A life in Good Time A Film By Sandra Werneck

Based on the book Marina - A Vida Por Uma Causa By Marília de Camargo César There are women who follow their destiny, and for this reason are successfull. There are women who fight against their destiny, and for this Presentation reason are exceptional. The story of Maria Osmarina Marina Silva Vaz de Lima, or simply Marina Silva, challenges the limits of fiction.

Born on February 8th, 1958, in the small community of Breu Velho, inSeringal Bagaço (Bagaço Rubber Tree Plantation), in Acre, Brazil, Marina Silva fought since early childhood against her fate doomed to poverty, diseases, illiteracy, oppression and exclusion in all senses of the words. Her parents had 11 children, of which eight survived.

She was a true girl from the Amazon jungle, who would wake up at 4 AM, cut some twigs and branches, take some pieces of rubber, light a fire, make coffee and an egg with banana salad for breakfast.

Illiterate up until the age of 16, and victim of several diseases (three There are women hepatitis, five malarias and one case of leishmaniasis), the frail young girl moved to the state capital, Rio Branco, and started to change her life. Ten who follow their years later, she concluded her college education and dared to exchange destiny and manage her religious vocation for political-social-environmental activities. to succeed. There are Partner in arms with Chico Mendes, Marina was elected to the offices of city councilwoman, state deputy and state senator. women who fight During the Lula da Silva administration, she was Minister of the Environment, against their destiny, and, in the last presidential election, she came in third place, with almost 20 they are exceptional. million votes and a political platform marked by ethics and the commitment to sustainable development for all - in both Brazil and abroad.

Based on the book Marina, a vida por uma causa, by Marília de Camargo César, director Sandra Werneck intends to film this unique saga – both dramatic and touching, of regional and universal scope - of one of the greatest, internationally renowned political leaders in the country.

Sandra Werneck’s movie will depict Marina’s childhood in the rubber tree plantation, the most important facts of her personal and political history up until her nomination for the 2009 Sofia award, in Oslo, granted every year by the Sophie Foundation to the people and organizations that most stand out in the areas of environmental and sustainable development.

Marina counts on renowned professionals in its technical team, such as screenwriter Melanie Dimantas, director of photography Walter Carvalho, art director Cláudio Amaral Peixoto, wardrobe designed by Kika Lopes, film editor Sérgio Meckler and soundtrack by Jaques Morelenbaum. The movie has José Joffily as delegate producer and Caique Ferreira as executive producer. Synopsis

The frail jungle girl Together with Chico Mendes, Marina participated intensely in the defen- becomes a powerful, se of the interests of the Amazon forest and the poor population. The brutal death of the environmental leader in 1988 further strengthened The movie starts with the poor girl who used to go to the forests in the internationally her principles and the ethical and ideological posture she would follow early mornings to collect some lops. Marina lost her mother at the age of renowned political throughout her life. 15 and, one year later, she gave her first – and, maybe, the most important Affiliated to the Workers’ Party (PT), she was elected in 1988 as the most – step to change her life: she asked her father the permission to go to the leader. Married, voted city councilwoman of Rio Branco, at the age of 30. In 1990, she was capital (Rio Branco) for treating the first hepatitis she had, studying and mother of four, elected state deputy, with record voting. In 1994, at the age of 36, she arri- dedicate to the religious life. Marina struggles to ved in Brasília as the youngest senator in the history of the Republic, being Marina worked as housemaid to be able to support herself and study. She reelected in 2002. In the Senate, she was the first politician to defend the was a dedicated student: ten years after being literate by the Mobral, she conciliate her public reduction in greenhouse gas emissions, a goal subsequently adopted by graduated in History. and private life, just as the Executive Branch in 2009. Decided to follow her religious vocation, she entered into a convent. Ho- every other woman. Invited by President Lula, she was appointed Minister of the Environment wever, during a mass, the eyes of the young novice were caught by a pos- in 2003, where she defended, among other causes, the promotion of ter calling for a course of rural leadership given by Clodovis Boff (Leonar- sustainable development. She resigned from office in 2008 and, in 2010, do Boff’s brother) and Chico Mendes. The young girl got curious, followed launched her candidacy to the Presidency of the Republic under the Green her intuition and attended to the course. Party, obtaining more than 19 million votes. An unquestionable victory, responsible, among other things, for forcing the presidential dispute to a This was the second great step to the turnover in Marina’s life. When she second round. met Chico Mendes, an environmental leader, the Liberation Theology ideas and the Basic Ecclesial Communities, Marina felt like her religious vocation The frail jungle girl became a powerful, internationally renowned political was replaced with a strong and irreversible vocation in the social segment, leader. Married, mother of four, Marina struggles to conciliate her public focusing mainly on the environment. In 1984, she was one of the founders and private life, just as every other woman. of the Unified Workers’ Central (Central Única dos Trabalhadores – CUT) Marina intends to tell the history of the Brazilian woman Marina Silva, in Acre, which had Chico Mendes as its first coordinator and the young who fought against her fate of exclusion to become, in many aspects, Marina as vice-coordinator. a personality way ahead of her time. Despite having been born in the Living with Chico Mendes meant an intense learning in several ways. Be- interior of the country – or, maybe, because of this –, she developed the sides sharing the same ideals, Mari¬na considered him as master in the belief that the world will only be a better place if the living, health and en- politics art – he used to listen to the others, be open to different opinions, vironmental conditions are improved throughout the world. Never has a but he was also very firm and determined about essential issues. country girl become so universal. That is what the movie intends to reveal. “This story of courage, overcoming of adversities and determination has Justification to be told to the largest number of people possible. Examples are made to be followed. And a movie is still the best way to tell good story: due to its format, its reach and the emotional impact that only a movie screen can convey”. and Goals This is how director Sandra Werneck defines her effort to take to the scre- en the unique and victorious path of Marina Silva in her almost 30 years of public life. Firm defender of ethics, sustainable development, and large scale valorization of natural resources, the jungle girl became a respected leadership in both the national and international scenarios.

Despite the political trajectory, the movie’s main focus is on Marina’s trajectory as a human being, which, for seve- ral reasons, found, in politics, the most adequate way to convey her ideas and produce changes

“I have been following Marina’s life for quite some time. Her struggles, courage, honesty, perseverance – and the ethical behavior that characteri- zes her. As a personality, a leader and a politician”, says Sandra Werneck, a director with several movies directed to the female universe.

Marina’s victorious path highlights a rare value in today’s public life: her loyalty to her origins, ideas and beliefs.

“This story of This is and will always be Marina: frail but strong like the rubber trees of courage, overcoming the village in which she was born; religious but a firm defender of tole- rance; rigorous and intransigent as far as her principles, but also open to of adversities and dialog and to the exchange of ideas. Calm and controlled in manner, an determination has to exemplary listener, but also a highly convincing speaker, due mainly to her sincerity. be told to the largest Marina can and must accomplish several tasks: reveal the more contem- number of people porary issues in an accessible manner to the public by means of a gentle possible. Examples are Brazilian warrior, presenting the environmentalist, historian and teacher, aware of both regional and universal values. made to be followed. And a movie is still the best way to tell a good story”... Cronogram

2011 2012 2013

Actions mar apr may jun jul aug sep oct nov dec jan feb mar apr may jun jul aug sep oct nov dec jan feb mar apr

Development of the Project

Preparation of the project and Fund Raising

First treatment of the script

Improvement of the Script (other treatments)

Research

First Casting for Lead Characters

First Location Visit in Amazonas / Rio Branco (Acre) and Forest

Pre-production

Filming

Post-production

Sales

Release Sandra Werneck was born in Rio de Janeiro, Brazil on May 5th, 1951. She is one of the most successful directors of the new wave of filmmakers that came to light with the recovery of the Brazilian film industry in the 90’s. Her first fiction feature film, Sandra Werneck Little Book of Love (1996), fascinated both the public and the critics by innovating Rio de Janeiro’s romantic comedy genre, and was awarded with the best screenplay prize at the Festival Internacional de Cine de Cartagena (Colombia, 1998); the spe- Director and Producer cial critic’s prize at the Shermi d’Amore – Festival del Cinema Sentimental e Mélo de Verona (Italy, 1997); the best film prize at the Miami Film Festival (1997); the best photography and best editing prizes at the Festival de Brasilia (1996).

Her following film, Possible Loves, another incursion into the romantic comedy gen- re, would attain the same level of success. The film won the best Latin American award at the World Cinema section at Sundance/2001. Irene Ravache was awarded with the best actress prize at the Brazilian Film Festival of Miami in 2001 and the film won the prizes for best direction, best photography, best screenplay and second best film at the 1st Cinema & Video Festival of the Amazon (2001).

However, Ms. Werneck’s career started long before that, making

socially oriented documentaries. Pena Prisão, a film that represented Brazil in the “Cinéma du Réel” film festival at the Georges Pompidou Center (Paris, 1984), won the public and best editing prizes at the 18th edition of the Festival de Brasília in 1984; Damas da Noite (1987) was awarded with the public prize for best film at Rio Cine Festival; Children’s War (1991) was nominated for the ACE AWARDS and won the following prizes: best film and best direction at the Gramado Film Festival; the Jury’s Special Prize at the Documentary Film Festival of Amsterdam (1991); the OCIC and best documentary film directed by a woman prizes at the Havana Film Festival (1991); best documentary film at the Uppsala Film Festival – Sweden (1992) and was elected the best film for children and adolescents at the 27th International Youth Film Contest, in Germany.

In 1992, she directed the controversial short Pornography together with Murilo Salles.

The feature film “Cazuza - Time doesn’t stop”, in which Sandra shares the direction with the awarded cinematographer Walter Carvalho, was the largest box office of the Brazilian cinema in 2004 and won best film and best actor at the New York Film Festival amongst many other prizes.

Her documentary “Teen Mothers” follows the daily lives of four young girls for a whole year, during their pregnancy.

Sandra released in April 2010 her last feature, Stolen Dreams, where you can join the lives of young girls living in the outskirts of the city, who find in prostitution a mean of survival. The film was chosen by the audience as the best fiction in the Festival do Rio, where Nanda Costa won the best actress prize. It also won acting prizes in the 14º Brazilian Film Festival of Miami – Inffinito, Birritz Festival and the Brazilian Cinema Festival in Paris. Cineluz

CINELUZ was founded in 1992 by filmmaker Sandra Werneck. Since its Productions beginning, the company has produced prize-winning documentaries and feature films for the Brazilian cinematographic market as well as establi- shed important international partnership and co-production agreements.

Amongst the company’s acclaimed documentary films are Teen Mothers, selected for the Panorama Screening at the Berlin International Film Festi- val, and Kids War, prize winner at the Amsterdam International Documen- tary Film Festival (IDFA) and the Havana Festival. CINELUZ also produces projects conceived by filmmaker Maya Da-Rin, who directed the docu- mentary Margin (Best Film at Tekfestival - Italy, and Honorific Mention at the Forumdoc.bh - Brazil) and Lands, very well received by national and international festivals, earning awards in Belgium, at the Guadalajara Fes- tival, and many others in Brazil.

Over the past years, CINELUZ produced various feature films, which obtai- ned rave reviews. Cazuza, Time Doesn’t Stop was Brazil’s box office hit in 2004 and was awarded more than 30 prizes at festivals in Brazil and worl- dwide. Possible Loves was a prize winner at the Sundance Festival (2001) and at the Miami Film Festival (2001). The company’s first feature film, Little Book of Love, received prizes at various festivals, achieving great popularity among critics and audiences. Sandra’s last film was Stolen Dre- ams (2009), awarded in Rio’s Int’l Film Festival, in Biarritz Festival, Inffinito Film Festival in Miami and the Brazilian Film Festival of Paris.

CINELUZ has always worked in partnership with renowned international production companies, distributors and TV networks among which are Triangle Films, Columbia TriStar, Lumiére, Arte Franco/Alemã, ZDF, IDE TV and ILO (International Labour Organization). In Brazil, CINELUZ has es- tablished valuable partnerships with Petrobras, BNDES, Abrinq and Itaú Cultural Institute.

Nowadays, CINELUZ is preparing the production of the feature film pro- jects The Place of Desire and Marina: A Life in Good Time, while Maya Da- RIn is studying in France for her masters degree. Carvalho,Little Book of Love (1997) e Possible Loves (2001), by Sandra Werneck, Noti- cias de uma guerra particular (1999), by Joao Moreira Salles and Katia Lund, Amarelo manga(2002) by Claudio Assis, Madame Sata (2002) by Karim Ainouz, Carandiru (2003), by Hector Babenco, Entreatos (2004), Cazuza – Time doesn’t stop (2004), A maquina (2005), by Joao Falcao, Veneno da madrugada (2005), by Ruy Guerra, Crime delicado Crew (2005), by Beto Brant, e Eu me lembro, by Edgar Navarro, O ceu de Suely (2006), by Karim Ainouz, O baixio das bestas (2006), by Claudio Assis, Chega de saudade (2007), by Laiz Bodanzky, e Cleopatra (2007), by Julio Bressane. A Erva do rato, by Julio Bressane (2008), Stolen Dreams (2009), by Sandra Werneck. Director Janela da alma (2001), Lu- nario perpetuo, Moacir arte bruta (2005) Budapeste(2009). Director and Producer Sandra Werneck Executive Producer Caíque Ferreira

Script Melanie Dimantas Executive Producer of O xango de Baker Street (2001), by Miguel Faria Jr., A partilha (2001), by Daniel Filho, and O sabor da paixao (Woman on top / 2000), by Fina Torres, Script: Nao quero falar sobre isto agora (1991, Carlota Joaquina (1995), Legitima de- Sexo, amor e traicao(2003), by Jorge Fernando Se eu fosse voce (2006), by Daniel fesa (1996), Olhos azuis (2009), O outro lado da rua (2003), Copacabana (2000), Duas Filho. Besouro (2008), by Joao Daniel Tikhomirrof.. Assistant director Lara (2002), by Vezes com Helena (2001). Co-writer: Avassaladoras (2002), by Mara Mourao,Gatao Ana Maria Magalhaes, Sonhos de menina moca (1987), by Teresa Trautman, Orquidea de meia idade (2006), by Antonio Carlos da Fontoura, Mulheres do Brasil (2006), by selvagem (1990), by Zalman King, e da unidade brasileira de O curandeiro da selva Malu de Martino, Irma Vap – O retorno (2006), by Carla Camurati, Nome proprio (The medicine man/ 1992), by John McTiernan. Production director Carnaval, by Ar- (2007), by Murilo Salles, Os porralokinhas (2007), by Lui Farias e Orquestra dos meni- naldo Jabor (for italian TV), Manoushe (1990), by Luis Begazo, Jorge, um brasileiro nos (2009), by Paulo Thiago. (1987), by Paulo Thiago, Anaconda (1997), by Luis Llosa, and Amazonia (1990), by Associated Producer Julia de Abreu Mika Kaurismaki.

Writer of the feature films: Fonte da Saudade (1987) and Sombras de Julho (1994),Amo- Art Director Cláudio Amaral Peixoto res Possiveis (1999), Celeste e Estrela (2002) and Vendo ou Alugo (2006, In pré-produc- Art director Quem matou Pixote?(1996) by Jose Joffily and Little Book of Love (1996), tion). A Casa do Tom: Mundo, Monde, Mondo (2007), 52’ documentary on Tom Jobim. by Sandra Werneck, Dois perdidos numa noite suja (2002), by Jose Joffily, Lisbela e Associated producer and fund raising in the films: Possible loves (1999), Teen Mo- o prisioneiro (2003), by Guel Arraes, Cazuza – time doesn’t stop (2004), by Sandra thers, (2006), Cazuza, Stolen Dreams (2010), by Sandra Werneck, Vida de Menina, by Werneck and Walter Carvalho, Bendito fruto (2004), by Sergio Goldenberg, Noel - o Helena Solberg(2004), Celeste e Estrela (2002) and Vendo ou Alugo by Betse de Paula. poeta da Vila (2006), by Ricardo Van Steen, Muito gelo e dois dedos d’agua (2006), Project elaboration and fnd raising consulting of the Associacao de Amigos do The- by Daniel Filho, Polaroides Urbanas (2007), by Miguel Falabella, Meu nome nao e Jo- atro Municipal do Rio de Janeiro (2003-2007) and Espaco Tom Jobim Cultura e Meio hnny (2008) by Mauro Lima and 174 (2008), by Bruno Barreto, Reis e ratos (2009), by Ambiente no Jardim Botanico do Rio de Janeiro (2007-2011). Mauro Lima, Olhos azuis (2009), by Jose Joffily, O Bem Amado (2009), by Guel Arraes, Associated Producer José Joffily Besouro (2009), by Joao Daniel Tikhomiroff, Chico Xavier (2010) by Daniel Filho, Pa- lhaco, by Selton Mello. Cenografia de Guerra de Canudos (1998), by Sergio Rezende, Director,shorts-sequence: galeria Alaska e Copa mixta (1979)., Praca Tiradentes 77 e Alo Orfeu (1999), by Carlos Diegues, Estorvo (2000), by Ruy Guerra, and Possible Loves Teteia(1977). Voando com os pes no chao, Urubus e papagaios (1985). Script participation, (2000), by Sandra Werneck. O sonho nao acabou (1981), by Sergio Rezende, Parahyba, mulher macho (1982), by Tizuka Yamasaki, Avaete - A semente da vinganca (1985), by Zelito Viana, A cor de seu destino Costume Designer Kika Lopes (1986), by Jorge Duran, Terra para Rose (1987), by Tete Moraes, O rei do Rio (1985), by Make Up Juliana Mendes Fabio Barreto and Stolen Dreams (2009), by Sandra Werneck. Director and Producer: A maldicao do Sampaku (1991/94), Quem matou Pixote? (1996), O chamado de Deus, Dois Editor Sergio Meckler perdidos numa noite suja (2002), Achados e perdidos (2006), Olhos azuis (2009). Sound José Moreau Loureiro Director of Photography Walter Carvalho Sound Editor Waldir Xavier Director of Photography, Abril despedacado (2001), O primeiro dia (2000), Central Soundtrack Jaques Morelenbaum do Brasil (1998), Terra estrangeira (1995) Socorro Nobre (1995) e Krajcberg, o poe- ta dos vestigios (1987). Central do Brasil e Lavoura arcaica (2001), de Luiz Fernando Post-Production Marcelo Pedrazzi In addition to being a movie with the potential to produ- Counterparts ce positive and profitable revenues for its investors, the screenplay, cast, technical quality and the theme ‘Marina’, ensure an institutional return to the companies joining the project.

Thus, we offer the INVESTOR the following coun- terparts:

Insertion of the company’s institutional signature as SPONSOR in the initial and final movie credits and in all promotional material, such as: website, posters, electronic banners, invitations, leaflets, DVD and CD covers, making of,

Ads in the print media and press book.

Preview session for the sponsor’s target audience.

Invitations to special guests for commercial film previews.

DVDs, CDs, posters and/or other kinds of promotional material.

SPONSOR Banners and windows on the movie’s website; also, if in- terested, provision of the movie’s website content to be hosted on the Sponsor’s website

Space for placement of the Sponsor’s promotional material during the movie’s preview sessions.

Emphasis on the Sponsor’s participation in the movie in all inter- views and presentations of the movie to the general public and the press. 2004 Cazuza – Time Doesn’t Stop Filmography Directed by Sandra Werneck; Co- Produced by:Cineluz Produções, Lereby Produções, Globo Filmes, Columbia Pictures Best Actor Daniel de Oliveira - Prêmio APCA (Associação Paulista de Críticos de Arte) 2004. Director and Producer Best Actor Daniel de Oliveira - Prêmio PQBSP (Premio Qualidade Brasil - SP) 2005 Best Film - Prêmio PQBSP (Premio Qualidade Brasil - SP) 2005 Best Actor Daniel de Oliveira - Prêmio PQBRJ (Premio Qualidade Brasil - RJ) 2005. Best Sound team - Prêmio ABC de Cinematografia 2005. Best Fiction Feature Film - Grande Prêmio Tam de Cinema 2005. Best Actor Daniel de Oliveira - Grande Prêmio Tam de Cinema 2005. 2010 Lands Best Photography - Grande Prêmio Tam de Cinema 2005. Directed by Maya Da-Rin; Produced by: Cineluz Produções Best Soundtrack - Grande Prêmio Tam de Cinema 2005. Cameras on Diversity Award, 25º Festival de Cine de Guadalajara, México, 2010 Best Sound - Grande Prêmio Tam de Cinema 2005. Best Feature Film, Júri ABCV, Panorama Internacional Coisa de Cinema. Best Editing - Grande Prêmio Tam de Cinema 2005. Special Juri Award, Panorama Internacional Coisa de Cinema. Best adapted Script - Grande Prêmio Tam de Cinema 2005. Best Film “Caríssima Liberdade”, 9ª Mostra do Filme Livre, Brasil, 2010 Best Actor Daniel de Oliveira - Andorinhas CINEPORT (I Festival de Cinema de Países de Lín- Nominated for Dirk Vandersypen Award, Bélgica, 2010 gua Portuguesa) 2005. Best Film - Júri Popular - Andorinhas CINEPORT - I Festival de Cinema de Países de Língua Portuguesa) 2005. 2009 Stolen Dreams Best Actor Daniel de Oliveira - ACIE (Associação de Críticos da Imprensa Estrangeira) 2005. 2004 best films - Festival CINESESC dos Melhores Filmes de 2004 (Critica e Publico) Directed by Sandra Werneck; Produced by: Cineluz Produções Best Actor - Daniel de Oliveira - 9th Brazilian Film Festival of Miami Best Actress: Nanda Costa - 14º Brazilian Film Festival of Miami – Inffinito – USA (2010) Best Film - 9th Brazilian Film Festival of Miami Special Jury Award: Amanda Diniz - 14º Brazilian Film Festival of Miami – Inffinito – USA (2010) Cinema Websites awards (public’s choice) Best Actress: Nanda Costa - Festival do Rio – Brazil (2009) Male Revelation Daniel de Oliveira - Blockbuster Enterteinement Awards Best Fiction - voto popular - Festival do Rio – Brazil (2009) Best Soundtrack - Blockbuster Enterteinement Awards Best Actresses: Nanda Costa, Amanda Diniz e Kika Farias - Birritz Festival – France (2010) Best National Film - Prêmio CINEPOP 2004 Best Actress: Nanda Costa - Festival de Cinema Brasileiro de Paris – France (2010) Best Actor Daniel de Oliveira - Prêmio ADORO CINEMA BRASILEIRO 2004 Best Soundtrack - Prêmio ADORO CINEMA BRASILEIRO 2004 Best Supporting Actor Emilio de Mello - Prêmio ADORO CINEMA BRASILEIRO 2004 2007 Margin Revelation Actor - Daniel de Oliveira - Prêmio ADORO CINEMA BRASILEIRO 2004 Directed by Maya Da-Rin; Produced by Cineluz Produções Best Supporting Actress Marieta Severo - 100% Vídeo de Cinema Brasileiro Best International Documentary - TekFestival - Rome, Italy (2008) Best Actor Daniel de Oliveira - 100% Vídeo de Cinema Brasileiro Honorific Mention - Forumdoc.bh - Belo Horizonte, Brazil (2007) 2001 Possible Loves

Directed by Sandra Werneck; Produced by: Cineluz Produções 2005 Teen Mothers Best Latin American Feature Film Award – Sundance Film Festival – USA (2001) Directed by Sandra Werneck; Co - Produced by: Cineluz e Giros Produções Best Actress Award for Irene Ravache – Brazilian film Festival of Miami (2001) Invited for the Mostra de Berlim (2005) Best Direction Award, Best Photography Award, Best Script Award, and Second Best Movie Invited for the opening of the Festival É Tudo Verdade (2006) Award – 1st Cine & Video Festival of Amazônia (2001) 2001 Pra Terminar – Videoclip Ana Carolina Best documentary for female director at Havana Festival - 1991 Prize Diva of the National Union for Understanding Among People at Havana Festival - 1991 Directed by Sandra Werneck; Produced by: Cineluz Produções Best film for the childhood and adolescence at 27th International Youth Film Contest, Germany Best documentary at Uppsala Festival, Sweden - 1992. 2001 The World Tilts This Way Named for the Ace Awards (American cable TV award) Directed by Maya Da-Rin; Produced by Cineluz Produções 1989 Click’s Channel 1997 Little Book of Love Directed by Sandra Werneck, Produced by: H.P.A Directed by Sandra Werneck; Co - Produced by: Cineluz Produções e Lumière Latin America Best soundtrack, best photography and best actress at Festival de Brasília, Brazil - 1989 Best screenplay at International Festival of Cartagena, Colombia - 1998 Best film of the popular jury at Festival de São Luis, Brazil - 1989 Critics’ special prize at Schermi d’Amore - Sentimental and Mélo Film Festival, Verona - 1997 Best film at First Brazilian Film Festival of Miami - 1997 1987 Ladies of the Night Best photography and best editing at Festival de Brasília - 1996 Directed by Sandra Werneck, Co – Produced by: Lumiar Produções Audiovisuais; Embrafilme - Empresa Brasileira de Filmes S.A. 1996 Mr. Napumoceno’s Testament Best film for the young public, Rio Cine Festival, Brazil - 1987 Directed by Francisco Manso, Co – produção: Cineluz Produções, ADR Productions, Cobra Best editing at Festival de Fortaleza, Brazil - 1987 Films, Instituto Caboverdiano de Cinema, Instituto Português da Arte Cinematográfica e Au- Best sound, Rio Cine Festival, Brazil - 1987 diovisual, J.L. Vasconcelos Lda., Radiotelevisão Portuguesa Best film of the popular jury, Rio Cine Festival, Brazil - 1987.

1994 Pintinho 1986 Geléia Geral

Directed by Sandra Werneck; Co - Produced by: Cineluz Produções e Arté (TV Franco/Alemã) Directed by Sandra Werneck, Produced by: Lumiar Produções Audiovisuais LTDA Best soundtrack, Rio Cine Festival, Brazil - 1986. 1994 Canudos – Two Sides of the Mountain 1984 Prision Sentence Directed by Sandra Werneck; Co - Produced by: Cineluz Produções, Televisão Alemã ZDF, Televisão Francesa ARTE Directed by Sandra Werneck, Produced by: Lumiar Produções Audiovisuais LTDA Best Photography - Rio Cine Festival (1995) Brazilian representative at “Cinéma du Reel” Festival of the George Pompidou Center, Paris - 1984. Best Sound - Festival de Brasília (1995) Best film of the popular jury and best editing at Brasília Festival, Brazil - 1984 Best screenplay of the II Fortaleza Festival, Brazil - 1984 1993 Profession: Child 1980 Rites of Passage Directed by Sandra Werneck; Produced by: Cineluz Produções Directed by Sandra Werneck, Produced by: Corcina - Cooperativa dos Realizadores Cinema- 1992 Pornography tográficos Autônomos Ltda Nominated by Embrafilme for the Brazilian Bishops National Conference (CNBB) prize. Directed by Sandra Werneck e Murilo Salles Brazilian participation at the Cracow Festival - 1980 1991 Kid’s War

Directed by Sandra Werneck; Co - Produced by: Synapse, MP@ Produções, Lês Films D’Ici, FR3 1976 Good Morning Brasil Best film and best direction at Gramado Festival, Brazil -1991 Special prize of the jury at Amsterdam Documentary Film Festival, Netherlands - 1991 Directed by Sandra Werneck Prize of the OCIC at Havana Festival, Cuba - 1991 Prize Saul Yellen of the Latin-american Directors Comittee, Havana Festival - 1991 DocumentDowntown original Attached Documents

Translation:

Rio de Janeiro, March 29th, 2001

CINELUZ PRODUÇÕES CINEMATOGRÁFICAS LTDA Rua João Borges, 20 – Gávea Rio de Janeiro – RJ 22451-100 A/C Sandra Werneck Ref.: Audiovisual Project Marina and the Time

Dear Madam,

Following our recent conversations about the production of the audiovisual cinematographic work named Marina and the time, we confirm the Downtown Filmes interest in investing R$ 2.000.000,00 (two million reais) in the co-production of the work.

The mentioned work will be produced by Cineluz Produções Cinematográficas Ltda.

Cineluz assures and states to have all the necessary rights and authorizations for the production of the work and will send a copy of the chain of titles proving the mentioned rights. Downtown Filmes and the producer will negotiate in good faith the terms for the co-production contract and distribution of the Work in Brazil and in Latin America in cinema theatres, open and closed television, video, DVD or any other form of domestic use and in the internet during the period in which the work will be protected by the copyright legislation in Brazil.

We are available to clear any doubts.

Cordially,

Downtown FIlmes Bruno Wainer

CEO Clipping

http://albertorivablog.wordpress.com/2011/03/31/la-vita-di-marina-silva-diventera-un-film/ http://cine-latino.blogspot.com/2011/04/la-brasilena-sandra-werneck-narrara-la.html http://www.lepoint.fr/ces-gens-la/la-vie-de-l-ecologiste-bresilienne-marina-silva-sera-por- http://moncinema.cyberpresse.ca/nouvelles-et-critiques/nouvelles/nouvelle-cinema/14391-la- tee-a-l-ecran-30-03-2011-1313350_264.php vie-de-lecologiste-marina-silva-adaptee-au-cinema.html http://www.zeit.de/politik/ausland/2011-04/lateinamerika-gruene-welle CINELUZ PRODUÇÕES CINEMATOGRÁFICAS LTDA.

Rua João Borges, 20

Rio de janeiro – RJ

22451-100 [email protected] www.cineluz.com.br

+55 21 2294.5963 / 2512.1770 / 2512.1371

Sandra Werneck - +55 21 9988 2784 | [email protected]

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