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Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011)

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Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Bell Yung’s CV 1 Curriculum Vitae Bell Yung Professor of Music University of Pittsburgh (January 2011) Home Address 504 N. Neville St., Pittsburgh, PA 15213 Tel: (412) 681-1643 Office Address Room 206, Music Building University of Pittsburgh, Pittsburgh, PA 15260 Tel: (412) 624-4061; Fax: (412) 624-4186 e-mail: [email protected] Education Ph.D. in Music, Harvard University, 1976 Ph.D. in Physics, Massachusetts Institute of Technology, 1970 B.Sc. in Engineering Physics, University of California, Berkeley, 1964 Piano performance with Kyriana Siloti, 1967-69 Piano pedagogy at Boston University Summer School at Tanglewood, 1967 Performance studies of various instruments in the Javanese gamelan ensemble, particularly on gender barung (metal xylophone) with Pak Djokowaluya, Yogyakarta, summer 1983. Performance studies of various Chinese instruments; in particular qin (seven-string zither) with Masters Tsar Teh-yun of Hong Kong, from 1978 on, and Yao Bingyan of Shanghai, summer of 1980, 81, 82. Academic Employment University of Pittsburgh Professor of Music, 1994 (On leave 1996-98, and on leave half time 98-02) Associate Professor of Music, 1987 Assistant Professor of Music, 1981 University of Hong Kong Kwan Fong Chair in Chinese Music, University of Hong Kong, 1998.2 – 2002.7. Reader in Music, University of Hong Kong, 1996.8-1998.2 (From February 1998 to 2002, I held joint appointments at the University of Pittsburgh and the University of Hong Kong, teaching one term a year at each institution.) University of California at Davis, Visiting Associate Professor of Music, Spring 1990 The Chinese University of Hong Kong, Lecturer (British system), 1978-80.12 Cornell University, Mellon Postdoctoral Fellow (with teaching duty), 1976-78 Administrative Appointments Director of Graduate Admissions, Music Department, University of Pittsburgh, 2008- Bell Yung’s CV 2 Director of Asian Studies Center, University of Pittsburgh, 2001-2006 Associate Dean of Arts (Research and Postgraduate Studies), University of Hong Kong, 1998-2000 Director of Graduate Studies, Music Department, University of Pittsburgh, 1986-87; 1990-91. Post-Doctoral Grants and Honors 2009-2010 Ch’ien Mu Lecturer at the Chinese University of Hong Kong 2009 Provost’s Award for Excellence in Mentoring (University of Pittsburgh) Senior Research Fellowship, University Center for International Studies, University of Pittsburgh, Fall 2007 Chiang Ching Kuo Foundation (U.S.) for a planning meeting to organize three conferences relating to Chinese music (2004) Ford Foundation (2003) on a 5-year research project called “Cultural Rights and Academic Responsibilities” Research Grants Council (Hong Kong): a two-year award (2000-02) to research into the Cantonese Opera “Princess Changping”. Hong Kong Arts Development Council: (1999) to support facsimile printing of qin score by Master Tsar The-yun. Bei Shan Tang Foundation (Hong Kong): (1999) to support “Exhibition 2001: China’s Musical Treasures” in 2001 in collaboration with the Research Institute of Music (Beijing) and the University Museum and Art Gallery (HKU). Mrs. Li Ka Shing Fund, University of Hong Kong: (1999) to support the Hong Kong University Chinese Chamber Ensemble for three years. Music Publishers’ Association Paul Revere Award, for the book Celestial Airs of Antiquity: Music of the Seven String Zither of China. 1998. Committee on Research and Conference Grants (Hong Kong): a 1998 grant of for the research project “The Life and Work of a Venerable Chinese Musician (guqin player)”. Teaching Development Grant (Research Grants Council, Hong Kong): a two year- award (1997-99) for the project “World/Asian Music CD-ROM for Undergraduate Teaching, Phase 1”. Co-investigator. Research Grants Council (Hong Kong): a three year-award (1997-2000) to research into Cantonese narrative songs and to establish an archive of Cantonese oral literature Honorary Research Fellow, Research Institute of Music (Beijing), 1997- John Simon Guggenheim Memorial Foundation Fellowship, 1996-97 (deferred to 2005) Chiang Ching Kuo Foundation for International Scholarly Exchange (U.S.) to support publication of Harmony and Counterpoint: Ritual Music in Chinese Context. 1995-96. Directly awarded to Stanford University Press; amount unknown. Senior Research Fellowship, University Center for International Studies, University of Pittsburgh, Fall 1995 NEH Grant for conference on Music in Chinese Ritual, 1993. NEH Fellowship for University Teachers, 1990-91 Research Development Fund Grant, University of Pittsburgh, 1989-90 ACLS Travel Grant to conference in China, 1989 NEH Summer Research Grant, 1989 Bell Yung’s CV 3 Honorary Overseas Member, Oriental Music Society, Shanghai, 1989 Overseas Advisor, Guyuetuan [Ancient Music Ensemble], Shanghai, 1988-90 ACLS grant to conduct planning meeting for future conference, 1988 ACLS/SSRC Research Grant, 1984-85 Bowman Foundation Grant to study in Indonesia, summer 1983 Small Grants (numerous), Asian Studies Program, University of Pittsburgh, 1981- present Faculty Research Grant, University of Pittsburgh, summer, 1981, summer 1986 Mellon Postdoctoral Fellowship, Cornell University, 1976-78 Pre-Doctoral Scholarship, Fellowships, and Honors Teaching Fellowship, Harvard University, 75-76. Fulbright-Hays Fellowship, 1974-75. Graduate Prize Fellowships, Harvard University, 1971-74. University Scholarships, Harvard University, 1969-71. Sigma Xi (Honor Society for Scientists), 1970. Research Fellowships from RLE (Research Laboratory of Electronics), M.I.T, 1965-69. Teaching Fellowship, MIT, 1964-65. Tau Beta Pi (Honor Society for Engineers), 1964. Tuition Scholarships, UC Berkeley, 1961-64. ______________ RESEARCH Publications I. Books in English and Chinese The Flower Princess, A Cantonese Opera. Editor, Translator, and Author of Introduction, with assistance in translation from Sonia Ng and Katherine Carlitz. Hong Kong: The Chinese University Press. 2010. Music and Cultural Rights. Co-Editor (with Andrew Weintraub) and contributor. Champagne, IL: University of Illinois Press. 2009. The Last of China’s Literati: The Music, Poetry and Life of Tsar Teh-yun. Hong Kong: The Hong Kong University Press. 2008. Xuanlü yanjiu lunji [Essays on the Study of Melody]. Associate Editor and contributor. Beijing: Wenhua Yishu Chubanshe. 2000. Yinyinshi qinpu [Guqin Repertory from the Yinyin Study]. Co-Editor and contributor. Music Department, University of Hong Kong. 2000. Understanding Charles Seeger, Pioneer in American Musicology. Co-Editor (with Helen Rees) and contributor. University of Illinois Press. 1999. Celestial Airs of Antiquity: Music of the Seven-String Zither of China. Madison, Wisconsin: A-R Editions. 1997. Music Publishers Association Paul Revere Award (1998). Harmony and Counterpoint: Ritual Music in Chinese Context. Co-Editor (with Evelyn Rawski and Rubie Watson) and contributor. Stanford University Press. 1996. Themes and Variations: Writings on Music in Honor of Rulan Chao Pian. Co-Editor (with Joseph Lam) and contributor. Co-published by the Music Department, Bell Yung’s CV 4 Harvard University, and the Institute for Chinese Studies, The Chinese University of Hong Kong. 1994. Cantonese Opera: Performance as Creative Process. Cambridge University Press. 1989. In Preparation Muk’yu Songs and Early Chinese Immigrant in North America Blind Singers of Cantonese Narrative Songs II. Other Editorial Work Exhibition Catalogue: The Musical Arts of Ancient China. Co-Editor. University Museum and Art Gallery, University of Hong Kong. 2001. Exhibition Catalogue: Gems of Ancient Chinese Zithers. Chief Editor. University Museum and Art Gallery, University of Hong Kong. 1998. Managing editor, Chinoperl Papers, Journal of Chinese Oral and Performing Literature, published by Chinoperl, Inc., 1995-1997. Editor, ACMR Reports (formerly ACMR Newsletter), journal of the Association for Chinese Music Research, published semi-annually by the Music Department and Asian Studies Program, University of Pittsburgh, 1986-1997. Guest editor, Yearbook for Traditional Music, journal of the International Council for Traditional Music, Volume 24/1992. December 1992. III. Refereed Articles in Journals and Invited Chapters in Books (in English) 2010 “Deconstructing Chinese Opera: Tears on Barren Hill on the Contemporary Stage” in Chinoperl Papers 28, 1-12. 2009a “Voices of Hong Kong: the Reconstruction of a Performance in a Teahouse” in Critical Zone No. 3, 37-56. b “Tsar Teh-yun at Age 100: A Life of Qin Music, Poetry and Calligraphy” in Lives in Chinese Music, ed. Helen Rees, 65-90. Champagne IL: University of Illinois Press. 2009. c “Peking Opera and Regional Operas” in Encyclopedia of Modern China, vol. 3, 86-89. 4 vols. ed. David Pong. Detroit, MI: Charles Scribner’s Sons. 2009. d “Historical Legacy and the Contemporary World: UNESCO and China’s Qin Music in the 21st Century.” In Music and Cultural Rights, ed. Andrew Weintraub and Bell Yung, 140-168. Champagne, IL: University of Illinois Press. November 2009. 2008 “Creativity in ‘Traditional’ Music: Introducing an Ancient Composition for the Chinese Instrument Qin” in Festschrift for Dr. Lee Hye-ku, 1033-1049. Seoul: Seoul National University. 2008. 2006 “Musicological Discourse and Graphic Imagination: Charles Seeger as Conceptual Artist,” in Festschrift to Commemorate the 70th Birthday of Prof. Yosihiko Tokumaru, special issue of Otyanomizu Ongaku Ronshu (December 2006): 89-106. Bell Yung’s CV 5 2003 “La musica nel teatro cinese” in Enciclopedia della Musica III: Musica e culture, pp. 889-924. Ed. Jean-Jacques
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