CARLA GANNIS [email protected] :: :: Twitter: @Carlagannis CV
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The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
Recent Exhibitions
Curriculum Vitae : N i c o l a R a e Website: http://www.nicolarae.co.uk/ 2009-11 MA in Contemporary Art Theory, Goldsmiths, University of London, London SE14. 2006-08 MA Art & Design in Education, Institute of Education, University of London WC1. 2004-06 Postgraduate Certificate in Education (PGCE), Lewisham College, London SE3. (Canterbury Christ Church University Award 2006) 1980-83 BA in Fine Art, Canterbury College of Art, Canterbury, Kent. 1979-80 Foundation Course, Kingston Polytechnic, London. 2006 -> Working at University of the Arts London in a variety of roles at Camberwell, Chelsea and Wimbledon Colleges of Art. Some of my work can also be accessed at: UAL Research Online: http://ualresearchonline.arts.ac.uk/view/creators/Rae=3ANicola=3A=3A.html Exhibitions a n d E v e n t s 2017 TATE EXCHANGE, 5th floor, Switch House, Tate Modern, Bankside, London, SE1. Feb-March. (with the Digital Maker Collective, University of the Arts London, as Digital Making Art School) PERSONAL STRUCTURES Open Borders, Palazzo Mora, Strada Nuova 3659, Venice, Italy. (In parallel with the 57th Venice Biennale: 13th May - 26th Nov 2017) 2016 CCW Digital Maker Week, Chelsea College of Art, SU Bar, 16 John Islip St, London, SW1. May. (with the Digital Maker Collective, University of the Arts London) Deptford X Fringe, APT Studio G9, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept-Oct. APT LIVE & Art Licks Weekend, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept – Oct. (co-organised these events with Chris Alton, Svenja Buehl, Finlay Forbes -Gower, Chris Marshal, Liz May, and Jack Otway) A THRESHOLD, APT Gallery, Harold Wharf, 6 Creekside, Deptford, London, SE8. -
For Immediate Release: Over 80 Artists, Groups and Scholars Represent More Than 20 Countries in Russia’S Largest Annual New Media Festival, “CYBERFEST”…
For Immediate Release: Over 80 artists, groups and scholars represent more than 20 countries in Russia’s largest annual New Media Festival, “CYBERFEST”… Event: Held at: Venues throughout St Petersburg, Russia including: The State Hermitage Museum St. Petersburg State University Creative Space Tkachi Art re.FLEX Gallery Frants Gallery Space Date: November 23‐28, 2012 Organized by: CYLAND, St Petersburg Project, PACT Charitable Foundation Curated by: Anna Frants, Marina Koldobskaya, Sophia Kudriavceva, Victoria Ilyushkina, Sergey Komarov Support from: OneMarketData, MATRIXSYNTH Online: www.cylandfest.ru Contact: Russian: Pavel Ivanov / [email protected] & English: L. Stuhltrager / [email protected] CYBERFEST's 2012 curatorial committee announces CYBERFEST 2012’s program. For the 6th Annual Edition, CYBERFEST 2012 explores the impacts of art and technology on society’s future through a 6 day multidisciplinary event titled “AT HEAVEN’S DOOR”. Exhibits, events and performances across St Petersburg’s top cultural venues present varied perspectives on the physical state of international New Media and the metaphysical directions it leads society. (Read Curatorial Statement >) CYBERFEST 2012’s exhibition program: Artwork by: Alexandra Dementieva (Belgium‐Russia), Koen Theys (Belgium), Leo Nunez (Argentina), Mariela Yeregui & Miguels Grassi (Argentina), Fran & Jim (France), Maria Theresa Sartori (Italy), Elena Gubanova, Ivan Govorkov (Russia), Anna Frants (USA‐Russia), Oleg Melnik (Belarus), Alice Eggert (USA), Natalya Lyakh (France) Screenings of Videos by: Maria Theresa Sartori (Italy), Francesca Fini (Italy), Anna Yermolaewa (Austria), Tina Willgren (Sweden), Joaquin Palencia (Philippines), Rimas Sakalauskas (Lithvania), Heini Aho "Eternity" by Alice Eggert. Documentation by Mike Fleming. (Finland), Pink Twins (Finland), Lisa Strömbeck (Sweden), AUJIK, 36 clock hands align to spell “ETERNITY” every 12 hours. -
RISD Graduate Studies Term
Experimental Publishing Studio NewHive version of this syllabus here Dept: RISD Graduate Studies Term: Spring 2015 Course number: GRAD-206G-01 Classroom: AUD 522 Days / time: Wednesday 1:10PM — 6:10PM Instructor: Paul Soulellis [email protected] Office hours: By appointment Course Description Publishing has never been a fixed notion. “What is publishing today?” remains a relevant inquiry, but with an expanding field of response, as platforms, channels and modes of production mutate and multiply. Let’s begin with “the post,” exposing its origins as a physical note publicly nailed to a piece of wood. Its descendents persist today, plainly visible on the wall, in the feed and in the stream as traces of a deeper history of documents — the scriptural economy. Is posting (always) publishing? We’ll examine substrate, blankness and the possibility of saying nothing as a post-media publishing strategy. And as certain legacies recede (privacy, authorship, copyright), how is publishing still “making public?” Let’s unpack (and entangle) these and other ways to explore the public circulation of work in a post-digital space. We’ll draw trajectories to and from the emergence of the networked artist in the 20th century, into the last twenty years, and particularly around the last two, as self-publishing becomes more and more inseparable from the artist’s ambient practice (and work) itself. The semester will be devoted to the creation of our own “performing publishing” studio, disseminating work as a highly diffused, ongoing performance, rather than discrete events. The development of publishing manifestos and projects, working in public, research-based exploration, non-traditional tools and platforms, experimentation and collaboration will be encouraged. -
Meaningfulness, Appropriation and Integration Of/In City Narratives
Meaningfulness, Appropriation and Integration of/in City Narratives COST Action CA 18126 Mini Conference WG2 17 November 2020 To access the recorded sessions please go to the Ac- tion’s YouTube channel here: https://www.youtube.com/channel/UC6K89lqX57oVEJdJ6MGwHiw Since this booklet is meant to accompany the recorded sessions, at the beginning of every keynote, statement or summary throughout the booklet, you can find the time slot marking the beginning and end of the talk within each recorded session (in minutes and seconds, e. g. 39’ 24” - 49’ 15”). COST Action CA 18126 Writing Urban Places Mini Conference Working Group 2 17 November 2020 Online Organised and moderated by Sonja Novak & Angeliki Sioli Booklet designed by Willie Vogel 2 3 CONTENTS 0. Introduction 7 3. Integration 40 1. Meaningfulness 8 Keynote The Etymology of Design 41 Keynote Matthew Skjonsberg Sensations, Signs, and Stories: Meaning in the Urban Environment. 9 Kris Pint Statements [Writing Urban Places]: Integration, Text and (Literary?) Form 43 Statements Michael G. Kelly Meaningfulness and the Perceivable form of the Urban Landscape 16 The Role of Public Art in the Promotion of interculturality and Hype-Diversity 44 Saskia de Wit Isabella Indolfi Integration and the Historic City Literary & Imagological Tools to Read Meaningfulness in Urban Spaces 17 46 Onorina Botezat Juan A. García Esparza Integration: Fences and Urban Experience Meaningfulness and the Writing of the City: Rap in Cova da Moura 18 48 Adriana Martins Dace Bula A dialogue with the ‘Narrative-Desert’ -
Starteam 17.0
StarTeam 17.0 Server Administration Help Micro Focus The Lawn 22-30 Old Bath Road Newbury, Berkshire RG14 1QN UK http://www.microfocus.com © Copyright 2019 Micro Focus or one of its affiliates. MICRO FOCUS, the Micro Focus logo and StarTeam are trademarks or registered trademarks of Micro Focus or one of its affiliates. All other marks are the property of their respective owners. 2019-02-03 ii Contents StarTeam Server Administration .......................................................................5 Welcome to StarTeam .........................................................................................................5 Introduction ......................................................................................................................... 5 Installation and Licensing for StarTeam ....................................................................5 Products Included with StarTeam Enterprise Licenses ............................................ 6 Products Included with StarTeam Enterprise Advantage Licenses .......................... 8 Contacting Support .................................................................................................. 9 Standard StarTeam Architecture Overview .............................................................. 9 MPX Components .................................................................................................. 11 About Source Control ............................................................................................. 13 Atomic Check-ins .................................................................................................. -
Curriculum Vitae
CURRICULUM VITAE LISA MOREN EDUCATION 1991-1992 Banff Centre for Art Artist-in-Residence, post-graduate Fellow, Banff, Alberta, Canada Masters of Fine Art 1991 Cranbrook Academy of Art, Bloomfield Hills, MI 1988 New School of Social Research, Postmodern Studies, New York, NY Bachelors of Fine Art 1986 Syracuse University, Visual Communication/ Printmaking, College of Fine Art, Syracuse, NY 1985 Central Saint Martins College of Art & Design, London England 1983 Parsons School of Design, New York, NY EXPERIENCE IN HIGHER EDUCATION 2005-present University of Maryland, Baltimore County Associate Professor, Department of Visual Art 1998-2003 University of Maryland, Baltimore County Assistant Professor, Department of Visual Art 2006 Film and Video Academy of the Fine and Performing Arts (FAMU), Prague. Fulbright Lecture Scholar 1996-1998 Southern Oregon University, Assistant Professor of Computer Arts, Fine Art Department 1995-1996 University of California, San Diego Lecturer in Computer Arts, Visual Arts Department 1993-1996 University of California, San Diego Instructor, Extention Arts and Humanities Program 1993-1996 Southwestern CollegeInstructor, Arts and Humanities, Chula Vista, California 1990-1991 Cranbrook Academy of Art Teaching Assistant, Bloomfield Hills, Michigan EXPERIENCE IN OTHER THAN HIGHER EDUCATION 1993-1994 Tobias Design, Production Artist, Illustrator and Consultant, New York, NY 1991 Franklin Furnace Archives, Inc. Book Archive Specialist and Gallery Attendant, New York, NY 1990 Creative Time, Studio Assistant and Exhibition Interpreter, New York, NY 1987-1989 NYNEX Multi-Media Art Director, Designer and Production Assistant, New York, NY 1986-1987 Volunteer Consulting Group, Development, New York, NY GRANTS AND AWARDS 2010 Maryland State Arts Council Individual Artists Award for Visual Arts. -
Art and Technology Meet in St. Petersburg: an Interview with Five Female Artists of the CYLAND Media Art Laboratory
Art and Technology Meet in St. Petersburg: An Interview with Five Female Artists of the CYLAND Media Art Laboratory DARIA CHERKASHINA CYLAND Media Art Lab St. Petersburg Abstract: New media art is an extensive concept, which unites a number of different art forms made with the help of media technologies such as digital art, computer graphics, com- puter animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Media art has existed in Russia for more than twenty years and female artists were the core developers of media art in St. Petersburg. Tak- ing the CYLAND media art laboratory as its vantage point, this interview with five artists aims to give an account of the history, key works, exhibitions and ideas in St. Petersburg media art. The artists participating in this interview are Anna Frants, Ludmila Belova, Alexandra Dementieva, Victoria Ilyushkina and Elena Gubanova. They all have exhibited their works extensively both in Russia and abroad and contributed significantly to the devel- opment of Russian media art and CYLAND’s development as one of the leading media art institutions in Russia. Keywords: media art, female artists, digital technology, computer programming, curating ew media art is an extensive concept, which unites a number of different art forms N made with the help of media technologies such as digital art, computer graphics, com- puter animation, virtual art, internet art, interactive art, video games, computer robotics, 3D printing, cyborg art and art as biotechnology. Sometimes it involves interactive observers’ participation and is thematically about technology, but not always. -
9Th International Festival of Media Art CYBERFEST in St. Petersburg
9th International Festival of Media Art CYBERFEST in St. Petersburg The international festival of media art CYBERFEST will take place from November 25 to December 2, 2015. The bulk of St. Petersburg program will be held at the Youth Education Center of the State Hermitage Museum. The festival's geography is expanding with each year: this time, CYBERFEST will also start for Berlin, Bogota, Vilnius, London, Moscow and New York. The CYBERFEST's theme in 2015 - "Patterns of the Mind" - refers to the famous book by Marshall McLuhan "Understanding Media: The Extensions of Man", that was written back in 1964, and to the specific phrase: "The medium is the message". The festival as a whole and the exhibition at the Youth Center of the Hermitage in particular become an artistic and curatorial study of how the artist conveys his message in various media and new complex forms whose development has complicated the production and perception of art. Nowadays, the rampant development of digital networks ruins and weakens the media category. The communication, which used to be so precise, now leaves in its wake a slippery zone, in which the message finds itself free from whatever relations that are connected to the media. The Youth Center at the State Hermitage is a traditional partner of the festival. On November 25, 2015, it will house the opening of CYBERFEST's exhibition project "Patterns of the Mind" with the participation of artists from Europe, Asia, USA and Russia: Carla Gannis (USA), Ant Dickinson (Great Britain), Philippe Lamy and Sandrine Deumier (France), Lei Lei (China), Sven Pahlsson (Norway), Nicola Rae (Great Britain), Anna Frants (Russia-USA). -
Downloaded from the Web-Site
THE INSTITUTE OF MODERN RUSSIAN CULTURE AT BLUE LAGOON NEWSLETTER No. 52, August, 2006 IMRC, Mail Code 4353, USC, Los Angeles, Ca. 90089-4353, USA Tel.: (213) 740-2735 Fax: (213) 740-8550; E: [email protected] website: http://www.usc.edu./dept/LAS/IMRC STATUS This is the fifty-second biannual Newsletter of the IMRC and follows the last issue which appeared in February, 2006. The information presented here relates primarily to events connected with the IMRC during the spring and summer of 2006. For the benefit of new readers, data on the present structure of the IMRC are given on the last page of this issue. IMRC Newsletters for 1979-2005 are available electronically and can be requested via e-mail at [email protected]. A full run can also be supplied on a CD disc (containing a searchable version in Microsoft Word) at a cost of $25.00, shipping included (add $5.00 if overseas airmail). In August, 2004, the IMRC transferred the Newsletter to an electronic format and individuals and institutions on our courtesy list are receiving the issues as an e-attachment. Members in full standing, however, continue to receive hard copies of the Newsletter as well as the text in electronic format, wherever feasible. Please send us new and corrected e-mail addresses. An illustrated brochure describing the programs, collections, and functions of the IMRC is also available RUSSIA: Land of Milk and Money Amidst the astounding material abundance in the new Moscow, symbolized by the colossal twenty- four hour hypermarkets and the mega department stores, there is a line of products which stands quite apart from the Italian footwear, Chinese jeans, Japanese sushi and German lawnmowers – and that is the ever expanding dairy section in the local food store. -
Molly Soda 25 November 2015 16 January 2016 Opening Reception Tuesday, 24 November 6 8Pm
MOLLY SODA 25 NOVEMBER 2015 16 JANUARY 2016 OPENING RECEPTION TUESDAY, 24 NOVEMBER 6 8PM PRESS PREVIEW WITH THE ARTIST : TUESDAY 24 NOVEMBER, 5 PM Annka Kultys Gallery is pleased to present FROM MY BEDROOM TO YOURS, Molly Soda’s first solo exhibition outside her native United States. The show features twenty recent works by the Detroit-based digital artist realised across a variety of digital platforms, including videos, gifs and NewHive. Born in 1989 and currently 26, Soda explains her work is about girls and for girls in their bedrooms, and takes the private behaviours inherent to those spaces and makes them public, reflecting how that process changes the way in which those behaviours are seen and contextualised. As a result, her images are raw, rejecting conventional beauty norms, whilst still maintaining a tween-Tumblr aesthetic and employing kitsch elements and lowbrow internet culture. Soda belongs to a generation of young video and internet based women artists, including the likes of 22-year old Canadian photographer Petra Collins (b.1992-) and the San Franciso Bay-area based Vivian Fu (b.1990-) ; the latter’s photography focusing on the intimacy of her personal relationships and challenging representations of Asian women. Yet Soda’s work also resonates with that of an earlier generation of women artists, and in particular Tracey Emin (b.1963-) and her infamous Turner Prize nominated MY BED (1998), an installation piece comprising an unmade double bed and related detritus (empty vodka bottles, cigarette ends, condoms, stuffed toy, etc) Emin had purportedly occupied for several days following a bout of depression ; which echoes Soda’s own bedroom / workspace / site-of-production. -
Self-Branding and Resumes: Artist's Guide
“Communicate your talent with CDC’s artist’s tools for success” –Wendy Morosoff, MSEd. Director Career Development Center, Purchase College, SUNY Tools for Success Tools Self-Branding & Resumes ARTIST’S GUIDE Career Development Center Purchase College State University of New York 735 Anderson Hill Road Purchase, NY 10577 Student Services Building, 2nd Floor Phone: 914-251-6370 Fax: 914-251-7802 Career Development Center [email protected] EXPLORE. DISCOVER. SUCCEED. www.purchase.edu/careerdevelopment ARTIST’S RESUME & SELF-BRANDING GUIDE The Artist’s Resume and Self-Branding Guide is designed to assist you as you prepare for your career. Inside you will find a host of resume and self-marketing resources for theatre arts, film, visual arts, dance, music, creative writing and arts management. Your resume is a summary of your background that can provide the first impression to a potential employer. Its purpose essentially is to help you to land an interview. Therefore, you have to quickly engage attention and capture the eye of the reader. The resumes included are limited to one page and are just a small sampling for different creative industries. You will need to adapt your resume to your own personal career objectives. Most importantly, create a resume that truly expresses “who you are” and promotes you to the right audience. Resumes also provide an opportunity to market your talent and highlight your background, skills and experience. Also included in this guide are tools for self-promotion and a listing of useful websites that can help you research or apply for positions in the arts.