Contents 5 7 27 33 48 51 Introduction The second wave of the digital revolution is radically changing the European cultural and televisual ARTE landscape. ARTE is facing new challenges from the proliferation of new channels and Internet television. But ARTE’s image as a high quality cultural channel will enable it to survive in the digital multichannel world as a reliable and engaging broadcaster.

Since extended broadcasting schedules were introduced in May 2006, viewers in Germany, France and the rest of Europe can access ARTE’s schedule 24 hours a day, seven days a week. ARTE was the fi rst public service broadcaster to give viewers a preview of picture-perfect HDTV, and we will be broadcas- ting the majority of our programmes in widescreen format 16:9 by the end of 2007. This will enable us to continue to play a pioneering role in this area in future and increase viewer awareness of our programming.

More and more of our programmes are available on the Internet, either as streams, podcasts or video on demand. We are at the dawn of a new broadcasting age – television on demand. From 2007 on, viewers © Dinah Hayt will be able to select any of ARTE’s programmes and watch them when and where they like.

ARTE looks at the future with optimism and relies upon its reputation for quality and creativity. In doing so, we emphasize our European and transnational perspective, which has profoundly infl uenced the 2007 schedule.

So, in the future ARTE will continue to be the most creative television channel in Europe, awakening our curiosity over and over again.

© Martin Bernhart Dr. Gottfried Langenstein Jérôme Clément President Vice President

5 Programme © Frédéric Maigrot

Since its launch 15 years First-class cinema remains an integral part of ago ARTE constantly strives ARTE’s schedule, featuring fi lms by celebrated towards fulfi lling its viewers’ directors such as Wong Kar-Wai, Hans-Christian expectations. The aim of our Schmid and Jacques Rivette. ARTE has proved a 2007 schedule overhaul was reliable co-producer of outstanding feature fi lms to listen to the interests and concerns of people such as The Life of Others by Florian Henckel von living in today’s world and look to the future, Donnersmarck, which won the 2007 Oscar for together. ARTE is becoming more topical, more Best Foreign Language Film, and Lady Chatterley, innovative and more European. directed by Pascale Ferran, which won fi ve César awards. Fans of Trash fi lms will not be left disap- To ensure that ARTE keeps its fi nger on the pulse, pointed by ARTE’s selection of garish B-movies. In we have devoted more air time to science and their day, they broke aesthetic conventions. Now futurology. Ambitious documentaries focus on they are cult classics. current debates in Science and the new format Thema Future looks at future scientifi c and social Europe is at the heart of ARTE’s vision. New developments once a month. formats in prime-time slots give viewers an entertai- ning insight into issues affecting Europe today. The Despite these changes ARTE will continue to be documentary series Faces of Europe, for example, a groundbreaking channel for culture. The new, presents sensitive portraits of people who refl ect revitalised culture magazine Metropolis has been the diversity of Europe. ZOOM Europa focuses on given a prime-time slot and once a month Disco- social, economic and political issues with lively ver the Opera, one of ARTE’s many innovative reports, which deal with the problems facing Europe programmes, showcases important yet little-known today. works. ARTE’s repertoire of music, theatre and dance includes magnifi cent performances of both Look to the future with ARTE for a more exciting, classical and new creative pieces. entertaining and, above all, brighter outlook on life.

Dr. Christoph Hauser Programme Director

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Hallmarks of the channel since its inception and quickly imitated by other broadcasters, ARTE’s theme evenings symbolize a different way of watching television. Entertaining, investigative, always enriching, they explore an infi nite range of subjects, drawing on all audio visual genres: documentaries, current affairs, feature fi lms, drama and many more. Three nights a week, television viewers can take the time to discover and learn. Each night of the week has its own special colour. Discovering the Great Legends of Our Time Thema on Sunday 8:45 pm Usually built around a major feature fi lm screened early evening, Thema on Sunday is aimed at a family audience, preferring entertaining subjects that combine dreams and excitement: Roberto Rossellini and Ingrid Bergman, Best Friends or Porsche. 4

1 Understanding the World Today Sharing Culture Thema on Friday 10:15 pm Thema on Tuesday 8:45 pm Repeated: Wednesday 2:40 pm A thought-provoking guide to the pleasures of all forms of culture, historical and contemporary. Presented by Andrea Fies, Annie-Claude Elkaim, and Thema on Friday takes a close look at The Daniel Leconte Wonderful World of Advertising, Samuel Beckett or Focusing on the contemporary world, Thema on Daniel Buren and the Guggenheim Museum. Tuesday looks at society today and the big issues in politics, socio-economics and science, such as occupational mobility in Europe, the fi nancial network of FIFA, Female Genital Mutilation and 5 former Iraqi dictator Saddam Hussein. Once a month, Thema Future focuses on a closer 2 future and shows how scientifi c progress and the evolution of our society and environment will durably change our daily life.

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Annie-Claude Elkaim © Frédéric Maigrot Andrea Fies © ARTE / Frédéric Maigrot 3 Daniel Leconte © Kate Barry

1. Thema on Friday: Samuel Beckettt © SWR/Hugo Jehle 2. Thema on Sunday: Hairdresser Ken Paves with blond model © LE vision 3. Thema on Sunday: Audrey Hepburn in Two For The Road © Kirch Media 4. Thema on Tuesday: Mutilated African Girl © Valentin Thurn 5. Thema Future: The mysterious Monte Sana Clinic © Point du jour 9 6. Thema on Friday: Pagan priests in the Russian Republic Mari El © Norbert Busè Film

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Each form of fi lmmaking has a place on ARTE. Three times a week prime time, on Mondays, Thursdays and Thema on Sunday, with a late night slot on Saturdays, the channel presents important and award-winning fi lms. Foreign fi lms are usually broadcast in the original version with French subtitles. Two of the evening’s full-length features are shown as repeats on Monday and Tuesday afternoons. Around twenty-fi ve percent of the fi lms broadcast are coproductions. Since its inception, ARTE has been fi nancially committed to supporting talented fi lmmakers. A co-production agreement between the ARD, ZDF and ARTE enables six European coproductions to reach the big screen every year. Movies on Monday* First Screening 8:40 pm Movies on Monday features recent titles, often television premieres, all critically acclaimed for their original, imaginative and sensitive approaches, with Short-Circuit 4 directors as diverse as Pedro Almodóvar, Fatih Akin, 12:30 am Wolfgang Becker or Luc Bondy. Tuesday (twice a month) Wednesday 12:30 am

1 More than 700 short fi lms are shown every year Movies on Wednesday* in Short-Circuit on Wednesday nights, and twice Discovery 10:30 pm monthly on Tuesdays at 12:30 am. Late on Wednesday night, Movies on Wednesday is for fi lm fans with a passion for the unexplored and Trash remote corners of world cinema, but also for auteur around 12:30 am fi lmmaking in Europe and the USA, the antithesis of Thursday mass market, mainstream cinema.. Late at night, ARTE casts a look at garish movies which, in their day, airily broke aesthetic and moral conventions and sometimes became precursors for Movies on Thursday* important currents in the international cinema. 5 Again and Again 8:40 pm Every Thursday night, Again and Again showcases Silent Movie the world’s greatest Directors and masterpieces 2 12:30 am of fi lm history: classics of the fi lm noir genre, and Friday (once a month) works by directors such as the Marx Brothers, One Thursday night a month, ARTE gives top billing Luchino Visconti, David Lynch, Claude Sautet, Jean to Silent Movie gems. Most of the fi lms are shown Delannoy, Norman Jewison, Stanley Kubrick… with restored prints and new musical scores.

* Repeated: Monday and Tuesday, 3 pm 6

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1. Movies on Thursday, The Leopard by Luchino Visconti © ARTE France/Pathé Renn Production – Titanus 2. Don’t Touch the Axe by Jacques Rivette © Les fi lms du losange/Moune Jamet 3. Movies on Thursday, Love in Thoughts by Achim by Achim von Borries © ZDF/Walter Wehner 4. Movies on Monday, Head-On by Fatih Akin © NDR/Kerstin Stelter 5. The Life of Others by Florian Henckel von Donnersmarck © Buena Vista International 11 6. Movies on Monday, All about my Mother by Pedro Almodóvar © ARD/Degeto Drama

Exp

It is ARTE’s ambition to screen the best in television drama from France, Germany and Europe. Mostly screened as television premieres, two thirds of all featured titles are co-produced by ARTE itself. Drama on ARTE takes the shape of nearly 200 made-for-TV-movies aired each year, which draw their inspiration from the rich tapestry of life: excitement, suspense, action, social reality, life’s everyday pleasures and major personal crises. Directors commissioned by the channel include some of France and Germany’s most talented, from Benjamin Heisenberg and Claire Denis to Olivier Assayas and Detlev Buck, plus fi lmmakers from much further afi eld: from Europe, North and South America, the Middle East, Asia and Africa. All of them bring their own perspective, and personal style of writing, which makes the chan- nel’s programming so rich and uniquely diverse, and so appreciated by viewers. Drama on Tuesday* Tuesday 10:45 pm Drama on Tuesday seeks to surprise its young and curious audience. Original and contempora- ry in form and content, it allows the imagination 4 to run free, while staying within the bounds of realism, as in Regular Lovers by Philippe Garrel, Kalter Frühling by Dominik Graf, Les Cadets de 1 Gascogne by Emmanuel Bourdieu or Anam by Buket Alakus.

Drama on Friday* Friday 8:45 pm Drama on Friday features strong stories with hard- hitting emotional impact. Viewers are drawn into the lives and dreams, fears and desires of the charac- ters. Flagship programmes include L’embrasement by Philippe Triboit, Die Flucht by Kai Wessel and 5 Lady Chatterley by Pascale Ferran.

2 Drama on Saturday Saturday 11:30 pm This Saturday night slot offers a selection of our best recent coproductions.

6 * Repeated: Saturday and Sunday • 4 pm

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1. Drama on Friday, Go for Zucker! by Dani Levy © X Filme 2. Drama on Tuesday, Les Cadets de Gascogne by Emmanuel Bourdieu © ARTTE France 3. Drama on Friday, Jagged Harmonies by Dominique de Rivaz © SSR 4. Drama on Friday, Die Fluchtt by Kai Wessel © ARD/Degeto 5. Drama on Friday, L’embrasement by Philippe Triboit © Monika Jeziorowska/Cinnétévé 13 6. Drama on Friday, Lady Chatterleyy by Pascale Ferran © ARTE France/Maïa Filmms Documentaries

Dis

Documentaries on ARTE are like one vast, multi-coloured, animated encyclopaedia: art, culture, history, science, technology – a myriad of tastes and colours to quench the curiosity of all television viewers.

Discovering 360° – GEO Report New Horizons Saturday 9:40 pm Repeated: Saturday and Sunday 2:50 pm, Far Away Places Tuesday 8:45 am Presented by: Simone von Stosch Monday through Friday 1:05 pm and Sandrine Mörch Repeated: 5:30 pm Focusing strictly on Far Away Places takes viewers on a journey the world today, 360° to little-known areas of the globe, exploring the – GEO Report leaves fascinating traditions, religions and ways of life of no stone unturned on indigenous peoples, and revealing extraordinary its exciting journeys to animal and plant life. the farthest corners of 4

© Frédéric Maigrot/ARTE the planet: the art of ARTE Discovery weaving in Cambodia, a women’s village in Kenya, a trip to the North Pole Monday through Friday 7 pm 1 by helicopter, wildlife conservation in Siberia, and Repeated: 4:45 pm more… In this time slot ARTE covers a diverse range of captivating topics, ranging from the search for the fountain of youth, to bamboo, to the most northerly island in the world. Discovering and Sharing the Life of Europeans Science Monday 10:15 pm Faces of Europe Repeated Friday: 3:15 pm Monday through Friday 6:30 pm Repeated: 11:05 am and 12:10 pm Informative and entertaining, Science showcases 5 the latest trends in science, technology and Faces of Europe introduces viewers to Europe’s medicine. First-class documentaries allow viewers scenic charm, everyday culture and cultural heritage. It avoids topics such as the EU, quotas 2 to grasp challenging topics such as neuroscience and alternative fuels. and bureaucrats, and instead reveals sensitive and moving portraits of people who make Europe so lively and diverse. Reality The Human Adventure Thursday 10:15 pm Saturday 8:45 pm Docu-Soap / Docu-Series ARTE looks at life straight in the face: Repeated: Saturday and Sunday 2 pm the workplace, social confl icts, death Monday through Friday 8:15 pm penalty, all seen through the real-life The Human Adventure travels back in time and Repeated: 11:30 am and 2 pm around the world, following in the footsteps of our experiences of Europeans today – these planet’s history and evolution. ARTE’s Docu-Soaps and Docu-Series remain are just some of the issues tackled by true-to-life and spark the imagination. The Docu- Reality. Series Airbus A380 – Around the World Test Flight whisks viewers away on an exciting fl ight aboard the world’s biggest passenger aircraft – without

3 neglecting the people behind the scenes. Sarah Wiener’s Culinary Adventures explores French 1. 360° – GEO Report: Inhabitants of the Kenyan women village Umoja © ARTE / MedienkontoMedienkontor FFP 2. Docu-Series: Celebrity Chef Sarah Wiener © zero fi lm regional specialties and gives an up-close and 3. Die Juden – Geschichte eines Volkes (The History of the Jewish People) © WDR/Gruppe 5 Filmproduktion/Milos Vendlek personal insight into the country and its people. 4. Docu-Series: Testing crew of the Airbus A 380 © Airbus S.A.S 15 5. Science: Volcanic eruption © ARTE France/Per Diem Films GA&A Documentaries Experience the Emotion All of History Creation Grand Format Saturday 10 am Saturday 12 pm 1 ARTE sheds a fascinating light on major events that Repeated: Monday 10:45 am Monday 11:25 pm changed the world in centuries past. and Tuesday 2:25 pm A fl agship format for ARTE, Grand Format often Creation allows us to see artists at bears the signature of the world’s most talented Country Cooking work in their studios and workshops, and committed documentary directors, such as Sunday 5:35 pm and invites viewers to explore the Nicolas Philibert, Rithy Panh, Philipp Gröning, Hubert Repeated: Saturday 1:35 pm world of dance, architecture, music Sauper, Christian Frei, Stéphane Breton, Andres and drama. Veiel, and more. Country Cooking takes us on a journey throughout Remarkable works that often have the feel and Europe to our neighbours, and to wherever people ARTE Creative scope of cinematographic writing, these are enjoy the good life and culinary pleasures. documentaries that enhance our understanding of Saturday 7 pm 2 mankind and the human condition. Biography and Sunday 12 pm (once a month) Saturday 5:30 pm Repeated: Thursday 9 am Great Sporting Duels Repeated: Thursday 2:30 pm ARTE Creative puts the audience in Saturday 11:15 am Biography features intimate portraits of today’s control. Among other topics, this interac- Repeated: Monday and Friday 8:50 am leading personalities, such as Paul Auster, Jeanne tive series presents cultural monuments Great Sporting Duels looks back at sporting Moreau and Dani Levy. at risk in France and Germany, allowing “legends” in their cultural and historical contexts. viewers to cast votes to save them. Sharing Culture Understanding the World Top of the Bill Sunday 11 am 3 Past and Present Into the Night Tuesday (once a month) 12:30 am Top of the Bill brings out the unique History on Wednesday A workshop for creative television, Into the Night is personalities of the “greats” of the worlds a space entirely dedicated to experimental fi lm and of music, literature and cinema.. Wednesday 8:45 pm video artists. Repeated: Sunday 6:10 pm Art & Culture The dedicated slot for history in general and The Skylight Sunday 8:15 pm contemporary history in particular provides a space 12:45 am Repeated: Sunday 1:30 pm for individual and collective memory. History on Friday Art & Culture explores artistic expres- Wednesday will be taking a detailed look at artists This offbeat slot offers the late-night viewer original sion and cultural movements in all their who spied for the CIA, the 1956 uprising in Hungary, works that take a highly personal approach, often in 4 forms, past and present – fi ne and the Suez crisis and the battle of Verdun. unusual formats. applied arts, such as craft and design, with series such as Art Safari, Design or Architecture.

1. Headlines from the Past: Royal Familyy © Art & Culture/ Architecture: “Phaeno” by Zaha Hadid © ARTE France/Les fi lms d’ici 3. Grand Format: White Terrorr © SSR/Dschoint Ventschr 4. Grand Format: To Be and to Have by Nicolas Philibert © ARTE France 5. The Skylight: Touch the Sound – A Sound Journey with Evelyn Glennie © BR/Filmquadrat 17

5 Live and Performing Arts

Showcasing the performing arts is a natural part of ARTE’s mission. Theatre, ballet, classical music, variety, jazz, and opera can fi nd a platform for expression open to all disciplines and trends. Maestro Comedia Sunday 7 pm Tuesday 10:40 pm Repeated: Saturday 8 am Eight times a year Comedia showcases a live per- Musical performance is at the core of Maestro, formance of a play. providing the television audience with front row 3 seats to concerts by established, renowned artists such as Claudio Abbado, Daniel Barenboim, Raise the Curtain – Showtime Anne-Sophie Mutter and rising young virtuosi like on Sunday 1 the Chinese pianist Lang Lang – all excelling in the classical or contemporary repertoire. Saturday 9:00 am Sunday mornings on ARTE are a lively refl ection of Musica current theatre shows. Saturday 10:40 pm Tracks Musica takes a behind-the-scenes look at artistic creation, profi ling artists such as Rolando Villazón Thursday 11:15 pm and Mstislav Rostropowitsch, and following major Tracks is the music magazine show that keeps opera and dance productions. Six operas are also viewers in touch with the latest trends, lifestyles and selected for live, prime-time broadcasting, among avant-garde artistic experiments. them Eugene Onegin by Peter Tchaikovsky from the Metropolitan Opera in New York. Once a month ARTE offers viewers an appealing insight into operas not found in standard repertoires. Discover the Opera features mainly baroque 4 and 20th Century works such as Paul Hindemith’s Cardillac, Arthur Honegger’s Joan of Arc at the Stake and Jean-Philippe Rameau’s Platée and Zoroastre.

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5 1. Maestro: Barenboim on Beethoven © ARTE France / Monika Rittershaus 2. Musica / Discover the Opera: Platée © ARTE France / Eric Mahoudeau 3. Musica: Choreographer and dancer Henrietta Horn © HR 4. Opera: Nancy Herrera and Placido Domingo in Luisa Fernanda © TVE 5. Tracks: The band “Hey Willpower” © ZDF / Brande Baugh Andreas 19 Magazines

Eu p

ARTE’s magazines use a variety of innovative formats to examine European life. Original, light-hearted programmes such as Night Owls and Kollision, winners of Germany’s prestigious Adolf Grimme Award, take a look at the diversity of European culture, the latest trends in design and gastronomy, and much more. Chic Zap around the World Monday through Friday 12:35 pm Saturday 12:55 pm and Saturday 12:30 pm Repeated: Monday 2:30 pm, Repeated: Monday through Friday 10:10 am Tuesday and Wednesday 10:35 am and Friday 2:45 pm Zap around the World looks at television else- Presented by: Valeria Risi and Eglantine Eméyé where, and makes some surprising discoveries. European lifestyle maga- zine Chic unveils the latest Kollision trends in architecture, desi- Sunday 8 pm gn, fashion, gastronomy and Repeated: Monday through Friday 8:30 am art. Every Saturday Best of and 10 am, Chic gives a roundup of the Wednesday and Friday 2:30 pm 1

© Frédéric Maigrot/ARTE © Jean-Philippe Baltel week’s highlights. ARTE takes a playful look at the differences – large and small – between the French and the Germans. Night Owls Tuesday 12:30 am (once a month) Night Owls follows two people with different out- Kids’ Programming looks or cultural backgrounds, as they tour a city and discuss their lives and sources of inspiration. Janosch’s Dreamhour 3 Sunday 8 am Repeated: Wednesday 9 am, and Friday 11 am Edutainment on ARTE: Janosch’s Dreamhour will 2 delight young audiences. Spirou and Fantasio Sunday 8:30 am Repeated: Wednesday 9:30 am, and Thursday 11 am The cartoon series Spirou and Fantasio is packed with a host of lovable characters. 4

1. Janosch’s Dreamhour © ZDF/Steffen Schenker 2. Zap around the world: The programme “Cover Girl” on a Shanghai TV channel © ZDF/MartZDF/Martin Pfl üger 3. Night Owls with Amira Casar and Robert Wilson © ZDF/avanti media/Fabian Meyer/Georg Denzer 4. Manu Katché, Air, Bryan Ferry and Guests: One Night in Paris © Arte France/Jean-Baptiste Mondino 21 News

Understanding today’s world

ARTE offers fair and open-minded European news coverage, with no trace of facile sensationalism. ARTE Info Everyday 7:45 pm Weekdays after midnight Presented by: William Irigoyen and Jürgen Biehle ARTE Info is the news bulletin prepared by If Maps Could Talk the channel’s news room. It offers a European William Irigoyen © Frédéric Maigrot / ARTE, Wednesday 10:30 pm Jürgen Biehle © Frédéric Maigrot / ARTE perspective on the highlights of international Saturday 8:45 am, 6:50 pm current affairs. ARTE Info gives top-priority to subjects with a transnational dimension and Author & presenter: Jean-Christophe Victor takes care in ensuring that different points of view If Maps Could Talk provides viewers with a are refl ected. Editorial offi ces in Paris and Berlin geopolitical analysis of international issues and ensure day-to-day coverage of events in both of confl icts, such as Armenia, Latinos in the USA, the capitals. and the coup d’état in Thailand.

Nathalie Georges and Andrea Fies Culture Daily ARTE Reporting © Frédéric Maigrot / ARTE Monday through Saturday 8 pm Wednesday 7 pm 12:10 pm Presented by: Annette Gerlach, Elise Chassaing, Repeated: Sunday 9:30 am and Gustav Hofer and Thursday Culture Daily explores culture in Europe today, with Presented by: Nathalie Georges and Andrea Fies exhibitions, street art, theatre and new trends and ARTE Reporting seeks to enhance our understan- titles from the fi lm and publishing worlds. ding of the most pressing issues facing our planet. Elise Chassaing, Annette Gerlach, Gustav Hofer This international news magazine backs up its © Frédéric Maigrot / ARTE frontline reports with historical reminders and geo- ZOOM Europa political, geographical and economic information. Wednesday 9:45 pm Repeated: Friday 4 pm Metropolis Presented by: Bruno Duvic and Judith Schulte-Loh Saturday 8 pm The magazine ZOOM Europa presents lively Repeated: Sunday 12:45 pm reports on current European affairs featuring daily Editor-in-Chief: Rebecca Manzoni life, economics and politics, such as the German Bruno Duvic © Radio France/ Christophe Abramowitz Judith Schulte-Loh © Frédéric Maigrot/ ARTE EU presidency, Serbia’s European woes and the Original, critical and accessible – the culture ma- opposition in Belarus. gazine Metropolis details Europe’s intellectual and cultural life.

Rebecca Manzoni © Jean-Philippe Baltel/ ARTE Jean-Christophe Victor © Stéphane Louis / ARTE

23 Image and Audience Ratings Broadcasting Simultaneously in In 2006, 4.2 million viewers in Germany watched ARTE Several Languages at least once a week for 15 minutes continuously, thus Producing and broadcasting in several languages is a clearly outperforming record year 2005. In France, weekly challenge ARTE faces on a daily basis. A number of audience fi gures reached 9.4 million. different techniques are used, depending on the requirements of individual programmes, including subtitling, dubbing, The latest surveys* confi rm the channel’s excellent image. voice-overs and narration provided by the Subtitling / Its public profi le in Germany and France has been Dubbing Service. Simultaneous interpretation can be steadily increasing since 2002. ARTE is “the” cultural provided by the Language Service for talk-show formats. channel and enjoys special status within the German and The channel has developed a language adaptation system French media industries. for major live events, such as opera, theatre and festivals. This technology ensures that ARTE viewers can see or hear In both countries, ARTE has become a synonym for a faithful refl ection of the original version. high quality and creative television. French and German audiences hold the channel in high esteem due to its 200 different languages and dialects are represented in the credibility and the special attention which ARTE gives to 4,400 programmes broadcast per year by ARTE (6,900 different issues, as diffi cult as they may be. hours approx.). French and German speakers automatically *Ifop, 2006 receive a version translated into their respective language. In addition, viewers with a stereo TV set can choose which language version to watch (including the original language On-Air department version, when available). The role of the On-Air department is to design, prepare and ensure broadcast continuity of ARTE’s programmes. It is made up of four sectors: onscreen design and promotion, broadcast continuity, pre-broadcast and broadcasting.

The switchover from the world of analogue to digital television in 2005 with the commissioning © Frédéric Maigrot of the digital master control has resulted in more effective working procedures and provides enhanced viewing comfort for our audiences.

ARTE’s on-screen design is based on openness, warmth, respect and curiosity. To accompany the © Frédéric Maigrot 2007 schedule, the On-Air department has deve- loped new brand idents for the channel, in collabo- ration with the Zurich-based Déjà vü Agency for the image, and the Novaprod Agency in Paris for the acoustic design. Their aim is to reinforce ARTE’s visual and sound identity. Awards 2006 and 2007 (Selection)

Drama Documentary Live and - Lady Chatterley by Pascale Ferran: César for - Hot House by Shimon Dotan: Special Jury Performing Arts Best Film, Best Actress and Best Cinematogra- Prize, Sundance Film Festival, 2007 phy, 2007 - La malédiction de naître fi lle by Manon Loi- - Knowledge is the Beginning by Paul Smac- - The Girl in the Café by David Yates: Emmy seau and Alexis Marant: Prix Albert Londres, zny: Emmy Award in the category “Arts Pro- Award for Outstanding Made for Television 2006 gramming”, 2006; Golden FIPA in the category Movie, Outstanding Writing and Outstanding - The Oligarchs – The Struggle for Russia by “Music und Performing Arts”, 2007 Supporting Actress, 2006 Alexander Gentelev: Prix Europa, 2006; Spe- - The Nightingale by Christian Chaudet: Best - Le Grand Charles by Bernard Stora: Golden cial Jury Prize, World Television Festival Banff, Film Essay, Montreal International Festival of FIPA for Best Actor, Silver FIPA for Best Series, 2006 Films on Art, 2006 2006 - Why we fi ght by Eugene Jarecki: Adolf Grimme - Glenn Gould: Hereafter by Bruno Monsain- - Silberhochzeit by Matti Geschonneck: Ger- Award for Best Script and Best Director, 2006 geon: Golden FIPA in the category “Music und man Television Prize for Best Director and Best - Exile Family Movie by Arash: Golden Dove for Performing Arts”, 2006 Marina Hands (l.), leading actress in “Lady Chatterley”, with director Pascale Ferran © Michael Kappeler/ddp Actress in a Supporting Role, 2006 Best Documentary, International Competition, - Die Nacht der großen Flut by Raymond Ley: DOK Leipzig, 2006 German Television Prize for Best Documentary - Buddha’s Lost Children by Mark Verkerk: Film Feature, 2006 Silver Dove for Best Documentary, International Magazine - The Man from the Embassy by Dito Tsintsadze: Competition, DOK Leipzig, 2006 - The Lives of Others by Florian Henckel von Golden Leopard for Best Performing Achieve- - Abrechnung mit Stalin – Das Jahr 1956 by - Kollision by Claire Doutriaux: Adolf Grim- Donnersmarck: Oscar for Best Foreign Lan- ment, Locarno International Film Festival, 2006 Daniel and Jürgen Ast: Bavarian Film Prize, me Award for Idea, Shaping and Realiza- guage Film, 2007; European Film Award for - Vive la bombe! by Jean-Pierre Sinapi: Best 2006 tion, 2006 Best Feature Film, Best Script, Best Actor, 2006; Film, Saint-Tropez TV Film Festival, 2006 - They Chose China by Shui-Bo Wang: Golden Best Feature Film, Sevilla International Film - Hierankl by Hans Steinbichler: Adolf Grimme Gate Award, TV Documentary – Long Form, Festival, 2006; German Film Prize in Gold for Award in Gold for Best Director, Best Actors San Francisco International Film Festival, 2006 Best Feature Film, Best Director, Best Script, and Best Cinematography, 2006 - Into Great Silence by Philipp Gröning: Prix Best Actors in a Leading and Supporting Role, - Grbavica: The Land of My Dreams by Jasmila ARTE for Best European Documentary, 2006; 2006; Audience Award, Locarno International Zbanić: Golden Bear for Best Film, Berlinale, Bavarian Film Prize for Best Documentary, Film Festival, 2006 2006 2006; Special Jury Prize, Sundance Film - Yella by Christian Petzold: Silver Bear for Best - Requiem by Hans-Christian Schmid: German Festival, 2006 Actress, Berlinale, 2007 Film Prize in Silver for Best Feature Film and - Chaghcharan, un hôpital afghan by Claude - Golden Door by Emanuele Crialese: Silver Lion, Best Actresses in a Leading and in a Supporting Mouriéras: Silver FIPA for Best Documentary, Venice Film Festival, 2006 Role, 2006; Silver Bear for Best Actress, 2006 - Daratt by Mahamat Saleh-Haroun: Grand Spe- Berlinale, 2006 - Der Fall Mischa E. – Lebensweg eines Mörders cial Jury Prize, Venice Film Festival, 2006 - The Free Will by Matthias Glasner: Silver Bear by Stella Tinbergen: Robert Geisendörfer Prize - Flandres by Bruno Dumont: Grand Prize of the for Artistic Achievement, Berlinale, 2006 in the category “Television”, 2006 Jury, Cannes Film Festival, 2006 - Darwin’s Nightmare by Hubert Sauper: César - Tough Enough by Detlef Buck: German Film for Best First Work, 2006 Prize in Silver for Best Feature Film, Best Editing and Best Film Score, 2006; FIPRESCI Prize, Berlinale, 2006 - Paradise now by Hany Abu-Assad: Golden The laureates of “The Lives of Others” at the 56th German Cinema Awards Globe for Best Foreign Language Film, 2006 © Markus Brandt / ddp

25 Mo Internet www.arte.tv www.artepro.com In 2006 ARTE’s website was given a short and This website is mainly aimed at audio-visual profes- catchy new web address: www.arte.tv. The site is sionals and journalists. ARTE Pro reports on current enjoying increasing popularity. With 57,000 hits a developments on the production front (awards, fi lm day, ARTE’s homepage has turned into an impor- shooting, partnership agreements, etc.) covering the tant hub of information and communication. various genres: drama, fi lm, documentaries, live and Arte.tv complements the themes of the channel performing arts, Europe, discovery and knowledge, in an innovative way. Apart from up-to-the-minute the latest cultural events. Zapping international © ARTE France programme information, the website provides detailed dossiers with background information on www.artevod.com programme highlights. Interactive elements such Since 2006 users have been able to take as blogs, chats and forums, which attract younger advantage of the Video on Demand (VoD) service users, have increased its appeal. on the www.artevod.com site. This pay-TV service From September 2007, ARTE’s programmes will enables subscribers to download over 600 different be available for seven days on www.arte.tv, directly French-language titles. From September 2007 after their fi rst broadcast. This new service is known programmes will also be available in the German as “ARTE + 7”. Programmes such as ARTE Info language version. and Karambolage are already available and well received. Podcasts on www.arte.tv are very popular with www.arteradio.com Internet users, too. In 2006 the Tracks podcast was ARTE France’s web radio station broadcasts a wide one of the most frequently downloaded program- range of reports, fi ctions and documentaries, mainly mes from online music provider iTunes. in French. In its fi rst fi ve years, the outstanding sound As well as rapidly responding to viewer enquiries, quality and editorial excellence has made ARTE ARTE à la carte, the innovative customer Radio one of the fi rst creative online radio trans- management and service system, enables viewers mitters in Europe. It can now also be received via to receive email reminders about individual satellite across the whole ARTE transmission area. programmes. Viewers can also inform friends and acquaintances about upcoming programmes, fi nd out about special broadcast events and subscribe to newsletters on different themes.

27 ARTE VIDEO – ARTE EDITIONS complementing the cultural diversity and editorial values of ARTE

The ambition of ARTE Vidéo and ARTE Éditions is to extend the impact of the ARTE brand and programming beyond the broadcast domain!

ARTE Vidéo In 2006, ARTE Vidéo continued its ambitious publishing policy and released some fi fty new titles, featuring previously unreleased material. ARTE Vidéo is keeping close tabs on what’s new and on big events in the world of culture today: the opening of Paris’ new anthro pological museum, the Musée du Quai Branly, the Cézanne exhibition in Aix-en-Provence, James Ellroy and Brian de Palma’s fi lm adaptation of his novel The Black Dahlia. Now, more than ever before, our library includes a diverse range of work ranging from Patrice Chéreau to Lars von Trier, Ariane Mnouchkine to Raymond Depardon and Johan van der Keuken to Jean-Daniel Pollet, from the Nuremberg trials to Mao Zedong, from Maradona to the arts of myth and legend. The Monographies d’écrivains series on writers contributes three new titles to the ARTE Vidéo catalogue, René Char, Franz Kafka and Howard Phillips Lovecraft – while another comes from the fi fth in the series Architectures. In line with the growing international dimension of Arte Vidéo, multi-language versions are now distributed in Germany, the USA, Spain, the Nordic countries, the UK, Japan and Korea... ARTE Editions: from Screen to Print both fi ction and documentary, but also a broad range of other formats such as essays, illustrated books, DVD/book combos and interviews – which cover a wide range of subjects and approaches and form the basis of a rich and varied catalogue. The Atlas based on ARTE current affairs magazine If Maps Could Talk (Le Dessous des cartes) is a best seller with over 200,000 copies sold and a new edition is planned for late 2007; other highlights are the DVD/book combo CosmicConnexion; Amérique, notre histoire (an interview with Russell Banks); the televised series Architectures in the form of a fi ne book; volume 2 of Kollision (Karambolage) and, scheduled for the end of this year, the book accompanying the programme Zap around the World (Toutes les télés du monde).

29 le ARTE’s Public Profi

Temps d’Images 2006: Compagnie ATTAKALARI © Denis Bourges/Tendance fl oue

ARTE is a strong brand with a high public profi le and excellent image. With its focus on the Future and Europe it will continue to stand out from other channels and make an important contribution to legitimizing licence fee fi nanced broadcasting. Its exceptional creativity and the high quality of its programmes are the foundation for ARTE’s success and uniqueness – now and in the future. Press and Public Relations ARTE has a very strong presence in newspapers and magazines. The German, French and European press gives extensive coverage to the channel’s flagship productions and other commissions. Both the media and the gene- Promotion and Marketing ral public perceive ARTE as a creative channel Selected ARTE productions and featured topics that provides up-to-date reports and in-depth are advertised with strong visuals in the German analysis of the latest cultural and social issues. and French print media. The station fi nds creative ways of publicising its programmes to as wide an audience as possible on the radio and the Internet Trade Fairs and Festivals as well. ARTE maintains a high profi le at all the important festivals in Germany, France and other European countries. Meetings are held with journalists and Cultural Partnerships and fi lm-makers at the Berlin and Cannes Film Festivals, Cultural Development two major cinematic events – and by no means only there. ARTE co-productions often are awarded Beyond the screen, ARTE plays an active role in prizes at Cannes and Berlin and also at other European cultural life by generating new occasions to bring artists together with their audiences, and in prestigious festivals. Günter Grass am ARTE-Stand auf der Leipziger Buchmesse 2006 creating new works and ideas. © ARTE The channel also takes part in the most important television fairs such as FIPA, MIPTV, MIPCOM, Amongst its venues, ARTE France offers activities MIDEM and Media Forum NRW. ARTE is also to promote cross-border encounters, for example present and highly regarded at the Paris, Frankfurt at Temps d’images, the European festival for the and Leipzig book fairs. performing arts and moving images, or at the European Comic Strip Contest. In Germany, the thematic emphasis of ARTE’s cultural partnerships involves projects with a Franco-German or European focus.

31 The Channel GENERAL ASSEMBLY Structure Chair: Véronique Cayla Vice-Chairman: Prof. Dr. Jobst Plog Members: representatives of ARTE France and ARTE Deutschland, associated partners The ARTE Group Function : takes fundamental strategy decisions, approves the Business Plan and appoints the Board of Management

ARTE is a European public-service cultural television channel. Its originality Head Offi ce lays in the fact that it targets audiences ARTE G.E.I.E. Board of Management from different cultural backgrounds, President: Dr. Gottfried Langenstein in particular French and German. It is Vice-President: Jérôme Clément Programme Director: Dr. Christoph Hauser composed of three entities: the head- Administrative Director: Victor Rocaries Function: responsible for overall strategy, quarters in Strasbourg and two Members programme planning and broadcasting responsible for programme production ARTE FRANCE ARTE DEUTSCHLAND and delivery, which are ARTE France in President: Jérôme Clément Managing Directors: Paris and ARTE Deutschland TV GmbH Chief Executive Offi cer: Jean Rozat French German Dr. Klaus Wenger and Heiko Holefl eisch Shareholders: France télévisions 45%, Member Member Associates: ARD 50%, ZDF 50% in Baden-Baden. State 25%, Radio France 15%, INA 15% ARTE France and ARTE Deutschland TV GmbH currently provide three-quarters of ARTE’s programming in equal pro- PROGRAMME COMMITTEE PROGRAMME ADVISORY COMMITTEE Chairman: Dr. Christoph Hauser Chair: Françoise Benhamou portions, the remainder being provided Members: representatives of ARTE France, ARTE Deutschland Vice-Chairman: Prof. Dr. Michael Krapp by ARTE G.E.I.E. and broadcasters and ARTE G.E.I.E., European partners Members: eminent fi gures from the arts and academic Function: selects programmes and defi nes editorial policy and political life in France and in Germany cooperating with ARTE. The Members Function: advises the Board of Management and the General Assembly are responsible for submitting program- me proposals, which have to be appro- EUROPEAN PARTNERS ved by the Programme Committee and are subsequently broadcast by the head- quarters. They jointly fi nance and control PARTNERSHIP AGREEMENTS COOPERATION AGREEMENTS COPRODUCTION AGREEMENTS headquarters operations in Strasbourg while representing their own interests RTBF, TVP, ORF SRG SSR idée suisse, TVE, YLE BBC, SVT before ARTE G.E.I.E.’s advisory and decision-making bodies.

33 Headquarters ARTE G.E.I.E.

ARTE (Association Relative à la Télévision Européenne) was founded on 30 April 1991 as a European Economic Interest Grouping (G.E.I.E.)*. It is composed of two equal Members: ARTE Deutschland TV GmbH and ARTE France. Article 2 of the contract establishing ARTE G.E.I.E. defi nes its role: “The purpose of this grouping is to conceive and produce television programmes which, in a broad sense, are cultural and international in character and conducive to promoting understanding and rapprochement among Europe’s nations and to broadcast these programmes or to authorise their broadcasting.”

The Strasbourg headquarters determines programme strategy, commissioning policy and scheduling. It is responsible for broadcasting and on-air promotion and provides the language services required for multilingual transmission. It also produces news, magazine programmes and some of the theme evenings.

In addition to this, ARTE G.E.I.E. plans and coordinates public relations activities, the development of its website and manages relations with European partners.

On 13 October 2003 our head offi ce departments completed their move to ARTE G.E.I.E. corporate headquarters in the direct vicinity of the European institutions in Strasbourg. The building, designed by an architectural team led by Professor Hans Struhk and his Strasbourg partner, Maechel.Delaunay.Jund, has 14,350 m2 of fl oor space and some 450 workstations. ARTE headquarters in Strasbourg © Patrick Bogner/ARTE ARTE headquarters doubles as a fi ne art venue, with a sculpture, “Der Giraffenmann”/ “L’homme-girafe” by German artist Stephan Balkenhol, and “La grande ourse”, by French artist Lydie Arickx. Both works were specially created for ARTE G.E.I.E.

* The purpose of a European Economic Interest Grouping (G.E.I.E.) is to promote cross-border cooperation and facilitate or develop the economic activity of its members. Governed by European and not national law, its fl exible legal structure enables its members to group part of their activities whilst retaining their legal and economic independence.

Sculpture “Der Giraffenmann”/ ”L’homme-girafe” by Stephan Balkenhol © Patrick Bogner/ARTE Programmes The Director of Programmes: Dr. Christoph Hauser Deputy Director of Programmes, Head of Programme Planning and Media Research: Management Emmanuel Suard Theme Evenings: Olaf Grunert Head of News: Pascal Guimier Film and Drama: Board © Dinah Hayt Prof. Dr. Andreas Schreitmüller Documentaries: Annie Bataillard Documentaries and Magazines: Kornelia Theune The Management Board directs the channel’s Live and Performing Arts: Jean Wittersheim Broadcasting and Programme Promotion: operations and reports regularly to the General Henri L’Hostis Assembly. It has four members: the Chairman, the Production and Subtitling/Dubbing: Vice-Chairman, the Director of Programmes and Peter Felger the Administrative Director, each appointed for a © Martin Bernhart Administration four-year term of offi ce. Administrative Director: Victor Rocaries Representatives of ARTE France and ARTE Deputy Administrative Director: Dr. Axel Bussek Deutschland may be invited to attend extended Technical Services: Johannes Claes Legal Services: Jean-Louis Haineaux meetings of the Management Board. Finance: Laurent Ehresmann Human Resources: Béatrice Blondel Chairman: Dr. Gottfried Langenstein IT Services: Gérard Geyer Language Services: Elisabeth Krone © Frédéric Maigrot Vice-Chairman: Jérôme Clément Logistics: Pierre Le Morvan Director of Programmes: Dr. Christoph Hauser Strategic Development Administrative Director: Victor Rocaries and Coordination Director: Dr. Hans-Walter Schlie Press and PR: Claude-Anne Savin © Patrick Bogner Marketing and Sponsoring: Paulus G. Wunsch Multimedia: Sabrina Nennstiel © Martin Bernhart Head of Management Offi ce: Claire Isambert ARTE Group’s Internal Communication: Béatrice Angrand

35 Human Resources

Today ARTE G.E.I.E. has approx. 400 on the regular payroll. The channel also calls on freelancers, journalists and various service providers. The average age of ARTE G.E.I.E. personnel is 40, and they have been in the employment of the channel for an average of 7.7 years.

In view of ARTE’s binational structure, it has been a major challenge to gain the support of employees for a common corporate identity and culture. Internal communication therefore plays an important role in the human resource management. Among various other measures, staff exchanges between ARTE France in Paris, ARTE Deutschland in Baden-Baden, ARTE G.E.I.E. in Strasbourg and the ARD and ZDF editorial departments have played an important role in achieving a strong cohesion within the Group. In-house surveys show that ARTE’s efforts have met with success. Our staff identifi es strongly with the channel and its mandate and expresses a high degree of satisfaction. Additionally, in-company forums are held biannually. Their objective is to give all employees insight into the diverse occupational fi elds of the channel and to stimulate creative dialogue within the enterprise. Photos © Frédéric Maigrot/ARTE

Representatives The General of ARTE Deutschland Prof. Jobst Plog Assembly President of NDR Peter Boudgoust The General Assembly, which meets four times Representatives President of SWR, a year, makes fundamental decisions of stra- Chairman of the General Assembly of ARTE France of ARTE Deutschland tegic importance to the channel, approves the Véronique Cayla, Jean Rozat Business Plan and not only appoints members Véronique Cayla Fritz Raff but also top managerial staff to ARTE G.E.I.E. Chief Executive Offi cer of the National President of ARD and SR Centre for Film Industry (CNC) The twelve delegates – six German and six Prof. Markus Schächter French – represent the two members of the ARTE Thierry Bert President of ZDF, Chief Executive Offi cer for Administration, Vice-Chairman of the General Assembly Group. The associate partners, RTBF, TVP, and Finance and Human Resources of France of ARTE Deutschland ORF, have an advisory role. Télévisions Prof. Dr. Carl-Eugen Eberle Laurence Franceschini Head of Legal Services at the ZDF Chair: Véronique Cayla Director of the Media Development Dr. Frank D. Freiling Department (DDM) Vice-Chairman: Prof. Jobst Plog Director of International Affairs at the ZDF Jean-Pierre Jouyet Head of the Inspection générale des fi nances (IGF) Prof. Dr. Carl-Eugen Eberle, Prof. Markus Schächter, Prof. Jobst Plog Nicolas Seydoux Associate Members President and Chief Executive Offi cer of in an advisory capacity Gaumont, Vice-Chairman of the Supervisory Board of ARTE France ORF Jean Rozat Dr. Alexander Wrabetz Chief Executive Offi cer of ARTE France Chief Executive Offi cer RTBF Jean-Paul Philippot General Manager TVP N.N.

Fritz Raff, Dr. Frank D. Freiling Photos © Frédéric Maigrot/ARTE Jérôme Clément, Dr. Gottfried Langenstein 37 Programme Committee Representatives of ARTE G.E.I.E. The Programme Committee sets the channel’s Dr. Christoph Hauser editorial policy and drafts the programme agenda Director of Programmes, Member of the Representatives of Management Board of ARTE G.E.I.E. for submission to the General Assembly. The ARTE Deutschland Emmanuel Suard Assembly convenes once a month in the Strasbourg Dr. Klaus Wenger Deputy Director of Programmes, Head of Managing Director of ARTE Deutschland head quarters, studies members’ and headquarters’ Programme Planning and Media Research ARTE-ARD Coordinator proposals and decides which of these programmes Pascal Guimier Heiko Holefl eisch will be screened on ARTE. Head of News Managing Director of ARTE Deutschland Olaf Grunert ARTE-ZDF Coordinator Head of Theme Evenings The Programme Committee is chaired by the European Partners in Director of Programmes and includes three further Representatives of an advisory capacity representatives from the headquarters in Strasbourg, ARTE France ORF : Petra Gruber two representatives each from the French and Philippe Chazal RTBF : Carine Bratzlavsky Project Management Director SRG SSR idée suisse : Alberto Chollet German Members and, in an advisory capacity, a TVE : N.N. representative from each associate partner. Alain Wieder TVP : Maria Nelken Director of Coordination YLE : N.N. Chairman: Dr. Christoph Hauser

Programme Advisory Meeting of the Programme Committee chaired by Dr. Christoph Hauser © Frédéric Maigrot/ARTE Committee

The Programme Advisory Committee advises the Board and the General Assembly on programming issues. Its members, eight from Germany and eight from France, are leading personalities from civil society and the arts world. The associate partners participate in an advisory capacity.

Chair: Françoise Benhamou Economist, Professor at Rouen University

Vice-Chairman: Prof. Dr. Michael Krapp Member of the Thuringia Parliament Budget Budget Repartition Programmes 66%

Human Resources 13% ARTE relies on the television licence fee for 95% Consolidated Broadcasting 9 % of its fi nancing, in France as well as in Germany. Budget 2007 Operating Costs 8% The channel is not permitted to show commer- (Million Euro) Communication 3% cials, but may seek other ways of developing its own sources of income, in particular by Programmes……...... 241.79 Multimedia 1% attracting sponsorship. Documentaries……… ...... 54.33 Theme Evenings……… ...... 35.61 Drama……… ...... 34.30 ARTE is a fi nancially independent, self- Film……… ...... 29.37 governing entity. In addition to manage- Magazines……… ...... 23.34 ment controls exercised by two controllers Live & Performing Arts……… ...... 19.46 2nd language version……… ...... 16.33 appointed by the General Assembly (currently News……… ...... 16.05 Fabrice Rebois and Dr. Klaus Wenger) and Royalty Payments……… ...... 10.05 the fi nancial controls provided by the auditors, Programme Trailers……… ...... 2.95 Human Resources ……… ...... 48.95 an external control function has been Broadcasting ……… ...... 31.72 created to check on the implementation of Operating Costs ……… ...... 31.06 resolutions adopted by the General Communication……… ...... 9.88 Assembly, compliance with current legis- Multimedia……… ...... 2.51 Programme lative requirements and the effective use Total……… ...... 365.90 Budget Repartition of funds. Documentaries 22%

Theme Evenings 15%

Drama 14%

Film 12%

Magazines 10% © Patrick Bogner Live & Performing Arts 8%

News 7%

2nd language version 7%

Royalty Payments 4%

Programme Trailers 1%

39 Supervisory Board Programme Chairman: Departments Bernard-Henri Lévy Documentaries: Philosopher and writer Thierry Garrel Vice-Chairman: Europe, Society and Geopolitics: The French Member Nicolas Seydoux NN. Chief Executive Offi cer of Gaumont Cultural News: Executive Board Dana Hastier Discovery and Knowledge: Chairman: Jérôme Clément Hélène Coldefy Chief Executive Offi cer: Jean Rozat Drama: ARTE France Administration Director, François Sauvagnargues Deputy Chief Executive Offi cer: Film: Fabrice Rebois Michel Reilhac ARTE France produces, co-produces and purchases Human Resources Offi cer programmes for ARTE. Production policy focuses primarily on Live and Performing Arts: Catherine Fabian-Sautter Gabrielle Babin Gugenheim promoting original, high-quality audio-visual work, favouring independent directors and the impact of their work. Its com- Reporting directly Coordinator If Maps could talk: Laurène L’Allinec Bernard-Henri Lévy missions contribute to sustaining a network of independent to the Presidency © Ed. Grasset/J.-C. Marmara producers, so ARTE France plays a signifi cant role in the fi lm Head of the Management Offi ce: Administration and television industry, both in France and across Europe. Aurélie Marx Director: Fabrice Rebois Cultural Development: Human Resources: ARTE France employs 220 people. They are professionals Angélique Oussédik Catherine Fabian-Sautter with skills in programming, communication, development, Franco-German Relations: Legal Services: international relations and management and all contribute Béatrice Angrand Pascale Ottavi to the objectives of the channel. Two subsidiaries have also Institutional Relations: Finance: Muriel Guidoni been set up: the fi lm production company ARTE France Éric Garcin Cinéma, and the audio-visual production and publishing International Relations IT Services: company ARTE France Développement, which markets Robert Eusebe home videos and DVDs under the ARTE Vidéo brand, Director: Technical Services: which are mostly ARTE France productions. ARTE France André de Margerie Jean-Pierre Leoni Jérôme Clément itself uses the ARTE Editions label to sell books and multi- Logistics: © Martin Bernhart media products associated with its programmes. Further- Programme Distribution Christophe Fouquières more, subscribers can download videos on demand from Director: Marie-Laure Lesage ARTE France’s www.artevod.com website. ARTE Editions, International Distribution Communication and Multimedia ARTE France is a shareholder in the French theme channel Director: Marie-Danièle Boussières FRANCE 4. Project Management On an international level, ARTE France has shareholdings in TV5 and Canal France International. Supplying these Director: Philippe Chazal Subsidiaries Programme Coordination: Headquarters of ARTE France channels with its programmes enables ARTE to reach of ARTE France in Issy-les-Moulineaux © ARTE a wide international audience. ARTE France is also a Alain Wieder > ARTE France Cinéma partner in the Canadian cultural television venture ARTV Project Coordination: Heidelinde Blumers and ARTE France works with many European countries President: Jérôme Clément through co-productions and programme exchanges. Research Unit: Claire Doutriaux Deputy Chief Executive Offi cer: Jean Rozat Paul Ouazan Michel Reilhac © Martin Bernhart As both a provider of and an active player in cultural life, ARTE France’s cultural development team organises > ARTE France numerous events, which promote the enjoyment of Développement culture for all, including the Temps d’images Festival. President: Jérôme Clément Chief Executive Offi cer: Marie-Laure Lesage The German Member

ARTE Deutschland TV GmbH

The Baden-Baden based German Member of ARTE refl ects Shareholders’ Meeting ARTE Coordinators the federal structure of public broadcasting in Germany. The Chairman: and Liaison Offi cers at shareholders are the ARD and ZDF television channels. They Peter Boudgoust German TV Channels produce or acquire the programmes making up the German Director of SWR contribution to ARTE broadcasts, which are virtually always Deputy Chairman: > ARD ARTE Coordinator: television premieres. Prof. Markus Schächter Director of ZDF Dr. Klaus Wenger ARTE Liaison Offi cers at ARD Channels: The ARTE liaison offi cers at the ARD state channels and Peter Boudgoust Management BR : Prof. Jochen Kölsch © SWR/Raphael Krötz ZDF are responsible for programme proposals and their HR : Manuel Meyer Managing Directors: completion. They collaborate closely with the ARTE Dr. Klaus Wenger MDR : Ingrid Hofmann editorial departments, with ARTE Deutschland Programme Heiko Holefl eisch NDR : Ulrike Dotzer RBB : Dr. Hannelore Wolff Coordination and their counterparts at ARTE G.E.I.E.. Programme Coordination RB : Mechthild Lehning ARTE Deutschland’s Managing Directors represent the and Multimedia: SR : Dr. Vera Meyer-Matheis German Member at the Programme Committee. Dr. Thomas Salb SWR : Peter Latzel Programme Management WDR : Dr. Sabine Rollberg Apart from their coordination tasks, ARTE Deutschland and Legal Affairs: Christoph M. Weber is the addressee of the Commission for determining > ZDF public broadcasters funding requirements (KEF) during Communication and Marketing: ARTE Coordinator: Thomas P. Schmid the licence fee setting process, and related issues which Heiko Holefl eisch Administration and Finance: are dealt with by working groups. Armin Breger Programme Advisory Dr. Klaus Wenger © Frédéric Maigrot/ARTE ARTE Deutschland is also in charge of some programme Committee promotion activities. This includes events for the Chairman: press and general public, conventional advertising, Dr. Andreas Fuchs ZDF editorial responsibility for dossiers and part of the Deputy Chairperson: Headquarters of ARTE Deutschland TV GmbH website content and also representing the channel at in Baden-Baden © ARTE Rosemarie Kelter book fairs and national fi lm festivals. ARTE Deutschland ARD maintains a network of partnerships with cultural and media organisations representing literature, music, the fi ne arts and audiovisual media. These activities focus on ARTE’s Franco-German and European image.

Heiko Holefl eisch © Martin Bernhart 41 European Partners

Audiovisual Library of the European Commission © European Community Partnership Agreements commit ORF (Austria), in March 2001 YLE (Finland), in February 1999 ARTE and its associate members ORF (Österreichischer Rundfunk) consists YLE (Yleisradio Oy) consists of national to a substantial volume of of two television channels, ORF 1 and channels TV1, TV2, YLE 24, YLE Teema, coproductions as well as to ORF 2, as well as two international, four YLE Teletext, Swedish-language YLE FST exchange some of their own national and nine local radio stations. and one international channel, as well programmes with each other. www.orf.at as of six national and twenty-fi ve regional ARTE G.E.I.E. has entered into a number Associate members participate radio stations, fi ve of them in Swedish. in ARTE’s decision-making and www.yle.fi of Agreements with other European public advisory bodies, in a consultative service broadcasters. This demonstrates capacity. Agreements have been entered into with: Under Cooperation Agreements, ARTE’s commitment to broadcast partner channels and ARTE strive In addition, ARTE G.E.I.E., together to develop a large number of copro- with ARTE France and ARTE Deutsch- programmes that bring Europe’s creativity RTBF (Belgium), in February 1993 ductions spanning all audiovisual land (ARD and ZDF) have signed and diversity to the fore. RTBF (Radio Télévision Belge de la genres. Partner channels take part Coproduction Agreements with: Communauté française) is the public in Programme Committee meetings service broadcaster for the French in an advisory capacity. Agreements Community in Belgium. It has three TV BBC (United Kingdom), have been signed with: programmes and six radio stations. in October 2001 Since September, 2006, RTBF has its own window in the ARTE programme in SRG SSR idée suisse BBC FOUR is the cultural Channel of the Belgium with ARTE Belgique. BBC (British Broadcasting Corporation), (Switzerland), in July 1995 a public service broadcaster. www.rtbf.be SRG SSR idée suisse is the holding www.bbc.co.uk company of the public TV channels SF, TSR, TSI, and TVR, as well as of 5 radio broadcasters. www.arte-belgique.be www.srg-ssr-idee-suisse.ch SVT (Sweden), in June 2002 SVT (Sveriges Television) consists of fi ve national channels and one European TVE (Spain), in July 1995 channel, SVT Europa. TVP (Poland), in January 2001 TVE (Televisión Española SA) includes www.svt.se TVP (Telewizja Polska) includes six channels La Primera, La 2, Canal 24 national and 12 regional channels. Horas and TVE Internacional. www.tvp.pl www.tve.es

43 Transmission and Reception

More and more viewers can receive ARTE: by now, over 190 million viewers are able to watch ARTE Programmes in Europe, i.e. about 80 million households (compared to 36 million households at the end of 1994). In Germany and France In both Germany and France some 95% of the population can receive ARTE.

Digital terrestrial broadcasting (TNT) is strategically very important in France – where cable and satellite transmission is far less widespread than in Germany – since during the course of 2007, practically the whole of France should be covered by TNT. The analogue terrestrial signal is scheduled to be switched off in 2011. Four million French households have a cable TV subscription, 5.4 million a satellite antenna, 3 million households receive TV via TNT and a further 8 million use the analogue terrestrial network on which ARTE is broadcast from 7 pm on.

In Germany, 17.3 million households have a cable subscription, a further 13.2 million a satellite receiver, and 2.5 million households use the digital terrestrial transmission (DVB-T). Digital Master Control, ARTE G.E.I.E. © Frédéric Maigrot/ARTE In the Partner And in Other Countries Countries

As a European cultural channel, one of ARTE’s ARTE is transmitted via individual cable networks Satellite Coverage main aims is to be broadcast throughout in several other countries: in Luxembourg (90% Astra 1 digital (60 cm) Europe. Through strategic agreements with of households receive ARTE), Albania, Bulgaria, Atlantic Bird 3 Secam and digital (60 cm) respective operators, ARTE is relayed into Bosnia-Herzegovina, Estonia, Latvia, Iceland, the cable network and satellite bouquet of the Portugal, Denmark, Hungary and Slovenia as Astra 1 Pal (60 cm) well as Norway and Sweden. ARTE has also following European countries: Hot Bird digital (180 cm) entered into cooperation agreements with 14 • In Belgium 98% of cabled households receive national television companies in Central and ARTE (4 million households). Eastern Europe, the Balkans and Central Asia, • In Switzerland the French and German which broadcast a selection of ARTE programmes. versions of ARTE are relayed into all cable ARTE has its own programming window with networks: 2.8 million households in total. public broadcasting stations in Italy, Israel and • In Spain ARTE is received via cable. Romania. Furthermore, throughout Europe and A selection of ARTE programmes is the countries adjoining the Mediterranean, transmitted terrestrially by La 2. ARTE is watched by many viewers who have • In Austria 80% of cable networks transmit access to a satellite receiver. ARTE (950,000 households). ARTE can also be received by 1.2 million households via ARTE is a European channel – but not exclusively satellite. so. ARTE is broadcast via the LE SAT and CANAL- • In Poland 440,000 households receive SATELLITE HORIZONS satellite bouquets in ARTE via satellite. 20 French-speaking countries in Africa. • In Finland around 1 million households Following a recently concluded agreement, ARTE receive ARTE via satellite. In addition, ARTE will now also be broadcast in four English- is relayed through various cable networks speaking African countries via the South African (15,000 households). digital satellite bouquet MULTICHOICE AFRICA. Analogue Broadcasting Digital Broadcasting • In The Netherlands ARTE is received Satellite Atlantic Bird 3 Astra 1 Hot Bird Astra 1 Astra 1 Atlantic Bird 3 Programme Package - - 6 Mbit/s CBR ARD-Digital CANALSATELLITE TNT by approximately 3 million households via Furthermore, ARTE France is involved in the Standard SECAM PAL - PALplus DVB DVB DVB DVB cable. development of the Canadian cultural channel Position 5° West 19,2° East 13° East 19,2° East 19,2° East 5° West Frequency (MHz) 12606 V 10994 H 11623 V 11837 H 11568 V 11590 V ARTV and makes ARTE programmes available to Data Format 27500 ksymb/s 27500 ksymb/s 22000 ksymb/s 20000 ksymb/s the international French-speaking channel TV5. FEC 3/4 FEC 3/4 FEC 5/6 FEC 2/3 ServPID 203 ServPID 28019 ServPID 9019 ServPID 261 7,02 - 7,20 (Panda) VidPID 223 VidPID 401 VidPID 167 VidPID 520 Audio Subcarriers (MHz) 5,80 (J17) 7,38 - 7,56 (Panda) AudPID F 233 AudPID G 402 AudPID F 136 AudPID F 530 7,74 - 7,92 (Panda) AudPID G 243 AudPID F 403 AudPID G 137 AudPID G 531 7,02 - 7,20 G F G F F Language Version 5,80 F 7,38 - 7,56 Dualtone G F G G 7,74 - 7,92 F On-screen subtitles F G F G F F Teletext F+G G+F F+G G+F F+G G (p.150) G (p.150) G (p.150) G (p.150) G (p.150) Encoded Subtitles F (p. 151) F (p.151) F (p. 151) F (p. 151) F (p. 151) Broadcasting Times 7 pm - 3 pm 24h/day 24h/day 24h/day 24h/day 24h/day

G - German / F - French

45 New Forms of Transmission and Reception

ARTE has responded to the challenge of the digital age.

Television via ADSL and Mobile Phones

In France, ARTE is available from various ADSL operators, who provide television as part of a so-called Triple Play offer (Internet, telephone, TV). In addition, ARTE’s programme is available via the French mobile network operators Orange, SFR and Neuf Cegetel, who together have a total of over three million contract customers.

Node, ARTE G.E.I.E. © Frédéric Maigrot/ARTE HDTV and One Picture, Widescreen Two Languages

Format 16:9 With digital transmission, ARTE programmes are systematically available in stereo sound and in Digital transmission does not only facilitate the a second language version. A second language widespread availability of ARTE, it also provides version (in mono) can also be received via an improvement in quality. ARTE is currently the NICAM system in the analogue terrestrial preparing for the transition to HDTV (High transmission and analogue cable. Finally, ARTE Defi nition TV) and is the fi rst public television is steadily expanding its range of programmes broadcaster to have given its viewers a foretaste transmitted in audiovision (for the blind and of the perfect picture quality of HDTV. visually impaired), and with subtitles for the deaf and hearing impaired. After the fi rst trial transmissions in December 2006 and January 2007, additional selected HD programmes will be in broadcast in France via digital terrestrial television (TNT) during 2007. Production of HD programmes will be progressively increased from 2007, Digital Master Control, ARTE G.E.I.E. and from 2008, all programmes are to be © Frédéric Maigrot/ARTE simulcast in SD and HDTV. HD programmes should take in all newly fi lmed broadcasting material by 2011.

ARTE is also increasing its transmission in the 16:9 format, which up to now made up around 60% of evening programming. The changeover from conventional 4:3 to the viewer-friendlier widescreen format 16:9 is to be implemented by the end of 2007. The only temporary exception will be news and information programmes.

Node, ARTE headquarters © Frédéric Maigrot/ARTE

47 Chronology Heading ARTE

January 1989 March 2001 A Franco-German Jérôme Clément is appointed Jérôme Clément re-appointed President of La Sept. President of ARTE France for Adventure another 5 years. Jean Rozat March 1991 appointed Chief Executive Offi cer Wolfgang Bernhard and Gerd Opitz of ARTE France. 2 October 1990 are appointed Managing Directors of Dedication of the sculpture Signature by the French Republic and the 11 West German “Länder” of an ARTE Deutschland TV GmbH. October 2001 “Der Giraffenmann” / “L’homme-girafe” by Stephan Balkenhol Interstate Treaty establishing the foundation of a European Cultural Channel. Heiko Holefl eisch is appointed © Patrick Bogner / ARTE April 1991 Managing Director of ARTE 30 April 1991 Dr. Willibald Hilf and Daniel Toscan Deutschland TV GmbH and ARTE’s The birth of the European Cultural Channel ARTE, a European Economic du Plantier are appointed Chairman Coordinator at the ZDF, succeeding Interest Grouping (G.E.I.E.) constituted by La Sept and ARTE Deutschland and Vice-Chairman of ARTE’s Dr. Hans-Günther Brüske. TV GmbH. General Assembly, Jérôme Clément and Dietrich Schwarzkopf are January 2003 September 1991 appointed Chairman and Vice-Chair- Jérôme Clément and Dr. Gottfried La Sept Cinéma established as a fi lm-producing subsidiary of La Sept. man of the Management Board. Langenstein are appointed President and Vice-President of ARTE, Jobst May 1994 October 1992 Plog (President of NDR and ARD) and Rémy Pfl imlin (Chief Executive ARTE Editions established by La Sept ARTE. Dr. Hans-Günther Brüske is appointed Managing Director of Offi cer of France 3) are appointed October 1996 ARTE Deutschland TV GmbH. President and Vice-President of the Signature of the agreement constituting ARTE General Assembly. © AMS / Ville de Strasbourg ARTE on the Internet: www.arte-tv.com. In 2006, ARTE updates its website: www.arte.tv. July 1993 Dr Klaus Wenger is appointed January 2005 9 november 1996 Managing Director of ARTE Dr. Christoph Hauser and Victor Deutsch land and ARD Coordinator. Rocaries are appointed ARTE’s Signature of the Interstate Treaty of 2 October 1990 by the Director of Programmes and 5 new German Länder. September 1993 Administrative Director. October 1997 Victor Rocaries, General Director of La Sept ARTE, appointed ARTE’s March 2006 Launch of ARTE Editions by ARTE Deutschland TV GmbH. Programme Director, succeeding to Jérôme Clément is re-elected President of ARTE France. August 2000 Alain Maneval. La Sept ARTE is renamed ARTE France. January 1999 January 2007 Dr. Gottfried Langenstein is 13 october 2003 Prof. Jobst Plog is appointed fi rst German President of ARTE. appointed President of the ARTE Inauguration of the new ARTE headquarters in Strasbourg, close to the Management Board, Jérôme European Institutions. February 2000 Clément Vice-President; Véronique Cayla, CNC Director, is named Pre- Dr. Gottfried Langenstein, Head of October 2006 sident of the General Assembly and the International Affairs Department Jobst Plog Vice-President. Dedication of “Der Giraffenmann” / “L’homme-girafe”, of ZDF, appointed ARTE Chief Stephan Balkenhol’s sculpture in front of the ARTE building. Coordinator, succeeding Inauguration of the new ARTE headquarters Dr. Walter Konrad. © Frédéric Maigrot European Design Broadcasting Partners and Advertising

February 1993 September 1992 March 2000 30 May 1992 September 2001 RTBF, Belgium’s French language First campaign “Laissez-vous “ARTE erleben” (Experience the ARTE fi rst broadcast in France and ARTE introduces new evening public broadcaster, becomes an déranger par ARTE” (Let ARTE ARTE adventure!) Germany via satellite (TDF 1-2 and programming adapted to its associate member. challenge you!) (Audour, Soum, (McCann-Erickson). DFS1-Kopernikus) and on cable. audience’s viewing habits, without Larue) losing sight of its mandate. July 1995 January 2001 28 September 1992 Cooperation Agreements with TVE, February 1999 May 1994 New design for the channel brand Broadcasting on the fi fth French Since 2001 the Spanish public-service channel Cooperation Agreement with YLE, “Ma télé a du talent!” (Razorfi sh) including some lively “idents” terrestrial network (Telecom 2B Analogue broadcasting 24 hours and SSR, Swiss public television Finnish public-service broadcaster. (Television with talent!) linking the programmes. satellite). 72 % of French households a day via ASTRA and from 2 pm channel. (Audour, Soum, Larue) can receive the channel. via cable networks in all German January 2001 October 2002 “Länder”. December 1996 Cooperation Agreement with TVP, January 1995 Large-scale campaign in Germany December 1994 Cooperation Agreement with TVP, Polish public-service broadcaster. New channel design and graphics: to advertise the new analogue Broadcasting via the ASTRA 1D January 2004 Poland’s public-service television (Lambie-Naim & Company): the logo frequency on which ARTE is broad- satellite. ARTE adopts a new programming channel. March 2001 is much clearer and has a warm cast via the ASTRA 1C satellite. format with more uniform types ORF, Austrian public-service broad- orange colour. July 1995 of programmes to provide greater January 1998 caster, becomes an associate partner. Since 2003 Broadcasting via the EUTELSAT 2 F coherence and clarity. Cooperation Agreement with ORF, September 1996 Campaign “ARTE on 8” 1 satellite. Austrian public-service television. October 2001 “ARTE, sehen Sie selbst!” (McCann-Erickson) to entice viewers April 2005 Cooperation Agreement with the (ARTE – see for yourself!) to program ARTE on key no. 8 of 14 March ARTE broadcast 24 hours a day BBC. (Castenow + Partner). their television set. and 15 October 1998 in France via the digital terrestrial television (TNT). Broadcasting from 2 pm via French January 2004 ARTE introduces a new range of June 2002 September 1998 (TPS and CANALSATELLITE) Winds of change sweep through ARTE: programmes on Saturday and Cooperation Agreement with SVT, “ARTE - Was für ein Angebot!” (Look and German (ZDF-Vision) digital new design (Velvet Agency), new Sunday mornings. Swedish public broadcaster. what ARTE has to offer!) packages. schedule, new slogan “vivons curieux” (Michael Conrad & Leo Burnett) September 2006 (ARTE, let’s be curious!). Large-scale January 2001 April 2006 advertising campaign in France (Ailleurs ARTE launches new weekday ARTE Belgique, RTBF’s ARTE January 2000 Digital transmission of the afternoon exactement). morning programming. window in Belgium, begins “ARTE et fière de l’être !” schedule (2 pm - 7 pm) is launched transmission. (ARTE is proud to be ARTE!) January 2007 with new features (health, family, January 2007 (Audour, Soum, Larue) cooking, Europe, short fi lms). ARTE restyles its brand idents in ARTE’s new broadcasting schedule collaboration with Swiss agency places greater focus on daytime Déjà Vü. viewing and prime time. Signature of the agreement constituting ARTE Belgique © Michel Leroy

49 ARTE G.E.I.E. 4, quai du Chanoine Winterer BP 20035 F-67080 Strasbourg Cedex Tel. +33 (0)3 88 14 22 22 Fax +33 (0)3 88 14 22 00

ARTE Deutschland TV GmbH Postfach 10 02 13 D-76483 Baden-Baden Tel. +49 (0)7221 93 69 0 Fax +49 (0)7221 93 69 70

ARTE France 8, rue Marceau F-92785 Issy-les-Moulineaux Cedex 9 Tel. +33 (0)1 55 00 77 77 Fax +33 (0)1 55 00 77 00 Published by ARTE G.E.I.E.

Strategic Development and Coordination: Director: Dr. Hans-Walter Schlie Press & PR: Head of Press & PR: Claude-Anne Savin Editorial Coordination: Eva-Maria von Geldern Translation: ARTE’s Language Services Graphic Design: Grafi ti, F-67000 Strasbourg Printed by: OTT, Wasselonne © ARTE G.E.I.E. – Press & PR – May 2007 Theme Evenings Film Drama Afternoon and evening schedule Magazines Documentaries Live and Performing Arts * Repeats of evening programmes News

14:00 SATURDAY SUNDAY MONDAY TUESDAY WEDNESDAY THURSDAY FRIDAY * * * Docu-Soap / Docu-Series 26’ The Human Adventure The Human Adventure * * If Maps Could Talk 10’ * Kollision 10’ 52’ 52’ * Zap around the World Creation * 26’ 26’ Biography 15:00 * * * Best of Chic * * * * * 43’ 26’ 360° - 360° - Series GEO Report GEO Report Thema on Thema * * 52’ 52’ Feature Science Series 52’ Tuesday Future 16:00 Length Film Documentary 52’ * * * Series * Zoom Europa Drama Drama 110’ 100’ 52’ 120’ 120’ 90’ 43’ 17:00 * ARTE Discovery 95’ 95’ 43’ Country Cooking Biography 26’ * 18:00 Far Away Places 43’ * * History on 52’ ARTE Discovery Wednesday Faces of Europe 19:00 43’ 52’ 26’ M 43’ ARTE A L Maestro E ARTE Discovery

ARTE O Reporting 43’ 43’ 43’ Creative S N T ARTE Info 15’ G 20:00 R ARTE Info 15’ Kollision 12’ O 85’ Culture Daily 12’ Metropolis Art & Culture Info 43’ 26’ Docu-Soap / Docu-Series 26’ 21:00 History on The Human Adventure Series 52’ Wednesday Movies on 52’ 52’ Thema on Thema Movies on Drama on Monday Thursday Friday 22:00 GEO Series Tuesday Future Zoom Summer 360° - 26’ Thema on Docs 100’ 52’ Europa 43’ 43’ 90’ GEO Report 100’ 52’ Sunday 120’ 120’ Science If Maps Could Talk 10’ M O C 23:00 Musica 52’ Reality U P O S M 52’ Thema on 52’ Drama on E Movies on I E Friday Grand Format Tuesday D Wednesday 00:00 C R I Tracks A A Drama 90’ 90’ 120’ 100’ 52’ 120’ 120’ A 240’ ARTE Info 15’ F 52’

52’ E 01:00 90’ The Short-Circuit Short-Circuit S The Skylight 45’

Skylight Night T Silent

Into the Trash Night Owls 60’ I 52’ Movie (Drama) V 90’ A 02:00 L 100’ 100’ 100’ Night-time schedule (repeats) 03:00

- Subject to modifi cations - cations modifi to Subject -

April 2007 April

Repeats *

14:00

52’

26’

26’ Country Cooking Country

Art and Culture and Art *

*

Far Away Places Away Far

26’

43’ Zap around the World the around Zap

Metropolis

26’ Chic

*

13:00

26’ Best of Chic of Best

Creative *

26’ Faces of Europe of Faces 43’

Reporting

* ARTE

26’

Creation

ARTE ARTE

* * Short Films Short 43’ 10’

12:00

26’

Docu-Soap / Docu-Series / Docu-Soap

*

43’ 60’

Great Sporting Duels Sporting Great

Top of the Bill the of Top

26’

Faces of Europe of Faces *

*

*

If Maps Could Talk Could Maps If

10’

Dreamhour

26’ 26’ 26’ 26’ Creation

11:00 26’

Zap around the World the around Zap Spirou and Fantasio and Spirou Zap around the World the around Zap

* * * * *

Janosch’s

60’

120’

26’ Chic

* All of History of All

Showtime on Sunday on Showtime

*

Kollision

12’

* 10:00

Raise the Curtain - Curtain the Raise If Maps could talk could Maps If

10’

* *

70’

Short Films Short

Short Film Short

26’ 26’

26’

52’

Spirou and Fantasio and Spirou

*

Creative Report GEO

Reporting 43’

43’

ARTE ARTE 43’

Documentary

Great Sporting Duels Sporting Great Great Sporting Duels Sporting Great 360° - - 360°

Dreamhour 26’

ARTE * * * * *

43’ *

Janosch’s

* * 09:00

26’ *

Kollision Spirou and Fantasio and Spirou 12’

*

Short Films Short

43’ 10’

Maestro

26’ *

Dreamhour If Maps Could Talk Could Maps If

10’

*

* Janosch’s

Culture Daily Culture

12’ *

08:00

UDYMNA USA ENSA HRDYFRIDAY THURSDAY WEDNESDAY TUESDAY MONDAY SUNDAY SATURDAY

News

Live and Performing Arts Performing and Live

Documentaries

Daytime schedule Daytime Magazines

Drama

Film Theme Evenings Theme