Regency Patterns: 1800-1815
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“Cunning Isobel Meets Nanny”
© 2015 Angela M. Bauer All Rights Reserved Isobel Chapter 3 “Cunning Isobel Meets Nanny” Fiction by Angela Bauer Once Valery and Isobel were towel-dried after their Sunday night bath, their mommy Sylvia had them sit on their potties. Isobel produced nothing, but Valery managed to void a significant amount of pee and a moderate-size soft stool. They were wiped, diapered, given pacifiers and tucked into their cribs. During the night Sylvia checked and found Isobel’s diaper was nearly saturated, so she changed her older daughter. Then she decided to prophylactically change Valery’s diaper. Monday morning she let her girls sleep late in the nursery. Shortly before 8:00 A.M. she carried Valery and led Isobel downstairs while they were still wearing their night diapers and Onesies. She had just buckled the girls into their highchairs when the tallish and beautiful twenty-six year-old Nanny Carmen arrived. Sylvia had a bowl of the Pablum/Metamucil mixture in each hand. Hurriedly she put those on the respective highchair trays so she could properly greet Nanny Carmen. What impressed Carmen was that without fuss the smaller Valery picked up her own spoon and began eating her mixture. The far larger Isobel stared at her. After an exchange of greetings Sylvia hurried to bring Valery a Sippy cup of milk and a baby bottle of milk to Isobel. Only after holding that so Isobel could eagerly suckle a couple of ounces of milk did her mother begin to spoon-feed her the mixture. Page 1 © 2015 Angela M. -
Clothing of Kansas Women, 1854-1870
CLOTHING OF KANSAS WOMEN 1854 - 1870 by BARBARA M. FARGO B. A., Washburn University, 1956 A MASTER'S THESIS submitted in partial fulfillment of the requirements for the degree MASTER OF SCIENCE Department of Clothing, Textiles and Interior Design KANSAS STATE UNIVERSITY Manhattan, Kansas 1969 )ved by Major Professor ACKNOWLEDGMENTS The author wishes to express sincere appreciation to her adviser, Dr. Jessie A. Warden, for her assistance and guidance during the writing of this thesis. Grateful acknowledgment also is expressed to Dr. Dorothy Harrison and Mrs. Helen Brockman, members of the thesis committee. The author is indebted to the staff of the Kansas State Historical Society for their assistance. TABLE OP CONTENTS PAGE ACKNOWLEDGMENT ii INTRODUCTION AND PROCEDURE 1 REVIEW OF LITERATURE 3 CLOTHING OF KANSAS WOMEN 1854 - 1870 12 Wardrobe planning 17 Fabric used and produced in the pioneer homes 18 Style and fashion 21 Full petticoats 22 Bonnets 25 Innovations in acquisition of clothing 31 Laundry procedures 35 Overcoming obstacles to fashion 40 Fashions from 1856 44 Clothing for special occasions 59 Bridal clothes 66 SUMMARY AND CONCLUSIONS 72 REFERENCES 74 LIST OF PLATES PLATE PAGE 1. Bloomer dress 15 2. Pioneer woman and child's dress 24 3. Slat bonnet 30 4. Interior of a sod house 33 5. Children's clothing 37 6. A fashionable dress of 1858 42 7. Typical dress of the 1860's 47 8. Black silk dress 50 9. Cape and bonnet worn during the 1860's 53 10. Shawls 55 11. Interior of a home of the late 1860's 58 12. -
CLOTHING Gown : Áo Đầm Dài Frock
TRANG PHỤC - CLOTHING Gown : áo đầm dài Frock : áo đầm, áo thầy tu Tailcoat : áo đuôi tôm Topcoat : áo bành tô Pallium/pallia : áo bào (của tổng giám mục) Blouse : áo cánh nữ Caftan : áo cáptân (Thổ Nhĩ Kì) Windbreaker : áo chống gió Cassock : áo chùng (tu sĩ) Frock coat : áo choàng Gown : áo choàng (quan tòa; luật sư) Capote : áo choàng dài (thường có mũ trên đầu) Cloak : áo choàng không tay Pelisse : áo choàng lông (nữ) Roe : áo choàng mặc trong nhà Mantlet/ mantelet : áo choàng ngắn Mackinaw : áo choàng ngắn, dày Dress : áo đầm Vest : áo ghi lê Waistcoat : áo ghi lê Jacket : áo jắc két Parka : áo jắc két dày có mũ 76 Trần Quang Khải, Hồng Bàng, Hải Phòng | 02256.538.538 | 01286.538.538 | www.myenglish.edu.vn | facebook.com/MyEnglishCenter Coat : áo khoác Bolero : áo khoác ngắn của nữ (không có nút, khuy phía trước) Overcoat : áo khoác ngoài Smock : áo khoác ngoài (để làm việc); áo chửa Manteau : áo khoác, áo măng tô Kimono : áo ki mô nô Skivvies : áo lót Undershirt : áo lót Vest : áo lót Chemise : áo lót phụ nữ Cardigan : áo len Surplice : áo lễ Chasuble : áo lễ (tu sĩ) Cope : áo lễ (tu sĩ) Blazer : áo màu (thể thao) Mackintosh : áo mưa Raincoat : áo mưa Waterproof : áo mưa Trench coat : áo mưa (quân đội) Slicker : áo mưa thụng dài Nightshirt : áo ngủ (nam) Jersey : áo nịt len Poncho : áo pôn sô (áo cánh dơi) 76 Trần Quang Khải, Hồng Bàng, Hải Phòng | 02256.538.538 | 01286.538.538 | www.myenglish.edu.vn | facebook.com/MyEnglishCenter T-shirt : áo thun có tay Nightclothes : áo quần ngủ Pyjamas, pajamas : áo quần ngủ (nam) Shirt : áo -
“The Answer to Laundry in Outer Space”: the Rise and Fall of The
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ University of North Carolina Asheville “The Answer to Laundry in Outer Space”: The Rise and Fall of the Paper Dress in 1960s American Fashion A Senior Thesis Submitted to the Faculty of the Department of History In Candidacy for the Degree of Bachelor of Arts in History By Virginia Knight Asheville, North Carolina November 2014 1 A woman stands in front of a mirror in a dressing room, a sales assistant by her side. The sales assistant, with arms full of clothing and a tape measure around her neck, beams at the woman, who is looking at her reflection with a confused stare. The woman is wearing what from the front appears to be a normal, knee-length floral dress. However, the mirror behind her reveals that the “dress” is actually a flimsy sheet of paper that is taped onto the woman and leaves her back-half exposed. The caption reads: “So these are the disposable paper dresses I’ve been reading about?” This newspaper cartoon pokes fun at one of the most defining fashion trends in American history: the paper dress of the late 1960s.1 In 1966, the American Scott Paper Company created a marketing campaign where customers sent in a coupon and shipping money to receive a dress made of a cellulose material called “Dura-Weave.” The coupon came with paper towels, and what began as a way to market Scott’s paper products became a unique trend of American fashion in the late 1960s. -
Line Count/Costumes PDF Click Here to View
Character information for ______________________________________________________________ NB – for larger schools, extra speaking characters can easily be added to scenes and the existing lines shared out between them. Equally, for smaller schools, because many characters only appear in one scene, multiple parts can be played by a single actors. ______________________________________________________________ 37 speaking characters order of appearance. ______________________________________________________________ * A ‘line’ is defined as each time a character speaks - usually between one and five actual lines of text each time. Number of Speaking Character spoken lines * Costume Suggestions Rudolph 13 A red nose, a reindeer ‘onesie’ or brown top, leggings and antlers. Gabriel 14 Traditional nativity angel costume, with wings and halo. Charles Dickens 10 Victorian look – bow-tie, waistcoat and jacket. Long goatee beard. Erika Winterbörn 9 Viking tunic and helmet. Fur shawl or wrap. Festivius Maximus 10 Roman toga, laurel crown and red cloak. Senilius 11 Roman toga and red cloak. White beard. Tipsius 6 Plain brown or grey tunic, belted. Violentia 2 Armour breast plate over a white tunic, greaves and a helmet. Bratius 2 Plain brown or grey tunic, belted. Moodica 2 Plain brown or grey tunic, belted. Lavatoria 1 Long, belted elegant dress, tiara and jewellery. Olaf 6 Viking tunic and helmet. Fur shawl or wrap. Astrid 5 Viking tunic and helmet. Fur shawl or wrap. Hair in plaits. Cow 1 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 2 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 3 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. -
Where We Are in Place and Time – 1St Oct 2019 Save Nature
Where we are in place and time – 1st Oct 2019 Save Nature – 3rd Oct 2019 Magazine by Ajooni Kaur – 3rd Oct 2019 Learn & Play – Kindergarten 4th October 4, 2019 A Step Towards Global Warming – Myp 2 & 3 Differences in Kinetic and Potential Energy – PYP 1 & 3 – 9th Oct 2019 ART FORMS-Song composition by students – 10th Oct 2019 Learning is Fun – PYP 4 – 10th Oct 2019 MUN training Session – 10th Oct 2019 Sorting the basket: Kindergarten Activity – 14th Oct 2019 Travel and Origin – PYP 3 – 15th Oct 2019 Landforms – PYP 1 – 15th Oct 2019 Egmore Museum Field Trip (MYP1 to DP1) – 16th Oct 2019 Eldrok Awards – 16th Oct 2019 Save Nature - An Awareness Program – 16th Oct 2019 Element Card Games – 16th Oct 2019 Class Debate-”Performance Art vs Visual Art -PYP 5 – 17th Oct 2019 ART FORM-WALL MURAL – 17th Oct 2019 Seminar of Population – 18th Oct 2019 Cookery Club – 18th Oct 2019 Skype Meeting – 18th Oct 2019 Waldrof Teaching Methodology – 19th Oct 2019 Kindergarten Activities – 21st Oct 2019 Grammar and Vocabulary – 22nd Oct 2019 Effervescence – Kindergarten – 22nd Oct 2019 Types of Soil – PYP 4 – 24th Oct 2019 TOK – 24th Oct 2019 Presentation On Extended Essay – Oct 24th A live demonstration by fire fighters – Oct 25th Exploration and Observation by PYP – 29th Oct 2019 Where we are in place and time – 1st Oct 2019 The learners of PYP 1, 2 and 3 started with their 2nd unit "Where we are in place and time.” Each grade has started exploring this as per their understanding. PYP 1 explored the concept of rotation and revolution, the different seasons, and the changes that occur with the seasons. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
I Was Tempted by a Pretty Coloured Muslin
“I was tempted by a pretty y y coloured muslin”: Jane Austen and the Art of Being Fashionable MARY HAFNER-LANEY Mary Hafner-Laney is an historic costumer. Using her thirty-plus years of trial-and-error experience, she has given presentations and workshops on how women of the past dressed to historical societies, literary groups, and costuming and re-enactment organizations. She is retired from the State of Washington . E E plucked that first leaf o ff the fig tree in the Garden of Eden and decided green was her color, women of all times and all places have been interested in fashion and in being fashionable. Jane Austen herself wrote , “I beleive Finery must have it” (23 September 1813) , and in Northanger Abbey we read that Mrs. Allen cannot begin to enjoy the delights of Bath until she “was provided with a dress of the newest fashion” (20). Whether a woman was like Jane and “so tired & ashamed of half my present stock that I even blush at the sight of the wardrobe which contains them ” (25 December 1798) or like the two Miss Beauforts in Sanditon , who required “six new Dresses each for a three days visit” (Minor Works 421), dress was a problem to be solved. There were no big-name designers with models to show o ff their creations. There was no Project Runway . There were no department stores or clothing empori - ums where one could browse for and purchase garments of the latest fashion. How did a woman achieve a stylish appearance? Just as we have Vogue , Elle and In Style magazines to keep us up to date on the most current styles, women of the Regency era had The Ladies Magazine , La Belle Assemblée , Le Beau Monde , The Gallery of Fashion , and a host of other publications (Decker) . -
Fashion,Costume,And Culture
FCC_TP_V4_930 3/5/04 3:59 PM Page 1 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages FCC_TP_V4_930 3/5/04 3:59 PM Page 3 Fashion, Costume, and Culture Clothing, Headwear, Body Decorations, and Footwear through the Ages Volume 4: Modern World Part I: 19004 – 1945 SARA PENDERGAST AND TOM PENDERGAST SARAH HERMSEN, Project Editor Fashion, Costume, and Culture: Clothing, Headwear, Body Decorations, and Footwear through the Ages Sara Pendergast and Tom Pendergast Project Editor Imaging and Multimedia Composition Sarah Hermsen Dean Dauphinais, Dave Oblender Evi Seoud Editorial Product Design Manufacturing Lawrence W. Baker Kate Scheible Rita Wimberley Permissions Shalice Shah-Caldwell, Ann Taylor ©2004 by U•X•L. U•X•L is an imprint of For permission to use material from Picture Archive/CORBIS, the Library of The Gale Group, Inc., a division of this product, submit your request via Congress, AP/Wide World Photos; large Thomson Learning, Inc. the Web at http://www.gale-edit.com/ photo, Public Domain. Volume 4, from permissions, or you may download our top to bottom, © Austrian Archives/ U•X•L® is a registered trademark used Permissions Request form and submit CORBIS, AP/Wide World Photos, © Kelly herein under license. Thomson your request by fax or mail to: A. Quin; large photo, AP/Wide World Learning™ is a trademark used herein Permissions Department Photos. Volume 5, from top to bottom, under license. The Gale Group, Inc. Susan D. Rock, AP/Wide World Photos, 27500 Drake Rd. © Ken Settle; large photo, AP/Wide For more information, contact: Farmington Hills, MI 48331-3535 World Photos. -
DOW 300 Matching Sleeves
www.delongsports.com DOW 300 matching sleeves Adult* 20 - Oxford Nylon 25 - Flight Satin 29 - Poly/Dobby NEW 40 - Cordura Taslan 45 - Poly/Ultra Soft NEW *To order Youth, add a Y at the end of the style number. • Available in outerwear AR fabric options above E • Set-in sleeves match body • Matching or contrasting Insert/lower sleeve • Snap front closure RW standard • Zipper front closure optional, EXTRA • All optional collars available, EXTRA (7, 4, S, UTE N/C) • Collars S, K and W O require Zipper front, EXTRA • Knit 7, 8, K and W collars may contrast with the cuffs and band • Two front welt pockets • All optional linings available, EXTRA. • SIZES: Adult XS-6XL Youth S-XL Note: Regular size is standard. "long" (2" longer in the body and 1" longer in sleeve length) and available at 10% EXTRA "Extra Long" (4" longer in body 2" longer in sleeve.) are available at 20% EXTRA Fabric New Fabric Importance 29 - 100% Polyester high • Breathability in diverse count Dobby with DWR conditions finish, 2A wash test and a • Wind Resistant water resistant breathable • Low water absorption coating. • Water repellency (DWR) New Fabric • Retains durability after 45 - 94% Polyester/ 6% washings (2A Wash) Spandex Ultra Soft face • Color Consistency- with a 4 way stretch. 100% Finishing Process polyester laminated fleece 2012 DELONG CUSTOM 2012 DELONG CUSTOM backing with anti-pilling. DWR finish with 2A wash Teflon/Breathable coating. This all-purpose fabric can be worn year round and with its moisture management characteristic, makes it incredibly durable. page 2 877.820.0916 | fax 800.998.1904 DOW 031 set-in sleeves Adult* • Set-in sleeves match • Knit 7, 8, K and W 20 - Oxford Nylon body or contrast body collars may contrast 25 - Flight Satin • Snap front closure with the cuffs and band 29 - Poly/Dobby NEW standard • Two front welt pockets 40 - Cordura Taslan • Zipper front closure • All optional linings 45 - Poly/Ultra Soft 2012 DELONG CUSTOM NEW optional, EXTRA available, EXTRA. -
Lljnited States Patent [19] [11] 4,408,355 Hroclr [45] Oct
lljnited States Patent [19] [11] 4,408,355 Hroclr [45] Oct. 11, 1983 [54] HAND WARMEIR 2,727,241 12/1955 Smith ...................................... .. 2/66 2,835,896 5/1958 Giese .... .. 2/66 [76] Inventor: Kenneth Brock, RR. #2, Albion, 3,793,643 2/1974 Kinoshita ................................ .. 2/66 Ind. 46701 Primary Examiner-Doris L. Troutman _ ‘521] AppLNo: 443,061 ' Attorney, Agent, or Firm—K. S. Cornaby [22] Filed: Nov. 19, 1982 [57] ABSTRACT [51] Int. (11.3 ......................... .. ..... .. D0413 7/04 A hand warmer is provided which tightly ?ts against [52] US. Cl. .. 2/66 the waist of the user by means of .an adjustable belt, and [58] Field of Search ............................................ .. 2/ 66 which substantially conforms to the curvature of the [56] References Cited body. An elastic band is disposed in the interior of the muff for holding a heat source device therein, and U.S. PATENT DOCUMENTS means are provided at each end opening of the muff for 25,189 2/1896 selectively varying the size thereof between fully open 1,007,922 11/1911 and fully closed. 2,298,600 10/1942 2,351,158 6/1944 6 Claims, 5 Drawing Figures US. Patent -Oct. 11, 1983 4,408,355 4,408,355 1 , 2 ers may be selectively varied between fully open and HAND WARMER I fully closed, and an adjustable belt is attached to the muff to secure it to the body of the user. BACKGROUND OF THE INVENTION This invention pertains to a hand warmer for use in BRIEF DESCRIPTION OF THE DRAWINGS cold environments, especially for outdoor sportsmen. -
Temple University Vendor List
Temple University Vendor List 19Nine LLC Contact: Aaron Loomer 224-217-7073 5868 N Washington Indianapolis, IN 46220 [email protected] www.19nine.com Number Type Status Contracts: 1112269 Standard Effective Products: Otherwear - Shorts Stationary, Greeting Cards & N - Stickers T-Shirts - T-Shirts 3Click Inc Contact: Joseph Domosh 833-325-4253 PO Box 2315 Bala Cynwyd, PA 19004 [email protected] www.3clickpromotions.com Number Type Status Contracts: 1114550 Internal Usage Effective Products: Housewares - Water Bottles Miscellaneous - Koozie Miscellaneous - Cell Phone Accessory Item Miscellaneous - Sunglasses School Supplies - Pen Short sleeve - t-shirt short sleeve Stationary, Greeting Cards & N - Notepad 47 Brand LLC Contact: Kevin Meisinger 781-320-1384 15 Southwest Park Westwood, MA 02090 [email protected] www.twinsenterprise.com Number Type Status Contracts: 1013854 Standard Effective 1013856 Co-branded/Operation Hat Trick Effective 1013855 Vintage Marks Effective Products: Accessories - Gloves Accessories - Scarf Fashion Apparel - Sweater Fashion Apparel - Rugby Shirt Fleece - Sweatshirt Fleece - Sweatpants Headwear - Visor Headwear - Knit Caps 01/21/2020 Page 1 of 79 Headwear - Baseball Cap Mens/Unisex Socks - Socks Otherwear - Shorts Replica Football - Football Jersey Replica Hockey - Hockey Jersey T-Shirts - T-Shirts Womens Apparel - Womens Sweatpants Womens Apparel - Capris Womens Apparel - Womens Sweatshirt Womens Apparel - Dress Womens Apparel - Sweater 4imprint Inc. Contact: Karla Kohlmann 866-624-3694 101 Commerce