DOCSLIB.ORG

Miroir De Mérite». Valeurs Sociales, Rôles Et Image De La Femme

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Miroir De Mérite». Valeurs Sociales, Rôles Et Image De La Femme SUSANNANIIRANEN«MIROIRDEMÉRITE» JYVÄSKYLÄ STUDIES IN HUMANITIES 115 Susanna Niiranen «Miroir de mérite» Susanna Niiranen Valeurs sociales, rôles et image de la femme dans les textes médiévaux des trobairitz «Miroir de mérite» Acta Academiae Paedagogicae Jyväskyläensis 1938-1961 Jyväskylä Studies in Education, Psychology and Social Research 1962- Studia Historica Jyväskyläensia 1962-2003 Studia Philologica Jyväskyläensia 1966-2002 Valeurs sociales, rôles et image Jyväskylä Studies in the Arts 1967-2003 Studies in Sport, Physical Education and Health 1971- de la femme dans les textes Biological Research Reports from the University of Jyväskylä 1975-1999 Jyväskylä Studies in Computer Science, Economics and Statistics 1980-2000 médiévaux des trobairitz Jyväskylä Studies in Communication 1995-2003 Jyväskylä Studies in Biological and Environmental Science 1999- Jyväskylä Studies in Computing 1999- Jyväskylä Studies in Business and Economics 2000- Jyväskylä Studies in Statistics 2000- Jyväskylä Studies in Languages 2002-2003 Jyväskylä Studies in Humanities 2003- RESEARCH SERIES PUBLISHED BY THE UNIVERSITY OF JYVÄSKYLÄ Jyväskylä 2009 JAKAJA: Jyväskylän yliopiston kirjasto, PL 35, 40014 JYVÄSKYLÄN YLIOPISTO DISTRIBUTOR: University Library of Jyväskylä, P.O. Box 35, FI-40014 UNIVERSITY OF JYVÄSKYLÄ FINLAND ISSN 1459-4323 ISBN 978-951-39-3497-2 JYVÄSKYLÄ STUDIES IN HUMANITIES 115 JYVÄSKYLÄ STUDIES IN HUMANITIES 115 Susanna Niiranen «Miroir de mérite» Valeurs sociales, rôles et image de la femme dans les textes médiévaux des trobairitz Esitetään Jyväskylän yliopiston humanistisen tiedekunnan suostumuksella julkisesti tarkastettavaksi yliopiston Villa Ranan Blomstedtin salissa maaliskuun 21. päivänä 2009 kello 12. Academic dissertation to be publicly discussed, by permission of the Faculty of Humanities of the University of Jyväskylä, in the Building Villa Rana. Blomstedt Hall, on March 21, 2009 at 12 o'clock noon. UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2009 «Miroir de mérite» Valeurs sociales, rôles et image de la femme dans les textes médiévaux des trobairitz JYVÄSKYLÄ STUDIES IN HUMANITIES 115 Susanna Niiranen «Miroir de mérite» Valeurs sociales, rôles et image de la femme dans les textes médiévaux des trobairitz UNIVERSITY OF JYVÄSKYLÄ JYVÄSKYLÄ 2009 Editors Seppo Zetterberg Department of History and Ethnology, University of Jyväskylä Pekka Olsbo, Marja-Leena Tynkkynen Publishing Unit, University Library of Jyväskylä Jyväskylä Studies in Humanities Editorial Board Editor in Chief Heikki Hanka, Department of Art and Culture Studies, University of Jyväskylä Petri Karonen, Department of History and Ethnology, University of Jyväskylä Matti Rahkonen, Department of Languages, University of Jyväskylä Petri Toiviainen, Department of Music, University of Jyväskylä Minna-Riitta Luukka, Centre for Applied Language Studies, University of Jyväskylä Raimo Salokangas, Department of Communication, University of Jyväskylä Cover picture: Castelloza and an anonymous chevalier, ms. A fol. 168v, Vatican Library, lat. 5232. URN:ISBN:978-951-39-3509-2 ISBN 978-951-39-3509-2 (PDF) ISBN 978-951-39-3497-2 (nid.) ISSN 1459-4331 Copyright ©2009 , by University of Jyväskylä Jyväskylä University Printing House, Jyväskylä 2009 ABSTRACT Niiranen,Susanna «Miroir de mérite».Valeurs sociales,rôles et image de lafemme dans les textes médiévaux des trobairitz./ “Mirror of merit”. Social values, roles andimage of womaninthemedievaltextsofthe trobairitz Jyväskylä:University ofJyväskylä,2009,267p. (JyväskyläStudiesin Humanities ISSN 1459-4331; 115) ISBN 978-951-39-3509-2 (PDF), 978-951-39-3497-2 (nid.) Finnishsummary Diss. The trobairitz were Occitan women troubadours,active from around 1170to ap- proximately 1260. The trobairitz repertory provides unique material on about from the High Middle Ages allowing the study of women’s conceptions,values and ways of thinking can be studied. In this study, these characteristics are compared with the socio-poetic code of male troubadours and with the other contemporaryOccitanliterature. In their poetry, the trobairitz manifest values like sincerity, trust, merit, honour,andgoodreputation.These qualities can be consideredas representa tions of feudal and courtly culture andrelatedto the contemporary discussion of being noble in bloodor noble in heart which derives from the development and the enclosure of aristocracy. The same values are articulated in the vidas (biographies) andrazos (commentaries) that introduce trobairitz in anumber of manuscripts. In addition, the very favourable attitude towards educational or intellectual values is associated with poetic skills and with the needs of court social life.All these values articulate trobairitz’ social roles as aristocratic ladies, domnas, as sources of poetic inspiration and patronesses of the male trouba doursbutalsoaspoetic“high-style”song-makerswhoweredistinguishedfrom the lower class andlower-style female musicians.The significance of reputation seems to be gendered in a way that a decent reputation might have helped women’s poetry survive.For men,on the other hand,any reputation (goodor bad)wassufficient. As for the affective level of the poetry,the study shows that the trobairitz use the same emotional register (love,joy,suffering) as their male counterparts, which supports the hypothesis that the women troubadours were well inte- gratedintothepoeticcultureofOccitantroubadours. Keywords: trobairitz, troubadours, Occitania, medieval literature, courtly cul- ture,values,socialrole,genderhistory Author’s address SusannaNiiranen DepartmentofHistoryandEthnology P.O.Box35(V) FIN-40014University ofJyväskylä FINLAND [email protected] Supervisors ProfessorJuhaSihvola DepartmentofHistoryandEthnology P.O.Box35(H) FIN-40014University ofJyväskylä FINLAND ProfessorOutiMerisalo DepartmentofLanguages P.O.Box35(P) FIN-40014University ofJyväskylä FINLAND Reviewers ProfessorAlbrechtClassen DepartmentofGermanStudies 301LearningServicesBldg. University ofArizona Tucson,AZ85721 DocentMarkoLamberg DepartmentofHistoryandEthnology P.O.Box35(H) FIN-40014University ofJyväskylä FINLAND Opponent ProfessorAlbrechtClassen DepartmentofGermanStudies 301LearningServicesBldg. University ofArizona Tucson,AZ85721 ACKNOWLEDGMENTS Medieval troubadours,andmy doctoral studies in general,have been engaging andbrought me contacts with scholars near andfar. I am grateful to my Profes- sors Jorma O. Tiainen and Jorma Ahvenainen at the Department of History (University of Jyväskylä) for their favourable attitude to the historical study of women troubadours. They encouraged me to pursue my studies further after my graduate studies,andthey have shown continuous trust andinterest in my work. I was particularly lucky to have two leading (and almost the only in Finland!) Occitanists in Jyväskylä:first,I hadthe honour of familiarising myself with Occitan studies with Professor Aimo Sakari († 2001) and after him,with Professor Outi Merisalo. I am immensely grateful to Professor Merisalo, my thesis supervisor,who broadmindedly sent me to Rome (in 19971998) where I passedthe European Diplomafor Medieval Studies (Fédération Internationale des Instituts d’Études Médiévales) and who has ever since encouraged and supportedmethrougheverystepoftheprocess:merces,merces! As apost-graduate student studying pre-modern times,I continuedto be fortunate, since Professor Juha Sihvola came to our department and took me under his wing.As my thesis supervisor,his virtues have been patience,toler- ance,and generosity - efcharistó! Thanks to Professor Sihvola,I have also been privileged to study within two projects funded by the Academy of Finland: “Hoping for continuity,facing oblivion.Childhood, education anddeath in An- tiquity andthe Middle Ages”,directedby Docent KatariinaMustakallio,who convincedme of the significance of the “passages”between Antiquity andthe Middle Ages andthe same dialogue between those two eras has been continu- ing within the research unit “Philosophical psychology,morality andpolitics”, directedby Professor Simo Knuuttila.The project’s Medieval philosophy team has been ledby Professors Mikko Yrjönsuuri andTaneli Kukkonen,who very generously have made efforts to familiarise me with ancient and medieval phi- losophy as well as all the members of the group – gratias ago! Shukran! Besides the Academy of Finland, this publication has been made possible with the fi- nancial assistance of the Cultural Foundation of Finland,the Ellen andArtturi NyyssönenFoundation,andtheFinnishConcordiaFund. Iwouldliketothank myreviewersProfessorAlbrechtClassenandDocent Marko Lamberg for offering their time to my manuscript andfor their insight- ful andlearnedcomments on it – Vielen Danke! Tack så mycket! I am also grateful toProfessorClassenforacceptingthedutyof the opponent. Professor Pasi Ihalainen and Dr. Sari KatajalaPeltomaa have also com- mentedandsharedtheir thoughts on one or more of chapters of this study.Dr. Jean-Yves Malherbe deserves special thanks for proofreading the French in the manuscript – merci beaucoup! The maps of the troubadour and the trobairitz courts are drawn by Jari Järvinen.I am indebtedto Professors Toivo Nygård, Petri Karonen,andJari Ojala,the former andpresent Heads of the Department History andEthnology,as well as to Professor of General History,Seppo Zet- terberg,who have providedme with optimal working conditions in Jyväskylä – aitäh! When visiting the Bibliothèque Nationale,Professor Nicole Bériou kindly providedaccommodationsinParis. This book has been shaped by interactions with scholars from various
Load more

Recommended publications
  • An Open Letter of Poetics to Steve Farmer (Revised for the CIPM Newsletter Sept 99)
    An Open Letter of Poetics to Steve Farmer (revised for the CIPM Newsletter Sept 99): A letter like this one begins with an apology. I agree with much of what you say and yet I feel whatever I say will be inadequate to articulate the hours we spend in a condition of poetry, or I find it difficult tonight to separate myself from my work and my work with the world. It is an unruly drama of desire and its depiction. A shape, or a sound, a sentence to compose what is and what isn’t. A circulation that travels an ellipse; sometimes it wobbles and then breaks and from that a poem will begin to take form. A figure announcing itself beside itself. It needn’t be fancy: not unlike a dog barking at its shadow, confusing its own sound as the other’s. Or a solitaire in front of the television speaking back to it out of habit. A mother singing in the nursery. A stoner at the light talking to himself with the radio blasting “it’s like this and like that and like this and a.” I balk at description. It fails me just now. I question even this rhetoric. We were talking recently about “aporia,” the difficulty of trying to say what you do at the same time that you mistrust the form in which you have to express it. When you have a sense that things are in free play, that things (the context, the movement of the poem) are more intuitive than outlined, it’s difficult to name what is happening.
    [Show full text]
  • El Conreu Del Lai Líric a La Literatura Catalana Medieval
    LLUIS CABRE EL CONREU DEL LAI URIC A LA LITERATURA CATALANA MEDIEVAL Aquestes pagines parteixen de l'estudi que dedica Amadeu Pages al lai uric ja fa una colla d'anys.' D'entrada, doncs, volen revisar l'estat de la gbesti6 a la hum dels coneixements actuals sobre el genere i els poetes catalans que el representen. Aquesta visi6 estrictament tipologica suscita diverses implicacions entre el conreu del lai uric catala i el d'altres literatures romaniques; de manera que la trajectoria del genere permet algunes consideracions d'historia literaria, singularment sobre la concepci6 poetica de la lirica catalana del segle xv. Altrament, ha semblat oportu al qui signa d'afegir al comencament una aproximaci6 al sentit i a his del terme en les nostres lletres, i no tan sols a causa de la complexitat d'aquesta materia, sin6 amb vista a extreure'n despres on rendiment complementari de l'analisi del genere. 1. EL TERME El mot lai, en el seu us en preceptiva literaria medieval, pot desig- nar, com es sabut, tant una composici6 lirica com narrativa, i aixf consta al diccionari Alcover-Moll (DCVB), del qual prenen la definici6 els de 1. La poesie francaise en Catalogne du XIIle siecle a la fin du XVe (Tolosa- Paris 1936), ps. 143-160. D'ara en endavant citat La poesie. L'unic altre intent de sistematitzacio , insuficient pero amb observations remarcables, ds el de Jaume MASSE i TORRENTS, Repertori de l'an tiga literatura catalana. I: La poesia ( Barce- lona 1932), ps. 351-352 i 440-444. (Amb independ encia del resultat de la revisi6 d'aquests treballs, vull expressar el meu agraiment al Dr.
    [Show full text]
  • A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
    A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.
    [Show full text]
  • Alfred JEANROY LA POESIE LYRIQUE DES TROUBADOURS
    Alfred JEANROY Membre de l’Institut Professeur à l’Université de Paris LA POESIE LYRIQUE DES TROUBADOURS TOME II Histoire interne. Les genres: leur évolution et leurs plus notables représentants 1934 DEUXIEME PARTIE - HISTOIRE INTERNE Les Genres Poétiques et leurs Principaux Représentants CHAPITRE I LE PLUS ANCIEN DES TROUBADOURS: GUILLAUME IX, DUC D'AQUITAINE I. vie et caractère de Guillaume IX. II. Ses poésies jongleresques. III. Ses poésies courtoises. Existait-il avant lui une tradition poétique? I Les œuvres de Guillaume IX sont les plus anciens vers lyriques qui aient été écrits dans une langue moderne: par une chance exceptionnelle, nous connaissons, avec une suffisante précision, le caractère et la vie de l'auteur. Saisissons donc avec empressement cette occasion de confronter l'homme et l'œuvre. Né en 1071, il avait hérité, à seize ans, d'immenses domaines, plus étendus que ceux du roi de France lui-même. La nature l'avait comblé de ses dons: il était beau et brave, nous disent ses contemporains (1), gai et spirituel, ses œuvres nous l'attestent. Mais c'était un esprit fantasque, un brouillon, incapable de desseins suivis. Aussi son règne ne fut-il qu'une succession d'entreprises mal conçues et vouées à l'échec: en 1098, pendant que Raimon de Saint-Gilles, son beau-frère, était à la croisade, il tenta sur le Toulousain un coup de main qui ne lui rapporta rien et ne lui fit pas honneur. En 1101 il se croisa à son tour et conduisit en Terre Sainte une immense armée qui fondit en route, et dont les restes furent détruits par les Sarrasins dans les plaines de l'Asie mineure.
    [Show full text]
  • IMAGES of WOMEN in the TROBAIRITZ1 POETRY (Vocabulary and Imagery)
    Olaru Laura Emanuela IMAGES OF WOMEN IN THE TROBAIRITZ1 POETRY (Vocabulary and Imagery) M. A. Thesis in Medieval Studies CEU eTD Collection The Central European University Budapest June 1998 I, the undersigned, Laura Emanuela OLARU, candidate for the M. A. degree in Medieval Studies declare herewith that the present thesis is exclusively my own work, based on my research and only such external information as properly credited in notes and bibliography. I declare that no unidentified and illegitimate use was made of the work of others, and no part of the thesis infringes on any person's or institution's copyright. I also declare that no part of the thesis has been submitted in this form to any other institution of higher education for an academic degree. Budapest, 15 June 1998 Signature CEU eTD Collection Images of Women in the Trobairitz Poetry (Vocabulary and Imagery) by Laura Emanuela Olaru (Romania) Thesis submitted to the Department of Medieval Studies, Central European University, Budapest, in partial fulfillment of the requirements of the Master of Arts degree in Medieval Studies Accepted in conformance with the standards of the CEU Chair, Exarffination Comittee External Examiner /\/ Examiffgp/^''^ Budapest June 1998 CEU eTD Collection Images of Women in the Trobairitz' Poetry (Vocabulary and Imagery) ABSTRACT The present study has focused on the poetry of the trobairitz, who wrote during 1180-1260 in Occitania, in the environment of the court. Its purpose is to extract the images of women as depicted in and through the vocabulary and the imagery. The study of vocabulary and imagery seemed the best way to understand the significance and the richness of the types of women depicted in the poems: the conscious woman, the authoritative figure, the fighter, the lover, the beloved, the uncourtly woman.
    [Show full text]
  • Pdfla Voz Y La Noticia : Palabras Y Mensajes En La Tradición Hispánica / Simposio Sobre Patrimonio
    centro etnográfico Joaquín fundación Díaz DIPUTACION DE VALLADOLID SIMPOSIO SOBRE PATRIMONIO INMATERIAL LA VOZ Y LA NOTICIA Palabras y mensajes en la tradición hispánica Organiza Fundación Joaquín Díaz © de la edición Fundación Joaquín Díaz © de los textos Sus autores 1.ª edición, abril de 2007 ISBN 978-84-934808-7-5 DL M-17823-2007 Diseño y producción Juan Antonio Moreno / tf. media. Urueña Fotomecánica Cromotex Maquetación Francisco Rodríguez / tf. media. Urueña Impresión TF. Artes Gráficas LA NECESIDAD FORMAS LA NOTICIA EN DE COMUNICAR DE COMUNICAR LA TRADICIÓN ORAL 6 98 146 La transmisión de los mitos Oralidad y mentalidad: La lírica trovadoresca: una en la tradición occidental las narrativas del tiempo estrategia métrico-melódica Juan José Prat Ferrer en la construcción social (oral) para la difusión de ideas del pasado y noticias en la Edad Media 26 Luis Díaz G. Viana Antoni Rossell Las “Misiones” o la Santa Misión 112 182 Luis Resines Periodismo y tradición El romancero noticiero Carlos Blanco en la tradición oral andaluza. 54 El romance / canción de Diego Pregones y pregoneros 130 Corrientes en la literatura De Jerónimo Nadal Pedro M. Piñero Ramírez Ramón García Mateos al hipertexto: el lenguaje de la información en la cultura 212 76 visual Dragones medievales, Mensajes de España a América: Gonzalo Abril caimanes neoyorquinos, “Apretar con el puño el humo aliens espaciales, tortugas o el viento”. La Inquisición 136 Ninja, ratas de Lovecraft y la cultura popular Palabra e imagen. (y un topo gigante de Kafka) Mariana Masera Argumentos
    [Show full text]
  • 1 the Middle Ages
    THE MIDDLE AGES 1 1 The Middle Ages Introduction The Middle Ages lasted a thousand years, from the break-up of the Roman Empire in the fifth century to the end of the fifteenth, when there was an awareness that a ‘dark time’ (Rabelais dismissively called it ‘gothic’) separated the present from the classical world. During this medium aevum or ‘Middle Age’, situated between classical antiquity and modern times, the centre of the world moved north as the civil- ization of the Mediterranean joined forces with the vigorous culture of temperate Europe. Rather than an Age, however, it is more appropriate to speak of Ages, for surges of decay and renewal over ten centuries redrew the political, social and cultural map of Europe, by war, marriage and treaty. By the sixth century, Christianity was replacing older gods and the organized fabric of the Roman Empire had been eroded and trading patterns disrupted. Although the Church kept administrative structures and learning alive, barbarian encroachments from the north and Saracen invasions from the south posed a continuing threat. The work of undoing the fragmentation of Rome’s imperial domain was undertaken by Charlemagne (742–814), who created a Holy Roman Empire, and subsequently by his successors over many centuries who, in bursts of military and administrative activity, bought, earned or coerced the loyalty of the rulers of the many duchies and comtés which formed the patchwork of feudal territories that was France. This process of centralization proceeded at variable speeds. After the break-up of Charlemagne’s empire at the end of the tenth century, ‘France’ was a kingdom which occupied the region now known as 2 THE MIDDLE AGES the Île de France.
    [Show full text]
  • The Concise Oxford Dictionary of Literary Terms
    The Concise Oxford Dictionary of Literary Terms CHRIS BALDICK OXFORD UNIVERSITY PRESS OXFORD PAPERBACK REFERENCE The Concise Oxford Dictionary of Literary Terms Chris Baldick is Professor of English at Goldsmiths' College, University of London. He edited The Oxford Book of Gothic Tales (1992), and is the author of In Frankenstein's Shadow (1987), Criticism and Literary Theory 1890 to the Present (1996), and other works of literary history. He has edited, with Rob Morrison, Tales of Terror from Blackwood's Magazine, and The Vampyre and Other Tales of the Macabre, and has written an introduction to Charles Maturin's Melmoth the Wanderer (all available in the Oxford World's Classics series). The most authoritative and up-to-date reference books for both students and the general reader. Abbreviations Literary Terms Oxford ABC of Music Local and Family History Paperback Accounting London Place Names* Archaeology* Mathematics Reference Architecture Medical Art and Artists Medicines Art Terms* Modern Design* Astronomy Modern Quotations Better Wordpower Modern Slang Bible Music Biology Nursing Buddhism* Opera Business Paperback Encyclopedia Card Games Philosophy Chemistry Physics Christian Church Plant-Lore Classical Literature Plant Sciences Classical Mythology* Political Biography Colour Medical Political Quotations Computing Politics Dance* Popes Dates Proverbs Earth Sciences Psychology* Ecology Quotations Economics Sailing Terms Engineering* Saints English Etymology Science English Folklore* Scientists English Grammar Shakespeare English
    [Show full text]
  • How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College
    Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 1999 How the Villanelle's Form Got Fixed. Julie Ellen Kane Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Kane, Julie Ellen, "How the Villanelle's Form Got Fixed." (1999). LSU Historical Dissertations and Theses. 6892. https://digitalcommons.lsu.edu/gradschool_disstheses/6892 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been rqxroduced from the microfilm master. UMI films the text directfy firom the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter fiice, vdiile others may be from any typ e o f com pater printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e g., maps, drawings, charts) are reproduced by sectioning the original, b^innm g at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • Sachgebiete Im Überblick 513
    Sachgebiete im Überblick 513 Sachgebiete im Überblick Dramatik (bei Verweis-Stichwörtern steht in Klammern der Grund­ artikel) Allgemelnes: Aristotel. Dramatik(ep. Theater)· Comedia · Comedie · Commedia · Drama · Dramaturgie · Furcht Lyrik und Mitleid · Komödie · Libretto · Lustspiel · Pantragis­ mus · Schauspiel · Tetralogie · Tragik · Tragikomödie · Allgemein: Bilderlyrik · Gedankenlyrik · Gassenhauer· Tragödie · Trauerspiel · Trilogie · Verfremdung · Ver­ Gedicht · Genres objectifs · Hymne · Ideenballade · fremdungseffekt Kunstballade· Lied· Lyrik· Lyrisches Ich· Ode· Poem · Innere und äußere Strukturelemente: Akt · Anagnorisis Protestsong · Refrain · Rhapsodie · Rollenlyrik · Schlager · Aufzug · Botenbericht · Deus ex machina · Dreiakter · Formale Aspekte: Bildreihengedicht · Briefgedicht · Car­ Drei Einheiten · Dumb show · Einakter · Epitasis · Erre­ men figuratum (Figurengedicht) ·Cento· Chiffregedicht· gendes Moment · Exposition · Fallhöhe · Fünfakter · Göt• Echogedicht· Elegie · Figur(en)gedicht · Glosa · Klingge­ terapparat · Hamartia · Handlung · Hybris · Intrige · dicht . Lautgedicht . Sonett · Spaltverse · Vers rapportes . Kanevas · Katastasis · Katastrophe · Katharsis · Konflikt Wechselgesang · Krisis · Massenszenen · Nachspiel · Perioche · Peripetie Inhaltliche Aspekte: Bardendichtung · Barditus · Bildge­ · Plot · Protasis · Retardierendes Moment · Reyen · Spiel dicht · Butzenscheibenlyrik · Dinggedicht · Elegie · im Spiel · Ständeklausel · Szenarium · Szene · Teichosko­ Gemäldegedicht · Naturlyrik · Palinodie · Panegyrikus
    [Show full text]
  • Bedt Authgen Attgen Author Attribution Genre Argomento
    Ms T (Paris 15211) BEdT AuthGen AttGen Author Attribution Genre Argomento 372,003 4 N/A Pistoleta n/a sirventes cortese, con chiusura amorosa 461,154 N/A Anonymous n/a cobla N/A 306,002 5 N/A Montan n/a tenso (fictitious) N/A 87,001 5 N/A Bertran del Pojet n/a tenso (fictitious) N/A 372,004 4 N/A Pistoleta n/a tenso (fictitious) N/A 436,002 5 N/A Simon Doria n/a tenso N/A 238,002 N/A N/A Guionet n/a tenso (partimen) N/A 392,029 3 N/A Raimbaut de Vaqueiras n/a tenso N/A 139,001 N/A Enric n/a tenso (partimen) N/A 283,002 5 N/A Lantelm n/a tenso (partimen) cortese, amoroso 366,030 3 N/A Peirol n/a tenso (partimen) cortese, amoroso 185,002 4 N/A Graf von Rodez - lo Coms de Rodes n/a tenso (partimen) N/A 249,002 3 N/A Guiraut de Salaignac n/a tenso (partimen) cortese, amoroso 457,016 4 N/A Uc de Saint Circ n/a canso N/A 432,002 4 N/A Savaric de Malleo n/a tenso (partimen) a three N/A 167,044 3 N/A Gaucelm Faidit n/a tenso (partimen) N/A 52,004 N/A Bernart n/a tenso (partimen) N/A 295,001 3 N/A Maria de Ventadorn n/a tenso (partimen) cortese, amoroso 194,002 4 N/A Gui d'Uisel n/a tenso (partimen) N/A 384,001 4 N/A Prebost de Valensa n/a tenso (partimen) N/A 16,015 4 N/A Albertet de Sestaro n/a tenso (partimen) N/A 186,001a 4 N/A Graf von Toulouse - lo Coms de Toloza n/a coblas exchange N/A 461,142 N/A Anonymous n/a two coblas N/A 242,064 2,3 N/A Guiraut de Borneill n/a alba religioso 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two
    [Show full text]
  • Leeds Studies in English
    Leeds Studies in English New Series XLIII 2012 Edited by Alaric Hall Editorial assistant Victoria Cooper Leeds Studies in English <www.leeds.ac.uk/lse> School of English University of Leeds 2012 What’s in a Name? Pinning Down the Middle English Lyric Anne L. Klinck I. Perspectives Approaching the question of genre: why and how The term lyric as applied to Middle English is decidedly problematic.1 Scholars publishing collections of Middle English ‘lyrics’ or writing about them tend to avoid the problem of definition by treating the word as synonymous with ‘short poem’. The trouble is that lyric is not part of the medieval vocabulary and may not have been part of the medieval consciousness, 1 Middle English poems will be identified by their number in Julia Boffey and A. S. G. Edwards, A New Index of Middle English Verse (London: British Library, 2005); see also Carleton Brown, The Index of Middle English Verse (New York: Columbia University Press, 1943) and Supplement to The Index of Middle English Verse, ed. by Rossell Hope Robbins (University of Kentucky Press, 1965). Citations will refer principally, by poem number, to the following editions: English Lyrics of the XIIIth Century, ed. by Carleton Brown (Oxford: Clarendon, 1932); Religious Lyrics of the XIVth Century, ed. by Carleton Brown, 2nd edn rev. by G. V. Smithers (Oxford: Clarendon, 1957); Religious Lyrics of the XVth Century, ed. by Carleton Brown (Oxford: Clarendon, 1939); Secular Lyrics of the XIVth and XVth Centuries, ed. by Rossell Hope Robbins, 2nd edn (Oxford: Clarendon, 1955); Historical Poems of the XIVth and XVth Centuries, ed.
    [Show full text]