122Nd Annual Meeting at Cosm May 4-5, 2019
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The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
CARLA GANNIS [email protected] :: :: Twitter: @Carlagannis CV
CARLA GANNIS [email protected] :: www.carlagannis.com :: twitter: @carlagannis CV SOLO & TWO PERSON EXHIBITIONS 2017 Carla Gannis, DAM Gallery, Berlin, Germany The Selfie Drawings : An Augmented Reality Artist Book and Installation, Pratt Institute Libraries, Brooklyn, NY Augmented Gardens and Other Emoji Delights, New Media Artspace, Baruch College, New York, NY, curated by Katherine Behar 2016 A Subject Self-Defined, Cyberfest 10, NY Media Center, Brooklyn, NY La Emoji Lujuria, Sedition Art, Online Exhibition A Subject Self-Defined, Transfer Gallery, Brooklyn, NY 2015 The Garden of Emoji Delights, Real Art Ways, Hartford, CT The Garden of Emoji Delights, EBK Gallery, Hartford, CT Robbi Carni, Digital Sweat Gallery, curated by Christian Petersen, Online Exhibition The Garden of Emoji Delights, Hudson River Museum, Yonkers, NY 2014 The Garden of Emoji Delights Kasia Kay Gallery, Chicago, Il The Garden of Emoji Delights, Transfer Gallery, Brooklyn, NY The Non-Facial Recognition Project, Center for the Digital Arts, Peekskill, New York 2013 <legend> </legend> | Carla Gannis & Justin Petropoulos (two-person collaboration), Transfer Gallery, Brooklyn, New York in conjunction with book publication by Jaded Ibis Press of Gannis/ Petropoulos collaboration 2012 The Multiversal Hippozoonomadon & Prismenagerie, Pablo’s Birthday, New York, NY The Non Facial Recognition, Edelman Gallery, New York, NY Pop Noir: Carla Gannis & Sandra Bermudez (two-person), The George Gallery, Laguna Beach, CA 2010 What is not on my mind, Pablo’s Birthday, New -
Hour by Hour!
Volume 13 Issue 158 HIPFiSHmonthlyHIPFiSHmonthly March 2012 thethe columbiacolumbia pacificpacific region’sregion’s freefree alternativealternative ERIN HOFSETH A new form of Feminism PG. 4 pg. 8 on A NATURALIZEDWOMAN by William Ham InvestLOWER Your hourTime!COLUMBIA by hour! TIME BANK A NEW community RESOURCE by Lynn Hadley PG. 14 I’LL TRADE ACCOUNTNG ! ! A TALE OF TWO Watt TRIBALChildress CANOES& David Stowe PG. 12 CSA TIME pg. 10 SECOND SATURDAY ARTWALK OPEN MARCH 10. COME IN 10–7 DAILY Showcasing one-of-a-kind vintage finn kimonos. Drop in for styling tips on ware how to incorporate these wearable works-of-art into your wardrobe. A LADIES’ Come See CLOTHING BOUTIQUE What’s Fresh For Spring! In Historic Downtown Astoria @ 1144 COMMERCIAL ST. 503-325-8200 Open Sundays year around 11-4pm finnware.com • 503.325.5720 1116 Commercial St., Astoria Hrs: M-Th 10-5pm/ F 10-5:30pm/Sat 10-5pm Why Suffer? call us today! [ KAREN KAUFMAN • Auto Accidents L.Ac. • Ph.D. •Musculoskeletal • Work Related Injuries pain and strain • Nutritional Evaluations “Stockings and Stripes” by Annette Palmer •Headaches/Allergies • Second Opinions 503.298.8815 •Gynecological Issues [email protected] NUDES DOWNTOWN covered by most insurance • Stress/emotional Issues through April 4 ASTORIA CHIROPRACTIC Original Art • Fine Craft Now Offering Acupuncture Laser Therapy! Dr. Ann Goldeen, D.C. Exceptional Jewelry 503-325-3311 &Traditional OPEN DAILY 2935 Marine Drive • Astoria 1160 Commercial Street Astoria, Oregon Chinese Medicine 503.325.1270 riverseagalleryastoria.com -
The Politics of Urban Cultural Policy Global
THE POLITICS OF URBAN CULTURAL POLICY GLOBAL PERSPECTIVES Carl Grodach and Daniel Silver 2012 CONTENTS List of Figures and Tables iv Contributors v Acknowledgements viii INTRODUCTION Urbanizing Cultural Policy 1 Carl Grodach and Daniel Silver Part I URBAN CULTURAL POLICY AS AN OBJECT OF GOVERNANCE 20 1. A Different Class: Politics and Culture in London 21 Kate Oakley 2. Chicago from the Political Machine to the Entertainment Machine 42 Terry Nichols Clark and Daniel Silver 3. Brecht in Bogotá: How Cultural Policy Transformed a Clientist Political Culture 66 Eleonora Pasotti 4. Notes of Discord: Urban Cultural Policy in the Confrontational City 86 Arie Romein and Jan Jacob Trip 5. Cultural Policy and the State of Urban Development in the Capital of South Korea 111 Jong Youl Lee and Chad Anderson Part II REWRITING THE CREATIVE CITY SCRIPT 130 6. Creativity and Urban Regeneration: The Role of La Tohu and the Cirque du Soleil in the Saint-Michel Neighborhood in Montreal 131 Deborah Leslie and Norma Rantisi 7. City Image and the Politics of Music Policy in the “Live Music Capital of the World” 156 Carl Grodach ii 8. “To Have and to Need”: Reorganizing Cultural Policy as Panacea for 176 Berlin’s Urban and Economic Woes Doreen Jakob 9. Urban Cultural Policy, City Size, and Proximity 195 Chris Gibson and Gordon Waitt Part III THE IMPLICATIONS OF URBAN CULTURAL POLICY AGENDAS FOR CREATIVE PRODUCTION 221 10. The New Cultural Economy and its Discontents: Governance Innovation and Policy Disjuncture in Vancouver 222 Tom Hutton and Catherine Murray 11. Creating Urban Spaces for Culture, Heritage, and the Arts in Singapore: Balancing Policy-Led Development and Organic Growth 245 Lily Kong 12. -
HALLOWELL DAVIS August 31, 1896–August 22, 1992
NATIONAL ACADEMY OF SCIENCES HALLO W E L L D AVIS 1896—1992 A Biographical Memoir by RO BE R T G A L A MB OS Any opinions expressed in this memoir are those of the author(s) and do not necessarily reflect the views of the National Academy of Sciences. Biographical Memoir COPYRIGHT 1998 NATIONAL ACADEMIES PRESS WASHINGTON D.C. HALLOWELL DAVIS August 31, 1896–August 22, 1992 BY ROBERT GALAMBOS HEN HALLOWELL DAVIS began his experiments on the Wnervous system in 1922, the number of American neu- rophysiologists he might talk to—the neuroscientists of that day—could be counted almost literally on the fingers of one hand. When he died seventy years later there were more than 15,000 members of the Society for Neuroscience (U. S. A.), and he was universally recognized as the world’s leading authority on the ear and hearing. He owed this position in part to an uncanny knack for selecting exactly the right moment to begin working on a problem, and be- cause throughout his life he was simultaneously perform- ing a new experiment and writing up a finished one. These activities, plus his interactions with a small army of friends, students, and associates here and abroad took him to the top of his profession and kept him there. The first brainwaves seen on the American continent came out of his own head in 1933, recorded by his graduate stu- dents using equipment he had designed. At about the same time he was among the first anywhere to record animal cochlear potentials, human evoked brain potentials, and the activity of single nerve cells at work inside an animal brain. -
Recent Exhibitions
Curriculum Vitae : N i c o l a R a e Website: http://www.nicolarae.co.uk/ 2009-11 MA in Contemporary Art Theory, Goldsmiths, University of London, London SE14. 2006-08 MA Art & Design in Education, Institute of Education, University of London WC1. 2004-06 Postgraduate Certificate in Education (PGCE), Lewisham College, London SE3. (Canterbury Christ Church University Award 2006) 1980-83 BA in Fine Art, Canterbury College of Art, Canterbury, Kent. 1979-80 Foundation Course, Kingston Polytechnic, London. 2006 -> Working at University of the Arts London in a variety of roles at Camberwell, Chelsea and Wimbledon Colleges of Art. Some of my work can also be accessed at: UAL Research Online: http://ualresearchonline.arts.ac.uk/view/creators/Rae=3ANicola=3A=3A.html Exhibitions a n d E v e n t s 2017 TATE EXCHANGE, 5th floor, Switch House, Tate Modern, Bankside, London, SE1. Feb-March. (with the Digital Maker Collective, University of the Arts London, as Digital Making Art School) PERSONAL STRUCTURES Open Borders, Palazzo Mora, Strada Nuova 3659, Venice, Italy. (In parallel with the 57th Venice Biennale: 13th May - 26th Nov 2017) 2016 CCW Digital Maker Week, Chelsea College of Art, SU Bar, 16 John Islip St, London, SW1. May. (with the Digital Maker Collective, University of the Arts London) Deptford X Fringe, APT Studio G9, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept-Oct. APT LIVE & Art Licks Weekend, Harold Wharf, 6 Creekside, Deptford, London, SE8. Sept – Oct. (co-organised these events with Chris Alton, Svenja Buehl, Finlay Forbes -Gower, Chris Marshal, Liz May, and Jack Otway) A THRESHOLD, APT Gallery, Harold Wharf, 6 Creekside, Deptford, London, SE8. -
For Immediate Release: Over 80 Artists, Groups and Scholars Represent More Than 20 Countries in Russia’S Largest Annual New Media Festival, “CYBERFEST”…
For Immediate Release: Over 80 artists, groups and scholars represent more than 20 countries in Russia’s largest annual New Media Festival, “CYBERFEST”… Event: Held at: Venues throughout St Petersburg, Russia including: The State Hermitage Museum St. Petersburg State University Creative Space Tkachi Art re.FLEX Gallery Frants Gallery Space Date: November 23‐28, 2012 Organized by: CYLAND, St Petersburg Project, PACT Charitable Foundation Curated by: Anna Frants, Marina Koldobskaya, Sophia Kudriavceva, Victoria Ilyushkina, Sergey Komarov Support from: OneMarketData, MATRIXSYNTH Online: www.cylandfest.ru Contact: Russian: Pavel Ivanov / [email protected] & English: L. Stuhltrager / [email protected] CYBERFEST's 2012 curatorial committee announces CYBERFEST 2012’s program. For the 6th Annual Edition, CYBERFEST 2012 explores the impacts of art and technology on society’s future through a 6 day multidisciplinary event titled “AT HEAVEN’S DOOR”. Exhibits, events and performances across St Petersburg’s top cultural venues present varied perspectives on the physical state of international New Media and the metaphysical directions it leads society. (Read Curatorial Statement >) CYBERFEST 2012’s exhibition program: Artwork by: Alexandra Dementieva (Belgium‐Russia), Koen Theys (Belgium), Leo Nunez (Argentina), Mariela Yeregui & Miguels Grassi (Argentina), Fran & Jim (France), Maria Theresa Sartori (Italy), Elena Gubanova, Ivan Govorkov (Russia), Anna Frants (USA‐Russia), Oleg Melnik (Belarus), Alice Eggert (USA), Natalya Lyakh (France) Screenings of Videos by: Maria Theresa Sartori (Italy), Francesca Fini (Italy), Anna Yermolaewa (Austria), Tina Willgren (Sweden), Joaquin Palencia (Philippines), Rimas Sakalauskas (Lithvania), Heini Aho "Eternity" by Alice Eggert. Documentation by Mike Fleming. (Finland), Pink Twins (Finland), Lisa Strömbeck (Sweden), AUJIK, 36 clock hands align to spell “ETERNITY” every 12 hours. -
Donald Heald Rare Books a Selection of Fine Books and Manuscripts
Donald Heald Rare Books A Selection of Fine Books and Manuscripts Donald Heald Rare Books A Selection of Fine Books and Manuscripts Donald Heald Rare Books 124 East 74 Street New York, New York 10021 T: 212 · 744 · 3505 F: 212 · 628 · 7847 [email protected] www.donaldheald.com Americana: Items 1 - 27 Travel: Items 28 - 50 Color Plate & Illustrated: Items 51 - 71 Natural History: Items 72 - 95 Miscellany: Items 96 - 100 All purchases are subject to availability. All items are guaranteed as described. Any purchase may be returned for a full refund within ten working days as long as it is returned in the same condition and is packed and shipped correctly. The appropriate sales tax will be added for New York State residents. Payment via U.S. check drawn on a U.S. bank made payable to Donald A. Heald, wire transfer, bank draft, Paypal or by Visa, Mastercard, American Express or Discover cards. AMERICANA 1 BLASKOWITZ, Charles (ca. 1743-1823). A Topographical Chart of the Bay of Narraganset in the Province of New England with all the Isles contained therein, among which Rhode Island and Connonicut [sic] have been particularly surveyed ... To which has been added the Several works and batteries raised by the Americans ... London: William Faden, 22 July 1777. Engraved map, dissected into 16 sections at a contemporary date, linen-backing renewed (expert restoration at the corners). Sheet size: 37 x 25 1/8 inches. Rare first edition of Blaskowitz’s famed Revolutionary War map of Narragansett Bay published by Faden. Charles Blaskowitz arrived in America in the early 1760s as a young but evidently skilled surveyor and began work in upstate New York and along the St. -
A Complete Bibliography of Publications in the Proceedings of the American Philosophical Society (1950–1999)
A Complete Bibliography of Publications in the Proceedings of the American Philosophical Society (1950{1999) Nelson H. F. Beebe University of Utah Department of Mathematics, 110 LCB 155 S 1400 E RM 233 Salt Lake City, UT 84112-0090 USA Tel: +1 801 581 5254 FAX: +1 801 581 4148 E-mail: [email protected], [email protected], [email protected] (Internet) WWW URL: http://www.math.utah.edu/~beebe/ 25 August 2019 Version 1.00 Title word cross-reference 14 [Kam94]. 10 [TNN71]. 13 [Kai70, Shi70]. 1398 [Kam71]. 1772 [Rau73]. 1777 [Sio51]. 1786 [CR52]. 1790s [Dur87]. 1875 [Ros75]. 1916 [Bro85]. 1920s [GS86]. 1930s [GS86]. 1940s [Bir93a]. 1956 [Kro57, Sel56]. 1959 [Ano60m]. 1980s [Gar80]. 1988 [Hea88]. 1991 [Gom95]. 1993 [McK94]. 2000-Year-Old [Nor73]. 25 [Hea88, McK94]. 27 [Kam71]. 2nd [vH93]. 3.7.12-14 [Dum63b]. 3.7.7-10 [Dum63b]. 406 [Mer88]. 440 [Mer84]. 1 2 546 [Gre92]. 600 [Ost95]. A. [Pel95]. A.D. [Con58]. Aaron [Woo99]. Abb´e [Bei51, Chi50, Per53, Per58]. Abdallah [RT99]. Abdication [Hor65]. Abdus [Dys99]. Abilities [Thu50]. Abode [Men69a]. Abolitionist [Sch71]. Aboriginal [HK77]. Abroad [Wri56]. Abrogation [Ega71]. ABSCAM [Gri82]. Absentee [Mor74a]. Abstract [dT58b]. Academic [Car57a, Gid50, Ing57, Tay57]. Academies [Adr56, Fr¨a99]. Academy [Dup57, DM65, Rai92, Pen50]. Acadia [Olm60]. Acceleration [Dic81]. Accelerators [Sim87]. Acceptance [Lew56b]. Accessibility [Ano50a, Ano50b, Ano50c, Ano50d, Ano50e, Ano50f, Ano51a, Ano51b, Ano51c, Ano51d, Ano51e, Ano51f, Ano52a, Ano52b, Ano52c, Ano52d, Ano52e, Ano52f, Ano53a, Ano53b, Ano53c, Ano53d, Ano53e, -
The Journal of the Walters Art Museum
THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 THE JOURNAL OF THE WALTERS ART MUSEUM VOL. 73, 2018 EDITORIAL BOARD FORM OF MANUSCRIPT Eleanor Hughes, Executive Editor All manuscripts must be typed and double-spaced (including quotations and Charles Dibble, Associate Editor endnotes). Contributors are encouraged to send manuscripts electronically; Amanda Kodeck please check with the editor/manager of curatorial publications as to compat- Amy Landau ibility of systems and fonts if you are using non-Western characters. Include on Julie Lauffenburger a separate sheet your name, home and business addresses, telephone, and email. All manuscripts should include a brief abstract (not to exceed 100 words). Manuscripts should also include a list of captions for all illustrations and a separate list of photo credits. VOLUME EDITOR Amy Landau FORM OF CITATION Monographs: Initial(s) and last name of author, followed by comma; italicized or DESIGNER underscored title of monograph; title of series (if needed, not italicized); volume Jennifer Corr Paulson numbers in arabic numerals (omitting “vol.”); place and date of publication enclosed in parentheses, followed by comma; page numbers (inclusive, not f. or ff.), without p. or pp. © 2018 Trustees of the Walters Art Gallery, 600 North Charles Street, Baltimore, L. H. Corcoran, Portrait Mummies from Roman Egypt (I–IV Centuries), Maryland 21201 Studies in Ancient Oriental Civilization 56 (Chicago, 1995), 97–99. Periodicals: Initial(s) and last name of author, followed by comma; title in All Rights Reserved. No part of this book may be reproduced without the written double quotation marks, followed by comma, full title of periodical italicized permission of the Walters Art Museum, Baltimore, Maryland. -
Meaningfulness, Appropriation and Integration Of/In City Narratives
Meaningfulness, Appropriation and Integration of/in City Narratives COST Action CA 18126 Mini Conference WG2 17 November 2020 To access the recorded sessions please go to the Ac- tion’s YouTube channel here: https://www.youtube.com/channel/UC6K89lqX57oVEJdJ6MGwHiw Since this booklet is meant to accompany the recorded sessions, at the beginning of every keynote, statement or summary throughout the booklet, you can find the time slot marking the beginning and end of the talk within each recorded session (in minutes and seconds, e. g. 39’ 24” - 49’ 15”). COST Action CA 18126 Writing Urban Places Mini Conference Working Group 2 17 November 2020 Online Organised and moderated by Sonja Novak & Angeliki Sioli Booklet designed by Willie Vogel 2 3 CONTENTS 0. Introduction 7 3. Integration 40 1. Meaningfulness 8 Keynote The Etymology of Design 41 Keynote Matthew Skjonsberg Sensations, Signs, and Stories: Meaning in the Urban Environment. 9 Kris Pint Statements [Writing Urban Places]: Integration, Text and (Literary?) Form 43 Statements Michael G. Kelly Meaningfulness and the Perceivable form of the Urban Landscape 16 The Role of Public Art in the Promotion of interculturality and Hype-Diversity 44 Saskia de Wit Isabella Indolfi Integration and the Historic City Literary & Imagological Tools to Read Meaningfulness in Urban Spaces 17 46 Onorina Botezat Juan A. García Esparza Integration: Fences and Urban Experience Meaningfulness and the Writing of the City: Rap in Cova da Moura 18 48 Adriana Martins Dace Bula A dialogue with the ‘Narrative-Desert’ -
Curriculum Vitae
CURRICULUM VITAE LISA MOREN EDUCATION 1991-1992 Banff Centre for Art Artist-in-Residence, post-graduate Fellow, Banff, Alberta, Canada Masters of Fine Art 1991 Cranbrook Academy of Art, Bloomfield Hills, MI 1988 New School of Social Research, Postmodern Studies, New York, NY Bachelors of Fine Art 1986 Syracuse University, Visual Communication/ Printmaking, College of Fine Art, Syracuse, NY 1985 Central Saint Martins College of Art & Design, London England 1983 Parsons School of Design, New York, NY EXPERIENCE IN HIGHER EDUCATION 2005-present University of Maryland, Baltimore County Associate Professor, Department of Visual Art 1998-2003 University of Maryland, Baltimore County Assistant Professor, Department of Visual Art 2006 Film and Video Academy of the Fine and Performing Arts (FAMU), Prague. Fulbright Lecture Scholar 1996-1998 Southern Oregon University, Assistant Professor of Computer Arts, Fine Art Department 1995-1996 University of California, San Diego Lecturer in Computer Arts, Visual Arts Department 1993-1996 University of California, San Diego Instructor, Extention Arts and Humanities Program 1993-1996 Southwestern CollegeInstructor, Arts and Humanities, Chula Vista, California 1990-1991 Cranbrook Academy of Art Teaching Assistant, Bloomfield Hills, Michigan EXPERIENCE IN OTHER THAN HIGHER EDUCATION 1993-1994 Tobias Design, Production Artist, Illustrator and Consultant, New York, NY 1991 Franklin Furnace Archives, Inc. Book Archive Specialist and Gallery Attendant, New York, NY 1990 Creative Time, Studio Assistant and Exhibition Interpreter, New York, NY 1987-1989 NYNEX Multi-Media Art Director, Designer and Production Assistant, New York, NY 1986-1987 Volunteer Consulting Group, Development, New York, NY GRANTS AND AWARDS 2010 Maryland State Arts Council Individual Artists Award for Visual Arts.