Appendix Wuthering Heights Screen Adaptations
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Habemus Papam
Fandango Portobello presents a Sacher Films, Fandango and le Pacte production in collaboration with Rai and France 3 Cinema HABEMUS PAPAM a film by Nanni Moretti Running Time: 104 minutes International Fandango Portobello sales: London office +44 20 7605 1396 [email protected] !"!1!"! ! SHORT SYNOPSIS The newly elected Pope suffers a panic attack just as he is due to appear on St Peter’s balcony to greet the faithful, who have been patiently awaiting the conclave’s decision. His advisors, unable to convince him he is the right man for the job, seek help from a renowned psychoanalyst (and atheist). But his fear of the responsibility suddenly thrust upon him is one that he must face on his own. ! ! ! ! ! ! ! ! ! ! ! ! !"!2!"! CAST THE POPE MICHEL PICCOLI SPOKESPERSON JERZY STUHR CARDINAL GREGORI RENATO SCARPA CARDINAL BOLLATI FRANCO GRAZIOSI CARDINAL PESCARDONA CAMILLO MILLI CARDINAL CEVASCO ROBERTO NOBILE CARDINAL BRUMMER ULRICH VON DOBSCHÜTZ SWISS GUARD GIANLUCA GOBBI MALE PSYCHOTHERAPIST NANNI MORETTI FEMALE PSYCHOTHERAPIST MARGHERITA BUY CHILDREN CAMILLA RIDOLFI LEONARDO DELLA BIANCA THEATER COMPANY DARIO CANTARELLI MANUELA MANDRACCHIA ROSSANA MORTARA TECO CELIO ROBERTO DE FRANCESCO CHIARA CAUSA MASTER OF CEREMONIES MARIO SANTELLA CHIEF OF POLICE TONY LAUDADIO JOURNALIST ENRICO IANNIELLO A MOTHER CECILIA DAZZI SHOP ASSISTANT LUCIA MASCINO TV JOURNALIST MAURIZIO MANNONI HALL PORTER GIOVANNI LUDENO GIRL AT THE BAR GIULIA GIORDANO BARTENDER FRANCESCO BRANDI BOY AT THE BUS LEONARDO MADDALENA PRIEST SALVATORE MISCIO DOCTOR SALVATORE -
Bamcinématek Announces the World Theatrical Premiere Run of Jacques Rivette‟S Long-Unseen, 13- Hour Masterpiece out 1: Noli M
BAMcinématek announces the world theatrical premiere run of Jacques Rivette‟s long-unseen, 13- hour masterpiece OUT 1: Noli me Tangere (1971) in a new restoration, Nov 4—19 “The cinephile‟s holy grail.”—Dennis Lim, The New York Times The Wall Street Journal is the title sponsor of BAM Rose Cinemas and BAMcinématek. Brooklyn, NY/Aug 11, 2015—BAMcinématek announces the world theatrical premiere run of Jacques Rivette’s long-unseen masterpiece OUT 1: Noli me Tangere (1971), screening in a new DCP restoration courtesy of Carlotta Films US from Wednesday, November 4 through Thursday, November 19. The restoration and reappearance of Jacques Rivette’s legendary magnum opus brings this long- impossible-to-see, 13-hour masterpiece to the big screen. Over eight episodes shot on 16mm, a cast of French New Wave icons improvise a spellbinding tale based on Honoré de Balzac’s History of the Thirteen, involving two theater troupes rehearsing Aeschylus, a female con artist (Juliet Berto) who seduces her victims, and a deaf-mute (until he speaks) busker (Jean-Pierre Léaud) on a quest to uncover a mysterious secret society. As the characters’ paths crisscross and the film’s puzzle-box structure—including one 45-minute take—grows ever more elaborate, a portrait of post- May 1968 Paris and its dashed dreams emerges. The result is a cinematic experience unlike any other, in which, as Rivette himself put it: ―the fiction swallows everything up and then self-destructs.‖ An unfinished version of OUT 1 premiered at the Maison de la Culture in Le Havre in 1971 before being edited down to the four-hour OUT 1: Spectre. -
Eric Rohmer's Film Theory (1948-1953)
MARCO GROSOLI FILM THEORY FILM THEORY ERIC ROHMER’S FILM THEORY (1948-1953) IN MEDIA HISTORY IN MEDIA HISTORY FROM ‘ÉCOLE SCHERER’ TO ‘POLITIQUE DES AUTEURS’ MARCO GROSOLI ERIC ROHMER’S FILM THEORY ROHMER’S ERIC In the 1950s, a group of critics writing MARCO GROSOLI is currently Assistant for Cahiers du Cinéma launched one of Professor in Film Studies at Habib Univer- the most successful and influential sity (Karachi, Pakistan). He has authored trends in the history of film criticism: (along with several book chapters and auteur theory. Though these days it is journal articles) the first Italian-language usually viewed as limited and a bit old- monograph on Béla Tarr (Armonie contro fashioned, a closer inspection of the il giorno, Bébert 2014). hundreds of little-read articles by these critics reveals that the movement rest- ed upon a much more layered and in- triguing aesthetics of cinema. This book is a first step toward a serious reassess- ment of the mostly unspoken theoreti- cal and aesthetic premises underlying auteur theory, built around a recon- (1948-1953) struction of Eric Rohmer’s early but de- cisive leadership of the group, whereby he laid down the foundations for the eventual emergence of their full-fledged auteurism. ISBN 978-94-629-8580-3 AUP.nl 9 789462 985803 AUP_FtMh_GROSOLI_(rohmer'sfilmtheory)_rug16.2mm_v02.indd 1 07-03-18 13:38 Eric Rohmer’s Film Theory (1948-1953) Film Theory in Media History Film Theory in Media History explores the epistemological and theoretical foundations of the study of film through texts by classical authors as well as anthologies and monographs on key issues and developments in film theory. -
Volume-13-Skipper-1568-Songs.Pdf
HINDI 1568 Song No. Song Name Singer Album Song In 14131 Aa Aa Bhi Ja Lata Mangeshkar Tesri Kasam Volume-6 14039 Aa Dance Karen Thora Romance AshaKare Bhonsle Mohammed Rafi Khandan Volume-5 14208 Aa Ha Haa Naino Ke Kishore Kumar Hamaare Tumhare Volume-3 14040 Aa Hosh Mein Sun Suresh Wadkar Vidhaata Volume-9 14041 Aa Ja Meri Jaan Kishore Kumar Asha Bhonsle Jawab Volume-3 14042 Aa Ja Re Aa Ja Kishore Kumar Asha Bhonsle Ankh Micholi Volume-3 13615 Aa Mere Humjoli Aa Lata Mangeshkar Mohammed RafJeene Ki Raah Volume-6 13616 Aa Meri Jaan Lata Mangeshkar Chandni Volume-6 12605 Aa Mohabbat Ki Basti BasayengeKishore Kumar Lata MangeshkarFareb Volume-3 13617 Aadmi Zindagi Mohd Aziz Vishwatma Volume-9 14209 Aage Se Dekho Peechhe Se Kishore Kumar Amit Kumar Ghazab Volume-3 14344 Aah Ko Chahiye Ghulam Ali Rooh E Ghazal Ghulam AliVolume-12 14132 Aah Ko Chajiye Jagjit Singh Mirza Ghalib Volume-9 13618 Aai Baharon Ki Sham Mohammed Rafi Wapas Volume-4 14133 Aai Karke Singaar Lata Mangeshkar Do Anjaane Volume-6 13619 Aaina Hai Mera Chehra Lata Mangeshkar Asha Bhonsle SuAaina Volume-6 13620 Aaina Mujhse Meri Talat Aziz Suraj Sanim Daddy Volume-9 14506 Aaiye Barishon Ka Mausam Pankaj Udhas Chandi Jaisa Rang Hai TeraVolume-12 14043 Aaiye Huzoor Aaiye Na Asha Bhonsle Karmayogi Volume-5 14345 Aaj Ek Ajnabi Se Ashok Khosla Mulaqat Ashok Khosla Volume-12 14346 Aaj Hum Bichade Hai Jagjit Singh Love Is Blind Volume-12 12404 Aaj Is Darja Pila Do Ki Mohammed Rafi Vaasana Volume-4 14436 Aaj Kal Shauqe Deedar Hai Asha Bhosle Mohammed Rafi Leader Volume-5 14044 Aaj -
1 Wuthering Heights (William Wyler, 1939; Robert Fuest, 1970; Jacques
1 Wuthering Heights (William Wyler, 1939; Robert Fuest, 1970; Jacques Rivette, 1985; Peter Kosminsky, 1992) Wyler’s ghastly sentimental version concedes nothing to the proletariat: with the exception of Leo G. Carroll, who discards his usual patrician demeanour and sports a convincing Yorkshire accent as Joseph, all the characters are as bourgeois as Sam Goldwyn could have wished. Not even Flora Robson as Ellen Dean – she should have known better – has the nerve to go vocally downmarket. Heathcliff may come from the streets of Liverpool, and may have been brought up in the dales, but Olivier’s moon-eyed Romeo-alternative version of him (now and again he looks slightly dishevelled, and slightly malicious) comes from RADA and nowhere else. Any thought that Heathcliff is diabolical, or that either he or Catherine come from a different dimension altogether was, it’s clear, too much for Hollywood to think about. Couple all this with Merle Oberon’s flat face, white makeup, too-straight nose and curtailed hairstyles, and you have a recipe for disaster. We’re alerted to something being wrong when, on the titles, the umlaut in Emily’s surname becomes an acute accent. Oberon announces that she “ is Heathcliff!” in some alarm, as if being Heathcliff is the last thing she’d want to be. When Heathcliff comes back, he can of course speak as high and mightily as one could wish – and does: and the returned Olivier has that puzzled way of looking straight through a person as if they weren’t there which was one of his trademarks (see left): for a moment the drama looks as if it might ratchet up a notch or two. -
Download Peter Kosminsky's Citation
PETER KOSMINSKY My Lord and Chancellor, Peter Kosminsky is an eminent TV drama director and writer whose critically acclaimed work has for many years addressed strong social and international issues. He describes himself as ‘an old-fashioned programme maker’ for whom ‘TV is about informing as well as entertaining’. Peter read Chemistry at Oxford, and to this day the detailed research and the intellectual rigour which inform his writing owe much to his scientific background. He joined the BBC in 1980 as a general trainee, one of four graduates taken from a field of several thousand applicants. This was what he calls the ‘glory route’: television was doing new and brave things, particularly in drama, and attracted many applicants of the highest calibre. As a very political student, Peter had been inspired by Jim Allen and Ken Loach’s Days of Hope (1975); he was greatly moved by this story of the labour movement between the end of World War 1 and the General Strike in 1926, but he also saw the power of the medium and wanted to be involved. From the start of his TV career his main creative influences were Loach himself, Les Blair and other film, television and theatre directors whose work was strongly informed by social and political awareness. All Peter’s work stands in the same high-minded radical tradition. He first came to prominence in 1990 when he directed Shoot to Kill, a four-hour drama detailing the government cover-up of the Stalker Enquiry which set out to establish whether there was a ‘shoot to kill’ policy at work in Northern Ireland. -
NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 Through September 30, 2016 Subject Key No
NPR ISSUES/PROGRAMS (IP REPORT) - September 1, 2016 through September 30, 2016 Subject Key No. of Stories per Subject AGING AND RETIREMENT 14 AGRICULTURE AND ENVIRONMENT 103 ARTS AND ENTERTAINMENT 187 includes Sports BUSINESS, ECONOMICS AND FINANCE 97 CRIME AND LAW ENFORCEMENT 153 EDUCATION 27 includes College IMMIGRATION AND REFUGEES 33 MEDICINE AND HEALTH 67 includes Health Care & Health Insurance MILITARY, WAR AND VETERANS 37 POLITICS AND GOVERNMENT 346 RACE, IDENTITY AND CULTURE 133 RELIGION 12 SCIENCE AND TECHNOLOGY 68 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 Program Codes (Pro) Code No. of Stories per Show All Things Considered AT 604 Fresh Air FA 35 Morning Edition ME 451 TED Radio Hour TED 8 Weekend Edition WE 179 Total Story Count 1277 Total duration (hhh:mm:ss) 102:40:34 AT, ME, WE: newsmagazine featuring news headlines, interviews, produced pieces, and analysis FA: interviews with newsmakers, authors, journalists, and people in the arts and entertainment industry TED: excerpts and interviews with TED Talk speakers centered around a common theme Key Pro Date Duration Segment Title Aging and Retirement ALL THINGS CONSIDERED 09/01/2016 0:03:53 Dallas Police Chief David Brown Announces Retirement Aging and Retirement MORNING EDITION 09/01/2016 0:02:35 In Visit With Seniors, This Boy Learned Lessons That Go Beyond The Classroom Aging and Retirement WEEKEND EDITION SATURDAY 09/03/2016 0:05:26 After Almost 30 Years As Covering American Politics, Ron Fournier Heads Home Aging and Retirement WEEKEND EDITION SATURDAY -
American Honey D'andrea Arnorld
Document generated on 10/05/2021 4:02 a.m. Spirale arts • lettres • sciences humaines American Honey d’Andrea Arnorld Alice Michaud-Lapointe Lectures et pratiques contemporaines du réel Number 259, Winter 2017 URI: https://id.erudit.org/iderudit/85005ac See table of contents Publisher(s) Spirale magazine culturel inc. ISSN 0225-9044 (print) 1923-3213 (digital) Explore this journal Cite this review Michaud-Lapointe, A. (2017). Review of [American Honey d’Andrea Arnorld]. Spirale, (259), 43–45. Tous droits réservés © Spirale magazine culturel inc., 2017 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ DOSSIER Les lucioles du Midwest PAR ALICE MICHAUD-LAPOINTE AMERICAN HONEY Réalisation d’Andrea Arnold, 2016, 163 min. We are the new Americana High on legal marijuana Raised on Biggie and Nirvana We are the new Americana Photo : Holly Horner, courtoisie de A24 Souvent qualifié dans les médias par les termes elles, empreintes d’une légèreté poétique, lumi- vagues et communs de « brut », « authentique », neuse, qui évacue toute possibilité de lecture « immersif » ou « sans concession », le travail de la misérabiliste par le spectateur et laisse poindre la Britannique Andrea Arnold s’inscrit dans une veine vision d’un nouveau réalisme social – naturalistic particulière de réalisme social cinématographique style,pourrait-on aussi dire – peut-être plus impur, qui a rapidement été considérée par maints plus irrévérencieux, mais aussi plus libéré dans sa critiques comme un héritage contemporain des forme et ses choix esthétiques. -
Dear Secretary Salazar: I Strongly
Dear Secretary Salazar: I strongly oppose the Bush administration's illegal and illogical regulations under Section 4(d) and Section 7 of the Endangered Species Act, which reduce protections to polar bears and create an exemption for greenhouse gas emissions. I request that you revoke these regulations immediately, within the 60-day window provided by Congress for their removal. The Endangered Species Act has a proven track record of success at reducing all threats to species, and it makes absolutely no sense, scientifically or legally, to exempt greenhouse gas emissions -- the number-one threat to the polar bear -- from this successful system. I urge you to take this critically important step in restoring scientific integrity at the Department of Interior by rescinding both of Bush's illegal regulations reducing protections to polar bears. Sarah Bergman, Tucson, AZ James Shannon, Fairfield Bay, AR Keri Dixon, Tucson, AZ Ben Blanding, Lynnwood, WA Bill Haskins, Sacramento, CA Sher Surratt, Middleburg Hts, OH Kassie Siegel, Joshua Tree, CA Sigrid Schraube, Schoeneck Susan Arnot, San Francisco, CA Stephanie Mitchell, Los Angeles, CA Sarah Taylor, NY, NY Simona Bixler, Apo Ae, AE Stephan Flint, Moscow, ID Steve Fardys, Los Angeles, CA Shelbi Kepler, Temecula, CA Kim Crawford, NJ Mary Trujillo, Alhambra, CA Diane Jarosy, Letchworth Garden City,Herts Shari Carpenter, Fallbrook, CA Sheila Kilpatrick, Virginia Beach, VA Kierã¡N Suckling, Tucson, AZ Steve Atkins, Bath Sharon Fleisher, Huntington Station, NY Hans Morgenstern, Miami, FL Shawn Alma, -
1,000 Films to See Before You Die Published in the Guardian, June 2007
1,000 Films to See Before You Die Published in The Guardian, June 2007 http://film.guardian.co.uk/1000films/0,,2108487,00.html Ace in the Hole (Billy Wilder, 1951) Prescient satire on news manipulation, with Kirk Douglas as a washed-up hack making the most of a story that falls into his lap. One of Wilder's nastiest, most cynical efforts, who can say he wasn't actually soft-pedalling? He certainly thought it was the best film he'd ever made. Ace Ventura: Pet Detective (Tom Shadyac, 1994) A goofy detective turns town upside-down in search of a missing dolphin - any old plot would have done for oven-ready megastar Jim Carrey. A ski-jump hairdo, a zillion impersonations, making his bum "talk" - Ace Ventura showcases Jim Carrey's near-rapturous gifts for physical comedy long before he became encumbered by notions of serious acting. An Actor's Revenge (Kon Ichikawa, 1963) Prolific Japanese director Ichikawa scored a bulls-eye with this beautifully stylized potboiler that took its cues from traditional Kabuki theatre. It's all ballasted by a terrific double performance from Kazuo Hasegawa both as the female-impersonator who has sworn vengeance for the death of his parents, and the raucous thief who helps him. The Addiction (Abel Ferrara, 1995) Ferrara's comic-horror vision of modern urban vampires is an underrated masterpiece, full- throatedly bizarre and offensive. The vampire takes blood from the innocent mortal and creates another vampire, condemned to an eternity of addiction and despair. Ferrara's mob movie The Funeral, released at the same time, had a similar vision of violence and humiliation. -
NOMINATIONS in 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall
NOMINATIONS IN 2016 LEADING ACTOR BEN WHISHAW London Spy – BBC Two IDRIS ELBA Luther – BBC One MARK RYLANCE Wolf Hall – BBC Two STEPHEN GRAHAM This is England ’90 – Channel 4 LEADING ACTRESS CLAIRE FOY Wolf Hall – BBC Two RUTH MADELEY Don’t Take My Baby – BBC Three SHERIDAN SMITH The C Word – BBC One SURANNE JONES Doctor Foster – BBC One SUPPORTING ACTOR ANTON LESSER Wolf Hall – BBC Two CYRIL NRI Cucumber – Channel 4 IAN MCKELLEN The Dresser – BBC Two TOM COURTENAY Unforgotten - ITV SUPPORTING ACTRESS CHANEL CRESSWELL This is England ’90 – Channel 4 ELEANOR WORTHINGTON-COX The Enfield Haunting LESLEY MANVILLE River – BBC One MICHELLE GOMEZ Doctor Who – BBC One ENTERTAINMENT PERFORMANCE GRAHAM NORTON The Graham Norton Show – BBC One LEIGH FRANCIS Celebrity Juice – ITV2 ROMESH RANGANATHAN Asian Provocateur – BBC Three STEPHEN FRY QI – BBC Two FEMALE PERFORMANCE IN A COMEDY PROGRAMME MICHAELA COEL Chewing Gum – E4 MIRANDA HART Miranda – BBC One SIAN GIBSON Peter Kay’s Car Share – BBC iPlayer SHARON HORGAN Catastrophe – Channel 4 MALE PERFORMANCE IN A COMEDY PROGRAMME HUGH BONNEVILLE W1A – BBC Two JAVONE PRINCE The Javone Prince Show – BBC Two PETER KAY Peter Kay’s Car Share –BBC iPlayer TOBY JONES Detectorists – BBC Four House of Fraser British Academy Television Awards – Nominations Page 1 SINGLE DRAMA THE C WORD Susan Hogg, Simon Lewis, Nicole Taylor, Tim Kirkby – BBC Drama Production London/BBC One CYBERBULLY Richard Bond, Ben Chanan, David Lobatto, Leah Cooper – Raw TV/Channel 4 DON’T TAKE MY BABY Jack Thorne, Ben Anthony, Pier Wilkie, -
John Paino Production Designer
John Paino Production Designer Selected Film and Television BIG LITTLE LIES 2 (In Post Production) Producers | Jean-Marc Vallée, Nicole Kidman, Reese Witherspoon, Per Saari, Bruna Papandrea, Nathan Ross Blossom Films Director | Andrea Arnold Cast | Meryl Streep, Nicole Kidman, Reese Witherspoon, Zoë Kravitz, Adam Scott, Shailene Woodley, Laura Dern SHARP OBJECTS Producers | Amy Adams, Jean-Marc Vallée, Jason Blum, Gillian Flynn, Charles Layton, Marti Noxon, Jessica Rhoades, Nathan Ross Blumhouse Productions Director | Jean-Marc Vallée Cast | Amy Adams, Eliza Scanlen, Jackson Hurst, Reagan Pasternak, Madison Davenport BIG LITTLE LIES Producers | Jean-Marc Vallée, Nicole Kidman, Reese Witherspoon, Per Saari, Bruna Papandrea, Nathan Ross Blossom Films Director | Jean-Marc Vallée Cast | Nicole Kidman, Reese Witherspoon, Zoë Kravitz, Alexander Skarsgård, Adam Scott, Shailene Woodley, Laura Dern *Winner of [5] Emmy Awards, 2017* DEMOLITION Producers | Lianne Halfon, Thad Luckinbill, Trent Luckinbill, John Malkovich, Molly Smith, Russell Smith Black Label Media Director | Jean-Marc Vallée Cast | Jake Gyllenhaal, Naomi Watts, Chris Cooper, Polly Draper THE LEFTOVERS (Season 2 & 3) Producers | Sara Aubrey, Peter Berg, Albert Berger, Damon Lindelof, Tom Perrotta, Ron Yerxa, Tom Spezialy, Mimi Leder Warner Bros. Television Directors | Various Cast | Liv Tyler, Justin Theroux, Amy Brenneman, Amanda Warren, Regina King WILD Producers | Burna Papandrea, Reese Witherspoon Fox Searchlight Director | Jean-Marc Vallée Cast | Reese Witherspoon, Gaby Hoffmann,