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A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
THE CORRUPTION of ANGELS This Page Intentionally Left Blank the CORRUPTION of ANGELS
THE CORRUPTION OF ANGELS This page intentionally left blank THE CORRUPTION OF ANGELS THE GREAT INQUISITION OF 1245–1246 Mark Gregory Pegg PRINCETON UNIVERSITY PRESS PRINCETON AND OXFORD COPYRIGHT 2001 BY PRINCETON UNIVERSITY PRESS PUBLISHED BY PRINCETON UNIVERSITY PRESS, 41 WILLIAM STREET, PRINCETON, NEW JERSEY 08540 IN THE UNITED KINGDOM: PRINCETON UNIVERSITY PRESS, 3 MARKET PLACE, WOODSTOCK, OXFORDSHIRE OX20 1SY ALL RIGHTS RESERVED LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA PEGG, MARK GREGORY, 1963– THE CORRUPTION OF ANGELS : THE GREAT INQUISITION OF 1245–1246 / MARK GREGORY PEGG. P. CM. INCLUDES BIBLIOGRAPHICAL REFERENCES AND INDEX. ISBN 0-691-00656-3 (ALK. PAPER) 1. ALBIGENSES. 2. LAURAGAIS (FRANCE)—CHURCH HISTORY. 3. INQUISITION—FRANCE—LAURAGAIS. 4. FRANCE—CHURCH HISTORY—987–1515. I. TITLE. DC83.3.P44 2001 272′.2′0944736—DC21 00-057462 THIS BOOK HAS BEEN COMPOSED IN BASKERVILLE TYPEFACE PRINTED ON ACID-FREE PAPER. ∞ WWW.PUP.PRINCETON.EDU PRINTED IN THE UNITED STATES OF AMERICA 13579108642 To My Mother This page intentionally left blank CONTENTS ACKNOWLEDGMENTS ix 1 Two Hundred and One Days 3 2 The Death of One Cistercian 4 3 Wedged between Catha and Cathay 15 4 Paper and Parchment 20 5 Splitting Heads and Tearing Skin 28 6 Summoned to Saint-Sernin 35 7 Questions about Questions 45 8 Four Eavesdropping Friars 52 9 The Memory of What Was Heard 57 10 Lies 63 11 Now Are You Willing to Put That in Writing? 74 12 Before the Crusaders Came 83 13 Words and Nods 92 14 Not Quite Dead 104 viii CONTENTS 15 One Full Dish of Chestnuts 114 16 Two Yellow Crosses 126 17 Life around a Leaf 131 NOTES 133 BIBLIOGRAPHY OF WORKS CITED 199 INDEX 219 ACKNOWLEDGMENTS HE STAFF, librarians, and archivists of Olin Library at Washing- ton University in St. -
Love and War: Troubadour Songs As Propaganda, Protest, and Politics in the Albigensian Crusade
Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade By Leslee Wood B.A., University of Utah, 2003 Submitted to the graduate degree program in Music and the Graduate Faculty of the University of Kansas in partial fulfillment of the requirements for the degree of Master of Music. _________________________________________ Chair: Roberta Schwartz, PhD _________________________________________ Paul Laird, PhD _________________________________________ Bryan Kip Haaheim, DMA Date Defended: May 25, 2017 The thesis committee for Leslee Wood certifies that this is the approved version of the following thesis: Love and War: Troubadour Songs as Propaganda, Protest, and Politics in the Albigensian Crusade ___________________________________________ Chair: Roberta Schwartz, PhD Date approved: May 25, 2017 ii Abstract: From the eleventh through the thirteenth century, the troubadours flourished in the Occitan courts of southern France. As the artistic and political voices of their culture, these men and women were educated, creative, and well-placed to envoice the cultural and political events of their time. In 1208, Pope Innocent III launched the Albigensian Crusade against the pervasive Cathar sect, which had attracted followers from every stratum of Occitan society, including believers from the most important ruling families. For twenty years, the crusade decimated the region and destroyed the socio-political apparatus which had long supported, and been given voice by, the troubadours and trobairises. By the end of the war in 1229, the Occitan nobility were largely disinherited and disempowered, unable to support the kind of courtly estates to which they had been accustomed and in which the art de trobar had flourished. Many troubadours were involved both politically and militarily in the crusade and their lyric reactions include astute political commentaries, vigorous calls-to-arms, invectives against the corruption of the Catholic clergy and the French invaders, and laments for the loss of both individuals and institutions. -
The Troubadours
The Troubadours H.J. Chaytor The Project Gutenberg EBook of The Troubadours, by H.J. Chaytor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Troubadours Author: H.J. Chaytor Release Date: May 27, 2004 [EBook #12456] Language: English and French Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TROUBADOURS *** Produced by Ted Garvin, Renald Levesque and the Online Distributed Proofreading Team. THE TROUBADOURS BY REV. H.J. CHAYTOR, M.A. AUTHOR OF "THE TROUBADOURS OF DANTE" ETC. Cambridge: at the University Press 1912 _With the exception of the coat of arms at the foot, the design on the title page is a reproduction of one used by the earliest known Cambridge printer, John Siberch, 1521_ PREFACE This book, it is hoped, may serve as an introduction to the literature of the Troubadours for readers who have no detailed or scientific knowledge of the subject. I have, therefore, chosen for treatment the Troubadours who are most famous or who display characteristics useful for the purpose of this book. Students who desire to pursue the subject will find further help in the works mentioned in the bibliography. The latter does not profess to be exhaustive, but I hope nothing of real importance has been omitted. H.J. CHAYTOR. THE COLLEGE, PLYMOUTH, March 1912. CONTENTS PREFACE CHAP. I. INTRODUCTORY II. -
Pdfla Voz Y La Noticia : Palabras Y Mensajes En La Tradición Hispánica / Simposio Sobre Patrimonio
centro etnográfico Joaquín fundación Díaz DIPUTACION DE VALLADOLID SIMPOSIO SOBRE PATRIMONIO INMATERIAL LA VOZ Y LA NOTICIA Palabras y mensajes en la tradición hispánica Organiza Fundación Joaquín Díaz © de la edición Fundación Joaquín Díaz © de los textos Sus autores 1.ª edición, abril de 2007 ISBN 978-84-934808-7-5 DL M-17823-2007 Diseño y producción Juan Antonio Moreno / tf. media. Urueña Fotomecánica Cromotex Maquetación Francisco Rodríguez / tf. media. Urueña Impresión TF. Artes Gráficas LA NECESIDAD FORMAS LA NOTICIA EN DE COMUNICAR DE COMUNICAR LA TRADICIÓN ORAL 6 98 146 La transmisión de los mitos Oralidad y mentalidad: La lírica trovadoresca: una en la tradición occidental las narrativas del tiempo estrategia métrico-melódica Juan José Prat Ferrer en la construcción social (oral) para la difusión de ideas del pasado y noticias en la Edad Media 26 Luis Díaz G. Viana Antoni Rossell Las “Misiones” o la Santa Misión 112 182 Luis Resines Periodismo y tradición El romancero noticiero Carlos Blanco en la tradición oral andaluza. 54 El romance / canción de Diego Pregones y pregoneros 130 Corrientes en la literatura De Jerónimo Nadal Pedro M. Piñero Ramírez Ramón García Mateos al hipertexto: el lenguaje de la información en la cultura 212 76 visual Dragones medievales, Mensajes de España a América: Gonzalo Abril caimanes neoyorquinos, “Apretar con el puño el humo aliens espaciales, tortugas o el viento”. La Inquisición 136 Ninja, ratas de Lovecraft y la cultura popular Palabra e imagen. (y un topo gigante de Kafka) Mariana Masera Argumentos -
Bedt Authgen Attgen Author Attribution Genre Argomento
Ms T (Paris 15211) BEdT AuthGen AttGen Author Attribution Genre Argomento 372,003 4 N/A Pistoleta n/a sirventes cortese, con chiusura amorosa 461,154 N/A Anonymous n/a cobla N/A 306,002 5 N/A Montan n/a tenso (fictitious) N/A 87,001 5 N/A Bertran del Pojet n/a tenso (fictitious) N/A 372,004 4 N/A Pistoleta n/a tenso (fictitious) N/A 436,002 5 N/A Simon Doria n/a tenso N/A 238,002 N/A N/A Guionet n/a tenso (partimen) N/A 392,029 3 N/A Raimbaut de Vaqueiras n/a tenso N/A 139,001 N/A Enric n/a tenso (partimen) N/A 283,002 5 N/A Lantelm n/a tenso (partimen) cortese, amoroso 366,030 3 N/A Peirol n/a tenso (partimen) cortese, amoroso 185,002 4 N/A Graf von Rodez - lo Coms de Rodes n/a tenso (partimen) N/A 249,002 3 N/A Guiraut de Salaignac n/a tenso (partimen) cortese, amoroso 457,016 4 N/A Uc de Saint Circ n/a canso N/A 432,002 4 N/A Savaric de Malleo n/a tenso (partimen) a three N/A 167,044 3 N/A Gaucelm Faidit n/a tenso (partimen) N/A 52,004 N/A Bernart n/a tenso (partimen) N/A 295,001 3 N/A Maria de Ventadorn n/a tenso (partimen) cortese, amoroso 194,002 4 N/A Gui d'Uisel n/a tenso (partimen) N/A 384,001 4 N/A Prebost de Valensa n/a tenso (partimen) N/A 16,015 4 N/A Albertet de Sestaro n/a tenso (partimen) N/A 186,001a 4 N/A Graf von Toulouse - lo Coms de Toloza n/a coblas exchange N/A 461,142 N/A Anonymous n/a two coblas N/A 242,064 2,3 N/A Guiraut de Borneill n/a alba religioso 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two -
Cahiers De Civilisation M Diev‡Le
Cahiers de civilisation médievále. Université de Poitiers: Centre d’Études Supérieures de Civilisation Médiévale, Poitiers, 1958 - . Lejeune, R. (1958) « Rôle littéraire de la famille d‟Aliénor d‟Aquitaine » V. I, pp. 319-337. Cluzel, I. (1961) « Quelques reflexions à propos des orignes de la poésie lyrique des troubadours » V. IV, pp. 179-188. Lafont, R. (1995) « La chanson de Girart de Roussilon : poème double, thème inversé, causes échangées »V. 38, pp. 239-265. Stanesco, M. (1997) « La fleur inverse et la belle folie de Raimbaut d‟Orange » V. 40, pp. 233- 252. Harvey, K. (1999) « À propos de la date de la première chanson de croisadé : Emperaire, per mi mezeis de Marcabrú » V. 42, pp. 55-60. Perugi, M. (2005) « Marcabru, une édition critique. A propos d‟un ouvrage récent » V.48, pp.381-389. Cullin, O ; Chaillou, Ch. (2006) « La et la musique au Moyen Âge » V.49, pp.142-162. Chaguinian, Ch. (2007) « L‟alba dans le système des genres troubadouresques. Réflexions sur le rapport des troubadours à la production non troubadouresque. » V. 50, pp. 131-148. Zufferey, F. (2007) « Marcabru ou le mâle caprin » V. 50, pp. 379-400. Guida, S. (2009) « Pour l‟identification du troubadour Cabrit » V. 52, pp. 21-36. Perugi, M. (2009) « Aux origines de l‟aure de Pétrarque. La femme blande chez Chrétien de Troyes et Arnaut Daniel (avec une note sur Arnaut c’amas l’aura) » V.52, pp. 265-275. Barbieri, L. (2010) « Exemples mythologiques de courtoisie dans la lyrique des troubadours » V. 53, pp. 107-128. Billy, D. (2010) « Nouvelles perspectives sur l‟alba » V.53, pp. -
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
A Methodological Study Applied to Medieval Literature
Setting bounds in a homogeneous corpus: a methodological study applied to medieval literature Jean–Baptiste Camps∗, Florian Cafiero∗∗ ∗Laboratoire Études et édition de textes médiévaux (EA 4349) Université Paris – Sorbonne 1, rue Victor Cousin 75005 Paris [email protected] http://www.paris-sorbonne.fr/ ∗∗École centrale de Paris Grande voie des Vignes 92295 Châtenay-Malabry CEDEX florian.cafi[email protected] http://polytechnique.academia.edu/FlorianCafiero Abstract. The authors present here an exploratory and unspecific method that does not necessitate any a priori on the data – or any heavy trans- formation such as lemmatisation– that would have to be understood as a first step in the apprehension of a corpus. After a first phase of calibra- tion, based on a control sample, the authors will introduce a method which heuristic value is to bring out, at different levels, internal divisions of dif- ferent kinds (diachronic, diatopic, related to authorship or scribes,. ), that can then be analysed specifically. The authors illustrate this method by applying it to a corpus of Occitan medieval texts, the vidas. The cor- pus’s authors and origins are in good part unknown. 1 A peculiar corpus: the vidas 1.1 Elements of context Amongst the relatively small corpus of Occitan prose literature from the XIIIth century that has survived to this day, the vidas, along with the razos, constitute a corpus of roughly 225 texts known as the “biographies” of the troubadours since Raynouard’s edition in 1820. Several debates surround these texts’ origin: were they performed at first or were they created specifically to be integrated into manuscripts? Did they appear in Northern Italy or do they come from an older Languedocian tradition? Despite the lack of medieval unambiguous vocabulary, there is an apparent distinction between commentaries, explanation of a specific poem (a razo), and more general biographical narratives detached from a specific work (vidas as we call them). -
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Si Bé, Fortuna, Has Dat Lo Torn
Foundations and Foundation Myths of the Troubadours Wendy Pfeffer University of Louisville / University of Pennsylvania [email protected] https://orcid.org/0000-0002-9902-4031 Received 22/04/2019; accepted 02/07/2019 DOI: https://doi.org/10.7203/MCLM.6.14815 Abstract A review of several origin myths relating to the creation of medieval Occitan lyric poetry. We see a preference for a “great man theory” of origins, though the “great man” may be a fictional woman. Medieval and Renaissance Occitan authors, including Uc de Saint Circ, Guilhem Molinier, and Jean de Nostredame, used differing origin myths to validate literature in a language that was perceived not to carry the prestige of twelfth- and thirteenth-century Latin or fifteenth- and sixteenth-century French. Keywords troubadours; Occitan literature; charter myths; foundation myths; Guilhem IX de Peitieus; Uc de Saint Circ; Jean de Nostredame; Guilhem Molinier; Consistori de gaia sciensa; Eble II de Ventadorn; Clémence Isaure resum Revisió d’alguns mites d’origen referits a la creació de la poesia lírica occitana medieval. Hi veiem una preferència per una “teoria del gran home” d’origen, tot i que el “gran home” també podria ser una dona de ficció. Autors medievals i renaixentistes, incloent-hi Uc de Sant Circ, Guilhme Molinier i Jean de Nostredame, van emprar mites d’origen divergents per a validar la literatura en una llengua que es percebia que no comportava el prestigi del llatí dels segles xii i xiii, o el del francès dels segles xiv i xv. paraules clau trobadors; literatura Occitana; mites justificadors; mites fundacionals; Guilhem IX de Peitieu; Uc de Sant Circ; Jean de Nostredame; Guilhem Molinier; Consistori de la Gaia Ciència; Eble II de Ventadorn; Clémence Isaure Magnificat Cultura i Literatura Medievals 6, 2019, 185-205. -
Troubadour Biographies and the Value of Authentic Love Daude De Pradas and Uc De Saint Circ
THOMAS HINTON Troubadour Biographies and the Value of Authentic Love Daude de Pradas and Uc de Saint Circ Abstract The idea of an essential connection between the quality of a song and the sincerity of the emotion it expresses (“I sing because I love”) is a topos used in various ways by troubadours, one which lent itself naturally to discussion of their relationship to audiences and to other poets. The topos transferred across to the thirteenth- century biographies (vidas) found alongside the songs in numerous manuscripts, as in the arresting claim, made in the vida about Daude de Pradas, that his songs “did not spring from love and therefore did not find favour with audiences.” Elsewhere, however, the biographies give a different account of inauthenticity, as the edge which allows troubadours to exercise control over their social environment; significantly, this version of the topos appears in the vida for Uc de Saint Circ, who is believed to be the main author of the corpus. In these contrasting accounts of poetic inauthenticity, we can see the biographies wrestling with questions of control and definition of the cultural capital of troubadour lyric: patron and poet, cleric and lay. The thirteenth century saw authors and their audiences increasingly asserting the lasting cultural value of vernacular literature in general, and (through its association with troubadour production) Occitan in particular. Accordingly, these texts reflect the poets’ engagement with the court audiences for whom they were writing, at the same time as they look ahead to the enduring record of posterity. Giles Fletcher’s sonnet collection Licia (published in 1593) opens with a dedicatory letter addressed to his patron Lady Mollineux.