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Balkan ballad
Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912)
Quick Guide to the Eurovision Song Contest 2018
Gender and Geopolitics in the Eurovision Song Contest Introduction
Glossary Ahengu Shkodran Urban Genre/Repertoire from Shkodër
P O S L O V N I P L a N P O S L O V N I P L
Refiguring the Rebetika As Literature
Cocoricovision46
For the Homeland: Transnational Diasporic Nationalism and the Eurovision Song Contest
Exploited by Images Supplemental Text Andjela Padejski Submitted in Partial Fulfillment of the Prerequisite for Honors in Cinema
Linguistic and Cultural Changes Throughout the History of the Eurovision Song Contest
Monsieur Doumani and Reinventing Cypriot Traditional Music
Marginality—A Key Concept to Understanding the Resurgence of Rebetiko in Turkey
Religious History and Culture of the Balkans
REFLECTIONS of a NATION Antigone on the Modern Greek Stage
Bosnians in Sweden – Music and Identity
Download Programmheft 2016
The Sephardic Scholar
Symposium Booklet.Pdf
Top View
The Highs and Lows of Ethno-Cultural Diversity: Young People's Experiences of Chalga Culture in Bulgaria
South East Europe Jim Samson Published Online: 13 January 2015
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Serbian Capital Still in Dark About New Mayor
Svatbarska Muzika and Chalga: the Fusion of Music Genres That Contributes to A
“Paint Me Black and Gold and Put Me in a Frame”: Turbofolk and Balkanist Discourse in (Post) Yugoslav Cultural Space
Folk Dancer the Magazine of World Dance and Culture
Samuel G. Armistead Papers D-580
REVIEWS Buchanan, Donna A. (Ed.). Balkan Popular Culture and the Ottoman Ecumene: Music, Image, and Regional Political Discourse
When Seve Met Bregović: Folklore, Turbofolk and the Boundaries of Croatian Musical Identity
The Concept of Turbofolk in Croatia
47,000 Distinct Words: Brown Corpus
Performing Greekness Through Rebetiko Song
Wild Dances and Dying Wolves: Simulation, Essentialization, and National Identity at the Eurovision Song Contest Catherine Baker
Revival of Bulgarian Folk Music During Socialism and the Post-Socialist Transition: Music and Cultural Identity