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- Intervals Scales Tuning*
- Lecture Notes on Pitch-Class Set Theory Topic 1
- Musical Harmony After Lacan's Panthéon Period
- Simultaneous Consonance in Music Perception and Composition
- COMPUTATIONAL ANALYSIS of QUARTER-TONE COMPOSITIONS by CHARLES IVES and IVAN WYSCHNEGRADSKY a Thesis Submitted to the College Of
- Music Theory Contents
- Enculturation Effects of Musical Training on Pitch Discrimination
- Challenging Equal Temperament: Perceived Differences Between Twelve-Tone Equal Temperament and Twelve Fifth-Tones Tuning
- Tarsos, a Modular Platform for Precise Pitch Analysis of Western and Non-Western Music
- The Interval Dissonance Rate: an Analytical Look Into Chromaticism of Chopin’S Op
- Pitch-Class Set Theory 2: Trichords
- The Effect of Real-Time Pitch Tracking and Correction on High School
- Pitch-Frequency Histogram-Based Music Information Retrieval for Turkish Music
- An Energy-Based Generative Sequence Model for Testing Sensory Theories of Western Harmony
- Sound to Scale to Sound, a Setup for Microtonal
- Seminar Notes: the Mathematics of Music
- Pitch-Interval Analysis of ‘Periodic’ and ‘Aperiodic’ Question+Answer Pairs
- Set-Class Similarity, Voice Leading, and the Fourier Transform
- Tarsos Manual
- Representing Harmony in Computational Music Cognition
- MIT CMJ314 01Milne 15-32
- Pitch-Class Set Theory Exploration of Sound In
- Non-Octave Guitar and Keyboard Designs for Ervin M. Wilson
- The Nine-Step Scale of Alexander Tcherepnin: Its Conception, Its Properties, and Its Use
- Handout on Set Theory: Intervals and Atonality
- Contemporary Microtonal Music and Its Relationship to Past Practice
- An Algorithm for Real-Time Harmonic Microtuning
- A Mathematical and Musical Analogy in Microtonal Systems
- Dynamic Intonation for Synthesizer Performance Benjamin Frederick Denckla
- The Origin and Well-Formedness of Tonal Pitch Structures
- Comparative Acoustical and Psychoacoustical Analyses of Gamelan Instrument Tones
- Tarsos - a Platform to Explore Pitch Scales in Non-Western and Western Music
- Musical Pitch Classes Have Rainbow Hues in Pitch Class-Color Synesthesia Kosuke Itoh1, Honami Sakata1, Ingrid L
- L'intonation Juste, Un Renouveau Esthétique Et Théorique
- MMASS Lecture 1 — Tone-Clock Theory.Key
- Perceptual Aspects of Tuning in a Balinese Gamelan Angklung for North American Students Jay Rahn
- 2 the Tonal Properties of Pitch-Class Sets: Tonal Implication, Tonal Ambiguity, and Tonalness
- Smooth Voice-Leading Systems for Atonal Music
- Consonance and Dissonance in Music Theory and Psychology: Disentangling Dissonant Dichotomies
- At the Break of Dawn
- Pitch-Class Set Analysis Today Author(S): Allen Forte Source: Music Analysis , Mar
- The Forms of Tonality a Preview
- Music in Theory and Practice
- Engineering Systematic Musicology Methods and Services for Computational and Empirical Music Research
- Nolan Stolz Fractional Set Theory: a System for Microtonal Music Analysis