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CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА ResourcesÀРЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ » №№20, №121(9) №213 №2 October April января, 1 April, 30, 2014 201320122011 2012 тема FOCUSномераFOCUS DEARсловоDeAr COLLEAGUESColle редакциAguesи УжеWeWe areareв первые happyhappy to toдни presentpresent нового youyou года thethe AprilOctoberнам, issue редак issue of цthe иofи conferences,ПервыйLast autumn номер members international Content of Russian contentReport association выходитmarket and ofв televiкsevану- н- КИНОТЕАТРАЛЬНЫ Й ContentCIS:the CIS:Content Report, Content Report сразу Report whereстало where понятно,we triedwe tried toчто gather toв 2011gather theм eralСтарогоsion special and movie Нового events producers года,in order который chose to achieve Red (наконецто) Squaresynergy, Screen learn за - mostthe most interesting interesting up-to-date up-to-date information information about rapidlyabout aboutings as current the most trends important of the industry international event ofmedia the season. busi- РЫНTVО MARKETS:К В УКРАИН Е : все мы будем усердно и неустанно трудиться. 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И если по TV ShowS (10) АДРЫ (20)TV ShowS (9) водов для оптимизма К eaTure FilmS FFeaTure FilmS (12) (11) относительно увеличе Т ЕЛЕdПistributionО КАЗ (21) (19) ния количества кино distribution (16) театров попрежнему Т ЕХНОЛОГИИccinemainema dd istribution(istribution22) не так много , то по Year 2013 внедрению совре ПРОYКearАТ В 2012 УКРАИНЕ (24) менных технологий за о in kraine (24) in u kraine (22) прошлый год имеются нк u О ТР АСЛЕВ Ы Е ве все основания для гор а focus (25) МЕР ОfocusПР ИЯТ И(23)Я (29) дости за это. Между тем попытаемся разо interview (31) леси С interview (25) браться, есть ли свет в О конце тоннеля?!. Рис. Media Resources Management. 22 Zakrevsky St., Kiev 02660, Ukraine Media Resources Management, ул. Закревского, 22, Киев, 02660, Украина Mediawww.mrm.ua Resources Tel.: Management. +380 (44) 459-4610; 22 Zakrevsky e-mail: St., [email protected] 02660, Ukraine 11 www.mrm.uaТел.: + 380 44 Tel.: 459 +380-4610 (44) Фак 459-4610;с: + 380 44 e-mail: 459-4611 [email protected] [email protected] www.mrm.ua production production production №20, October 2014 series A rElATIVE frOM MOSCOW Ukrainian production company 1+1 Production is shooting Producer: Elena Vasilieva. 1+1 PrODuCTIOn 20-episode sitcom A relative from Moscow. The project pre- Director: Semen Gorov. miere is set for this year. Script: Nikolai Kutsik. Cast: Yuri Gorbunov, Nazar Zad- niprovsky, Igor Skripko, Galina Synopsis: When Valera’s father runs away to Great
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    Read Ebook {PDF EPUB} The Time Wanderers by Arkady Strugatsky Prominent Russians: Arkady and Boris Strugatsky. Arkady and Boris Strugatsky are well-known Soviet-Russian science fiction writers with a highly developed fan base. They became the spiritual leaders of Russian sci-fi literature in the 1960s, and to this day, their influence remains immense - entire generations were brought up on their books and loved them for their unique style. Though the early works of the Strugatsky bothers lacked individuality – at the beginning of their writing career their novels and short stories resembled those of Ivan Yefremov, a Soviet paleontologist and science fiction author who was the brothers’ lifetime icon and role model. Strugatsky novels were very different from ordinary sci-fi novels: strictly speaking they didn’t write showpiece science fiction. The brothers have always tried to write not just about spaceships, technology or other fantastic stuff, but also about people and their problems. At the beginning of the 1990s the brothers became the best-known and loved Soviet science-fiction writers abroad – their works were translated into multiple languages and published in 27 countries; a success Russian writers rarely experienced in the West. Arkady Strugatsky. Childhood. Arkady Strugatsky was born on 28 August 1925 in Batumi, Georgia; his mother was a teacher and his father – a fine arts expert, who at the same time earned a bit on the side as a newspaper editor. Two months after the elder son was born, in autumn 1925, the family moved to Leningrad (now Saint Petersburg). When WWII broke out, Arkady first helped constructing defenses and then assisted at the grenade manufactory.
  • Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions

    Soviet Science Fiction Movies in the Mirror of Film Criticism and Viewers’ Opinions

    Alexander Fedorov Soviet science fiction movies in the mirror of film criticism and viewers’ opinions Moscow, 2021 Fedorov A.V. Soviet science fiction movies in the mirror of film criticism and viewers’ opinions. Moscow: Information for all, 2021. 162 p. The monograph provides a wide panorama of the opinions of film critics and viewers about Soviet movies of the fantastic genre of different years. For university students, graduate students, teachers, teachers, a wide audience interested in science fiction. Reviewer: Professor M.P. Tselysh. © Alexander Fedorov, 2021. 1 Table of Contents Introduction …………………………………………………………………………………………………………………………3 1. Soviet science fiction in the mirror of the opinions of film critics and viewers ………………………… 4 2. "The Mystery of Two Oceans": a novel and its adaptation ………………………………………………….. 117 3. "Amphibian Man": a novel and its adaptation ………………………………………………………………….. 122 3. "Hyperboloid of Engineer Garin": a novel and its adaptation …………………………………………….. 126 4. Soviet science fiction at the turn of the 1950s — 1960s and its American screen transformations……………………………………………………………………………………………………………… 130 Conclusion …………………………………………………………………………………………………………………….… 136 Filmography (Soviet fiction Sc-Fi films: 1919—1991) ……………………………………………………………. 138 About the author …………………………………………………………………………………………………………….. 150 References……………………………………………………………….……………………………………………………….. 155 2 Introduction This monograph attempts to provide a broad panorama of Soviet science fiction films (including television ones) in the mirror of