DOCSLIB.ORG

The Main Training Prrogrammes Annd Festivals Inn Europe

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Main Training Prrogrammes Annd Festivals Inn Europe ПРИ ПОДДЕРЖКЕ МИНИСТЕРСТВА КУЛЬТУРЫ РОССИЙСКОЙ ФЕДЕРАЦИИ WWW. KINOTAVR. RU Организаторам и участникам Открытого Россий- To the organisers and participants of the Open Rus- ского кинофестиваля «Кинотавр» sian Film Festival Kinotavr Уважаемые друзья! Dear friends! Рад приветствовать участников, организаторов и гостей Открытого Российского кинофестиваля I am glad to welcome the participants, organi- «Кинотавр»! sers and guests of the Open Russian Film Festi- Сегодня кинофорум открывается вот уже в 25-й val Kinotavr! раз. Этот юбилей позволяет подвести опреде- Today this cinematic forum opens already for the ленные итоги развития отечественного кинема- 25th time. This anniversary makes it possible to тографа за последнюю четверть века, а также draw some conclusions about the development of поразмышлять о его перспективах. И именно Russian cinema over the last quarter of a century «Кинотавр», ставший за прошедшие годы веду- and to think about its prospects. Kinotavr has, щим форумом российского и русскоязычного for the last years, turned into the leading forum кино, позволяет сделать это наилучшим образом. for Russian and Russian-language cinema, and it Уверен, и в наше время киноискусство остается allows us best to undertake this task. одним из важнейших способов общения и взаи- I am convinced that in our days the art of cinema мопонимания между людьми. А «Кинотавр» явля- remains one of the most important means of com- ется одним из очевидных доказательств того, что munication between people. Kinotavr is one of the наше кино живет и развивается, что оно нужно most obvious cases to demonstrate that our cinema людям и любимо ими. is alive and develops, that people need and love it. 2 От всей души желаю вам интересных просмот- I wholeheartedly wish you interesting screenings, ров, плодотворного общения и творческих побед! productive discussions and creative victories! Министр культуры Minister of Culture Российской Федерации of the Russian Federation В.Р. Мединский V.R. Medinsky Дорогие друзья! Dear friends! От всей души приветствую участников и гостей I wholeheartedly welcome the participants and XXV юбилейного Открытого Российского кино- visitors of the 25th jubilee Open Russian Film фестиваля «Кинотавр»! Festival Kinotavr! Вот уже четверть века этот уникальный празд- For a quarter of a century this unique cinematic ник кино проходит в Сочи. Но на этот раз он ста- holiday already comes to Sochi. Yet this time is a нет особенным – олимпийская столица предста- very special occasion: the Olympic capital stands нет перед участниками и гостями «Кинотавра» before the participants and visitors of Kinotavr во всей красе. Сегодня это современный и благо- in all its beauty. Today, Sochi is a modern and устроенный курорт мирового уровня – под стать comfortable resort of world level, well matched великолепному звездному «Кинотавру»! with the magnifi cent star of Kinotavr! За 25 лет у фестиваля сложилась своя исто- Over 25 years the festival has formed its own рия, свои добрые традиции. Каждый год на history and good traditions. Every year, for несколько дней «Кинотавр» вновь превращает Kinotavr transforms Sochi for a few days into a Сочи в масштабную галерею российского кине- huge gallery of Russian cinema and fi lls the city матографа, наполняет город атмосферой твор- with an atmosphere of creativity and art. чества и искусства. The festival constantly spoils the spectators with Фестиваль постоянно радует зрителей насыщен- a rich competition program; it brings out new ной конкурсной программой, зажигает новые stars and widens the horizons for the development звезды и расширяет горизонты развития русскоя- of Russian-language cinema. Kinotavr engages зычного кино. На площадках «Кинотавра» демон- both recognized masters and debutants with fi lms 3 стрируются работы как признанных мастеров, of various creative directions, but they are all так и дебютантов – фильмы самой разной твор- invariably directed at eternal human values and, ческой направленности. Но все они неизменно in many respects, defi ne the moral reference points обращены к вечным человеческим ценностям и of modern cinema. во многом определяют нравственные ориентиры I sincerely wish all the participants of Kinotavr современного киноискусства. that they may experience strong emotions and Искренне желаю всем участникам «Кинотавра» see ecstatic spectators! Let the Olympic Sochi fi ll ярких эмоций и восхищенных зрителей! Пусть you with the energy for greater victories, and may олимпийский Сочи наполнит вас энергией боль- the visitors of the festival enjoy an unforgettable ших побед, а гостям фестиваля подарит незабы- holiday! ваемый праздник! Глава администрации (губернатор) Head of administration Краснодарского края Governor of the Krasnodar Region А.Н. Ткачев A.N. Tkachev Дорогие участники и гости юбилейного 25-го Dear participants and visitors of the jubilee 25th фестиваля «Кинотавр»! Kinotavr festival! От имени всех жителей нашего города я рад при- On behalf of all our inhabitants, I am glad to wel- ветствовать вас в Сочи! come you to Sochi! Сегодня наш город снова погружается в яркий Today our city once again plunges into the glaring и увлекательный мир кино! and fascinating land of cinema! Мы, сочинцы, гордимся тем, что именно в нашем We, the people of Sochi, are proud that it is in our городе проходит главный национальный кино- city where the country’s main national fi lm festival фестиваль страны! И нам очень приятно, что за takes place! And we are pleased that, for the many годы проведения фестиваля «Кинотавр» и курорт years of the festival’s life, Kinotavr and the resort Сочи стали неразрывно ассоциироваться друг of Sochi have become inseparably linked to each с другом! Вся Россия знает, что лето в Сочи начи- other! The whole of Russia knows that the sum- нается с кино! С хорошего отечественного кино, mer in Sochi begins with cinema: with good Rus- которое дарит зрителям незабываемый празд- sian fi lms, which give the spectator an unforgetta- ник культуры и творчества! ble holiday of culture and creativity! Сегодня Сочи – это главная спортивная пло- Today Sochi is the top sports location of Russia! щадка России! Олимпийский статус Сочи повы- Sochi’s Olympic status raises the prestige of Rus- шает престиж российского спорта, а проведение sian sports, and the festival Kinotavr in the Olym- «Кинотавра» в столице Олимпиады, безусловно, pic capital certainly attracts interest to Russian повышает интерес к отечественному кинемато- cinema from all over the world! графу во всем мире! Welcome to Sochi, dear friends! We are delighted Добро пожаловать в Сочи, дорогие друзья! Мы about every new meeting with Kinotavr! рады каждой новой встрече с «Кинотавром»! С уважением, Yours faithfully, Глава города Сочи Head of the City of Sochi А.Н. Пахомов A.N. Pakhomov Десятилетие, прошедшее с перезагрузки The ten years that have elapsed since the reload «Кинотавра», – серьезная дата и для россий- of Kinotavr mark a serious date for Russian ского кинематографа, и для меня лично. Все cinema and for me personally. All these ten эти десять лет фестиваль последовательно years the festival has consistently expanded its расширял свои цели и задачи, в итоге пре- aims and tasks; as a result it has become a seri- вратившись в серьезную институцию, которая ous institution that tracks the processes in the прослеживает все процессы в национальной national fi lm industry, from pitching new pro- киноиндустрии – от питчинга новых проек- jects to the presentation of completed fi lms and АЛЕКСАНДР РОДНЯНСКИЙ, тов до презентации завершенных картин и their professional evaluation. ПРЕЗИДЕНТ ОРКФ их экспертной оценки. When Mark Rudinstein left the festival in 2004 «КИНОТАВР» Когда в 2004 году Марк Рудинштейн поки- – a festival with its own traditions and history –, ALEXANDER нул фестиваль, уже имевший свои тради- this might have seemed for some as the end of a RODNIANSKY, PRESIDENT ции и историю, кому-то это могло показаться romantic era and the arrival of a new, pragmatic OF THE ORFF завершением романтической эры и прихо- generation. But for the founder of Kinotavr there “KINOTAVR” дом нового поколения прагматиков. Но для was only one thing that mattered: he transferred самого основателя «Кинотавра» имело значе- the festival, for which there were a lot of appli- ние только одно: он передавал фестиваль, на cants, to the hands of people with a strong link который претендовали разные люди, в руки to cinema. Pragmatism was a requirement of the тех, кто крепко связан именно с кино. А праг- time, an absolute must to begin work not on the 4 матизм был требованием времени, насущной level of emotions, gestures and often even adven- необходимостью начать действовать не на tures, but strictly within the rules of the game. уровне эмоций, жестов и порой даже аван- And the main thing was to defi ne these rules. тюр, но строго в рамках правил игры. И глав- I think that my generation has a fi rm idea of the ное – требовалось эти правила сформулиро- frame of references in which we live, and about вать. Да, я полагаю, что мое поколение имеет the frame of references in which we would like твердое представление о системе координат, to live. We understand what we do not like and в которых мы живем, и о системе координат, are ready to form a new framework. In this sense в которых мы хотим жить. Мы понимаем, что I am also a romantic, because I believe that it is нас не устраивает, и мы готовы сами форми- in my power to change that frame of references. ровать новую систему. В этом смысле я тоже The previous festival team could boast of a lot of романтик, потому что верю, что в моих силах achievements. There were years when Kinotavr изменять систему координат. completely substituted an absent distribution sys- У предыдущей фестивальной команды tem. But over 15 years many problems and con- было немало достижений. Были годы, когда fl icts had also accumulated, as for example the «Кинотавр» даже полностью подменял собой imaginary rivalry with the Moscow International отсутствующую систему проката. Но за 15 лет Film Festival, which has little in common with также накопилось много проблем и кон- Kinotavr.
Load more

Recommended publications
  • 16/10/2017 LIBRARY Rds 701-800 1 Call Number RD-701 KHEIFITS
    16/10/2017 LIBRARY RDs 701-800 1 Call number RD-701 KHEIFITS, Iosif Edinstvennaia [The Only One] Lenfil´m, Pervoe tvorcheskoe ob´´edinenie, 1975; released 17 March 1976 Screenplay: Pavel Nilin, Iosif Kheifits, from Nilin’s story ‘Dur´’ Photography: Genrikh Marandzhian Production design: Vladimir Svetozarov Music: Nadezhda Simonian Song written by: Vladimir Vysotskii Nikolai Kasatkin Valerii Zolotukhin Taniusha Fesheva Elena Proklova Natasha Liudmila Gladunko Boris Il´ich Vladimir Vysotskii Maniunia Larisa Malevannaia Iura Zhurchenko Viacheslav Nevinnyi Anna Prokof´evna, Nikolai’s mother Liubov´ Sokolova Grigorii Tatarintsev Vladimir Zamanskii Judge Valentina Vladimirova Ivan Gavrilovich Nikolai Dupak Scientist Aleksandr Dem´ianenko Train passenger Svetlana Zhgun Tachkin Mikhail Kokshenov Train passenger Efim Lobanov Wedding guest Petr Lobanov Black marketer Liubov´ Malinovskaia Anna Vil´gel´movna Tat´iana Pel´ttser Member of druzhina Boris Pavlov-Sil´vanskii Tania’s friend Liudmila Staritsyna Serega Gelii Sysoev Lekha Aleksandr Susnin Head Chef of the Uiut restaurant Arkadii Trusov 90 minutes In Russian Source: RTR Planeta, 13 March 2015 System: Pal 16/10/2017 LIBRARY RDs 701-800 2 Call number RD-702 SAKHAROV, Aleksei Chelovek na svoem meste [A Man in His Place] Mosfil´m, Tvorcheskoe ob´´edinenie Iunost´, 1972; released 28 May 1973 Screenplay: Valentin Chernykh Photography: Mikhail Suslov Production design: Boris Blank Music: Iurii Levitin Song lyrics: M. Grigor´ev Semen Bobrov, Chairman of the Bol´shie bobry kolkhoz Vladimir Men´shov
    [Show full text]
  • The Palgrave Handbook of Digital Russia Studies
    The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use.
    [Show full text]
  • At the Margins of the Habsburg Civilizing Mission 25
    i CEU Press Studies in the History of Medicine Volume XIII Series Editor:5 Marius Turda Published in the series: Svetla Baloutzova Demography and Nation Social Legislation and Population Policy in Bulgaria, 1918–1944 C Christian Promitzer · Sevasti Trubeta · Marius Turda, eds. Health, Hygiene and Eugenics in Southeastern Europe to 1945 C Francesco Cassata Building the New Man Eugenics, Racial Science and Genetics in Twentieth-Century Italy C Rachel E. Boaz In Search of “Aryan Blood” Serology in Interwar and National Socialist Germany C Richard Cleminson Catholicism, Race and Empire Eugenics in Portugal, 1900–1950 C Maria Zarimis Darwin’s Footprint Cultural Perspectives on Evolution in Greece (1880–1930s) C Tudor Georgescu The Eugenic Fortress The Transylvanian Saxon Experiment in Interwar Romania C Katherina Gardikas Landscapes of Disease Malaria in Modern Greece C Heike Karge · Friederike Kind-Kovács · Sara Bernasconi From the Midwife’s Bag to the Patient’s File Public Health in Eastern Europe C Gregory Sullivan Regenerating Japan Organicism, Modernism and National Destiny in Oka Asajirō’s Evolution and Human Life C Constantin Bărbulescu Physicians, Peasants, and Modern Medicine Imagining Rurality in Romania, 1860–1910 C Vassiliki Theodorou · Despina Karakatsani Strengthening Young Bodies, Building the Nation A Social History of Child Health and Welfare in Greece (1890–1940) C Making Muslim Women European Voluntary Associations, Gender and Islam in Post-Ottoman Bosnia and Yugoslavia (1878–1941) Fabio Giomi Central European University Press Budapest—New York iii © 2021 Fabio Giomi Published in 2021 by Central European University Press Nádor utca 9, H-1051 Budapest, Hungary Tel: +36-1-327-3138 or 327-3000 E-mail: [email protected] Website: www.ceupress.com An electronic version of this book is freely available, thanks to the support of libraries working with Knowledge Unlatched (KU).
    [Show full text]
  • 18. Festival Des Mittel- Und Osteuropäischen Films 18.04.–24.04.2018 Wiesbaden INHALT L Iebes Goeast- Publikum
    PROGRAMM 18. FESTIVAL DES MITTEL- UND OSTEUROPÄISCHEN FILMS 18.04.–24.04.2018 WIESBADEN INHALT L IEBES GOEAST- PUBLIKUM, Willkommen bei goEast – Festival Weitere Grenzen, die im Film Mittel- WETTBEWERB SEITE 4 des mittel- und osteuropäischen und Osteuropas 2018 überschritten Films! In meinem ersten Jahr als werden, sind die der Gattungen. Bei 16 FILME, FÜNF PREISe – dAS HERZSTÜCK DES FESTIVALS Festivalleiterin hat mich direkt ein der Berlinale gewann zuletzt der besonderes Jahr erwischt. goEast rumänische Beitrag TOUCH ME NOT, wird „erwachsen“ und geht in die der sich ständig zwischen dokumen- 18. Runde. Und es gibt 2018 noch tarischer und fiktiver Form bewegt O PEN FRAME AwARD / EWTL SEITE 8 mehr große Jahrestage. Sieben Län- und kaum eindeutig zuzuordnen der in Mittel- und Osteuropa feiern ist. Auch im goEast Wettbewerb A CHT VIRTUAL-REALITY-PROJEKTE AUS MITTEL- UND OSTEUROPA, ihre 100-jährige Unabhängigkeit. begegnen sich Dokumentar-, Spiel- SOWIE AUS DEM RhEIN MAIN-GEBIET Das ist Anlass für Feierlichkeiten, und Animationsfilm und loten dabei aber auch für eine Bestandsaufnah- ihre Grenzen aus. Der Open Frame FÖRDERPROGRAMM FÜR JUNGE TALENTE me. Politisch bewegen sich die Re- Award orientiert sich in diesem Jahr gierungen einiger Nachbarländer in neu in Richtung Virtual Reality: Hier Richtung Isolation. Gleichberechti- verschwimmt die Grenze zwischen gung, Feminismus etc. stoßen zuneh- Zuschauer*in und Projektion, B IOSKOP SEITE 10 mend auf Ablehnung, Patriotismus wenn man die VR-Brille aufsetzt und Fremdenfeindlichkeit stellen und plötzlich mittendrin ist im V ON ALTMEISTER*INNEN BIS GENRe – den Einigungsprozess Europas vor Geschehen! NEUE IMPULSE IM MITTEL- UND OSTEUROPÄISCHEN KINO große Herausforderungen. Werden auch Sie neugierig: Vom Das Kino als Spiegel der Gesellschaft 35mm-Archivschatz bis Virtual bleibt davon nicht unberührt.
    [Show full text]
  • Teaching the Short Story: a Guide to Using Stories from Around the World. INSTITUTION National Council of Teachers of English, Urbana
    DOCUMENT RESUME ED 397 453 CS 215 435 AUTHOR Neumann, Bonnie H., Ed.; McDonnell, Helen M., Ed. TITLE Teaching the Short Story: A Guide to Using Stories from around the World. INSTITUTION National Council of Teachers of English, Urbana, REPORT NO ISBN-0-8141-1947-6 PUB DATE 96 NOTE 311p. AVAILABLE FROM National Council of Teachers of English, 1111 W. Kenyon Road, Urbana, IL 61801-1096 (Stock No. 19476: $15.95 members, $21.95 nonmembers). PUB 'TYPE Guides Classroom Use Teaching Guides (For Teacher) (052) Collected Works General (020) Books (010) EDRS PRICE MF01/PC13 Plus Postage. DESCRIPTORS Authors; Higher Education; High Schools; *Literary Criticism; Literary Devices; *Literature Appreciation; Multicultural Education; *Short Stories; *World Literature IDENTIFIERS *Comparative Literature; *Literature in Translation; Response to Literature ABSTRACT An innovative and practical resource for teachers looking to move beyond English and American works, this book explores 175 highly teachable short stories from nearly 50 countries, highlighting the work of recognized authors from practically every continent, authors such as Chinua Achebe, Anita Desai, Nadine Gordimer, Milan Kundera, Isak Dinesen, Octavio Paz, Jorge Amado, and Yukio Mishima. The stories in the book were selected and annotated by experienced teachers, and include information about the author, a synopsis of the story, and comparisons to frequently anthologized stories and readily available literary and artistic works. Also provided are six practical indexes, including those'that help teachers select short stories by title, country of origin, English-languag- source, comparison by themes, or comparison by literary devices. The final index, the cross-reference index, summarizes all the comparative material cited within the book,with the titles of annotated books appearing in capital letters.
    [Show full text]
  • Uva-DARE (Digital Academic Repository)
    UvA-DARE (Digital Academic Repository) Tales of Russianness: Post-Soviet identity formation in popular film and television Souch, I.S. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TALES OF RUSSIANNESS POST-SOVIET IDENTITY FORMATION IN POPULAR FILM AND TELEVISION IRINA SOUCH UNIVERSITY OF AMSTERDAM 2015 Tales of Russianness: Post-Soviet Identity Formation in Popular Film and Television ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr.
    [Show full text]
  • ICTV Morozov
    CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА rÀРesourcesЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ» № №2№121(9)№24, №2 13 1April января, April, 1 July April, 30, 20152012 20132011 2012 tion but also be the award winners and nominees of тема номера DEARсловоDear colleagues!COLLEAGUES редакции different international film festivals. Despite large FOCUSFOCUS portion of information on the new movies, shows and УжеWeWe are areв первые happy toto дни present present нового you you the годаthe July Aprilнам, issue issue редакof the of cцtheиIsи: ПервыйLastseries autumn you’ll номер membersalso Contentfind theof Russian detailedReport association выходитreport on ofвthe televiкану re-н- UKRAINEКИНОТЕАТРАЛЬНЫ BECOMESЙ A ContentCIS:content Content Report, report Report сразу where whereстало we tried понятно,we to tried gather toчто thegather в most2011 the inм- Старогоsioncent anddeals movie Нового of international producers года, который chose distributors Red (наконецто) Square with the Screen cI sза-- всеmostteresting мы interesting будем up-to-date усердно up-to-date information и неустанно information about трудиться. rapidlyabout rapidly devel За- вершаетingspartners. as the чередуmost important праздников, industry поэтeventом of theу еще season. раз РЫН О К В УКРАИН Е : HIGH-PROSPECTIVETV MARKETS:
    [Show full text]
  • The Complete Poetry of James Hearst
    The Complete Poetry of James Hearst THE COMPLETE POETRY OF JAMES HEARST Edited by Scott Cawelti Foreword by Nancy Price university of iowa press iowa city University of Iowa Press, Iowa City 52242 Copyright ᭧ 2001 by the University of Iowa Press All rights reserved Printed in the United States of America Design by Sara T. Sauers http://www.uiowa.edu/ϳuipress No part of this book may be reproduced or used in any form or by any means without permission in writing from the publisher. All reasonable steps have been taken to contact copyright holders of material used in this book. The publisher would be pleased to make suitable arrangements with any whom it has not been possible to reach. The publication of this book was generously supported by the University of Iowa Foundation, the College of Humanities and Fine Arts at the University of Northern Iowa, Dr. and Mrs. James McCutcheon, Norman Swanson, and the family of Dr. Robert J. Ward. Permission to print James Hearst’s poetry has been granted by the University of Northern Iowa Foundation, which owns the copyrights to Hearst’s work. Art on page iii by Gary Kelley Printed on acid-free paper Library of Congress Cataloging-in-Publication Data Hearst, James, 1900–1983. [Poems] The complete poetry of James Hearst / edited by Scott Cawelti; foreword by Nancy Price. p. cm. Includes index. isbn 0-87745-756-5 (cloth), isbn 0-87745-757-3 (pbk.) I. Cawelti, G. Scott. II. Title. ps3515.e146 a17 2001 811Ј.52—dc21 00-066997 01 02 03 04 05 c 54321 01 02 03 04 05 p 54321 CONTENTS An Introduction to James Hearst by Nancy Price xxix Editor’s Preface xxxiii A journeyman takes what the journey will bring.
    [Show full text]
  • Our Friends and Partners in Meeting Urgent And
    The Jewish Agency is proud and privileged to represent the voices OUR FRIENDS of Jewish communities around the world. Our partners and friends ensure that we have the global reach and financial strength to AND PARTNERS address the needs of the Jewish people on a large scale, along with IN MEETING the infrastructure to quickly meet urgent needs as they arise. To all our many friends and supporters around the globe, we offer our profound thanks for your partnership in securing the URGENT AND Jewish future. IMPORTANT NEEDS 2015 The Jewish Agency is privileged to partner with the Jewish Federations of North America and Keren Hayesod/UIA, as well as foundations and other donors in Israel and around the world. Thank you for helping us secure the Jewish future. THE JEWISH FEDERATIONS OF NORTH AMERICA To the Jewish Federations of North America and Keren Hayesod/UIA, your core support powers our global partnership. No single gift touches more lives. We also thank the many Federations who not only provide indispensable core funding, but also make designated grants to critical programs and emergency campaigns. Jewish Community Board of Akron Jewish Federation of Collier County Jewish Federation of Greater Houston Jewish Federation of the Lehigh Valley Jewish Colorado Jewish Federation of Greater Indianapolis Jewish Federation of Greater Ann Arbor Columbia Jewish Federation Jewish Federation of Jacksonville Jewish Federation of Arkansas Jewish Federation of Columbus Jewish Federation of Greater Kansas City Jewish Federation of Greater Atlanta Jewish Federation of Cumberland, Knoxville Jewish Alliance Gloucester & Salem Counties Jewish Federation of Atlantic Jewish Federation of Las Vegas & Cape May Counties Jewish Federation of Greater Dallas Jewish Federation of Lee Augusta Jewish Federation Jewish Federation of Greater Dayton, Inc.
    [Show full text]
  • Star in 'Tsar'
    MOSCOW OCTOBER 2009 www.passportmagazine.ru Ballets Russes in Moscow Playground of the People – VDNKh Update on Russian Wines Peter Mamonov and Oleg Yankovsky star in ‘Tsar’ Contents 4 What’s On In October 7 October Holidays 8 Previews 11 Theater 11 12 Ballet Ballets Russes in Moscow 14 Film Peter Mamonov as Ivan the Terrible in Tsar 16 Art Moscow Biennale 14 20 Architecture VDNKh 22 Media The English Language Press 24 Travel Yakutia 24 28 Restaurant Review Osteria Montiroli 30 Wine Tasting Russian Wine Country Update 32 Book Review The Quest for Radovan Karadzic 30 33 Out & About 36 Real Estate Prospekt Mira 40 Community Football: From Journalist to Footballist 40 42 Columns Real Estate Relocation Financial Overview 45 Viewpoint Michael Romanov’s Diary Flintstone 45 48 Distribution List October 2009 3 Letter from the Publisher Beauty Center in Baltschug Kempinski Reopens The beauty salon: Beauty Center Baltschug has reopened. The center guarantees the highest standard of service, English-speaking staff and sensible pricing. This is exactly what business people who need the best possible service need! We provide excellent cosmetology (Kanebo- Sensai Sothys), medicinal spa-routines for hair (La Biosthetique), and an original massage routine – these are only a few of the services that we offer our clients. Happy hours means 20% off during weekdays from 11:00 to 13:00. Clients holding the Privilege Card Baltschug Kempin- ski card enjoy discounts on a continuous basis. Trafalgar Ball The 10th Trafalgar Ball will be held on Saturday October 24 in the ballroom of the Marriott Grand Hotel.
    [Show full text]
  • BASEES Sampler
    R O U T L E D G E . TAYLOR & FRANCIS Slavonic & East European Studies A Chapter and Journal Article Sampler www.routledge.com/carees3 Contents Art and Protest in Putin's Russia by Laurien 1 Crump Introduction Freedom of Speech in Russia edited by Piotr 21 Dutkiewicz, Sakwa Richard, Kulikov Vladimir Chapter 8: The Putin regime: patrimonial media The Capitalist Transformation of State 103 Socialism by David Lane Chapter 11: The move to capitalism and the alternatives Europe-Asia Studies 115 Identity in transformation: Russian speakers in Post- Soviet Ukrane by Volodymyr Kulyk Post-Soviet Affairs 138 The logic of competitive influence-seeking: Russia, Ukraine, and the conflict in Donbas by Tatyana Malyarenko and Stefan Wolff 20% Discount Available Enjoy a 20% discount across our entire portfolio of books. Simply add the discount code FGT07 at the checkout. Please note: This discount code cannot be combined with any other discount or offer and is only valid on print titles purchased directly from www.routledge.com. www.routledge.com/carees4 Copyright Taylor & Francis Group. Not for distribution. 1 Introduction It was freezing cold in Moscow on 24 December 2011 – the day of the largest mass protest in Russia since 1993. A crowd of about 100 000 people had gathered to protest against electoral fraud in the Russian parliamentary elections, which had taken place nearly three weeks before. As more and more people joined the demonstration, their euphoria grew to fever pitch. Although the 24 December demonstration changed Russia, the period of euphoria was tolerated only until Vladimir Putin was once again installed as president in May 2012.
    [Show full text]
  • Film Criticism
    ALEXANDER FEDOROV FILM CRITICISM FEDOROV, A. FILM CRITICISM. МOSCOW: ICO “INFORMATION FOR ALL”. 2015. 382 P. COPYRIGHT © 2015 BY ALEXANDER FEDOROV [email protected] ALL RIGHT RESERVED. 10 9 8 7 6 5 4 2 1 FEDOROV, ALEXANDER. 1954-. FILM CRITICISM / ALEXANDER FEDOROV. P. CM. INCLUDES BIBLIOGRAPHICAL REFERENCES. 1. FILM CRITICISM. 2. FILM STUDIES. 3. MEDIA LITERACY. 4. MEDIA EDUCATION. 5. MEDIA STUDIES. 6. FILM EDUCATION. 7. STUDENTS. 8. CINEMA. 9. FILM. 10. MASS MEDIA. 11. STUDY AND TEACHING. 2 Contents The Mystery of Russian Cinema ………………………………..…... ..6 Phenomenon of Russian Film-Hits ………………………………….. 10 Russian Screen Distribution …………………………………..………..12 Video-pirates from Russia ……………………………………..…….. 15 Film Criticism and Press in Russia …………………………………… 17 Russian Cinematography and the Screen Violence ………………....….21 The Gloom of Russian Fantastic Movie-Land …………….………..….27 Sex-Cinema: Made in Russia …………………………………… ..….. 29 America, America… ……………………………………………….… .31 French Motives and Russian Melodies ………………………….…… .33 Fistful of Russian Movies ……………………………………….…… .41 Nikita Mikhalkov before XXI Century ………………………….…… 78 Karen Shakhnazarov: a Fortune's Favorite? ……………………….… 86 Pyotr Todorovsky: Dramatic Romance ……………………….……. 92 Oleg Kovalov, Former Film Critic .........................................................99 How to Shoot the “True” Film about Russia …………………………102 Locarno Film Fest: The View of a Film Educator ……………………103 The Analysis of Detective Genre at Film Education in Students’ Audience ……………………………………………… ……….…..106 Hermeneutical
    [Show full text]