan opera. Introduction Sichuan opera, as one of China Four Big Operas includes Kun Opera, High-pitched Tune, Huur, Tanxi, Lantern tune and speakers from educational circles think that these five tunes, except for lantern tune originating from native, the others are all the result of the combination of local dialect, folk music, folk tradition and fold customs with external tunes after coming into Sichuan and the combination evolution. After further integration and interaction of derived tunes with Sichuan characteristics, Sichuan Opera---Sichuan local opera with ‘Five in One Tune’ comes into being. The total constitution of Sichuan tune music is made up with two parts: singing and accompaniment music and the five tunes respectively belong to five tune systems of traditional opera: Kun Opera, High-Pitched Tune, Pihuang Tune, Bangzi Tune and folk song and dance and the accompaniment music is made up with percussion music and orchestral music.
[Show full text]
Intangible Heritage in Performing Arts in Taiwan
LIVING HERITAGE: INTANGIBLE HERITAGE IN PERFORMING ARTS IN TAIWAN by SHANGRONG TSAI A thesis submitted to the University of Birmingham for the degree of DOCTOR OF PHILOSOPHY Ironbridge International Institute for Cultural Heritage School of History and Cultures College of Arts and Law University of Birmingham May 2014 University of Birmingham Research Archive e-theses repository This unpublished thesis/dissertation is copyright of the author and/or third parties. The intellectual property rights of the author or third parties in respect of this work are as defined by The Copyright Designs and Patents Act 1988 or as modified by any successor legislation. Any use made of information contained in this thesis/dissertation must be in accordance with that legislation and must be properly acknowledged. Further distribution or reproduction in any format is prohibited without the permission of the copyright holder. ABSTRACT Intangible heritage is a growing concept of emphasis in international communities. This study will define intangible heritage and focus on the performing arts in Taiwan. Inasmuch as Taiwanese Opera and Hand Puppetry are two of the most significant manifestations among others, research methods of qualitative interviews and non-participant observations will be used to gain an insight into their practices through investigating certain practitioners. This study will in particular explore organisational management and training approaches that ensure their artistry and skills are transmitted, contributing to the dissemination of intangible heritage. Furthermore, this study will inspect how the competent authorities determine the designation and registration of intangible heritage. Governmental schemes and their implementation for the safeguarding intangible heritage will be thoroughly examined, revealing the integrity and effectiveness of administrative systems, especially as the competent authorities are confronted by certain problems in the interpretation of intangible heritage, interaction with practitioners and controversy.
[Show full text]
Download Article
Advances in Social Science, Education and Humanities Research, volume 310 3rd International Conference on Culture, Education and Economic Development of Modern Society (ICCESE 2019) Research on the Inheritance and Development of Sichuan Qingyin* Ya Zhang College of Music Sichuan Normal University Chengdu, China Abstract—Taking the inheritance of Sichuan Qingyin as the research object, this paper explores how to inherit and carry II. THE CHANGE OF INHERITANCE WAY forward Sichuan Qingyin in today's society through the analysis Since the Qing Dynasty, Sichuan Qingyin has undergone of its inheritance mode, purpose, change of songs and change of many social changes, such as the 1911 Revolution, the May audience groups. 4th Movement and the War of Resistance against Japan. Some amateurs started full time to make ends meet. They either took Keywords—Sichuan Qingyin; contemporary environment; cultural inheritance a family as a team, or combine freely as a team, or "adopting girls" wandering in major cities and towns, known as "family group" and "nest group". At first, apprentices came to master I. INTRODUCTION to learn art. Masters used the method of oral and heart-to-heart Sichuan Qingyin prevailed during the reign of Qianlong in teaching. Masters taught and sang one phase orally, and the Qing Dynasty. It centered on Luzhou and Xufu, and spread apprentices imitated and sang one phase along. Although this all over towns and villages. Originally known as pipa singing way of inheritance is primitive, the master could teach and yueqin singing, it is a traditional form of music in Sichuan. apprentices personally. The apprentice could master the It has both the name of elegance and the meaning of Qingyin.
[Show full text]
The Formation of Modern Sichuan Opera Sound Tunes Music Sheng
2020 5th International Conference on Education and Social Development (ICESD 2020) ISBN: 978-1-60595-676-3 The Formation of Modern Sichuan Opera Sound Tunes Music Sheng-Dong YUE* and Kun-Jie MA School of Music of Chengdu Normal University, Sichuan, China *[email protected] Keywords: Modern Sichuan opera; Sichuan opera music; "Five tunes integration." Abstract. The Sichuan opera music which we see now is a synthesis of local opera art formed at the beginning of the 20th century, belonging to "modern Sichuan opera music," which is essentially different from the "Sichuan tune" and "Sichuan opera" before the 20th century. In fact, at the end of the 1930s, there was no proper term for "Sichuan opera," only "Sichuan tune," "Sichuan clapper" and other appellations of single tune, which did not have the significance of drama. Modern Sichuan opera music has come into being under the influence of "Drama Improvement" movement in the early 20th century directly because of the establishment of "Sanqing Club." The Basis of Modern Sichuan Opera Sound Tunes Music Form In the late Ming and early Qing dynasties, the class contradictions and ethnic contradictions in Sichuan were intricate and fierce, in which the long-term melee between the Ming army, the Qing army, the peasant insurgents and the landlords led to the collapse of the Dujiangyan Irrigation System, and floods, droughts, plagues and famines occurred in successive years. According to The History of Sichuan in the Qing Dynasty which is compiled by Wang gang, the population of Sichuan province in the 18th year of Qing dynasty when Emperor Shun Zhi ruled over the country was only 300,000 to 500,000, equivalent to 2.6% of the 6th year in Wanli period of Ming dynasty.
[Show full text]
Sichuan University(SCU) Is a National Key Comprehensive University, Incorporated
Sichuan University Sichuan University(SCU) is a national key comprehensive university, incorporated from three key universities, namely, the former Sichuan University, Chengdu University of Science and Technology (CUST) and West China University of Medical Science (WCUMS). Sichuan University offers courses in nine major fields of study including humanities, social sciences, natural sciences, engineering and technology, medical sciences,etc. Sichuan University 24,Southen Section1, 1st Ringroad, 610065, Sichuan,Chengdu, P.R. China Tel:+86-28-85402443 FAX:+86-28-85403260 E-mail:[email protected]. cn Contact Us Sitemap FAQ http://www.scu.org.cn/19.09.2003 01:34:23 Sichuan University SichuanUniversity 24,Southen Section1, 1st Ringroad, 610065, Sichuan,Chengdu, P.R. China Tel:+86-28-85402443 FAX:+86-28-85403260 E-mail:[email protected] E-mail:[email protected] http://www.scu.org.cn/CONT.htm19.09.2003 01:34:35 Sichuan University Home Genaral Information History of SCU About SCU A welcome from the President Eximious Schoolfellow Academics Degrees Admission Program Oversea Students Science Technology Medicine Research Literae Humaniores International Cooperation Library Resource Museum Hospital News&Events Map Campus Life Living Service Students' Assn. Foreign Experts Employment Overseas Schoolars http://www.scu.org.cn/sitemap.htm19.09.2003 01:34:52 Sichuan University General Information As one of the national key universities directly under the State Ministry of Education (MOE) as well as one of the State “211 Project” universities enjoying privileged construction in the Ninth Five-Year Plan period, the present Sichuan University (SCU) was first incorporated with Chengdu University of Science and Technology (CUST), another national key university under the MOE in1994, and West China General Information University of Medical Science (WCUMS), a key university directly subordinated to History of SCU the State Ministry of Health in 2000.
[Show full text]
Theater in China and Japan a Look at the Beijing Opera and the Kabuki Theater
THEATER IN CHINA AND JAPAN A LOOK AT THE BEIJING OPERA AND THE KABUKI THEATER Grade Level This lesson was written for late Elementary and early Middle School for Language Arts. Objective Students will explore then compare and contrast the Chinese (Beijing Opera) and Japanese (Kabuki) forms of theater. They will then create their own performance pieces based on these forms. This lesson will be carried out over the course of a month, allowing appropriate classroom time for each step in the creation of an independent performance. Concepts Beijing Opera—(also known as the Peking Opera) is a popular form of Chinese theater that combines acting, spoken dialogue, singing, dancing, athletics, and acrobatics. The action is accompanied by a traditional Chinese orchestra, which consists mainly of loud percussion instruments and two-string fiddles. Wooden clappers are used to highlight the actions on stage. Actors use very few props and convey the meaning of their words and songs through gestures, mime, movement, and facial expression. The actions of opening a door, going up stairs, rowing a boat, or threading a needle are done purely through the actor’s mime-like gestures. The stories of the Beijing Opera were taken from plays performed in China at an earlier time as well as from traditional stories and novels, which are often based on actual events in Chinese history. The Beijing Opera (originally known as pihuang or lutang, or “plucking [a stringed instrument] at random” is thought to have originated in 1790 to celebrate the 55th year of the reign of the Qianlong Emperor (which coincided with his 80th birthday).
[Show full text]
Marjorie Chan's C5474. Chinese Opera (Autumn Semester 2014)
Chinese 5474. Chinese Opera SPRING SEMESTER 2020 Chinese 5474 CHINESE OPERA Professor Marjorie K.M. Chan Dept. of East Asian Langs. & Lits. The Ohio State University Columbus, OH 43210 U.S.A. _____________________________________________________________________________________________________________________________________________________________________ COURSE: Chinese 5474. Chinese Opera Class No. & Credit Hours: 27974 G 3 credits Class No. & Credit Hours: 28041 UG 3 credits Prerequisites: No prerequisites DAY & TIME M 2:15 - 5:00 p.m. PLACE: 042 Hagerty Hall (1775 College Road) OFFICE HOURS: R 1:30 - 3:30 p.m., or by appointment Office: 362 Hagerty Hall (1775 College Road) Tel: 614.292.3619 (Dept.: 614.292.5816) E-mail: chan.9 osu.edu HOME PAGE: http://u.osu.edu/chan.9/ COURSE PAGE: http://u.osu.edu/chan.9/c5474/ _____________________________________________________________________________________________________________________________________________________________________ TEXTBOOKS Two textbooks (Chen 2014, Shi 2014) are required, both available in Kindle edition. The other four textbooks, in hardcopy, are placed on Reserve at Thompson Library. (Additional copies are also available from the instructor.) 1. Chen, Rong. 2014. Qin Xianglian: A Beijing Opera. Beijing: Foreign Language Teaching and Research Press. [Part of the series, The Project for Disseminating Chinese Operatic Dramas Overseas by Renmin U. of China.] (Kindle edition, $3.99, from amazon.com) REQUIRED. 2. Shi, Yili. 2014. The Legend of Liang Shanbo and Zhu Yingtai: A Yueju Opera. Beijing: Foreign Language Teaching and Research Press. [Part of the series, The Project for Disseminating Chinese Operatic Dramas Overseas by Renmin University of China.] (Kindle edition, $2.15, from amazon.com; Chinese title but content displayed is identical to the $9.99 copy). REQUIRED. 3.
[Show full text]
Jiuzhaigou National Park for Good Measure!
A NIGHT AT THE OPERA Your Quintessential Guide to Xiqu 城市漫步上海英文版6月份国内统一刊号: CN 11-5233/GO China Intercontinental Press JUNE 2019 that’s Shanghai 《城市漫步》上海版英文月刊主管单位 : 中华人民共和国国务院新闻办公室 Supervised by the State Council Information Office of the People's Republic of China 主办单位 : 五洲传播出版社地址 : 中国北京北京西城月坛北街 26 号恒华国际商务中心南楼 11 层文化交流中心邮编 100045 Published by China Intercontinental Press Address: 11th Floor South Building, HengHua International Business Center, 26 Yuetan North Street, Xicheng District, Beijing 100045, PRC http://www.cicc.org.cn 社长 President of China Intercontinental Press: 陈陆军 Chen Lujun 期刊部负责人 Supervisor of Magazine Department: 付平 Fu Ping 主编 Executive Editor: 袁保安 Yuan Baoan 编辑 Editor: 朱莉莉 Zhu Lili 发行 Circulation: 李若琳 Li Ruolin Food & Drink Editor Cristina Ng National Arts Editor Bryan Grogan Production Manager Ivy Zhang 张怡然 Designers Joan Dai 戴吉莹 , Nuo Shen 沈丽丽 Contributors Matthew Bossons, Logan Brouse, Ellie Dunnigan, Edoardo Donati Fogliazza, Ryan Gandolfo, Yuzhou Hu, Mia Li, Justine Lopez, Naomi Lounsbury, Shawn Lupori, Erica Martin, Valerie Osipov, Tristin Zhang HK FOCUS MEDIA Shanghai (Head office) 上海和舟广告有限公司上海市静安区江宁路 631 号 6 号楼 407-408 室邮政编码 : 200041 Room 407-408, Building 6, No. 631 Jiangning Lu, Jing'an District, Shanghai 200041 电话 : 021-6077 0760 传真 : 021-6077 0761 Guangzhou 上海和舟广告有限公司广州分公司广州市越秀区麓苑路 42 号大院 2 号楼 610 室邮政编码 : 510095 Room 610, No. 2 Building, Area 42, Luyuan Lu, Yuexiu District, Guangzhou 510095 电话 : 020-8358 6125, 传真 : 020-8357 3859-800 Shenzhen 广告代理电话 : 0755-8623 3220, 传真 : 0755-8623 3219 Beijing
[Show full text]
Research on the People's Survival in Traditional Chinese Opera
2018 International Conference on Arts, Linguistics, Literature and Humanities (ICALLH 2018) Research on the People’s Survival in Traditional Chinese Opera Tang Haiyan Department of Music and Dance, Changsha Normal University, Changsha, Hunan 410100 Keywords: Drama Performance, People Skills, Research Abstract: The characters in opera performances are one of the most outstanding features that draw attention of the audience. In general, the characters in opera repertoire are mainly divided into traditional acrobatics classes, artists' self-creation and magic. These characters are absolutely essential to the stage performances which play roles in shaping characters, enriching performance means and creating real situations. The sources of these skills are usually acrobatics and martial arts. Some of them are taught by artistes, while others are created according to the stage. For long-term development of theatrical performances, it is necessary to give full play to the effects and functions brought by the characters. 1. Introduction As with other performances, the performance of the traditional opera requires the efforts of "one minute on stage and 10 years on the stage." However, the performance of opera performances in the audience is mainly reflected in the aspects of action. To sum up, there are mainly tactics, handkerchief, fan work, each method and effort include complex content and form, such as the simplest way and includes a wide range of orchids, praise means, derogatory meaning, character means, etc., usually measure the size of the play, the professional level of the troupe, whether or not the performer has been trained in the band, etc., are usually based on the performance of basic skills as a measure of the basic indicators [1].
[Show full text]