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Uc de Saint Circ
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
Pdfla Voz Y La Noticia : Palabras Y Mensajes En La Tradición Hispánica / Simposio Sobre Patrimonio
Bedt Authgen Attgen Author Attribution Genre Argomento
Cahiers De Civilisation M Diev‡Le
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Methodological Study Applied to Medieval Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
Si Bé, Fortuna, Has Dat Lo Torn
Troubadour Biographies and the Value of Authentic Love Daude De Pradas and Uc De Saint Circ
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
Troubadours Press Release Sept 2019
Abrir Tomo I Segunda Parte
Anna Kłosowska
Latin Models of Authority and the Compilation of Troubadour Songbooks
Troubadours Whose Names Are in Bold Type Are Those Included in Appendix 1; Arabic Numerals in Parentheses Following Their Name Identify Their Entry There
DESE - Les Littératures De L’Europe Unie
“Paradiso”. Storia Intertestuale Di Cunizza Da Romano, Ravenna, Longo, 2010, Pp
16119098.Pdf
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Bronnen, Tekstedities En Literatuur
A Methodological Study Applied to Medieval Literature Jean-Baptiste Camps, Florian Cafiero
UC Berkeley UC Berkeley Electronic Theses and Dissertations
Miroir De Mérite». Valeurs Sociales, Rôles Et Image De La Femme
UC De Saint Circ : (Naissance : Vers La Fin Du XII Ème Et La Dernière Attestation De Son Existence Est De 1257
Giuseppe Tavani Peire De Blai En Est Son Fas Chansoneta Novelha (Bdt 328.1)
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
Pedro El Católico, Rey De Aragón Y Conde De Barcelona (1196-1213) Documentos, Testimonios Y Memoria Histórica
Bedt Authgen Attgen Author Attribution Genre Argomento
Itrovatori E La Corona D'aragona
Bedt Authgen Attgen Author Attribution Genre Argomento 030,VI
Capital, Value, and Exchange in the Old Occitan and Old French Tenson (Including the Partimen and the Jeu-Parti)
Singing to Another Tune”: Contrafacture and Attribution in Troubadour Song
Occitan Studies