The Palgrave Handbook of Digital Russia Studies
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Political Opposition in Russia: a Troubled Transformation
EUROPE-ASIA STUDIES Vol. 67, No. 2, March 2015, 177–191 Political Opposition in Russia: A Troubled Transformation VLADIMIR GEL’MAN IN THE MID-2000S, THE DECLINE OF OPPOSITION POLITICS in Russia was so sharp and undisputed that the title of an article I wrote at the time, ‘Political Opposition in Russia: A Dying Species?’ (Gel’man 2005) met with little objection. At that time, the impact of the opposition was peripheral at best. The ‘party of power’, United Russia (Edinaya Rossiya— UR), dominated both nationwide (Remington 2008) and sub-national (Ross 2011) legislatures, and the few representatives of the opposition exerted almost no influence on decision making. The share of votes for the opposition parties (in far from ‘free and fair’ elections) was rather limited (Gel’man 2008; Golosov 2011). Even against the background of the rise of social movements in Russia, anti-regime political protests were only able to gather a minority of 100 or so participants, while environmental or cultural protection activists deliberately avoided any connections with the political opposition, justly considering being labelled ‘opposition’ as an obstacle to achieving positive results (Gladarev & Lonkila 2013; Clement 2013). In other words, political opposition in Russia was driven into very narrow ‘niches’ (Greene 2007), if not into ghettos, and spectators were rather gloomy about the chances of its rebirth. Ten years later, Russia’s political landscape looks rather different. Protest meetings in Moscow and other cities in 2011–2012 brought together hundreds of thousands of participants under political slogans, and the Russian opposition was able to multiply its ranks, to change its leadership, to reach a ‘negative consensus’ vis-a`-vis the status quo political regime, and to come to the front stage of Russian politics. -
Understanding the Roots of Collectivism and Individualism in Russia Through an Exploration of Selected Russian Literature - and - Spiritual Exercises Through Art
Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding Reverse Perspective in Old Russian Iconography by Ihar Maslenikau B.A., Minsk, 1991 Extended Essays Submitted in Partial Fulfilment of the Requirements for the Degree of Master of Arts in the Graduate Liberal Studies Program Faculty of Arts and Social Sciences © Ihar Maslenikau 2015 SIMON FRASER UNIVERSITY Fall 2015 Approval Name: Ihar Maslenikau Degree: Master of Arts Title: Understanding the Roots of Collectivism and Individualism in Russia through an Exploration of Selected Russian Literature - and - Spiritual Exercises through Art. Understanding of Reverse Perspective in Old Russian Iconography Examining Committee: Chair: Gary McCarron Associate Professor, Dept. of Communication Graduate Chair, Graduate Liberal Studies Program Jerry Zaslove Senior Supervisor Professor Emeritus Humanities and English Heesoon Bai Supervisor Professor Faculty of Education Paul Crowe External Examiner Associate Professor Humanities and Asia-Canada Program Date Defended/Approved: November 25, 2015 ii Abstract The first essay is a sustained reflection on and response to the question of why the notion of collectivism and collective coexistence has been so deeply entrenched in the Russian society and in the Russian psyche and is still pervasive in today's Russia, a quarter of a century after the fall of communism. It examines the development of ideas of collectivism and individualism in Russian society, focusing on the cultural aspects based on the examples of selected works from Russian literature. It also searches for the answers in the philosophical works of Vladimir Solovyov, Nicolas Berdyaev and Vladimir Lossky. -
2021 Wave Electronics and Its Application in Information and Telecommunication Systems»
XXIV International Conference WECONF-2021 «2021 WAVE ELECTRONICS AND ITS APPLICATION IN INFORMATION AND TELECOMMUNICATION SYSTEMS» (IEEE Conference Record #51603) 31 May to 04 June 2021 CONFERENCE PROGRAM St-Petersburg 2021 ОРГАНИЗАТОРЫ КОНФЕРЕНЦИИ САНКТ-ПЕТЕРБУРГСКИЙ ГОСУДАРСТВЕННЫЙ УНИВЕРСИТЕТ АЭРОКОСМИЧЕСКОГО ПРИБОРОСТРОЕНИЯ (ГУАП) ИНСТИТУТ РАДИОТЕХНИКИ И ЭЛЕКТРОНИКИ ИМ. В. А. КОТЕЛЬНИКОВА РОССИЙСКОЙ АКАДЕМИИ НАУК, г. МОСКВА АО «МОРИОН», г. САНКТ-ПЕТЕРБУРГ ИЗДАТЕЛЬСКИЙ ДОМ «МЕДИА ПАБЛИШЕР», г. МОСКВА IEEE – INSTITUTE OF ELECTRICAL AND ELECTRONICS ENGINEERS OSA – THE OPTICAL SOCIETY SPIE – INTERNATIONAL SOCIETY FOR OPTICS AND PHOTONICS РЕГИОНАЛЬНЫЙ ЦЕНТР НТИ ПО НАПРАВЛЕНИЮ «ТЕХНОЛОГИИ БЕСПРОВОДНОЙ СВЯЗИ И ИНТЕРНЕТА ВЕЩЕЙ» ПО СЕВЕРО-ЗАПАДНОМУ ФЕДЕРАЛЬНОМУ ОКРУГУ СЕКЦИИ КОНФЕРЕНЦИИ* CHAPTER 1. Acoustooptics (Акустооптика) CHAPTER 2. Acoustoelectronics (Акустоэлектроника) CHAPTER 3. Methods and devices of information processing (Методы и устройства обработки информации) CHAPTER 4. Data processing and transmission in information and telecommunication systems (Обработка и передача информации в инфокоммуникационных системах) CHAPTER 5. Round table «Acoustoelectronics and acoustooptics: problems, prospects and applications» (Круглый стол «Акустооптика и акустоэлектроника: проблемы, перспективы и области применения») CHAPTER 6. Electromechanics and control systems (Встроенные микроэлектронные системы) CHAPTER 7. Microelectronic Embedded Systems (Электромеханика и системы управления) CHAPTER 8. Modeling and situational quality management in -
Social Media and Civil Society in the Russian Protests, December 2011
Department of Informatics and Media Social Science – major in Media and Communication Studies Fall 2013 Master Two Years Thesis Social Media and Civil Society in the Russian Protests, December 2011 The role of social media in engagement of people in the protests and their self- identification with civil society Daria Dmitrieva Fall 2013 Supervisor: Dr. Gregory Simons Researcher at Uppsala Centre for Russian and Eurasian Studies 1 2 ABSTRACT The study examines the phenomenon of the December protests in Russia when thousands of citizens were involved in the protest movement after the frauds during the Parliamentary elections. There was a popular opinion in the Internet media that at that moment Russia experienced establishment of civil society, since so many people were ready to express their discontent publically for the first time in 20 years. The focus of this study is made on the analysis of the roles that social media played in the protest movement. As it could be observed at the first glance, recruiting and mobilising individuals to participation in the rallies were mainly conducted via social media. The research analyses the concept of civil society and its relevance to the protest rhetoric and investigates, whether there was a phenomenon of civil society indeed and how it was connected to individuals‘ motivation for joining the protest. The concept of civil society is discussed through the social capital, social and political trust, e- democracy and mediatisation frameworks. The study provides a comprehensive description of the events, based on mainstream and new media sources, in order to depict the nature and the development of the movement. -
CARLA GANNIS [email protected] :: :: Twitter: @Carlagannis CV
CARLA GANNIS [email protected] :: www.carlagannis.com :: twitter: @carlagannis CV SOLO & TWO PERSON EXHIBITIONS 2017 Carla Gannis, DAM Gallery, Berlin, Germany The Selfie Drawings : An Augmented Reality Artist Book and Installation, Pratt Institute Libraries, Brooklyn, NY Augmented Gardens and Other Emoji Delights, New Media Artspace, Baruch College, New York, NY, curated by Katherine Behar 2016 A Subject Self-Defined, Cyberfest 10, NY Media Center, Brooklyn, NY La Emoji Lujuria, Sedition Art, Online Exhibition A Subject Self-Defined, Transfer Gallery, Brooklyn, NY 2015 The Garden of Emoji Delights, Real Art Ways, Hartford, CT The Garden of Emoji Delights, EBK Gallery, Hartford, CT Robbi Carni, Digital Sweat Gallery, curated by Christian Petersen, Online Exhibition The Garden of Emoji Delights, Hudson River Museum, Yonkers, NY 2014 The Garden of Emoji Delights Kasia Kay Gallery, Chicago, Il The Garden of Emoji Delights, Transfer Gallery, Brooklyn, NY The Non-Facial Recognition Project, Center for the Digital Arts, Peekskill, New York 2013 <legend> </legend> | Carla Gannis & Justin Petropoulos (two-person collaboration), Transfer Gallery, Brooklyn, New York in conjunction with book publication by Jaded Ibis Press of Gannis/ Petropoulos collaboration 2012 The Multiversal Hippozoonomadon & Prismenagerie, Pablo’s Birthday, New York, NY The Non Facial Recognition, Edelman Gallery, New York, NY Pop Noir: Carla Gannis & Sandra Bermudez (two-person), The George Gallery, Laguna Beach, CA 2010 What is not on my mind, Pablo’s Birthday, New -
Sociological Papers the Emerging Second Generation of Immigrant
Sociological Papers The Emerging Second Generation of Immigrant Israelis Series Editor: Larissa Remennick Managing Editor: Anna Prashizky Volume 16, 2011 Sponsored by the Leon Tamman Foundation for Research into Jewish Communities SOCIOLOGICAL INSTITUTE FOR COMMUNITY STUDIES BAR-ILAN UNIVERSITY Generation 1.5 Russians in Israel: From Vodka to Latte. Maturation and Integration Processes as Reflected in the Recreational Patterns Liza Rozovsky and Oz Almog The Department of Land of Israel Studies University of Haifa Abstract This article reflects on the process of coming of age among Russian Israelis who immigrated as older children or adolescents. It describes the culture of informal youth groups (tusovkas) of the 1990s that transplanted multiple elements of Russian subversive youth culture of the last Soviet and post-Soviet years onto Israeli soil. These groups - that flourished mainly in peripheral towns of Israel - served as both social safety net for alienated Russian teenagers and the bridge to their gradual acculturation. Entering adulthood, most tusovka members left the streets, completed their academic degrees, and moved to Central Israel in search of lucrative jobs and thriving cultural life. Although young Russian Israelis have adopted many elements of the mainstream lifestyle (particularly in the patterns of residence and entertainment), their social preferences and identity remain distinct in lieu of the lingering Russian cultural legacies. Introduction This article sheds light on the recent changes in the recreational patterns of "Generation 1.5" – Russian, Ukrainian and other former Soviet immigrants who immigrated in Israel along with their parents as preteens or young adolescents during the 1990s. Several factors shaped the recreational patterns of these Generation 1.5'ers during their initial years in Israel: the social characteristics of the Russian aliyah; the unique circumstances of their birth and socialization; and the policies of direct immigrant absorption first instituted in Israel during the 1990s. -
Ebook Market of The
Valitse kohde. - VALITSE KOHDE. VALITSE KOHDE. EBOOK MARKET OF THE USA Litnet case Author/s: Andrii Tytenko eSAVONIA UNIVERSITY OF APPLIED SCIENCES THESIS Abstract Field of Study Social Sciences, Business and Administration Degree Programme Degree Programme in International Business Author(s) Andrii Tytenko Title of Thesis eBook market of the USA: Litnet case Date 14.12.2019 Pages/Appendices 49 Supervisor(s) Virpi Oksanen, Ari Pitkänen Client Organisation /Partners Litnet Abstract The eBook market in the USA is the largest English-speaking eBook market. The purpose of the thesis was to do profound research on the eBook market in the USA for the case company Litnet. The importance of this research derives from the case company’s interest in the market. The research conducted for Litnet was made by utiliZing several marketing research frameworks such as PEST analysis, Porter’s Five Forces model, and SWOT analysis. Both qualitative and quantitative research methods were applied in the study. The research discovered that the overall attractiveness of the US market is high for Litnet. The research showed that the industry infrastructure is favourable. The market is characterized by a high level of rivalry and low en- trance barriers. There are different models of eBooks distribution, such as traditional per copy sales, subscription services, and pay per chapter services. The market may experience pressure from audiobooks and print books sales. Litnet may use the differentiation strategy to escape the direct competition in the market. The research gives an overview of the eBook market in the USA and analyses prerequisites for Litnet's possible market strate- gies. -
International Winter Schools in Russia
International winter schools in Russia COUNTRY OVERVIEW Geography Russia spans from the eastern plains of Europe to the Pacific Ocean in Asia, making it the largest country in the world. The coasts of Russia are washed by 12 seas and three oceans. There is hardly any country in the world where such a variety of scenery and vegetation can be found: steppes in the south, plains and forests in the midlands, tundra and taiga in the north, highlands and deserts in the east. There are 11 time zones in Russia, which is more than in any other country in the world. Climate Due to its vast territory, Russia is a country of natural contrasts. The northern part of the country is located in arctic and subarctic climate zones, while the southern regions have a subtropical climate. Normally Moscow, St. Petersburg and Kazan have very warm summers and fairly cold winters, while Tomsk in Siberia often has temperatures of -40 C or colder in winter. Culture Despite its vast area the population is 146 million people, less than the United States, Brazil or Pakistan. However, it is extremely diverse culturally. There are about 185 ethnic groups, whereas Slavs (the first inhabitants of Russia, Ukraine and Belarus) comprise the major ethnicity. Russian is the only official language across the country, but there are more than 25 different languages that are considered official in certain regions. Economy Russia is the biggest gas and second biggest oil exporter in the world and also has vast stocks of precious metals. Other important sectors include information technology, defense, agriculture and aerospace. -
Propagandamoldova
Issue 1(11), 2018 MYTHS MYTHS NEWS TARGET AUDIENCE GEORGIA IMAGE INFLUENCE ESTONIA NARRATIVES MEDIA DISINFORMATION CRISIS HISTORY INFORMATION PROPAGANDA HISTORY COMMUNICATIONS RUSSIA IMAGE UKRAINE MOLDOVA OPERATIONS NEWS FAKE NEWS EUROPE TURKEY INFLUENCE INFORMATION TV MYTHS UA: Ukraine CRISISAnalytica · 1 (11), 2018 • DISINFORMATION CAMPAIGNS • FAKE NEWS • INFLUENCE OPERATIONS 1 BOARD OF ADVISERS Dr. Dimitar Bechev (Bulgaria, Director of the European Policy Institute) Issue 1 (11), 2018 Dr. Iulian Chifu Analysis and Early Warning Center) (Romania, Director of the Conflict Propaganda Amb., Dr. Sergiy Korsunsky (Ukraine, Director of the Diplomatic Academy under the Ministry of Foreign Affairs of Ukraine) Dr. Igor Koval (Ukraine, Rector of Odessa National Editors University by I.I. Mechnikov) Dr. Hanna Shelest Dr. Mykola Kapitonenko Amb., Dr. Sergey Minasyan (Armenia, Ambassador Extraordinary and Plenipotentiary of Armenia to Romania) Publisher: Published by NGO “Promotion of Intercultural Marcel Rothig (Germany, Director of the Cooperation” (Ukraine), Centre of International Representation of the Friedrich Ebert Foundation in Ukraine) of the Representation of the Friedrich Ebert Studies (Ukraine), with the financial support Foundation in Ukraine, and the Black Sea Trust. James Nixey (United Kingdom, Head of the Russia and Eurasia Programme at Chatham House, the UA: Ukraine Analytica Royal Institute of International Affairs) analytical journal in English on International is the first Ukrainian Relations, Politics and Economics. The journal Dr. Róbert Ondrejcsák (Slovakia, State Secretary, is aimed for experts, diplomats, academics, Ministry of Defence) students interested in the international relations and Ukraine in particular. Amb., Dr. Oleg Shamshur (Ukraine, Ambassador Extraordinary and Plenipotentiary of Ukraine Contacts: to France) website: http://ukraine-analytica.org/ e-mail: [email protected] Dr. -
Recent Exhibitions
Curriculum Vitae : N i c o l a R a e Website: http://www.nicolarae.co.uk/ 2009-11 MA in Contemporary Art Theory, Goldsmiths, University of London, London SE14. 2006-08 MA Art & Design in Education, Institute of Education, University of London WC1. 2004-06 Postgraduate Certificate in Education (PGCE), Lewisham College, London SE3. (Canterbury Christ Church University Award 2006) 1980-83 BA in Fine Art, Canterbury College of Art, Canterbury, Kent. 1979-80 Foundation Course, Kingston Polytechnic, London. 2006 -> Working at University of the Arts London in a variety of roles at Camberwell, Chelsea and Wimbledon Colleges of Art. Some of my work can also be accessed at: UAL Research Online: http://ualresearchonline.arts.ac.uk/view/creators/Rae=3ANicola=3A=3A.html Exhibitions a n d E v e n t s 2017 TATE EXCHANGE, 5th floor, Switch House, Tate Modern, Bankside, London, SE1. Feb-March. (with the Digital Maker Collective, University of the Arts London, as Digital Making Art School) PERSONAL STRUCTURES Open Borders, Palazzo Mora, Strada Nuova 3659, Venice, Italy. (In parallel with the 57th Venice Biennale: 13th May - 26th Nov 2017) 2016 CCW Digital Maker Week, Chelsea College of Art, SU Bar, 16 John Islip St, London, SW1. May. (with the Digital Maker Collective, University of the Arts London) Deptford X Fringe, APT Studio G9, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept-Oct. APT LIVE & Art Licks Weekend, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept – Oct. (co-organised these events with Chris Alton, Svenja Buehl, Finlay Forbes -Gower, Chris Marshal, Liz May, and Jack Otway) A THRESHOLD, APT Gallery, Harold Wharf, 6 Creekside, Deptford, London, SE8. -
The Three Astronauts__New Booklet Design__9
PROJECT DESCRIPTION DIRECTORS STATEMENT THE THREE ASTRONAUTS will be the sixth new work I found the book The Three Astronauts twenty-one years ago when my first child, now 25, was commissioned by ARDEA ARTS/Family Opera Initiative, a four years old. It has held a place in my imagination ever since. Twenty years ago, as much company committed to exploding the notion that opera as today, it addresses an important and very timely issue in the broadest sense of the term: need not be the ‘ultimate other.’ Our operas embrace a Are we ever ready to reach beyond ourselves? contemporary vernacular energy and resonate with our own culture and language(s). They enchant, challenge With an author like Umberto Eco, it is no wonder that the simple text plumbs such depths. But and inspire multigenerational audiences; make us laugh, this is a true picture book, and the story is powerfully told in Eugenio Carmi’s collages as well cry and acknowledge who we are. as in the words, and that is why I often describe this piece as an Opera Tone Poem. The pictures are extraordinary: Worlds unto themselves. Worlds to contemplate. Unknown. On In this extraordinary picture book made for all ages by stage, the story will be told visually as well as musically and dramatically. Portraying the world-renowned author, political philosopher and aural otherness of Mars will be an un-staged children’s chorus. semiotician Umberto Eco, and by revered Italian visual artist Eugenio Carmi, an American, a Russian, and a I met with Umberto Eco and Eugenio Carmi Fall ‘07 to discuss the project. -
Dmitry Glukhovsky Život a Dílo
Mendelovo gymnázium, Opava, příspěvková organizace Tomáš Rychlý Dmitry Glukhovsky Život a dílo Seminární práce do českého jazyka a literatury Opava 2013 Prohlašuji, že jsem tuto seminární práci vypracoval samostatně na základě uvedených pramenů a literatury. V Opavě dne 3. listopadu 2013 Podpis: Obsah 1 Dmitry Glukhovsky .................................................................................................................................. 1 2 Tvorba......................................................................................................................................................... 3 3 Dílo.............................................................................................................................................................. 8 3 . 1 Metro 2033.....................................................................................................................8 3.1.1 Děj ..............................................................................................................................8 3.1.2 Hodnocení Metra 2033..............................................................................................9 3.1.3 Recenze a ocen ění Metra 2033.................................................................................12 3 . 2 Metro 2034...................................................................................................................12 3.2.1 Děj ............................................................................................................................12