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Ouyang Yuqian
Mulan (1998), Mulan Joins the Army (1939), and a Millennium-Long Intertextual Metamorphosis
Xia, Liyang Associate Professor at Centre for Ibsen Studies, University
From Trinidad to Beijing Dai Ailian and the Beginnings of Chinese Dance
More Happenings
Fashioning Appearances: Feminine Beauty in Chinese Communist Revolutionary Culture Author(S): Hung-Yok Ip Source: Modern China, Vol
Nora's Performance in China
Regional Theater in the Age of Nationalism: Cantonese Opera and the Mei-Ou Challenge in Republican China
Please Click Here to Download
Yang Jiang's Reception and Transformation of Jane
Ibsen in China
Dissertation (Fan Liao)
Volume 16 (2009), Article 3
Cry to Heaven: a Play to Celebrate One Hundred Years of Chinese Spoken Drama by Nick Rongjun Yu Introduction and Translation by Shiao-Ling Yu
Performing Gender at the Beginning of Modern Chinese Theatre Siyuan Liu
UC San Diego UC San Diego Electronic Theses and Dissertations
CURRICULUM VITAE Qin SHAO ADDRESSES
INFORMATION to USERS This Manuscript
Xiaobing Tang
Top View
The Impact of Japanese Shinpa on Early Chinese Huaju
Cui Hu's Mural Poem and Its Resonance in the Story of “Renmian
A Study of the 1920S New Drama Adaptations of Southeast Flies the Peacock
The Way to the 1930S' Shanghai Female Stardom
Appendix 1: Glossary for Chinese and Japanese Names and Terms
The Sino-Hollywood Relationship— Then And
Copyright Matters
One-Sided Version
— May Fourth and Translation
“Artistic” Femininity Versus “Natural” Masculinity from China's
From Beijing Opera to Yangbanxi