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16/10/2017 LIBRARY Rds 701-800 1 Call Number RD-701 KHEIFITS

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  • 16/10/2017
  • LIBRARY RDs 701-800
  • 1

Call number RD-701 KHEIFITS, Iosif Edinstvennaia [The Only One]

Lenfil´m, Pervoe tvorcheskoe ob´´edinenie, 1975; released 17 March 1976 Screenplay: Pavel Nilin, Iosif Kheifits, from Nilin’s story ‘Dur´’ Photography: Genrikh Marandzhian Production design: Vladimir Svetozarov Music: Nadezhda Simonian Song written by: Vladimir Vysotskii Nikolai Kasatkin Taniusha Fesheva Natasha Boris Il´ich Maniunia
Valerii Zolotukhin Elena Proklova Liudmila Gladunko Vladimir Vysotskii Larisa Malevannaia

  • Viacheslav Nevinnyi
  • Iura Zhurchenko

  • Anna Prokof´evna, Nikolai’s mother
  • Liubov´ Sokolova

Vladimir Zamanskii Valentina Vladimirova Nikolai Dupak Aleksandr Dem´ianenko Svetlana Zhgun
Grigorii Tatarintsev Judge Ivan Gavrilovich Scientist Train passenger

  • Tachkin
  • Mikhail Kokshenov

Efim Lobanov Petr Lobanov Liubov´ Malinovskaia Tat´iana Pel´ttser Boris Pavlov-Sil´vanskii Liudmila Staritsyna Gelii Sysoev
Train passenger Wedding guest Black marketer Anna Vil´gel´movna Member of druzhina Tania’s friend Serega

  • Lekha
  • Aleksandr Susnin

Head Chef of the Uiut restaurant 90 minutes
Arkadii Trusov

In Russian

Source: System:
RTR Planeta, 13 March 2015 Pal

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Call number RD-702 SAKHAROV, Aleksei Chelovek na svoem meste [A Man in His Place]

Mosfil´m, Tvorcheskoe ob´´edinenie Iunost´, 1972; released 28 May 1973 Screenplay: Valentin Chernykh Photography: Mikhail Suslov Production design: Boris Blank Music: Iurii Levitin Song lyrics: M. Grigor´ev Semen Bobrov, Chairman of the Bol´shie bobry kolkhoz Vladimir Men´shov Klara Vechesova, an architect Artashes Kocharian, director of the chemical works Armen Dzhigarkhanian Ivan Gorbachev, Party Leader at the kolkhoz Lev Durov
Anastasiia Vertinskaia
Vasilii Serov, Secretary of the Regional Committee of the Party
Viktor Avdiushko
Anna Zviagina Gavriil Bobrov
Nina Men´shikova Georgii Burkov
Ignat Seleznev Nikolai Stukalin
Konstantin Zabelin Viktor Shul´gin

  • Nikolai Berezkin
  • Oleg Vladimirovich Efremov

Viktor Filippov
Dmitrii Orlovskii Fedor Odinokov
Head animal technician of the kolkhoz Nikolai Panteleimonovich Marenkov Uncle Grisha Aleksandra Vasil´kova Ivan Bobrov, Semen’s father Belokhvostov
Zoia Vasil´kova Boris Kudriavtsev Evgenii Perov

  • Valerii
  • Valerii Volodin

Misha Mar´ia Petrovna Animal technician’s wife
Mikhail Liubeznov Svetlana Konovalova Elizaveta Nikishchikhina
Tat´iana, the Kolkhoz Chairman’s Secretary Natal´ia Nazarova Nikolaevna, Bobrov’s mother Viktor Somov Kocharian’s assistant Gennadii Biriukov Marina
Vera Burlakova Sergei Sergeevich Gurzo Vitalii Komissarov Oleg Izmailov Natal´ia Zorina
Iurii Carpenter
Nikolai Nikolaevich Dostal´ Vladimir Pitsek
Zoia Alekseevna Evdokiia Filippovna
Zoia Isaeva Elena Vol´skaia
Chairman of the Executive Committee Iurii Prokopovich Timokhin Mikhail Rozanov

  • Voloshin, Chairman of the neighbouring Kolkhoz
  • Pavel Timchenko

  • Marina Lobysheva
  • Transport Engineer

Approx. 96 minutes

In Russian

  • Source:
  • ORT, Pervyi kanal. Vsemirnaia set´, 21 February 2015

16/10/2017 System:

  • LIBRARY RDs 701-800
  • 3

Pal

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Call number RD-703 NATANSON, Georgii Starshaia sestra [The Elder Sister]

Mosfil´m, 1966; released 6 March 1967 Screenplay: Aleksandr Volodin, from his play of the same name Photography: Valerii Vladimirov Production design: Semen Ushakov Music: Vladlen Chistiakov Nadia Lida Ukhov
Tat´iana Doronina Natal´ia Teniakova Mikhail Zharov

  • Kirill
  • Vitalii Solomin

Volodia Shura Ogorodnikov Medynskii “The sorceress”
Leonid Kuravlev Valentina Sharykina Evgenii Evstigneev Oleg Basilashvilli Inna Churikova
Members of the commission Sof´ia Piliavskaia, Pavel Massal´skii School leaver 95 minutes

In Russian

Viktor Il´ichev
Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 21 February 2015 Pal

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Call number RD-704 KRISHTOFOVICH, Viacheslav Odinokaia zhenshchina zhelaet poznakomit´sia [Lonely Woman Wants to get acquainted]

Kinostudiia imeni Aleksandra Dovzhenko, Kiev, Tvorcheskoe ob´´edinenie Raduga, 1986; released 2 March 1987 Screenplay: Viktor Merezhko Photography: Vasilii Trushkovskii Production design: Aleksei Levchenko Music: Vadim Khrapachev Klava Pochukaeva Valentin Spiridonov Gerra Nikitichna Ania Vorob´eva Kas´ianov
Irina Kupchenko Aleksandr Zbruev Elena Solovei Marianna Vertinskaia Valerii Sheptekita Liudmila Volkova Neonila Gnepovskaia
Valentin’s former wife Seamstress

  • Manager of sewing workshop
  • Margarita Krinitsyna

Alitsiia Omel´chuk Irina Tereshchenko
Workshop saleswoman Irina

  • Pioneers
  • Iana Atamanova, Katia Veklenko

Serezha Alcoholic
Serezha Donchevskii Anatolii Vishnevskii
85 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 7 March 2015 Pal

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Call number RD-705 TALANKIN, Igor´ Vremia otdykha s subboty do ponedel´nika [Leisure Time from Saturday to Monday]

Mosfil´m, Pervoe tvorcheskoe ob´´edinenie, 1984; released 26 November 1984 Screenplay: Igor´ Talankin, from Iurii Nagibin’s story ‘Terpenie’ Photography: Georgii Rerberg, Pavel Lebeshev Production design: Valerii Filippov Music arranged by Aleksei Loktev, Vasilii Shumov, performed by the rock group ‘Tsentr’: Aleksei Loktev, Valerii Sarkisian, Karen Sarkisov, Andrei Shnitke, Vasilii Shumov

  • Anna
  • Alla Demidova

Aleksei Pavel Tania Pasha
Vladislav Strzhel´chik Aleksei Batalov Dar´ia Mikhailova Mikhail Neganov
Steamer passenger Nina Urgant

  • Boroda
  • Egor (Georgii) Vysotskii

  • Igor´ Kashintsev
  • Compere

86 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 22 February 2015 Pal

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Call number RD-706 MEN´SHOV, Vladimir Rozygrysh [The Practical Joke]

Mosfil´m, Vtoroe tvorcheskoe ob´´edinenie, 1976; released 10 January 1977 Screenplay: Semen Lungin Photography: Mikhail Bits Production design: Boris Blank Music: Aleksandr Fliarkovskii Song lyrics: Aleksei Didurov

  • Mariia Vasil´evna Deviatova
  • Evgeniia Khanaeva

Natal´ia Fateeva Natal´ia Vavilova
Kaleriia Georgievna Taia Petrovna Igor´ Grushko Oleg Komarovskii Andrei Nikitin Shurik Korbut Il´ia Vardzieli Dasha Rozanova Alisa Sulivar
Dmitrii Kharat´ian Andrei Gusev Aleksandr Zhil´tsov Nikolai Konstantinov Arsen Mikhailov Evdokiia Germanova Irina Korableva
Ket Goremykina Karl Sigizmundovich
Galinia Manukhina Zinovii Gerdt

  • Semen Semenovich, the manager
  • Pavel Vinnik

Muza Krepkogorskaia Oleg Tabakov Garri Bardin, Liubov´ Mysheva, Muza Krepkogorskaia
Rufina Arkad´evna Komarovskii’s father Teachers

Vladimir Valentinovich, the swimming coach Vladimir Men´shov Anna Efremovna Police Lieutenant Malyshev Fira Solomonovna 91 minutes
Mariia Vinogradova
Aleksei Borzunov
Irina Murzaeva

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 7 March 2015 Pal

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Call number RD-707 POPLAVSKAIA, Irina Vasilii i Vasilisa [Vasilii and Vasilisa]

Mosfil´m, Pervoe tvorcheskoe ob´´edinenie, 1981; released 30 November 1981 Screenplay: Vasilii Solov´ev, with Irina Poplavskaia, from the story of the same name by Valentin Rasputin Photography: Kadyrzhan Kydyraliev, Boris Sutotskii Production design: Anatolii Kuznetsov Music: Aleksei Muravlev Vasilisa Vasilii Aleksandra Avdot´ia Petr Vologzhin
Ol´ga Ostroumova Mikhail Kononov Natal´ia Bondarchuk Maiia Bulgakova Andrei Rostotskii
Tania Vologzhina Natal´ia Dikareva Nastia Vologzhina Tat ´iana Dogileva

  • Narrator
  • Georgii Burkov

91 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 8 March 2015 Pal

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Call number RD-708 SERYI, Aleksandr Ty - mne, ia - tebe [You - Me and I - You]

Mosfil´m, Chetvertoe tvorcheskoe ob´´edinenie, 1976; released 23 July 1977 Screenplay: Grigorii Gorin, Aleksandr Seryi Photography: Viktor Listopadov Production design: Georgii Turylev Music: Gennadii Gladkov Ivan Kashkin AND Sergei Kashkin Leonid Kuravlev Auntie Liuba Vera Valia
Tat´iana Pel´tser Alla Meshcheriakova Svetlana Svetlichnaia

  • Iurii Medvedev
  • Stepan

Grisha Pantiukhov Baturin
Valerii Nosik Roman Tkachuk Evgenii Shutov
Amorous man Katia
Il´ia Rutberg Valentina Kareva
82 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 15 March 2015 Pal

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Call number RD-709 BRENCH, Aloiz (BRENČS, Aloizs ‘Aļiks’) Roman “alla russa” [Romance, Russian Style]

Belarus´, Interbel, 1994 Producer: Viacheslav Vasiukhin Screenplay: Tat´iana Kirillova Photography: Nikolai Ivasiv Production design: Igor´ Topilin Music: Mikael Tariverdiev Anna Zakharova Mario Fonizetti Rein
Irina Metlitskaia Andrei Rudenskii Remigius Sabulis
Liusia Sergei Petrovich Antoniia
Tat´iana Dogileva Sergei Shakurov Irina Kupchenko
Gleb Grisha
Nikolai Eremenko Mikhail Svetin
Russian tourist Correspondent Marina
Anna Tveleneva Iulian Makarov (as Iu. Zhurin) Ol´ga Akulinina

  • Nurse
  • Svetlana Sukhovei

Members of film group Doctors Ophthalmologist 84 minutes

In Russian

Aleksandr Bespalyi, Svetlana Turova Aleksandr Tkachenok, Anatolii Terpitskii Aleksandr Arzhilovskii

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 3 April 2015 Pal

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Call number RD-710 ARSENOV, Pavel Smiatenie chuvstv [Confused Feelings]

Tsentral´naia kinostudiia detskikh i iunosheskikh fil´mov imeni M. Gor´kogo, Pervoe tvorcheskoe ob´´edinenie, 1977, released 31 August 1978 Screenplay: Aleksandr Volodin Photography: Mikhail Iakovich Production design: Galina Anfilova Music: Evgenii Krylatov Nadia Volodia Nina Dmitrievna
Elena Proklova Sergei Nagornyi Iia Savvina
Viktor Semenovich Aleksandr Kaliagin Volodia’s mother Nina Mager Teacher Masha Koshelev Vel´iaminova Sergeev
Arina Aleinikova Tat´iana Drubich Andrei Iaroslavtsev Veronika Izotova Nikolai Konstantinov
75 minutes

In Russian

Source: System:
RTR Planeta, 29 March 2015 Pal

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Call number RD-711 PCHELKIN, Leonid Deti solntsa [Children of the Sun] Part 1

Tvorcheskoe ob´´edinenie Ekran, Gosteleradio SSSR, 1985 Screenplay: Innokentii Smoktunovskii, based on the play of the same name by Maksim Gor´kii Photography: Iurii Skhirtladze Production design: V. Lykov Music: Isaak Shvarts Protasov Liza
Innokentii Smoktunovskii Evgeniia Simonova
Elena Nikolaevna Alla Demidova

  • Vagin
  • Aleksandr Lazarev

  • Bogdan Stupka
  • Chepurnoi

Melaniia Antonovna Fima Lusha Roman Egor Avdot´ia Troshin
Natal´ia Gundareva Mariia Skvortsova Elena Tsyplakova Tat´iana Rudina Roman Filippov Boris Nevzorov Erlena Osipovich Grigorii Ostrin
Nazar Avdeevich Misha Doctor
Petr Shcherbakov Andrei Gusev Viktor Vasil´ev
Approx. 86 minutes Total running time of film: 167 minutes

In Russian On 2 discs. This is disc 1, containing Part 1

Source: System:
RTR Planeta, 25 March 2015 Pal

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Call number RD-712 Poteriannyi rai.Nostal´giia po Soiuzu [Lost Paradise. Nostalgia for the USSR]

Nashe kino, for VGTRK, 2014 Producer: Aleksandr Emir-Shakh Executive producer: Iurii Efimov Director: Sergei Kraus Script: Marina Romanova Reporters: Svetlana Gorlo, Marina Romanova, Sergei Sokov Narrators: Igor´ Taradaikin, Aleksandr Gruzdev With the participation of: Vladimir Lagranzh, Gian Piero Piretto, Semen Chaika, Leka Mironova, Stas Namin, Aleksandr Sennikov, Valeriia Kasamara, Iuliia Romanova-Kut´ina, Pavel Bondarchuk, William Cazotti, Franco Batella, Renzo Campino, Francesco Bruno Orlando 44 minutes

In Russian

RTR Planeta, 25 March 2015

AND PCHELKIN, Leonid Deti solntsa [Children of the Sun] Part 2

Tvorcheskoe ob´´edinenie Ekran, Gosteleradio SSSR, 1985 Screenplay: Innokentii Smoktunovskii, based on the play of the same name by Maksim Gor´kii Photography: Iurii Skhirtladze Production design: V. Lykov Music: Isaak Shvarts Protasov Liza
Innokentii Smoktunovskii Evgeniia Simonova
Elena Nikolaevna Alla Demidova

  • Vagin
  • Aleksandr Lazarev

  • Bogdan Stupka
  • Chepurnoi

Melaniia Antonovna Fima Lusha Roman Egor Avdot´ia Troshin
Natal´ia Gundareva Mariia Skvortsova Elena Tsyplakova Tat´iana Rudina Roman Filippov Boris Nevzorov Erlena Osipovich Grigorii Ostrin
Nazar Avdeevich Misha Doctor
Petr Shcherbakov Andrei Gusev Viktor Vasil´ev
Approx. 81 minutes Total running time of film: 167 minutes

In Russian

  • 16/10/2017
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RTR Planeta, 26 March 2015 Source: System:
RTR Planeta, 25 and 26 March 2015 Pal

  • 16/10/2017
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Call number RD-713 Tainy veka. Liubov´ Orlova. Shipy i rozy [Secrets of the Age. Liubov´ Orlova. Thorns and Roses]

Telekompaniia “Ostankino” for Pervyi kanal, 2015 Presenter: Sergei Medvedev Producers: Sergei Medvedev, Oleg Vol´nov Director: Sergei Kozhevnikov Script: Anatolii Iaroshevskii Photography: Aleksandr Klochikhin With the participation of: Karen Shakhnazarov, Ekaterina Guseva, Olesia Sudzilovskaia, Ivan Lukashev, Aleksandr Khort, Igor´ Obolenskii, Anatolii Belyi, Aleksandr Shpagin, Aleksandr Vasil´ev, Vitalii Moskalenko, Nikolai Dobrynin, James Patterson (archive, 1983), Rostislav Pliatt (archive, 1983), Viktor Merezhko 56 minutes

In Russian

ORT, Pervyi kanal. Vsemirnaia set´, 21 March 2015

AND “Vsia moia zhizn´ - sploshnaia oshibka.” Georgii Zhzhenov [“My Whole Life is One Long Mistake.” Georgii Zhzhenov]

Pervyi kanal, 2015 Producers: Liudmila Snigireva, Oleg Vol´nov Executive producer: Natal´ia Shik Line producers: Elena Razhberg, Stefaniia Nedova Director: Iuliia Ermolina Script: Vadim Nechaev Photography: Mikhail Brodskii, Ivan Elovykh, Rustam Buzanov, Vladimir Polivano Narrator: Anatolii Kot With the participation of: Georgii Zhzhenov (archive), Marina Zhzhenova (his daughter), Petr Tsakhinovich (his grandson), Lidiia Maliukova (his widow), Sergei Chernov, Leonid Iarmol´nik, Aleksei Pishchulin, Aleksandr Mitta, Irina Kartasheva, Eleonora Shashkova, Ekaterina Vasil´eva, Anatolii Mukasei, Mikhail Nozhkin, Iurii Nazarov, Sergei Shcheglov, Ol´ga Saprykina, El´dar Riazanov, Elena Florinskaia 59 minutes

In Russian

ORT, Pervyi kanal. Vsemirnaia set´, 22 March 2015 Source: 2015 System:
ORT, Pervyi kanal. Vsemirnaia set´, 21 and 22 March Pal

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Call number RD-714 STOLPER, Aleksandr Chetvertyi [The Fourth]

Mosfil´m, Tvorcheskoe ob´´edinenie Luch, 1972; released 7 May 1973 Screenplay: Aleksandr Stolper, from the play by Konstantin Simonov Photography: Valentin Zhelezniakov Production design: Mikhail Kartashov Music: Ian Frenkel´ Journalist Kate Dick Mate Pilot Charles Howard Betsy Jack Willer Guicciardi Ben Crow Bonnard
Vladimir Vysotskii Margarita Terekhova Sergei Shakurov Aleksandr Kaidanovskii Sergei Sazont´ev Iurii Solomin Tat´iana Itsykovich Maris Liepa Armen Dzhigarkhanian Juozas Budraitis Mikhai Volontir
Pastor Wandekker Lev Durov Teddy Frank Lev Kruglyi Guicciardi’s widow Zinaida Slavina Chairman of the Investigation Commission 67 minutes
Leonid Kulagin

In Russian

ORT, Pervyi kanal. Vsemirnaia set´, 20 February

AND Vlad List´ev. Vzgliad cherez dvadtsat´ let [Vlad List´ev. A View Twenty Years Later]

Krasnyi kvadrat, 2015 Producer: Il´ia Krivitskii Director: Konstantin Smilga Author: Aleksandr Kuz´min With the participation of: Aleksandr List´ev (Vlad List´ev’s son), Al´bina Nazimova (Vlad List´ev’s widow), Evgenii Dodolev, Elena Karpova, Dmitrii Likhanov, Dmitrii Zakharov, Aleksandr Liubimov, Leonid Parfenov, Mikhail Gorbachev, Ivan Demidov, Anatolii Lysenko, Aleksandr Politkovskii, Dmitrii Krylov, Iurii Nikolaev, Eduard Sagalaev, Vladimir Pozner, Konstantin Ernst, Tat´iana Diuzhikova, Leonid Iakubovich, Igor´ Kirillov, Leonid Iarmol´nik, Igor´ Ugol´nikov, Valdis Pels, Igor´ Ivanov 53 minutes

In Russian

ORT, Pervyi kanal. Vsemirnaia set´, 1 March 2015

  • Source:
  • ORT, Pervyi kanal. Vsemirnaia set´, 20 February and 1

March 2015
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Pal

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Call number RD-715 ROMM, MIkhail Lenin v Oktiabre [Lenin in October]

Mosfil´m, 1937; released 7 November 1937; re-edited 1956; restored 1964 Screenplay: Aleksei Kapler Photography: Boris Volchek Production design: Boris Dubrovskii-Eshke, Nikolai Solov´ev Music: Anatolii Aleksandrov Lenin Dzerzhinskii Vasilii
Boris Shchukin Vladimir Pokrovskii Nikolai Okhlopkov
Natasha, his wife K. Korobova Matveev Blinov Kerenskii Rodzianko Rutkovskii
Vasilii Vanin Nikolai Arskii A. Kovalevskii Nikolai Sokolov Nikolai Svobodin
Anna Mikhailovna Elena Shatrova Filer Kirilin Zhukov
Ivan Lagutin Nikolai Chaplygin Viktor Ganshin

  • Karnaukhov
  • Vladimir Vladislavskii

97 minutes, re-edited version

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 25 April 2015 Pal

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Call number RD-716 STOLBOV, Aleksandr Obyknovennyi chelovek [An Ordinary Man]

Mosfil´m, 1956; released 8 March 1957 Screenplay: Leonid Leonov, Mikhail Romm, from Leonov’s play of the same name Photography: Konstantin Brovin, Vadim Iusov Production design: Nikolai Markin, Sovet Agoian Music: Boris Chaikovskii Ladygin Kira Aleksei
Vasilii Merkur´ev Irina Skobtseva German Kulikov
Vera Artem´evna Evgeniia Kozyreva Konstantsiia Svekolkin Annushka Parasha
Serafima Birman Petr Konstantinov Roza Makagonova Aleksandra Panova
94 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 1 May 2015 Pal

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Call number RD-717 GORDON, Aleksandr Vital´evich Dvoinoi obgon [Double Overtaking]

Mosfil´m, Pervoe tvorcheskoe ob´´edinenie, 1984; released 5 November 1984 Screenplay: Aleksandr Bulganin, Nikolai Ivanov Production design: Irina Lukashevich Photography: Viacheslav Semin Music: Viktor Babushkin Instrumental group led by Andrei Makarevich Madzhiev Viktor Petrovich Arten´ev Len´ka
Boris Khimichev Vadim Mikheenko Iurii Nazarov Vitautas Tomkus Aleksandr Korshunov Nikolai Prokopovich Viktor Fokin
Mizin Vasilii

  • Katia
  • Katia Tarkovskaia

Natal´ia Gushchina Georgii Martirosian
Natasha Dzhafarov 82 minutes

In Russian

Source: System:
ORT, Pervyi kanal. Vsemirnaia set´, 19 April 2015 Pal

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  • Full Cinematic Retrospective of Director Andrei Tarkovsky This Summer at MAD

    Full Cinematic Retrospective of Director Andrei Tarkovsky This Summer at MAD

    Full Cinematic Retrospective of Director Andrei Tarkovsky this Summer at MAD Andrei Tarkovsky, Sculpting in Time presents the work of the revolutionary director and includes screenings—all on 35 mm—of all seven feature films and a behind-the-scenes documentary Stalker, 1976. Andrei Tarkovsky. New York, NY (June 8, 2015)—The Museum of Arts and Design presents a full cinematic retrospective of Andrei Tarkovsky’s work this summer with its latest cinema series, Andrei Tarkovsky, Sculpting in Time, from July 10 through August 28, 2015. Over the course of just seven feature films, Tarkovsky produced a poetic and enigmatic body of work that expanded the possibilities of cinema as an art form and transformed a wide range of genres including science fiction, war stories, film essays and historical dramas. Celebrating the legacy of this revolutionary director, the retrospective includes screenings of Tarkovsky’s seven feature films on 35 mm, as well as a behind-the-scenes documentary that reveals the process behind his groundbreaking practice and cinematic achievements. “Few directors have had as large of an influence on cinema as Andrei Tarkovsky,” says Jake Yuzna, MAD’s Director of Public Programs. “Working under censorship and with little support from the Soviet Union, Tarkovsky fought fiercely for his conceptualization of cinema as a singular and vital art form. Reconsidering the role of films in an age of increasing technology, Tarkovsky saw cinema as not merely a tool for communicating information, but as ‘a moral barometer in a sea of competing narratives.’” 2 COLUMBUS CIRCLE NEW YORK, NEW YORK 10019 P 212.299.7777 F 212.299.7701 MADMUSEUM.ORG Premiering on July 10 with Tarkovsky’s science fiction classic, Solaris, the retrospective showcases the director’s distinctive and influential aesthetic, characterized by expressive, sweeping takes, the evocative use of landscapes, and his method of “sculpting in time” with a camera.
  • July-Dec 2020 Bibliography

    July-Dec 2020 Bibliography

    Readers are encouraged to forward items which have thus far escaped listing to: Christine Worobec Distinguished Research Professor Emerita Department of History Northern Illinois University [email protected] Please note that this issue has a separate category for the "Ancient, Medieval, and Early Modern Periods." It follows the heading "General." All categories listed by Country or Region include items from the modern and contemporary periods (from approximately 1700 to the present). GENERAL Agapkina, Tatiana, and Andrei Toporkov. "The Structure and Genesis of One Type of Magic Spell against Children's Insomnia among Slavic Peoples." In: Folklore 80 (2020): 35-46. Anderson, Elinor. "Women, Power and Enlightenment in Eighteenth-Century Europe." In: Central Europe Yearbook 2 (2020): 3-18. Araz, Yahya, and Irfan Kokdaş. "In Between Market and Charity: Child Domestic Work and Changing Labor Relations in Nineteenth-Century Ottoman Istanbul." In: International Labor and Working Class History 97 (Spring 2020): 81-108. Bento, Regina F. "The Rose and the Cactus: The Lived and Unanswered Callings of Manya Sklodowska (Marie Curie) and Mileva Marić (Einstein)." In: Cultural Studies/Critical Methodologies 20, 6 (2020): 549-64. [About the Polish Marie Curie (1867-1934) and the Serbian Mileva Marić (1875-1948)] Bertogg, Ariane [et al.]. "Gender Discrimination in the Hiring of Skilled Professionals in Two Male-Dominated Occupational Fields: A Factorial Survey." In: Kölner Zeitschrift für Soziologie und Sozialpsychologie 72, supp. 1 (2020): 261-89. [Regarding Bulgaria, Greece, Norway, and Switzerland] Bucur, Maria, Krassimira Daskalova, and Sally R. Munt. "East European Feminisms." Special Issue of Feminist Encounters: A Journal of Critical Studies in Culture and Politics 4, 2 (2020).
  • Tarkovsky Is for Me the Greatest, the One Who Invented a New Language, True to the Nature of Film As It Captures Life As a Reflection, Life As a Dream.”

    Tarkovsky Is for Me the Greatest, the One Who Invented a New Language, True to the Nature of Film As It Captures Life As a Reflection, Life As a Dream.”

    stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press stop press Curzon Mayfair 38 Curzon Street 7 – 13 DECEMBER London W1J Features £10/£8 Curzon Members; www.curzoncinemas.com Documentaries £6.50 Box Office: 0871 7033 989 TARKOVSKY FESTIVAL – A RETROSPECTIVE As part of the celebration of the 75th Anniversary of one of the undisputed masters of world cinema, Andrei Tarkovsky (1932 – 1986), Curzon Cinemas and Artificial Eye present screenings of his feature films, documentaries about him, and the reading of a stage play related to his work. Most screenings will be introduced by an actor or member of the crew, followed by a Q&A. Related activities will take place across the capital. “Tarkovsky is for me the greatest, the one who invented a new language, true to the nature of film as it captures life as a reflection, life as a dream.” Ingmar Bergman FRI 7 DECEMBER 7PM OPENING GALA PLUS Q&A: THE SACRIFICE (PG) – NEW PRINT Director: Andrei Tarkovsky / Starring: Erland Josephson, Susan Fleetwood, Gudrun Gisladottir / Russia 1986 / 148 mins / Russian with English subtitles Tarkovsky's final film unfolds in the hours before a nuclear holocaust. Alexander is celebrating his birthday when a crackly TV announcement warns of imminent nuclear catastrophe. Alexander makes a promise to God that he will sacrifice all he holds dear, if the disaster can be averted. The next day dawns and everything is restored to normality, but Alexander must now keep his vow. We hope to welcome on stage lead actress Gudrun Gisladottir, and Layla Alexander-Garrett, the interpreter on THE SACRIFICE.
  • Uva-DARE (Digital Academic Repository)

    Uva-DARE (Digital Academic Repository)

    UvA-DARE (Digital Academic Repository) Tales of Russianness: Post-Soviet identity formation in popular film and television Souch, I.S. Publication date 2015 Document Version Final published version Link to publication Citation for published version (APA): Souch, I. S. (2015). Tales of Russianness: Post-Soviet identity formation in popular film and television. General rights It is not permitted to download or to forward/distribute the text or part of it without the consent of the author(s) and/or copyright holder(s), other than for strictly personal, individual use, unless the work is under an open content license (like Creative Commons). Disclaimer/Complaints regulations If you believe that digital publication of certain material infringes any of your rights or (privacy) interests, please let the Library know, stating your reasons. In case of a legitimate complaint, the Library will make the material inaccessible and/or remove it from the website. Please Ask the Library: https://uba.uva.nl/en/contact, or a letter to: Library of the University of Amsterdam, Secretariat, Singel 425, 1012 WP Amsterdam, The Netherlands. You will be contacted as soon as possible. UvA-DARE is a service provided by the library of the University of Amsterdam (https://dare.uva.nl) Download date:29 Sep 2021 TALES OF RUSSIANNESS POST-SOVIET IDENTITY FORMATION IN POPULAR FILM AND TELEVISION IRINA SOUCH UNIVERSITY OF AMSTERDAM 2015 Tales of Russianness: Post-Soviet Identity Formation in Popular Film and Television ACADEMISCH PROEFSCHRIFT ter verkrijging van de graad van doctor aan de Universiteit van Amsterdam op gezag van de Rector Magnificus prof. dr.
  • Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's <Em>2001: a Space Odyssey</Em> and Andrei Tark

    Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick's <Em>2001: a Space Odyssey</Em> and Andrei Tark

    University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School 4-1-2010 Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris Keith Cavedo University of South Florida Follow this and additional works at: https://scholarcommons.usf.edu/etd Part of the American Studies Commons Scholar Commons Citation Cavedo, Keith, "Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris" (2010). Graduate Theses and Dissertations. https://scholarcommons.usf.edu/etd/1593 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Alien Encounters and the Alien/Human Dichotomy in Stanley Kubrick‘s 2001: A Space Odyssey and Andrei Tarkovsky‘s Solaris by Keith Cavedo A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Department of English College of Arts and Sciences University of South Florida Major Professor: Phillip Sipiora, Ph.D. Lawrence Broer, Ph.D. Victor Peppard, Ph.D. Silvio Gaggi, Ph.D. Date of Approval: April 1, 2010 Keywords: Film Studies, Science Fiction Studies, Alien Identity, Human Identity © Copyright 2010, Keith Cavedo Dedication I dedicate this scholarly enterprise with all my heart to my parents, Vicki McCook Cavedo and Raymond Bernard Cavedo, Jr. for their unwavering love, support, and kindness through many difficult years. Each in their own way a lodestar, my parents have guided me to my particular destination.
  • He Who Has Not Been to Moscow Has Not Seen Beauty

    He Who Has Not Been to Moscow Has Not Seen Beauty

    STRATEGIES FOR BUSINESS IN MOSCOW He who has not been to Moscow has not seen beauty A PROPOS “To Moscow, to Moscow, to Moscow!” Like a mantra, However, the majority of people who live abroad know this phrase is repeated by the sisters in Anton nothing about this. Old habits, as they say, die hard. Chekhov’s famous play “Three Sisters.” The play is Many foreigners still think that the sun never rises about three young women dreaming of escaping their in Moscow, that the city is always cold and that it boring small town and coming to the capital. Although snows year round. Not to mention the rumors of bears the play was written in 1900, people from all over roaming the streets at night. Disappointing as it may Russia, as well as people from CIS countries, still want be, these myths are still around. to move to Moscow. Of course, we are partially responsible for this – we Moscow has always been a magnet. At least this is the tell the world very little about ourselves. We need to way things have played out historically – all the best spend more resources on attracting tourists to Moscow things could be found in the capital: shops, libraries, by letting them know how convenient and comfortable clinics, schools, universities, theatres. At one point, the city has become. According to official statistics, coming to Moscow from Siberia was like taking a trip to over 5 million foreigners visited Moscow last year. This a foreign country. is obviously a small number – about 15 million tourists visit places like London and Paris every year.
  • Call Number DVD-5801 BARNET, Boris Shchedroe Leto

    Call Number DVD-5801 BARNET, Boris Shchedroe Leto

    09 January 2020 SSEES DVDs Nos 5801-5900 Page 1 Call number DVD-5801 BARNET, Boris Shchedroe leto [The Generous Summer] [Bountiful Summer] Kievskaia kinostudiia khudozhestvennykh fil´mov, 1950; released 8 March 1951 Screenplay: Evgenii Pomeshchikov, Nikolai Dalekii Photography: Aleksei Mishurin Production design: Oleg Stepanenko, N. Iurov Music: German Zhukovskii Song lyrics: A. Malyshko Nazar Protsenko Nikolai Kriuchkov Vera Goroshko Nina Arkhipova Petr Sereda Mikhail Kuznetsov Oksana Podpruzhenko Marina Bebutova Ruban Viktor Dobrovol´skii Tesliuk Konstantin Sorokin Darka Muza Krepkogorskaia Kolodochka Evgenii Maksimov Prokopchuk Anton Dunaiskii Podpruzhenko Mikhail Vysotskii Zoological technician Alla Kazanskaia Ekaterina Matveevna Vera Kuznetsova Musii Antonovich Georgii Gumilevskii Dar´ia Kirillovna, his wife Tat´iana Barysheva 82 minutes In Russian with optional English subtitles DVD Region code Aspect ratio Languages Optional English subtitles Features Chapter selection Source Rare Films and More 09 January 2020 SSEES DVDs Nos 5801-5900 Page 2 Call number DVD-5802 BASOV, Vladimir Pavlovich Shchit i mech [Shield and Sword] Fil´m 1. Bez prava byt´ soboi [Film 1. Without the Right to be Yourself] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Fil´m 2. Prikazano vyzhit´ [Film 2. Ordered to Survive] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 19 August 1968 AND Shchit i mech [Shield and Sword] Fil´m 3. Obzhalovaniiu ne podlezhit [Film 3. Without the Right of Appeal] Mosfil´m, Tvorcheskoe ob´´edinenie pisatelei i kinorabotnikov, with Defa, East Germany and Start, Poland, 1967; released 2 September 1968 AND Shchit i mech [Shield and Sword] Fil´m 4.
  • Download File

    Download File

    Ethno-nationalist Mythology in the Soviet Party-State Apparatus Nikolai Mitrokhin t's no secret that people change more slowly than department appeared to the outside observer, the the conditions of the society in which they live. On greater the significance enjoyed by its lobbyists. the whole, people retain the same convictions that Two factors worked in tandem (the non-transparent Iwere considered progressive when they were young, process of decision-making and the prohibition on and later in life seemed to be current, but already seem public discussion), among people who were old-fashioned, if not obsolete, to the younger uninformed but interested, to give birth to a mythology generations entering public life. After the collapse of that seemingly helped them understand the “essence” the USSR it took almost ten years for the last of what was taking place. And what was “taking place” remaining representatives of the old government in the party-state apparatus markedly differed from establishment to forsake the upper echelons of power what was stated by official propaganda and what in the new state. Just five years ago, three out of the “ordinary people” knew. four highest government offices in Russia were held by The double standards in the work of the apparatus people who once were former members and candidates of the Central Committee and other central departments for membership in the Politburo of the Central (with respect both to people “on the street” and one's Committee. Even now former Soviet Communist Party colleagues), facilitated by the differing degrees in and government officials retain their influence in access to information, engendered a dual attitude parliament and a considerable number of regions in regarding ideological questions.
  • Star in 'Tsar'

    Star in 'Tsar'

    MOSCOW OCTOBER 2009 www.passportmagazine.ru Ballets Russes in Moscow Playground of the People – VDNKh Update on Russian Wines Peter Mamonov and Oleg Yankovsky star in ‘Tsar’ Contents 4 What’s On In October 7 October Holidays 8 Previews 11 Theater 11 12 Ballet Ballets Russes in Moscow 14 Film Peter Mamonov as Ivan the Terrible in Tsar 16 Art Moscow Biennale 14 20 Architecture VDNKh 22 Media The English Language Press 24 Travel Yakutia 24 28 Restaurant Review Osteria Montiroli 30 Wine Tasting Russian Wine Country Update 32 Book Review The Quest for Radovan Karadzic 30 33 Out & About 36 Real Estate Prospekt Mira 40 Community Football: From Journalist to Footballist 40 42 Columns Real Estate Relocation Financial Overview 45 Viewpoint Michael Romanov’s Diary Flintstone 45 48 Distribution List October 2009 3 Letter from the Publisher Beauty Center in Baltschug Kempinski Reopens The beauty salon: Beauty Center Baltschug has reopened. The center guarantees the highest standard of service, English-speaking staff and sensible pricing. This is exactly what business people who need the best possible service need! We provide excellent cosmetology (Kanebo- Sensai Sothys), medicinal spa-routines for hair (La Biosthetique), and an original massage routine – these are only a few of the services that we offer our clients. Happy hours means 20% off during weekdays from 11:00 to 13:00. Clients holding the Privilege Card Baltschug Kempin- ski card enjoy discounts on a continuous basis. Trafalgar Ball The 10th Trafalgar Ball will be held on Saturday October 24 in the ballroom of the Marriott Grand Hotel.
  • Azerbaijan Film

    Azerbaijan Film

    CISCCONTENTONTENT:CONTENRTRREPORTEPORTEPORT CC ReviewОбзорОбзор of новостейaudiovisualновостей рынка content производства production and ии дистрибуциидистрибуции distribution аудиовизуальногоаудиовизуальногоin the CIS countries контента контента Media«»«MediaМ«»ÌЕДИÅÄÈ ResourcesА ResourcesÀРЕСУРСЫÐÅÑÓÐÑÛ МManagement ÌManagementЕНЕДЖМЕНТÅÍÅÄÆÌÅÍÒ » №№20, №121(9) №213 №2 October April января, 1 April, 30, 2014 201320122011 2012 тема FOCUSномераFOCUS DEARсловоDeAr COLLEAGUESColle редакциAguesи УжеWeWe areareв первые happyhappy to toдни presentpresent нового youyou года thethe AprilOctoberнам, issue редак issue of цthe иofи conferences,ПервыйLast autumn номер members international Content of Russian contentReport association выходитmarket and ofв televiкsevану- н- КИНОТЕАТРАЛЬНЫ Й ContentCIS:the CIS:Content Report, Content Report сразу Report whereстало where понятно,we triedwe tried toчто gather toв 2011gather theм eralСтарогоsion special and movie Нового events producers года,in order который chose to achieve Red (наконецто) Squaresynergy, Screen learn за - mostthe most interesting interesting up-to-date up-to-date information information about rapidlyabout aboutings as current the most trends important of the industry international event ofmedia the season. busi- РЫНTVО MARKETS:К В УКРАИН Е : все мы будем усердно и неустанно трудиться. За вершает череду праздников, поэтому еще раз KIEV MEDIA WEEK 2014: нимаясьdevelopingrapidly developing подготовкой content contentproduction первого production andвыпуска distribution and обзора distribu