Jahresbericht 2020
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
I N H a L T S V E R Z E I C H N
SWR BETEILIGUNGSBERICHT 2018 Beteiligungsübersicht 2018 Südwestrundfunk 100% Tochtergesellschaften Beteiligungsgesellschaften ARD/ZDF Beteiligungen SWR Stiftungen 33,33% Schwetzinger SWR Festspiele 49,00% MFG Medien- und Filmgesellschaft 25,00% Verwertungsgesellschaft der Experimentalstudio des SWR e.V. gGmbH, Schwetzingen BaWü mbH, Stuttgart Film- u. Fernsehproduzenten mbH Baden-Baden 45,00% Digital Radio Südwest GmbH 14,60% ARD/ZDF-Medienakademie Stiftung Stuttgart gGmbH, Nürnberg Deutsches Rundfunkarchiv Frankfurt 16,67% Bavaria Film GmbH 11,43% IRT Institut für Rundfunk-Technik Stiftung München GmbH, München Hans-Bausch-Media-Preis 11,11% ARD-Werbung SALES & SERV. GmbH 11,11% Degeto Film GmbH Frankfurt München 0,88% AGF Videoforschung GmbH 8,38% ARTE Deutschland TV GmbH Frankfurt Baden-Baden Mitglied Haus des Dokumentarfilms 5,56% SportA Sportrechte- u. Marketing- Europ. Medienforum Stgt. e. V. agentur GmbH, München Stammkapital der Vereinsbeiträge 0,98% AGF Videoforschung GmbH Frankfurt Finanzverwaltung, Controlling, Steuerung und weitere Dienstleistungen durch die SWR Media Services GmbH SWR Media Services GmbH Stammdaten I. Name III. Rechtsform SWR Media Services GmbH GmbH Sitz Stuttgart IV. Stammkapital in Euro 3.100.000 II. Anschrift V. Unternehmenszweck Standort Stuttgart - die Produktion und der Vertrieb von Rundfunk- Straße Neckarstraße 230 sendungen, die Entwicklung, Produktion und PLZ 70190 Vermarktung von Werbeeinschaltungen, Ort Stuttgart - Onlineverwertungen, Telefon (07 11) 9 29 - 0 - die Beschaffung, Produktion und Verwertung -
Radio and Television Correspondents' Galleries
RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES* SENATE RADIO AND TELEVISION GALLERY The Capitol, Room S–325, 224–6421 Director.—Michael Mastrian Deputy Director.—Jane Ruyle Senior Media Coordinator.—Michael Lawrence Media Coordinator.—Sara Robertson HOUSE RADIO AND TELEVISION GALLERY The Capitol, Room H–321, 225–5214 Director.—Tina Tate Deputy Director.—Olga Ramirez Kornacki Assistant for Administrative Operations.—Gail Davis Assistant for Technical Operations.—Andy Elias Assistants: Gerald Rupert, Kimberly Oates EXECUTIVE COMMITTEE OF THE RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES Joe Johns, NBC News, Chair Jerry Bodlander, Associated Press Radio Bob Fuss, CBS News Edward O’Keefe, ABC News Dave McConnell, WTOP Radio Richard Tillery, The Washington Bureau David Wellna, NPR News RULES GOVERNING RADIO AND TELEVISION CORRESPONDENTS’ GALLERIES 1. Persons desiring admission to the Radio and Television Galleries of Congress shall make application to the Speaker, as required by Rule 34 of the House of Representatives, as amended, and to the Committee on Rules and Administration of the Senate, as required by Rule 33, as amended, for the regulation of Senate wing of the Capitol. Applicants shall state in writing the names of all radio stations, television stations, systems, or news-gathering organizations by which they are employed and what other occupation or employment they may have, if any. Applicants shall further declare that they are not engaged in the prosecution of claims or the promotion of legislation pending before Congress, the Departments, or the independent agencies, and that they will not become so employed without resigning from the galleries. They shall further declare that they are not employed in any legislative or executive department or independent agency of the Government, or by any foreign government or representative thereof; that they are not engaged in any lobbying activities; that they *Information is based on data furnished and edited by each respective gallery. -
An Film Partners, Zdf / Arte, Mam, Cnc, Medienboard Berlin Brandenburg Comme Des Cinemas, Nagoya Broadcasting Network and Twenty Twenty Vision
COMME DES CINEMAS, NAGOYA BROADCASTING NETWORK AND TWENTY TWENTY VISION AN FILM PARTNERS, ZDF / ARTE, MAM, CNC, MEDIENBOARD BERLIN BRANDENBURG COMME DES CINEMAS, NAGOYA BROADCASTING NETWORK AND TWENTY TWENTY VISION SYNOPSIS Sentaro runs a small bakery that serves dorayakis - pastries filled with sweet red bean paste(“an”) . When an old lady, Tokue, offers to help in the kitchen he reluctantly accepts. But Tokue proves to have magic in her hands when it comes to making “an”. Thanks to her secret recipe, the little business soon flourishes… And with time, Sentaro and Tokue will open their hearts to reveal old wounds. 113 minutes / Color / 2.35 / HD / 5.1 / 2015 DIRECTOR’S STATEMENT Cherry trees in full bloom remind us of death. I do not know of any other tree whose flowers blossom in such a spectacular way, only to have their petals scatter just as suddenly. Is this the reason behind our fascination for blossoming cherry trees? Is this why we are compelled to see a reflection of our own lives in them? Sentaro, Tokue and Wakana meet when the cherry trees are in full bloom. The trajectories of these three people are very different. And yet, their souls cross paths and meet one another in the same landscapes. Our society is not always predisposed to letting our dreams become reality. Sometimes, it swallows up our hopes. After learning that Tokue is infected with leprosy, the story pulls us into a quest for the very essence of what makes us human. As a director, I have the honour and pleasure of exploring different lives through cinema, as is the case with this film. -
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020
Facts and Figures 2020 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF (Zweites Deutsches Fern German channels PHOENIX and sehen) is Germany’s national KiKA, and the European chan public television. It is run as an nels 3sat and ARTE. independent nonprofit corpo ration under the authority of The corporation has a permanent the Länder, the sixteen states staff of 3,600 plus a similar number that constitute the Federal of freelancers. Since March 2012, Republic of Germany. ZDF has been headed by Direc torGeneral Thomas Bellut. He The nationwide channel ZDF was elected by the 60member has been broadcasting since governing body, the ZDF Tele 1st April 1963 and remains one vision Council, which represents of the country’s leading sources the interests of the general pub of information. Today, ZDF lic. Part of its role is to establish also operates the two thematic and monitor programme stand channels ZDFneo and ZDFinfo. ards. Responsibility for corporate In partnership with other pub guide lines and budget control lic media, ZDF jointly operates lies with the 14member ZDF the internetonly offer funk, the Administrative Council. ZDF’s head office in Mainz near Frankfurt on the Main with its studio complex including the digital news studio and facilities for live events. Seite 2 ZDF German Television | Facts and Figures 2020 Facts about ZDF ZDF is based in Mainz, but also ZDF offers fullrange generalist maintains permanent bureaus in programming with a mix of the 16 Länder capitals as well information, education, arts, as special editorial and production entertainment and sports. -
The Rai Studio Di Fonologia (1954–83)
ELECTRONIC MUSIC HISTORY THROUGH THE EVERYDAY: THE RAI STUDIO DI FONOLOGIA (1954–83) Joanna Evelyn Helms A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music. Chapel Hill 2020 Approved by: Andrea F. Bohlman Mark Evan Bonds Tim Carter Mark Katz Lee Weisert © 2020 Joanna Evelyn Helms ALL RIGHTS RESERVED ii ABSTRACT Joanna Evelyn Helms: Electronic Music History through the Everyday: The RAI Studio di Fonologia (1954–83) (Under the direction of Andrea F. Bohlman) My dissertation analyzes cultural production at the Studio di Fonologia (SdF), an electronic music studio operated by Italian state media network Radiotelevisione Italiana (RAI) in Milan from 1955 to 1983. At the SdF, composers produced music and sound effects for radio dramas, television documentaries, stage and film operas, and musical works for concert audiences. Much research on the SdF centers on the art-music outputs of a select group of internationally prestigious Italian composers (namely Luciano Berio, Bruno Maderna, and Luigi Nono), offering limited windows into the social life, technological everyday, and collaborative discourse that characterized the institution during its nearly three decades of continuous operation. This preference reflects a larger trend within postwar electronic music histories to emphasize the production of a core group of intellectuals—mostly art-music composers—at a few key sites such as Paris, Cologne, and New York. Through close archival reading, I reconstruct the social conditions of work in the SdF, as well as ways in which changes in its output over time reflected changes in institutional priorities at RAI. -
Increased Transparency and Efficiency in Public Service Broadcasting
Competition Policy Newsletter Increased transparency and efficiency in public service AID STATE broadcasting. Recent cases in Spain and Germany (1) Pedro Dias and Alexandra Antoniadis Introduction The annual contribution granted to RTVE was made dependent upon the adoption of measures Since the adoption of the Broadcasting Communi- to increase efficiency. The Spanish authorities cation in 200, the Commission followed a struc- commissioned a study on the financial situation tured and consistent approach in dealing with of RTVE which revealed that the — at the time numerous complaints lodged against the financ- — existing workforce exceeded what was neces- ing of public service broadcasters in Europe. It sary for the fulfilment of the public service tasks. reviewed in particular the existing financing Agreement could be reached between the Span- regimes and discussed with Member States meas- ish authorities, RTVE and trade unions on a sig- ures to ensure full compliance with the EU State nificant reduction of the workforce through early aid rules. The experience has been positive: Sev- retirement measures. The Spanish State decided to eral Member States have either already changed or finance these measures, thus alleviating RTVE of committed themselves to changing the financing costs it would normally have to bear. The savings rules for public service broadcasters to implement in terms of labour costs and consequently pub- fundamental principles of transparency and pro- lic service costs of RTVE exceeded the financial portionality (2). burden of the Spanish State due to the financing of the workforce reduction measures. The Com- The present article reviews the two most recent mission approved the aid under Article 86 (2) EC decisions in this field which are examples of Treaty, also considering the overall reduction of increased efficiency and transparency in public State aid to the public service broadcaster (). -
Press Release Potsdam Declaration
Press Release Potsdam 19.10.2018 Potsdam Declaration signed by 21 public broadcasters from Europe “In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe.” A joint statement, emphasizing the inclusive rather than divisive mission of public broadcasting, will be signed on Friday 19th October 2018 in Potsdam. Cilla Benkö, Director General of Sveriges Radio and President of PRIX EUROPA, and representatives from 20 other European broadcasters are making their appeal: “The time to stand up for media freedom and strong public service media is now. Our countries need good quality journalism and the audiences need strong collective platforms”. The act of signing is taking place just before the Awards Ceremony of this year’s PRIX EUROPA, hosted by rbb in Berlin and Potsdam from 13-19 October under the slogan “Reflecting all voices”. The joint declaration was initiated by the Steering Committee of PRIX EUROPA, which unites the 21 broadcasters. Potsdam Declaration, 19 October 2018 (full wording) by the 21 broadcasters from the PRIX EUROPA Steering Committee: In times such as ours, with increased polarization, populism and fixed positions, public broadcasters have a vital role to play across Europe. It has never been more important to carry on offering audiences a wide variety of voices and opinions and to look at complex processes from different angles. Impartial news and information that everyone can trust, content that reaches all audiences, that offers all views and brings communities together. Equally important: Public broadcasters make the joys of culture and learning available to everyone, regardless of income or background. -
Zeitreise Mit Professor Van Dusen
#06 Das JUNI 2021 Magazin Auf der Suche nach dem „Wir“ Ein Essay von Wolfgang Thierse Lesen nonstop Klagenfurt feiert die Literatur Zeitreise mit Professor van Dusen Die Krimiklassiker als Hörspielpodcast Gedruckt oder digital? Das Magazin erscheint nicht nur als gedrucktes Heft, sondern auch in digitaler Version auf deutschlandradio.de/magazin Wie lesen Sie das Magazin am liebsten? Anzeige Beileger_A4_CMYK_RZ.indd 1 20.04.21 15:55 Editorial Veranstaltungen #06 Liebe Abonnentinnen und Abonnenten, wir BERLIN möchten Sie auch in Zukunft gerne über unsere Programme informieren – in Form des gedruckten Magazins oder alternativ online. Daher fragen wir in diesem Monat Ihr Interesse an der Fortführung Ihres Abonnements ab. Mo., 14.6., 20.03 UHR RAUM DRESDEN VON DEUTSCHLANDRADIO, FUNKHAUS BERLIN In Concert Funkhauskonzert mit Peter Licht und Band Live-Übertragung in Deutschlandfunk Kultur Ob in Papierform oder digital – mit dem Magazin KÖLN sind Sie immer Bis 5.9. gut informiert RAUTENSTRAUCH- JOEST-MUSEUM Ausstellung: RESIST! Die Kunst des Widerstands und Denkfabrik-Denkraum mit ausgewählten Hörstücken zum Thema der Denkfabrik 2020 „Eine Welt 2.0 – Neulich fiel mir beim Aufräumen ein 20-bändiger Brockhaus in die Hände, den ich ‚Dekolonisiert Euch!‘“ Ende der 80er-Jahre zu meiner Konfirmation geschenkt bekommen habe. Das war museenkoeln/rauten- damals ein wirklich großes Geschenk, welches mir bei vielen Recherchen gute strauch-joest-museum Dienste geleistet hat. Inzwischen ist es lange her, dass ich eine Information in einem Ausgewählte Veranstal- gedruckten Lexikon nachgeschlagen habe, zu praktisch ist der schnelle Blick ins tungen und Konzerte Internet. werden bei Deutsch- landradio ohne Publikum aufgezeichnet. Diese Überhaupt haben sich Nutzungsgewohnheiten grundlegend verändert. -
Und Audiovisuellen Archive As
International Association of Sound and Audiovisual Archives Internationale Vereinigung der Schall- und audiovisuellen Archive Association Internationale d'Archives Sonores et Audiovisuelles (I,_ '._ • e e_ • D iasa journal • Journal of the International Association of Sound and Audiovisual Archives IASA • Organie de I' Association Internationale d'Archives Sonores et Audiovisuelle IASA • Zeitschchrift der Internationalen Vereinigung der Schall- und Audiovisuellen Archive IASA Editor: Chris Clark,The British Library National Sound Archive, 96 Euston Road, London NW I 2DB, UK. Fax 44 (0)20 7412 7413, e-mail [email protected] The IASA Journal is published twice a year and is sent to all members of IASA. Applications for membership of IASA should be sent to the Secretary General (see list of officers below). The annual dues are 25GBP for individual members and IOOGBP for institutional members. Back copies of the IASA Journal from 1971 are available on application. Subscriptions to the current year's issues of the IASA Journal are also available to non-members at a cost of 35GBP I 57Euros. Le IASA Journal est publie deux fois I'an etdistribue a tous les membres. Veuillez envoyer vos demandes d'adhesion au secretaire dont vous trouverez I'adresse ci-dessous. Les cotisations annuelles sont en ce moment de 25GBP pour les membres individuels et 100GBP pour les membres institutionels. Les numeros precedentes (a partir de 1971) du IASA Journal sont disponibles sur demande. Ceux qui ne sont pas membres de I'Association peuvent obtenir un abonnement du IASA Journal pour I'annee courante au coOt de 35GBP I 57 Euro. -
European Public Service Broadcasting Online
UNIVERSITY OF HELSINKI, COMMUNICATIONS RESEARCH CENTRE (CRC) European Public Service Broadcasting Online Services and Regulation JockumHildén,M.Soc.Sci. 30November2013 ThisstudyiscommissionedbytheFinnishBroadcastingCompanyǡYle.Theresearch wascarriedoutfromAugusttoNovember2013. Table of Contents PublicServiceBroadcasters.......................................................................................1 ListofAbbreviations.....................................................................................................3 Foreword..........................................................................................................................4 Executivesummary.......................................................................................................5 ͳIntroduction...............................................................................................................11 ʹPre-evaluationofnewservices.............................................................................15 2.1TheCommission’sexantetest...................................................................................16 2.2Legalbasisofthepublicvaluetest...........................................................................18 2.3Institutionalresponsibility.........................................................................................24 2.4Themarketimpactassessment.................................................................................31 2.5Thequestionofnewservices.....................................................................................36 -
Licence Fee for Citizens Simple and Modern
Licence Fee for Citizens Simple and modern We have long been able to watch television programmes on a tablet and listen to radio on a smart phone. Technical equipment offers an increasing number of functions and changes in the way we use media content. Device-independent licence fees are modern and open to technological progress. For €17.50* per month the licence fee covers all public service broadcasting programmes over all means of distributions. It also ensures that there will be a varied and freely avialable programme for all citizens in the future. Public service broadcasting Independence Public service broadcasting in Germany is an essential part of a modern, democratic society: its programmes play a considerable part in forming of opinion. This solidarity-based funding through the licence fee ensures that everyone has free access to information and enables reporting independent from economic and political interests. Quality ARD, ZDF and Deutschlandradio offer high-quality-services that inform, educate and entertain: news programmes provide up-to-date and comprehensive information, whilst TV magazines and political talk shows provide background and analyses. Public service broadcasting also represents a unique range of entertainment, such as films, radio plays, TV series, sport and shows. Quality and ratings are not a contradiction, quite the opposite as several media awards show. Variety The programmes on TV, radio and the Internet are as wide-ranging as the interests of those who use them - a large part of the programmes are therefore barrier-free. Public service broadcasting also offers more than just the main channels: such as on ARD’s regional channels, 3sat, ARTE and PHOENIX, and KI.KA as well as on the additional digital channels. -
Norddeutscher Rundfunk
279 Rundfunkangelegenheiten 30. Norddeutscher Rundfunk 30.1 Allgemeines Nach § 34 des Staatsvertrags über den Norddeutschen Rundfunk (NDR- StV)1 prüfen die Rechnungshöfe von Mecklenburg-Vorpommern, Nieder- sachsen, Schleswig-Holstein sowie der Freien und Hansestadt Hamburg die Wirtschaftsführung des Norddeutschen Rundfunks (NDR) gemeinsam. Vom 01.01.2006 bis zum 30.06.2007 hat der LRH Schleswig-Holstein die Federführung für Prüfungen des NDR, die danach für 18 Monate vom LRH Mecklenburg-Vorpommern übernommen wird. Grundlage für die Durchführung der gemeinsamen Prüfungen ist eine Rahmenvereinbarung der Rechnungshöfe über die Finanzkontrolle i. d. F. vom 20.07.2005. In der Neufassung des NDR-StV ist die langfristige Forderung der Rech- nungshöfe der Staatsvertragsländer des NDR nach umfassenden Prü- fungsrechten bei den Beteiligungsgesellschaften2 erfüllt worden. Der NDR ist verpflichtet, für die Aufnahme der erforderlichen Regelungen in den Gesellschaftsvertrag oder die Satzung der Unternehmen zu sorgen. Bei der Unterrichtung über die Ergebnisse von Prüfungen müssen die Rech- nungshöfe darauf achten, dass die Wettbewerbsfähigkeit der geprüften Unternehmen nicht beeinträchtigt wird und insbesondere Betriebs- und Geschäftsgeheimnisse gewahrt werden. Vor dem Hintergrund eines Beihilfeverfahrens der Europäischen Kommis- sion zur Finanzierung des öffentlichen Rundfunks in Deutschland haben die Präsidentinnen und die Präsidenten der Rechnungshöfe des Bundes und der Länder im September 2006 in Saarbrücken im Hinblick auf eine bundesweite Vereinheitlichung