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“Cunning Isobel Meets Nanny”
© 2015 Angela M. Bauer All Rights Reserved Isobel Chapter 3 “Cunning Isobel Meets Nanny” Fiction by Angela Bauer Once Valery and Isobel were towel-dried after their Sunday night bath, their mommy Sylvia had them sit on their potties. Isobel produced nothing, but Valery managed to void a significant amount of pee and a moderate-size soft stool. They were wiped, diapered, given pacifiers and tucked into their cribs. During the night Sylvia checked and found Isobel’s diaper was nearly saturated, so she changed her older daughter. Then she decided to prophylactically change Valery’s diaper. Monday morning she let her girls sleep late in the nursery. Shortly before 8:00 A.M. she carried Valery and led Isobel downstairs while they were still wearing their night diapers and Onesies. She had just buckled the girls into their highchairs when the tallish and beautiful twenty-six year-old Nanny Carmen arrived. Sylvia had a bowl of the Pablum/Metamucil mixture in each hand. Hurriedly she put those on the respective highchair trays so she could properly greet Nanny Carmen. What impressed Carmen was that without fuss the smaller Valery picked up her own spoon and began eating her mixture. The far larger Isobel stared at her. After an exchange of greetings Sylvia hurried to bring Valery a Sippy cup of milk and a baby bottle of milk to Isobel. Only after holding that so Isobel could eagerly suckle a couple of ounces of milk did her mother begin to spoon-feed her the mixture. Page 1 © 2015 Angela M. -
SRPS EN 13594: Protective Gloves for Professional Motorcycle Riders
Republic of Serbia ≠ EDICT OF GOVERNMENT ± In order to promote public education and public safety, equal justice for all, a better informed citizenry, the rule of law, world trade and world peace, this legal document is hereby made available on a noncommercial basis, as it is the right of all humans to know and speak the laws that govern them. SRPS EN 13594 (2008) (English): Protective gloves for professional motorcycle riders - Requirements and test methods [Authority: The European Union Per Directive 89/686/EEC] SRPSKI SRPS EN 13594 STANDARD Septelnbar 2008. Identican sa EN 13594:2002 Zastitne rukavice za profesionalne vozace - motocikala - Zahtevi i metode ispitivanja ~ ,/ /. Protective gloves jor pro.fessional motorcycle riders - Requirenlents and test 111ethods J r -./ I izdanje Referentna oznaka TNSTITUT ZA STA NDARDIZACIJU SRBIJE SRPS EN 13594:2008 (en) PRAV A ZASTICENA Alltorska prava za ;/(1 standarde j srodne dokumente pripadaju Institlltll za standardizaciju Srbije. Umnozavanje, u celini iIi delimicno. i distribucija srpskih standarda i srodnih dokumenata. dozvoljcni su samo LIZ saglasnost Instituta za standardizaciju Srbije. ISS Inslitut za slandardizaciju Srbije LNSTITUT ZA STANDARDIZACIJU SRBIJE 11030 Beograd, Stevana Brakusa 2. p. f. 2105 Telefoni: (all) 35-41-260. 35-41-261 Telefaks: (01 I) 35-41-257 Prodaja: (011) 25-47-496 Informacioni centar: (all) 25-47-293 ISS SRPS EN 13594:2008 Ovaj standard don eo je direktor lnstituta za standardizaciju Srbije resenjem br. 1218/34-52-0112008 od 9. septelnb."a 2008. godine. Ovaj standard je identican sa evropskim standardom EN 13594:2002 i objavljen je uz dozvolu Evropskog komiteta za standardizaciju CEN, rue de Stassart 36, B-I050 Brussels. -
“The Answer to Laundry in Outer Space”: the Rise and Fall of The
Archived thesis/research paper/faculty publication from the University of North Carolina at Asheville’s NC DOCKS Institutional Repository: http://libres.uncg.edu/ir/unca/ University of North Carolina Asheville “The Answer to Laundry in Outer Space”: The Rise and Fall of the Paper Dress in 1960s American Fashion A Senior Thesis Submitted to the Faculty of the Department of History In Candidacy for the Degree of Bachelor of Arts in History By Virginia Knight Asheville, North Carolina November 2014 1 A woman stands in front of a mirror in a dressing room, a sales assistant by her side. The sales assistant, with arms full of clothing and a tape measure around her neck, beams at the woman, who is looking at her reflection with a confused stare. The woman is wearing what from the front appears to be a normal, knee-length floral dress. However, the mirror behind her reveals that the “dress” is actually a flimsy sheet of paper that is taped onto the woman and leaves her back-half exposed. The caption reads: “So these are the disposable paper dresses I’ve been reading about?” This newspaper cartoon pokes fun at one of the most defining fashion trends in American history: the paper dress of the late 1960s.1 In 1966, the American Scott Paper Company created a marketing campaign where customers sent in a coupon and shipping money to receive a dress made of a cellulose material called “Dura-Weave.” The coupon came with paper towels, and what began as a way to market Scott’s paper products became a unique trend of American fashion in the late 1960s. -
Line Count/Costumes PDF Click Here to View
Character information for ______________________________________________________________ NB – for larger schools, extra speaking characters can easily be added to scenes and the existing lines shared out between them. Equally, for smaller schools, because many characters only appear in one scene, multiple parts can be played by a single actors. ______________________________________________________________ 37 speaking characters order of appearance. ______________________________________________________________ * A ‘line’ is defined as each time a character speaks - usually between one and five actual lines of text each time. Number of Speaking Character spoken lines * Costume Suggestions Rudolph 13 A red nose, a reindeer ‘onesie’ or brown top, leggings and antlers. Gabriel 14 Traditional nativity angel costume, with wings and halo. Charles Dickens 10 Victorian look – bow-tie, waistcoat and jacket. Long goatee beard. Erika Winterbörn 9 Viking tunic and helmet. Fur shawl or wrap. Festivius Maximus 10 Roman toga, laurel crown and red cloak. Senilius 11 Roman toga and red cloak. White beard. Tipsius 6 Plain brown or grey tunic, belted. Violentia 2 Armour breast plate over a white tunic, greaves and a helmet. Bratius 2 Plain brown or grey tunic, belted. Moodica 2 Plain brown or grey tunic, belted. Lavatoria 1 Long, belted elegant dress, tiara and jewellery. Olaf 6 Viking tunic and helmet. Fur shawl or wrap. Astrid 5 Viking tunic and helmet. Fur shawl or wrap. Hair in plaits. Cow 1 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 2 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. Cow 3 1 Cow ‘onesie’ or brown/black & white, leggings and a mask or horns. -
George Harrison
COPYRIGHT 4th Estate An imprint of HarperCollinsPublishers 1 London Bridge Street London SE1 9GF www.4thEstate.co.uk This eBook first published in Great Britain by 4th Estate in 2020 Copyright © Craig Brown 2020 Cover design by Jack Smyth Cover image © Michael Ochs Archives/Handout/Getty Images Craig Brown asserts the moral right to be identified as the author of this work A catalogue record for this book is available from the British Library All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of HarperCollins. Source ISBN: 9780008340001 Ebook Edition © April 2020 ISBN: 9780008340025 Version: 2020-03-11 DEDICATION For Frances, Silas, Tallulah and Tom EPIGRAPHS In five-score summers! All new eyes, New minds, new modes, new fools, new wise; New woes to weep, new joys to prize; With nothing left of me and you In that live century’s vivid view Beyond a pinch of dust or two; A century which, if not sublime, Will show, I doubt not, at its prime, A scope above this blinkered time. From ‘1967’, by Thomas Hardy (written in 1867) ‘What a remarkable fifty years they -
Where We Are in Place and Time – 1St Oct 2019 Save Nature
Where we are in place and time – 1st Oct 2019 Save Nature – 3rd Oct 2019 Magazine by Ajooni Kaur – 3rd Oct 2019 Learn & Play – Kindergarten 4th October 4, 2019 A Step Towards Global Warming – Myp 2 & 3 Differences in Kinetic and Potential Energy – PYP 1 & 3 – 9th Oct 2019 ART FORMS-Song composition by students – 10th Oct 2019 Learning is Fun – PYP 4 – 10th Oct 2019 MUN training Session – 10th Oct 2019 Sorting the basket: Kindergarten Activity – 14th Oct 2019 Travel and Origin – PYP 3 – 15th Oct 2019 Landforms – PYP 1 – 15th Oct 2019 Egmore Museum Field Trip (MYP1 to DP1) – 16th Oct 2019 Eldrok Awards – 16th Oct 2019 Save Nature - An Awareness Program – 16th Oct 2019 Element Card Games – 16th Oct 2019 Class Debate-”Performance Art vs Visual Art -PYP 5 – 17th Oct 2019 ART FORM-WALL MURAL – 17th Oct 2019 Seminar of Population – 18th Oct 2019 Cookery Club – 18th Oct 2019 Skype Meeting – 18th Oct 2019 Waldrof Teaching Methodology – 19th Oct 2019 Kindergarten Activities – 21st Oct 2019 Grammar and Vocabulary – 22nd Oct 2019 Effervescence – Kindergarten – 22nd Oct 2019 Types of Soil – PYP 4 – 24th Oct 2019 TOK – 24th Oct 2019 Presentation On Extended Essay – Oct 24th A live demonstration by fire fighters – Oct 25th Exploration and Observation by PYP – 29th Oct 2019 Where we are in place and time – 1st Oct 2019 The learners of PYP 1, 2 and 3 started with their 2nd unit "Where we are in place and time.” Each grade has started exploring this as per their understanding. PYP 1 explored the concept of rotation and revolution, the different seasons, and the changes that occur with the seasons. -
Issue: Fashion Industry Fashion Industry
Issue: Fashion Industry Fashion Industry By: Vickie Elmer Pub. Date: January 16, 2017 Access Date: October 1, 2021 DOI: 10.1177/237455680302.n1 Source URL: http://businessresearcher.sagepub.com/sbr-1863-101702-2766972/20170116/fashion-industry ©2021 SAGE Publishing, Inc. All Rights Reserved. ©2021 SAGE Publishing, Inc. All Rights Reserved. Can it adapt to changing times? Executive Summary The global fashion business is going through a period of intense change and competition, with disruption coming in many colors: global online marketplaces, slower growth, more startups and consumers who now seem bored by what once excited them. Many U.S. shoppers have grown tired of buying Prada and Chanel suits and prefer to spend their money on experiences rather than clothes. Questions about fashion companies’ labor and environmental practices are leading to new policies, although some critics remain unconvinced. Fashion still relies on creativity, innovation and consumer attention, some of which comes from technology and some from celebrities. Here are some key takeaways: High-fashion brands must now compete with “fast fashion,” apparel sold on eBay and vintage sites. Risk factors for fashion companies include China’s growth slowdown, reduced global trade, Brexit, terrorist attacks and erratic commodity prices. Plus-size women are a growing segment of the market, yet critics say designers are ignoring them. Overview José Neves launched Farfetch during the global economic crisis of 2008, drawing more on his background in IT and software than a love of fashion. His idea: Allow small designers and fashion shops to sell their wares worldwide on a single online marketplace. The site will “fetch” fashion from far-off places. -
News You Can Use
News You Can Use LivingSoft Subscriber Newsletter | Volume 13 Dress Shop 7 Released! Become a Fashion Designer at home! With Dress Shop 7, you too can be a fashion designer, starting with a pattern that fits and making something extraordinary to wear! On October 20, 2006, Dress Shop 7 was released, exactly two years after Dress The NEW Design Elements in Dress Shop 7 Shop 6 was released. Dress Shop 7 includes more patterns, more tools, more The Dress Shop 7 upgrade necklines, more collars, more sleeves, includes many new features, but and more closure options than ever this article will address only the before. And, upgrading is a bargain. If new design elements: necklines, you do not yet own the Dress Shop collars, closures, sleeves, waist Fashion Design tools, upgrading to Dress Shop 7 gives offset and Pattern Conversion you over $200 worth of design tools for just the $60 tools. Dress Shop 7 Pro also upgrade price. And, you get more than a hundred additional includes ALL of the fashion patterns, plus the new necklines, collars, closures, and design tools as well. sleeves to boot. Necklines: Some necklines were added to Dress Shop If you do own any of the prior tool products, you get a for just one or 2 named patterns. The Cami neck for discount on the upgrade for each tool you own. Either way, instance was available only for the Camisole and you you win! could use it on just that one pattern from the Lingerie category. Now, this neckline may be used on fitted Upgrading from Dress Shop 6 to Dress Shop 7 costs $60, shirts, shells, sheaths, and jumpers for a wide less $10 for each Dress Shop Tool product you own assortment of garment designs. -
The Mini Skirt Danielle Hueston New York City College of Technology Textiles
The Mini Skirt Danielle Hueston New York City College of Technology Textiles When I was six my mother and I took one of our weekly day shopping trips to the mall. On our way back we stopped at this local thrift store. This being one of the first times I had ever experienced one, everything seemed so different and weird, in a good way. I wasn’t used to there only being one of everything, or one store that sold clothes, books, toys, home decor and shoes.Walking down the ‘bottoms aisle’ is where I first came across it. It was black and flowy, probably a cotton material, with a black elastic band around the waist. I wanted it, I needed it. It was the perfect mini skirt. It reminded me of the one I saw Regina George wear in the Hallway Scene in the movie ‘Mean Girls’ a few months prior and had to get it, even though it was a “little” big. There was only one, I was going to make it work. When Monday came I wasted no time showing off my new skirt at school. It made me feel like a whole new person. At some point of the day however my teacher had stepped out of the room to talk to another teacher, in conjunction one of my classmates playfully grabbed my pencil out of my hand, to which I decided to chase him around the room to retrieve it back. I tripped and my skirt fell right to my ankles, in front of the entire class. -
Anansi Boys Neil Gaiman
ANANSI BOYS NEIL GAIMAN ALSO BY NEIL GAIMAN MirrorMask: The Illustrated Film Script of the Motion Picture from The Jim Henson Company(with Dave McKean) The Alchemy of MirrorMask(by Dave McKean; commentary by Neil Gaiman) American Gods Stardust Smoke and Mirrors Neverwhere Good Omens(with Terry Pratchett) FOR YOUNG READERS (illustrated by Dave McKean) MirrorMask(with Dave McKean) The Day I Swapped My Dad for Two Goldfish The Wolves in the Walls Coraline CREDITS Jacket design by Richard Aquan Jacket collage from Getty Images COPYRIGHT Grateful acknowledgment is made for permission to reprint the following copyrighted material: “Some of These Days” used by permission, Jerry Vogel Music Company, Inc. Spider drawing on page 334 © by Neil Gaiman. All rights reserved. This book is a work of fiction. The characters, incidents, and dialogue are drawn from the author’s imagination and are not to be construed as real. Any resemblance to actual events or persons, living or dead, is entirely coincidental. ANANSI BOYS. Copyright© 2005 by Neil Gaiman. All rights reserved under International and Pan-American Copyright Conventions. By payment of the required fees, you have been granted the non-exclusive, non-transferable right to access and read the text of this e-book on-screen. No part of this text may be reproduced, transmitted, down-loaded, decompiled, reverse engineered, or stored in or introduced into any information storage and retrieval system, in any form or by any means, whether electronic or mechanical, now known or hereinafter invented, without the express written permission of PerfectBound™. Library of Congress Cataloging-in-Publication Data Gaiman, Neil. -
GARBED for GOD Defend the Gospel Tracts
GARBED FOR GOD (M odesty/Im m odesty) —Also for Adam and his wife the Lord God made tunics of skin, This Tract P resented B y and clothed them.“ DDeeffeenndd -Genesis 3:21 TThhee GGoossppeell TTrraaccttss M ICHAEL PICKFORD www.defendthegospel.com 29 mandate of God, we have seen His standards for INTRODUCTION: modesty. Make sacrifices and follow them. A few more good questions to ask when clothing yourself: To be garbed is to be dressed in a distinctive Is it doubtful? way. There is a certain, distinctive way in which Could it be a stumbling block to Christians ought to dress themselves. I’m dealing others? in this tract with how we dress when we come to Will it hurt my influence upon others for worship services, although the principles will godliness? apply. But I’m addressing the subject of how we, as Would I mind if Jesus saw me wearing this children of God, should clothe ourselves day by attire? day. Just ask yourself questions before you begin. His eye is always on you (Hebrews 4:13)! Think about the clothes you wear to work, to school, to work, to the mall, or grocery shopping, CONCLUSION: when you’re casual, when doing yard work... In this tract, we have dealt with the idea of Are you dressed for deity? being Garbed for God. We have considered… Are you robed for righteousness? The Mind of God... Are you clothed for Christ? The Mandate of God... Are you garbed for God? The Manipulation of Godlessness…. The Modesty of the Godly. -
Australian Official Journal Of
Vol: 21 , No. 10 8 March 2007 AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS Did you know a searchable version of this journal is now available online? It's FREE and EASY to SEARCH. Find it at http://pericles.ipaustralia.gov.au/ols/epublish/content/olsEpublications.jsp or using the "Online Journals" link on the IP Australia home page. The Australian Official Journal of Designs is part of the Official Journal issued by the Commissioner of Patents for the purposes of the Patents Act 1990, the Trade Marks Act 1995 and Designs Act 2003. This Page Left Intentionally Blank (ISSN 0819-1808) AUSTRALIAN OFFICIAL JOURNAL OF TRADE MARKS 8 March 2007 Contents General Information & Notices IR means "International Registration" Amendments and Changes Application/IRs Amended and Changes ...................... 3292 Registrations/Protected IRs Amended and Changed ................ 3292 Applications/IRs Accepted for Registartion/Protection .......... 3037 Applications/IRs Filed Nos 1160606 to 1161826 ............................. 3021 Applications/IRs Lapsed, Withdrawn and Refused Lapsed ...................................... 3294 Withdrawn..................................... 3294 Assignments, Trasnmittals and Transfers .................. 3294 Cancellations of Entries in Register ...................... 3297 Notices ........................................ 3291 Opposition Proceedings ............................. 3290 Removal/Cessation of Protection for Non-use Proceedings ....... 3297 Renewal of Registration/IR ............................ 3297 Trade Marks