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Jacques Rivette
Bamcinématek Announces the World Theatrical Premiere Run of Jacques Rivette‟S Long-Unseen, 13- Hour Masterpiece out 1: Noli M
Appendix Wuthering Heights Screen Adaptations
Eric Rohmer's Film Theory (1948-1953)
Paradoxes of the Nouvelle Vague
H-France Review Volume/Tome 21 (2021) Page 1 Benoît Turquety
François Truffaut's Jules and Jim and the French New Wave, Re-Viewed
Gender and the Politics of Decolonization in Early 1960S French Cinema
A Case Study on Film Authorship: Exploring the Theoretical and Practical Sides in Film Production
Redalyc.Exilic/Idyllic Shakespeare: Reiterating Pericles in Jacques
Wuthering Heights on the Screen: Exploring the Relations Between Film Adaptation and Subtitling
Reflections on 'Rivette in Context'
January February Filmmarch Film Program Winter 2007 National
The French New Wave
Or the Making of French Film Ideology Laurent Jullier, Jean-Marc Leveratto
Jacques Rivette's out 1: Noli Me Tangere
Theatricality and French Cinema : the Films of Jacques Rivette
Review Volume 12 (2012) Page 1
The French New Wave at Fifty Introduction
Top View
Voices at the Altar of Mourning: Challenges, Affliction
University of Warwick Institutional Repository
Sixth "Perspectives on French Cinema" Opens at Moma
Chapter 11 French New Wave
Paris Nous Appartient (Paris Belongs to Us) Directed by Jacques Rivette
Jacques Rivette
The New Wave's International Influence and Legacy Today
“In the Same Figure, Like the King That's Dead”: the Phantasmic Authorship of the Other Side of the Wind
French Cinema: the New Wave and Its Legacy Dr Andrew Mcgregor
And Other Videosyncratic Pleasures 2005
Jean-Marie Straub and Danièle Huillet About the Film
Jean-Marie Straub and Daniele Huillet at Work on Franz Kafka's "Amerika
Jean-Luc Godard and Francois Truffaut
Beaches of Agnes