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Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912)
Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912) Anthology of Music Traditions in Israel The Hebrew University of Jerusalem • The Jewish Music Research Centre 27 Anthology of Music Traditions in Israel • 27 Editor: Edwin Seroussi Eastern Mediterranean Judeo-Spanish Songs from the EMI Archive Trust (1907-1912) Study and commentaries: Rivka Havassy and Edwin Seroussi Research collaborators: Michael Aylward, Joel Bresler, Judith R. Cohen and Risto Pekka Pennanen Jerusalem, 2020 Jewish Music Research Centre, The Hebrew University of Jerusalem The Hebrew University of Jerusalem • Faculty of Humanities Jewish Music Research Centre In collaboration with the National Library of Israel With the support of Centre for Research and Study of the Sephardi and Oriental Jewish Heritage (Misgav Yerushalayim) at The Hebrew University of Jerusalem For additional materials related to this album, see www.jewish-music.huji.ac.il Academic Board of the Jewish Music Research Centre Chairperson: Shalom Sabar Steven Fassberg, Ruth HaCohen, Yossi Maurey, Elchanan Reiner, Eliyahu Schleifer, Assaf Shelleg, Rina Talgam Director: Edwin Seroussi Digital Transfers: SMART LAB, Hayes, Middlesex Digital Editing and Mastering: Avi Elbaz Graphic design: www.saybrand.co.il Cover photograph: Splendid Palace Hotel, Salonika, c. 1910, location of recordings © and P The Hebrew University of Jerusalem 2020 4 Preface In 2008 the Jewish Music Research Centre released a 4 CD package entitled An Early 20th-century Sephardi Troubadour: The Historic Recordings of Haim Effendi of Turkey. Catering to the increasing scholarly and general public interest in the role commercial recordings had on musical traditions from the early twentieth century, that production became a landmark in the revised appreciation of Sephardic music prior to the rapid chain of events leading to the dissolution of the traditional communities that maintained this music. -
Macro Report Comparative Study of Electoral Systems Module 4: Macro Report September 10, 2012
Comparative Study of Electoral Systems 1 Module 4: Macro Report Comparative Study of Electoral Systems Module 4: Macro Report September 10, 2012 Country: Serbia Date of Election: May 6, 2012 (Parliamentary and first round presidential); May 20, 2012 - second round presidential Prepared by: Bojan Todosijević Date of Preparation: 05. 08. 2013. NOTES TO COLLABORATORS: ° The information provided in this report contributes to an important part of the CSES project. The information may be filled out by yourself, or by an expert or experts of your choice. Your efforts in providing these data are greatly appreciated! Any supplementary documents that you can provide (e.g., electoral legislation, party manifestos, electoral commission reports, media reports) are also appreciated, and may be made available on the CSES website. ° Answers should be as of the date of the election being studied. ° Where brackets [ ] appear, collaborators should answer by placing an “X” within the appropriate bracket or brackets. For example: [X] ° If more space is needed to answer any question, please lengthen the document as necessary. Data Pertinent to the Election at which the Module was Administered 1a. Type of Election [ ] Parliamentary/Legislative [X] Parliamentary/Legislative and Presidential [ ] Presidential [ ] Other; please specify: __________ 1b. If the type of election in Question 1a included Parliamentary/Legislative, was the election for the Upper House, Lower House, or both? [ X] Upper House [ ] Lower House [ ] Both [ ] Other; please specify: __________ Comparative Study of Electoral Systems 2 Module 4: Macro Report 2a. What was the party of the president prior to the most recent election, regardless of whether the election was presidential? Democratic Party (Demokratska stranka, DS) 2b. -
Participation of Older Persons in Political And
International Forum on the Rights of Older Persons 26‐28 March 2012 Mexico City PARTICIPATIONPARTICIPATION OFOF OLDEROLDER PERSONSPERSONS ININ POLITICALPOLITICAL ANDAND PUBLICPUBLIC LIFELIFE AlexandreAlexandre SidorenkoSidorenko ©Alexandre Sidorenko, 2012 Plan of Presentation 1. Introduction. Political orientation and political participation of older persons 2. Organizations of (with) older persons: Civil society organizations; NGOs; Labour Unions; Political parties 3. Participation in decision making: Coordinating bodies; Consultative bodies 4. Political and public participation in the international policy frameworks on ageing 5. Political and public participation in national policy actions on ageing (instrumental review) 6. Conclusion ©Alexandre Sidorenko, 2012 1. Political Orientation and Political Participation of Older Persons PoliticalPolitical orientationorientation:: ‐the content, intensity, and stability of the attachments individuals have to political objects. PoliticalPolitical participationparticipation:: ‐ the ways in which individuals attempt to influence or take part in governmental activity. 1. Political Orientation and Political Participation of Older Persons PoliticalPolitical OrientationOrientation 9 Political Interest –expressed interest in political affairs 9 Attitudes toward Self, Politics, and Political Institutions – sense ofOlder efficacy persons (worth) in arepolitics. more notable for their 9 Politicalsimilarities Values andto otherPolitical age Ideology groups –more than fundamental their differencesorientations; -
Quick Guide to the Eurovision Song Contest 2018
The 100% Unofficial Quick Guide to the Eurovision Song Contest 2018 O Guia Rápido 100% Não-Oficial do Eurovision Song Contest 2018 for Commentators Broadcasters Media & Fans Compiled by Lisa-Jayne Lewis & Samantha Ross Compilado por Lisa-Jayne Lewis e Samantha Ross with Eleanor Chalkley & Rachel Humphrey 2018 Host City: Lisbon Since the Neolithic period, people have been making their homes where the Tagus meets the Atlantic. The sheltered harbour conditions have made Lisbon a major port for two millennia, and as a result of the maritime exploits of the Age of Discoveries Lisbon became the centre of an imperial Portugal. Modern Lisbon is a diverse, exciting, creative city where the ancient and modern mix, and adventure hides around every corner. 2018 Venue: The Altice Arena Sitting like a beautiful UFO on the banks of the River Tagus, the Altice Arena has hosted events as diverse as technology forum Web Summit, the 2002 World Fencing Championships and Kylie Minogue’s Portuguese debut concert. With a maximum capacity of 20000 people and an innovative wooden internal structure intended to invoke the form of Portuguese carrack, the arena was constructed specially for Expo ‘98 and very well served by the Lisbon public transport system. 2018 Hosts: Sílvia Alberto, Filomena Cautela, Catarina Furtado, Daniela Ruah Sílvia Alberto is a graduate of both Lisbon Film and Theatre School and RTP’s Clube Disney. She has hosted Portugal’s edition of Dancing With The Stars and since 2008 has been the face of Festival da Cançao. Filomena Cautela is the funniest person on Portuguese TV. -
ESS9 Appendix A3 Political Parties Ed
APPENDIX A3 POLITICAL PARTIES, ESS9 - 2018 ed. 3.0 Austria 2 Belgium 4 Bulgaria 7 Croatia 8 Cyprus 10 Czechia 12 Denmark 14 Estonia 15 Finland 17 France 19 Germany 20 Hungary 21 Iceland 23 Ireland 25 Italy 26 Latvia 28 Lithuania 31 Montenegro 34 Netherlands 36 Norway 38 Poland 40 Portugal 44 Serbia 47 Slovakia 52 Slovenia 53 Spain 54 Sweden 57 Switzerland 58 United Kingdom 61 Version Notes, ESS9 Appendix A3 POLITICAL PARTIES ESS9 edition 3.0 (published 10.12.20): Changes from previous edition: Additional countries: Denmark, Iceland. ESS9 edition 2.0 (published 15.06.20): Changes from previous edition: Additional countries: Croatia, Latvia, Lithuania, Montenegro, Portugal, Slovakia, Spain, Sweden. Austria 1. Political parties Language used in data file: German Year of last election: 2017 Official party names, English 1. Sozialdemokratische Partei Österreichs (SPÖ) - Social Democratic Party of Austria - 26.9 % names/translation, and size in last 2. Österreichische Volkspartei (ÖVP) - Austrian People's Party - 31.5 % election: 3. Freiheitliche Partei Österreichs (FPÖ) - Freedom Party of Austria - 26.0 % 4. Liste Peter Pilz (PILZ) - PILZ - 4.4 % 5. Die Grünen – Die Grüne Alternative (Grüne) - The Greens – The Green Alternative - 3.8 % 6. Kommunistische Partei Österreichs (KPÖ) - Communist Party of Austria - 0.8 % 7. NEOS – Das Neue Österreich und Liberales Forum (NEOS) - NEOS – The New Austria and Liberal Forum - 5.3 % 8. G!LT - Verein zur Förderung der Offenen Demokratie (GILT) - My Vote Counts! - 1.0 % Description of political parties listed 1. The Social Democratic Party (Sozialdemokratische Partei Österreichs, or SPÖ) is a social above democratic/center-left political party that was founded in 1888 as the Social Democratic Worker's Party (Sozialdemokratische Arbeiterpartei, or SDAP), when Victor Adler managed to unite the various opposing factions. -
List of Participants Liste Des Participants
LIST OF PARTICIPANTS LISTE DES PARTICIPANTS 142nd IPU Assembly and Related Meetings (virtual) 24 to 27 May 2021 - 2 - Mr./M. Duarte Pacheco President of the Inter-Parliamentary Union Président de l'Union interparlementaire Mr./M. Martin Chungong Secretary General of the Inter-Parliamentary Union Secrétaire général de l'Union interparlementaire - 3 - I. MEMBERS - MEMBRES AFGHANISTAN RAHMANI, Mir Rahman (Mr.) Speaker of the House of the People Leader of the delegation EZEDYAR, Mohammad Alam (Mr.) Deputy Speaker of the House of Elders KAROKHAIL, Shinkai (Ms.) Member of the House of the People ATTIQ, Ramin (Mr.) Member of the House of the People REZAIE, Shahgul (Ms.) Member of the House of the People ISHCHY, Baktash (Mr.) Member of the House of the People BALOOCH, Mohammad Nadir (Mr.) Member of the House of Elders HASHIMI, S. Safiullah (Mr.) Member of the House of Elders ARYUBI, Abdul Qader (Mr.) Secretary General, House of the People Member of the ASGP NASARY, Abdul Muqtader (Mr.) Secretary General, House of Elders Member of the ASGP HASSAS, Pamir (Mr.) Acting Director of Relations to IPU Secretary to the delegation ALGERIA - ALGERIE GOUDJIL, Salah (M.) Président du Conseil de la Nation Président du Groupe, Chef de la délégation BOUZEKRI, Hamid (M.) Vice-Président du Conseil de la Nation (RND) BENBADIS, Fawzia (Mme) Membre du Conseil de la Nation Comité sur les questions relatives au Moyen-Orient KHARCHI, Ahmed (M.) Membre du Conseil de la Nation (FLN) DADA, Mohamed Drissi (M.) Secrétaire Général, Conseil de la Nation Secrétaire général -
Gender and Geopolitics in the Eurovision Song Contest Introduction
Gender and Geopolitics in the Eurovision Song Contest Introduction Catherine Baker Lecturer, University of Hull [email protected] http://www.suedosteuropa.uni-graz.at/cse/en/baker Contemporary Southeastern Europe, 2015, 2(1), 74-93 Contemporary Southeastern Europe is an online, peer-reviewed, multidisciplinary journal that publishes original, scholarly, and policy-oriented research on issues relevant to societies in Southeastern Europe. For more information, please contact us at [email protected] or visit our website at www.contemporarysee.org Introduction: Gender and Geopolitics in the Eurovision Song Contest Catherine Baker* Introduction From the vantage point of the early 1990s, when the end of the Cold War not only inspired the discourses of many Eurovision performances but created opportunities for the map of Eurovision participation itself to significantly expand in a short space of time, neither the scale of the contemporary Eurovision Song Contest (ESC) nor the extent to which a field of “Eurovision research” has developed in cultural studies and its related disciplines would have been recognisable. In 1993, when former Warsaw Pact states began to participate in Eurovision for the first time and Yugoslav successor states started to compete in their own right, the contest remained a one-night-per- year theatrical presentation staged in venues that accommodated, at most, a couple of thousand spectators and with points awarded by expert juries from each participating country. Between 1998 and 2004, Eurovision’s organisers, the European Broadcasting Union (EBU), and the national broadcasters responsible for hosting each edition of the contest expanded it into an ever grander spectacle: hosted in arenas before live audiences of 10,000 or more, with (from 2004) a semi-final system enabling every eligible country and broadcaster to participate each year, and with (between 1998 and 2008) points awarded almost entirely on the basis of telephone voting by audiences in each participating state. -
Glossary Ahengu Shkodran Urban Genre/Repertoire from Shkodër
GLOSSARY Ahengu shkodran Urban genre/repertoire from Shkodër, Albania Aksak ‘Limping’ asymmetrical rhythm (in Ottoman theory, specifically 2+2+2+3) Amanedes Greek-language ‘oriental’ urban genre/repertory Arabesk Turkish vocal genre with Arabic influences Ashiki songs Albanian songs of Ottoman provenance Baïdouska Dance and dance song from Thrace Čalgiya Urban ensemble/repertory from the eastern Balkans, especially Macedonia Cântarea României Romanian National Song Festival: ‘Singing for Romania’ Chalga Bulgarian ethno-pop genre Çifteli Plucked two-string instrument from Albania and Kosovo Čoček Dance and musical genre associated espe- cially with Balkan Roma Copla Sephardic popular song similar to, but not identical with, the Spanish genre of the same name Daouli Large double-headed drum Doina Romanian traditional genre, highly orna- mented and in free rhythm Dromos Greek term for mode/makam (literally, ‘road’) Duge pjesme ‘Long songs’ associated especially with South Slav traditional music Dvojka Serbian neo-folk genre Dvojnica Double flute found in the Balkans Echos A mode within the 8-mode system of Byzan- tine music theory Entekhno laïko tragoudhi Popular art song developed in Greece in the 1960s, combining popular musical idioms and sophisticated poetry Fanfara Brass ensemble from the Balkans Fasil Suite in Ottoman classical music Floyera Traditional shepherd’s flute Gaida Bagpipes from the Balkan region 670 glossary Ganga Type of traditional singing from the Dinaric Alps Gazel Traditional vocal genre from Turkey Gusle One-string, -
Chronicle of Parliamentary Elections 2008 Elections Parliamentary of Chronicle Chronicle of Parliamentary Elections Volume 42
Couverture_Ang:Mise en page 1 22.04.09 17:27 Page1 Print ISSN: 1994-0963 Electronic ISSN: 1994-098X INTER-PARLIAMENTARY UNION CHRONICLE OF PARLIAMENTARY ELECTIONS 2008 CHRONICLE OF PARLIAMENTARY ELECTIONS VOLUME 42 Published annually in English and French since 1967, the Chronicle of Parliamen tary Elections reports on all national legislative elections held throughout the world during a given year. It includes information on the electoral system, the background and outcome of each election as well as statistics on the results, distribution of votes and distribution of seats according to political group, sex and age. The information contained in the Chronicle can also be found in the IPU’s database on national parliaments, PARLINE. PARLINE is accessible on the IPU web site (http://www.ipu.org) and is continually updated. Inter-Parliamentary Union VOLUME 42 5, chemin du Pommier Case postale 330 CH-1218 Le Grand-Saconnex Geneva – Switzerland Tel.: +41 22 919 41 50 Fax: +41 22 919 41 60 2008 E-mail: [email protected] Internet: http://www.ipu.org 2008 Chronicle of Parliamentary Elections VOLUME 42 1 January - 31 December 2008 © Inter-Parliamentary Union 2009 Print ISSN: 1994-0963 Electronic ISSN: 1994-098X Photo credits Front cover: Photo AFP/Pascal Pavani Back cover: Photo AFP/Tugela Ridley Inter-Parliamentary Union Office of the Permanent Observer of 5, chemin du Pommier the IPU to the United Nations Case postale 330 220 East 42nd Street CH-1218 Le Grand-Saconnex Suite 3002 Geneva — Switzerland New York, N.Y. 10017 USA Tel.: + 41 22 919 -
P O S L O V N I P L a N P O S L O V N I P L
april 2012.godine P O S L O V N I P L A N U skladu sa odredbom iz člana 10 stav 2, tačka e) Zakona o kolektivnom ostvarivanju autorskog i srodnih prava Bosne i Hercegovine U izradi ekonomskih projekcija korišteni su službeni ekonomski podaci i statistike za Bosnu i Hercegovinu i region Jugoisto čne Evrope za 2010. objavljeni u Tranzicijskom izvještaju EBRD-a i Almanahu CIA – The World Fact Book, te relevantnim podacima dokumenata Svjetske organizacije za intelektualno vlasništvo WIPO i Svjetskog udruženja autora CISAC Autor Mirza Hajrić 1 O AMUSU AMUS je Udruženje „Asocijacija kompozitora-muzi čkih stvaralaca“ osnovano još 1946.godine. U decenijama postojanja kroz evidenciju je prošlo više hiljada članova. U postratnom periodu Udruženje je nastavilo svoj rad te je upisano u registar udruženja Ministarstva pravde Bosne i Hercegovine. Izmjene i dopune Statuta AMUS-a i uskladjivanje sa odredbama novog Zakona o kolektivnom ostvarivanju autorskog i srodnih prava i Zakona o udruženjima i fondacijama su registrovane Rješenjem Ministarstva 01/6-67-RS/02 od 12.01.2012.godine. Predsjednik Skupštine AMUS-a je Edin Dervišhalidović - Dino Merlin a potpredsjednici su Hajrudin Varešanovi ć i Ismet Nuno Arnautali ć. Članovi Upravnog odbora su : • Vlado Podany, predsjednik • Nedim Babovi ć, • Nedžad Imamovi ć • Ibro Mangafi ć, • Igor Ražnatovi ć, • Igor Vukojevi ć, i • Amir Šehi ć. Izmedju ostalih, članovi su Goran Bregovi ć, Kemal Monteno, Fahrudin Pecikoza, Mladen Voji čić – Tifa, Davor Su čić Sula, Elvir Lakovi ć Laka, Armin Šakovi ć, Dino Muharemovi ć, Maja Milinkovi ć, Nazif Gljiva, Mili ć Vukašinovi ć, Prof. Džemaludin Lati ć, Dino i Adnan Šaran, Dona Ares, Asim Horozi ć, Samir Mujagi ć SMS, Eldin Huseinbegovi ć, Zijo Valentino, Dino Šukalo, autorski tim Dubioza Kolektiv, Frenkie, Almir Ajanovi ć, Dado Čauševi ć, Maja Sar, Mahir Sarihodži ć, Esad Puri ć i više od dvije stotine drugih autora. -
Refiguring the Rebetika As Literature
Macalester College DigitalCommons@Macalester College English Honors Projects English Department 4-2020 Bodies in the Margins: Refiguring the Rebetika as Literature Sophia Schlesinger Macalester College, [email protected] Follow this and additional works at: https://digitalcommons.macalester.edu/english_honors Part of the English Language and Literature Commons, Ethnomusicology Commons, and the Feminist, Gender, and Sexuality Studies Commons Recommended Citation Schlesinger, Sophia, "Bodies in the Margins: Refiguring the Rebetika as Literature" (2020). English Honors Projects. 44. https://digitalcommons.macalester.edu/english_honors/44 This Honors Project - Open Access is brought to you for free and open access by the English Department at DigitalCommons@Macalester College. It has been accepted for inclusion in English Honors Projects by an authorized administrator of DigitalCommons@Macalester College. For more information, please contact [email protected]. BODIES IN THE MARGINS Refiguring the Rebetika as Literature Sophia Schlesinger Faculty Advisor: Andrea Kaston-Tange Macalester English Department Submitted April 25th, 2020 Abstract This thesis engages a literary analysis of a corpus of songs and recordings known as the rebetika (sing. rebetiko), which prospered in the port districts of major cities throughout the Aegean in the early 20th century. Engaging the rebetika as literary texts, I argue, helps us understand how they have functioned as a kind of pressure point on the borders between nation and Other. Without making unproveable biographical claims about the motives of the music progenitors, I examine why so many have reached for the rebetika as texts with which to articulate various political and cultural desires. Using a multidisciplinary theoretical framework that includes Elaine Scarry, Stuart Hall, Edward Said, Mark C. -
Cocoricovision46
le magazine d’eurofans club des fans de l’eurovision cocoricovision46 S.TELLIER 46 french sexuality mai# 2008 édito La langue est-elle un élément nécessaire à la caractérisation d’une culture nationale ? Et dans un monde de plus en plus globalisé, est-ce que l’idée même de culture nationale fait encore sens ? Est-ce que la voix et les mots peuvent-être considérés comme un simple matériau ? Est-ce que la danse où les arts plastiques, parce qu’ils font fi de la parole, ne disent rien des pays dont sont originaires leurs artistes ? Mais surtout, est-ce que l’eurovision est un outil efficace de diffusion ou de prosélytisme culturel et linguistique ? Est-ce qu’écouter Wer liebe lebt permet de découvrir la culture allemande ? Sans que l’un n’empêche l’autre, il est en tout cas plus important de voir les pièces de Pollesch, de lire Goethe ou de visiter Berlin. D’ailleurs, la victoire en serbe de la représentante d’une chaîne de télévision serbe au concours eurovision de la chanson de 2007, SOMMAIRE a-t-elle quelque part dans le monde déclenché des le billet du Président. 02 vocations ou un intérêt Beograd - Serbie . 06 quelconque pour la cette langue ? Belgrade 2008 . 10 53ème concours eurovision de la chanson Chacun trouvera ses réponses, affinera ses demi-finale 1 - 20 mai 2008 . 13 arguments, tout ca ne nous demi-finale 2 - 22 mai 2008 . 32 empêchera pas de nous trémousser sur certains titres finale - 24 mai 2008 . 51 de cette édition 2008, d’être era vincitore - les previews .