Production Notes

Home , Pinafore

Olivia Junior Script by Malcolm Sircom

17/110416/6 ISBN: 978 1 84237 093 3

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6 Olivia (Junior) – Script

LIST OF CHARACTERS IN EACH SCENE

Scene One Scene Five Chorus of Orphans Annie Dicken Charlotte Mrs. Murdstone Doris Olivia Ebenezer Scrooge Orphan 1 Eliza Doolittle Orphan 2 Emily Orphan 3 Fagin Orphan 4 Flo Olivia Scene Two Queenie Dicken The Artful Dodger Olivia Scene Six Scene Three Annie Annie Doctor Watson Chorus (of Fagin's Gang) Eliza Doolittle Chorus (of Londoners) Mrs. Hudson Doris Placard Girl Ebenezer Scrooge Sherlock Holmes Eliza Doolittle Fagin Scene Seven Flo Chorus Gentleman Criminal (Dodger) George Bernard Shaw Daughter (Olivia) Lamplighter The Judge Olivia The Police Constable Queenie The Usher The Artful Dodger The Fat Lady Scene Eight All Scene Four Charlotte Eliza Doolittle Emily Girl 1 Girl 2 Girl 3 Girl 4 Mrs. Dilber Olivia Poor School Girls

LIST OF PROPERTIES

Throughout Olivia & Annie wear lockets round their necks.

Scene One [Orphanage] Sign reading “Mrs. Murdstone‟s Orphanage for Girls” ...... Scene Prop Table set with bowls and spoons ...... Scene Prop Benches for the girls to sit on (Optional) ...... Scene Prop Tureen of slop with ladle set on table ...... Scene Prop Bunch of keys hanging from waist ...... Dicken

Scene Three [Covent Garden] Green flowers in buttonholes ...... 2 or 3 men in Chorus 5 baskets of flowers ...... The Flower-Sellers Coin ...... Gentleman Mittens ...... Scrooge Walking stick ...... Scrooge Handkerchief or tissue ...... Flo Penny ...... Fagin Top hat (Optional) ...... George Bernard Shaw Two wallets ...... George Bernard Shaw Two one pound notes ...... George Bernard Shaw Two opera tickets ...... Artful Dodger Lamplighter‟s pole ...... Lamplighter Wagnerian outfit: breast plate, spear, horned helmet etc...... The Fat Lady

Scene Five [Covent Garden] 5 baskets of flowers, as before ...... The Flower-Sellers 3 Collecting tins ...... Olivia, Emily & Charlotte Coins and notes ...... The Crowd 3 coins (could be in a purse) ...... Ebenezer Scrooge

Scene Six [Sherlock Holme’s Study] Tray of tea and Victoria sponge, with appropriate crockery ...... Mrs. Hudson or Scene Prop Placard reading “The Savoy Theatre” ...... Placard Girl

Scene Seven [Savoy Theatre] Long table and chairs or benches, courtroom style ...... Scene Prop Handkerchief ...... The Judge Five pound note ...... The Criminal

Scene Eight [Covent Garden] 5 baskets of flowers, as before ...... The Flower-Sellers

PRODUCTION NOTES

STAGING

Scene One is set inside Mrs Murdstone‟s Orphanage for Girls. It is a terrible, dismal and drab place. A refectory table is centre stage and set on it are basic bowls with spoons, a steaming cauldron of vile gruel and a serving ladle. There can be basic benches or forms for the girls to sit on.

Scene Two is set in front of a cloth or the house tabs and is a link scene allowing the main set to be changed from the Orphanage to Covent Garden. It needs little in the way of set props, but could utilize such items as a sign post or mile stone, field gate etc.

Scenes Three, Five & Eight are full sets with a backdrop revealing Covent Garden. If space permits, there could be costermonger barrows or wagons, otherwise the backdrop could suggest their presence.

Scene Four – Mrs Dilber‟s Poor School for Girls can be a half set with the next scene set behind it. Tabs, cloth or flats depicting the interior of an early 1800‟s classroom and maybe a couple of desks and forms would complete the set; nothing too elaborate in terms of set props as it is a quick change to the next scene.

Scene Six being Sherlock Holmes‟s study is depicted by a vast array of books and some comfortable chairs. There is probably a desk or bureau that Holmes would sit at when writing his notes. It is not crucial to the plot however.

Scene Seven – on stage at the Savoy Theatre – is depicted by a courtroom setting. A small dock for the convict to appear in and a lectern or similar, with a gavel and block will indicate the courtroom. This may be enhanced with forms for the jury or whatever as resources allow. It is a stage setting though and not intended to be an accurate courtroom setting.

CHOREOGRAPHY

In Track 1, the girls march in tempo in three distinct groups, along the lines of “Food, Glorious Food” in the film Oliver. They group up for the ending.

Track 2 – Slop: The Orphans, including Olivia go up to the table, collect their bowls and spoons, then return to their places, sit cross-kneed or on forms, and eat the slop, all in the tempo of the song.

In Track 7 - Good Times, Fagin‟s gang appear, either behind a gauze, or in greenish lighting to make them ghost-like, and acknowledge their names in the song with a small arm gesture.

Let’s Go To The Opera – Track 8 has a waltz set within it for the chorus to waltz on to and off to the Opera House.

In Track 11 - The Charity Rag, there is an opportunity for the charity collectors to be choreographed to the music as they collect the donations from the crowd.

COSTUME

Much of the costume for this show draws on that used for other popular shows of the period, such as Oliver, My Fair Lady, Ebenezer Scrooge etc. Specifically, certain characters should be costumed as follows:

Olivia Long, ragged skirt. Lacy top and shawl. All dirty and unkempt. Mrs. Murdstone Ankle length pinafore front dress, blouse with lace sleeve cuffs, mop cap. Eliza Doolittle Ankle length skirt, apron, bloomers, blouse, velvety jacket, matching hat. Annie As above. Queenie As above. Doris As above. Flo As above. Mrs. Dilber Ankle length skirt, blouse, jacket. Mrs. Hudson Ankle length pinafore front dress, bloomers, blouse with lace cuffs, mop cap. Emily & Charlotte As Olivia. Placard Girl As Olivia. Chorus of Orphans As Olivia for girls, shorts, boots ragged shirts, flat caps for boys. Orphans 1-4 As Olivia. Poor school girls As Olivia but not ragged, dirty or unkempt. Girls 1-4 As Olivia but not ragged, dirty or unkempt. Londoners & Opera-goers Period style costume, including parasols for the ladies. Gentleman As Londoners (no parasol!). Dicken Well worn trousers and boots. Shirt with rolled up sleeves, flat cap. Ebenezer Scrooge Black Trousers, spats, black shoes, black waistcoat and jacket, top hat and overcoat with cape. Walking cane. George Bernard Shaw 3 piece suit (could be tweed), shirt with collar and tie, top hat and, of course, full beard. Fagin Battered hat, tatty, non-matching 3 piece suit and large overcoat. Shirt with cravat. The Artful Dodger Crumpled top hat, large overcoat, dirty shirt and cravat.

Lamplighter Anything pertaining to the period. Some wore bowler hats and brown tweed suits but anything of the era would be fine. Sherlock Holmes Classic costume with Deer-stalker hat. Doctor Watson Classic costume with bowler hat.

LIGHTING AND SOUND

Lighting

Scene One is set in Mrs Murdstone‟s Orphanage, which is a dim and dreary place. However, the lighting needs to allow the audience to see the characters and therefore, whilst the overall effect is dingy, specific acting areas need to be illuminated. If possible, use yellows etc. to give the right effect. There is a „window‟ off stage to which the orphans run to watch the chase when Olivia escapes. This can be effected by a spotlight set in the wings, with perhaps a bluish tinge and a „window effect gobo‟ focused onto the stage floor.

Scene Two. No specific lighting required.

Scene Three needs coolish lighting if possible, to create a morning feel to Covent Garden. Later in the scene (when Fagin‟s gang appears at Song 7) the lighting is brought up on the gang using floor lights and spots with a greenish tinge to them. The lighting returns to normal at the end of the song. Progressively, the lighting should warm throughout the scene as the day unfolds so that by the time the lamplighter enters, we have moved through to evening. A spotlight should be focused on the „Fat Lady‟ as she enters for her song.

Scene Four requires no specific lighting effects.

Scene Five should be lit as for the start of Scene Three.

Scene Six – in Holmes‟s study - would benefit if possible, from general lighting to enhance the feel of the period: possibly light from a window, gaslights illuminating the room with a yellowish tinge, or something else along those lines. A spotlight is required at the end of the scene to illuminate the character carrying the placard, to separate the actor from the main scene.

Scene Seven is set on stage at the Savoy Theatre. If you have the resources, just make it very theatrical with the lighting, remembering that footlights were the norm for this period.

Scene Eight should be brightly lit for the Finale of the show.

Sound Effects (SFX) There are no specific sound effects required in this show.

SCENE ONE: MRS. MURDSTONE’S ORPHANAGE FOR GIRLS

(There could be a sign on the back wall reading Mrs. Murdstone’s orphanage for girls. The setting is as drab and dismal as possible. There is a table set with bowls and spoons, a steaming cauldron full of goo, and a serving ladle.)

TRACK 1: ORPHANS

(The first group of Orphans marches on.)

GROUP 1: ORPHANS, ORPHANS, ORPHANS, ORPHANS, SHUT UP IN AN ORPHANAGE DAY AND NIGHT.

(The second group marches on. The two groups sing simultaneously:)

GROUP 1: GROUP 2: ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, AH. WORKING HARD AS SLAVES, DO YOU THINK THAT‟S RIGHT?

(The third group marches on. The three groups sing simultaneously:)

GROUPS 1 & 2: GROUP 3: ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, ORPHANS, AH. NOBODY TO LISTEN AH, AH. TO OUR PLIGHT.

ALL: MRS. MURDSTONE IS IN CHARGE. GROUP 3: SHE‟S ROUGH, GROUP 2: SHE‟S TOUGH, GROUP 1: SHE‟S EVER SO LARGE. GROUP 3: SHE TREATS US LIKE WE WERE DIRT. ALL: SHE‟S LIKE A SERGEANT-MAJOR IN A SKIRT! ORPHANS, ORPHANS, ORPHANS, ORPHANS, SHUT UP IN AN ORPHANAGE DAY AND NIGHT. ORPHANS, ORPHANS, ORPHANS, ORPHANS, NO-ONE CARES ABOUT YOU WHEN YOU‟RE OUT OF SIGHT! (SHOUTED) IT‟S NOT RIGHT!

(After applause, all the Orphans start girl-chatter. Enter Mrs. Murdstone, a fearsome, cruel, middle-aged female.)

ORPHAN 3: It‟s Mrs. Murdstone!