Troubadours Whose Names Are in Bold Type Are Those Included in Appendix 1; Arabic Numerals in Parentheses Following Their Name Identify Their Entry There
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
Introduction Edited by Simon Gaunt and Sarah Kay Excerpt More Information
Cambridge University Press 0521574730 - The Troubadours: An Introduction Edited by Simon Gaunt and Sarah Kay Excerpt More information Introduction Simon Gaunt and Sarah Kay The troubadours, like other celebrities, need no introduction. They are part of the furniture of our cultural knowledge, an unfor- gettable heirloom in the European heritage. Who has not heard of the courtly world they ornamented and entertained, voicing for it the exquisite refinements of medieval love? For a glamorous period, this tradition of poet-composer-performers (460 of whose names we know) dazzled Southern French and neighbouring Euro- pean courts with their songs (some 2,500 of which survive) in which passion and decorum are craftily combined.1 Although this period was relatively short-lived (c. 1100 –c. 1300), its spark was sufficient to light the broader flame of subsequent European poetry. The rise of courtliness, in the senses both of ‘courtly love’ and ‘courtly living’, in which the troubadours played a determining role, helped to shape mainstream Western culture; while their commentaries as moralists, and as political and cultural critics, provide vital testimony to the attitudes which underlie and helped to form our own. The significance of the troubadours is acknowledged in the space assigned to them in many different academic contexts: as part of the history of European poetry and music; as evidence for the history of social, gender and sexual relations, and the political and ideological world of medieval Europe; as a strand in the linguistic diversity of the Romance languages. The range of these contexts, however, suggests the complexity of the phenomenon. -
The Troubadours
The Troubadours H.J. Chaytor The Project Gutenberg EBook of The Troubadours, by H.J. Chaytor This eBook is for the use of anyone anywhere at no cost and with almost no restrictions whatsoever. You may copy it, give it away or re-use it under the terms of the Project Gutenberg License included with this eBook or online at www.gutenberg.net Title: The Troubadours Author: H.J. Chaytor Release Date: May 27, 2004 [EBook #12456] Language: English and French Character set encoding: ASCII *** START OF THIS PROJECT GUTENBERG EBOOK THE TROUBADOURS *** Produced by Ted Garvin, Renald Levesque and the Online Distributed Proofreading Team. THE TROUBADOURS BY REV. H.J. CHAYTOR, M.A. AUTHOR OF "THE TROUBADOURS OF DANTE" ETC. Cambridge: at the University Press 1912 _With the exception of the coat of arms at the foot, the design on the title page is a reproduction of one used by the earliest known Cambridge printer, John Siberch, 1521_ PREFACE This book, it is hoped, may serve as an introduction to the literature of the Troubadours for readers who have no detailed or scientific knowledge of the subject. I have, therefore, chosen for treatment the Troubadours who are most famous or who display characteristics useful for the purpose of this book. Students who desire to pursue the subject will find further help in the works mentioned in the bibliography. The latter does not profess to be exhaustive, but I hope nothing of real importance has been omitted. H.J. CHAYTOR. THE COLLEGE, PLYMOUTH, March 1912. CONTENTS PREFACE CHAP. I. INTRODUCTORY II. -
Pdfla Voz Y La Noticia : Palabras Y Mensajes En La Tradición Hispánica / Simposio Sobre Patrimonio
centro etnográfico Joaquín fundación Díaz DIPUTACION DE VALLADOLID SIMPOSIO SOBRE PATRIMONIO INMATERIAL LA VOZ Y LA NOTICIA Palabras y mensajes en la tradición hispánica Organiza Fundación Joaquín Díaz © de la edición Fundación Joaquín Díaz © de los textos Sus autores 1.ª edición, abril de 2007 ISBN 978-84-934808-7-5 DL M-17823-2007 Diseño y producción Juan Antonio Moreno / tf. media. Urueña Fotomecánica Cromotex Maquetación Francisco Rodríguez / tf. media. Urueña Impresión TF. Artes Gráficas LA NECESIDAD FORMAS LA NOTICIA EN DE COMUNICAR DE COMUNICAR LA TRADICIÓN ORAL 6 98 146 La transmisión de los mitos Oralidad y mentalidad: La lírica trovadoresca: una en la tradición occidental las narrativas del tiempo estrategia métrico-melódica Juan José Prat Ferrer en la construcción social (oral) para la difusión de ideas del pasado y noticias en la Edad Media 26 Luis Díaz G. Viana Antoni Rossell Las “Misiones” o la Santa Misión 112 182 Luis Resines Periodismo y tradición El romancero noticiero Carlos Blanco en la tradición oral andaluza. 54 El romance / canción de Diego Pregones y pregoneros 130 Corrientes en la literatura De Jerónimo Nadal Pedro M. Piñero Ramírez Ramón García Mateos al hipertexto: el lenguaje de la información en la cultura 212 76 visual Dragones medievales, Mensajes de España a América: Gonzalo Abril caimanes neoyorquinos, “Apretar con el puño el humo aliens espaciales, tortugas o el viento”. La Inquisición 136 Ninja, ratas de Lovecraft y la cultura popular Palabra e imagen. (y un topo gigante de Kafka) Mariana Masera Argumentos -
Bedt Authgen Attgen Author Attribution Genre Argomento
Ms T (Paris 15211) BEdT AuthGen AttGen Author Attribution Genre Argomento 372,003 4 N/A Pistoleta n/a sirventes cortese, con chiusura amorosa 461,154 N/A Anonymous n/a cobla N/A 306,002 5 N/A Montan n/a tenso (fictitious) N/A 87,001 5 N/A Bertran del Pojet n/a tenso (fictitious) N/A 372,004 4 N/A Pistoleta n/a tenso (fictitious) N/A 436,002 5 N/A Simon Doria n/a tenso N/A 238,002 N/A N/A Guionet n/a tenso (partimen) N/A 392,029 3 N/A Raimbaut de Vaqueiras n/a tenso N/A 139,001 N/A Enric n/a tenso (partimen) N/A 283,002 5 N/A Lantelm n/a tenso (partimen) cortese, amoroso 366,030 3 N/A Peirol n/a tenso (partimen) cortese, amoroso 185,002 4 N/A Graf von Rodez - lo Coms de Rodes n/a tenso (partimen) N/A 249,002 3 N/A Guiraut de Salaignac n/a tenso (partimen) cortese, amoroso 457,016 4 N/A Uc de Saint Circ n/a canso N/A 432,002 4 N/A Savaric de Malleo n/a tenso (partimen) a three N/A 167,044 3 N/A Gaucelm Faidit n/a tenso (partimen) N/A 52,004 N/A Bernart n/a tenso (partimen) N/A 295,001 3 N/A Maria de Ventadorn n/a tenso (partimen) cortese, amoroso 194,002 4 N/A Gui d'Uisel n/a tenso (partimen) N/A 384,001 4 N/A Prebost de Valensa n/a tenso (partimen) N/A 16,015 4 N/A Albertet de Sestaro n/a tenso (partimen) N/A 186,001a 4 N/A Graf von Toulouse - lo Coms de Toloza n/a coblas exchange N/A 461,142 N/A Anonymous n/a two coblas N/A 242,064 2,3 N/A Guiraut de Borneill n/a alba religioso 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two coblas with tornada N/A 282,024 5 N/A Lanfranc Cigala n/a two -
Mouvance and Authorship in Heinrich Von Morungen
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Songs of the Self: Authorship and Mastery in Minnesang Permalink https://escholarship.org/uc/item/87n0t2tm Author Fockele, Kenneth Elswick Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in German and Medieval Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Niklaus Largier, chair Professor Elaine Tennant Professor Frank Bezner Fall 2016 Songs of the Self: Authorship and Mastery in Minnesang © 2016 by Kenneth Elswick Fockele Abstract Songs of the Self: Authorship and Mastery in Minnesang by Kenneth Elswick Fockele Doctor of Philosophy in German and Medieval Studies University of California, Berkeley Professor Niklaus Largier, Chair Despite the centrality of medieval courtly love lyric, or Minnesang, to the canon of German literature, its interpretation has been shaped in large degree by what is not known about it—that is, the lack of information about its authors. This has led on the one hand to functional approaches that treat the authors as a class subject to sociological analysis, and on the other to approaches that emphasize the fictionality of Minnesang as a form of role- playing in which genre conventions supersede individual contributions. I argue that the men who composed and performed these songs at court were, in fact, using them to create and curate individual profiles for themselves. -
Troubadours NEW GROVE
Troubadours, trouvères. Lyric poets or poet-musicians of France in the 12th and 13th centuries. It is customary to describe as troubadours those poets who worked in the south of France and wrote in Provençal, the langue d’oc , whereas the trouvères worked in the north of France and wrote in French, the langue d’oil . I. Troubadour poetry 1. Introduction. The troubadours were the earliest and most significant exponents of the arts of music and poetry in medieval Western vernacular culture. Their influence spread throughout the Middle Ages and beyond into French (the trouvères, see §II below), German, Italian, Spanish, English and other European languages. The first centre of troubadour song seems to have been Poitiers, but the main area extended from the Atlantic coast south of Bordeaux in the west, to the Alps bordering on Italy in the east. There were also ‘schools’ of troubadours in northern Italy itself and in Catalonia. Their influence, of course, spread much more widely. Pillet and Carstens (1933) named 460 troubadours; about 2600 of their poems survive, with melodies for roughly one in ten. The principal troubadours include AIMERIC DE PEGUILHAN ( c1190–c1221), ARNAUT DANIEL ( fl c1180–95), ARNAUT DE MAREUIL ( fl c1195), BERNART DE VENTADORN ( fl c1147–70), BERTRAN DE BORN ( fl c1159–95; d 1215), Cerveri de Girona ( fl c1259–85), FOLQUET DE MARSEILLE ( fl c1178–95; d 1231), GAUCELM FAIDIT ( fl c1172–1203), GUILLAUME IX , Duke of Aquitaine (1071–1126), GIRAUT DE BORNELH ( fl c1162–99), GUIRAUT RIQUIER ( fl c1254–92), JAUFRE RUDEL ( fl c1125–48), MARCABRU ( fl c1130–49), PEIRE D ’ALVERNHE ( fl c1149–68; d 1215), PEIRE CARDENAL ( fl c1205–72), PEIRE VIDAL ( fl c1183–c1204), PEIROL ( c1188–c1222), RAIMBAUT D ’AURENGA ( c1147–73), RAIMBAUT DE VAQEIRAS ( fl c1180–1205), RAIMON DE MIRAVAL ( fl c1191–c1229) and Sordello ( fl c1220–69; d 1269). -
Levitsky Dissertation
The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric Anne Levitsky Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2018 © 2018 Anne Levitsky All rights reserved ABSTRACT The Song from the Singer: Personification, Embodiment, and Anthropomorphization in Troubadour Lyric Anne Levitsky This dissertation explores the relationship of the act of singing to being a human in the lyric poetry of the troubadours, traveling poet-musicians who frequented the courts of contemporary southern France in the twelfth and early thirteenth centuries. In my dissertation, I demonstrate that the troubadours surpass traditionally-held perceptions of their corpus as one entirely engaged with themes of courtly romance and society, and argue that their lyric poetry instead both displays the influence of philosophical conceptions of sound, and critiques notions of personhood and sexuality privileged by grammarians, philosophers, and theologians. I examine a poetic device within troubadour songs that I term ‘personified song’—an occurrence in the lyric tradition where a performer turns toward the song he/she is about to finish singing and directly addresses it. This act lends the song the human capabilities of speech, motion, and agency. It is through the lens of the ‘personified song’ that I analyze this understudied facet of troubadour song. Chapter One argues that the location of personification in the poetic text interacts with the song’s melodic structure to affect the type of personification the song undergoes, while exploring the ways in which singing facilitates the creation of a body for the song. -
Cahiers De Civilisation M Diev‡Le
Cahiers de civilisation médievále. Université de Poitiers: Centre d’Études Supérieures de Civilisation Médiévale, Poitiers, 1958 - . Lejeune, R. (1958) « Rôle littéraire de la famille d‟Aliénor d‟Aquitaine » V. I, pp. 319-337. Cluzel, I. (1961) « Quelques reflexions à propos des orignes de la poésie lyrique des troubadours » V. IV, pp. 179-188. Lafont, R. (1995) « La chanson de Girart de Roussilon : poème double, thème inversé, causes échangées »V. 38, pp. 239-265. Stanesco, M. (1997) « La fleur inverse et la belle folie de Raimbaut d‟Orange » V. 40, pp. 233- 252. Harvey, K. (1999) « À propos de la date de la première chanson de croisadé : Emperaire, per mi mezeis de Marcabrú » V. 42, pp. 55-60. Perugi, M. (2005) « Marcabru, une édition critique. A propos d‟un ouvrage récent » V.48, pp.381-389. Cullin, O ; Chaillou, Ch. (2006) « La et la musique au Moyen Âge » V.49, pp.142-162. Chaguinian, Ch. (2007) « L‟alba dans le système des genres troubadouresques. Réflexions sur le rapport des troubadours à la production non troubadouresque. » V. 50, pp. 131-148. Zufferey, F. (2007) « Marcabru ou le mâle caprin » V. 50, pp. 379-400. Guida, S. (2009) « Pour l‟identification du troubadour Cabrit » V. 52, pp. 21-36. Perugi, M. (2009) « Aux origines de l‟aure de Pétrarque. La femme blande chez Chrétien de Troyes et Arnaut Daniel (avec une note sur Arnaut c’amas l’aura) » V.52, pp. 265-275. Barbieri, L. (2010) « Exemples mythologiques de courtoisie dans la lyrique des troubadours » V. 53, pp. 107-128. Billy, D. (2010) « Nouvelles perspectives sur l‟alba » V.53, pp. -
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography. -
A Methodological Study Applied to Medieval Literature
Setting bounds in a homogeneous corpus: a methodological study applied to medieval literature Jean–Baptiste Camps∗, Florian Cafiero∗∗ ∗Laboratoire Études et édition de textes médiévaux (EA 4349) Université Paris – Sorbonne 1, rue Victor Cousin 75005 Paris [email protected] http://www.paris-sorbonne.fr/ ∗∗École centrale de Paris Grande voie des Vignes 92295 Châtenay-Malabry CEDEX florian.cafi[email protected] http://polytechnique.academia.edu/FlorianCafiero Abstract. The authors present here an exploratory and unspecific method that does not necessitate any a priori on the data – or any heavy trans- formation such as lemmatisation– that would have to be understood as a first step in the apprehension of a corpus. After a first phase of calibra- tion, based on a control sample, the authors will introduce a method which heuristic value is to bring out, at different levels, internal divisions of dif- ferent kinds (diachronic, diatopic, related to authorship or scribes,. ), that can then be analysed specifically. The authors illustrate this method by applying it to a corpus of Occitan medieval texts, the vidas. The cor- pus’s authors and origins are in good part unknown. 1 A peculiar corpus: the vidas 1.1 Elements of context Amongst the relatively small corpus of Occitan prose literature from the XIIIth century that has survived to this day, the vidas, along with the razos, constitute a corpus of roughly 225 texts known as the “biographies” of the troubadours since Raynouard’s edition in 1820. Several debates surround these texts’ origin: were they performed at first or were they created specifically to be integrated into manuscripts? Did they appear in Northern Italy or do they come from an older Languedocian tradition? Despite the lack of medieval unambiguous vocabulary, there is an apparent distinction between commentaries, explanation of a specific poem (a razo), and more general biographical narratives detached from a specific work (vidas as we call them). -
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature
A Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor RESEARCH IN MEDIEVAL CULTURE Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Medieval Institute Publications is a program of The Medieval Institute, College of Arts and Sciences Bibliographical Guide to the Study of the Troubadours and Old Occitan Literature Robert A. Taylor MEDIEVAL INSTITUTE PUBLICATIONS Western Michigan University Kalamazoo Copyright © 2015 by the Board of Trustees of Western Michigan University All rights reserved Manufactured in the United States of America This book is printed on acid-free paper. Library of Congress Cataloging-in-Publication Data Taylor, Robert A. (Robert Allen), 1937- Bibliographical guide to the study of the troubadours and old Occitan literature / Robert A. Taylor. pages cm Includes index. Summary: "This volume provides offers an annotated listing of over two thousand recent books and articles that treat all categories of Occitan literature from the earli- est enigmatic texts to the works of Jordi de Sant Jordi, an Occitano-Catalan poet who died young in 1424. The works chosen for inclusion are intended to provide a rational introduction to the many thousands of studies that have appeared over the last thirty-five years. The listings provide descriptive comments about each contri- bution, with occasional remarks on striking or controversial content and numerous cross-references to identify complementary studies or differing opinions" -- Pro- vided by publisher. ISBN 978-1-58044-207-7 (Paperback : alk. paper) 1. Provençal literature--Bibliography. 2. Occitan literature--Bibliography. 3. Troubadours--Bibliography. 4. Civilization, Medieval, in literature--Bibliography.