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- An Examination of Vissarion Shebalin's Concertino for Horn Op
- University Microfilms International300 N
- Ethnic Conflict in Nagorno-Karabakh
- A Study of JS Bach's Toccata in E Minor, BWV
- Censorship and Creative Freedom in Shostakovich’S Compositional Style: Music As a Tool for the State, Or the Soul?
- SUGGESTED READINGS for Phd QUALIFYING EXAM in SOVIET HISTORY
- November 2020. New Acquisitions, Boston Antiquarian Book Fair & Gems Under $500 F O R E W O R D
- Islam in the North Caucasus
- Familiar Strangers: the Georgian Diaspora in the Soviet Union
- Ukrainian Nationalism Taras Kuzio a a Honorary Research Fellow at the School of Slavonic and East European Studies, University of London Available Online: 25 Apr 2008
- The Cold War As Civil War
- Andreas Kappeler
- Reflecting on Peter and the Wolf: Fantasy Or Prophecy
- Artistic Influence, Stylistic Irony, and Musical Reference in Dmitri Shostakovich’S Cello Concerto No
- Modern Friendship: the “New Turkey” and Soviet Cultural Diplomacy, 1933-1934 Taylor Craig Zajicek a Thesis Submitted in Part
- Symphonies Nos. 8 and 10 by Dmitri Shostakovich: a Study of Sketches and Drafts
- Creating a Tatar Capital: National, Cultural, and Linguistic Space in Kazan, 1920-1941
- Ru S Sia and Her Colonies
- The Russian-Soviet Resettlement Policies and Their Implications for Ethno-Territorial Conflicts in the South Caucasus
- Dictators and Their Puppets: Musicians Who Advocated for Musical Integrity in Twentieth-Century
- Music in Post-War Soviet Russia Patrick Bonczyk Central Michigan University
- The Friendship of the Peoples
- Stalinist Patriotism As Imperial Discourse: Reconciling the Ukrainian and Russian “Heroic Pasts,” 1939–45*
- The Circassian Question; the Formation of Linguistic and Cultural Identity in the Caucasus from the Mid-Nineteenth Century to Modern Times
- Lithuanian and Latvian Musical-Cultural Communication During Soviet-Era Imprisonment and Exile
- Opera Criticism in Russia in the Early 21St Century: Constructing the (Non-) Soviet Style*
- Diktat and Dialogue in Stalinist Culture: Staging Patriotic Historical Opera in Soviet Ukraine, 1936-1954 Author(S): Serhy Yekelchyk Source: Slavic Review, Vol