DOCSLIB.ORG

LIFESTYLE and ENTERTAINMENT in YANGZHOU - - - Cul Under Great a the Historical of of to Bring Together Bringtogether to Comprehensible Comprehensible To

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
LIFESTYLE and ENTERTAINMENT in YANGZHOU - - - Cul Under Great a the Historical of of to Bring Together Bringtogether to Comprehensible Comprehensible To BØRDAHL & OLIVOVÁ Exploring the richness and complexity of one of the most important centres of traditional culture in China The Chinese city of Yangzhou has been of great cultural significance lifestyle and for many centuries, despite its destruction by invaders in the 17th and 19th centuries. It was a site of virtual pilgrimage for aspiring LIFESTYLE AND ENTERTAINMENT IN YANGZHOU LIFESTYLE AND ENTERTAINMENT members of the Chinese educated class during the Ming and Qing entertainment periods. Moreover, because it was one of the foremost commercial centres during the late imperial period, it was the place where the merchant and scholarly classes merged to set new standards of in yangzhou taste and to create a cultural milieu quite unlike that of other cities, even other major centres in the region. The luxurious elegance of its gardens and the eminence of its artistic traditions meant that Yangzhou set aesthetic standards for the entire realm for much of the late imperial age. Over the years, particular regional forms of art and entertainment arose here, too, some surviving into the present Edited by time. Yangzhou’s rich cultural tradition is celebrated in this volume Lucie Olivová and Vibeke Børdahl through a well-balanced spectrum of topics spanning the period from the late 17th century to modern times. These are grouped into four thematic parts: Yangzhou’s cultural heritage during historic downfalls and revivals; regional literature and book production; lo- cal theatre and storytelling; and various artists of the 18th-century Yangzhou School of Painting. This beautifully illustrated volume is the first to bring together the history, literature, and performing and visual arts of a great cul- tural centre that currently is being considered for listing as a Unesco world heritage site. Not only does it provide scholars with under- standing on a new level of nuanced insight. It makes the historical and symbolic complexity of this fascinating city comprehensible to non-specialists as well. www.niaspress.dk Lifestyle and Entertainment in Yangzhou LIFESTYLE AND ENTERTAINMENT IN YANGZHOU Edited by Lucie B. Olivová and Vibeke Børdahl Lifestyle and Entertainment in Yangzhou Edited by Lucie Olivová and Vibeke Børdahl NIAS Studies in Asian Topics Series, No. 44 First published in 2009 by NIAS Press NIAS – Nordic Institute of Asian Studies Leifsgade 33, 2300 Copenhagen S, Denmark E-mail: [email protected] Online: http://www.niaspress.dk © NIAS – Nordic Institute of Asian Studies 2009 While copyright in the volume as a whole is vested in NIAS Press, copyright in the individual chapters belongs to their authors. No chapter may be reproduced in whole or part without the express permission of author, publisher and editors. British Library Cataloguing in Publication Data Lifestyle and entertainment in Yangzhou. - (NIAS studies in Asian topics ; no. 44) 1. Arts - China - Yangzhou 2. Yangzhou (China) - Civilization I. Olivova, Lucie II. Bordahl, Vibeke 700.9'51222 ISBN 978-87-7694-035-5 The publication of this book was assisted by grants from the Chiang Ching-kuo Foundation for International Scholarly Exchange, Taibei, the Nordic Institute of Asian Studies, Copenhagen, and the Norwegian Research Council, Oslo. Typesetting by Donald B. Wagner In Memory of Yi-li Kao 1974–2009 Contents Illustrations ix Preface xv Contributors xix Introduction Lucie B. Olivová and Vibeke Børdahl xxi Part I: City of Sights 1 Building History and the Preservation of Yangzhou Lucie B. Olivová 3 2 Gathering in a Ruined City: Metaphor, Practice and Recovery in Post-Taiping Yangzhou Tobie Meyer-Fong 37 3 The Fashionable City? Glimpses of Clothing Culture in Qing Yangzhou Antonia Finnane 62 4 The Culture of Yangzhou Residential Gardens Věna Hrdličková 75 5 A Traveler’s Tale of Two Cities: Yangzhou, Shanghai Malcolm McKinnon 87 Part II: Books and Literature 6 Yangzhou Printing and Book Culture in the Qing Period J. S. Edgren 109 7 Pleasures of a Man of Letters: Wang Shizhen in Yangzhou, 1660–1665 Li Hsiao-t’i 131 8 Early Qing Yangzhou in Shi Chengjin’s Vernacular Vignettes Roland Altenburger 149 9 Local Fiction of the Yangzhou Region: Qingfengzha Margaret B. Wan 177 vii viii Contents Part III: Performance and Entertainment 10 Yangzhou Local Theatre in the Second Half of the Qing Colin Mackerras 207 11 Kunqu in Yangzhou Then and Now Lindy Li Mark 225 12 Written Scripts in the Oral Tradition of Yangzhou Storytelling Vibeke Børdahl 245 13 The Traditional Style of Storyhouses in Yangzhou Fei Li 271 14 Life in the Green Lofts of the Lower Yangzi Region Stefan Kuzay 286 Part IV: The Yangzhou School of Painting 15 The Study of Forgeries of Paintings by the Yangzhou Eccentrics Zhuang Sue 317 16 Traveling to the Frontier: Hua Yan’s Camel in Snow Ginger Cheng-chi Hsü 347 17 The Landscape Albums of Huang Shen Yi-li Kao 376 18 Illustrious Icons and Flower Garlands: Defining Buddhist Imagery in Eighteenth-Century Yangzhou Painting Kristen E. Loring 402 References 441 Index 476 Illustrations FIGURES 1.1 Southern gate, Nanmen, state before (2005) and after the restoration (2007). 4 1.2 Yuansheng temple, with built-in apartments. Yangzhou historical city, Old Town. September 2007. 21 1.3 Tablets, old and new, fixed on protected historical monuments. 23 1.4 A stone slab on Wenhe Street, with Jiang Zemin’s inscription. 26 1.5 View of a Yangzhou lane, with the new pavement. September 2007. 27 2.1 Exterminating the Yue Bandits. Woodcut showing the Qing forces fighting the Taipings in 1854. 39 3.1 A lady being photographed. Illustration from Xinwen huabao, Guangxu reign. 65 4.1 The Wind Pavilion,Feng ting, in He Garden. 77 4.2 Rockery stuck onto the wall, with the Moon Pavilion, Tiebi shan yue ting, in He Garden. 80 4.3 The Pavilion in the Heart of the Pond, Shuixin ting, in He Garden. 81 4.4 A solitaire stone in He Garden. 83 4.5 Door opening in the shape of a crescent-moon, in He Garden. 84 5.1 Front page of a report to the British Parliament of an attack on British missionaries at Yangzhou in August 1868. 90 5.2 Metal trading area and the Grand Canal, at the eastern end of Taiping Road, Yangzhou. October 2005. 95 5.3 Ba Guai Memorial Hall: The main exhibition hall with lifesize clay figurines. 101 5.4 Min Zhen, Eight Children Playing. Yangzhou Museum. 103 6.1 Huaihai ji [Huaihai Collection], 1173. 110 6.2 Zhu Dongpo xiansheng shi [Mr Dongpo’s Poems with Annotation], 1213. 111 6.3 Daode jing [Classic of the Way and the Virtue] or Laozi, 1581. 114 6.4 Quan Tang shi [Complete Tang Poetry], 1707. 116 ix xIllustrations 6.5 Peiwen yunfu [Peiwen Phrase-dictionary Arranged According to Rhymes], 1711. 118 6.6 Libian [Dictionary of Clerical Script], 1718. 120 6.7 Yizhuan [Tang Commentary on the Yijing], 1756. 122 6.8 Yangzhou huafang lu [Pleasure Boats of Yangzhou], 1795. 123 6.9 Zhongding kuanzhi [Inscriptions on Bronze Vessels], 1802. 125 7.1 Luo Pin, A Joint Portrait of Wang Shizhen and Zhu Yizun. 1773. British Museum, London. 138 8.1 Idealized portrait of Shi Chengjin, from Chuan jia bao, 1739 edition. 150 8.2 Table of contents for Yuhua xiang, 1726 edition. 155 8.3 Map of the city of Yangzhou, based on Yangzhou fu zhi (1810), with indicated sites as mentioned in Yuhua xiang and Tongtian le stories. 164 9.1 The scoundrel, Pi Fengshan or Pi Wulaizi,Qingfengzha (1819). 180 9.2 The virtuous girl, Sun Xiaogu, Qingfengzha (1819). 181 9.3 A sample page from Qingfengzha (1819) with examples of Yangzhou dialect. 185 10.1 A scene from the traditional Yangzhou drama, Yangju, Zhenzhu ta [Pearl Pagoda]. October 2005. 220 10.2 Young members of the audience at the performance of Zhenzhu ta being shown a camera by a foreigner. October 2005. 223 11.1 The sceneShiseng [The Bully Priest] from theLiuye qupu collection. 239 11.2a–b An actor from the Nanjing Kunqu Troupe is painting his face for the performance of a comic role. Nanjing, 23 October 2005. 242 11.3 Nanjing Kunqu Troupe poses with participants of the ‘Workshop on Lifestyle and Entertainment in Yangzhou’. Nanjing, 23 October 2005. 244 12.1 Dai Buzhang (1925-2003) performs in Copenhagen 1996. 251 12.2 A page from the script of Western Han. 252 12.3 Fei Junliang (1891-1952). Yangzhou quyi zhi 1993. 258 12.4 A double page from the script of Three Kingdoms. 259 12.5 Fei Zhengliang (b. 1931) (artist name of Fei Li) performs the episode ‘Beheading Yan Liang’ from Three Kingdoms. Copenhagen 1996. 262 13.1 A street in the Jiaochang area of Yangzhou, 1997. 272 13.2 The stage of the Great Enlightenment Storytellers’ House, Daguangming shuchang, in the Jiaochang area, 1997. 274 13.3 Storytelling and tea in the Great Enlightenment Storytellers’ House, 1997. 275 13.4 Props of Yangzhou storytelling, 2000. 277 13.5 The audience in the Great Enlightenment Storytellers’ House, 1997. 280 Illustrations xi 13.6 Entrance to the Great Enlightenment Storytellers’ House from the main street, 1997. 284 14.1 Front page of Shiba mo [The Eighteen Ways of Massage]. 290 14.2 Frontpage of Da chahui [A Visit to the Teahouse]. 296 15.1 Li Shan, Five Pines. Undated. The Palace Museum, Beijing. 319 15.2 Li Shan, Five Pines. 1744. Chinese History Museum, Beijing. 320 15.3 Li Shan, Five Pines. 1747. Duoyun Xuan, Shanghai. 321 15.4 Li Shan, Five Pines. Album leaf, 1736. Collector unknown. 322 15.5 Li Shan, Five Pines. Undated. Tokyo National Museum. 323 15.6a Wang Shishen, Plum and Orchid.
Load more

Recommended publications
  • Chapter 5 Sinicization and Indigenization: the Emergence of the Yunnanese
    Between Winds and Clouds Bin Yang Chapter 5 Sinicization and Indigenization: The Emergence of the Yunnanese Introduction As the state began sending soldiers and their families, predominantly Han Chinese, to Yunnan, 1 the Ming military presence there became part of a project of colonization. Soldiers were joined by land-hungry farmers, exiled officials, and profit-driven merchants so that, by the end of the Ming period, the Han Chinese had become the largest ethnic population in Yunnan. Dramatically changing local demography, and consequently economic and cultural patterns, this massive and diverse influx laid the foundations for the social makeup of contemporary Yunnan. The interaction of the large numbers of Han immigrants with the indigenous peoples created a 2 new hybrid society, some members of which began to identify themselves as Yunnanese (yunnanren) for the first time. Previously, there had been no such concept of unity, since the indigenous peoples differentiated themselves by ethnicity or clan and tribal affiliations. This chapter will explore the process that led to this new identity and its reciprocal impact on the concept of Chineseness. Using primary sources, I will first introduce the indigenous peoples and their social customs 3 during the Yuan and early Ming period before the massive influx of Chinese immigrants. Second, I will review the migration waves during the Ming Dynasty and examine interactions between Han Chinese and the indigenous population. The giant and far-reaching impact of Han migrations on local society, or the process of sinicization, that has drawn a lot of scholarly attention, will be further examined here; the influence of the indigenous culture on Chinese migrants—a process that has won little attention—will also be scrutinized.
    [Show full text]
  • REVISIONS Suzhou Talesun Solar Technologies Co., Ltd
    REVISIONS SuZhou Talesun Solar Technologies Co., Ltd. REV ECN / NPA DESCRIPTION OF CHANGE CHK’D/DATE APP’D/DATE TITLE: LIMITED WARRANTY CERTIFICATE FOR TALESUN A0 07-2020 New Edition Caiping.huang Zhenzhou.gao 07-2020 07-2020 DOUBLE GLASS PHOTOVOLTAIC MODULE SPEC. NO.: PART NO.: TS-ET-125 N/A DRAWN BY: REV: Yujie.qian A0 SHEET 1 OF 1 TECHNICAL SPECIFICATION TITLE: LIMITED WARRANTY CERTIFICATE FOR SPEC. NO.: TS-ET-125 TALESUN DOUBLE GLASS PHOTOVOLTAIC REVISION: A0 MODULE EFFECTIVE DATE: 07-2020 Page 1 of 8 SuZhou Talesun Solar Technologies Co., Ltd. (“TALESUN”), hereby provide the limited warranty as below(“Limited Warranty”) described below to the initial owner of such Modules (the “Buyer”) This Limited Warranty applies exclusively to the new modules purchased from Talesun TALESUN reserve the right to amend the terms of this Limited Warranty as needed from time to time. Modules are defined in this Limited Warranty as photovoltaic solar modules manufactured by TALESUN or its authorized manufacturers, legitimately bearing “Talesun” brand, that are of the following product types: TD654P-XXX/TD654P-XXXN；TD660P-XXX/TD660P-XXXN；TD660M-XXX/TD660M-XXXN； TD672P-XXX/TD672P-XXXN；TD672M-XXX/TD672M-XXXN；TD6D60M-XXX；TD6D72M- XXX；TD6E60M-XXX/TD6E60M-XXXN ；TD6E72M-XXX/TD6E72M-XXXN ；TD6G72M-XXX ； TD6G60M-XXX；TDI72M-XXX；TD6I60M-XXX Note: M-Mono Module, P-Poly Module, The first D stands for double glass The second D-N type bifacial module E-P type bifacial module G-stand for half cutting module（9bb bifacial） I- stand for half cutting module（166 9bb bifacial） N-stand for none frame，The product model includes but is not limited to the above model and shall be subject to the specific model purchased by the customer.
    [Show full text]
  • View / Download 7.3 Mb
    Between Shanghai and Mecca: Diaspora and Diplomacy of Chinese Muslims in the Twentieth Century by Janice Hyeju Jeong Department of History Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Advisor ___________________________ Prasenjit Duara, Advisor ___________________________ Nicole Barnes ___________________________ Adam Mestyan ___________________________ Cemil Aydin Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2019 ABSTRACT Between Shanghai and Mecca: Diaspora and Diplomacy of Chinese Muslims in the Twentieth Century by Janice Hyeju Jeong Department of History Duke University Date:_______________________ Approved: ___________________________ Engseng Ho, Advisor ___________________________ Prasenjit Duara, Advisor ___________________________ Nicole Barnes ___________________________ Adam Mestyan ___________________________ Cemil Aydin An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, in the Department of History in the Graduate School of Duke University 2019 Copyright by Janice Hyeju Jeong 2019 Abstract While China’s recent Belt and the Road Initiative and its expansion across Eurasia is garnering public and scholarly attention, this dissertation recasts the space of Eurasia as one connected through historic Islamic networks between Mecca and China. Specifically, I show that eruptions of
    [Show full text]
  • Kūnqǔ in Practice: a Case Study
    KŪNQǓ IN PRACTICE: A CASE STUDY A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY IN THEATRE OCTOBER 2019 By Ju-Hua Wei Dissertation Committee: Elizabeth A. Wichmann-Walczak, Chairperson Lurana Donnels O’Malley Kirstin A. Pauka Cathryn H. Clayton Shana J. Brown Keywords: kunqu, kunju, opera, performance, text, music, creation, practice, Wei Liangfu © 2019, Ju-Hua Wei ii ACKNOWLEDGEMENTS I wish to express my gratitude to the individuals who helped me in completion of my dissertation and on my journey of exploring the world of theatre and music: Shén Fúqìng 沈福庆 (1933-2013), for being a thoughtful teacher and a father figure. He taught me the spirit of jīngjù and demonstrated the ultimate fine art of jīngjù music and singing. He was an inspiration to all of us who learned from him. And to his spouse, Zhāng Qìnglán 张庆兰, for her motherly love during my jīngjù research in Nánjīng 南京. Sūn Jiàn’ān 孙建安, for being a great mentor to me, bringing me along on all occasions, introducing me to the production team which initiated the project for my dissertation, attending the kūnqǔ performances in which he was involved, meeting his kūnqǔ expert friends, listening to his music lessons, and more; anything which he thought might benefit my understanding of all aspects of kūnqǔ. I am grateful for all his support and his profound knowledge of kūnqǔ music composition. Wichmann-Walczak, Elizabeth, for her years of endeavor producing jīngjù productions in the US.
    [Show full text]
  • © 2013 Yi-Ling Lin
    © 2013 Yi-ling Lin CULTURAL ENGAGEMENT IN MISSIONARY CHINA: AMERICAN MISSIONARY NOVELS 1880-1930 BY YI-LING LIN DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral committee: Professor Waïl S. Hassan, Chair Professor Emeritus Leon Chai, Director of Research Professor Emeritus Michael Palencia-Roth Associate Professor Robert Tierney Associate Professor Gar y G. Xu Associate Professor Rania Huntington, University of Wisconsin at Madison Abstract From a comparative standpoint, the American Protestant missionary enterprise in China was built on a paradox in cross-cultural encounters. In order to convert the Chinese—whose religion they rejected—American missionaries adopted strategies of assimilation (e.g. learning Chinese and associating with the Chinese) to facilitate their work. My dissertation explores how American Protestant missionaries negotiated the rejection-assimilation paradox involved in their missionary work and forged a cultural identification with China in their English novels set in China between the late Qing and 1930. I argue that the missionaries’ novelistic expression of that identification was influenced by many factors: their targeted audience, their motives, their work, and their perceptions of the missionary enterprise, cultural difference, and their own missionary identity. Hence, missionary novels may not necessarily be about conversion, the missionaries’ primary objective but one that suggests their resistance to Chinese culture, or at least its religion. Instead, the missionary novels I study culminate in a non-conversion theme that problematizes the possibility of cultural assimilation and identification over ineradicable racial and cultural differences.
    [Show full text]
  • Dressing for the Times: Fashion in Tang Dynasty China (618-907)
    Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2013 © 2013 BuYun Chen All rights reserved ABSTRACT Dressing for the Times: Fashion in Tang Dynasty China (618-907) BuYun Chen During the Tang dynasty, an increased capacity for change created a new value system predicated on the accumulation of wealth and the obsolescence of things that is best understood as fashion. Increased wealth among Tang elites was paralleled by a greater investment in clothes, which imbued clothes with new meaning. Intellectuals, who viewed heightened commercial activity and social mobility as symptomatic of an unstable society, found such profound changes in the vestimentary landscape unsettling. For them, a range of troubling developments, including crisis in the central government, deep suspicion of the newly empowered military and professional class, and anxiety about waste and obsolescence were all subsumed under the trope of fashionable dressing. The clamor of these intellectuals about the widespread desire to be “current” reveals the significant space fashion inhabited in the empire – a space that was repeatedly gendered female. This dissertation considers fashion as a system of social practices that is governed by material relations – a system that is also embroiled in the politics of the gendered self and the body. I demonstrate that this notion of fashion is the best way to understand the process through which competition for status and self-identification among elites gradually broke away from the imperial court and its system of official ranks.
    [Show full text]
  • Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony
    Cultural and Religious Studies, July 2020, Vol. 8, No. 7, 386-402 doi: 10.17265/2328-2177/2020.07.002 D DAVID PUBLISHING Rebuilding the Ancestral Temple and Hosting Daluo Heaven and Earth Prayer and Enlightenment Ceremony Wu Hui-Chiao Ming Chuan University, Taiwan Kuo, Yeh-Tzu founded Taiwan’s Sung Shan Tsu Huei Temple in 1970. She organized more than 200 worshipers as a group named “Taiwan Tsu Huei Temple Queen Mother of the West Delegation to China to Worship at the Ancestral Temples” in 1990. At that time, the temple building of the Queen Mother Palace in Huishan of Gansu Province was in disrepair, and Temple Master Kuo, Yeh-Tzu made a vow to rebuild it. Rebuilding the ancestral temple began in 1992 and was completed in 1994. It was the first case of a Taiwan temple financing the rebuilding of a far-away Queen Mother Palace with its own donations. In addition, Sung Shan Tsu Huei Temple celebrated its 45th anniversary and hosted Yiwei Yuanheng Lizhen Daluo Tiandi Qingjiao (Momentous and Fortuitous Heaven and Earth Prayer Ceremony) in 2015. This is the most important and the grandest blessing ceremony of Taoism, a rare event for Taoism locally and abroad during this century. Those sacred rituals were replete with unprecedented grand wishes to propagate the belief in Queen Mother of the West. Stopping at nothing, Queen Mother’s love never ceases. Keywords: Sung Shan Tsu Huei Temple, Temple Master Kuo, Yeh-Tzu, Golden Mother of the Jade Pond, Daluo Tiandi Qingjiao (Daluo Heaven and Earth Prayer Ceremony) Introduction The main god, Golden Mother of the Jade Pond (Golden Mother), enshrined in Sung Shan Tsu Huei Temple, is the same as the Queen Mother of the West, the highest goddess of Taoism.
    [Show full text]
  • From Story to Script: Towards a Morphology of the Peony Pavilion–– a Dream/ Ghost Drama from Ming China
    From Story to Script: towards a Morphology of The Peony Pavilion–– a Dream/ Ghost Drama from Ming China Xiaohuan Zhao University of Otago, Donghua University This article is an attempt to analyze the dramatic structure of the Mudan ting 牡丹 亭 (Peony Pavilion) as a piece of fantasy which Tang Xianzu 湯顯祖 (1550–1616) created through the utilisation of structural devices and techniques of magic tales. The particular model adopted for the textual analysis is that formulated by Vladimir Propp in Morphology of Russian Folktale. This paper starts with a comparison of Russian magic tales Propp investigated for his morphological study and Chinese zhiguai 志怪 tales which provide the prototype for the Mudan ting with a view of justifying the application of the Proppian model. The second part of this paper is devoted to a critical review of the Proppian model and method in terms of function versus non-function, tale versus move, and character versus tale / theatrical role. Further information is also given in this part as a response to challenges and criticisms this article may incur as regards the applicability of the Proppian model in inter-cultural and inter-generic studies. Part Three is a morphological analysis of the dramatic text with a focus on the main storyline revolving around the hero and heroine. In the course of textual analysis, the particular form and sequence of functions is identified, the functional scheme of each move presented, and the distribution of dramatis personae in accordance with the sphere(s) of action of characters delineated. Finally this paper concludes with a presentation of the overall dramatic structure and strategy of this play.
    [Show full text]
  • Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang)
    G6YZWYSL3OMU / eBook # Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... Ch ancellors Under Emperor Zh aozong of Tang: Cui Y in, Cui Y uan (Late Tang), Cui Zh aowei, Dugu Sun, Du Rangneng, Kong W ei, Liu Can (Tang Dynasty), Liu C Filesize: 2.87 MB Reviews It is really an amazing pdf which i have possibly go through. Indeed, it really is play, nevertheless an amazing and interesting literature. I am just very happy to let you know that this is the best ebook i have got study in my very own life and might be he very best ebook for actually. (Evan Sporer) DISCLAIMER | DMCA O3KMEHTB0XFZ ^ eBook < Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... CHANCELLORS UNDER EMPEROR ZHAOZONG OF TANG: CUI YIN, CUI YUAN (LATE TANG), CUI ZHAOWEI, DUGU SUN, DU RANGNENG, KONG WEI, LIU CAN (TANG DYNASTY), LIU C BooksLLC.net, 2016. Paperback. Book Condition: New. PRINT ON DEMAND Book; New; Publication Year 2016; Not Signed; Fast Shipping from the UK. No. book. Read Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang), Cui Zhaowei, Dugu Sun, Du Rangneng, Kong Wei, Liu Can (Tang Dynasty), Liu C Online Download PDF Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang), Cui Zhaowei, Dugu Sun, Du Rangneng, Kong Wei, Liu Can (Tang Dynasty), Liu C GVARZPYZ7TOE \\ Book // Chancellors Under Emperor Zhaozong of Tang: Cui Yin, Cui Yuan (Late Tang),... Related Books Bully, the Bullied, and the Not-So Innocent Bystander: From Preschool to High School and Beyond: Breaking the Cycle of Violence and Creating More Deeply Caring Communities HarperCollins Publishers Inc, United States, 2016.
    [Show full text]
  • Brand Armani Jeans Celebry Tees Rochas Roberto Cavalli Capcho
    Brand Armani Jeans Celebry Tees Rochas Roberto Cavalli Capcho Lady Million Just Over The Top Tommy Hilfiger puma TJ Maxx YEEZY Marc Jacobs British Knights ROSALIND BREITLING Polo Vicuna Morabito Loewe Alexander Wang Kenzo Redskins Little Marcel PIGUET Emu Affliction Bensimon valege Chanel Chance Swarovski RG512 ESET Omega palace Serge Pariente Alpinestars Bally Sven new balance Dolce & Gabbana Canada Goose thrasher Supreme Paco Rabanne Lacoste Remeehair Old Navy Gucci Fjallraven Zara Fendi allure bridals BLEU DE CHANEL LensCrafters Bill Blass new era Breguet Invictus 1 million Trussardi Le Coq Sportif Balenciaga CIBA VISION Kappa Alberta Ferretti miu miu Bottega Veneta 7 For All Mankind VERNEE Briston Olympea Adidas Scotch & Soda Cartier Emporio Armani Balmain Ralph Lauren Edwin Wallace H&M Kiss & Walk deus Chaumet NAKED (by URBAN DECAY) Benetton Aape paccbet Pantofola d'Oro Christian Louboutin vans Bon Bebe Ben Sherman Asfvlt Amaya Arzuaga bulgari Elecoom Rolex ASICS POLO VIDENG Zenith Babyliss Chanel Gabrielle Brian Atwood mcm Chloe Helvetica Mountain Pioneers Trez Bcbg Louis Vuitton Adriana Castro Versus (by Versace) Moschino Jack & Jones Ipanema NYX Helly Hansen Beretta Nars Lee stussy DEELUXE pigalle BOSE Skechers Moncler Japan Rags diamond supply co Tom Ford Alice And Olivia Geographical Norway Fifty Spicy Armani Exchange Roger Dubuis Enza Nucci lancel Aquascutum JBL Napapijri philipp plein Tory Burch Dior IWC Longchamp Rebecca Minkoff Birkenstock Manolo Blahnik Harley Davidson marlboro Kawasaki Bijan KYLIE anti social social club
    [Show full text]
  • Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing
    Modernism in Practice: Shi Zhecun's Psychoanalytic Fiction Writing Item Type text; Electronic Thesis Authors Zhu, Yingyue Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction, presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 26/09/2021 14:07:54 Link to Item http://hdl.handle.net/10150/642043 MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING by Yingyue Zhu ____________________________ Copyright © Yingyue Zhu 2020 A Thesis Submitted to the Faculty of the DEPARTMENT OF EAST ASIAN STUDIES In Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS In the Graduate College THE UNIVERSITY OF ARIZONA 2020 THE UNIVERSITY OF ARIZONA GRADUATE COLLEGE As members of the Master’s Committee, we certify that we have read the thesis prepared by Yingyue Zhu, titled MODERNISM IN PRACTICE: SHI ZHECUN’S PSYCHOANALYTIC FICTION WRITING and recommend that it be accepted as fulfilling the dissertation requirement for the Master’s Degree. Jun 29, 2020 _________________________________________________________________ Date: ____________ Dian Li Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Fabio Lanza Jul 2, 2020 _________________________________________________________________ Date: ____________ Scott Gregory Final approval and acceptance of this thesis is contingent upon the candidate’s submission of the final copies of the thesis to the Graduate College. I hereby certify that I have read this thesis prepared under my direction and recommend that it be accepted as fulfilling the Master’s requirement.
    [Show full text]
  • The Spirit of St. Luke's, Winter 1996
    Advocate Aurora Health Advocate Aurora Health Institutional Repository Aurora St. Luke’s Medical Center Books, Documents, and Pamphlets Aurora St. Luke’s Medical Center May 2018 The Spirit of St. Luke's, Winter 1996 Aurora Health Care Follow this and additional works at: https://institutionalrepository.aah.org/aslmc_books This Pamphlet is brought to you for free and open access by the Aurora St. Luke’s Medical Center at Advocate Aurora Health Institutional Repository. It has been accepted for inclusion in Aurora St. Luke’s Medical Center Books, Documents, and Pamphlets by an authorized administrator of Advocate Aurora Health Institutional Repository. For more information, please contact [email protected]. _______ OF ST. LUKESRIT MKM SYSTEM .C N p %• The Spirit ofSt. Luke’s is produced three times a year by St. Luke’s Medical Center/Office of Philanthropy for friends and donors. President, St. Luke’s Medical Center: Mark Ambrosius Vice President for Philanthropy: Brad Holmes Director of Development: Laverne Schmidt Director of Planned Giving: Kelly Sachse Director of Pastoral Care: Harvey Berg Administrative Secretary: Judi Fellows Secretary: Shawnell Colson-Horton Secretary: Slielly Rosenstock Editorial Production Coordination: Susan J. Montgomery Graphic Design & Production: Matt Shockley Please direct gifts and requests for further information to: Office of Philanthropy St. Luke’s Medical Center 2900 W. Oklahoma Ave. , P0. Box 2901 Milwaukee,W1 53201-2901 414-649-7122 Cover: upper right: Dr.Arvind Ahuja; lower left: Dr. P Daniel Suberviola with the MKM microscope; lower right. Dr. Ahuja prepares for a neuroendovascular procedure. Advanced Neurosurgical Techniques Give Patients New Hope 2 Neurosurgeons Use 21st Century MKM Microscope at St.
    [Show full text]