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Lazzaro Federico 2014 These.Pdf (6.854Mb)
Université de Montréal École(s) de Paris Enquête sur les compositeurs étrangers à Paris dans l’entre-deux-guerres par FEDERICO LAZZARO Faculté de musique Thèse présentée à la Faculté de musique en vue de l’obtention du grade de Docteur en Musique (option Musicologie) Novembre 2014 © Federico Lazzaro, 2014 Résumé « École de Paris » est une expression souvent utilisée pour désigner un groupe de compositeurs étrangers ayant résidé à Paris dans l’entre-deux-guerres. Toutefois, « École de Paris » dénomme des réalités différentes selon les sources. Dans un sens élargi, le terme comprend tous les compositeurs de toute époque ayant vécu au moins une partie de leur vie à Paris. Dans son sens le plus strict, il désigne le prétendu regroupement de quatre à six compositeurs arrivés à Paris dans les années 1920 et comprenant notamment Conrad Beck, Tibor Harsányi, Bohuslav Martinů, Marcel Mihalovici, Alexandre Tansman et Alexandre Tchérepnine. Dans le but de revisiter l’histoire de l’utilisation de cette expression, nous avons reconstitué le discours complexe et contradictoire à propos de la question « qu’est-ce que l’École de Paris? ». Notre « enquête », qui s’est déroulée à travers des documents historiques de l’entre-deux-guerres ainsi que des textes historiographiques et de vulgarisation parus jusqu’à nos jours, nous a mené à la conclusion que l’École de Paris est un phénomène discursif que chaque acteur a pu manipuler à sa guise, car aucun fait ne justifie une utilisation univoque de cette expression dans le milieu musical parisien des années 1920-1930. L’étude de la programmation musicale nous a permis notamment de démontrer qu’aucun évènement regroupant les compositeurs considérés comme des « membres » de l’École de Paris n’a jamais eu lieu entre 1920 et 1940. -
Boston Symphony Orchestra Concert Programs, Season 123, 2003-2004
BOSTON SYMPHONY ORCH ESTRA i V V - V * : *J V 2003-2004 SEASON MUSIC DIRECTOR DESIGNATE BERNARD HAITINK PRINCIPAL GUESTCONDUCTOI SEIJI OZAWA MUSIC DIRECTOR LAUREATE ^M I 1 Invite the entire string section for cocktails. With floor plans from 2,300 to over Phase One of this 5,000 square feet, you can entertain magnificent property is in grand style at Longyear. 100% sold and occupied. Enjoy 24-hour concierge service, Phase Two is now under con- single-floor condominium living struction and being offered by at its absolute finest, all Sotheby's International Realty a harmoniously located on Hammond Residential Real Estate an extraordinary eight- GMAC. Priced from $1,500,000. acre gated community atop prestigious Call Hammond at (617) 731-4644, Fisher Hill ext. 410. LONGYEAH BROOKLINE CORTLAND SOTHEBM'S Hammondmiimm— PROPERTIES INC. International Realty EAL ESTATE ^tsg sBf&SsflESss *7> /• u; ft 1 4 fijfc -X t^^Bl-J^ i i i i i § i i i i i i i i lis 11 Landry&Arcari ORIENTAL RUGS & CARPETING Your Source for Knowledge, Inspiration & Value Boston Since 1938 Salem 333 Stuart St. www. landryandarcari . com Route 1A 617-399-6500 Open 7 Days 800-649-59098 Founding member of the NCI DANA-FARBER/HARVARD CANCER CENTER * Comprehensive Cancer Center hospital the Boston Red SoX Inclin ClinicV_liniC CCCv^v^.^ Official/' f of' Affiliated with JOSlin Designated[lesionated bybv the National Cancer InstiliiMInstitute James Levine, Music Director Designate Bernard Haitink, Principal Guest Conductor Seiji Ozawa, Music Director Laureate 123rd Season, 2003-2004 Trustees of the Boston Symphony Orchestra, Inc. -
171 //#/ /Yo, 76/5" the FOURTEEN SERESTAS of HEITOR VILLA
171 //#/ /yo, 76/5" THE FOURTEEN SERESTAS OF HEITOR VILLA-LOBOS (1887-1959) THESIS > Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Noe Sanchez, B.M. Denton, Texas August, 1999 Sanchez, Noe, The Fourteen Setesta's of Heitor Villa- T.obos (1887-1959) . Master of Music (Musicology), August, 1999, 156 pp., 16 charts, 12 musical scores, 14 translations, discography, bibliography, 66 titles. The Fourteen Serestas of Heitor Villa-Lobos comprise a group of songs that expresses Villa-Lobos's compositional technique for the voice. These songs are challenging as a topic because not much historical or analytical research has been done on them. I approach the topic by providing historical background on the modinha and how it relates to the serSsta. This is followed by a descriptive analysis in the order of the set, which includes musical examples, chart diagrams, and comparisons of the serestas to other works. I hope to have contributed valuable information to the research of these songs since Villa-Lobos wrote over ninety solo vocal songs which still await analysis and discussion. This thesis is a contribution toward narrowing this gap. 171 //#/ /yo, 76/5" THE FOURTEEN SERESTAS OF HEITOR VILLA-LOBOS (1887-1959) THESIS > Presented to the Graduate Council of the University of North Texas in Partial Fulfillment of the Requirements For the Degree of MASTER OF MUSIC By Noe Sanchez, B.M. Denton, Texas August, 1999 Copyright by Noe Sanchez 1999 111 ACKNOWLEDGMENT S I would like to thank Dr. -
AS Level Performance Studies Topic Exploration Pack (John Adams)
Performance Studies A LEVEL Performance Studies: John Adams Topic Exploration Pack September 2015 www.ocr.org.uk Topic Exploration Pack We will inform centres about any changes to the specification. We will also publish changes on our website. The latest version of our specification will always be the one on our website (www.ocr.org.uk) and this may differ from printed versions. Copyright © 2015 OCR. All rights reserved. Copyright OCR retains the copyright on all its publications, including the specifications. However, registered centres for OCR are permitted to copy material from this specification booklet for their own internal use. Oxford Cambridge and RSA Examinations is a Company Limited by Guarantee. Registered in England. Registered company number 3484466. Registered office: 1 Hills Road Cambridge CB1 2EU OCR is an exempt charity. 2 www.ocr.org.uk AS Level Performance Studies Contents John Adams Teacher Resource Pack ............................................................................................. 4 Background ..................................................................................................................................... 5 Adams’ Works ................................................................................................................................. 5 Fingerprints of Adams’ Style ........................................................................................................... 7 Influences ...................................................................................................................................... -
Xamsecly943541z Ç
Catalogo 2018 Confezione: special 2 LP BRIL 90008 Confezione: Jewel Box 1 CD BRIL 95388 Medio Prezzo Medio Prezzo Distribuzione Italiana 07/03/2017 Distribuzione Italiana 01/12/2017 Genere: Classica da camera Genere: Classica da camera Ç|xAMSECLy900087z Ç|xAMSECLy953885z JOHANN SEBASTIAN BACH JOHN ADAMS Variazioni Goldberg BWV 988 Piano Music - Opere per pianoforte China Gates, Phrygian Gates, American Berserk, Hallelujah Junction PIETER-JAN BELDER cv JEROEN VAN VEEN pf "Il minimalismo, ma non come lo conoscete”, così il Guardian ha descritto la musica di John Adams. Attivo in quasi tutti i generi musicali, dall’opera alle colonne sonore, dal jazz Confezione: long box 2 LP BRIL 90007 Medio Prezzo alla musica da camera, la sua apertura e il suo stile originale ha catturato il pubblico in Distribuzione Italiana 15/12/2015 tutto il mondo, superando i confini della musica classica rigorosa. Anche nelle sue opere Genere: Classica da camera per pianoforte, il compositore statunitense utilizza un 'ampia varietà di tecniche e stili, come disponibile anche ci mostra il pioniere della musica minimalista Jeroen van Veen assecondato dalla moglie 2 CD BRIL 95129 Ç|xAMSECLy900070z Sandra van Veen al secondo pianoforte. Durata: 57:48 Confezione: Jewel Box 1 CD BRIL 94047 YANN TIERSEN Medio Prezzo Pour Amélie, Goodbye Lenin (musica per Distribuzione Italiana 01/01/2005 pianoforte) Genere: Classica Strum.Solistica Ç|xAMSECLy940472z Parte A: Pour Amélie, Parte B: Goodbye Lenin JEROEN VAN VEEN pf ISAAC ALBENIZ Opere per chitarra Confezione: long box 1 LP BRIL 90006 Alto Prezzo Distribuzione Italiana 15/12/2015 Genere: Classica Orchestrale GIUSEPPE FEOLA ch disponibile anche 1 CD BRIL 94637 Ç|xAMSECLy900063z Isaac Albeniz, assieme a de Falla e Granados, è considerato non solo uno dei più grandi compositori spagnoli, ma uno dei padri fondatori della musica moderna spagnola. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper aligmnent can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI University Microfilms International A Bell & Howell Information C om pany 300 Nortfi Z eeb Road. Ann Arbor. Ml 48106-1346 USA 313.'761-4700 800/521-0600 Order Number 9325440 Certain oboe techniques and ensemble pedagogy in selected woodwind chamber music of Heitor Villa-Lobos Munger-MacKay, Ailene Annette, D.M.A. -
Traficante Final Dissertation
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE AN ANALYSIS OF JOHN ADAMS’ GRAND PIANOLA MUSIC A DOCUMENT SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the Degree of DOCTOR OF MUSICAL ARTS By DEBRA LEE TRAFICANTE Norman, Oklahoma 2010 AN ANALYSIS OF JOHN ADAMS’ GRAND PIANOLA MUSIC A DOCUMENT APPROVED FOR THE SCHOOL OF MUSIC BY ________________________________ Dr. William K. Wakefield, Chair ________________________________ Dr. Roland Barrett ________________________________ Dr. Paula Conlon ________________________________ Dr. Michael Raiber ________________________________ Dr. Teresa DeBacker © Copyright by DEBRA LEE TRAFICANTE 2010 All Rights Reserved. ACKNOWLEDGEMENTS My document committee consists of Dr. William K. Wakefield, Dr. Roland Barrett, Dr. Michael Raiber, Dr. Paula Conlon, and Dr. Teresa DeBacker, and I thank each of them for their careful reading and great assistance in the execution of this document. I feel very fortunate to have had the members who served on this committee, and hold them each in high regard. Special thanks are especially due to Dr. Wakefield, chair of my committee; he tirelessly helped me clarify ideas, find new ways to experience the piece, and express my thoughts more cogently. Without his unremitting support, this document would not exist. To my parents, Ron and Mary Ann Manna, I owe any success I have ever achieved to you both. The never-ending support you have afforded me is why I have accomplished what I have. I love you both and thank you. To my in-laws, Harry and Cheryl Craig, I sincerely appreciate the endless love and support you have given to me for the last fifteen years. -
The Cambridge Companion to Ravel Edited by Deborah Mawer Frontmatter More Information
Cambridge University Press 0521648564 - The Cambridge Companion to Ravel Edited by Deborah Mawer Frontmatter More information The Cambridge Companion to Ravel This Companion provides a comprehensive introduction to the life, music and compositional aesthetic of the French composer Maurice Ravel (1875–1937). Leading international scholars offer a powerful reassessment of this most private and elusive musician, examining his work in detail within its cultural context. Supported by many music examples, the volume explores the full range of Ravel’s work – piano repertory, chamber works, orchestral music, ballets, songs and operas – and makes illuminating comparisons with the music of Couperin, Gounod, Chabrier and Debussy. The chapters present the latest research focusing on topics such as Ravel’s exoticism and Spanishness and conclude by analysing the performance and reception of his music, including previously untranslated reviews. Marking the 125th anniversary of Ravel’s birth, the Companion as a whole aims to secure a solid foundation for Ravel studies in the twenty-first century and will appeal to all enthusiasts and students of his music. The editor, Deborah Mawer, is Lecturer in Music at Lancaster University, where she specialises in French music (c. 1890–1939). She is author of Darius Milhaud (1997) and ‘Darius Milhaud, La Création du monde’ (1996), an analytical listening guide. She also writes on music analysis and education. © Cambridge University Press www.cambridge.org Cambridge University Press 0521648564 - The Cambridge Companion -
Cohesion of Composer and Singer: the Female Singers of Poulenc
COHESION OF COMPOSER AND SINGER: THE FEMALE SINGERS OF POULENC DOCUMENT Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts in the Graduate School of The Ohio State University By Susan Joanne Musselman, B.M., M.M. ***** The Ohio State University 2007 Document Committee: J. Robin Rice, Adviser Approved by: Hilary Apfelstadt Wayne Redenbarger ________________________ Adviser Graduate Program in Music Copyright by Susan Joanne Musselman 2007 ABSTRACT Every artist’s works spring from an aspiring catalyst. One’s muses can range from a beloved city to a spectacular piece of music, or even a favorite time of year. Francis Poulenc’s inspiration for song-writing came from the high level of intimacy he had with his close friends. They provided the stimulation and encouragement needed for a lifetime of composition. There is a substantial amount of information about Francis Poulenc’s life and works available. We are fortunate to have access to his own writings, including a diary of his songs, an in-depth interview with a close friend, and a large collection of his correspondence with friends, fellow composers, and his singers. It is through these documents that we not only glean knowledge of this great composer, but also catch a glimpse of the musical accuracy Poulenc so desired in the performance of his songs. A certain amount of scandal surrounded Poulenc during his lifetime and even well after his passing. Many rumors existed involving his homosexuality and his relationships with other male musicians, as well as the possible fathering of a daughter. The primary goal of this document is not to unearth any hidden innuendos regarding his personal life, however, but to humanize the relationships that Poulenc had with so many of his singers. -
The Influence of Parisian Popular Entertainment on the Piano Works of Erik Satie and Francis Poulenc
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely, event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are availabie for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. lJ·M·I University Microfilms InternatiOnal A Bell & Howelllnformat1on Company 300 North Zeeb Road. Ann Arbor. M148106-1346 USA 3131761-4700 800:521-0600 Order Number 9502'109 The influence of Parisian popular entertainment on the piano works of Erik Satie and Francis Poulenc McKinney, David Conley, D.M.A. -
Download Booklet
559285 bk Adams US 11/13/06 2:59 PM Page 4 Ralph van Raat AMERICAN CLASSICS Pianist and musicologist Ralph van Raat studied the piano with Ton Hartsuiker and Willem Brons at the Conservatory of Amsterdam and Musicology at the University of Amsterdam. He concluded both studies with distinction in 2002 and 2003. As a part of the Advanced Programme of the Conservatory of Amsterdam, and with the support of a Prince Bernhard Fellowship, Van Raat John also studied with Claude Helffer (Paris), Liisa Pohjola (Helsinki), Ursula Oppens at Chicago’s Northwestern University and Pierre-Laurent Aimard at the Musikhochschule in Cologne. Ralph van Raat has won a number of prizes, including the Second Prize and Donemus-Prize (for Contemporary Music) of ADAMS the Princess Christina Competition (1995), the Stipend-Prize Darmstadt during the Darmstadt Internationale Ferienkurse für Neue Musik ( 1998), First Prize of the International Gaudeamus Interpreters Competition (1999), the Philip Morris Arts Award (2003), the Elisabeth Everts Prize (2004), a Borletti-Buitoni Fellowship (2005), the VSCD Classical Music Prize (2005) and the Fortis Complete MeesPierson Award from the Concertgebouw, Amsterdam (2006). He appears as a recitalist and as a soloist with orchestras in Europe, the Middle-East, Asia and in the United States, with many of his concerts broadcast or seen on television. He has made several recordings and regularly collaborates with Piano Music Photograph by composers, many of whom have dedicated their piano compositions to him. Marco Borggreve Ralph van Raat has been a Steinway Artist since 2003. Maarten van Veen Phrygian Gates The pianist Maarten van Veen comes from a musical family and started playing the piano at a young age. -
Nomination List Sorted by Categories ICMA 2019 PDF Format
Catalogue Title of CD/DVD Composer & Works Performing Artists Label Number EARLY MUSIC San Marco di Venezia: The Golden Age G. Gabrieli - Bassano - Merulo - A. Gabrieli L. Stewart, Les Traversées Baroques, E. Meyer Accent ACC24345 The Night of St. Nicholas La Reverdie Arcana A442 La barca del mio amore Gorzanis: Napolitane, Balle, Fantasie P. de Vittorio, La Lyra, B. Zuljan Arcana A450 Co’l dolce suono Arcadelt - Layolle - Willaert - Ganassi - Segni - Fogliano - U. Hofbauer, Ensemble Arcimboldo, T. Hirsch Audite 97731 Berchem - Ortiz Nova Sonet Harmonia Anon.: Gaude felix parens Yspania + Ymnum nove leticie + Ensemble Discantus, B. Lesne Bayard Musique 308 556.2 Terribilis es locus iste et al. Ockeghem: Requiem - de La Rue: Requiem Diabolus in Musica, A. Guerber Bayard Musique 308 475.2 Mya Senhor Velida: Medieval Lais & Anonymous: Plainte de la Vierge au pied de la croix + Malandança, F.Luengo Brilliant Classics 95689BR Cantigas From France & Spain Recordare + Lai de Notre Dame - Alfonso X: Santa Maria loei + Nembre-sse-te Madre de Deus + Virgen Madre gloriosa Marenzio: Il pastor fido La Pedrina, F. S. Pedrini Claves 50-1814 Zefiro Spira: Italian Renaissance Frottole & Bisan - Caprioli - Jublin - Kieffer - Tromboncino - Verdelot G. Jublin, P. Kieffer Claves 50-1803 Improvisations Fons Luminis. Codex las Huelgas Various anonymous works Ensemble Gilles Binchois, D. Vellard Evidence Classics EVCD051 Cipriano de Rore: Portrait of the Artist as a Rore: L'ineffabil bontà del Redentore + Era il bel viso suo L.C.Trulls, F.Rycker, Graindelavoix, B.Schmelzer Glossa GCDP32114 Starved Dog qual'esser suole + Convien ch'ovunque sua sempre cortese + Come la notte ogni fiammella è viva - Verdelot: Queste non son più lagrime - Morlaye: Non son io che pai' in viso etc.