Panel Carved with the Arms of Mary of Guise
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Notices of the King's Master. Weights of Scotland, With
III. NOTICEE KING'TH F SO S MASTER. WEIGHT F SCOTLANDO S , WITH WRIT THEIF SO R APPOINTMENTS . MYLNEREVS E . R TH . Y B ., M.A., B.C.L. OXON. The King's Master Wright was a personage of less importance than the King's Master Mason or the King's Master of Work. Still, the history of his office resembles in many respects that of the two last- named officials, and we find him and his assistants mentioned from tim e earl timo th et yn ei record f Scotlando s e numbeTh . f wrighto r s in the royal employment seems to have varied considerably, according to e variouth s exigencie e Crownth f d theso s an ; e wrights could readily turn their hands to boat-building, the construction of instruments for military warfare, or the internal fittings of the Eoyal Palace. Some notices of the wrights and carpenters employed by the Kings of Scotlandin early times maybe Exchequerfoune th n di Rolls. Thus 129n ,i 0 Alexander Carpentere th , s wor,hi receiver k fo execute y spa Stirlinn di g Castle by the King's command. In 1361 Malcolm, the Wright, receives £10 fro e fermemth f Aberdeeno s d thian ,s payhien repeates i t laten di r years. Between the years 1362 and 1370 Sir William Dishington acted as Master of Work to the Church of St Monan's in Fife, and received from Kine Th g . alsOd of £613 . o pair 7s Kinm fo d, su ge Davith . II d carpenter's wor t thika s 137churcn I , 7. -
Building Stones of Edinburgh's South Side
The route Building Stones of Edinburgh’s South Side This tour takes the form of a circular walk from George Square northwards along George IV Bridge to the High Street of the Old Town, returning by South Bridge and Building Stones Chambers Street and Nicolson Street. Most of the itinerary High Court 32 lies within the Edinburgh World Heritage Site. 25 33 26 31 of Edinburgh’s 27 28 The recommended route along pavements is shown in red 29 24 30 34 on the diagram overleaf. Edinburgh traffic can be very busy, 21 so TAKE CARE; cross where possible at traffic light controlled 22 South Side 23 crossings. Public toilets are located in Nicolson Square 20 19 near start and end of walk. The walk begins at NE corner of Crown Office George Square (Route Map locality 1). 18 17 16 35 14 36 Further Reading 13 15 McMillan, A A, Gillanders, R J and Fairhurst, J A. 1999 National Museum of Scotland Building Stones of Edinburgh. 2nd Edition. Edinburgh Geological Society. 12 11 Lothian & Borders GeoConservation leaflets including Telfer Wall Calton Hill, and Craigleith Quarry (http://www. 9 8 Central 7 Finish Mosque edinburghgeolsoc.org/r_download.html) 10 38 37 Quartermile, formerly 6 CHAP the Royal Infirmary of Acknowledgements. 1 EL Edinburgh S T Text: Andrew McMillan and Richard Gillanders with Start . 5 contributions from David McAdam and Alex Stark. 4 2 3 LACE CLEUCH P Map adapted with permission from The Buildings of BUC Scotland: Edinburgh (Pevsner Architectural Guides, Yale University Press), by J. Gifford, C. McWilliam and D. -
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The Mylne Family [Microform] : Master Masons, Architects, Engineers, Their Professional Career, 1481-1876
THE MYLNE FAMILY. MASTER MASONS, ARCHITECTS, ENGINEERS THEIR PROFESSIONAL CAREER 1481-1876. PRINTED FOR PRIVATE CIRCULATION BY ROBERT W. MYLNE, C.E., F.R.S., F.S.A., F.G.S., F.S.A Scot PEL, INST. BRIT. ARCH LONDON 187 JOHN MYLNE, MASTER MASON ANDMASTER OF THE LODGE OF SCONE. {area 1640—45.) Jfyotn an original drawing in tliepossession of W. F. Watson, Esq., Edinburgh. C%*l*\ fA^ CONTENTS. PREFACE. " REPRINT FROM ARTICLEIN DICTIONARYOF ARCHITECTURE.^' 1876. REGISTER 07 ABMB—LTONOFFICE—SCOTLAND,1672. BEPBIKT FBOH '-' HISTOBT OF THKLODGE OF EDINBURGH," 1873. CONTRACT BT THE MASTER MASONS OF THE LODGE OF SCONE AND PERTH, 1658. APPENDIX. EXTRACTS FROM THE BURGH BOOKS OF DUNDEE, 1567—1604. CONTRACT WITH GEORGE THOMSON AND JOHN MTLNE, MASONS, TO MAKE ADDITIONS TO LORD BANNTAYNE'S HOUSE AT NEWTTLE. NEAR DUNDEE, 1589. — EXTRACTS FROM THE BURGH BOOKS OF EDINBURGH, 1616 17. CONTRACT BETWIXT JOHN MTLNE,AND LORD SCONE TO BUILD A CHURCH AT FALKLAND,1620. EXTRACTS FROM THE BURGH BOOKS OF DUNDEE AND ABERDEEN, 1622—27. EXTRACT FROM THE CHAMBEBLAIn'b ACCOUNTS OF THE EABL OF PERTH, 1629. GRANT TOJOHN MTLNEOF THE OFFICE OF PRINCIPAL MASTER MASON TO THEKING,1631. EXTRACTS FBOM THE BUBGH BOOKS OF KIBCALDT AND DUNDEE, 1643—51. GRANT TO JOHN MTLNE, TOUNGER, KING'S PRINCIPAL MASTER MASON> OF THE OFFICE OF CAPTAIN AND MASTER OF PIONEERS AND PRINCIPAL MASTER GUNNER OF ALLSCOTLAND,1646. CONTRACT WITHJOHN MTLNEAND GEORGE 2ND EABL 09 PANMUBE TO BUILDPANMURE HOUSE, ADJACENT TO THE ANCIENT MANSION AT BOWBCHIN, NEAR DUNDEE, 1666. BOTAL WARRANT CONCERNING THE FINISHING OF THE PALACE OF HOLTROOD, 21 FEBRUARY,1676. -
Statement of Significance Argyll’S Lodging, Stirling
Property in Care (PIC) ID: PIC107 Designations: Listed Building (LB41255) Taken into State care: 1964 (Ownership) Last reviewed: 2014 STATEMENT OF SIGNIFICANCE ARGYLL’S LODGING, STIRLING We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH © Historic Environment Scotland 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot Historic Environment Scotland – Scottish Charity No. SC045925 Principal Office: Longmore House, Salisbury Place, Edinburgh EH9 1SH 1 ARGYLL’S LODGING -
Fort Charlotte Statement of Significance
Property in Care (PIC) ID:PIC245 Designations: Scheduled Monument (SM90145) Taken into State care: 1969 (Interdepartmental Transfer) 1999 (Ownership) Last reviewed: 2014 STATEMENT OF SIGNIFICANCE FORT CHARLOTTE We continually revise our Statements of Significance, so they may vary in length, format and level of detail. While every effort is made to keep them up to date, they should not be considered a definitive or final assessment of our properties. 1/9 © Historic Environment Scotland 2019 You may re-use this information (excluding logos and images) free of charge in any format or medium, under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit http://nationalarchives.gov.uk/doc/open- government-licence/version/3/ or write to the Information Policy Team, The National Archives, Kew, London TW9 4DU, or email: [email protected] Where we have identified any third party copyright information you will need to obtain permission from the copyright holders concerned. Any enquiries regarding this document should be sent to us at: Historic Environment Scotland Longmore House Salisbury Place Edinburgh EH9 1SH +44 (0) 131 668 8600 www.historicenvironment.scot You can download this publication from our website at www.historicenvironment.scot 2/9 FORT CHARLOTTE SYNOPSIS Fort Charlotte is located in the centre of Lerwick, sandwiched between Charlotte Street (south), Market Street (west), Harbour Street (north) and the Esplanade (east), and overlooking the Bressay Sound. Next to Fort George, it is the most complete trace Italienne (angle-bastioned) artillery fortification in Scotland. The fort originated during the Second Anglo-Dutch War (1665-7), when it was built to protect the naval anchorage in Bressay Sound. -
Scotland's Royal Palace
Scotland’s royal palace Holyroodhouse, Edinburgh The Scottish Palace of The Queen The surviving interiors of Scotland’s premier royal palace offer a vivid insight into the 17th-century life of the Court. Simon Thurley unravels the history of an outstanding building Photographs by James Brittain f all The Queen’s palaces, that of Holyroodhouse can claim, with Windsor, to be the most venerable. It has its origins in an Augustin- Oian abbey founded in 1128 and is named after its most precious relic—a fragment of the true cross, a piece of the holy rood. Like their English counterparts, medieval Scot- tish kings often preferred to reside in the comfortable lodgings of a rich abbot rather than the austere towers of their own fortresses. More than Edinburgh Castle, Holyrood became a favoured residence of the Scottish kings, and by the reign of James V, the royal lodgings at the abbey overshadowed the monastic parts (Fig 2). Most impressive of the surviving remains from this early palace are the rooms of Mary Queen of Scots (Country Life, November 23, 1995). Like most royal palaces, Holyroodhouse was horribly abused during the Civil War and Commonwealth, and, at the Restoration, it was very run down. The Scottish Privy Council had a scheme for smartening it up in 1661, but, in 1670, it was decided to almost completely rebuild it. What was constructed between 1671 and 1679 was no normal palace. At the time, it seemed very unlikely that Charles II would ever visit Edinburgh, let The Royal Collection alone live there. The royal apartments were ➢ Fig 1: The King’s Bedchamber with its 1680s state bed. -
The Archaeology and Conservation of the Country House
Edinburgh Research Explorer The Archaeology and Conservation of the Country House Citation for published version: Nicholas Uglow, Tom, Addyman & Lowrey, J 2012, 'The Archaeology and Conservation of the Country House: Leslie House and Kinross House', Architectural Heritage, vol. 23, no. 1, pp. 163-178. https://doi.org/10.3366/arch.2012.0038 Digital Object Identifier (DOI): 10.3366/arch.2012.0038 Link: Link to publication record in Edinburgh Research Explorer Document Version: Publisher's PDF, also known as Version of record Published In: Architectural Heritage Publisher Rights Statement: © The Architectural Heritage Society, 2012. Tom, Addyman, Lowrey, J., & Nicholas Uglow (2013). The archaeology and conservation of the country house: Leslie House and Kinross House. Architectural Heritage, 23(1), 163-178doi: 10.3366/arch.2012.0038 General rights Copyright for the publications made accessible via the Edinburgh Research Explorer is retained by the author(s) and / or other copyright owners and it is a condition of accessing these publications that users recognise and abide by the legal requirements associated with these rights. Take down policy The University of Edinburgh has made every reasonable effort to ensure that Edinburgh Research Explorer content complies with UK legislation. If you believe that the public display of this file breaches copyright please contact [email protected] providing details, and we will remove access to the work immediately and investigate your claim. Download date: 25. Sep. 2021 Nicholas Uglow, Tom Addyman and John Lowrey The Archaeology and Conservation of the Country House: Leslie House and Kinross House Between 2010 and 2012, the authors worked on Leslie House, Fife, and Kinross House, Perth & Kinross, both by Sir William Bruce. -
ST CECILIA's HALL Niddry Street, Edinburgh Conservation Plan
ST CECILIA’S HALL Niddry Street, Edinburgh Conservation Plan Simpson & Brown Architects December 2009 Front cover: Oval Concert Hall Cupula. University of Edinburgh. ST CECILIA’S HALL: CONSERVATION PLAN DRAFT CONTENTS Contents Page 1.0 Executive Summary 3 2.0 Introduction 8 2.1 Objectives of a Conservation Plan 8 2.2 Study Area 8 2.3 Designations 12 2.3.1 Listed Buildings 2.3.2 Conservation Area 2.3.3 World Heritage Site 2.3.4 Other Designations 2.4 Limitations 14 2.5 Structure of the Report 15 2.6 Project Team 15 2.7 Acknowledgements 15 2.8 Archives and Collections 16 2.9 Definitions 16 3.0 Understanding St Cecilia’s Hall 19 3.1 Introduction 19 3.2 General History 19 3.2.1 The Changing Face of Edinburgh in the 18th Century 3.2.2 18th Century Concert Halls in Europe 3.2.3 Robert Mylne, 1733-1811 3.3 Historical Development of St Cecilia’s Hall 27 3.3.1 Previous Building(s) on the Site 3.3.2 Phase One – 1760 to 1767 3.3.3 Phase Two – 1768 to 1776 3.3.4 Phase Three – 1786 to 1801 3.3.5 Phase Four – 1801 to 1844 3.3.6 Phase Five – 1844 to c.1890 3.3.7 Phase Six – 1890 to 1933 3.3.8 Phase Seven – 1933 to 1959 3.3.9 Phase Eight – 1959 to Today 3.4 Collections Held at St Cecilia’s Hall 49 3.4.1 The Edinburgh University Collection of Historic Musical Instruments 3.4.2 The Raymond Russell Collection 3.4.3 The Rodger Mirrey Collection 3.4.4 The Anne Macauley Collection 3.4.5 Other notable historic keyboard instrument collections in the UK 4.0 Statement of Significance 52 5.0 Conservation Issues 56 5.1 Introduction 56 5.2 Statutory & Non-Statutory -
Robert Adam's Revolution in Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected]
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Robert Adam's Revolution In Architecture Miranda Jane Routh Hausberg University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the History of Art, Architecture, and Archaeology Commons Recommended Citation Hausberg, Miranda Jane Routh, "Robert Adam's Revolution In Architecture" (2019). Publicly Accessible Penn Dissertations. 3339. https://repository.upenn.edu/edissertations/3339 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3339 For more information, please contact [email protected]. Robert Adam's Revolution In Architecture Abstract ABSTRACT ROBERT ADAM’S REVOLUTION IN ARCHITECTURE Robert Adam (1728-92) was a revolutionary artist and, unusually, he possessed the insight and bravado to self-identify as one publicly. In the first fascicle of his three-volume Works in Architecture of Robert and James Adam (published in installments between 1773 and 1822), he proclaimed that he had started a “revolution” in the art of architecture. Adam’s “revolution” was expansive: it comprised the introduction of avant-garde, light, and elegant architectural decoration; mastery in the design of picturesque and scenographic interiors; and a revision of Renaissance traditions, including the relegation of architectural orders, the rejection of most Palladian forms, and the embrace of the concept of taste as a foundation of architecture. -
Sundial Register by Country/Region
Sundial Register by Country/Region No. Type Description Visited Date Barbados BARBADOS - St JOHN'S CHURCH 1 Horizontal Circular dial plate. The gnomon is at a very shallow angle as befits its location about 13 degrees north of the equator. Roman numerals. Not yet visited - unfortunately! Photo by Martin Moss. 15 May 2013 © Dennis Cowan 2013 Page 1 of 92 No. Type Description Visited Date Cuba TOPES DE COLLANTES 1 Horizontal A huge horizontal sundial laid out on the ground complete with a separate Equation of Time. Not seen. Photos by Sharon Rankin. 15 May 2013 © Dennis Cowan 2013 Page 2 of 92 No. Type Description Visited Date England Bedfordshire AMPTHILL BAPTIST CHURCH 1 Single Face A square single faced polar dial high on the church wall 23/04/2013 facing the main street. Motto of "Carpe diem". Date of 1822. Roman numerals from 1pm to 12? Hour and half hour lines. Completely wrongly oriented. Showed 8 o'clock at 11 am. Recently refurbished. BIDDENHAM - ST JAMES 2 Mass/Scratch A mass dial with three hour lines visible and a filled in 05/10/2011 CHURCH gnomon hole. Situated about 3'6" above ground level in porch at left of door to the church. BIDDENHAM - THE GREEN 1 Horizontal This circular metal Millenium Dial with solid gnomon sits on 05/10/2011 a squat column on a circular plinth. Roman numerals from 5am to 7pm. Hour, half hour and quarter hour lines. "Biddenham AD2000 Latitude North 52 08 40 West 000 30 05." "GMT." "Times change and we with them". -
Wallace, Iain Ross (2020) Leaving a Mark on History. the Stonemasons’ Marks of Selected Medieval Ecclesiastical and Secular Buildings of Central and Southern Scotland
Wallace, Iain Ross (2020) Leaving a mark on history. The stonemasons’ marks of selected medieval ecclesiastical and secular buildings of central and southern Scotland. MRes thesis. http://theses.gla.ac.uk/81713/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Leaving a mark on history The stonemasons’ marks of selected medieval ecclesiastical and secular buildings of central and southern Scotland. Volume 1 Iain Ross Wallace Cert HE, MA Submitted in fulfilment of the requirements for the degree of Masters (Research) in Archaeology School of Humanities, College of Arts, University of Glasgow. September 2019 © Iain Ross Wallace Leaving a mark on history Abstract Our knowledge and understanding of medieval buildings in Scotland, and indeed elsewhere, is influenced by the historical record, which invariably focuses on those at the upper echelons of society who ordered their construction and then occupied the buildings. This multi-disciplinary research has investigated the stonemasons’ marks found on selected medieval stone buildings in central and southern Scotland which were begun in the 12th and 13th centuries. -
The Ancient Sundials of Scotland Andrew R Somerville*
Proc SocAntiq Scot, 117 (1987), 233-264, fiche 3: A2-G14 The ancient sundials of Scotland Andrew R Somerville* SUMMARY Scotland has a rich heritage of Renaissance' sundials which are more numerous than in any other country. These are free-standing stone sculptures dating from the 17th and early 18th centuries, with many dials inscribed on them, often in shapes which may have symbolic significance. A catalogue has been prepared including those which have been recorded in the past and have now disappeared, as well as those which still survive. The various types are described and comparisons made with those in other countries, showing the unique character of the Scottish style. The reasons for their appearance in Scotland at this time are first of all material: more stable government and increased prosperity led to the building of mansion houses with pleasure gardens. Secondly, the Calvinist philosophy of the time frowned on decoration for its own sake and required function as well. Thirdly, interest in science was increasing, along with the Renaissance interest in re-discovering the esoteric knowledge of the ancients. In addition, freemasonry may have had its beginnings in Scotland in the late 16th century and certainly assumed considerable importance in the 17th; this is unlikely to be mere coincidence and the dials probably had a significance which went well beyond simple time-keeping. The main listing of the catalogue is given in microfiche form, but summaries are printed. CONTENTS PRINTED SECTION Introduction ............... 234 Description of the dials ............. 235 History and continental influences ........... 246 Symbolism ............... 251 Conclusions ............... 254 The Catalogue .............