A History of British School Uniform
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
From Custom to Code. a Sociological Interpretation of the Making of Association Football
From Custom to Code From Custom to Code A Sociological Interpretation of the Making of Association Football Dominik Döllinger Dissertation presented at Uppsala University to be publicly examined in Humanistiska teatern, Engelska parken, Uppsala, Tuesday, 7 September 2021 at 13:15 for the degree of Doctor of Philosophy. The examination will be conducted in English. Faculty examiner: Associate Professor Patrick McGovern (London School of Economics). Abstract Döllinger, D. 2021. From Custom to Code. A Sociological Interpretation of the Making of Association Football. 167 pp. Uppsala: Department of Sociology, Uppsala University. ISBN 978-91-506-2879-1. The present study is a sociological interpretation of the emergence of modern football between 1733 and 1864. It focuses on the decades leading up to the foundation of the Football Association in 1863 and observes how folk football gradually develops into a new form which expresses itself in written codes, clubs and associations. In order to uncover this transformation, I have collected and analyzed local and national newspaper reports about football playing which had been published between 1733 and 1864. I find that folk football customs, despite their great local variety, deserve a more thorough sociological interpretation, as they were highly emotional acts of collective self-affirmation and protest. At the same time, the data shows that folk and early association football were indeed distinct insofar as the latter explicitly opposed the evocation of passions, antagonistic tensions and collective effervescence which had been at the heart of the folk version. Keywords: historical sociology, football, custom, culture, community Dominik Döllinger, Department of Sociology, Box 624, Uppsala University, SE-75126 Uppsala, Sweden. -
The Textiles of the Han Dynasty & Their Relationship with Society
The Textiles of the Han Dynasty & Their Relationship with Society Heather Langford Theses submitted for the degree of Master of Arts Faculty of Humanities and Social Sciences Centre of Asian Studies University of Adelaide May 2009 ii Dissertation submitted in partial fulfilment of the research requirements for the degree of Master of Arts Centre of Asian Studies School of Humanities and Social Sciences Adelaide University 2009 iii Table of Contents 1. Introduction.........................................................................................1 1.1. Literature Review..............................................................................13 1.2. Chapter summary ..............................................................................17 1.3. Conclusion ........................................................................................19 2. Background .......................................................................................20 2.1. Pre Han History.................................................................................20 2.2. Qin Dynasty ......................................................................................24 2.3. The Han Dynasty...............................................................................25 2.3.1. Trade with the West............................................................................. 30 2.4. Conclusion ........................................................................................32 3. Textiles and Technology....................................................................33 -
Capital No One Who Has Compared Without NATIONAL L..U.D Tv.Ry Frlday I Buy Her Som'tbeeng Nice for Wea Prejudice the Qualifications of Messrs
, LY 1 WOL. 257. LONG BRANCH, N. J., WEDNESDAY, NOVEMBER 2, 1910. 8 PAGES PRICE ONE CENT ' (MANY ATTENDED FUNERAL JUDGE EMU£ WWE0 D. of L. service! Over the Body of Forme. Long Branch Resilient Laid Mm. W. D. Brand at West ' WAGON WRECKED, MAN POLICE AND MILITIA tc Heat With i. O. O. P. Cm Long branch.' msnlw at I slinniW Funeral services for Mrs, Warren Funeral servkus lor >p«MH Jud«* I). Brand were held Monday afternoon Moses I Engle, wbo died at' Lake- aC'-FIlp MY E. Church, West Lonj wood on Saturday, weir* beld yester- AND HORSE HURT AT WILL NOT INTERFERE day from bis borne In OcetJi anna* Branch. The services were largely at tended by relatives anfl friends. Rev. at that place. Tbe services C: B. KlwlKjr paid a touching tribute largely attended, many Long rn the deceased. The choir sang relatives 'iaB IrieniJi being . •What Are They Doing In Heaven SEA BRIGHT CROSSING WITH BIG STRIKE at the services A (reat mark , |T<)day?' "Looking This Way," and teem vaa thovn tbe deceaaad by tb« "fii That City'" The pall-beirerB were Beautiful flowers which were «»n(. .ilaj.ir M V. Poole, councilman C. A. Revs Dr» T&Uiua its Power Poolo, J. D. Van Mote, (ieorge A. MM Vehicle Smashed to Kindling Wood And Driver, Gaynor Orders Police Off Express Wagons in Newconducted tbe services, emdb referring lick. C. K. Clayton and I-ouls Mine. to the exemplary Ule lad by tie da- The floral tribute* were numerous add Joseph Strohmenger, An Oceanic Bottler, Es- York And Fort Rafuses to Use Troops in Jer- ceased Judge Engle was u teacher handsome, being contributed by the Tbe revised registry 1M for in tbe Bible claw of the East Lake following: W. -
Volume 2, Issue 3, Autumn 2018
The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Front Cover Image: Textile Detail of an Evening Dress, circa 1950s, Maker Unknown, Middlesex University Fashion Collection, London, England, F2021AB. The Middlesex University Fashion Collection comprises approximately 450 garments for women and men, textiles, accessories including hats, shoes, gloves, and more, plus hundreds of haberdashery items including buttons and trimmings, from the nineteenth century to the present day. Browse the Middlesex University Fashion Collection at https://tinyurl.com/middlesex-fashion. The Journal of Dress History Volume 2, Issue 3, Autumn 2018 Editor–in–Chief Jennifer Daley Editor Scott Hughes Myerly Proofreader Georgina Chappell Published by The Association of Dress Historians [email protected] www.dresshistorians.org The Journal of Dress History Volume 2, Issue 3, Autumn 2018 [email protected] www.dresshistorians.org Copyright © 2018 The Association of Dress Historians ISSN 2515–0995 Online Computer Library Centre (OCLC) accession #988749854 The Journal of Dress History is the academic publication of The Association of Dress Historians through which scholars can articulate original research in a constructive, interdisciplinary, and peer reviewed environment. The Association of Dress Historians supports and promotes the advancement of public knowledge and education in the history of dress and textiles. The Association of Dress Historians (ADH) is Registered Charity #1014876 of The Charity Commission for England and Wales. The Journal of Dress History is copyrighted by the publisher, The Association of Dress Historians, while each published author within the journal holds the copyright to their individual article. The Journal of Dress History is circulated solely for educational purposes, completely free of charge, and not for sale or profit. -
The Morgue File 2010
the morgue file 2010 DONE BY: ASSIL DIAB 1850 1900 1850 to 1900 was known as the Victorian Era. Early 1850 bodices had a Basque opening over a che- misette, the bodice continued to be very close fitting, the waist sharp and the shoulder less slanted, during the 1850s to 1866. During the 1850s the dresses were cut without a waist seam and during the 1860s the round waist was raised to some extent. The decade of the 1870s is one of the most intricate era of women’s fashion. The style of the early 1870s relied on the renewal of the polonaise, strained on the back, gath- ered and puffed up into an detailed arrangement at the rear, above a sustaining bustle, to somewhat broaden at the wrist. The underskirt, trimmed with pleated fragments, inserting ribbon bands. An abundance of puffs, borders, rib- bons, drapes, and an outlandish mixture of fabric and colors besieged the past proposal for minimalism and looseness. women’s daywear Victorian women received their first corset at the age of 3. A typical Victorian Silhouette consisted of a two piece dress with bodice & skirt, a high neckline, armholes cut under high arm, full sleeves, small waist (17 inch waist), full skirt with petticoats and crinoline, and a floor length skirt. 1894/1896 Walking Suit the essential “tailor suit” for the active and energetic Victorian woman, The jacket and bodice are one piece, but provide the look of two separate pieces. 1859 zouave jacket Zouave jacket is a collarless, waist length braid trimmed bolero style jacket with three quarter length sleeves. -
That's All Folks!
That’s All Folks! That’s right, folks – ALL BINGOS STARTING with EACH LETTER of the ALPHABET. compiled by Jacob Cohen, Asheville Scrabble Club All 8s Starting G- GABBARDS AABBDGRS GABBARD, barge [n] GABBARTS AABBGRST GABBART, gabbard (barge) [n] GABBIEST ABBEGIST GABBY, talkative [adj] GABBLERS ABBEGLRS GABBLER, one that gabbles (to jabber (to talk rapidly)) [n] GABBLING ABBGGILN GABBLE, to jabber (to talk rapidly) [v] GABBROIC ABBCGIOR GABBRO, type of rock [adj] GABBROID ABBDGIOR GABBRO, type of rock [adj] GABELLED ABDEEGLL GABELLE, tax on salt [adj] GABELLES ABEEGLLS GABELLE, tax on salt [n] GABFESTS ABEFGSST GABFEST, informal gathering for general talk [n] GADABOUT AABDGOTU one that gads about [n -S] GADARENE AADEEGNR headlong (rash; impetuous) [adj] GADFLIES ADEFGILS GADFLY, biting fly [n] GADGETRY ADEGGRTY devising or constructing of gadgets [n -RIES] GADROONS ADGNOORS GADROON, to decorate with bands of fluted or reeded molding [v] GADWALLS AADGLLSW GADWALL, wild duck [n] GADZOOKS ADGKOOSZ used as mild oath [interj] GAGEABLE AABEEGGL GAGE, to pledge as security [adj] GAGGLING AGGGGILN GAGGLE, to cackle (to make sound of hen) [v] GAGSTERS AEGGRSST GAGSTER, gagman (one who writes jokes) [n] GAHNITES AEGHINST GAHNITE, mineral (naturally occurring inorganic substance having characteristic set of physical properties) [n] GAIETIES AEEGIIST GAIETY, festive activity [n] GAINABLE AABEGILN GAIN, to acquire (to come into possession of) [adj] GAINLESS AEGILNSS profitless [adj] GAINLIER AEGIILNR GAINLY, graceful (having beauty of form or movement) -
A Manual of Electricity, Magnetism, and Meteorology
This is a reproduction of a library book that was digitized by Google as part of an ongoing effort to preserve the information in books and make it universally accessible. https://books.google.com NYPL RESEARCH LIBRARIES | 34.33 ||||| O691091 – !! !! !! !! ! 2 _- - * - _º º 4.WN iſ A. N. U A ſ, _-_ — of -- … – ( Z.Z.º. cºlºſ Cſºlº, Ayſal & AyA.T.ſ. 5 ºf – ~ - an or sº w - -- > __ anº's ( // E *ſ'. E. O.A.: O I, O & Y. - - º Az _º_*zº, _{Z ~4–. _4% • *. %2. zz & C//4///:3' W. W.4/, /ſ/.../º, SºCſ. ET4/ºr 7, 17//, //, //7/2/, //, 5, , , ,77. //, /wo ºrºzzes *A ºl. II. - - - - - - - - - - - - - - - - - - - - - - - - - - - - --- - Tonoon: . * ~ * - - - - - - - - - - - ------ - -> --> * > *.*.*.*, *, * * x - M.A is . .” - P. i. i* - lº Hº -- - - - - - - -- - - - - * ~ * - - - - 2. - THE NEW YORK PUBLIC UIBRARY Astor, ‘f Nox TIL CEN FOUND A TY ONº. *- **º----- ADVERTISEMENT, IN presenting this volume to the public, it is only just to the publishers for me to state, that the long interval which has elapsed between the appearance of the first and the second volumes has arisen from causes over which they had no control. Circum stances having rendered it necessary for them to seek assistance to complete the volume, I was in duced, at their request, to undertake it: and all that Dr. Lardner had contributed was forthwith placed in my hands. It is unnecessary for me to state the difficulties which an author must encounter in attempting to complete a work commenced by another. I must, however, mention that, after a careful examination of the materials placed at my disposal, I have en deavoured to carry out Dr. -
A SOUTH AFRICAN MEDEA at the START of the 21ST CENTURY Betine Van Zyl Smit
http://akroterion.journals.ac.za medEia – A SOUTH AFRICAN MEDEA AT THE START OF THE 21ST CENTURY Betine van Zyl Smit (University of Nottingham) Medea is ubiquitous on the stages of the modern world. From Greece and continental Europe, the British Isles and North America the unforgettable protagonist of Euripides’ tragedy has travelled further, to South America, Japan and as far as South Africa. The earliest recorded performances of Medea in South Africa seem to be burlesques that were very popular in Cape Town in the mid 19th century1. These shows were probably attended by British expatriates who, although they were far from home, were being offered fare that would be familiar to Londoners of the same period. In fact Robert Brough’s burlesque of Legouvé’s adaptation of the Medea (Medea, or, the Best of Mothers with a Brute of a Husband), which was a great success in London in 1856,2 was apparently as popular in Cape Town where it was staged repeatedly in 1858 and during the next decade3. This illustrates the close bond between entertainment in London and the chief city of a far-off colony. During the 20th century, various translations, into either of the official languages, English or Afrikaans4, of Euripides’ Medea or, often, Anouilh’s adaptation, were staged. Gradually, and more markedly from the 1970s onwards, as was the case with the performing arts in general, a stronger local element was introduced into the productions5. Thus for example, in 1977, Barney Simon directed a multiracial cast in his version of Grillparzer’s Medea at The Space6, a theatre famous for its support for alternative productions. -
Bessie Bunter Missing Fortune
HILDA RICHARDS BESSIE BUNTER AND THE MISSING FORTUNE CHAPTER I A Fright for the Fourth 'RIPPING weather!' 'Gorgeous! ' 'Just the afternoon for taking some snaps!' 'Rather!' 'And for a picnic!' fat Bessie Bunter put in eagerly. 'I say, you know, dud-don't forget the picnic―' There was a laugh from the crowd of merry-looking schoolgirls gathered on the steps of Cliff House School, and Bessie Bunter, the fattest member of the party blinked in indignant surprise. 'Well, what is there to cackle at in that?' she demanded. 'It is a ripping afternoon for a picnic! ' 'Right, Fatima!' agreed Barbara Redfern, the leader of the party. 'And a picnic there shall be, too. But the main object of the outing is to take snaps. That's why I've brought my camera.' As a matter of fact, they all had cameras-except Bessie. Bessie's camera had departed during the winter in exchange for a few shillings to buy tuck. 'Well, what are we waiting for?' the fat one exclaimed impatiently. 'And, I say, where are we going? I hope it's not too far, you know. I'm famished as it is!' There was another laugh at that. Trust Bessie to put her appetite first! The beauties of the afternoon, the thrill of picture-hunting, were considerations which fat Bessie completely ignored. A picnic was in prospect, and a picnic was Bessie's immediate and only ambition. 'We're waiting for Marcelle,' Barbara Redfern explained, and glanced over her shoulder into the school. 'She forgot her camera, and has gone to her study to fetch it. -
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition
A Short History of the Wearing of Clerical Collars in the Presbyterian Tradition Introduction There does not seem to have been any distinctive everyday dress for Christian pastors up until the 6th century or so. Clergy simply wore what was common, yet muted, modest, and tasteful, in keeping with their office. In time, however, the dress of pastors remained rather conservative, as it is want to do, while the dress of lay people changed more rapidly. The result was that the dress of Christian pastors became distinct from the laity and thus that clothing began to be invested (no pun intended) with meaning. Skipping ahead, due to the increasing acceptance of lay scholars in the new universities, the Fourth Lateran council (1215) mandated a distinctive dress for clergy so that they could be distinguished when about town. This attire became known as the vestis talaris or the cassock. Lay academics would wear an open front robe with a lirripium or hood. It is interesting to note that both modern day academic and clerical garb stems from the same Medieval origin. Councils of the Roman Catholic church after the time of the Reformation stipulated that the common everyday attire for priests should be the cassock. Up until the middle of the 20th century, this was the common street clothes attire for Roman Catholic priests. The origin of the clerical collar does not stem from the attire of Roman priests. It’s genesis is of protestant origin. The Origin of Reformed Clerical Dress In the time of the Reformation, many of the Reformed wanted to distance themselves from what was perceived as Roman clerical attire. -
Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History
Jews and Germans in Eastern Europe New Perspectives on Modern Jewish History Edited by Cornelia Wilhelm Volume 8 Jews and Germans in Eastern Europe Shared and Comparative Histories Edited by Tobias Grill An electronic version of this book is freely available, thanks to the support of libra- ries working with Knowledge Unlatched. KU is a collaborative initiative designed to make high quality books Open Access. More information about the initiative can be found at www.knowledgeunlatched.org ISBN 978-3-11-048937-8 e-ISBN (PDF) 978-3-11-049248-4 e-ISBN (EPUB) 978-3-11-048977-4 This work is licensed under the Creative Commons Attribution-NonCommercial NoDerivatives 4.0 License. For details go to http://creativecommons.org/licenses/by-nc-nd/4.0/. Library of Congress Cataloging-in-Publication Data Names: Grill, Tobias. Title: Jews and Germans in Eastern Europe : shared and comparative histories / edited by/herausgegeben von Tobias Grill. Description: [Berlin] : De Gruyter, [2018] | Series: New perspectives on modern Jewish history ; Band/Volume 8 | Includes bibliographical references and index. Identifiers: LCCN 2018019752 (print) | LCCN 2018019939 (ebook) | ISBN 9783110492484 (electronic Portable Document Format (pdf)) | ISBN 9783110489378 (hardback) | ISBN 9783110489774 (e-book epub) | ISBN 9783110492484 (e-book pdf) Subjects: LCSH: Jews--Europe, Eastern--History. | Germans--Europe, Eastern--History. | Yiddish language--Europe, Eastern--History. | Europe, Eastern--Ethnic relations. | BISAC: HISTORY / Jewish. | HISTORY / Europe / Eastern. Classification: LCC DS135.E82 (ebook) | LCC DS135.E82 J495 2018 (print) | DDC 947/.000431--dc23 LC record available at https://lccn.loc.gov/2018019752 Bibliographic information published by the Deutsche Nationalbibliothek The Deutsche Nationalbibliothek lists this publication in the Deutsche Nationalbibliografie; detailed bibliographic data are available in the Internet at http://dnb.dnb.de. -
Textiles for Dress 1800-1920
Draft version only: not the publisher’s typeset P.A. Sykas: Textiles for dress 1800-1920 Textile fabrics are conceived by the manufacturer in terms of their material composition and processes of production, but perceived by the consumer firstly in terms of appearance and handle. Both are deeply involved in the economic and cultural issues behind the wearing of cloth: cost, quality, meaning. We must look from these several perspectives in order to understand the drivers behind the introduction of fabrics to the market, and the collective response to them in the form of fashion. A major preoccupation during our time frame was novelty. On the supply side, novelty gave a competitive edge, stimulated fashion change and accelerated the cycle of consumption. On the demand side, novelty provided pleasure, a way to get noticed, and new social signifiers. But novelty can act in contradictory ways: as an instrument for sustaining a fashion elite by facilitating costly style changes, and as an agent for breaking down fashion barriers by making elite modes more affordable. It can drive fashion both by promoting new looks, and later by acting to make those looks outmoded. During the long nineteenth century, the desire for novelty was supported by the widely accepted philosophical view of progress: that new also implied improved or more advanced, hence that novelty was a reflection of modernity. This chapter examines textiles for dress from 1800 to 1920, a period that completed the changeover from hand-craft to machine production, and through Europe’s imperial ambitions, saw the reversal of East/West trading patterns.