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The Palgrave Handbook of Digital Russia Studies
The Palgrave Handbook of Digital Russia Studies Edited by Daria Gritsenko Mariëlle Wijermars · Mikhail Kopotev The Palgrave Handbook of Digital Russia Studies Daria Gritsenko Mariëlle Wijermars • Mikhail Kopotev Editors The Palgrave Handbook of Digital Russia Studies Editors Daria Gritsenko Mariëlle Wijermars University of Helsinki Maastricht University Helsinki, Finland Maastricht, The Netherlands Mikhail Kopotev Higher School of Economics (HSE University) Saint Petersburg, Russia ISBN 978-3-030-42854-9 ISBN 978-3-030-42855-6 (eBook) https://doi.org/10.1007/978-3-030-42855-6 © The Editor(s) (if applicable) and The Author(s) 2021. This book is an open access publication. Open Access This book is licensed under the terms of the Creative Commons Attribution 4.0 International License (http://creativecommons.org/licenses/by/4.0/), which permits use, sharing, adaptation, distribution and reproduction in any medium or format, as long as you give appropriate credit to the original author(s) and the source, provide a link to the Creative Commons licence and indicate if changes were made. The images or other third party material in this book are included in the book’s Creative Commons licence, unless indicated otherwise in a credit line to the material. If material is not included in the book’s Creative Commons licence and your intended use is not permitted by statutory regulation or exceeds the permitted use, you will need to obtain permission directly from the copyright holder. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specifc statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. -
The Publishing Plan
NONFICTIONTHE BOOK PUBLISHING PLAN THE PROFESSIONAL GUIDE TO PROFITABLE SELF-PUBLISHING STEPHANIE CHANDLER KARL W. PALACHUK Copyright © 2018 by Stephanie Chandler and Karl W. Palachuk. All rights reserved. No part of this publication may be reproduced, stored in a retrieval sys- tem, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, without the prior written permission of the author. Limit of Liability/Disclaimer of Warranty: While the publisher and author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the con- tents of this book and specifically disclaim any implied warranties of mer- chantability or fitness for a particular purpose. No warranty may be created or extended by sales representatives or written sales materials. The advice and strategies contained herein may not be suitable for your situation. You should consult with a professional when appropriate. Neither the publisher nor the author shall be liable for any loss of profit or any other commer- cial damages, including but not limited to special, incidental, consequential, personal, or other damages. The Nonfiction Book Publishing Plan The Professional Guide to Profitable Self-Publishing By Stephanie Chandler and Karl W. Palachuk 1. LAN027000 2. LAN002000 3. REF026000 Print ISBN: 978-1-949642-00-1 Ebook ISBN: 978-1-949642-01-8 Printed in the United States of America Authority Publishing 11230 Gold Express Dr. #310-413 Gold River, CA 95670 800-877-1097 AuthorityPublishing.com CONTENTS Chapter 1: The Business of Self-Publishing Nonfiction Books . -
Ipad Educational Apps This List of Apps Was Compiled by the Following Individuals on Behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen
iPad Educational Apps This list of apps was compiled by the following individuals on behalf of Innovative Educator Consulting: Naomi Harm Jenna Linskens Tim Nielsen INNOVATIVE 295 South Marina Drive Brownsville, MN 55919 Home: (507) 750-0506 Cell: (608) 386-2018 EDUCATOR Email: [email protected] Website: http://naomiharm.org CONSULTING Inspired Technology Leadership to Transform Teaching & Learning CONTENTS Art ............................................................................................................... 3 Creativity and Digital Production ................................................................. 5 eBook Applications .................................................................................... 13 Foreign Language ....................................................................................... 22 Music ........................................................................................................ 25 PE / Health ................................................................................................ 27 Special Needs ............................................................................................ 29 STEM - General .......................................................................................... 47 STEM - Science ........................................................................................... 48 STEM - Technology ..................................................................................... 51 STEM - Engineering ................................................................................... -
No Bull Self-Promotion for Independent Authors No Bull Self-Promotion for Independent Authors
Digital Proofer No Bull Self-Promoti... Authored by Jennifer-Crystal J... 6.0" x 9.0" (15.24 x 22.86 cm) Black & White on White paper 130 pages ISBN-13: 9781544744773 No Bull Self-Publishing presents… ISBN-10: 1544744773 Please carefully review your Digital Proof download for formatting, grammar, and design issues that may need to be corrected. No Bull Self-Promotion We recommend that you review your book three times, with each time focusing on a different aspect. Check the format, including headers, footers, page 1 numbers, spacing, table of contents, and index. for Independent Authors 2 Review any images or graphics and captions if applicable. 3 Read the book for grammatical errors and typos. Jennifer-Crystal Johnson Once you are satisfied with your review, you can approve your proof and move forward to the next step in the publishing process. To print this proof we recommend that you scale the PDF to fit the size of your printer paper. www.NoBullSelfPublishing.com No Bull Self-Promotion for Independent Authors No Bull Self-Promotion for Independent Authors www.NoBullSelfPublishing.com www.NoBullSelfPublishing.com Copyright © 2015-2017 by Jennifer-Crystal Johnson Need to Learn the “How to” Part? All rights reserved. No part of this publication may be reproduced, distributed, or transmitted in any form or by any means, including Before we get into the nitty-gritty of marketing your books, where photocopying, recording, or other electronic or mechanical are you in your publishing process? If you’re still writing your book, methods, without the prior written permission of the publisher, great! That’s the perfect place to be while you’re learning about except in the case of brief quotations embodied in critical reviews everything you should do once your book gets close to publication and certain other noncommercial uses permitted by copyright law. -
Collaborative Production and the Transformation of Publishing: the Case of Wattpad Rosamund Davies University of Greenwich
CHAPTER FOUR Collaborative Production and the Transformation of Publishing: The Case of Wattpad Rosamund Davies University of Greenwich Collaborative production is another way to describe what Bauwens terms peer-to-peer (P2P) production, whereby P2P collaborators work together to construct a shared commons and use value (Bauwens, 2005). This approach to production has been enabled on a large scale by the widespread availabil- ity, low cost and connectivity of digital technologies (Bauwens, 2005, Benkler, 2006). Examples of such practices might include the open software movement, crowdsourcing and crowdfunding initiatives, MMOGs (massively multiplayer online games) and fandoms, among others. Although the core aims and val- ues of collaborative production and its products are generally understood to be non-market based, many of its manifestations are interdependent with the market-based economy (Bauwens, 2005, Benkler, 2006, Jenkins, 2013, Arvids- son, 2013), as we shall go on to examine. The social reading and writing platform, Wattpad, offers a fairly recent exam- ple of such collaborative production. Wattpad is a digital enterprise, founded in How to cite this book chapter: Davies, R. 2017. Collaborative Production and the Transformation of Publishing: The Case of Wattpad. In: Graham, J. and Gandini, A. (eds.). Collaborative Production in the Creative Industries. Pp. 51–67. London: University of Westminster Press. DOI: https://doi.org/10.16997/book4.d. License: CC-BY-NC- ND 4.0 52 Collaborative Production in the Creative Industries 2008 in Canada, but with a global user base of 40 million at the time of writing (Wattpad, 2016a). Around 80 per cent of this user base is 30 years old or under (around 40 per cent 13-17 and 40 per cent 18-30 year olds) (Wattpad, 2016f). -
Low a Loner’S Kit to Become Their Most Special Rank
PARTNERS Twist Fate This book was made possible through a partnership between the Connected Learning Alliance, Wattpad, DeviantArt, the National Writing Project, and the Young Adult Library Services Association. About the Partners Connected Learning Alliance The Connected Learning Alliance supports the expansion and influence of a network of educators, experts, and youth-serving organizations, mobilizing new technology in the service of equity, access, and opportunity for all young people. The Alliance is coordinated by the Digital Media and Learning Research Hub at UC Irvine. Learn more at clalliance.org. Wattpad Wattpad, the global multiplatform entertainment company for original stories, transforms how the world discovers, creates, and engages with stories. Since 2006, it has offered a completely social experience in which people everywhere can participate and collaborate on content through comments, messages, and multimedia. Today, Wattpad connects a community of more than 45 million people around the world through serialized stories about the things they love. As home to millions of fresh voices and fans who share culturally relevant stories based on local trends and current events, Wattpad has unique pop culture insights in virtually every market around the world. Wattpad Studios coproduces stories for film, television, digital, and print to radically transform the way the entertainment industry sources and produces content. Wattpad Brand Solutions offers new and integrated ways for brands to build deep engagement with consumers. The company is proudly based in Toronto, Canada. Learn more at wattpad.com/about. PARTNERS DeviantArt Founded in 2000, DeviantArt is an online social network for artists and art enthusiasts and a platform for emerging and established artists to exhibit, promote, and share their works with an enthusiastic, art-centric community. -
Fan Fiction and Readers Advisory
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Library Philosophy and Practice (e-journal) Libraries at University of Nebraska-Lincoln Winter 12-11-2019 Fan Fiction and Readers Advisory SARAH DONNELLY [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/libphilprac Part of the Library and Information Science Commons DONNELLY, SARAH, "Fan Fiction and Readers Advisory" (2019). Library Philosophy and Practice (e- journal). 3760. https://digitalcommons.unl.edu/libphilprac/3760 Sarah Donnelly Fan Fiction and Readers Advisory “Fan fiction (often abbreviated “fanfic”) is fiction based on an existing work, such as a novel, television show, or movie.” (Ford, 2016) Where do broken hearts go when they’ve closed the last page of Harry Potter and The Deathly Hallows? Where can one turn when the battles are fought and won? When the guy gets the girl? When the series ends? Readers who found homes in the Shire or at 221B Baker Street, friends at Hogwarts or Camp Halfblood, families amongst vampires or werewolves, or their place amongst the Jedis or the Divergent, are left to wonder, “What’s next?” And, when the creator of their favorite band of heroes have shuttered those series, they’re left with a longing to continue with that journey. Thus, fan fiction is born. History of Fan Fiction Fan fiction goes back to the time of Shakespeare. In Anne Ford’s article, Fellowship of the Fans: Connecting with Teens Through the Magic of Fan Fiction, she explains how he borrowed characters and the plot line from Arthur Brooke’s The Tragicall Historye of Romeus and Juliet. -
Up-To-The-Minute Market Report: Market and Submission Trends in Children’S Publishing
UP-TO-THE-MINUTE MARKET REPORT: MARKET AND SUBMISSION TRENDS IN CHILDREN’S PUBLISHING Prepared for SCBWI Summer Spectacular – August 1, 2020 by Deborah Halverson A snapshot of the current acquisitions environment in children’s publishing, including the effects of the pandemic on market trends and submission and acquisitions trends in publishing houses and literary agencies. reating a snapshot of an industry as rich as children’s publishing is always an ambitious task. Doing so during a pandemic and a major C national cultural movement feels Herculean. Nonetheless, it is a task worthy of attempt. Writers and illustrators create books with publication in mind, if not centrally so, and understanding the marketplace and industry in which they strive for publication is important. I interviewed a dozen professionals across the industry—agents and editors, plus experts in marketing, supply chain, and statistical analysis. All told me, in one form or another, that the current health of our industry is “a mixed bag,” and that the industry will never be the same, in ways both good and bad. To a person, they all believe this industry—which has proven resilient through difficult times as recently as 2008’s Great Recession, and with its audience of young people turning to books for comfort, inspiration, entertainment, and enlightenment—is as essential as ever. This Market Re- port looks at that mixed bag, humbly offering a snapshot of where we are now, four-and-a-half months into the U.S.’s engagement with the pandemic. There will be shades of our pre-pandemic 2019 industry herein, and informed musings about an admittedly unpredictable future. -
Form a Writers Group on Wattpad
Get your story discovered on Wattpad! Contents My Wattpad Experience | 3 Why Should you Use Wattpad? | 6 How to Succeed on Wattpad | 8 Let’s Get Social! | 11 Form a Writer’s Club | 17 Translate Wattpad Success into Sales | 21 2 My Wattpad Story I have been fortunate to find success on Wattpad, with my first book Born of Shadow reaching #2 in Adventure and #4 in Fantasy. Since then, I’ve gone on to post the sequel, The Bloodstone Prophecy, which has hit #1 in Adventure multiple times. Combined, I have over 1 million reads and almost 10,000 followers. When I began posting on Wattpad, though, I knew no one on the website and had to start from scratch. This is how I did it. I first heard of Wattpad while reading a guest post written by David Alastair Hayden on Lindsay Buroker’s website, entitled, “How to Win Followers and Influence Readers on Wattpad.” He described the plan he used to get over a million reads on his fantasy book. A little more googling quickly revealed several Wattpad success stories, includ- ing Beth Reekles, Nicki Kelly, and Taran Matharu. Intrigued by their success, I decided to try the website out for myself. You may already be familiar with Wattpad, but for those who aren’t, it is a social media platform where writers and readers come togeth- er to share stories. Over 40 million individual users from all around the world log in to Wattpad every month, with one new user joining 3 every second. You can build reading lists, vote for and comment on chapters, “follow” favorite authors, and interact with other readers/writers through public and private messages. -
D5.1 Market Analysis.Pdf
Europeana Space – Spaces of possibility for the creative reuse of Europeana’s content CIP Best practice network - project number 621037 Deliverable number D5.1 Title Market Analysis Due date Month 6 Actual date of July 2014 delivery to EC Included (indicate Executive Abstract Table of Contents as appropriate) Summary Project Coordinator: Coventry University Prof. Sarah Whatley Priority Street, Coventry CV1 5FB, UK +44 (0) 797 4984304 E-mail: [email protected] Project WEB site address: http://www.europeana-space.eu Page 1 of 102 EUROPEANA SPACE D5.1 Market Analysis Context: Partner responsible for UNIVE deliverable Deliverable author(s) Tomaso Borzomì, Leonardo Buzzavo, Eugenio Pandolfi, Andrea Toffanello Deliverable version number 2.1 Dissemination Level Public X Restricted to other programme participants (including the Commission Services) Restricted to a group specified by the consortium (including the Commission Services) Confidential, only for members of the consortium (including the Commission Services) History: Change log Version Date Author Reason for change 1.0 Jul 3rd Tomaso Borzomì, Leonardo 2014 Buzzavo, Eugenio Pandolfi, Andrea Toffanello 2.0 Jul 30th Tomaso Borzomì, Leonardo Review process Buzzavo, Eugenio Pandolfi, Andrea Toffanello; Gregory Markus and Lizzy Komen (NISV) and Tim Hammerton (COVUNI) 2.1 Jul 30th Tim Hammerton Minor amendments Release approval Version Date Name & organisation Role 2.1 31 July Tim Hammerton (COVUNI) Project Manager 2014 Page 2 of 102 EUROPEANA SPACE D5.1 Market Analysis Statement of originality: This deliverable contains original unpublished work except where clearly indicated otherwise. Acknowledgement of previously published material and of the work of others has been made through appropriate citation, quotation or both. -
Program Book, As Appropriate
ConGregate 4 / DeepSouthCon 55 July 14-16, 2017 ANSWER THE CALL TO VENGEANCE The Manticore Ascendant Series Continues Travis Long has risen from humble begin- nings to become one of the Royal Manti- coran Navy’s most valuable assets. Twice he’s saved the RMN, but now he faces his greatest challenge yet, one that will test his mettle as an officer and as a man of honor. Vengeance is calling—and Travis Uriah Long is willing and able to answer! The newest installment in the Manticore Ascendant series from New York Times best-selling authors David Weber and Timothy Zahn and Honorverse expert Thomas Pope. Explore the Honorverse Coming through the Manticore March Ascendant series! 2018 Praise for the Manticore Ascendant series: “The plotting is as solid as ever, with smaller scenes building to an explosive, action-packed crescendo . .” —Publishers Weekly “Like Robert A. Heinlein and Orson Scott Card, Weber and Zahn are telling a story about a teenage char- acter but writing for readers of all ages.” —Booklist “[T]his astronautical adventure is filled with . intrigue and political drama.” —Publishers Weekly Find sample chapters for all Baen Books at www.baen.com. For more information, sign up for our newsletters at: http://www.baen.com/newsletter_signup. Table of Contents Statement on Inclusion ............................................ 1 From the Con Chair ........................................................ 1 Convention Staff ......................................................... 2 Harassment Policy ................................................ -
Digitalization and Society Bünyamin Ayhan (Ed.) Digitalization and Society
Bünyamin Ayhan (ed.) Digitalization and Society Bünyamin Ayhan (ed.) Digitalization and Society This book presents a collection of papers by researchers from several different institu- tions on a wide range of digital issues. Digitalization describes the phenomenon of how knowledge is processed and the processed knowledge provides social transformations beyond digitization, interaction, annihilation of time and space, the phenomenon of usage in multimedia. Transformed is not only the society but also its mentality. Digitalization reveals a sui generis digimodern process by processing modern structures with the help of compulsory tools. This process is a reconstruction of social structures and institutions on the basis of the digitalization perspective. Each social institution adapts this process and provides a contribution to the digitalization of society. The Editor Bünyamin Ayhan is a professor at the Faculty of Communication at Selçuk University, before which he was a guest associated professor at the Faculty of Communication at the Kyrgyz-Turkish Manas University. www.peterlang.com Digitalization and Society Bünyamin Ayhan (ed.) Digitalization and Society Bibliographic Information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data is available in the internet at http://dnb.d-nb.de. Library of Congress Cataloging-in-Publication Data A CIP catalog record for this book has been applied for at the Library of Congress Printed by CPI books GmbH, Leck ISBN 978-3-631-67884-8 (Print) E-ISBN 978-3-653-07022-4 (E-Book) E-ISBN 978-3-631-70051-8 (EPUB) E-ISBN 978-3-631-70052-5 (MOBI) DOI 10.3726/978-3-653-07022-4 © Peter Lang GmbH Internationaler Verlag der Wissenschaften Frankfurt am Main 2017 All rights reserved.