Clásicos En Verano 2013
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Proceedings of the Musical Association Spanish Music
This article was downloaded by: [New York University] On: 05 February 2015, At: 03:19 Publisher: Routledge Informa Ltd Registered in England and Wales Registered Number: 1072954 Registered office: Mortimer House, 37-41 Mortimer Street, London W1T 3JH, UK Proceedings of the Musical Association Publication details, including instructions for authors and subscription information: http://www.tandfonline.com/loi/ rrma18 Spanish Music Henry Cart De Lafontaine Published online: 28 Jan 2009. To cite this article: Henry Cart De Lafontaine (1906) Spanish Music, Proceedings of the Musical Association, 33:1, 27-43, DOI: 10.1093/ jrma/33.1.27 To link to this article: http://dx.doi.org/10.1093/jrma/33.1.27 PLEASE SCROLL DOWN FOR ARTICLE Taylor & Francis makes every effort to ensure the accuracy of all the information (the “Content”) contained in the publications on our platform. However, Taylor & Francis, our agents, and our licensors make no representations or warranties whatsoever as to the accuracy, completeness, or suitability for any purpose of the Content. Any opinions and views expressed in this publication are the opinions and views of the authors, and are not the views of or endorsed by Taylor & Francis. The accuracy of the Content should not be relied upon and should be independently verified with primary sources of information. Taylor and Francis shall not be liable for any losses, actions, claims, proceedings, demands, costs, expenses, damages, and other liabilities whatsoever or howsoever caused arising directly or indirectly in connection with, in relation to or arising out of the use of the Content. This article may be used for research, teaching, and private study purposes. -
Memoria 09-10
Memoria 09-10 Índice Programación de Navidad 09,10 Grupo de teatro permanente de la Fundación Cerezales Antonino y Cinia. Teatro Amateur. Teatro Roblano “Harmonia” ¡Que viene mi marido! III Exposición: “Entorno Camín” Joaquín Rubio Camín Programación de Semana Santa. Teatro “Enamorado de la muerte”. IV Exposición: “En los límites de las sombras”. Bernardo Alonso Villarejo V Exposición: “Peso y Materia”. Richard Serra obra gráfica. Encerezados. Programa de actividades verano 2010. Otoño- Invierno 2010 Concierto de Flamenco. VI Exposición “Paisaje Múltiple. Latinoamérica en la colección Musac”. Semana de la Ciencia 2010. Música en Navidad 10-11` Filandones: Vidas contadas, Vidas Vividas. Cartelería. Notas y Convocatorias de prensa Música en Navidad 09,10`. Segunda edición del ciclo música clásica en Navidad En estas Navidades presentamos un ciclo de música integrado por cuatro conciertos diversos y variados, a la par que didácticos, cumpliendo así uno de los objetivos de nuestra Fundación. Orfeón Leonés. Viernes, 18 de diciembre de 2009_20.30h La primera actuación de esta agrupación aparece en un programa de fiestas en la ciudad de León de 1892, denominadas por aquel entonces de “San Miguel” en la que ya aparece esta coral con el nombre de “Orfeón Leonés”, dirigida por el Maestro Areal. Su actual configuración se establece en 1927 bajo la batuta de D. Joaquín Manceñido. En el año 1933 se hizo cargo del Orfeón Leonés el Maestro Odón Alonso González, quien orientó la trayectoria musical del Orfeón hasta su fallecimiento en 1977. En febrero de 1981, asumió la dirección Mª José Flecha Pérez, su actual directora. El Orfeón Leonés, en su dilatada vida musical, ha cultivado con éxito el género de la zarzuela e igualmente ha realizado numerosos conciertos con la antigua Orquesta de Cámara de León, interpretando obras como el Mesías de Haendel o la Pasión según San Mateo de Bach. -
Download Booklet
THE GUERRA MANUSCRIPT Volume 4 17th Century Secular Spanish Vocal Music Hernández • Fernández-Rueda • Arias Fernández Ars Atlántica • Manuel Vilas, Harp and Director The Guerra Manuscript, Vol. 4 The Guerra Manuscript, Volume 4 17th Century Secular Spanish Vocal Music 1 Anon: Qué dulcemente canta 3:19 2 Juan Hidalgo (1614-1685): ¿Qué quiere Amor? 2:43 This fourth volume in the complete recording of the Orléans (first wife of the Spanish king Charles II) to 3 Anon: Hermosa tortolilla 3:40 vocal works found in the Guerra Manuscript contains a Madrid. He then visited Italy in 1680-81, probably as 4 Anon: Poco sabe de Filis 3:04 further twenty pieces of music. This manuscript is, in part of his duties as a member of the queen’s staff. On 5 Juan Hidalgo: Con la pasión amorosa 2:59 my opinion, the leading source of tonos humanos to his death, Guerra bequeathed his library to his son, Juan 6 José Marín (c.1619-1699): Filis, el miedo ha de ser 5:09 have survived to the present day and a document of Alfonso de Guerra, who also inherited many of his titles fundamental importance in the history of Spanish music. and privileges. An inventory of this library, dated 1738, 7 Juan Hidalgo: ¡Ay que sí, ay que no! 4:50 Broadly speaking, tonos humanos are secular songs, has survived and includes the books that Juan Alfonso 8 Anon: Si descubro mi dolor 4:00 some of which are drawn from seventeenth- and was left by his father. The collection was sold to the 9 Anon: Culpas son Nise hermosa 3:44 eighteenth-century Spanish theatrical works. -
CD DPS1 Compact Disc Booklet
CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD069 BLACK Job Title: Esperar SIGCD069 booklet Page Nos. SIGCD006 SIGCD007 SIGCD008 SIGCD009 Music for Philip of Spain Two upon a ground: Jupiter The Fitzwilliam Virginal Book and his four wives Duets and Divisions for two viols SIGCD018 SIGCD020 SIGCD026 Sacred Songs of Sorrow The Queen’s Goodnight Music for Gainsborough SIGCD032 SIGCD041 SIGCD042 SIGCD049 The Sultan and the Phoenix Modus Phantasticus Tallis 9 Harmonia Caelestis www.signumrecords.com www.charivari.co.uk Available through most record stores and at www.signumrecords.com. For more information call +44 (0) 20 8997 4000 CTP Template: CD_DPS1 COLOURS Compact Disc Booklet: Double Page Spread CYAN MAGENTA Customer: SignumClassics YELLOW Catalogue No. SIGCD069 BLACK Job Title: Esperar SIGCD069 booklet Page Nos. ESPERAR SENTIR MORIR Instrumentarium Songs and dances from the Hispanic Baroque Susanne Heinrich a treble viol (M.D. Attwood, 1993) after Henry Jaye (mid 17C) b bass viol (M.D. Attwood, 1999) after anon. 17C English original Kah-Ming Ng c chamber organ (V.Woodstock, 1996) d harpsichord (A. Garlick, 1977) after I. Ruckers 1638 1. Juan Hidalgo (c.1612–1685) / arr. K-M Ng Esperar, sentir, morir [b, c, e] [4.31] Constance Allanic e triple harp (C.H. Hüttel, 2002) after 17C Italian iconography 2. Kah-Ming Ng & Clara Sanabras Quiero, y no saben que quiero [b, e, h] [9.06] Richard Sweeney f 16-course theorbo (K. Jacobsen, 2002) after various 17C Italian models 3. Lucas Ruiz de Ribayaz (b. 1626) Españoletas [e] [4.58] g 6-course lute (A. -
Lazzaro Federico 2014 These.Pdf (6.854Mb)
Université de Montréal École(s) de Paris Enquête sur les compositeurs étrangers à Paris dans l’entre-deux-guerres par FEDERICO LAZZARO Faculté de musique Thèse présentée à la Faculté de musique en vue de l’obtention du grade de Docteur en Musique (option Musicologie) Novembre 2014 © Federico Lazzaro, 2014 Résumé « École de Paris » est une expression souvent utilisée pour désigner un groupe de compositeurs étrangers ayant résidé à Paris dans l’entre-deux-guerres. Toutefois, « École de Paris » dénomme des réalités différentes selon les sources. Dans un sens élargi, le terme comprend tous les compositeurs de toute époque ayant vécu au moins une partie de leur vie à Paris. Dans son sens le plus strict, il désigne le prétendu regroupement de quatre à six compositeurs arrivés à Paris dans les années 1920 et comprenant notamment Conrad Beck, Tibor Harsányi, Bohuslav Martinů, Marcel Mihalovici, Alexandre Tansman et Alexandre Tchérepnine. Dans le but de revisiter l’histoire de l’utilisation de cette expression, nous avons reconstitué le discours complexe et contradictoire à propos de la question « qu’est-ce que l’École de Paris? ». Notre « enquête », qui s’est déroulée à travers des documents historiques de l’entre-deux-guerres ainsi que des textes historiographiques et de vulgarisation parus jusqu’à nos jours, nous a mené à la conclusion que l’École de Paris est un phénomène discursif que chaque acteur a pu manipuler à sa guise, car aucun fait ne justifie une utilisation univoque de cette expression dans le milieu musical parisien des années 1920-1930. L’étude de la programmation musicale nous a permis notamment de démontrer qu’aucun évènement regroupant les compositeurs considérés comme des « membres » de l’École de Paris n’a jamais eu lieu entre 1920 et 1940. -
Garlactic Arkestral Orchestra
Garlactic Arkestral Orchestra Proudly present ALL ITALIAN EARLY MUSIC Cover image from: http://www.ibiblio.org/wm/paint/auth/gris/music/violin- guitar/gris.violin-guitar.jpg Garlactic Arkestral Orchestra Peter Schrödingerus, Music Director John P. Lagrange, Conductor Emeritus Wilhelm Potatoman Conducting Monteverdi Toccata and Prologue from L’Orfeo Corelli Concerto Grosso Op. 6 No. 8 Palestrina Tu es Petrus Kyrie from Missa Tu es Petrus DuFay Nuper rosarum flores Gabrieli Sonata pian e forte a 8 Strozzi Lagrime mie Midori Buffety, soprano Imagine that we ignore any music related to Claudio Monteverdi was about forty years old Italy from the western music history, how much will when his first opera, L’Orfeo, had its premiere in be lost? Perhaps it is easier to ask how much will be Mantua in 1607 to the members of Accademia degli left. The Marriage of Figaro is sung in Italian (also for Invaghiti. By the letter that Francesco Gonzaga, the Don Giovanni and Cosi Fan Tutte). Vivaldi’s Four dedicatee of the opera, sent to his brother about the Seasons will be gone. Can you imagine a classical performance of Feburary 24, we might conclude that music world without Four Seasons? Certainly, Italy the premiere was given in a small room in an has been playing a major role in cultivating the apartment owned by the Duchess of Ferrara— musical tradition since the Medieval. Our standard Margherita. However, in the preface of the score musical notation, though always gradually changing edited by Denis Stevens, the editor pointed out that the with the new inventions in the twentieth century, is letter hinted a little bit about the actual premiere date. -
Passionné De Cuba
doñez r olas O c y Ni b TO O H P Passionné de Cuba Cuba Absolutely est une plate-forme indépendante, qui veut mettre en valeur le meilleur de la culture et des arts cubains, le style de vie, le sport, le voyage et beaucoup plus… Nous cherchons à explorer Cuba avec les yeux des meilleurs auteurs, photographes et cinéastes, cubains et internationaux, qui vivent, travaillent, voyagent et jouent à Cuba. De belles Images, de grands vidéos, des commentaires, des articles perspicaces et des tuyaux utiles. GUIDE DE LA HAVANE Le guide par excellence de La Havane avec des commentaires détaillés sur les endroits où manger, boire, danser, magasiner, visiter et jouer. Des aperçus uniques de l'endroit que des gens grégaires, passionnés et fiers appellent leur patrie. Ciudad Deportiva, Ave. Boyeros Avec nous sur Facebook pour Plus de 100 vidéos comprenant Suivez-nous sur Twitter pour de belles images, des liens sur des entrevues avec les des mises à jour régulières des articles intéressants et meilleurs artistes, danseurs, d'un contenu nouveau, des des mises à jour régulières. musiciens, écrivains et critiques, commentaires et metteurs en scènes de Cuba. plus. NOS COLLABORATEURS Nous sommes grandement redevables à tous les auteurs et photographes qui ont partagé leur travail avec nous. Nous accueillons les nouveaux collaborateurs et aimerions vous entendre si vous avez un projet relié à Cuba. Vous pouvez nous rejoindre à [email protected]. 13 de Marzo—park Revolution museum Photo par Alex Mene Photo de couverture d’Alex Mene: Patineurs dans le Paseo del Prado, Mai de 2014 EDITORIAL En juin, la Coupe Mondiale de Football révolutionnera La Havane. -
Martedì 24 Febbraio 2015
Ideazione e coordinamento della programmazione a cura di Massimo Di Pinto gli orari indicati possono variare nell'ambito di 4 minuti per eccesso o difetto Martedì 24 febbraio 2015 00:00 - 02:00 euroclassic notturno cavalli, francesco (1602-1676) lauda jerusalem, salmo 147 per doppio coro e strum concerto palatino (reg. herne, 1994) durata: 9.20 WDR radio della germania occidentale haendel, georg friedrich (1685-1759) concerto grosso in si bem mag op.3 n.1 elar kuiv, vl; olev ainomae, ob; estonian radio chamber orch dir. paul mägi durata: 9.28 ER radio estone beethoven, ludwig van (1770-1827) romanza in fa mag op. 50 arr. craig duncan dall'orig per vl e orch gyözö máté, vla; balázs szokolay, pf durata: 7.49 MR radiotelevisione ungherese barber, samuel (1910-1981) adagio per archi op. 11 netherlands radio symphony orch dir. richard dufallo (reg. hilversum, 1989) durata: 10.24 NOS ente olandese per le trasmissioni bach, johann sebastian (1685-1750) preludio fuga e allegro in mi bem mag BWV 998 konrad junghänel, liuto (reg. eckenhagen, 1988) durata: 13.30 WDR radio della germania occidentale stanford, charles villiers (1852-1924) fantasia e toccata in re min david drury, org durata: 11.47 ABC australian broadcasting corporation franck, cesar (1822-1890) sonata per vl e pf in la mag allegretto ben moderato - allegro - recitativo fantasia (ben moderato) - allegretto poco mosso. alina ibragimova, vl; cédric tiberghien, pf (reg. 2005) durata: 26.26 BBC british broadcasting corporation mozart, wolfgang amadeus (1756-1791) litaniae lauretanae K 195 kyrie - sancta maria - regina angelorum - agnus dei. dita paegle, sopr; antra bigaca, msopr; martins klisans, ten; janis markovs, bs; coro della radio lettone e riga chamber players dir. -
171 //#/ /Yo, 76/5" the FOURTEEN SERESTAS of HEITOR VILLA
171 //#/ /yo, 76/5" THE FOURTEEN SERESTAS OF HEITOR VILLA-LOBOS (1887-1959) THESIS > Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Noe Sanchez, B.M. Denton, Texas August, 1999 Sanchez, Noe, The Fourteen Setesta's of Heitor Villa- T.obos (1887-1959) . Master of Music (Musicology), August, 1999, 156 pp., 16 charts, 12 musical scores, 14 translations, discography, bibliography, 66 titles. The Fourteen Serestas of Heitor Villa-Lobos comprise a group of songs that expresses Villa-Lobos's compositional technique for the voice. These songs are challenging as a topic because not much historical or analytical research has been done on them. I approach the topic by providing historical background on the modinha and how it relates to the serSsta. This is followed by a descriptive analysis in the order of the set, which includes musical examples, chart diagrams, and comparisons of the serestas to other works. I hope to have contributed valuable information to the research of these songs since Villa-Lobos wrote over ninety solo vocal songs which still await analysis and discussion. This thesis is a contribution toward narrowing this gap. 171 //#/ /yo, 76/5" THE FOURTEEN SERESTAS OF HEITOR VILLA-LOBOS (1887-1959) THESIS > Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Noe Sanchez, B.M. Denton, Texas August, 1999 Copyright by Noe Sanchez 1999 111 ACKNOWLEDGMENT S I would like to thank Dr. -
Pdf Completo
Pautas editoriales Boletín Músico acoge con especial interés colaboraciones originales [artículos temáticos, comentarios -reseñas de libros, discos, o eventos de corte académico o popular- y notas informativas) sobre la música y la musicología latinoamericana y boletín música Número 54. Nueva época caribeña. La revista está dirigida a la comunidad académica internacional que, a su edición impresa, suma su presentación en Inscripción de periódicos y revistas soporte electrónico de acceso gratuito [www.casadelasamericas.com/publicaciones/boletinmusica). Los textos recibidos se someten a la evaluación del Equipo editorial, que decide acerca de la publicación del trabajo; en ese sentido, podrá solicitar la Permiso no. 0346/116 consideración del Consejo asesor y de evaluadores externos. El artículo será publicado según corresponda en el plan temático ISSN 0864-0483 de la revista. Normas editoriales http://www.casadelasa mericas.com/boleti n m usica.ph p 1. Se aceptan trabajos en castellano, portugués, inglés, francés e italiano. Debe incluirse resumen de un máximo de ISSN 2305-6428 diez líneas (hasta 120 palabras) en castellano yen inglés. 2. Los originales se enviarán al correo electrónico [email protected] en documento adjunto, en formato WORD. 3. La extensión media será: de entre 6000 y 10000 palabras [entre 15 y 30 páginas A 4) para artículos, de entre 2000 y4000 [entre 5 y 1 O páginasA4) para comenta ríos. Fuente:Aríal; tamaño: 12 pts; interlineado 1,5. Directora María Elena Vinueza Consejo Asesor 4. Incluir una breve reseña curricular del autor de no más de 5 líneas que indique su afiliación institucional. Danilo Orozco t (Cuba) 5. -
P Tifical HIGH MASS
PTIFICa LHIGHMASS in tHe o rdinariate use of the ro man rite for tHe FEASTof SAINT G GRY On the Occasion of this Community’s Fourth Feast of Title and Dedication And the First Episcopal Visitation of our Bishop His Excellency Steven J. Lopes Friday, September Second at Seven-Thirty in the Evening at Saint Andrew’s Parish, Billerica Massachusetts Saint Gregory the Great Church A Community of the Personal Ordinariate of the Chair of Saint Peter Memoranda. His Excellency Steven J. Lopes celebrant The Very Reverend Fr. Timothy Perkins concelebrant The Reverend Fr. Jürgen W.V. Liias concelebrant Deacon Edward Giordano deacon Deacon Charles Hall subdeacon Mr. David Allen master of ceremonies Mr. Raymond Chagnon master of ceremonies Mr. Kevin McDermott verger Mr. Ryan Hawkes thurifer Mr. Richard Piwowarski crucifer Mr. Joe Cooley acolyte Mr. Steven Hardy acolyte Mr. Peter Glendinning acolyte Mr. Alastair-Ian Means acolyte Mr. Thomas O’Neill acolyte Mr. Joshua Pulliam acolyte Mr. Kevin Roy acolyte Mrs. Elise Sweet reader Mr. Joseph McLellan intercessor Mr. & Mrs. John Covert processors chappel Ms. Jessica Petrus treble Ms. Carey Shunskis treble Ms. Stephanie Scogna mean Mr. Jason McStoots tenor Mr. Marc DeMille baritone Mr. Jacob Cooper bass Mr. Richard Chonak clerk Mr. Michael Olbash choir director & precentor Mr. Michael Zadig music director & organist 3 .f The Feast of Saint Gregory the Great (vigil) Pontifical High Mass in the Ordinariate Use of the Roman Rite Friday 2. September 2016 .f 7:30 in the Evening organ prelude Allein Gott in der Höh sei Ehr (bwv 662) — Johann Sebastian Bach (1685–1750) Processional Hymn ¶Stand. -
Byrd Draft 1
i Introduction ii Acknowledgments Chapter 1 Byrd - a very brief biography Chapter 2 The Reformation - Historical Background - Effect on composers - Counter Reformation Chapter 3 An introduction to the mass Chapter 4 Some notes on mass settings - plainsong mass - Machaut Messe de Notre Dame - Taverner Missa Gloria tibi trinitas - Palestrina Missa Tu es Petrus Chapter 5 Ave Verum Corpus Commentary Chapter 6 The Kyrie and Gloria from the Mass for Four Voices - analytical commentary Chapter 7 If ye love me commentary Chapter 8 This is the record of John commentary Chapter 9 Settings of Services Bibliography and Discography 1 William Byrd Mass for Four Voices Background, commentary and related works Support material for teaching OCR A2 Music Historical and Analytical Studies option 4: Music and Belief Steven Griffin June 2009 2 Chapter 1 Byrd - a very brief biography William Byrd (c1540 - 1623) is one of the most celebrated English composers of any era. His career spans a time of political and religious upheaval and also the culmination of the musical Renaissance and the beginnings of Baroque style. Byrd’s music influences the new ideas of the Baroque era, particularly his keyboard music and the hints of tonality in his harmony (as opposed to modality). However, he remains a composer of the earlier time unlike Monteverdi, for example, whose religious works (e.g. 1610 Vespers, Beatus Vir etc) are Renaissance in style but whose operas (e.g. Orfeo) introduce Baroque ideas such as recitative. Byrd studied with Thomas Tallis (1505 - 1585) and is known to have been employed at Lincoln Cathedral before becoming a Gentleman of the Chapel Royal.