CATALOGUE OF COMPOSITIONS

COMPILED BY MADELEINE MILHAUD FROM THE COMPOSER'S NOTEBOOKS AND REVISED BY JANE HOHFELD GALANTE

The translator owes a debt of gratitude to Mme. Milhaud for the many hours of assistance, helpful counsel, and gracious hospitality she contributed to the revision of this catalogue. Very special appreciation is also due toR. Wood Massi for his extensive work in verifying and re-ordering data pertaining to the music, to Jean-Franfois Denis for his excellently detailed preparation of the final copy, and to Dr. Katharine M. Warne for her constructive perusal of the proofs and her many invaluable suggestions. I should like to thank the Mills College Department ofMusic for providing research funds and the Mills College Library for giving me unlimited access to the Milhaud collection. I am especially grateful to Eva Konrad Kreshka for her unstinting encouragement and enthusiasm. The careful reader will note some discrepancies between this catalogue, which is based on Milhaud's notebooks, and the printed scores, mostly in regard to exact dates, places ofcomposition, and timing. In the majority of instances, the notebook entry is the one used except where information given on the score adds something ofspecial interest.

!.H. G.

CATALOGUE OF COMPOSITIONS ARRANGED CHRONOLOGICALLY BY CATEGORIES

Entry format ______

Title opus number (Recording available) (general comments) [Text author] Section titles Cross references Place, date (day, month, year) of composition Orchestration Publisher: (former publisher) present publisher Dedication and/or commission First performance: Date (day, month, year). Place. Artist Duration: min s

231 Explanation of terms ______

The designation (R) means that the work has been recorded. In orchestral works the instrumentation is divided into three groups, two of which are designated numerically. Thus: 2.2.2.2. -4.3.3.1.-T.P.H.S. means 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 3 trumpets, 3 trombones, 1 tuba, timpani, percussion, harp, strings. No distinction is made for piccolo, contrabassoon, etc.; therefore, 3.3.3.3. would probably mean: 1 piccolo and 2 flutes, 2 oboes and 1 English hom, 2 B-flat clarinets and 1 bass clarinet, 2 bassoons and 1 contrabassoon. Any other instruments, such as saxophone and guitar, are separately indicated. In smaller instrumental ensembles the individual instruments are indicated in abbreviated spelling, as follows: piccolo pice marimba mba flute fl xylophone xyl oboe ob glockenspiel glock English hom enghn vibraphone vib Fliigelhom flghn celesta eel clarinet cl drum drum bass clarinet bscl handclap handclap bassoon bn piano piano contrabassoon contrabn harpsichord hprd hom hn organ organ trumpet tpt andes Martenot ondMart trombone tbn guitar gtr tuba tu string bass stb euphonium euph saxophone sax accordion ace saxhorn saxhn harmonica harm comet cnt harmonium hrm timpani timp T. narrator narr percussion perc P. voice voice harp harp H. soprano sop strings strings s. mezzo soprano mezz contralto con violin vln tenor ten viola va countertenor counterten violoncello vc baritone bar contrabass cb bass bass

232 Contents

Instrumental Music

Pbmo ______solo 236 solo pieces included in collections 240 easy pieces 241 two pianos 242 four pianos 243

Other solo instruments------• harp 243 guitar 244 organ 244 violin 244 Duos ______violin & harpsichord 245 violin & piano 245 viola & piano 247 violoncello & piano 247 flute & piano 248 pipeau & piano 248 oboe & piano 248 clarinet & piano 248 saxophone & piano 249 ondes Martenot & piano 249 two violins 249 violin & viola 250 violin & violoncello 250 viola & violoncello 250 Trios ______piano & two violins 251 piano, violin, & violoncello 251 piano, violin, & clarinet 251 violin, viola, & violoncello 252 oboe, clarinet, & bassoon 252 two trumpets, & trombone 252

Qu~ts------string 253 piano & other instruments 257 Quinrets ______string (with or without piano) 257 wind 258 miscellaneous 259

233 Larger String Ensembles------,-- 259 Chamber Ensembles------chamber symphonies 260 miscellaneous ensembles 261

StrmgOrehestra ______265 Large Orchestra ______symphonies 265 symphonic suites 268 miscellaneous 271

Band ______275 Solo & orchestra (or chamber ensemble) ------harpsichord 276 piano 277 two pianos 279 violin 280 viola 281 violoncello 282 oboe 283 clarinet 283 saxophone 284 trombone 284 percussion 284 harp 284 marimba & vibraphone 285 harmonica 285

Several instruments & orchestra------285

Vocal Music

Solo voice unaccompanied 286 with piano 286 pieces for children 295 with organ (or piano) 295 with chamber ensemble 295 with orchestra 297

Spoken voice with chamber ensemble 299

Two voices with strings 300 with orchestra 300 234 A cappeUa ensemble------women's quartet (or chorus) 301 mixed quartet (or chorus) 302 men's chorus 303 mixed chorus 303

Accompanied vocal ensemble------vocal quartet & chamber ensemble 306 five voices & orchestra 307 three-part women's chorus & chamber ensemble 308 women's chorus & orchestra 308 mixed chorus & orchestra (or chamber ensemble) 308 soloist, mixed chorus, & organ 311 soloists, mixed chorus, & orchestra 312 children's chorus & organ 314 easy pieces (with piano or a small ensemble of violins and violoncellos) 314

Dramatic Works

''Operas-minute" 315 Operas 316 Recitatives 320 Ballets 320 Incidental music 325 Music for films 332 Music for radio 336 Music for television 337

Unpublished Works 338

Reductions, Arrangements, & Transcriptions

Reductions------• for piano (two hands) 346 for piano (four hands) 346 for two pianos 347 for three pianos 348 for solo instruments & piano 348

Arrangements by Darius Milhaud ------349 Transcriptions ofMilhaud's works by other composers ------235 350 INSTRUMENTAL MUSIC

Piano C=:J

~ano:~lo ______

Suiteop. 8 Lent-Vif et clair-Lourd et rythme- Lent et grave-Modere-anime Aix-Paris, 1913 Publisher: Durand Dedication and/or commission: Jean Wiener (Lent), Henri Cliquet (Vif et clair), Roger de Fontenay (Lourd et rythme), Celine Lagouarde (Lent et grave), Georgette Guller (Modere-anime) First performance: 23 March 1914. "La Libre Esthetique," Brussels. G. Guller Duration: 25 min 10 s

Printemps (vol. I) op. 25 (R) Modere-Souple- Doucement Paris-Rio de Janeiro-La Guadeloupe, 1915-1919 Publisher: (Sirene) Eschig Dedication and/or commission: Jeanne Herscher-Clement (Modere), Nininha Velloso Guerra (Souple- Doucement) First performance: 1920. Matinee Dada, Paris. M. Meyer Duration: 6 min 10 s

Sonate op. 33 Decide-Pastorale- Rythme Paris, 1916 Publisher: (Mathot) Salabert Dedication and/or commission: Henri Cliquet First performance: 1920. Salon d' Automne, Paris. M. Dron Duration: 18 min

Tango des Fratellini op. 58c (R) See Ballets (Leboeuf sur le toit); Transcriptions Paris, 1919 Publisher: (Sirene) Eschig Duration: 1 min 45 s

236 Printemps (vol. II) op. 66 (R) Doucement-Vivement-Calme Berne-Aix-Nice, 1919-1920 Publisher: (Sirene) Eschig Dedication and/or commission: Youra Guller (Doucement), Nininha Velloso Guerra (Vivement), Celine Lagouarde-Bugnion (Calme) First performance: 21 November 1920. Concert des Six, Gal. Montaigne, Paris. N. Velloso Guerra Duration: 5 min 20 s

Saudades do Brazil op. 67 (R) Sorocaba-Botofago-Leme-Copacabana-Ipanema-Gavea-Corcovado- Tijuca- Sumare-Paineras- Larenjeiras- Paysandu See Large orchestra, symphonic suites; Transcriptions Copenhagen-Aix, 1920 Publisher: (Demets) Eschig Dedication and/or commission: Mme Regis de Oliveira (Sorocaba), Oswalda Guerra (Botofago), Nininha Velloso Guerra (Leme), Godofredo Leao Velloso (Copacabana), Arthur Rubinstein (Ipanema), Mme Henrique Oswald (Gavea), Mme Henri Hoppenot (Corcovado), Ricardo Vines (Tijuca), Henri Hoppenot (Sumare), La Baronne Frachon (Paineras), Audrey Parr (Larenjeiras), Paul Claude! (Paysandu) First performance: 21 November 1920. Concert des Six, Gal. Montaigne, Paris. N. Velloso Guerra Duration: 19 min 50s

Caramel mou (Shimmy) op. 68 (R) See Chamber ensembles, misc.; Solo voice, with chamber ensemble Aix,1920 Publisher: (Sirene) Eschig Dedication and/or commission: Georges Auric Duration: 3 min 14 s

Trois rag caprices op. 78 (R) See Chamber ensembles, misc. Aix,1922 Publisher: U.E. Dedication and/or commission: Jean Wiener First performance: 23 November 1922. Cone. Wiener, Paris. J. Wiener Duration: 6 min 2 s

L'automne op. 115 (R) Septembre- Alfama- Adieu Villeflix-Paris, 1932 Publisher: (Deiss) Salabert Dedication and/or commission: Marcelle Meyer First performance: June 1932. Cone. Marcelle Meyer, Paris. M. Meyer Duration: 7 min

237 L'album de Madame Bovary op. 128b (R) Emma-Pastorale-Tristesse- Chanson- Reverie-Le Tilbury-Romance• Jeu-Autographe- La Saint-Hubert-Soupir-Dans les bois-Promenade• Pensee-Chagrin-Barcarolle-Demier feuillet See Music for films (Madame Bovary) Paris, 1933 Publisher: Enoch Dedication and/or commission: Sabine et Robert Aron First performance: 1934. Cone. eleves Marguerite Long, Paris Duration: 13 min 30 s

Trois valses op. 128c See Music for films (Madame Bovary) Paris, 1933 Publisher: Enoch Dedication and/or commission: Jean Renoir Duration 3 min 23

Quatre romances sans paroles op. 129 (R) Paris, 1933 Publisher: (Deiss) Salabert Dedication and/or commission: Raymond Deiss First performance: 5 March 1935. Radio Luxembourg. D. Milhaud Duration: 4 min

Four Sketches (Esquisses) op. 227 Eglogue- Madrigal- Sobre Ia lorna- Alameda See Duos, clarinet & piano (Eglogue, Madrigal); Quintets, wind (Eglogue, Madrigal); Chamber ensembles, misc.; Transcriptions (Sobre Ia lorna) Mills, 20 May/10 August/15 September/2 October 1941 Publisher: Mercury-Presser Dedication and/or commission: Monique et Jean Leduc Duration: 10 min 15 s

La muse menagere op. 245 (R) La mienne ( dedicace)- Le reveil-Les soins du menage- La poesie-La cuisine - Les fleurs dans la maison- La lessive-Musique ensemble- Le fils peintre• Le chat - Cartomancie - Les soins au malade - La douceur des soirees - Lectures nocturnes- Reconnaisance a la muse See Chamber ensembles, misc. Mills, 5-11 July 1944 Publisher: Elkan Vogel-Presser Dedication and/or commission: M.M.M.M. (Madeleine Milhaud Muse Menagere)! First performance: 30 May 1945. Radio-Bruxelles. P. Collaer Duration: 24 min 30 s

238 Deuxieme sonate op. 293 Alerte-Leger-Doucement- Rapide Mills-Carpinteria, 14 February-21 August 1949 Publisher: Heugel Dedication and/or commission: Monique Haas First performance: 4 March 1950. BBC, London. M. Haas Duration: 15 min 45 s

Le candelabre a sept branches op. 315 (R) Le premier jour de l'an-Jour de penitence-Fete des cabanes-La resistance des Macchabees- Fete de Ia reine Esther-Fete de Ia Paques-Fete de Ia Pentec6te Paris, 20-28 December 1951 Publisher: I.M.P. Dedication and/or commission: M.M. First performance: 10 April1952. Fest. d'Ein-gev, Israel. F. Pellag Duration: 10 min

Hymne de glorification op. 331 (R) Paris, 20 December 1953-5 January 1954 Publisher: Eschig Dedication and/or commission: Nadia Boulanger First performance: December 1954. Detroit Museum. Z. Skolowsky Duration: 7 min

Sonatine op. 354 Decide-Modere- Alerte Paris, 9-30 April1956 Publisher: Edit. Trans. Dedication and/or commission: Harriet Cohen First performance: 22 March 1959. Pacific Mus. Soc., San Francisco. Josepha Heifetz Duration: 5 min 30 s

Le globe trotter op. 358 France-Portugal-Italie- Etats-Unis-Mexique- Bresil See Chamber ensembles, misc.; Transcriptions Sion-Paris-Mills, 12 December 1956-16 January 1957 Publisher: Mills Mus.-Bel. M. Duration: 16 min 40 s

Les charmes de Ia vie op. 360 'Hommage a Watteau' Pastorale - L'indifferent - Plaisirs champetres - Serenade - Musette - Mascarade See Chamber ensembles, misc. Mills, 8-19 February 1957 Publisher: Mills Mus.-Bel. M. Duration: 17 min 35 s

239 Six danses en trois mouvements op. 433 See Piano, two pianos Aix, December 1969-5 March 1970 Publisher: Eschig Duration: 12m 14 s

Piano: solo pieces included in collections ------

Mazurka (Incl. in 'Album des Six') 1914 Publisher: Eschig Duration: 1 min 15 s

Polkaop. 95 (Incl. in 'L'Eventail de Jeanne') See Ballets Vienna, 1927 Publishers: Heugel

Le tour de I'Exposition op. 162 (Incl. in 'A !'Exposition') Paris, June 1933, revised in 1937 Publisher: (Deiss) Salabert Dedication and/or commission: Marguerite Long First performance: June 1937. Inaug. Pavilion de la Femme et de l'Enfant, Exposition 1937, Paris. J. M. Damase Kahn (9 year-old)

Choral (Incl. in 'Hommage a Paderewski') Paris, 1941 Publisher: B.&H. Duration: 2 min 10 s

La couronne de Marguerite: Valse en forme de rondo op. 353 (Incl. in 'Variations sur le nom de M. Long') See Large orchestra, misc. Paris, 16-21 May 1956 Publisher: Salabert

240 ~ano:e~ypi~es ______

Black Keys (Touches noires) White Keys (Touches blanches) op. 222 (R) Mills, 11 January 1941 Publisher: Fischer

Unejournee op. 269 L'aube--La matinee--Midi-- L'apres-midi-- Le crepuscule Mills, 18 July 1946 Publisher: Elkan Vogel-Presser Dedication and/or commission: comm. Juilliard School of Music First performance: October 1946. Carnegie Hall, New York. A. Foldes Duration: 6 min 30 s

L'enfant aime op. 289 Les fleurs-- Les bonbons-- Les jouets--Sa mere-- La vie Mills, 30-31 November 1948 Publisher: (Leeds, M.C.A.) Bel. M. Dedication and/or commission: Nicole Leduc (Les fleurs), Edmee Wilson (Les bonbons), Dominique Bailey (Les jouets), Niccolo Daniele Rieti (Sa mere), Catherine Valley (La vie) Dedication and/or commission: comm. Leeds First performance: 1 July 1949. University of Wyoming, Laramie. D. Milhaud Duration: 9 min 15 s

Accueil amical op. 326 (fingered by Katharine M. Warne) Pyjama rouge-- Bonjour Violaine-- Pyjama Bleu-- Bonjour Dominique-- Elma joue -- Marie dort -- La nouvelle dent -- Mademoiselle no. 5 -- Bonjour Philippine! --Pierre ecrit des commentaires--Marion peint--La recreation--La douce hospitalite, les chers amis-- Colin Maillard!--Petit Pierre est arrive un beau jour d'ete--Les dragees du bapteme, 15 aout 1948--Lettres de chateau See Transcriptions United States, 1944-1947 Publisher: Heugel

Jeuop. 302 (Incl. in the album 'Les contemporains,' premier recueil) Paris, February 1950 Publisher: (P. Noel) Billaudot Duration: 1 min 36 s

Enfantines ( 4hands) (based on 'Trois poemes de Jean Cocteau,' fingered by Mme M. Long) See Solo voice, with piano Publisher: Eschig

241 PUmo:twopfunm ______

Scaramouche op. 165b (R) Vif-Moden!- Brazileira See Solo & orchestra, clarinet/saxophone; incidental music (Le medecin volant); Reductions; Transcriptions (Brazileira & Scaramouche) Paris, 1937 Publisher: (Deiss) Salabert First performance: 1 July 1937. Exposition 1937, Paris. M. Meyer, I. Jankelevitch Duration: 8 min

La libertadora op. 236b (suite of 5 dances) See Unpublished works Mills, July 1943 Publisher: A.&S. Dedication and/or commission: Morley et Gearhart Duration: 6 min This is taken from music originally conceived as a ballet in the opera "Bolivar," but never used in that context.

Les songes op. 237 (R) Scherzo-Valse-Polka See Ballets Mills, October 1943 Publisher: (Deiss) Salabert Dedication and/or commission: Virginia et Livingstone First performance: 7 May 1945. Wyoming University, Laramie. A. Wilman, D. Milhaud Duration: 6 min 12 s

La bal martiniquais op. 249 (R) Chanson creole-Beguine See Large orchestra, misc. Mills, December 1944 Publisher: (Leeds, MCA) Bel. M. First performance: April1945. Radio-Bruxelles Durationi: 7 min 15 s

Carnaval aIa Nouvelle-Orleans op. 275 (R) Mardi Gras! Chic ala paille- Domino noir de Cajun- On danse chez Monsieur Degas-Les mille cents coups Mills, 7 March-6 April1947 Publisher: (Leeds, MCA) Bel. M. Dedication and/or commission: Gold et Fizdale First performance: 8 July 1947. Michigan State College. A. Gold, R. Fizdale Duration: 11 min 20 s

242 Kentuckiana op. 287 (Divertissement on twenty Kentucky folk songs) See Large orchestra, misc. Santa Barbara, 6-19 September 1948 Publisher: Elkan Vogel-Presser First performance: December 1949. Radio-France. J. Fevrier, J. Weill Duration: 10 min 20 s

Six danses en trois mouvements op. 433 (R) Tarentelle-Bourree-- Sarabande-Pavane-- Rumba-Gigue See Piano, solo Aix, December 1969-5 March 1970 Publisher: Eschig Dedication and/or commission: Pour les 25 ans de Genevieve Joy et de Jacqueline Robin First performance: 17 December 1970. Paris. G. Joy, J. Robin Duration: 6 min 7 s

~ano:fourpmnos ______

Paris op. 284 (R) Montmartre -- L'Ile Saint-Louis -- Montparnasse -- Bateaux-mouches -- Longchamps-- La Tour Eiffel See Large orchestra, symphonic suites Paris, 18 May 1948 Publisher: Eschig Dedication and/or commission: Jean Marietti, comm. First Piano Quartet Duration: 10 min

For a more complete list ofcompositions available for 2 pianos, 3 pianos, and piano four hands, see Reductions.

Other solo instruments

Other solo instruments: harp ------

Sonate op. 437 (R) (en trois mouvements) Geneva, 6 October-6 November 1971 Publisher: Eschig Dedication and/or commission: Anne Adams ( comm.) First performance: 19 May 1973. Conservatoire Rocquencourt. F. Pierre Duration: 12 min 30 s

243 Other solo instruments: guitar------• Segoviana op. 366 Paris, 26 November 1957 Publisher: Heugel Dedication and/or commission: Andres Segovia ( comm.) First performance: November 1969. Strasbourg Duration: 2 min 30 s

Other solo instruments: organ------

Sonate op. 112 (R) Etude- Reverie-Final Paris, 1931 Publisher: (Gray) Bel. M. Dedication and/or commission: Francesco et Anna Malipiero First performance: 1932. SIMC, Berlin Duration: 19 min 43 s

Pastorale op. 229 (R) Mills, November 1941 Publisher: (Gray) Bel. M. First performance: 1942. Cathedral, Washington, D.C. Strickland Duration: 3 min 29 s

Neufpreludes op. 231b (R) See Incidental music (L'annonce faite a Marie, 2nd version) Mills, 16 March 1942 Publisher: Heugel Dedication and/or commission: M.D.M. First performance: 1 June 1948. Cone. La Chantrerie, Paris. M. L. Girod Duration: 13 min 5 s

Petite suite op. 348 (R) Entree-Priere- Cortege Paris, November 1955 Publisher: Eschig Dedication and/or commission: Nicole et Daniel pour leur mariage First performance: 9 December 1955. Synagogue Buffault, Paris. J. Bonfils Duration: 6 min 9 s

Other solo instruments: violin------Sonatine pastorale op. 383 Entree- Romance- Gigue Paris, 11 March 1960 Publisher: Ades Duration: 3 min 20 s

244 Duos c::=:J

Duos: violin & harpsichord------

Sonate op. 257 Nerveux- Calme- Clair et vif Mills, 27 July-8 August 1945 Publisher: Elkan Vogel-Presser Dedication and/or commission: Alexandre Schneider et Ralph Kirkpatrick ( comm.) First performance: 30 November 1946. Town Hall, New York. vln: A. Schneider, hprd: R. Kirkpatrick Duration: 9 min 40 s

Duos: violin & piano------

Premiere sonate op. 3 (R) Lent et robuste, anime- Tres lent-Tres rythme, joyeux Aix, 1911 Publisher: Durand First performance: 3 May 1913. SMI, Paris. vln: Y. Giraud, piano: G. Guller Duration: 30 min

Le printemps op. 18 (R) Aix, Easter 1914 Publisher: Durand Dedication and/or commission: Yvonne Giraud First performance: April1919. Th. Vieux Colombier, Paris. vln: Y. Giraud, piano: D.Milhaud Duration: 2 min 25 s

Deuxieme sonate op. 40 (R) Pastoral-Vif-Tres lent-Tres vif Rio de Janeiro, May 1917 Publisher: Durand Dedication and/or commission: Andre Gide First performance: 1917. Lycee Fran~ais, Rio de Janeiro, vln: D. Milhaud, piano: N. Velloso Guerra Duration: 16 min

245 Cinema-fantaisie op. 58b (R) See Ballets (Leboeuf sur le toit); Solo & orchestra, violin Aix, 1919 Publisher: (Sirene) Eschig Dedication and/or commission: Rene Benedetti First performance: May 1921. Paris. vln: R. Benedetti, piano: J. Wiener Duration: 19 min

Trois caprices de Paganini op. 97 (Traites en duos concertants) New York, 1927 Publisher: Heugel Dedication and/or commission: Marquise de Casa Fuerte (#22), Paul Kochanski (#10), Josef Szigeti (#13) First performance: 15 April1928. Cone. Pro Arte, Brussels. vln: Y. de Casa Fuerte, piano: P. Collaer Duration: 9 min 15 s

Dixieme sonate de Baptiste Anet ( 1729) op. 144 (free adaptation) 1935 Publisher: Gallo First performance: 25 November 1935. Chaux de Fonds. vln: Y. Astruc, piano: D. Milhaud

SallorSong (Concert version and simplified version, from 'Suite anglaise') See Solo & orchestra, violin; Solo & orchestra, harmonica; Reductions; Transcriptions March 1944 Publisher: B.&H. Duration: 2 min 55 s

Danses de Jacaremirim op. 256 (R) Sambinha-Tanguinho- Chorinho Mills, 23-25 July 1945 Publisher: (Delkas, Leeds, MCA) Bel. M. Dedication and/or commission: Alexander Murray ( comm.) First performance: 28 April1946. Hollywood. vln: A. Murray Duration: 4 m 45 s

Farandoleurs op. 262 Mills, 29 January 1946 Publisher: Salabert Dedication and/or commission: Claude Delvincourt First performance: 1946. Concours Conser. Paris Duration: 2 min 20 s

246 Duos: viola & piano------

Quatre visages op. 238 (R) La Californienne-The Wisconsonian- La Bruxelloise-La Parisienne Mills, 16 November 1942-1 March 1943 Publisher: Heugel Dedication and/or commission: Germain Prevost (comm.) First performance: January 1944. Wisconsin University. va: G. Prevost, piano: G. Johansen Duration: 14 min

Premiere sonate op. 240 (R) (Sur des themes anonymes et inedits du XVIIIe siecle) Entree- Fran~se- Air-Final See Unpublished works (Air) Mills, February 1944 Publisher: Heugel Dedication and/or commission: Germain Prevost (comm.) First performance: April 1944. Wisconsin University. va: G. Prevost, piano: G. Johansen Duration: 13 min 5 s

Deuxieme sonate op. 244 (R) Champetre-Dramatique- Rude Mills, 27 June-2 July 1944 Publisher: Heugel Dedication and/or commission: A Ia memoire d' Alphonse Onnou, comm. G. Prevost College, Madison. va: G. Prevost, piano: N. Boulanger Duration: 11 min 35 s

Duos: violonceUo & piano------Elegie op. 251 (R) Mil~,21January1945 Publisher: B.&H. Dedication and/or commission: Edmond Kurtz (comm.) First performance: 16 November 1945. Town Hall, New York. vc: E. Kurtz Duration: 4 min 35 s

Sonate op. 377 (R) Anime et gai-Lent et grave-Vif et joyeux Pacific Palisades-Mills, 16 March-18 April1959 Publisher: Salabert Dedication and/or commission: Ernst Friedlander, comm. Vancouver Festival First performance: 18 July 1959. Vancouver Festival. vc: E. Friedlander, piano: Mrs. Friedlander Duration: 13 min 35 s

247 Duos: flute & piano------

Sonatine op. 76 (R) Tendre-Souple-Clair Aix, 1922 Publisher: Durand Dedication and/or commission: Louis Fleury et Jean Wiener First performance: January 1923. Cone. Wiener, Paris. fl.: L. Fleury, piano: J. Wiener Duration: 7 min 50 s

Duos: pipeau & piano------

Exerclce musical op. 134 (R) Aix, 1934 Publisher: Ois. Lyre Dedication and/or commission: Mrs. Dyer First performance: December 1948. Festival de Musique Franr;aise, Juilliard School, New York

Duos:Oboo&piano ______

Sonatine op. 337 (R) Avec charme et vivacite-Souple et clair-A vee entrain et gaiete Aspen, 7-19August1954 Publisher: Durand Dedication and/or commission: Lois Wann First performance: 29 November 1954. Town Hall, New York. ob: L. Wann Duration: 11 min

Duos: clarinet & piano------

Sonatine op. 100 (R) Tres rude-Lent-Tres rude Aix, 1927 Publisher: Durand Dedication and/or commission: Louis Cahuzac First performance: 1929. S.M.I., Paris. cl: L. Cahuzac, piano: M. F. Gaillard Duration: 8 min 55 s

Eglogue-Madrigal op. 227b (From 'Four Sketches') . See Piano, solo; Quintets, wind; Chamber ensemble, tmsc. Mills, 15 September 1941 Publisher: Elkan Vogel-Presser

248 Caprice op. 335 (Incl. in the collection 'La clarinette,' vol. II, ed. by F. Oubradous) Paris, 1 May 1954 Publisher: (P. Noel) Billaudot

Duo concertant op. 351 (R) Paris, 19-21 January 1956 Publisher: Heugel Dedication and/or commission: Ulysse Delecluze First performance: 1956. Concours Conserv. Paris Duration: 7 min 15 s

Duos: saxophone & piano------

Danse op. 335b (R) (Incl. in the collection 'Le saxophone,' vol. II, ed. by F. Oubradous) Paris, 2 May 1954 Publisher: (P. Noel) Billaudot

Duos: ondesMartenot & piano------

Suite op. 120c (R) Choral-Serenade-Impromptu-Etude-Elegie See Accompanied vocal ensemble, vocal quartet & chamber ensemble (Adages); Incidental music (Le chateau des papes); Transcriptions (Suite) Aix, 1932 Publisher: (Cerda) E.F.M. Dedication and/or commission: Maurice Martenot First performance: December 1933. Cone. Serenade, Paris. M. Martenot Duration: 10 min

Duos: two violins------

Sonatine op. 221 (R) Vif-Barcarolle- Rondo Train Chicago-Oakland, October 1940 Publisher: (Music Press) Mercury-Presser Dedication and/or commission: Mes eleves de Mills College First performance: 7 December 1940. Composers' Forum, San Francisco Duration: 3 min 20 s

249 Duo op. 258 (R) Gai- Romance- Gigue Alma-Los Gatos, 17-19 August 1945 Publisher: (Music Press) Mercury-Presser Dedication and/or commission: Yehudi Menuhin et Roman Totenberg First performance: 'Gai' and 'Romance' 18 August 1945. Private performance at Menuhin home, Alma. 'Gigue' 27 August 1945. Private performance at Milhaud home, Mills College Duration: 4 min 26 s

Duos: violin & viola------Sonatine op. 226 Decide-Lent-Vif (Fugue) Mills, 6-8 May 1941 Publisher: (Music Press) Mercury-Presser Dedication and/or commission: Laurent Halleux et Germain Prevost Duration: 9 min

Duos: violin & violoncello------

Sonatine op. 324 Anime-Modere- Vif Santa Barbara, 10-12 June 1953 Publisher: Heugel Dedication and/or commission: Ralph et Norine, comm. Ralph Swickard First performance: 8 July 1954. Film 'A Visit to Darius Milhaud,' Music Academy of the West, Santa Barbara. vln: E. Shapiro, vc: V. Gottlieb Duration: 7 min 20 s

Duos:viom&vioronceUo ______

Sonatine op. 378 Vif-Modere- Gai Mills, 15-24 April1959 Publisher: Heugel Dedication and/or commission: Murrey Adaskin et Jim Bolle, comm. Saskatchewan University First performance: 9 June 1959. Saskatoon, Canada Duration: 7 min 50 s

250 Trios [=::1

Trios, piano & two violins------

Sonate op. 15 (R) Anime-Modere-Tres vif Paris-Brussels, 1914 Publisher: Durand Dedication and/or commission: Armand Lunel First performance: 27 May 1915. Cone. Foyer Franco-Beige, Paris. vlns: Y. Astruc, D. Milhaud, piano: J. Herscher Duration: 15 min 35 s

Trios, piano, violin & violoncello------Trioop. 428 Modere-Anime-Calme-Violent Aspen-Mills, 22 July-30 October 1968 Publisher: Heugel Dedication and/or commission: Pour la Chamber Music Society of Lincoln Center (comm.) First performance: 11 October 1969. Lincoln Center, New York Durations: 14 min 5 s

Trios, piano, violin & clarinet------Suite op. 157b (R) Ouverture-Divertissement-J eu-Introduction et final See Incidental music (Le voyageur sans bagages) Paris, November 1936 Publisher: Salabert Dedication and/or commission: M.D.M. First performance: 19 January 1937. Concert Serenade, Paris. vln: Y. Astruc, piano: J. Fevrier Duration: 11 min 50 s

251 Trios, violin, viola & violoncello------

Sonatine a trois op. 221b Tres modere-Contrepoint- Anime Train Chicago-Oakland, 19-20 October 1940 Publisher: (Music Press) Mercury-Presser Dedication and/or commission: Mady et Daniel First performance: 7 December 1940. Composers' Forum, San Francisco Duration: 8 min 20 s

Trio acordes op. 274 (R) Vif- Moden~- Serenade-Canons-Jeu fugue Mills, 20 February-1 March 1947 Publisher: Heugel Dedication and/or commission: Carlos et Cecile Prieto, comm. Carlos Prieto First performance: December 1947. Trio Pasquier, Paris Duration: 13 min 30 s

Trios, oboe, clarinet, & bassoon------

Pastorale op. 147 (R) Brussels, 30 December 1935 Publisher: (B.S. I.) Ch. duM. Dedication and/or commission: Trio d'anches de Paris First performance: 5 November 1936. Bourges. Trio d'anches de Paris Duration: 3 min 50s

Suite d'apres Corrette op. 161b (R) Entree et Rondeau-Tambourin- Musette-Serenade-Fanfare-Rondeau- Menuets-Le Coucou See Incidental music (Romeo et Juliette) Paris, April1937 Publisher: Ois. Lyre Dedication and/or commission: Paul Collaer First performance: November 1938. Cone. Serenade, Paris. Trio d'anches de Paris Duration: 8 min 30 s

Trios, two trumpets & trombone------

Fanfare op. 400 Mills, 22 October 1962 Publisher: Heugel Dedication and/or commission: Cent cinquante mesures pour les 150 ans de la Maison Heugel First performance: 13 December 1962. Chez Heugel, Paris

252 Quartets I I

Quartets: string------Premier quatuor op. 5 (R) Rythmique- Intime, contenu- Grave, soutenu*-Vif, tres rythme Aix, 1912 (revised 1950) Publisher: Durand Dedication and/or commission: Ala memoire de Paul Cezanne First performance: 3May 1913. S.M. I., Paris. vln: D. Milhaud, Larbey, va: R. Siohan, vc: F. Delgrange Duration: 13 min 25 s *This movement was eliminated by D. Milhaud; it is included in the early edition only.

Deuxieme quatuor op. 16 (R) Moderement anime/tres anime - Tres lent - Tres vif - Souple et sans bate/assez anime et gracieux-Tres rythme Aix-Paris,1914-1915 Publisher: Durand Dedication and/or commission: Le6 Latil First performance: 15 May 1915. Cone. Delgrange, Paris. vln: Y. Astruc, D. Milhaud, va: Jurgensen, vc: F. Delgrange Duration: 23 min 25 s

Troisieme quatuor op. 32 (with soprano) (R) [Extrait du 'Journal intime' de Leo Latil] Tres lent-Tres lent Paris-Aix, 1916 Publisher: Durand Dedication and/or commission: En souvenir du printemps de 1914 First performance: 1956. ORTF, Paris. Quatuor Loewenguth Duration: 20 min 5 s

Quatrieme quatuor op. 46 (R) Vif-Funebre-Tres anime See Transcriptions Rio de Janeiro, 1918 Publisher: (Senart) Salabert Dedication and/or commission: Felix Delgrange First performance: 5 Apri11919. Cone. Delgrange, Paris. Quatuor Capelle Duration: 9 min 45 s

253 Cinquieme quatuor op. 64 (R) Chantant- Vif et leger-Lent-Tres anime See Transcriptions Aix, 1920 Publisher: (Senart) Salabert Dedication and/or commission: Arnold Schoenberg First performance: 6 April1922. S.M.I., Paris. Quatuor Carembat Duration: 20 min 40 s

Sixieme quatuor op. 77 (R) Souple et anime - Tres lent-Tres vif et rythme Aix, April-June 1922 Publisher: U.E. Dedication and/or commission: Francis Poulenc First performance: February 1923. Brussels. Quatuor Pro Arte Duration: 8 min 45 s

Septieme quatuor op. 87 (R) Moderement anime- Doux et sans hate-Lent-Vif et gai See Transcriptions Balsorano-Aix, 1925 Publisher: U.E. Dedication and/or commission: Quatuor Pro Arte First performance: 10 November 1925. Brussels, Quatuor Pro Arte Duration: 12 min 40 s

Huitieme quatuor op. 121 (R) Vif et souple - Lent et grave - Tres anime Cauterets-Paris, 1932 Publisher: Ch. duM. Dedication and/or commission: Mrs. E. Sprague Coolidge ( comm.) First performance: 13 May 1933. Concert Coolidge, Asolo. Quatuor Pro Arte Duration: 12 min 45 s

Neuvieme quatuor op. 140 (R) Modere-Anime- Tres lent- Decide Paris, 1935 Publisher: Ch. duM. Dedication and/or commission: Mrs. E. Sprague Coolidge ( comm.) First performance: 21 May 1935. Concert Coolidge, Paris. Quatuor Pro Arte Duration: 18 min 10 s

Jlixieme quatuor (Birthday Quartet) op. 218 (R) Moderement anime- Vif-Lent-Tres anime Atlantic Ocean-New York, July-August 1940 Publisher: Salabert Dedication and/or commission: Mrs. E. Sprague Coolidge, ( comm.) First performance: 30 October 1940. Library of Congress, Washington, D. C. Coolidge Quartet Duration: 15 min 15 s

254 Onzieme quatuor op. 232 (R) Moden!ment anime- Vif et leger-Bien modere- Anime Mills, May-June 1942 Publisher: Salabert Dedication and/or commission: Quatuor de Budapest. Ecrit a !'occasion du 20e anniversaire do League of Composers First performance: 9 December 1942. League of Composers, New York. Budapest Quartet Duration: 15 min 45 s

Douzieme quatuor op. 252 (R) Modere anime, modere-Lent-Avec entrain Mills, 5-15 February 1945 Publisher: Salabert Dedication and/or commission: A la memoire de Gabriel Faure a !'occasion du centenaire de sa naissance First performance: 22 April1945. National Gallery of Arts, Washington, D.C. Budapest Quartet Duration: 14 min 5 s

Treizieme quatuor op. 268 (R) Tres decide- Barcarolle-Mexicana Mexico-Mills, June-October 1946 Publisher: Salabert Dedication and/or commission: M.D.M. First performance: 22 April1947. Library of Congress, Washington, D.C. Budapest Quartet Duration 10 min 40 s

Quatorzieme quatuor op. 291 (R) Anime-Modere- Vif See Larger string ensembles (Octuor a cordes) Mills, 23November 1948-17 January 1949 Publisher: Heugel Dedication and/or commission: Paul Collaer, avec trente ans d'amitie First performance: 10 August 1949. Mills College. Budapest Quartet Duration: 15 min 45 s

Quinzieme quatuor op. 291 (R) Anime-Modere- Vif See Larger string ensembles (Octuor a cordes) Mills, 23 November 1948-17 January 1949 Publisher: Heugel Dedication and/or commission: Paul Collaer, avec trente ans d'amitie First performance: 10 August 1949. Mills College. Paganini Quartet Duration: 15 min 45 s

255 Seizieme quatuor op. 303 (R) Tendre-Vif-Doux et calme-Anime Paris, 5-25 April1950 Publisher: Heugel Dedication and/or commission: A Madeleine pour le 25e anniversaire de notre mariage First performance: 2 August 1950. Music Academy ofthe West, Santa Barbara. Music Academy of the West Quartet Duration: 16 min 40 s

Dix-septieme quatuor op. 307 (R) Rude-Tendre-Leger et cinglant- Robuste Mills-Pasadena-Twentynine Palms, 4-23 December 1950 Publisher: Heugel Dedication and/or commission: A Daniel pour ses 21 ans First performance: April 1951. Library of Congress, Washington, D.C. Budapest Quartet Duration: 20 min 40 s

Dix-huitieme quatuor op. 308 (R) Lent et doux- Premier hymne- Deuxieme hymne- Lent et doux Rancho Mirage-Pasadena-Mills, 29 December 1950-11 January 1951 Publisher: Heugel Dedication and/or commission: A la douce memoire de mes parents First performance: 22 August 1951. Aspen Festival. Paganini Quartet Duration: 25 min 30 s

Hommage a Igor Stravinsky op. 435 Geneva, July 1971 Publisher: B.&H.

Etudes op. 442 (Sur des themes liturgiques du Comtat Venaissin) Modere-Anime- Modere Geneva, 22 April1973 Publisher: Eschig Dedication and/or commission: comm. Braemer Foundation First performance: 1975. New York. Adath Jeshurun String Quartet Durations: 10 min 50s

256 Quartets: piano & other instruments------

Sonate op. 47 (R) Tranquille-Joyeux-Emporte-Douloureux Rio de Janeiro-Therezopolis, 1918 Piano, fl, ob, cl. Publisher: Durand Dedication and/or commission: N. V. G. First performance: 12 February 1921. Exposition Wiesbaden. Soc. d'lnstr. a vent, piano: D. Milhaud Duration: 10 min

Quatuor op. 417 Moderement anime-Lent-Vif Paris,10-23January1966 Piano, vln, va, vc. Publisher: Durand Dedication and/or commission: comm. Mme. Wickett pour les 10 ans de sa fille Helene First performance: June 1967. Cleveland Institute of Music Duration: 15 min

Quintets

Quintets: string (with or without piano)------•

La creation du monde op. 81b (R) (Suite de concert) Prelude-Fugue-Romance- Scherzo-Final See Ballets; Reductions Paris, 1926 2 vln, va, vc, piano. Publisher: Eschig First performance: 1927. Festival Baden-Baden. Kolisch Quartet Duration: 15 min

Premier quintette op. 312 (R) Avec vivacite- Avec mystere- Avec douceur- Avec emportement Mills-Aix, 14 July-27 September 1951 2 vln, va, vc, piano. Publisher: Heugel Dedication and/or commission: Pour le 100e anniversaire de Mills College First performance: 17 May 1952. Mills College Centennial Festival. Hungarian Quartet, piano: E. Petri Duration: 14min5 s

257 Deuxieme quintette op. 316 (R) Moderement anime- Vif-Lent-Final Paris, 9-24January 1952 2 vln, va, vc, cb. Publisher: Heugel Dedication and/or commission: Stanley Quartet, comm. l'Universite de Michigan First performance: 8 July 1952. University of Michigan, Ann Arbor. Stanley Quartet Duration: 16 min 40 s

Troisieme quintette op. 325 Anime-Lent-Vif Mills-Aspen, July-August 1953 2 vln, 2 va, vc. Publisher: Heugel Dedication and/or commission: comm. Griller Quartet First performance: 15 November 1953. University of California, Berkeley. Griller Quartet, va: F. Molnar Duration: 15 min 20 s

Quatrieme quintette op. 350 Tres modere (Deploration sur la mort d'un ami)-Anime (Souvenirs de jeunesse)- Assez lent (Ladouceur d'une longue amitie)-Anime (Hymne de louanges) Paris, 8 February 1956 2 vln, va, 2 vc. Publisher: Heugel Dedication and/or commission: Ala memoire d' Arthur Honegger First performance: 29 February 1956. INR, Brussels INR string orchestra. Conductor: F. Andre Duration: 20 min 5 s

Quinte~:wmd ______

La cheminee du roi Rene op. 205 (R) Cortege-Aubade-Jongleurs- La Maoussinglade-Joutes sur 1' Arc- Chasse a V alabre- Madrigal nocturne See Music for films (Cavalcade d' amour) Mayens de Sion, 25 June 1939 Publisher: South. Mus. First performance: 5 March 1941. Mills College. South Wind Quintet Duration: 11 min 13 s

Madrigal-Pastoral (originally 'Eglogue') op. 22Th (R) (from 'Four Sketches') See Piano, solo; Duos, clarinet & piano; Chamber ensemble, misc. Mills, 1941 Publisher: Mercury-Presser Dedication and/or commission: Mrs. Aurelia Reinhardt

258 Divertissement op. 299b (R) Balance-Dramatique-Joyeux See Music for films (Gauguin); Transcriptions Paris, April1958 Publisher: Heugel Dedication and/or commission: David Mind Duration: 11 min 30 s

Quintette a vent op. 443 Gai-Lent-Allegre Geneva, 13 September 1973 Publisher: Eschig Dedication and/or commission: comm. de l'Etat, dedie a Madeleine avec cinquante ans de bonheur First performance: 1975. Avignon. Quintette avent d'Avignon Duration: 17 min

Quintets: miscellaneous------Les revesde Jacob op. 294 (R) L'oreiller de Jacob- Premier reve (L'echelle de Jacob)- Prophetie- Deuxieme reve (Lutte avec l'ange et Benediction)-Israel (Hymne) Mills, 14-29 April1949 Ob, vln, va, vc, cb. Publisher: Heugel Dedication and/or commission: Mrs. E. Sprague Coolidge, comm. Coolidge Foundation First performance: 19 October 1949. Jacob's Pillow Dance Festival, July 1959. Festival SIMC, Brussels Duration: 16 min 30 s

Larger string ensembles

Octuor acordes op. 291 (R) Anime-Modere- Vif Mills, 23 November 1948-17 January 1949 4 vln, 2 va, 2 vc Publisher: Heugel Dedication and/or commission: Paul Collaer-avec trente ans d'amitie First performance: 10 August 1949. Mills College. Budapest Quartet, Paganini Quartet Duration: 15 min 45 s This octet consists of the 14th and 15th string quartets, which may be played separately.

259 Sextuor a Cordes op. 368 (R) Lent- Moden.~ et expressif- Anime Paris, 18-26 January 1958 2 vln, 2 va, 2 vc. Publisher: Heugel Dedication and/or commission: A la memoire de Luther Marchant, comm. Agnes Albert First performance: 1958. Mills College Duration: 13 min 30 s

Septuor a cordes op. 408 (R) Moderement anime- Etude de hasard dirige- Modere et expressif- Alerte Paris, 26 March-1 April1964 2 vln, 2 va, 2 vc. 5-string cb. Publisher: Heugel Dedication and/or commission: A la memoire de Mrs. Elizabeth Sprague Coolidge, comm. Library of Congress First performance: 3 October 1964. Library of Congress, Washington, D.C. Kroll Quartet, va: Trampler, vc: B. Heifetz, cb: D. Walter Duration: 15 min 20 s

Chamber ensembles

Chamber ensembles: chamber symphonies------

Premiere symphonie op. 43 (R) 'Le printemps' Allant- Chantant-Et vif! Rio de Janeiro, 1917 Pice, fl, ob, cl, harp, 2 vln, va, vc. Publisher: U.E. Dedication and/or commission: Roger de Fontenay First performance: 11 August 1918. Cone. Symph. Rio. Conductor: Braga Duration: 4 min

Deuxieme symphonie op. 49 (R) "Pastorale' Joyeux-Calme-Joyeux South Atlantic Ocean-Rio de Janeiro, 1918 Fl, eng hn, bn, vln, va, vc, cb. Publisher: U.E. Dedication and/or commission: Roseau et Pipeau First performance: 9 March 1919. Cone. Delgrange, Paris. Conductor: F. Delgrange Duration: 4 min

260 Troisieme symphonie op. 71 (R) 'Serenade' Vivement- Calme- Rondement Paris, July 1921 Fl, cl, bn, vln, va, vc, cb. Publisher: U.E. Dedication and/or commission: Yvonne et Illan de Casa Fuerte First performance: 10 December 1921. Soc. Mus. de Ch., Paris Duration: 3 min

Quatrieme symphonie op. 74 (R) Ouverture-Choral-Etude Paris, 1921 4 vln, 2 va, 2 vc, 2 cb. Publisher: U.E. Dedication and/or commission: Madeleine Milhaud First performance: 3 May 1921. Concert Art et Action, Paris. Conductor: L. Sir Duration: 6 min

Cinquieme symphonie op. 75 (R) Rude-Lent- Violent Vienna-Warsaw, 1922 Pice, fi, ob, eng hn, cl, bs cl, 2 bn, 2 hn. Publisher: U.E. Dedication and/or commission: Marya Freund First performance: May 1923. Soc. Instr. aVent, Paris Duration: 5 min

Sixieme symphonie op. 79 (R) Calme et doux- Souple et vif-Lent et tres expressif New York, 1923 Vocal quartet, ob, vc. Publisher: U.E. Dedication and/or commission: Germaine Schmitz First performance: 1924. Cone. Wiener, Paris. Conductor: D. Milhaud Duration: 6 min

Chamber ensembles: miscellaneous ensembles ------

Caramel moo op. 68 See Piano, solo; Solo voice, with chamber ensemble Aix,1920 Cl, trp, tbn, piano, sax. Publisher: Eschig Dedication and/or commission: Georges Auric Duration: 3 min 14 s

261 Trois rag caprices op. 78 See Piano, solo Aix,1922 1.1.1.1.-2.1.1.0.-P.S. Publisher: U.E. Dedication and/or commission: Jean Wiener Duration: 8 min

Le carnaval de Londres op. 172 (R) Bal-Ouverture- Polly- Peachum-Mrs. Peachum- Filch-Danses de Filch• Mazurka - Lucy - Masques - Mackie-Chelsea-Sur la Tamise - Gigue-Romance-Danse des Gueux - Rosy-Amoureux - Jeanette-Pat'en l'air-Cabaret-2e Gigue-Valse- Arret du cortege-Petite marche- La Tour de Londres-Final See Incidental Music (Chansons de l'opera du Gueux) Aix,September1937 1.1.1.1.-0.1.1.0.-sax, P.H.S. Publisher: Salabert First performance: 1939. Cone. Revue Musicale, Paris. Conductor: M. Rosenthal Duration: 30 min

Opus Americanum no. 2 op. 219b Ouverture- Modere- Anime- Souple et anirne- Anime, rude- Tres lent- Marche- Introduction et baccanale-Modere See Large orchestra, misc. ; Ballets (Moise) Oakland, 25 August-September 1940 1.1.2.1.-1.2.2.0.-P .B.S. Publisher: Elkan Vogel-Presser Dedication and/or commission: Pierre Monteux, comm. Ballet Theater Duration: 31 min 25 s

Four Sketches (Esquisses) op. 227 Eglogue- Madrigal- Sobre la lorna- Alameda See Piano, solo; Duos, clarinet & piano (Eglogue, Madrigal); Quintets, wind (Eglogue, Madrigal); Transcriptions (Sobre la lorna) Mills, May 1941 1.1.1.1.-1.1.1.0.-P.H.S. Publisher: Mercury Dedication and/or commission: Aaron Copland First performance: January 1943. CBS, New York Duration: 9 min

262 Jeux de printemps op. 243 Alerte-Gai-Tranquille- Robuste- Nonchalent- Joyeux See Large orchestra, misc. Mills, 5 June 1944 Fl, cl, bn, trp, 2 vln, va, vc, cb. Publisher: Salabert Dedication and/or commission: Mrs. E. Sprague Coolidge, comm. Library of Congress First performance: 30 October 1944. Library of Congress, Washington, D.C. Martha Graham Ballets Duration: 20 min

La muse menagere op. 245 (R) See Piano, solo Mills, 1944 Fl, ob, cl, bn, hn, 2 1st vln, 2 2nd vln, va, vc, cb. Publisher: Elkan Vogel-Presser First performance: 26 July 1945. Oakland. Conductor: H. Brubeck. Ballet entitled 'The Ivory Tower,'

L'apotheose de Moliere op. 286 (Based on music by Baptiste Anet) Tumulte dans l'Olympe precedant l'arrivee de Moliere- Moliere re'

Le globe trotter op. 358 (R) France-Portugal-Italie-Etas-Unis-Mexique- Bresil See Piano, solo; Transcriptions Sion-Paris-Mills, 12 December 1956-27 March 1957 2.1.1.1.-0.2.2.0.-sax-P.H.S (3 vln, 2 va, 2 vc, cb) Publisher: Mills Mus.-Bel. M. First performance: 11 September 1957. Radio Lausanne. Conductor: D. Milhaud Duration: 16 min 40 s

263 Les charmes de Ia vie op. 360b (R) 'Hommage a Watteau' Pastorale - L'indifferent - Plaisirs champetres - Serenade - Musette - Mascarade See Piano, solo Mills, 8-14 February 1957 1.1.1.1.-0.1.0.0.-vln, va, vc, cb. Publisher: Mills Mus.-Bel. M. First performance: 11 September 1957. Radio Lausanne. Conductor: D. Milhaud Duration: 17 min 35 s

Aspen Serenade op. 361 Anime (Astir) -Souple et printanier (Springlike)-Paisible (Peaceful)-Energique (Energetic)-Nerveux et colore (Nimble and colorful) Mills, 28 March-9 April1957 1.1.1.1.-0.1.0.0.-vln, va, vc, cb. Publisher: Heugel Dedication and/or commission: Charles Jones First performance: 19 August 1957. Aspen Festival Duration: 16 min 5 s

Concert de chambre op. 389 Modere-Anime- Lent Mills, 9 January-28 April1961 Piano, string quintet, wind quintet Publisher: Eschig Dedication and/or commission: comm. Mario et Antony di Bonaventura, comm. M. di Bonaventura. First performance: 16 November 1962. Dartmouth College, New Hampshire. Conductor: M. di Bonaventura Duration: 14 min

Musique pour Lisbonne op. 420 Modere, tendre- Vif et gai- Modere, avec charme- Leger, fantasque- Vif et allegre Paris-Aspen, 25 April-31 July 1966 2 ob, 2 hn, strings (incl. 5-string cb) Publisher: Eschig Dedication and/or commission: comm. Fondation Calouste Gulbenkian First performance: 28 June 1968. Festival Gulbenkian, Lisbon. Conductor: La Rosa Parodi Duration: 21 min

264 Musique pour Graz op. 429 (R) Gracieux- Reveur-Anime- Zele Mills, 20 November 1968-24 February 1969 1.1.1.1.-0.1.0.0.-vln, va, vc, cb. Publisher: U.E. Dedication and/or commission: comm. Radio Autrichienne First performance: 4 November 1970. Radio Graz, Coli. Mus. Instr. der Kunst urn Graz. Conductor: M. Heider Duration: 14 min 15 s

Musique pour Ars Nova op. 432 Anime-Vif-Lent- Rondeau Aix-Nice-Paris, 6 October-29 November 1969 For 13 players using a different aleatory group for each section Fl, cl, bs cl, bn, hn, trp, trb, 2 perc, harp, piano, vln, vc. Publisher: Eschig Dedication and/or commission: Marius Constant, comm. ORTF for Ars Nova First performance: 1970. Montpellier. Ars Nova. Conductor: M. Constant Duration: 12 min

String orchestra

Symphoniette op. 363 Anime et vigoureux- Vif et leger-Decide et joyeux Aspen, 9 July-7 August 1957 Publisher: Heugel Dedication and/or commission: comm. ORTF First performance: 1957. ORTF. Conductor: A. Girard Duration: 10m

Large orchestra

Large orchestra: symphonies------

Premiere symphonie op. 210 (R) Pastoral-Tn!s vif-Tres modere- Final Aix, 1939 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Chicago Symph. Orch. pour son 50e anniversaire First performance: 17 October 1940. Chicago Symphony. Conductor: D. Milhaud Duration: 27 min 8 s

265 Deuxieme symphonie op. 247 (R) Paisible-Mysterieux-Douloureux- A vee serenite-Allelouia Mills, 18 September-28 October 1944 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: A la memoire de Mme. Nathalie Koussevitzky, comm. Koussevitzky Foundation First performance: 20 December 1946. Boston Symphony. Conductor: D. Milhaud Duration: 27 min

Troisieme symphonie 'Te Deum' op. 271 (R) Fierement-Tres recueilli- Pastorale-Te Deum (Hymnus Ambrosianus) Mills-Hollywood-Boston, 22 October-December 1946 Mixed Chorus, 3.3.4.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Radio Fran~se First performance: Orchestre National & chorus. Conductor: R. Desormiere Duration: 31 min 25 s

Quatrieme symphonie '1848' op. 281 (R) L'insurrection - Aux morts de la republique - Les joies paisibles de la liberte retrouvee- Commemoration 1948 Atlantic Ocean-Pacific Ocean-Genval-Aix, August-December 1947 3.3.4.3.-4.4.4.2.-2 sax-T.P.S. Publisher: Salabert Dedication and/or commission: Roger Desormiere, comm. par l'Etat pour le centenaire de la revolution de 1848 First performance: Concert pour le centenaire de la revolution de 1848. Orchestre National. Conductor: D. Milhaud Duration: 28 min 6 s

Cinquieme symphonie op. 322 Vif et cinglant - Lent et tendre - Clair et Ieger- Alerte et rude Mills, 15 March-May 1953 3.2.2.2.-4.3.3.1.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. Radio Italienne First performance: 16 November 1953. RAI, Turin. Conductor: D. Milhaud Duration: 25 min 16 s

Sixieme symphonie op. 343 (R) Calme et tendre-Tumultueux-Lent et doux- Joyeux et robuste Mills, 3 February-30 March 1955 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: To the memory of Serge and Nathalie Koussevitzky, comm. for the 75th anniversary of the Boston Symphony, C. Munch, Director. First performance: 7 October 1955. Boston Symphony. Conductor: C. Munch Duration: 27 min 15 s

266 Septieme symphonie op. 344 Anime-Grave- Vif Mills, 2 March-15 May 1955 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: A l'orchestre INR eta son chef Franz Andre, comm. Radio Beige First performance: 13 September 1955. Venice Festival. Conductor: F. Andre Duration: 15 min

Huitieme symphonie 'Rhodanienne' op. 362 (R) Avec mystere et violence - Avec serenite et nonchalance- Avec emportement- Rapide et majestueux Mills, 11-26April1957 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Univ. California (Berkeley) First performance: 22 April1958. University of California, Berkeley. San Francisco Symphony. Conductor: E. Jorda Duration: 21 min 15 s

Neuvieme symphonie op. 380 Moderement anime (Pastoral)- Lent et sombre-Alerte et vigoureux Paris, 10 November-14 December 1959 2.3.2.2.-2.2.2.1.-T.P .H.S. Publisher: Heugel Dedication and/or commission: comm. Mario di Bonaventura, pour l'orchestre symphonique de Fort Lauderdale First performance: 29 March 1960. Fort Lauderdale, Fla. Fort Lauderdale Symphony. Conductor: M. di Bonaventura Duration: 16 min 40 s

Dixieme symphonie op. 382 Decide-Expressif-Fantasque-Emporte Paris, 20 November 1959-29 February 1960 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. pour le centenaire de !'Oregon First performance: 4 April1961. Portland Symphony. Conductor: P. Bellugi Duration: 22 min 5 s

Onzieme symphonie 'Romantique' op. 384 Intense- Meditatif- Emporte Paris, 13 March-14 April1960 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Dallas Public Library et Dallas Symphony Orchestra First performance: 12 December 1960. Dallas Symphony. Conductor: P. Kletzki Duration: 17 min 25 s

267 Douzieme symphonie 'Rurale' op. 390 Pastoral-Vif et gai-Paisible - Lumineux Aspen, 26 June-26 July 1961 2.2.3.2.-2.2.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Univ. California (Davis) First performance: 16 February 1962. University of California, Davis. San Francisco Symphony. Conductor: E. Jorda Duration: 16 min 40 s

Large orchestra: symphonic suites------

Premiere suite symphonique op. 12 Vif-Lent-Tres anime (from 'La brebis egaree') See Operas; Reductions Paris, 1913-1914 3.3.3.4.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Leo Latil First performance: 26 May 1914. Cone. Schmitz, Paris. Conductor: R. Schmitz Duration: 18 min

Deuxieme suite symphonique op. 57 (R) (from 'Protee') Ouverture- Prelude et fugue- Pastorale-Nocturne- Final See Incidental music (Protee, first version); Reductions Aix,1919 3.3.3.4.-4.3.3.1.-T.P.H.S. Publisher: Durand Dedication and/or commission: A Ia memoire d'Alberic Magnard First performance: 26 October 1920. Cone. Colonne, Paris. Conductor: G. Pierne Duration: 19 min 40 s

Serenade op. 62 (R) Vif-Tranquille- Vif See Reductions Aix-Paris, 1920-1921 2.2.2.2.-2.2.0.0.-T.P.S. Publisher: U.E. Dedication and/or commission: Lucien Daudet First performance: 14 December 1920. Cone. Symph. Winterthur. Conductor: A. Honegger Duration: 11 min 50 s

268 Saudades do Brazil op. 67b (R) Ouverture-Douze danses See Piano, solo; Transcriptions Copenhagen-Aix, 1920-1921 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Eschig First performance: 1921. Spectacle Lo"ie Fuller, Paris. Conductor: V. Golschmann Duration: 22 min

Suite de Maximilien op. llOb (R) See Operas (Maximilien) Aix, 1930 3.3.4.3.-4.4.3.1.-T.P.H.S. Publisher: U .E. Duration: 20 min

Suite proven~e op. 152c (R) Anime-Tres modere-Modere-Vif-Modere-Vif-Lent-Vif See Ballets; Incidental music (Bertran de Born) Paris, May-June 1936 2.3.2.2.-4.3.3.1.-T.P.S. Publisher: (Deiss) Salabert Dedication and/or commission: M.D.M. First performance: 12 September 1937. Festival Biennale Venise. Conductor: D. Milhaud Duration: 16 min

Suite fran~e op. 248 (R) Normandie- Bretagne- lie de France-Alsace-Lorraine- Provence See Band; Reductions Mills, 13 November 1944 2.2.2.2.-2.2.2.0-T.P.S. Publisher: (Leeds, MCA) Bel. M. Dedication and/or commission: M.D.M., cornrn. Leeds First performance: 28 June 1945. New York Stadium. Conductor: M. Abravanel Duration: 16 min

Les cloches op. 259b [from 'The Bells' by Edgar Allan Poe] Overture (Ouverture)- Silver Bells (Cloches d'argent)- Golden Bells (Cloches d'or) - Brazen Bells (Cloches de cuivre) - Iron Bells (Cloches de fer) - Bacchanale (Bacchanale) See Ballets Mills, January 1946 3.1.2.1.-2.2.1.0.-P.S. piano. Publisher: Eschig Dedicated to: M.D.M., cornrn. Ruth Page Duration: 23 min 10 s

269 Suite campagnarde op. 329 Paysage- Nocturne-Pastorale-Danse rustique Paris-Turin-Paris, 9 October-2 November 1953 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. Wilmington College First performance: International Folk Festival, Wilmington, Ohio. Wilmington College Orchestra. Conductor: C. Monteux Duration: 9 min 55 s

Paris op. 284b Montmartre- L'lle Saint-Louis- Bateaux-mouches- Longchamps- La tour Eiffel See Piano, four pianos Aspen-Paris, 21 June-17 December 1959 2.2.2.2.-4.3.3.1.-T.P.H.S. Publisher: Eschig First performance: 10 May 1960. INR, Brussels Duration: 10 min

Musique pour Prague op. 415 Anime-Lent-Vif Paris, 24 October-17 November 1965 2.2.2.3.-2.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. Festival de Printemps, Prague First performance: 20 June 1966. Festival de Printemps, Prague. Conductor: D. Milhaud Duration: 14 min 10 s

Musique pour !'Indiana op. 418 Robuste-Vif- Expressif- Violent et lyrique Paris, 30 January-30 March 1966 2.2.3.3.-2.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. Mr. et Mrs. H. C. Krammert pour Ie 150e anniversaire de !'Indiana First performance: 1967. Indiana Symphony. Conductor J. Salomon Duration: 19 min 15 s

Musique pour Ia NouveUe-Orleans op. 422 Large-Tres lent et tendre-Vigoureux Mills, 18 October-8 December 1966 3.2.3.3.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. New Orleans Symph. Orch. pour Ie 250e anniversaire de New Orleans First performance: 1968. New Orleans Symphony Duration: 25 min 15 s

270 Promenade Concert op. 424 Anime- Madere et subtil-Vif-Rondement Aspen, July 1967 2.2.2.2.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. New York Philharmonic Orchestra First performance: 11 August 1968. Aspen Festival. Conductor: D. Milhaud Duration: 13 min

Symphonie pour l'univers Claudelien op. 427b (in six parts) See Music for films (Paul Claude!) Nice-Paris, 19 March-3 April1968 2.2.3.3.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Hommage a Paul Claude! First performance: 30 July 1968. Festival Aix-en-Provence. Conductor: P. Dervaux Duration: 25 min

Suite en sol op. 431 Nonchalent et reveur- Alerte et Ieger-Tres expressif-Anime Mills, 28 April-May 1969 2.2.2.2.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. Marin County Symph. Orch. First performance: 25 September 1971. Marin County, California. Marin County Symphony. Conductor: S. Salgo. Duration: 18 min

Musique pour San Francisco op. 436 Souple et anime-Calme-Vif Geneva, 26 August-7 September 1971 2.2.2.2.-2.2.2.0.-P.S. (with audience participation) Publisher: Eschig Dedication and/or commission: comm. San Francisco Symph. Orch. First performance: 3 September 1972. San Francisco Symphony. Conductor: N. Wyss Duration: 10 min 40 s

Largeonh~tta:~eous ______

L'homme et son desir op. 48 See Ballets; Reductions Rio de Janeiro, 1918 2.2.2.1.-1.2.0.0.-P.H.S. Publisher: U.E. Duration: 20 min

271 Deux hymnes op. 88b Hymne de Sion-Israel est vivant See Solo voice, with piano Aix, 1925 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: U.E. First performance: 1927. Cone. Straram, Paris. Conductor: W. Straram Duration: 3 min

Introduction et marche funebre op. 153b (R) See Band; Incidental music (Quatorze juillet) Paris, June 1936 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: (E.S.I.) Ch. duM. First performance: 26 November 1936. Cone. Phil., Paris. Conductor C. Munch Duration: 6 min 30 s

Cortege funebre op. 202b (R) See Music for films (Espoir) Aix, May 1939 2.1.2.(cl/sax).l.-0.2.2.1.-P.H.S. Publisher: A.M.P. Dedication and/or commission: Serge Koussevitzky First performance: 4 August 1940. CBS, New York. Conductor: D. Milhaud Duration: 14 min

Opus Americanum no. 2 op. 219b (R) Ouverture-Moden!- Anime- Souple et anime- Anime, rude - Tres lent- Marche- Introduction et bacchanale-Modere See Chamber ensemble, misc.; Ballets (Moise) Oakland, 17 July 1940 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Elkan Vogel-Presser Duration: 31 min 25 s

Introduction et allegro op. 220 (R) (Orchestration of2 excerpts from 'La Sultane' by Couperin) Oakland, 9-11 October 1940 3.3.3.2.-3.3.3.1.-T.P.H.S. Publisher: Elkan Vogel-Presser Dedication and/or commission: comm. St. Louis Symph. Orch. First performance: 1941. St. Louis Symphony. Conductor: V. Golschmann Duration: 6 min 45 s

272 Jeux de printemps op. 243 Alerte-Gai-Tranquille- Robuste- Nonchalent- Joyeux See Chamber ensemble, misc. Mills, 1944 3.3.3.2.-4.3.3.1.-T.P.H.S. Publisher: Salabert Dedication and/or commission: Mrs. E. Sprague Coolidge, comm. Library of Congress First performance: 11 December 1945. Radio Bruxelles. Conductor R. Desormiere Duration: 20 min

Le bal martiniquais op. 249 Chanson creole-Beguine See Piano, two pianos Mills, September 1945 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Bel. M. First performance: 6 December 1945. New York Philharmonic Orchestra. Conductor: D. Milhaud Duration: 7 min 15 s

Deux marches op. 260 (R) In Memoriam- Gloria Victoribus See Band Mills, 23-30 September 1945 2.2.2.2.-4.3.3.1.-T.P.S. Publisher: Schirmer Dedication and/or commission: comm. Schirmer First performance: 12 December 1945. CBS, New York. Conductor: D. Milhaud Duration: 6 min 5 s

Kentuckiana op. 287 (R) (Divertissement on 20 Kentucky folk songs) See Piano, two pianos Santa Barbara, June-13 September 1948 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Elkan Vogel-Presser Dedication and/or commission: Robert Whitney, comm. Louisville Phil. Orch. First performance: 22 May 1954. Louisville Philharmonic Orchestra. Conductor: Robert Whitney Duration: 10 min 20 s

Ouverture mediterraneenne op. 330 (R) Paris, 25 November-11 December 1953 2.2.2.2.-4.2.2.0.-T.P.S. Publisher: Heugel Dedication and/or commission: Robert Whitney, comm. Louisville Phil. Orch. First performance: 22 May 1954. Louisville Philharmonic Orchestra. Conductor: Robert Whitney Duration: 6 min 20 s

273 Valse en forme de rondo (La couronne de Marguerite) op. 353b (Incl. in 'Variations sur le nom de M. Long') See Piano, solo pieces included in collections Paris, 16-21 March 1956 2.2.2.2.-2.2.0.0.-T.P.H.S. Publisher: Salabert Dedication and/or commission: Marguerite Long First performance: 4 June 1956. Sorbonne, Jubile Marguerite Long. Orchestre Nationale. Conductor: C. Munch

Les funerailles de Phocion op. 385 (Hommage a Nicolas Poussin) Paris, 20 April-30 May 1960 3.2.3.3.-4.3.3.1.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. ORTF First performance: 18 May 1962. Radio Beige. Conductor: D. Milhaud Duration: 7 min

Aubade op. 387 Vif-Nonchalent- Vif Mills, 5-10 October 1960 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Oakland Symph. Orch. First performance: 14 March 1961. Oakland Symphony. Conductor: G. Samuel Duration: 10 min 30 s

Ouverture philharmonique op. 397 Paris, 13 March-29 April1962 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Edit. Trans. Dedication and/or commission: comm. New York Philharmonic Orchestra First performance: 12 November 1962. Lincoln Center, New York. New York Philharmonic Orchestra. Conductor: Sir J. Barbirolli Duration: 9 min

A Frenchman in New York op. 399 (R) New York with fog on the Hudson River - The Cloisters - Horse and carriage in Central Park-Times Square-Garden on the roof-Baseball in Yankee Stadium Mills, 25 September-18 October 1962 3.3.3.3.-4.3.3.1.-T.P.H.S. Publisher: Salabert Dedication and/or commission: comm. RCA Victor First performance: 1963. Boston Pops. Conductor: A. Fiedler Durations: 21 min

274 Meurtre d'un grand chef d'etat op. 405 Paris, 25 November 1963 2.2.2.2.-4.3.3.1.-T.S. Publisher: Eschig Dedication and/or commission: A Ia memoire de John Kennedy First performance: 2 December 1963. Oakland Symphony. Conductor: G. Samuel Duration: 3 min

Ode pour les morts des guerres op. 406 Deploration sur les populations civiles massacrees-Priere pour les morts en captivite et en deportation- Hymne funebre pour les morts au champ d'honneur Paris, March-24 December 1963 3.3.3.3.-4.3.3.1.-T.P.S. Publisher: Eschig Dedication and/or commission: comm. Etat First performance: 28 June 1966. ORTF. Conductor: D. Milhaud Duration: 15 min

Ode pour Jerusalem op. 440 Fier et violent- Mouvement recueilli-Mouvement triomphant Geneva, 11 June-10 August 1972 2.2.2.2.-2.2.3.1.-T.P.S. Publisher: Eschig Dedication and/or commission: comm. Etat d'Israel First performance: 16 July 1973. Israel Philharmonic Orchestra. Conductor: D. Barenboim Duration: 13 min 5 s

Band c=J Introduction et marche funebre op. 153b (R) See Large orchestra, misc.; Incidental music ( Quatorze juillet) Paris, June 1936 4.3.5.3.-6.4.4.1.-5 sax-T.P.2 cb (chorus ad lib). Publisher: (E.S.I.) Ch. duM. Duration: 6 min 30 s

Suite fran~ op. 248 (R) Normandie-Bretagne-Ile de France-Alsace-Lorraine- Provence See Large orchestra, symphonic suites; Reductions Mills, 13 November 1944 3.2.5.2.-4.2.3.2.-3 cnt, 5 sax, 1 saxhn-1 cb-T.P. Publisher: (Leeds, MCA) Bel. M. Dedication and/or commission: M.D.M., comm. Leeds First performance: 13 June 1945. Central Park Cone., New York. Goldman Band. Conductor: E. F. Goldman Duration: 16 min

275 Deux marches op. 260 (R) See Large orchestra, misc. New York-Mills, 1945 3.1.4.1.-4.2.3.2.-2 alto sax, cnt, 3 bflat cnt-T.P.cb. Publisher:Schllrrner Dedication and/or commission: comm. Schirmer First performance: 1946. Central Park Cone., New York. Goldman Band. Conductor: E. F. Goldman Duration: 6 min

West Point suite op. 313 (R) Introduction-Recitatif-Fanfare Paris, October 1951 2 bar-4.2.7.2.-8.4.3.6.-4 sax, 4 cnt, 2 fig hn-T.P.2 cb Publisher: A.M.P. Dedication and/or commission: comm. U.S. Military Academy, pour le 150e anniversaire de West Point First performance: 5 January 1952. Carnegie Hall, New York. West Point Band. Conductor: Captain Resta Duration: 7 min 50s

Musique de theAtre op. 334b (R) Prelude et fugue-Triomphe-Interlude-Funebre et choral See Incidental music (Saiil) Paris, 1970 3.3.3.2.-4.4.4.1.-P. eel, 3 cb. Publisher: Eschig First performance: 28 October 1972. Draney. Orchestre Gardiens de Ia Paix. Conductor: D. Dondeyne Duration: 10 min 30 s

Solo & orchestras (or chamber ensemble)

For piano arrangements of most of the works included in this section, see Reductions

Solo & orchestra (or chamber ensemble): harpsichord------•

Concerto op. 407 Alerte-Vif-Lent- Rondement Paris, 14 January-9 March 1964 1.1.1.1.-0.1.0.0.-T.P.H.S. Publisher: Salabert Dedication and/or commission: Sylvia Marlowe (comm.) First performance: 1969. ORTF, Paris. Conductor: D. Milhaud, hprd: R. Veyron Lacroix Duration: 13 min 25 s

276 Solo & orchestra (or chamber ensemble): piano------

Ballade op. 61 Aix, 1920-1923 3.2.2.2.-4.2.2.0.-T.P.H.S. Publisher: U.E. Dedication and/or commission: Albert Roussel First performance: 1923. New York City Symphony. Conductor D. Foch, piano: D. Milhaud Duration: 12 min

Cinq etudes op. 63 Vif-Doucement-Fugues-Sombre-Romantique Copenhagen-Aix, 1920 1.1.1.1.-1.1.1.0.-T.P.S. Publisher: U.E. Dedication and/or commission: Robert Schmitz (Vif), Marcelle Meyer (Doucement), Andree Vaurabourg (Fugues), a la memoire de Juliette Meerovitch (Sombre), N.V.G. (Romantique) First performance: May 1921. Cone. Golschmann, Paris. Conductor: V. Golschmann, piano: M. Meyer Duration: 10 min

Le carnaval d'Aix op. 83b (R) Le Corso-Tartaglia-Isabelle-Rosetta-Lebon et le mauvais tuteur-Coviello - Le capitaine Cartuccia - Polichinelle - Polka - Cinzio - Souvenir de Rio (Tango) -Final See Ballets (Salade) Paris, June 1926 2.1.2.1.-2.2.1.1.-T.P.S. Publisher: Heugel First performance: December 1926. New York Philharmonic Orchestra. Conductor: W. Mengelberg, piano: D. Milhaud Duration: 15 min 30 s

Premier concerto op. 127 (R) Tres vif-Mouvement de barcarolle-Final Cauterets-Aix, 1933 2.2.3.2.-2.3.2.1.-T.P.H.S. Publisher: (Deiss) Salabert Dedication and/or commission: Marguerite Long First performance: 23 November 1934. Cone. Pasdeloup, Paris. Conductor: A. Wolff, piano: M. Long Duration: 12 min

277 Fantaisie pastorale op. 188 (R) Paris, March-April1938 1.1.1.1.-1.1.1.1.-P.H.S. Publisher: (Deiss) Salabert First performance: February 1939. O.S.P., Paris. Conductor: D. Milhaud, piano: S. Andersen Duration: 10 min

Deuxieme concerto op. 225 Anime-Romance-Final Mills, April1941 2.2.2.2.-2.2.2.1.-T.P.S. Publisher: Heugel Dedication and/or commission: M.D.M. First performance: 19 December 1941. Chicago Symphony. Conductor: Lange, piano: D. Milhaud Duration: 14 min

Troisieme concerto op. 270 Alerte et avec elegance - Lent - A vee esprit et vivacite Mills, August-September 1946 2.2.2.2.-2.2.2.1.-T.P.S. Publisher: A.M.P. Dedication and/or commission: Emile Baume ( comm.) First performance: 26 May 1948. Festival de Printemps, Prague. Piano: E. Baume Duration: 19 min

Quatrieme concerto op. 295 (R) Anime-Tres lent-Joyeux Mills-Laramie, May-June 1949 2.2.2.2.-2.2.2.0.-T.P.2H.S. Publisher: Heugel Dedication and/or commission: Zadel Skolowsky ( comm.) First performance: 3 March 1950. Boston Symphony. Conductor: C. Munch, piano: Z. Skolowsky Duration: 18 min 45 s

Suite concertante op. 278b Anime-Lent-Vif See Solo & orchestra (or chamber ensemble), marimba & vibraphone (Concerto) Paris, February 1952 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Enoch First performance: 1 June 1953. Radio France. Orchestre National. Conductor: C. Munch, piano: N. Henriot Duration: 18 min 5 s

278 Cinquieme concerto op. 346 Alerte-Nonchalant-Joyeux Mills, 22 May-14 July 1955 2.2.2.2.-2.2.2.1.-T .P.H.S. Publisher: Eschig Dedication and/or commission: Stell Andersen, comm. Mrs. Guggenheim First performance: 16 May 1956. New York Stadium. Conductor: P. Monteux, piano: S. Andersen Duration: 18 min 40 s

Solo & orchestra (or chamber ensemble): two pianos------•

Premier concerto op. 228 (R) Anime-Funebre-Vif et precis Mills, June-November 1941 2.2.2.2.-2.2.2.1.-T .P .S. Publisher: Elkan Vogel-Presser Dedication and/or commission: Vronsky et Babin ( comm.) First performance: 13 November 1942. Pittsburgh Symphony. Conductor: F. Reiner, piano: V. Vronsky, V. Babin Duration: 18 min 15 s

Suite opus 300 op. 300 Entree-Nocturne-Java fuguee- Mouvement perpetuel-Final Paris, January-April1950 2.2.2.2.-2.2.3.0.-T.P.S. Publisher: Heugel Dedication and/or commission: Gold et Fizdale ( comm.) First performance: 14 September 1950. Vienna Festival. Conductor: H. Scherchen, piano: A. Gold, R. Fizdale Duration: 18 min 15 s

Concertino d'automne op. 309 (R) Mills, 19-29 March 1951 F1, ob, 3 hn, 2 va, vc Publisher: Heugel Dedication and/or commission: Gold et Fizdale (comm.) First performance: 19 December 1951. Town Hall, New York. Piano: A. Gold, R. Fizdale Duration: 11 min

Deuxieme concerto op. 394 (R) Alerte-Tendre et ardent-Allegre Paris, 20 November-25 December 1961 Perc, timp, eel, glock, xyl Publisher: Eschig Dedication and/or commission: comm. Juilliard School of Music First performance: August 1963. Juilliard School of Music, New York. Piano: R. Segal, N. Segal Duration: 21 min

279 Solo & orchestra (or chamber ensemble): violin ------

Cinema-fantaisie op. 58b (R) See Duos, violin & piano; Ballets (Le boeuf sur le toit) Aix, 1919 2.1.2.1.-2.2.1.0.-P.S. Publisher: (Sirene) Eschig Dedication and/or commission: Rene Benedetti First performance: 1921, Paris. vln: R. Benedetti Duration: 19 min

Premier concerto op. 93 (R) Prelude- Romance- Final Portland-Minneapolis, 1927 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: Mme Sutter Sapin, ( comm.) First performance: 1928. Cone. Poulet, Paris. Conductor: G. Poulet, vln: Mme Sutter Sapin Duration: 9 min

Concertino de printemps op. 135 (R) Aix, 1934 1.1.1.1.-1.1.0.0.-T.P.S. Publisher: (Deiss) Salabert Dedication and/or commission: Y. Astruc First performance: 21 March 1935. Paris. Conductor: D. Milhaud, vln: Yvonne Astruc Duration: 9 min

Suite anglaise op. 234 (R) Gigue- Sailor Song-Hornpipe See Duos, violin & piano (Sailor Song); Solo & orchestra, harmonica; Reductions; Transcriptions Mills, September 1942 2.2.2.2.-2.2.2.1.-T.P.S. Publisher: B.&H. First performance: 16 November 1945. Philadelphia Orchestra. Conductor: E. Ormandy, vln: Z. Francescatti Duration: 15 min

Deuxieme concerto op. 263 (R) Dramatique-Lent et sombre-Emporte Mills, 6-16 February 1946 2.3.3.2.-2.2.2.1.-T.P.S. Publisher: A.M.P. Dedication and/or commission: comm. Arthur LeBlanc First performance: 7 November 1948. Concert du Conservatoire, Paris. Conductor: A. Cluytens, vln: A. LeBlanc Duration: 23 min

280 Concert royal op. 373 (Troisieme concerto) Vif-Lent-Anime Mills, 23 October-14 December 1958 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Sa Majeste Ia Reine Elizabeth de Belgique, comm. Concours International de Ia Reine de Belgique First performance: 1959. Concert Royal, Brussels. Conductor: F. Andre, vln: J. Laredo Duration: 20 min

Musicfor Boston op. 414 Anime-Lent-Cadence et final: Vif Paris, 20 October 1965 Fl, cl, bn, strings. Publisher: Elkan Vogel-Presser Dedication and/or commission: comm. Cultural Foundation of Boston pour Roman Totenberg First performance: 25 February 1966. Boston Winter Festival. vln: Roman Totenberg Duration: 13 min

Solo & orchestra (or chamber ensemble): viola------

Premier concerto op. 108 (R) Anime-Lent- Souple et anime-Vif Aix, 1929 1st version, 2.2.3.2.-2.2.1.1.-P.H.S. 2nd version, 2.1.2.1.-1.1.1.0.-P.S. Publisher: U .E. Dedication and/or commission: Paul Hindemith First performance: 5 December 1929. Concertgebouw, Amsterdam. Conductor: P. Monteux,va:PaulHindemith Duration: 15 min

Concertino d'ete op. 311 (R) Mills, 1951 1.1.1.1.-1.1.0.0.-2 vc, cb. Publisher: Heugel Dedication and/or commission: pour le lOe anniversaire de Charleston Chamber Music Players First performance: 19 November 1951. Charleston, S.C. va: R. Courte Duration: 10 min

281 Deuxieme concerto op. 340 Avec entrain- Avec charme- Avec esprit- Avec gaite Mills-Milan-Mills, 2 December 1954-30 January 1955 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: William Primrose ( comm.) First performance: 27 November 1958. Westdeutscher Rundfunk, Cologne. Conductor: H. Rosbaud, va: W. Primrose Duration: 20 min

Solo & orchestra (or chamber ensemble): violoncello ------

Premier concerto op. 136 (R) Nonchalent-Grave-Joyeux Aix, 1934 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: (Deiss) Salabert Dedication and/or commission: Maurice Marechal First performance: 28 June 1935. Cone. Serenade, Paris. Conductor: D. Inghelbrecht, vc: M. Marechal Duration: 15 min

Deuxieme concerto op. 255 (R) Gai-Tendre- Alerte Mills, 28 June-18 July 1945 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: A.M.P. Dedication and/or commission: Edmond Kurtz ( comm.) First performance: 28 November 1946. New York Philharmonic Orchestra. Conductor: A. Rodzinsky, vc: E. Kurtz Duration: 18 min

Suite cisalpine op. 332 (R) (sur des airs populaires piemontais) Vif- Modere- Tres anime Paris, 11-19 January 1954 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Gregor Piatigorsky, comm. pour le Prix Piatigorsky First performance: 7 November 1954. Cone. Pasdeloup, Paris. Conductor: A. Wolff, vc: R. Flachot Duration: 12 min 30 s

282 Solo & orchestra (or chamber ensemble): oboe------

Concerto op. 365 (R) Anime- Avec serenite-Anime Paris, 15 October-24 November 1957 2.0.3.0.-2.2.2.0.-2 sax-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. ORTF First performance: 1958. ORTF, Paris. ob: L. Pierlot Duration: 18 min 30 s

Stanford Serenade op. 430 Gaiement-Tres lent et paisible-Vivement Mills, 9-25 April1969 Fl, cl, bn, tpt, perc, harp, 2 vln, va, vc, cb. Publisher: Eschig Dedication and/or commission: comm. Donald Leake pour Sandor Salgo et le Stanford Symph. Orch. First performance: 24 May 1970. Stanford Symphony. Conductor: Sandor Salgo, ob: D. Leake Duration: 12 min 5 s

Solo & orchestra (or chamber ensemble): clarinet------

Scaramouche op. 165d Vif-Modere-Brazileira See Piano, two pianos; Solo & orchestra, saxophone; Incidental music (Le medecin volant); Transcriptions (Brazileira) Mills, November 1941 2.2.2.2.-2.2.2.0.-P.S. Publisher: Salabert Duration: 8 min

Concerto op. 230 (R) Anime-Tres decide-Lent-Final: Anime Mills, 22 November 1941 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Elkan Vogel-Presser Dedication and/or commission: Benny Goodman ( comm.) First performance: 3 January 1946. Marine Barracks, Washington, D.C. Duration: 22 min 10 s

283 Solo & orchestra (or chamber ensemble): saxophone ------

Scaramouche op. 165c (R) Vif-Modere- Brazileira See Piano, two pianos; Solo & orchestra, clarinet; Incidental music (Le medecin volant); Transcriptions (Brazileira) Paris-Mayens de Sion, June-July 1939 2.2.2.2. -2.2.2.0.-p .s. Publisher: Salabert First performance: June 1940. Radio Paris. Conductor: R. Bastide, sax: A. Muhle Duration: 8 min

Solo & orchestra (or chamber ensemble): trombone ------

Concertino d'hiver op. 327 (R) Atlantic Ocean-Paris, 10-14 September/1-4 October 1953 2 vln, va, vc, cb. Publisher: A.M.P. Dedication and/or commission: comm. Hunterton County Art Center pour Davis Shuman First performance: 1954. Brooklyn Community Symphony. tmb: D. Shuman Duration: 12 min 15 s

Solo & orchestra (or chamber ensemble): percussion ------

Concerto op. 109 (R) (one player) See Arrangements Paris, 1929-1930 2.0.2.0.-0.1.1.0.-S .(3.3.2.2.1.) Publisher: U.E. Dedication and/or commission: Paul Collaer First performance: 1930. Cone. Pro Arte, Brussels. Conductor: D. Milhaud, perc: Coutelier Duration: 7 min

Solo & orchestra (or chamber ensemble): harp ------

Concerto op. 323 Souple et modere- Vif et clair-Lent-Anime Santa Barbara-Mills, 4 June-15 July 1953 2.2.2.2.-2.2.2.0.-sax-T.P.S. Publisher: Eschig Dedication and/or commission: comm. Nicanor Zabaleta First performance: September 1954. Biennale Venise. harp: N. Zabaleta Duration: 22 min

284 Solo & orchestra (or chamber ensemble): marimba & vibraphone ______

Concerto op. 278 (R) (One player) Anime-Lent-Vif See Solo & orchestra, piano (Suite concertante) Mills, 10-16 May 1947 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Enoch Dedication and/or commission: comm. Jack Conner First performance: 12 February 1949. St Louis Symphony. Conductor: V. Golschmann, mmb & vib: J. Conner Duration: 18 min 50 s

Solo & orchestra (or chamber ensemble): harmonica------

Suite anglaise op. 234 (R) Gigues -Sailor Song- Hornpipe See Duos, violin & piano (Sailor Song); Solo & orchestra, violin; Transcriptions Mills, September 1942 2.2.2.2.-2.2.2.1.-T.P.S. Publisher: B.&H. Dedication and/or commission: Larry Adler (comm.) First performance: 28 May 1947. Orch. Colonne, Paris. Conductor: G. Poulet, harm: L. Adler Duration: 15 min

Several instruments & orchestra

Several instruments & orchestra: flute & violin ------Concerto op. 197 Rondement- Tres modere- Anime See Reductions Paris, 1938-March 1939 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: (Deiss) Salabert Dedication and/or commission: Marcel Moyse et Blanche Honegger First performance: May 1940. Radio Suisse Romande. Conductor: E. Ansermet, vln: B. Honegger, fl: M. Moyse Duration: 18 min

285 Several instruments & ordtestra: trumpet, born, bassoon, & contrabass _____

Sympbonie concertante op. 376 Anime-Lent et dramatique- Clair et vif Mills, 1959 1.1.1.1.-1.1.1.0.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. University of California Extension (San Francisco) First performance: 1959. San Francisco. Conductor: D. Milhaud Duration: 11 min

VOCAL MUSIC

Solo voice I I

Solo voice: unaccompanied------

Vocalise op. 105 Paris, 1928 Publisher: Leduc Dedication and/or commission: A. L. Hettich Duration: 1 min 50 s

Solo voice: with piano------

Sept poemes de Ia connaissance de I'estop. 7 [Paul Claudel] La nuit ala veranda-Decembre-Dissolution-Ardeur-Tristesse de l'eau-La descente- Le point Aix-Paris,1912-1913 Publisher: (Mathot) Salabert Dedication and/or commission: Armand Lunel (La nuit a la veranda- Decembre• Tristesse de l'eau-Le point), Francis Jammes (Dissolution), Madame Ch. Lacoste (La descente) First performance: 1913. Salon d' Automne, Paris. voice: J. Lacoste (Dissolution• Ardeur- La descente); 1917. Cone. Mathot, Paris. voice: J. Lacoste (La nuit ala veranda-Decembre-Tristesse de l'eau-Le point) Duration: 24 min 35 s

286 Alissa op. 9 (R) [From 'La porte etroite' by Andre Gide] Aix-Paris, 1913 Dedication and/or commission: celine Lagouarde First performance: February 1920. Sorbonne, Paris. voice: J. Bathori, piano: D. Milhaud Duration: 32 min 28 s New version: Aix-les-Bains, 1931 Publisher: Heugel

Trois poemes en prose de Lucile de Chateaubriand op. 10 L'aurore (R)-A Ia lune-L'innocence Hellerau-Berlin-Prague, 1913 Publisher: (Mathot) Salabert Dedication and/or commission: Leo Latil (L'aurore), Madame Ch. Lacoste (A Ia lune), Armand Lunel (L'innocence) First performance: 10 February 1916. Cone. Rouge, Paris. voice: A. Stephenson

Quatre poemes de Uo Latil op. 20 (R) L'abandon- Ma douleur et sa compagne- Le rossignol- La tourterelle Aix, 1914 Publisher: Durand Dedication and/or commission: A Ia memoire de Maurice de Guerin First performance: 22 May 1915. Cone. Foyer Franco-Beige, Paris. voice: J. Bathori, piano: D. Milhaud Duration: 13 min

Poeme do Gitanjali op. 22 [Rabindranath Tagore, adapted by Andre Gide] 1914 Publisher: Fr. de Mus., 25 de luxe copies Dedication and/or commission: Leo Latil First performance: Concerts du Feu, Marseille. Voice: J. Bathori

Quatre poemes de Paul Claudel pour baryton op. 26 Chanson d'automne-Tenebres-Le sombre mai-Obsession Paris-Rio de Janeiro, 1915-1917 Publisher: Durand Dedication and/or commission: Madame Sainte-Marie Perrin (Chanson d'automne), Georges G. (Tenebres), Leo Velloso (Sombre mai), L. (Obsession) First performance: 10 January 1922. Cone. Hubbard, Paris. voice: Hubbard (Chanson d'automne); May 1921. Cone. Olenine d'Alheim, Paris. voice: Olenine d'Alheim (Tenebres-Le sombre mai-Obsession) Duration: 13 min

287 D'un cahier ioedit dujournal d'Eugenie de Guerin op. 27 Cette promenade avec toi- Nous voila done exiles-A mesure qu'on avance Paris, 1915 Publisher: (Roudanez, Philippo) Combre Dedication and/or commission: Uo Latil First performance: May 1921. Paris. voice: Madame Vie Duration: 8 min 40 s

Deux poemes d'amour op. 30 [Rabindranath Tagore, translated by E. Sainte-Marie Perrin] Amour, mon coeur languit- Paix, mon coeur Givry-Hostel, 1915 Publisher: Schirmer Dedication and/or commission: Madame Ch. Koechlin (Amour, mon coeur languit), Madame J. Herscher (Paix, mon coeur) First performance: 1917. Lycee Fran~s, Rio de Janeiro. voice: Valente Duration: 5 min 55 s

Deux poemes de Coventry Patmore op. 31 [Translated by Paul Claudel] Le depart-L'azalee Aix,1915 Publisher: (deluxe edition: Stols) Heugel Dedication and/or commission: Jane Bathori First performance: 1922. Cone. Hubbard, Paris. voice: Hubbard Duration: 8 min 35 s

Poemesjuifs op. 34 (R) [Author unknown] Chant de nourrice - Chant de Sion - Chant de laboureur - Chant de Ia pitie - Chant de resignation- Chant d'amour- Chant de forgeron- Lamentation Paris, 1916 Publisher: (Demets) Eschig Dedication and/or commission: G. Guller (Chant de nourrice), a Ia memoire de Georges Levy (Chant de Sion), Ernest Bloch (Chant de laboureur), Madame B. Klotz (Chant de Ia pitie), Mademoiselle D. Sternberg (Chant de resignation), Marcelle Milhaud (Chant d'amour), Arthur Rubinstein (Chant de forgeron), a Ia memoire de P.M. (Lamentation) First performance: 10 January 1920. Societe Nationale, Paris. voice: J. Bathori, piano: D. Milhaud Duration: 16 min 10 s

Child Poems op. 36 (R) [Rabindranath Tagore] When and Why?-Defamation-Paper Boats-Sympathy-The Gift Paris, 1916 Publisher: (Composers' Music Corporation) Fischer Dedication and/or commission: Madeleine Koechlin First performance: 1919. SMI, Paris. voice: J. Bathori Duration: 13 min

288 Chansons bas op. 44 [Mallarme] Le savetier- La marchande d'herbes aromatiques- Le cantonnier- Le marchand d'ail et d'oignons- La femme de l'ouvrier- Le vitrier- Le crieur d'imprimes• La marchande d'habits See Unpublished works (Verso Carioca) Rio de Janeiro, 1917 Publisher: (Sin!ne) Eschig Dedication and/or commission: Mrs. Audrey Parr First performance: 30 March 1919. Theatre Vieux Col ombier, Paris. voice: J. Bathori, piano: D. Milhaud Duration: 4 min 15 s

Deux petits airs op. 51 [Mallarme] Indomptablement a dft- Quelconque une solitude Rio de Janeiro, 1918 Publisher: Eschig Dedication and/or commission: Vera J anacopoulos First performance: 7 December 1921. Cone. Heure Musicale, Paris Duration: 2 min 5 s

Les soirees de Petrograde op. 55 (R) [Rene Chalupt] I. L'ancien regime: L'orgueilleuse- La revoltee- La martiale- L'infidele- La perverse - L'irresolue II. La revolution: La grand'mere de Ia revolution- Les journees d'aoftt- Monsieur Protopopoff- Le convive-La limousine- Le Colonel Romanoff Paris, 1919 Publisher: Durand Dedication and/or commission: Valentine Gross First performance: 24 June 1919. Gala Avant Garde, Galerie Barbazange Duration: 10 min

Trois poemes de Jean Cocteau op. 59 (R) Furnee- Fete de Bordeaux-Fete de Montmartre See Piano, easy pieces (Enfantines) Paris, 1920 Publisher: (Sirene) Eschig Dedication and/or commission: Erik Satie First performance: December 1922. Galerie Montaigne, Paris. voice: P. Bertin Duration: 2 min 30 s

289 Catalogue de fleurs op. 60 (R) [Lucien Daudet] La violette - Le begonia - Les fritillaires - Les jacinthes - Les crocus - Le brachycome- L'eremurus See Solo voice, with chamber ensemble Aix, April1920 Publisher: Durand Dedication and/or commission: Ala memoire de Fauconnet First performance: 1922. Conservatoire de Paris. voice: M. Martine Duration: 5 min 20 s

Poemeop. 73 [From the diary of Leo Latil) Paris, 1921 Publisher: Eschig Dedication and/or commission: Madame Olenine d' Alheim First performance: 1922. Paris. voice: 0. d'Alheim Duration: 4 min 30 s

Six chants populaires hebraiques op. 86 (R) [Popular texts] La separation- Le chant du veilleur- Chant de delivrance- Berceuse- Gloire a Dieu - Chant hassidique See Solo voice, with orchestra Paris, 1925 Publisher: Heugel Dedication and/or commission: Madeleine Grey (La separation), Andre de Groote (Le chant du veilleur), Marya Freund (Chant de delivrance), S. (Berceuse), Arthur Honegger ( Gloire aDieu), Jane Bathori (Chant hassidique) First performance: 19 March 1925. Paris. voice: M. Grey Duration: 10 min 50s

Deux hymnes op. 88 [Albert Cohen] Hymne de Sion- Israel est vivant See Large orchestra, misc. Paris, 1925 Publisher: U.E. Dedication and/or commission: Chalm Weizmann (Hymne de Sion), Victor Jacobson (Israel est vivant) First performance: 1926. Paris. voice: J. Bathori Duration: 3 min

290 Prieresjournalieres a l'usage desjuifs du Comtat Venaissin op. 96 [liturgical texts] Priere du matin- Priere de I 'apres-midi-Priere du soir Aix-Paris, 1927 Publisher: Heugel Dedication and/or commission: Jane Bathori (Priere du matin), Armand Lunel (Priere de l'apres-midi), Madame Femand Halphen (Priere du soir) First performance: 3 March 1928. Paris. voice: J. Bathori, piano: D. Milhaud Duration: 7 min 36 s

Liturgie comtadine op. 125 (Cinq chants de Rosch Haschana) [Liturgical texts] See Solo voice, with orchestra Paris-Aix, 1933 Publisher: Heugel First performance: June 1934. Ecole Normale, Paris. Conductor: R. Desormiere, voice: F. Holley Duration: 6 min

Deux chansons op. 128d [Gustave Haubert] Chanson de l'avengle-Chanson du printemps See Music for films (Madame Bovary) Paris, 1933 Publisher: Enoch Dedication and/or commission: Roger Desormiere Duration: 2 min 35 s

Trois chansons de negresse op. 148b [Jules Supervielle] Moo histoire-Abandonm!e-Sans feu ni lieu See Incidental music (Bolivar); Solo voice, with orchestr~ Malines,1935-1936 Publisher: (Deiss) Salabert Dedication and/or commission: M.D.M. First performance: 17 June 1937. Paris. voice: M. Grey Duration: 6 min

Six chansons de theAtre op. 151b (R) See Incidental music (I, II: 'Tune m' echapperas jamais'; III, IV: 'La premiere famille'; V, VI: 'La folie du ciel') Paris,1936 Publisher: Heugel

291 Trois chansons de troubadour op. 152b [Valmy-Baisse] See Incidental music (Bertran de Born) Paris, May 1936 Publisher: Salabert Dedication and/or commission: Pierre Bemac Duration: 5 min 45 s

Cinq chansons op. 167 (R) [Charles Vildrac] Les quatre petits lions - Poupette et Patata - La pomme et !'escargot - Le malpropre- Le jardinier impatient See Solo voice, with orchestra Paris, 1936-1937 Publisher: (Deiss) Salabert Dedication and/or commission: D .D .M. First performance: 1938. Radio d'Etat, Paris. voice: M. Grey Duration: 12 min

Chansons du carnaval de Londres op. 171b [Based on 'The Beggar's Opera,' by John Gay, translated by H. Fluchere] See Solo voice, with orchestra; Incidental music (Chansons de !'opera du gueux) Paris, 1937 Publisher: Salabert

Chanson du capitaine; Lajavadelafemmeop.173b [Jean-Richard Bloch] See Incidental music (Naissance d'une cite) Aix, 1937 Publisher: (Deiss) Salabert Dedication and/or commission: Gilles et Julien (Chanson du capitaine), M.D.M. (La java de Ia femme) Duration: 7 min 10 s

Holem tsaudi-Gam hayom op. 179 (Harmonization of a popular Palestinian tune) Aix, 1937 Publisher: Masada-Nigun

Le voyage d'ete op. 216 (R) [Camille Paliard] Modestes vacances - Les deux hOtels - Le boulanger - La maison inachevee - Monsieur le cure - Les trois peupliers-Paresse-Les conscrits-Le chateau• L'horizon-Le pecheur-Le ruisseau-La petite bergere-Les champignons• Leretour Aix, 16-20 April1940 Publisher: Heugel First performance: 27 December 1940. League of Composers, New York, voice: M. Denya, piano: D. Milhaud Duration: 16 min 41 s

292 Quatre chansons de Ronsard op. 223 A une fontaine- A cupidon-Tais-toi, babillarde!- Dieu vous garde See Solo voice, with orchestra Mills, 24-29 January 1940-18 October 1941 Publisher: B.&H. Dedication and/or commission: Lily Pons Duration: 8 min 40 s

Reves op. 233 [Anonymous 20th century texts] Les marronniers- Toi- Confidence- Le mistral- 'Long Distance'- Jeunesse Mills, 1942 Publisher: Heugel Dedication and/or commission: Jane Bathori First performance: 1945. Radio Beige, Brussels. voice: Hudsyn, piano: P. Collaer Duration: 6 min 14 s

La liberation des Antilles op. 246 [Two songs on Creole texts adapted by Alice Joyau-Dormoy] Bonjour, messieurs les liberateurs!-Trois ans de souffrance Mills, 21-23 July 1944 Publisher: (Leeds, M.C.A.) Bel. M. Dedication and/or commission: Henri et Helene Hoppenot Duration: 8 min 16 s

Chants de misere op. 265 [Camille Paliard] Cet hiver-Cette douleur- Silence du fond de l'allee-Tant de vagabonds Mills, 19-20 March 1946 Publisher: Heugel Dedication and/or commission: M.D.M. pour sa fete First performance: November 1946. Radio-France. voice M. Dax Duration: 7 min 50 s

Trois poemes op. 276 [Jules Supervielle] Ce peu ... - Compagnons du silence-Ce bruit de lamer Mills, 30-31 March 1947 Publisher: Heugel Dedication and/or commission: Madeleine Grey First performance: 3 November 1947. Paris. voice: M. Grey Duration: 7 min 5 s

Ballade nocturne op. 296 (R) (Incl. in a collection commemorating the Chopin centennial) [Louise de Vilmorin] Mills, July 1949 Publisher: Heugel Dedication and/or commission: Doda Comad First performance: October 1949. Town Hall, New York. voice: D. Comad Duration: 2 min 10 s

293 Petites legendes op. 319 (R) [Maurice Careme, English translation by Rollo Myers] Premier recueil: Sortileges-Les feuilles -L'amoureux-La priere-La dormeuse -Lapeine Deuxieme recueil: La chance- Le lievre et le ble- La bise-Destinee- Le beau navire- Le charme Aspen, 4-11 August 1952 Publisher: Heugel Dedication and/or commission: Fran~ois Heugel (Premier recueil), Philippe (Heugel) et Gigi (Deuxieme recueil) First performance: 25 September 1952. Aspen Institute. voice: A. Bollinger, piano: V. Babin Duration: Premier recueil9 min 8 s; Deuxieme recueil7 min 2 s

Fontaines et sources op. 352 (R) [Francis Jammes] La fontaine de Lestapis-Fontaine sainte-La source qui filtre- La grande cascade de Gavarnie-Source au pied de Maubec-Source See Solo voice, with orchestra Paris, 11-14 February 1956 Publisher: P. Marconi Dedication and/or commission: J. Micheau Duration: 7 min 50s

Tristesses op. 355 [Francis J ammes, English translation by Rollo Myers] Prelude-Je la desire ... - Elle etait descendue-Dans le chemin toujours trempe - Elle est gravement gaie - Parfois je suis triste - Un poete disait ... - Son s.9uvenir emplit I' air-Elle avait em porte-Si tout ceci . . . - J e ne desire point- 0 mon coeur-Nous nous aimerons tant-Faisait -il beau-J e garde une medaille - J'ai quelqu'un dans le coeur- Vous m'avez regarde- Je songe ace jour-Iii• Les lilas qui avaient fie uri-Deux an co lies se balan~aient- Parce que j 'ai souffert - Venez sous la tonnelle- Venez, rna bien-aimee-Demain fera un an Paris, 20 May-9 June 1956 Publisher: Heugel Dedication and/or commission: Madeleine First performance: 1956, Aspen Festival. voice: M. Harrell, piano; V. Babin Duration: 40 min

L'amour chante op. 409 Le vrai amour [J. du Bellay]-J'aime [A. de Musset]- Sonnet [L. Labbe]- De sa peine et des beautes de sa dame [J. du Bellay]- Moins je la vois [M. Sceve]• Nevermore [P. Verlaine]- Veillees [A. Rimbaud] - Plusieurs de leurs corps denues [P. de Ronsard] - Le lai du chevrefeuille [Marie de France] Aspen, 20-29 July 1964 Publisher: Presser Dedication and/or commission: Alice Esty (comm.) First performance: 22April1965. Lincoln Center, New York. voice: A. Esty Duration: 13 min 35 s

294 Solo voice: pieces for children------

Recreation op. 195 [J. Krieger] Pas bien grand-Haut comme trois pommes-La tortue naine-ll faut obeir Paris, 22 October 1938 Publisher: Heugel Dedication and/or commission: Daniel Duration: 1 min 55 s

Solo voice: with organ (or piano)------

Cinq prieres op. 231c (R) [Latin liturgical texts adopted by Paul Oaudel] See Incidental music (L'annonce faite aMarie- 2nd version) Mills, 10-16 March 1942 Publisher: Heugel Dedication and/or commission: M.D.M. Duration: 8 min 55 s

Solo voice: with chamber ensemble------

See also Quartets, string (Troisieme quatuor)

Machines agricoles op. 56 Pastorales pour chant [Words taken from a catalogue] La moissonneuse Espigadora - La faucheuse - La lieuse - La dechaumeuse- semeuse-enfouisseuse-La fouilleuse-draineuse- La faneuse Aix,1919 Fl, cl, bn, vln, va, vc, cb. Publisher: U .E. Dedication and/or commission: J. Cocteau (La moissonneuse Espigadora), L. Durey (La faucheuse), F. Poulenc (La lieuse), A. Honegger (La dechaumeuse-semeuse• enfouisseuse), G. Auric (La fouilleuse-draineuse), G. Tailleferre (La faneuse) First performance: 11 March 1920. Cone. Sect. d'Or, Paris. Conductor: F. Delgrange, voice: Madame Vie Duration: 12 min

295 Catalogue de Oeurs op. 60 (R) Laviolette- Le begonia- Les fritillaires- Les jacinthes- Les crocus- Le brachycome- L'eremurus [Lucien Daudet] See Solo voice, with piano Aix, 1920 Fl, cl, bn, vln, va, vc, cb. Publisher: Durand Dedication and/or commission: ala memoire de Fauconnet First performance: 1932. Paris. Conductor: R. Desorrniere, voice: M. Martine Duration: 5 min 20 s

Caramel moo (Shimmy) op. 68 [Jean Coteau] See Piano, solo; Chamber ensembles, misc. Aix,1920 Cl, tpt, tbn, piano Publisher: Eschig Dedication and/or commission: Georges Auric First performance: May 1921. Spec. Th. Bouffe, Paris. Conductor: V. Golschmann (danced by Gratton) Duration: 3 min 14 s

Cocktail op. 69 [Larsen] Paris, 1920 3 cl. Publisher: (Almanach de Cocagne: Sirene) First performance: 1920. Galerie Barbazange, Paris. voice: P. Bertin

Quatre poemes de Catulle op. 80 La femme que j'aime-Voila ou mon arne en est venue- Ma chere, aimons-nous- Ma ch6rie en presence de son mari Aix,1923 Vln. Publisher: Heugel Dedication: Heugel Dedication and/or commission: S. First performance: October 1923. Paris. voice: V. Janacopoulos, vln: Y. Astruc Duration: 3 min 5 s

296 Couronne de gloire op. 211 [Hebrew text by Rabbi Salomon, son of Gabirol, translated by Mardochee Venture & Armand Lunel] Couronne de gloire - Priere pour les ames des persecutes- Couronne de gloire - Priere pour le Pape - Couronne de gloire - Priere pour le jour de reclusion - Couronne de gloire- Priere pour Ia paix et pour Ia France Aix, January-March 1940 Fl, tpt, 2 vln, va, vc. Publisher: Edit. Trans. Dedication and/or commission: Pour le centenaire de Ia Synagogue d' Aix en Provence First performance: 28 June 1954. INR, Brussels. Orchestre INR. Conductor: D. Milhaud, voice: Vander Weyden Duration: 23 min

Adieuop. 410 [Excerpt from 'Une saison en enfer' by Arthur Rimbaud] Aspen, 16-26 August 1964 Fl, va, harp. Publisher: Elkan Vogel-Presser Dedication and/or commission: Cathy Berberian First performance: 1964. Palermo. voice: C. Berberian Duration: 9 min

Solo voice: with orchestra------

Psaume 129 op. 53b [Translated by P. Claude!] See Solo voice, with orchestra (Cantate de psaumes); Transcriptions (De profun dis) New York, 1919 2.1.2.1.-0.1.0.0.-P.H.S. Publisher: U.E.

Six chants populaires hebralques op. 86 See Solo voice, with piano Paris, 1925 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Heugel Duration: 10 min 50 s

Liturgie comtadine op. 125 (R) (Cinq chants de Rosch Haschana) [Liturgical texts] See Solo voice, with piano Paris-Aix, 1933 2.1.2.1. -0.1.0.0.-P .H.S. Publisher: Heugel First performance: 1934. Paris. Conductor: R. Desormiere, voice: F. Hollay Duration: 6 min

297 Trois chansons de negresse op. 148c [Jules Supervielle] Mon histoire-Abandonnee-Sans feu ni lieu See Solo voice, with piano; Incidental music (Bolivar) Malines-Paris, 1936-1937 1.0.1.0.-0.2.1.1.-sax-P.H.S. Publisher: Salabert Dedication and/or commission: M.D.M. Duration: 6 min

Cinq chansons op. 167 [Charles Vildrac) Les quatre petits lions - Poupette et Patata - La pornme et !'escargot - Le malpropre- Le jardinier impatient Paris, 1937 See Solo voice, with piano 1.1.2.1.-0.2.1.0.-sax-P.H.S. Publisher: Salabert Dedication and/or commission: D .D .M. Duration: 6 min

Cantate nuptiale op. 168 [Based on 'The Song of Songs') Modere-Anime-Lent-Vif Paris, 31 August 1937 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: (Deiss) Salabert Dedication and/or commission: Ames parents pour leurs noces d'or First performance: 3 August 1937. Radio Marseille. Conductor: D. Milhaud, voice: E. Fels-Noth Duration: 10 min

Chansons du carnaval de Londres op. 171 b [Based on 'The Beggar's Opera,' by John Gay, translated by H. Fluchere] See Solo voice, with piano; Incidental music (Chansons de l'opera du gueux) Paris, 1937 1.1.1.1.-0.1.1.0.-sax-P.H.S. Publisher: Salabert First performance: 28 September 1964. Radio Marseille. Conductor: D. Milhaud

Quatre chansons de Ronsard op. 223 (R) A une fontaine- A cupidon-Tais-toi, babillarde! - Dieu vous garde See Solo voice, with piano Mills, 18 October 1941 2.2.2.2.-2.2.2.0.-P.S. Publisher: B.&H. Dedication and/or commission: L. Pons First performance: December 1941. Waldorf Astoria, New York. Conductor: A. Kostelanetz, voice: Lily Pons Duration: 8 min 30 s

298 Les quatre elements op. 189b (R) L'eau- La terre- Le feu- L'air (New version: solo soprano) [Robert Desnos] See Two voices, with orchestra Paris, 1956 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: P. Marconi Dedication and/or commission: Janine Micheau Duration: 5 min 30 s

Fontaineset sources op. 352 (R) [Francis Jammes] La fontaine Lestapis-Fontaine sainte-La source qui filtre- La grande cascade de Gavarnie- Source au pied de Maubec-Source See Solo voice, with piano Paris, 11-14February 1956 2.2.2.2.-2.2.2.0.-P.H.S. Publisher: P. Marconi Dedication and/or commission: Janine Micheau Duration: 7 min 50 s

Cantate de psaumes op. 425 [Psalms 129, 145, 147, 136, 128, 127 translated by Paul ClaudeI] See Solo voice, with orchestra (Psaume 129); Accompanied vocal ensemble, soloists, mixed chorus & orchestra (Psaume 136) Aspen-Paris, 10 August-28 September 1967 2.1.2.1.-0.1.0.0.-P.H.S. Publisher: U .E. Dedication and/or commission: Pour le centenaire de Paul Claude! First performance: 1968. Radio France. Conductor: D. Chabrun, voice: R. Steffner (Includes op. 53)

Spoken voice, with chamber ensemble

Cantate de l'enfant et de Ia mere op. 185 (R) [Maurice Careme] Trelex-Paris, January 1938 1st version: piano, 2 vln, va, vc. 2nd version: piano, fl, cl, vln, vc. Publisher: Heugel Dedication and/or commission: P. Collaer et Quatuor Pro Arte First performance: 18 May 1938. Palais des Beaux Arts, Brussels. Pro Arte Quartet, piano: P. Collaer, narr: M. Milhaud (1st version); 1941. Juilliard School of Music, New York. narr: M. Milhaud (2nd version) Duration: 9 min 35 s

299 Suite de quatrains op. 398 (R) [Francis J ammes] Premiere partie: Le citron - Sur une capucine - Belle-de-jour - La paternite du cbene-La bergeronnette-La rose de Jericho Deuxieme partie: L'automne-Penitente-Le don-Dialogue-Frappees-Une enfant Troisieme partie: Partie liee- La le~n de calcul- Le dieu muet- La joueuse- Anciennes grandes vacances-Le retardataire Aspen, 24 July-6 August 1962 Fl, bs cl, sax, harp, vln, vc, cb. Publisher: Salabert First performance: June 1963. Festival Mills. Conductor: D. Milhaud, narr: M. Milhaud Duration: 12 min For other works using the spoken voice see also Accompanied vocal ensemble, vocal quartet & chamber ensemble (Cantate pour /'inauguration du Musee de /'Homme); Accompanied vocal ensemble, soloists, mixed chorus, & organ (Borechou, Schema Israel; Kaddish; Service sacre); Accompanied vocal ensemble, mixed chorus, orchestra (Miracles de Ia foi; La sagesse; Service sacre; Le mariage de Ia feuille et du cliche; Ani maamin); Unpublished works (Cam et Abel; L 'choh dodi).

Two voices I I

Two voices: with strings------Trois elegies op. 199 Dis-moi, dis-moi-Sur le sable des allees- Mon amour, disais-tu [Francis J ammes] Paris, 1939 Sop, ten, S(5.5.4.3.2.) Publisher: B.&H. Dedication and/or commission: Clovis, Steele ( comm.) First performance: 7 December 1980. Festival d'Orleans, Nouv. Orch. Philh. de Radio France. Conductor: S. Cambreling, sop: J. Chamonin, ten: J.-P. Chevalier

Two voices: with orchestra------

Prends cette rose op. 183 [Ronsard] Paris, 1937 Sop, ten, 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: B.&H. Dedication and/or commission: Clovis, Steele ( comm.) First performance: April1937. OSP, Paris. Conductor: J. Morel, voice: Oovis, Steele Duration: 4 min

300 Les quatre elements op. 189 [Robert Desnos] L'eau-La terre-Lefeu-L'air See Solo voice, with orchestra Aix, Easter 1938 Publisher: P. Marconi-Billaudot Dedication and/or commission: duo Clovis-Steele First performance: February 1939. Paris. Conductor: D. Milhaud, vo: Clovis-Steele Duration: 7 min 50s This version is no longer in existence.

Hommage a Comenius op. 421 [Comenius] Le solei!-L'instruction universelle Aspen, 5-28 August 1966 Sop, bar, 2.2.2.2.-2.2.2.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: pour le 20e anniversaire de !'UNESCO., comm. Etat First performance: 15 November 1966. ORTF, Paris. Conductor: M. Rosenthal Duration: 17 min

A cappella ensemble

A cappella ensemble: women's quartet (or chorus) ------•

Deux elegies romaines op. 114 [Goethe, translated by J.-P. Samson] Belaire done, gamin-Pourquoi done? Paris, 4 February 1932 Publisher: (Deiss) Salabert Dedication and/or commission: Suzanne Peignot First performance: April1933. Cone. Serenade, Paris. vocal quartet: S. Peignot Duration: 2 min 50 s

Devant sa main nue op. 122 [Marcel Raval] Paris, 1933 Publisher: (Deiss) Salabert Dedication and/or commission: M.D.M. First performance: 4 February 1933. Cone. Serenade, Paris. vocal quartet: S. Peignot Duration: 4 min 15 s

301 A cappeUa ensemble: mixed quartet (or chorus) ------

Deux poemes op. 39 (R) Eloge [Saint Leger Leger]- Le brick [Rene Chalupt] Paris, 1916 (Eloge), 1919 (Le brick) Publisher: Durand Dedication and/or commission: Marquise de Casa-Fuerte First performance: May 1921. Paris. vocal quartet Vie Duration: 4 min 22 s

Deux poemes de Cendrars op. 113 (R) La danse des animaux- Le chant de la mort Paris, 1932 Publisher: (Deiss) Salabert Dedication and/or commission: Pour la League of Composers First performance: April1933. League of Composers, New York Duration: 3 min 25 s

Cantique du Rhone op. 155 (R) [Paul Claude!, English translation by M. Farquhar] Qu'il est beau ... - Ah! qu'illa prenne deracinee ... Et le bonheur ... 11 faut bien des montagnes . . . Aix, September 1936 Publisher: Elkan Vogel-Presser Dedication and/or commission: M.D .M., pour les Chanteurs de Lyon First performance: 2 January 1937. Cone. Serenade, Paris. Les Chanteurs de Lyon Duration: 9 min

Six sonnets composes au secret op. 266 (R) [Jean Casson] La barque funeraire - Mort a toute fortune - A peine si le coeur- Bois cette tasse de tenebres- C'etait une chanson- Quel est ton nom? Mills, 8-14 April1946 Publisher: Heugel Dedication and/or commission: comm. du groupe de Bale de la SIMC First performance: 9 February 1947. Internat. Gesellschaft fiir Neue Musik, Bale. Conductor W. Aeschbachen, Saivatti Quartet Duration: 12 min 30 s

302 Deux poemes op. 347 [Louise de Vilmorin] Fado (fantaisie)- L'alphabet des aveux Aspen, 1955 Publisher: Heugel Duration: 4 min 20 s

Acappellaensemble: men's chorus------

Psaume 126* op. 72 (R) [Translated by Paul Claudel] Paris, 1921 Publisher: U.E. Dedication and/or commission: Harvard Glee Oub First performance: 1922. Harvard Glee Club, New York. Conductor: Davison Duration: 4 min 50 s *The printed score designates this work as 'Psaume 121.'

Incantations op. 201 [Aztec poems, adapted by Alejo Carpentier] Invocation du pecheur a son filet- Invocation pour conjurer la fureur des abeilles- Invocation pour vaincre les ennemis Paris-Versailles, 27 April-1 June 1939 Publisher: Eschig Dedication and/or commission: The Hague Singers First performance: 5 June 1945. Orpheus Soc., Oakland. Conductor: M. Jones Duration: 7 min 30 s

A cappellaensemble: mixed chorus------

Cantatedelapaixop.166 (R) [Paul Claudel, English translation by H. Torrey] Paris, May 1937 Men's and children's chorus Publisher: Schirmer Dedication and/or commission: pour le lOOe anniversaire de Briand, ala Manecanterie des Petits Chanteurs a la Croix de Bois First performance: June 1937. La Sorbonne, Paris. Les Petits Chanteurs ala Croix de Bois. Conductor: Abbe Maillet Duration: 9 min 40 s

303 Main tendue atons op. 169 (R) [Charles Vildrac] Mayens de Sion, July 1937 Publisher: (E.S.I.) Ch. duM. First performance: 12 July 1937. Congres L.l. C. A., Paris. Fed. de mus. populaire Duration: 4 min

Les deux cites op. 170 (R) [Paul Claudel, English translation by H. Torrey] Aix, August 1937 Publisher: Schirmer Dedication and/or commission: L'Abbe Maillet et les Petits Chanteurs ala Croix de Bois First performance: Holy Week 1938. Cone. Serenade, Saint-Etienne duMont, Paris. Les Petits Chanteurs ala Croix de Bois. Conductor: Abbe Maillet Duration: 13 min 5 s

Quatrains valaisans op. 206 (R) [Rainer Maria Rilke] Pays arrete ami-chemin- Rose de lumiere- L'annee tourne- Chemins- Beau papillon Mayens de Sion, 20-21 July 1939 Publisher: Heugel Dedication and/or commission: Georges Haenni et 'La Chanson Valaisanne' First performance: 1948. Maison pensee fran~aise, Paris. Choeur Populaire de Paris. Conductor: F. Lamy Duration: 3 min 30 s

Cantate de Ia guerre op. 213 (R) [Paul Claudel, English translation by H. Torrey] Choeur du peuple criminel-Vox domini- Choeur des martyrs- L'heure de Dieu Aix, February 1940 Publisher: Schirmer Dedication and/or commission: Abbe Maillet First performance: 16 May 1947. Oregon University, Eugene. University a cappella Choir. Conductor: D. W. Allton Duration: 10 min 45 s

Naissance de Venus op. 292 (R) (Cantata) [Jules Supervielle, English translation by R. Myers] Les heures-Venus- Le vent- Les heures Mills, 1949 Publisher: Heugel Dedication and/or commission: Marcel Couraud et son ensemble First performance: 30 November 1949. Radio France. Ensemble Marcel Couraud. Conductor: M. Couraud Duration: 5 min

304 Trois psaumes de David op. 339 (R) (Alternating Gregorian Chant and four-part polyphony) Psaurne 51 (Vulgate 50)- Psaurne 150-Psaurne 114 et 115 (Vulgate 113) Mills, 17-21 October 1954 Publisher: Eschig Dedication and/or commission: Au Reverand Pere David Nicholson O.S.B., aux moines benedictins de Mount Angel (Oregon) eta mon tres cher ami le Reverand Pere Clement Jacob O.S.B. First performance: 1 May 1955. Stanford University. University Chorus. Conductor: H. Schmidt Duration: 15 min 45 s

Huit poemes de Jorge Guillen op. 371 [Translated by M. Pomes) Elevacion de la claridad (Elevation de la clarte)- Presencia del aire (Presence de l'air) - Primavera delgada (Printemps delie) - Las doce en el reloj (Midi) - Advenimiento (Evenement) - Viento saltado (Dans le vent) - Muchachas (Jeunes filles) - La persona (La personne) Aspen, 25 July-21 August 1958 Publisher: Heugel Dedication and/or commission: comm. choeur de RIAS First performance: 5 November 1958. Cone. Xe anniversaire choeur RIAS, Berlin. Chorus: RIAS. Duration: 14 min 40 s

Traversee op. 393 [Paul Verlaine] Paris, 10-12 November 1961 Publisher: Salabert Dedication and/or commission: comm. Festival Cork First performance: 17 May 1962. Cork, Ireland. Madrigal RTF. Conductor: Y. Gouveme Duration: 6 min 15 s

Promesse de Dieu op. 438 !sale 54-!sale 65 - Isale 62- Ezechiel36 Paris, 26 December 1971-25 January 1972 Publisher: Eschig Dedication and/or commission: comm. Dickinson College pour son 200e anniversaire First performance: 19 May 1973. Dickinson College, Carlisle, Pennsylvania Duration: 10 min 15 s

Les momies d'Egypte op. 439 (Choral Comedy) [Regnard) Geneva, 18February-12March 1972 Publisher: U.E. Dedication and/or commission: comm. Radio Graz First performance: 26 October 1972. Radio Graz Duration: 20 min

305 Accompanied vocal ensemble

Accompanied vocal ensemble: vocal quartet & chamber ensemble ------

L'annonce faite aMarie op. 117 [Paul Claude!] See Incidental music (opus 117 and opus 231) Aix, 1932 2 fl, ob, 2 sax, 2 ond Mart, vib, T.P.S. organ, piano 4 hands. Publisher: (Deiss) Salabert Dedication and/or commission: M.D .M. First performance: 23 November 1933. Concert Doucet. Conductor: M. Abravanel Duration: 19 min

Adages op. 120b [Andre de Richaud] See Duos, ondes Martenot & piano (Suite); Incidental music (Le chateau des papes) Aix,1932 Fl, cl, bn, hn, vln, va, vc, cb. Publisher: (Deiss) Salabert First performance: January 1934. Cite Universitaire, Pavilion Hellen., Paris. Bathori Vocal Quartet Duration: 13 min 45 s

Pan et Ia Syrinx op. 130 (Cantata) Nocturne I-Pan et Syrinx [de Piis]- Nocturne II-L'invention de Ia gamme [Paul Claude!]-Nocturne III-La danse de Pan [Paul Claude!] Paris-Malines-Aix, 1934 Sop, bar, vocal quartet, fl, ob/eng hn, sax, bn, piano. Publisher: (Deiss) Salabert First performance: November 1934. Cone. Pro Arte, Brussels. Conductor: F. Andre Duration: 15 min

Les amours de Ronsard op. 132 (R) La rose- La tourterelle-L'aubepin- Le rossignol See Accompanied vocal ensemble, mixed chorus & orchestra Aix, 1934 Fl, cl, bs, hn, vln, va, vc, cb, piano. Publisher: (Deiss) Salabert Dedication and/or commission: A Ia memoire de Claude Debussy First performance: 4 July 1935. His Majesty's Theater, London (danced by Alanova) Duration: 11 min 7 s

306 Cantate pour )'inauguration du Musee de I'Homme op. 164 [Robert Desnos] Paris, June 1937 Spoken voice, fl, ob, sax, bn, perc, piano Publisher: Salabert ~edication and/or commission: Vicomte et Vicomtesse Charles de N oailles (comm.) Frrst performance: 11 October 1937. Radio Paris. Conductor, M. Rosenthal Duration: 20 min

Suite de sonnets op. 401 (Cantate sur des vers du XVle siecle) Pn!lude I-Jeux rustiques d'un vanneur de ble [Joachim du Bellay]- Prelude II• J'aime le vert laurier [Etienne Jodelle] - Prelude III- Bienheureux est celui [Olivier de Magny]- Prelude IV-A Venus pour la paix [Amadis Jamyn] Mills, 27 February-13 March 1963 Sop, high contraten, ten, bas, fl, ob, bn, tmb, va, hpd. Publisher: Eschig Dedication and/or commission: A la chere memoire de Francis Poulenc, comm. ORTF First performance: 25 July 1963. Festival Dieppe. Ensemble Ravier Duration: 17 min

Accompanied vocal ensemble: five voices & orchestra------

Le retour de l'enfant prodigue op. 42 (R) (Cantata) [Andre Gide] See Reductions Rio de Janeiro, 1917 Mez, ten, 3 bar, 2.2.2.1.-1.1.1.0.-T.H.S. (2.2.2.2.1.) Publisher: U.E. Dedication and/or commission: Paul Claudel First performance: 23 November 1922. Cone. Wiener. Conductor: D. Milhaud Duration: 42 min

307 Accompanied vocal ensemble: three-part women's chorus & chamber ensemble __

Cantata from Proverbs op. 310 (R) [Biblical text] Who crieth: 'Woe' ? (L'ivrognerie et ses suites, Proverbs XXIII: 29-35)- The Woman Folly (Banquet de Ia folie, Proverbs IX: 13-18)-The Woman of Valour (La femme forte, Proverbs XXXI: 10-31) Mills, 1951 Harp, ob, vc. Publisher: Mercury-Presser Dedication and/or commission: The United Temple Chorus. Ernest Bloch Award (comm.) First performance: 18 May 1951. Lawrence High School, New York. United Temple Choir. Conductor: Freed Duration: 9 min 50 s

Acc:ompanied vocal ensemble: women's chorus & orchestra------

Invocation a l'ange Raphael op. 395 [Paul Claudel] Quel est-ce paysage desole?- Dieu connait ses brebis-Douleur, douleur aI' orient - Et quels sont ces tourbillons de noire fumee? Paris, January-February 1962 2.2.3.3.-2.2.2.0.-T.P.S. Publisher: Eschig Dedication and/or commission: comm. ORTF. Pour 'La Maitrise' First performance: 31 May 1962. Paris. Orchestre Radio Fran~se. Conductor: P. Dervaux, chorus: La Maitrise Duration: 14 min

Acc:ompanied vocal ensemble: mixed chorus & orchestra (or chamber ensemble) __

See also Large orchestra, symphonies [Troisieme symphonie (Te Deum)]

Cantate pour loner le Seigneur op. 103 (Psalms117,121,123,150) Aix,1928 Mixed chorus and children's chorus 1.1.1.1.-1.1.1.0.-T.P.S.-organ Publisher: U.E. Dedication and/or commission: Louis de Vocht First performance: June 1929. Cloitre Aix-en-Provence. Conductor: Chanoine Cellier Duration: 10 min

308 La mort d'un tyran op. 116 (R) [Lampride, Diderot] Paris, 1932 Pice, cl, tu, 6 perc. Publisher: (E.S.I.) Ch. duM. First performance: 25 May 1933. Cone. Serenade, Paris. Conductor: R. Desormiere {danced by Alanova) Duration: 6 min 10 s

Les amours de Ronsard op. 132 La rose- La tourterelle-L'aubepin- Le rossignol See Accompanied vocal ensemble, vocal quartet, & chamber ensemble Aix, 1934 Fl,cl,bs,hn,vln,va,vc,cb Publisher: (Deiss) Salabert Dedication and/or commission: A la memoire de Claude Debussy Duration: 11 min 7 s

Magali op. 194 (R) (Provem;al folk song) Paris, 1938 1.1.1.1.-1.2.1.0.-T.S. Publisher: {E.S.I.) Ch. duM. First performance: June 1938. Cone. E.S.I., Paris. Conductor: R. Desormiere Duration: 1 min 40 s

Barba Garibo op. 298 (Divertissement on Menton folk tunes) [Armand Lunel] Berceuse-Barba Garibo- Saint-Jean, Saint-Jean- Rassemblons-nous clocher• Le petit corbill on au bras-Le romarin fleuri- Le patre- Gian Braghetta-Un, deux, trois (final)- Salut au public et retraite See Ballets (La cueillette des citrons) Paris, 4 December 1949-13 January 1950 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Heugel Dedication and/or commission: Daniel, comm. Radio France First performance: 19 February 1950. 'La Fete du citron,' Menton. Orch. Radio Symph. and 'La chanson mentonnaise' chorus. Conductor: E. Bigot Duration: 20 min 40 s

309 Le chateau de feu op. 338 (R) [Jean Cassou] Mills, 1-17 October 1954 3.3.3.3.-0.2.2.0.-T.P.-va, vc. cb. Publisher: Eschig Dedication and/or commission: Dedie ala memoire de mon neveu Jean Milhaud eta celle d'Eric et d'Helene Allatini, deportes pendant laguerre 1939-1945 et assassines par les allemands. Ecrit a la demande du Reseau du Souvenir. First performance: 30 November 1955. Palais Chaillot, Paris. Orch. Colonne. Conductor: D. Milhaud, chorus: Y. Gouveme Duration: 12 min 30 s

La tragedie bumaine op. 369 [From 'Les Tragiques' by Agrippa d' Aubigne] Misere- Lachambre doree- Les feux- Vengeance-Jugement Paris, 1958 2.2.3.3.-2.3.3.1.-T.P.S. Publisher: Salabert Dedication and/or commission: comm. de l'Etat First performance: 1958. Brussels Exposition Duration: 27 min 5 s

Cantate sur des poemes de Chaucer op. 386 (French adaptation by Darius Milhaud) Prelude I - Captivity - Prelude II - Escape - Prelude III - Rejection Aspen-Mills, 17 August-19 September 1960 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. University of Iowa First performance: 10 May 1961. University oflowa. Conductor: Olefsky Duration: 15 min

Cantate de l'initiation (Bar mitzvah lsrael1948-1961) op. 388 [Liturgical texts] Hymne - L'appel (Aliyah) - Lecture de la Thorah (Extrait de Ki Tabo) - Benediction apres la Thorah-Benediction precedant la Haphtarah-Lecture de la Haphtarah Mills, 26 October-20 November 1960 2.2.0.2.-2.2.0.0.-P.S. Publisher: Heugel Dedication and/or commission: comm. Etat d'Israel First performance: 28 August 1962. Jerusalem. Conductor: Bertini Duration: 14 min 13 s

310 Caroles op. 402 [Charles d'Orleans, English and French texts] Mills-Aspen, 4 May-4 July 1963 1st group: pice, ft, ob, eng hn, cl, tpt, vln. 2nd group: timp, xyl, eel. 3rd group: contra bn, tu, harp, cb. 4th group: mixed chorus 5th group: tmb, hn, bn, bs cl, vc. Publisher: Eschig Dedication and/or commission: comm. de l'Etat First performance: 3 June 1964. Radio France, Paris. Conductor: M. Constant Duration: 12 min

Accompanied vocal ensemble: soloist, mixed chorus, & organ ------

Borechu Schema Israel op. 239 [liturgical texts] Mills, January 1944 Cantor, mixed chorus, organ. Publisher: Schirmer First performance: March 1944. Temple Park Avenue, New York. Cantor: Putterman Duration: 2 min 55 s

Kaddish op. 250 Priere pour les morts Mills, 9 January 1945 Cantor, mixed chorus ad lib., organ. Publisher: Schirmer Dedication and/or commission: To the memory of my parents First performance: 11 May 1945. Temple Park Avenue, New York. Cantor: Putterman Duration: 4 min 10 s

Service sacre op. 279 ( 4parts) (R) [Liturgical texts with additional prayers for Friday evening) See Accompanied vocal ensemble, soloist, mixed chorus & orchestra Mills, 10-16 May 1947 Bar, narr, mixed chorus, organ Publisher: Salabert Dedication and/or commission: Mrs. E. S. Heller ( comm.) First performance: Friday evening, 17 August 1949. Temple Emanu-El, San Francisco. University of California Chorus (Berkeley). Conductor: E. Lawton, cantor: R. Rinder, voice: E. Jones Duration: 60 min

311 Cantata from Job op. 413 [Biblical texts] At this also my heart trembleth- Then the Lord answered Job Aspen-Paris, 10-13 August 1965/16 April1966 Bar, mixed chorus, organ. Publisher: Presser Dedication and/or commission: comm. Synagogue de Buffalo pour le consecration du Temple Beth Zion First performance: 24 April1967. Beth Zion Temple, Buffalo Duration: 16 min 55 s

Accompanied vocal ensemble: soloist, mixed chorus, & orchestra ______

Psaume 136 op. 53 [Translated by Paul Claude!] See Solo voice, with orchestra (Cantate de psaumes) 1918 Solo voices, men's chorus, 2.1.2.1.-0.1.0.0.-P.H.S. Publisher: U .E. First performance: 1928. Berlin Duration: 8 min

La sagesse op. 141 [Paul Claude!] Paris-Aix, 1935 4 voices, narr, mixed chorus, 4.3.4.3.-2.3.3.1.-2 sax-T.P.H.S. Publisher: Heugel Dedication and/orcommission: Mme Ida Rubinstein ( comm.) First performance: 8 November, 1945. Orch. de la Radio Beige Conductor: P. Collaer; first staged, February 1950. Opera Rome. Conductor: Previtali Duration: 60 min

Service sacre op. 279 ( 4parts) (R) [Liturgical texts with additional prayers for Friday evening] See Accompanied vocal ensemble, soloist, mixed chorus & organ Mills, June 1947 Bar, narr, mixed chorus, 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Salabert Dedication and/or commission: Mrs. E. S. Heller (comm.) First performance: 18 May 1949. Temple Emanu-El, San Francisco. San Francisco Symphony, University of California Chorus. Conductor: D. Milhaud, cantor: R. Rinder, voice: E. Jones Duration: 60 min

312 Miracles de Ia foi op. 314 [Biblical text] Introduction - Daniel et Nebuchadnezzar - Daniel et Belshazzar - Daniel et Darius Paris, 27 October-4 December 1951 Ten, narr, mixed chorus, 1.1.2.2.-1.1.1.0.-P.S. Publisher: Schirmer Dedication and/or commission: comm. pour le lOOe anniversaire de Coe College First performance: 18 May 1952. Coe College, Cedar Rapids, Iowa. Coe College Chorus and Orchestra Duration: 19 min 45 s

Le mariage de Ia feuille et du cliche op. 357 (R) (Fantaisie) [Max Gerard] Mills-Sion, 9 November-11 December 1956 Spoken voice, vocal quartet, mixed chorus, 1.1.1.1.-1.1.1.0.-sax-T.P.S. with 'musique concrete' by Pierre Henry Publisher: Heugel Dedication and/or commission: comm. Charles Draeger Duration: 29 min

Cantate de Ia croix de charite op. 381 [Loys Masson] Le ciel (Modere)- La terre (Anirne)- Lacharite (Modere) Paris-Florence-Paris, 26 December 1959-13 January 1960 Sop, ten, bas, mixed chorus, children's chorus, 2.3.3.2.- 2.2.2.0.-T.P.S. Publisher: Heugel Dedication and/or commission: comm. ORTF pour !'emission intemationale de la Croix-Rouge First performance: 8 May 1960 (broadcast in 65 countries). Orch. Philh and ORTF chorus. Conductor: D. Milhaud, voice: J. Brumaire, M. Caron Duration: 22 min 15 s

Pacem in terris op. 404 (R) (Choral symphony) [Excerpt from the Papal Encyclical of Pope John XXIII, 11 April1963] Aspen, 23 July-6 August 1963 Con, bar, mixed chorus, 2.2.3.3.-2.2.3.1.-T.P.S. Publisher: Salabert Dedication and/or commission: En memoire de Jean XXIII aux hommes de bonne volonte. Comm. de la Radiodiffusion Television Fran~se First performance: 20 December 1963. ORTF. Paris. Orch. Philh. and ORTF chorus. Conductor: C. Munch, voice: J. Peters, L. Quilico Duration: 46 min

313 Ani maamin, un chant perdu et retrouve op. 441 [Elie Wiesel, translated by Marion Wiesel in 'Ani maamin 'A song lost and found,' New York: Random House, 1973] Geneva-Paris, 3 September-10 October 1972 Sop, 4 narr, mixed chorus, 2.2.2.2.-0.2.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: comm. Union for American Hebrew Congregations First performance: 11 November 1973. Carnegie Hall, New York. Conductor: L. Foss Duration: 70 min

Accompanied vocal ensemble: children's chorus & organ ------• Service pour Ia veWe du Sabbat op. 345 (liturgy in Hebrew, French, and English) Mills, 30 May 1955 Publisher: Heugel First performance: 4 November 1957. Congres de musique juive, Temple de la Victoire, Paris. Duration: 5 min 30 s

For children's voices, see also Accompanied vocal ensemble, soloists, mixed chorus, & orchestra (Cantate de Ia croix de charite); Accompanied vocal ensemble, women's chorus, & orchestra (Invocation al'ange Raphael)

Accompanied vocal ensemble: easy pieces (with piano or a small ensemble of violins and violonceHos) ------A propos de bottes op. 118 [Rene Chalupt] Chanson du savetier et de la pie-Chanson de Babolin, le livreur-Chanson d'Alfred - Chanson d'Alfred et de la pie - Chanson du fantdme - Chanson des anthropophages- Chanson du chinois- Chanson du cineaste, Chanson d'Alfred et de la Star, Chanson de I'ogre, Chanson finale Cauterets, August 1932 Publisher: Durand Dedication and/or commission: Alice Pelliot First performance: May 1933. Th. Marioniettes, Paris Duration: 16 min

314 Un petit peu de musique op. 119 [Armand Lunel] Le petit examen- Pour sauter a la corde-La lecture enfantine-Pour tirer au sort -Mademoiselle Lunette-Mea culpa-Le maitre pion Jujube-Un eloge me rite -La dispute- L'orchestre des bons eleves- L'orchestre des mauvais eleves- Choeur final en l'honneur de la radio Aix-les-Bains-Lausanne, October 1932 Publisher: Durand Dedication and/or commission: Mrs. E. Sprague Coolidge First performance: February 1933. Cone. Triton, Paris. Enfants de l'Ecole Primaire. Conductor: D. Milhaud Duration: 13 min 20 s

Un petit peu d'exercice op. 133 [Armand Lunel] Chant du depart - Repos hebdomadaire - Tohu-bohu des sportifs (Farniente des debonnaires)-La culture physique-Le sportif paisible-Natation-Le velo• La raquette - Le jeune homme studieux - Le chant du skieur - Jeunes filles d' autrefois- Choeur final de reconciliation Paris, 1934 Publisher: Durand First performance: 1934. Expos. Arts Menagers, Paris. Conductor: D. Milhaud, voice: L. Daniels Duration: 17 minm 40 s

DRAMATIC WORKS

'Operas-minute'

L'enlevement d'Europe op. 94 (R) [Henri Hoppenot] Vienna-Budapest, 1927 4 solo voices, vocal sextet, 1.1.1.1.-0.1.0.0.-T.P.S. (1.0.1.1.1.). Publisher: U.E. Dedication and/or commission: M.D.M. First performance: July 1927. Festival Baden-Baden. Conductor: Moelich Duration: 9 min

L'abandon d'Ariane op. 98 (R) [Henri Hoppenot] Aix,1927 4 solo voices, vocal sextet, 2.1.2.1.-1.2.0.0.-T.P.S. (1.1.1.1.0.). Publisher: U .E. Dedication and/or commission: H.H.H. First performance: April1928. Th. Wiesbaden. Conductor: J. Rosenstock Duration: 10 min

315 La delivrance de Thesee op. 99 (R) [Henri Hoppenot] Aix,1927 5 solo voices, vocal quartet, 1.1.1.1.-1.1.0.0.-T.P.S. (1.1.1.1.1.). Publisher: U .E. Dedication and/or commission: E. H. First performance: April1928. Th. Wiesbaden. Conductor: J. Rosenstock Duration: 8 min

Operas I I

The works for which no duration is indicated are intended to provide a full evening's entertainment.

La brebis egarie op. 4 (3 acts) [Francis Jammes] See Large orchestra, symphonic suites (Premiere suite symphonique) Paris-Aix, 1910-1914 Solo voices, 3.3.3.4.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Uo Latil First performance: December 1923. Opera Comique, Paris. Conductor: A. Wolff

L'Orestie (3-part cycle) [Adapted from Aeschylus by Paul Claudel] I. Agamemnonop.14 Hellerau, 1913 Sop, men's chorus, 3.3.3.2.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: Jacques Benoist-Mechin First performance: April1927. Cone. Straram, Paris. Conductor: W. Straram, voice: M. Bunlet; first staged, April1963. Berlin Opera. Conductor: H. Hollreiser Duration: 10 min II. Les choephores op. 24 (R) Paris-Lyon-Aix, 1915-1916 Sop, bar, narr, mixed chorus, 3.3.3.4.-4.3.3.1.-T.15P.H.S. Publisher: Heugel Dedication and/or commission: Charles Koechlin First performance: 15 June 1919. Cone. Delgrange, Paris. Conductor F. Delgrange, voice: J. Bathori; first staged, 27 March 1935. Th. de Ia Monnaie, Brussels. Conductor: C. de Thoran Duration: 30 min

316 III. Les eumenides op. 41 (R) (3 acts) Rio de Janeiro-Fort de France-Aix, 1917-1922 Solo voice, mixed chorus, 3.3.3.4.-4.4.3.1.-4 sax, 4 saxh-T.15P.H.S. Publisher: Heugel Dedication and/or commission: Jacques Heugel First performance: 27 November 1927. Nouv. Cone. Anvers. Conductor: L. de Vocht (Le Final); Cone. Monteux, Paris. Conductor: P. Monteux (Ouverture); 1949. I.N.R., Brussels. Conductor: F. Andre (complete version); first staged, April1963, Berlin Opera. Conductor: H. Hollreiser Duration: 90 min

Les malheurs d'Orphee op. 85 (R) (3 acts) [Armand Lunel] Aix-Malines, 22 September-2 November 1924 Bar, sop, 10 solo voices, 1.1.2.1.-0.1.0.0.-T.P.H.S. (1.0.1.1. 5-string cb) Publisher: Heugel Dedication and/or commission: Princesse Edmond de Polignac ( comm.) First performance: 7 May 1926. Th. de la Monnaie, Brussels. Conductor: C. de Thoran Duration: 35 min

Esther de Carpentras op. 89 (Cornie opera in 2 acts) [Armand Lunel] Aix-Malines, 1925-1927 Solo voices, 3.3.3.2.-4.3.3.1.-T.P.H.S. Publisher: Heugel Dedication and/or commission: M.D.M. First performance: May 1937. Radio Rennes. Conductor: M. Rosenthal; first staged, 1 February 1938. Opera Cornique, Paris. Conductor: R. Desorrniere Duration: 65 min

Le pauvre matelot op. 92 (R) 'Complainte' (3 acts) [Jean Cocteau] Aix,1926 1st version: sop, ten, bar, bas, 2.2.3.3.-2.3.1.0.-T.P.H.S. 2nd version: sop, ten, bar, bas, 1.1.1.1.-1.1.1.0.-P.S. (1.1.1.1.1.) Publisher: Heugel Dedication and/or commission: Henri Sauguet First performance: December 1927. Opera Comique, Paris. Conductor: Lauweryns Duration: 30 min

317 Christophe Colomb op. 102 (2 acts, 27 tableaux) (Paul Claude!] Paris-Ai:x, 1928 Solo voices, mixed chorus, 3.3.4.3.-4.3.3.1.-cel, hrm-T.P.H.S. Publisher: U.E. Dedication and/or commission: Manuel de Falla First performance: 5 May 1930. Berlin Opera. Conductor: E. Kleiber; new version (2 acts reversed) 27 June 1968. Graz Opera. Conductor: Klobicar Duration: 150 min

Maximilien op. 110 (3 acts, 9 tableaux) (Libretto by R. S. Hoffman on a play by F. Werfel, translated by A. Lunel] See Large orchestra, symphonic suites (Suite de Maximilien) Aix, 1930 Solo voices, mixed chorus, 3.3.4.3.-4.4.3.1.-T.P.H.S. Publisher: U.E. Dedication and/or commission: M.D.M. First performance: 5 January 1932. Paris Opera. Conductor: F. Ruhlman

Medee Op. 191 (1 act) (Madeleine Milhaud] Aix, Summer 1938 2 sop, cont, ten, bar, mixed chorus, 2.2.2.3.-2.3.3.1.-P.S. Publisher: Heugel Dedication and/or commission: comm. Etat 1938 First performance: 7 October 1939. Opera Flamand, Anvers. Conductor: M. J. Sterkens. Duration: 70 min

Bolivar op. 236 (3 acts) (Jules Supervielle, Madeleine Milhaud] See Piano, two pianos (La libertadora) Mills, 31 January-3 June 1943 Solo voices, mixed chorus, 2.2.2.2.-4.3.2.1.-T.P.H.S. Publisher: Salabert Dedication and/or commission: Swanee First performance: 12 May 1950. Paris Opera. Conductor: A. Cluytens

318 David op. 320 (5 acts) [Armand Lunel] Aspen-Mills, 5 August 1952:-17 February 1953 Solo voices, mixed chorus, 2.2.2.2.-4.3.3.1.-T.P.H.S. Publisher: I.M.P. Dedication and/or commission: Ecrit a la memoire de Nathalie et de Serge Koussevitzky. Dedie au peuple d'Israel. Comm. Koussevitzky Found. pour le 3000e anniversaire du roi David et de la fondation de Jerusalem First performance: 1 June 1954. Jerusalem. Conductor: G. Singer; first staged, 2 February 1955. La Scala, Milan. Conductor: N. Sanzogno Duration: 170 min

Fiesta op. 370 (1 act) [Boris Vian] Paris, 27 April-6 May 1958 10 solo voices, fl, ob, cl, bs cl, bn, sax, tpt, tbn, perc, harp, 3 vln, 2 vc, cb. Publisher: Heugel Dedication and/or commission: Hermann Scherchen, comm. Berliner Festwochen First performance: 3 October 1958. SHidtische Oper, Berlin. Conductor: H. Scherchen Duration: 22 min 30 s

La mere coupable op. 412 [Adapted from Beaumarchais by Madeleine Milhaud] Mills, 23 September 1964-26 March 1965 2 sop, mez, ten, 3 bar, bas, 2.2.3.3.-2.2.2.1.-T.P.H.S. Publisher: Ricordi First performance: 13 June 1965. Grand Theatre, Geneva. Conductor: S. Baudo Duration: 105 min

Saint-Louis, Roi de France op. 434 (Opera-oratorio in 2 parts) [Poem by Paul Claudel, libretto by Henri Doublier] Paris-Geneva, 19 November 1970-4 January 1971 2 sop, ten, bas, 2 narrators, 2 choruses: one on stage, one in the pit, pit orchestra: 1.1.2.1.-2.2.2.1.-T.P.S., stage orchestra: 1.1.1.1.-0.1.1.0.-P.H.S. (1.1.1.1.1.). Publisher: Eschig Dedication and/or commission: comm. Etat First performance: 18 March 1972. RAI, Rome. Conductor: La Rosa Parodi; first staged, 14 April1972. Th. Rio de Janeiro Durations: 90 min

319 Recitatives I I

Recitatifs pour Une education manquee (Chabrier) op. 82 Paris, 1923 Publisher: Enoch First performance: January 1924. Monte Carlo Opera. Ballets Russes Diaghilev. Conductor: V. Scotto

Ballets I I

L'homme et son desir op. 48 (R) ['Poeme plastique' by Paul Claudel] See Large orchestra, misc.; Reductions Rio de Janeiro, 1918 Vocal quartet, 2.1.2.0.-0.1.0.0.-P.H.S. (solo cb) Publisher: U .E. First performance: 6 June 1921. Th. Champs Elysees, Paris. Ballets Suedois de Rolf de Mare. Conductor: D. Inghelbrecht Duration: 20 min

Leboeuf sur le toit op. 58 (R) [Jean Cocteau] See Piano, solo (Tango des Fratellini); Duos, violin & piano (Cinema-fantaisie); Solo & orchestra (or chamber ensemble), violin (Cinema-fantaisie); Reductions; Transcriptions (Tango des Fratellini) Paris, 1919 2.1.2.1.-2.2.1.0.-P.S. Publisher: Eschig Dedication and/or commission: Jean Cocteau First performance: 21 February 1920. Com. des Champs Elysees. Conductor: V. Golschmann Duration: 18 min

320 Les maries de Ia Tour Eiffel (R) op. 70 [Jean Cocteau] Marche nuptiale Sortie de la noce 2.2.2.2.-2.2.2.1.-T.P.S. Fugue du massacre op. 70b* 2.2.2.2.-4.3.3.1.-T.P.S. Paris, 1921 Publisher: Salabert First performance: 18 June 1921. Th. Champs Elysees, Paris. Ballets Suedois de Rolf de Mare. Duration: 6 min 10 s *The original was lost; a second version was written in Geneva, 1971.

La creation du monde op. 81 (R) [Blaise Cendrars] See Quintets, string; Reductions Paris, 1923 2.1.2.1.-1.2.1.0.-sax-T.P.S. (1.1.0.1.1.) piano. Publisher: Eschig Dedication and/or commission: Paul Collaer et Roger Desormiere First performance: 25 October 1923. Paris. Ballets Suedois de Rolf de Mare. Conductor: V. Golschmann. Costume & set design: F. Leger. Choreography: J. Borlin Duration: 15 min

Salade op. 83 (R) ('Ballet chante' in 2 acts) [Albert Flament] See Solo & orchestra, piano (Le carnaval d' Aix) Paris-Valmont, 5-20 February 1924 Solo voices, men's chorus, 2.1.2.1.-2.2.1.1.-T.P.S. piano. Publisher: Heugel Dedication and/or commission: Comtesse Etienne de Beaumont First performance: 17 May 1924. Soirees de Paris. Conductor: R. Desormiere. Costume & set design: G. Braque. Choreography: L. Massine Duration: 40 min

Le train bleu op. 84 (R) (In 10 sections) [Jean Cocteau] See Reductions; Transcriptions Paris-Valmont, 12February-5 March 1924 3.3.3.2.-4.3.3.1.-T.P.S. Publisher: Heugel Dedication and/or commission: Serge Diaghilev First performance: 20 June 1924. Th. des Champs Elysees, Paris. Ballets Russes Diaghilev. Conductor: A. Messager. Costume design: G. Chanel. Choreography: Mme Nijinska Duration: 22 min 15 s

321 Polka (L'eventail de Jeanne) op. 95 ('Spectacle collectif) See Piano, solo pieces included in collections Vienna, 1927 2.2.2.2.-2.2.0.0.-P.S. Publisher: Heugel Dedication and/or commission: Jeanne Dubost First performance: 1928. Paris Opera. Conductor: J. Szyfer

La bien-aimee op. 101 (Adapted from Schubert-Liszt) Paris, 1928 Mechanical piano, 3.3.3.3.-4.3.3.1.-T.P.H.S. New orchestration: opus 101b, 1941 Publisher: U.E. Dedication and/or commission: Comm. Ida Rubenstein First performance: 22 November 1928. Paris Opera. Spectacle Ida Rubinstein. Conductor: W. Straram

Les songes op. 124 (R) [Andre Derain] See Piano, two pianos; Reductions Paris, 1933 1.1.1.1.-1.1.1.0.-P.S. piano. Publisher: (Deiss) Salabert Dedication and/or commission: M.D.M. First performance: June 1933. Ballets 1933, Th. des Champs Elysees, Paris. Conductor: M. Abravanel. Costume & set design: A. Derain. Choreography: G. Balanchine Duration: 30 min

Suite proven~e op. 152d (R) Guardians - Cueillette des amandes - Joueurs de boules - Chasseurs - Vendangeurs-Berger-Farandole See Large orchestra, symphonic suites; Incidental music (Bertran de Born) Paris, June-July 1936 2.3.2.2.-4.3.3.1.-T.P.S. Publisher: (Deiss) Salabert Dedication and/or commission: M.D.M. First performance: 1 February 1938. Ballets Opera Comique, Paris. Conductor: R. Desormiere Duration: 16 min

322 Moise op. 219 (R) Ouverture- Mo"ise decouvert panni les jones-Lacour de Pharaon- Les miracles de Mo"ise devant le Pharaon - Mo"ise tue un contremaitre - Mo"ise dans le desert-Promesse de Dieu- La traversee de la Mer Rouge -Introduction et bacchanale- Le veau d'or-Mo"ise brise les tablettes- Mo"ise aper~toit la terre promise de Piagah See Large orchestra, misc.; Chamber ensemble, misc. (Opus Americanun no. 2) Oakland, 25 August-7 September 1940 1.1.2.1.-1.2.2.0.-T.P.S. or 2.2.2.2.-2.2.2.0.-T.P.H.S. Publisher: Elkan Vogel-Presser Dedication and/or commission: comm. Ballet Theater, New York First performance: 1950. Rome Opera Duration: 31 min 25 s

Introduction Marche Fete de Ia victoire op. 254 (Addition to the ballet arrangement of the 'Suite franl(aise') Mills, 4 April1945 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: (Leeds, MCA) Bel. M.

Les cloches op. 259 [From 'The Bells' by Edgar Allan Poe] Overture (Ouverture)- Silver Bells (Cloches d'argent)- Golden Bells (Cloches d'or) - Brazen Bells (Cloches de cuivre) - Iron Bells (Cloches de fer) - Bacchanale (Bacchanale) See Large orchestra, symphonic suites Mills, 20 March-30 August 1945 3.1.2.1.-2.2.1.0.-T.P.S. piano. Publisher: Eschig Dedication and/or commission: M.D.M., comm. Ruth Page First performance: 26 April1946. Chicago University Ballet Duration: 23 min 10 s

'Adame miroir op. 283 [Jean Genet] Paris, March-April1948 1.1.1.1.-1.1.1.0.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. Roland Petit First performance: 31 May 1948. Th. Marigny, Paris. Ballets Roland Petit Duration: 18 min

323 La cueillette des citrons op. 298b (Intermede proven~ale) [Armand Lunel] See Accompanied vocal ensemble, mixed chorus & orchestra Paris, 4 December 1949-13 January 1950 2.2.2.2.-2.2.2.0.-T.P.S. Publisher: Heugel Duration: 20 min

Veodangesop. 317 [Philippe de Rothschild] See Transcriptions (Divertissements) Paris-Mills, 2-25 July 1952 2.2.2.2.-2.3.3.1.-T.P.H.S. Publisher: Eschig First performance: 1970. Opera Nice Duration: 50 min

La rose des vents op. 367 (In 10 sections) [Albert Vidalie, Roland Petit] 12-20 December 1957 2.1.2.1.-2.2.1.0.-P.H.S. piano. Publisher: Salabert Dediction and/or commission: comm. Roland Petit First performance: 13 February 1958. Paris. Ballets Roland Petit. Conductor: M. Constant Duration: 22 min

Labranche des oiseaux op. 374 [Andre Chamson] L'antiquite-Le moyen-age- La poesie d'aujourd'hui Mills, 16 December 1958-27 March 1959 3.3.3.-4.3.3.0.-T.P.H.S. Publisher: Heugel Dedication and/or commission: comm. pour le centenaire de 'Mireille' First performance: 18 May 1962, Brussels, RTB. Staged: 1 April1965. Cimiez Duration: 30 min

324 Incidental music

Much of the music written for films, radio, television, and as incidental music for theatrical productions is unpublished. However, in order to show Milhaud's total output in these various categories, all compositions whether published or unpublished have been listed together under the appropriate headings.

L'ours et Ia June* [Paul Claudel] 1918 3 spoken voices, drum. Publisher: Gallimard *Mme Milhaud found this work among D. Milhaud's papers after his death. He had never listed it in his catalogues nor assigned an opus number to it.

Protee op. 17 (First version) [Paul Claudel) See Large orchestra, symphonic suites (Deuxieme suite symphonique); Reductions See also second version Incidental Music, op. 341 Combault-Paris, 1913/Aix, 1919 Mixed chorus, 3.3.3.4.-4.3.3.1.-T.P.H.S. Publisher: Durand Dedication and/or commission: Ala memoire d' Alberic Magnard First performance: June 1929. Groningen Theatre. Groningen University Orchestra This 'first version' is actually the last of three different versions composed during 1913-1919. The two earlier versions, never performed, were superseded by this final one.

L'annonce faite aMarie op. 117 (First version) [Paul Claudel) See Accompanied vocal ensemble, vocal quartet & chamber ensemble See also second version Incidental Music, op. 231 Aix, 1932 Vocal quartet, 2 fl, ob, 2 sax, 2 ond Mart, vib, piano 4-hand, organ, T.P.S. Publisher: Salabert Dedication and/or commission: M.D.M. First performance: 21 January 1934. Palais des Beaux Arts, Brussels. Conductor: A. Prevost Duration: 19 min

325 Le chiteau des papes op. 120 [Andre de Richaud] See Duos, andes Martenot & piano (Suite); Accompanied vocal ensemble, vocal quartet & chamber ensemble (Adages) Aix, 1932 Vocal quartet, 2 piano, ond Mart, tpt. First performance: 1932. Theatre Atelier, Paris. Stage director: C. Dullin

Se plaire sur Ia meme Oeur op. 131 [Moreno, translated by Casa Fuerte] Ritoumelle, 6 chansons Aix,1934

Le cycle de Ia creation op. 139 [Dom Luigi Sturzo] Aix,1934 Sop, mixed chorus, 2.1.2.2.-1.2.1.1.-ond Mart-T.P.H.S. First performance: 21 May 1986. Quirinal Palace, Rome. RAI orchestra and chorus. Conductor: M. Atzman, voice: C. Gaedia

Lefaiseurop.145 [Balzac] Paris, 1935 Fl, cl, sax, perc. First performance: 30 November 1935. Th. Atelier, Paris. Stage director: C. Dullin

Bolivarop. 148 [Jules Supervielle] See Solo voice, with piano (Trois chansons de negresse); Solo voice, with orchestra (Trois chansons de negresse) Malines-Paris, 1935-1936 Solo voices, mixed chorus, 1.0.1.0.-0.2.1.1.-sax-H.S. ond Mart. Dedication and/or commission: M.D.M. First performance: 28 February 1936. Com. Fran~aise, Paris. Conductor: R. Charpentier

LafoUeducielop.149 [R. Lenormand] See Solo voice, with piano (Six chansons de theatre) Paris, 1936 Voice, and Mart, harp. First performance: 17 February 1936. Th. Mathurins, Paris. Stage director: G. Pitoeff

326 Tune m'ecbapperasjamais op. 151 [M. Kennedy) See Solo voice, with piano (Six chansons de theatre) Paris, April1936 Voice, piano. Dedication and/or commission: Ludmilla Pitoeff First performance: April1936. Th. Galeries, Brussels. Stage director: G. Pitoeff

Bertran de Born op. 152 [Valmy Baisse] See Large orchestra, symphonic suites (Suite proven~ale); Solo voice, with piano (Trois chansons de troubadours); Ballets (Suite proven~ale) Paris, May-June 1936 Solo voices, mixed chorus, 2.3.2.2.-4.3.3.1.-T.P.S. First performance: 2 August 1936. Th. Antique, Orange. Conductor: P. Paray, voice: M. Herrand

Le quatorze juillet op. 153 ('Spectacle collectif) [Romain Rolland) Final du premier acte. See Large orchestra, misc. (Introduction et Marche funebre); Band (Introduction et Marche funebre) Paris, June 1936 First performance: 13 July 1936. Th. Alhambra, Paris. Conductor: R. Desormiere

Le conquerant op. 154 [Jean Mistler] See Unpublished works (Fragments dramatiques) Aix, August 1936 1.1.1.1.-1.1.1.0.-P.S. First performance: 13 November 1936. Th. Odeon, Paris.

Amal, ou La lettre du roi op. 156 [Rabindranath Tagore adapted by Andre Gide] Paris, October 1936 Piano, vln, cl. First performance: 1936. Th. Mathurins, Paris. Stage director: G. Pitoeff

Le voyageur sans bagages op. 157 [Jean Anouilh) See Trios, piano, violin & clarient (Suite) Paris, October-November 1936 Piano, vln, cl. First performance: 1936. Th. Mathurins, Paris. Stage director: G. Pitoeff

327 Jules Cesar op. 158 [Shakespeare adapted by S. Jollivet] Paris, December 1936 Fl, cl or sax, tpt, tu, perc. First performance: 4 January 1937. Th. Atelier, Paris. Stage director: C. Dullin Le trompeur de Seville op. 152e [A. Obey] Paris, January 1937 3 tpt, 3 tbn, tu, perc. First performance: 25 January 1937. Th. Porte Saint-Martin, Paris. Conductor: R. Desormiere La duchesse d' Amalfi op. 160 [Webster adapted by Fluchere] Paris, April1937 Ob, cl, bn. First performance: 1937. Th. Rideau Gris, Marseille. Stage director: L. Ducreux Liberte op. 163 ('Spectacle collectif) Ouverture-Interlude Paris, March 1937 1.1.1.1.-1.1.1.1.-P.S. First performance: 1937. Th. Champs Elysees, Paris. Conductor: M. Jaubert Romeo etJuliette op. 161 [Shakespeare adapted by A. Jouve] See Trios, oboe, clarinet & bassoon (Suite d'apres Corrette) Paris, April1937 Ob,cl, bn First performance: 7 June 1937. Th. Mathurins, Paris. Stage director: G. Pitoeff

Le medecin volant op. 165 [Moliere adapted by Vildrac] See Piano, two pianos (Scaramouche); Solo & orchestra, clarinet (Scaramouche); Solo & orchestra, saxophone (Scaramouche); Reductions; Transcriptions (Brazileira); Transcriptions (Scaramouche) Paris, May 1937 Piano, cl or sax. First performance: 23 March 1937. Th. Scaramouche, Com. Champs Elysees, Paris. Stage director: H. Pascar Chansons de l'opera du gueux op. 171 [John Gay adapted by H. Fluchere] See Chamber ensemble, misc. (Le carnaval de Londres); Solo voice, with piano (Chansons du camaval de Londres); Solo voice, with orchestra (Chansons du camaval de Londres) Aix, September 1937 1.1.1.1.-0.1.1.0.-sax-P.H.S. Publisher: (Deiss) Salabert First performance: 1937. Th. Rideau Gris, Marseille. Stage director: L. Ducreux

328 Naissance d'une cite op. 173 ('Spectacle collectif) [Jean Richard Bloch] Chanson du captaine-La java de la femme See Solo voice, with piano Paris, June-October 1937 Voice, piano. Publisher: (Deiss) Salabert First performance: 16 October 1937. Palais des Sports, Paris

Hecube op. 177 [Euripides adapted by A. de Richaud] Aix, August 1937 Fl, cl, bn, tpt, perc. First performance: 6 September 1937. Com. Champs Elysees, Paris. Stage director: M. Herrand

Macbethop.175 [Shakespeare] Paris, November 1937 Fl, cl, bn, tpt, perc, vln, cb. Dedication and/or commission: Margotine First performance: 23 November 1937. Old Vic, London. Stage director: M. Saint Denis

Plutus op. 186 [Aristophanes, S. Jollivet] Paris-Nyon, 1938 Fl, cl ( ou sax), tpt, perc, piano. First performance: 1 February 1938. Th. Atelier, Paris. Stage director: C. Dullin

Tricolore op. 190 [Lestringuez] Aix, Summer 1938 2.1.2.1.-0.2.2.1.-sax-T.P.S. First performance: 14 October 1938. Com. Fran!(aise, Paris. Conductor: R. Charpentier

Le bal des voleurs op. 192 [Jean Anouilh] Allegro-Moden!- Allegro See Transcriptions (Petit concert) Aix, August 1938 Cl. Publisher: Billaudot First performance: 1938. Th. des Arts, Paris. Stage director: A. Barsacq

329 La premiere Camille op. 193 [Jules Supervielle] See Solo voice, with piano (Six chansons de theatre) PUx,September1938 Voice, piano. First performance: 1938. Th. Mathurins, Paris. Stage director: G. Pitoeff

Hamletop. 200 [Jules Laforgue] Paris, April1939 Tpt, bn, ond Mart, perc, piano. First performance: April1939. Th. Atelier, Paris. Stage director: J. L. Barrault

Un petit ange de rien du tout op. 215 [C. A. Puget] PUx, April1940 Fl, cl, sax, bn, tpt, vln, perc, ond Mart. First performance: 29 April1940. Th. Michel, Paris. Conductor: R. Charpentier

L'annonce faite aMarie op. 231 (Second version) [Paul Claude!] See Other solo instruments, organ (N euf Preludes); Solo voice, with organ (or piano) (Cinq Prieres) See also first version Incidental Music, op. 117 Mills, 18 March 1942 2.1.1.1.-0.3.1.0.-T.P.S. First performance: 13 October 1942. Christmas Play, Mills College

Lidoire op. 264 [G. Courteline] Prelude- Postlude Mills, 4 March 1946 Cl, bn, tpt, tbn, ace, T.P.S. First performance: April1946. Spect. Courteline, Paris. Stage director: J. Mercure

La maison de Bernarda Alba op. 280 [Garcia Lorca] Mills, July 1947 Fl, ob, bn, perc. First performance: September 1947. Coronet Theater, Los Angeles. Stage director: V. Sokoloff

Sheherazade op. 285 [Jules Supervielle] Paris, June 1948 Cl, sax, vln, va, vc, cb. First performance: July 1948. Festival Avignon. Stage director: J. Vilar, Conductor: G. Delerue

330 Le jeu de Robin et Marion op. 288 (Adapted from Adam de la Halle) [English translation by R. Maren] Mills, 1948 7 voices, fl, cl, sax, vln, vc. Publisher: Marks Dedication and/or commission: comm. Juilliard School of Music, New York First performance: 28 October 1951. Hessiches Staats-Theater Wiesbaden. Conductor: E. Helm

Leconte d'hiver op. 306 [Shakespeare adapted by C. A. Puget] Prelude-Chansons- Danses Mills-Carpinteria, August 1950 2.1.2.1.-1.2.2.0.-P. First performance: November 1950. Com. Franc;:aise, Paris. Conductor: A. Jolivet

Christophe Colomb op. 318 [Paul Claude!] Paris, February-March 1952 Mixed chorus, 1.0.1.1.-0.1.0.0.-P.H. vln, va, vc, cb. Publisher: U.E. First performance: May 1953. Fest. Bordeaux. Stage director: J.-L. Barrault

Saill op. 334 [Andre Gide] See Band (Musique de theatre) Paris, March-April1954 3.3.3.2.-4.4.4.1.-P. eel, 3 cb. First performance: 2 July 1954. Spect. Douking, Citadelle de Toulon. Mus. de la Flotte

Protee op. 341 (second version) [Paul Claude!] See also first version Incidental Music, op. 17 Mills, January 1955 Voice, fl, bn, vln, vc. Publisher: Durand First performance: 1965. Com. Champs Elysees, Paris. Conductor: J. Bondon

Juanito op. 349 [P. Humblot] Paris, 16-30 December 1955 Fl. cl, sax, bn, tpt, vln, va, vc, cb. First performance: 1961. Th. des Capucines, Paris. Stage director: L. Ducreux

Mother Courage op. 379 [B. Brecht, English translation R. Bentley] Aspen-Atlantic Ocean-Florence-Mills, April-October 1959 Voice, 1.1.1.1.-0.1.1.0.-T.P. 3 vln, 2 vc, cb.

331 Judith op. 392 [J. Giraudoux] Paris, 18-26 October 1961 Chamber ensemble; ft, cl, bn, tpt, perc, vln, vc, vocal quartet. With tape: ob, eng hn, bs cl, hn, tpt, tbn, ond Mart, perc, vln, va, vc, cb. First performance: 17 November 1961. Th. de France, Paris. Stage director: J.-L. Barrault, Conductor: A. Girard

Jerusalem aCarpentras op. 419 [Armand Lunel] Paris, 13-18 April1966 Fl, cl, vln, va, vc, perc. First performance: 25 May 1966. Th. Carpentras

L'histoire de Tobie et Sara op. 426 [Paul Claudel] 7 November 1967 1e version: 2.1.2.2.-2.0.1.0.-T.P.S. cb. 2e version: chorus, 2.0.0.1.-0.0.1.0.-T.P. cb. First performance: 1st version, 18 April1968. Th. du Rideau, Brussels. Stage director: P. Laroche

Music for films

Actualites op. 104 (R) A }'exposition de la presse-Aviateurs re~us officiellement- Kangourou boxeur- Application industrielle de l'eau - Un attentat sur la voie ferree - Le Derby Baden-Baden, 1928 2 cl, 2 tpt, tbn, perc, 2 vln, 2 va, 2 vc, cb. Publisher: U.E. Dedication and/or commission: Paul et Gertrude Hindemith First performance: 14 July 1928. Fest. Baden-Baden. Conductor: Dressel Duration: 7 min

La p'tite Lilie op. 107 (R) [A. Cavalcanti] Chanson Paris, 1929 1.1.1.1.-1.1.1.1.-T.P.S. piano. Publisher: U.E. Dedication and/or commission: M.D.M. First performance: 1929. Fest. Baden-Baden Duration: 15 min

332 Hallo Everybody op. 126 [H. Richter] Paris, 1933 1.1.1.1.-1.1.1.1.-2 sax-P.H. piano. Recording conducted by: D. Milhaud, 1933. Eindhoven, Holland.

Madame Bovary op. 128 [Flaubert adapted by Jean Renoir] See Piano, solo (L'album de Madame Bovary & Trois valses); Solo voice, with piano (Deux chansons); Transcriptions Paris, 1933 1.1.1.1.-1.1.1.1.-sax-P.H. piano, 2 vln, vc. Publisher: Enoch Recording conducted by: R. Desormiere First screening: 12 January 1934. Cine Opera, Paris

L'hippocampe op. 137 [Jean Painleve] Paris, 1934 1.1.1.1.-0.1.1.0.-P.S. piano Recording conducted by: M. Jaubert. First screening: 10 May 1935. Cine Opera, Paris

Tartarin de Tarascon op. 138 [A. Daudet adapted by R. Bernard] Paris, 1934 Recording conducted by: M. Jaubert First screening: 1935. Cine Marivaux, Paris

Voix d'enfants op. 146 [Reynaud et Ia Manecanterie] Paris, 1935 Fl, cl, bn, sax, tbn, perc, 2 vln, vc. Recording conducted by: M. Jaubert First screening: 1935. Cine Marivaux, Paris

The Beloved Vagabond op. 150 [K. Bernhard] London-Paris, 1936 1.1.2.1.-0.2.2.1.-sax-T.H.S. piano. Recording conducted by: Roger Desormiere First screening: 7 May 1936. Cine Marignan, Paris

Mollenard op. 174 [Gilbert adapted by Siodmak] Paris, October 1937 Recording conducted by: M. Rosenthal First screening: 28 January 1938. Cine Normandie, Paris

333 La citadelle du sDence op. 176 [M. L'Herbierin collaboration with A. Honegger] Mayens de Sion, July 1937 a, sax, bn, piano, 2 vc, perc. Recording conducted by: M. Rosenthal

Grands feux op. 182 [Alexeieff] (Cartoon for 'Four Martin') Paris, 30 November 1937 2.0.1.1.-2.2.2.1.-sax-T.P. piano. Recording conducted by: D. Milhaud

La conquete du ciel op. 184 [H. Richter] Paris, December 1937 1.0.1.1.-0.1.1.1.-sax, perc, piano, 2 vln, vc. Recording conducted by: R. Blum, Zurich

La tragedie Imperiale, Raspoutine op. 187 [M. L'Herbier] Paris,1938 Orchestration: R. Desormiere Recording conducted by: R. Desormiere First screening: 1938. Cine Marignan, Paris

Lesotagesop.196 [R. Bernard] Paris, December 1938 Orchestration: R. Desormiere Recording conducted by: R. Desormiere First screening: 1939. Cine Marivaux, Paris

Islands op. 198 [A. Cavalcanti] Paris, March 1939 Recording conducted by: M. Jaubert First screening: 1939. New York World's Fair

Espoir op. 202 [A. Malraux] See Large orchestra, misc. (Cortege funebre) Aix, May 1939 Recording conducted by: M. Rosenthal First screening: 1939. New York World's Fair

334 Cavalcade d'amour op. 204 [R. Bernard in collaboration with A. Honegger] See quintets, wind (La cheminee du roi Rene) Paris, June 1939 Orchestration: R. Desorm.iere Recording conducted by: R. Desorm.iere First screening: January 1940. Cine Marivaux, Paris

Gulf Stream op. 208 [Alexeieff] Aix, 9 August 1939 Fl, cl, sax, 2 tpt, tbn, perc, cb, piano.

The Private Affairs of Bel-Ami op. 272 [Maupassant adapted by A. Lewin] Hollywood, November 1946 Recording conducted by: D. Milhaud, March 1947, Cleveland

Dreams that Money Can Buy op. 273 [H. Richter] 'Man Ray' sequence Mills, 5-6 February 1947 Fl, ob, sax, bn, perc, piano. First screening: 1947. Festival International du Film, Brussels

Gauguin op. 299 [A. Resnais] See Quintets, wind (Divertissement) Paris, 1950 1.1.1.1.-0.2.2.1.-sax-P.S. piano. Recording conducted by: M. Rosenthal First screening: September 1950. Festival de Venise

La vie commence demain op. 304 [N. Vedres] Paris, June 1950 Orchestration: M. Rosenthal Recording conducted by: M. Rosenthal First screening: September 1950. Festival de Venise

Us etaient tous des volontaires op. 336 (Documentary film for the lOth anniversary of the Liberation) Rome-Paris, 11-14 May 1954 2.1.2.1.-0.2.1.1.-sax-P.H.S. Recording conducted by: J. Metehen First screening: 10 June 1954. France

335 CeDe qui n'etait plus op. 364 (Histoire d'une folie) [Colpi] Sion-Paris, September-October 1957 F1, ob, sax, bn, tpt, perc, vln, va, vc, cb.

Paul Claudel op. 427 [A. Gillet] See Large orchestra, symphonic suites (Symphonie pour l'univers Claudelien) Paris, 1968 2.2.3.3.-4.3.3.1.-T.P.H.S. Publisher: Eschig Dedication and/or commission: Hommage aPaul Claude!

Music for radio

Agamemmon [Aeschylus] Paris, 1938 First performance: 1938. Radio France, Paris. Producer: C. Dullin

Voyage au pays du reve op. 203 [Ravenne] Paris, May 1939 Dedication and/or commission: comm. Radio France First performance: 15 June 1939. Radio France, Paris. Conductor: D. Milhaud

Legrand testament op. 282 [N. Franck) Paris,February1948 1.1.1.1.-0.2.2.0.-sax-P.H. 3 vln, 2 va, 2 vc, cb. First performance: April1948. Radio France, Paris. Conductor: R. Desormiere

La fin du monde op. 297 [B. Cendrars] Paris, November 1949 2.1.2.1.-0.2.2.1.-sax-P.H.S. Dedication and/or commission: comm. Radio France First performance: 31 December 1949. Radio France, Paris. Conductor: D. Milhaud. Producer:M.Milhaud

336 Le repos du septieme jour op. 301 [Paul Claude!] Paris-Menton, February 1950 2.0.2.1.-0.2.2.1.-2 P.H. vln, va, vc, cb. Dedication and/or commission: comm. Radio France First performance: 14 March 1950. Radio France, Paris. Conductor: D. Milhaud

Samael op. 321 [A. Spire] Mills, March 1953 2.1.1.1.-0.1.1.0.-sax-P.H.S. (1.1.1.1.1. ). Dedication and/or commission: comm. Radio France First performance: 5 December 1953. Radio France, Paris

Le Dibbouk op. 328 [Anski] Paris, 6 October 1953 Men's chorus, 0.1.1.1.-0.1.0.0.-P.H. vln, vc. Dedication and/or commission: comm. Radio France First performance: 5 December 1953. Radio France, Paris

Etude poetique op. 333 (Musical pastiche) [Claude Roy] Paris, March 1954 First performance: 1954. Emission 'Recherches,' Radio France, Paris. Conductor: D. Milhaud, editing: J. E. Marie

Music for television

Peron et Evita op. 372 (Documentary) Mills, September 1958 2.1.2.1.-2.3.2.1.-P. 2 vln, 2 va, 2 vc, cb. Dedication and/or commission: comm. CBS-TV First performance: 20 November 1958. 20th Club CBS-TV, New York

BurmaRoadop. 375 (Documentary) Mills, 13-26 January 1959 2.1.2.1.-2.3.2.1.-P.S. Dedication and/or commission: comm. CBS-TV First performance: 15 March 1959. 20th Club CBS-TV, New York

337 UNPUBLISHED WORKS

Manuscripts that have disappeared are marked by an asterisk (*)

Poemes de Francis Jammes Premier recueil, op. 1 Avec ton parapluie- J'ai vu revenir les choses- Au bord de l'eau verte- La procession des campagnes- Au beau soleil- C'etait affreux- J'aime l'il.ne- Je creve de pitie - Pourquoi les boeufs

Deuxieme recueil, op. 1 Priere pour etre simple- Priere pour aller au paradis avec les anes*- Priere pour qu 'un enfant ne meure pas* - Priere pour demander une etoile-Tristesse-Si tu pouvais- Ne me console pas* Aix-Paris, 1910-1912 Voice, piano Dedication and/or commission: Leo Latil (Avec ton parapluie- J'ai vu revenir les choses-La procession des campagnes-J'aime l'il.ne- Priere pour qu'un enfant ne meure pas - Priere pour demander une etoile - Tristesse - Si tu pouvais); Mme. Berthelier (Au bord de l'eau verte); Tipia (Au beau soleil); Celine Lagouarde (C' etait affreux-J e creve de pi tie-Pourquoi les boeufs-Priere pour etre simple - Priere pour aller au paradis avec les il.nes- Ne me console pas)

Troisieme recueil, op. 6 Clara d'Ellebeuse- Almai:de d'Etremont- Pomme d'anis-Bernadette* Paris, 1912-1913 Voice, piano Dedication and/or commission: Leo Latil (Clara d'Ellebeuse- Alma"ide d'Etremont -Bernadette); Mme F. Jammes (Pomme d'anis)

Quatrieme recueil, op. 50 La gomme coule-Viens je te mettrai . . . * - J e le trouvai . . . * Rio de Janeiro, 1918 Voice, piano Dedication and/or commission: Celine Lagouarde (La gomme coule); Jeanne Latil (Viens je te mettrai . . . - J e le trouvai . . . ) First performance: 30 March 1919. Vieux Colombier, Paris. Voice: J. Bathori, piano: D. Milhaud

Trois poemes de Uo Latil* op. 2 Priere a mon poete et a Ia petite Bernadette, sa fille - Clair de lune - II pleut doucement Aix,1910-1916 Voice, piano First performance: 30 March 1919. Vieux Colombier, Paris. Voice: J. Bathori, piano: D.Milhaud

338 Trois poemes romantiques op. 11 1e serie Les siecles ont creuse ... * [M. de Guerin] - L'isolement [A. de Lamartine] - Sonnet [H. de la Morvonnais] Paris-Aix, 1913-1914 Voice, piano Dedication and/or commission: Raymond Bonheur (Les siecles ont creuse ... ); Andre Gide (L'isolement); Francis Jammes (Sonnet) First performance: 21 December 1913. Assoc. Mus. Aix-en-Provence. Voice: J. Lacoste

Poeme sur un cantique de Camargue* op. 13 Aix-Paris, 1913 Piano, orchestra Dedication and/or commission: Leo Latil First performance: 5 December 1915. Cone. Colonne, Paris. Conductor: G. Pieme, piano: L. Levy

Trois poemes romantiques op. 19 2e serie Plainte [A. Tastu]-Elegie [Mme Dufrenoy]- Lassitude (L. Collet] Marseille, 1914 Voice, piano Dedication and/or commission: Leo Latil (Plainte - Elegie); Georgette Guller (Lassitude)

Le chiteau op. 21 [Armand Lunel] Les enfants - Le sifflet - Les chatelaines - Le cavalier - Les libellules - L'agriculteur-L'octobre- L'adieu Aix, 29 July 1914 Voice, piano

Variations sur un theme de Cliquet* op. 23 Paris, 1915 Piano Dedication and/or commission: Andre Gedalge

L'arbre exotique op. 28 (Allusion aux malheurs d'un exile) [Chevalier Gosse] Paris, 10 May 1915 Voice, piano Dedication and/or commission: M. Veillet-Lavallee

Notre Dame de Sarrance op. 29 (Hyrnne) [Francis Jammes] Paris, 1915 Voice

339 Deux poemes du Gardener* op. 35 [Rabindranath Tagore translated by E. Ste. Marie Perrin] Ne gardez pas-Ayez pitie de votre serviteur Atlantic Ocean, 1916-1917 2 voices, piano Dedication and/or commission: M. et Mme. Engel

Trois poemes op. 37 [Alice Maynell, Christina Rosetti] Paris, 1916 Voice, piano/chamber ensemble Dedication and/or commission: A la memoire de G. L. First performance: 18 July 1916. Salle d'Antin, Paris. Voice: A. Stephenson

No 34 de I'eglise habillee de feuilles op. 38 [Francis J arnmes] Paris, 1916 Vocal quartet, piano 6 hands

Verso Carioca op. 44b (To follow 'Chansons bas') [Paul Claudel] Le remouleur- Le marchand de sorbets Rio de Janeiro, 21 March 1917 Voice, piano

Deux poemes de Rimbaud op. 45 Marine- Aube RiodeJaneiro, 1917 Voice, piano Dedication and/or commission: Paul Claudel

Deux poemes tupis* op. 52 (Indian texts) Caine-Catiti Rio de Janeiro, 1918 4 women's voices, handclap Dedication and/or commission: Jacaremirim First performance: 15 May 1919. Vieux Colombier, Paris. Groupe Bathori

Poemes de Francis Thompson* op. 54 [Translated by Paul Claudel] Atlantic Ocean, 1919 Voice, piano Dedication and/or commission: Gabrielle Gills First performance: Paris. Voice: Hubbard

340 Feuilles de temperature op. 65 [Paul Morand] Don Juan-Reverence- Etrennes Paris, 1920 Voice, piano Dedication and/or commission: Marie Laurencin (Don Juan); Irene Lagut (Reverence) First performance: June 1933. Coli. de France, Paris. Voice: J. Bathori

Piece de circonstance op. 90 [Jean Cocteau] Malines,1926 Voice, piano Publisher: musical supplement of the magazine 'Creer'; 10 gift copies Dedication and/or commission: Jane Bathori First performance: 6 December 1926. Paris. Voice: J. Bathori

Impromptu* op. 91 Paris, 1926 Vln,piano Dedication and/or commission: Denyse Bertrand

Quatrain op. 106 [Francis Jammes] Paris, 8 February 1929 Voice, piano Publisher: (Rev. Mus., 100 gift copies) Dedication and/or commission: Hommage a Albert Roussel First performance: Festival Roussel. Voice: J. Bathori

Choral op. 111 Paris, 1930 Piano Dedication and/or commission: A Ia memoire de Raymonde Linossier

A Flower Given to My Child [James Joyce] Paris, summer 1930 Voice, piano

Le funeste retour* op. 123 [Sailor's song, 17th century Canadian text] Paris, 1933 Dedication and/or commission: Marianne Oswald First performance: 'Le Boeuf sur le Toit.' voice: M. Oswald

341 Lecygneletll*op.142 [Paul Claude!] 1935 Voice, piano

Quatrain op. 143 [A. Flament] Paris, 1935 Voice, piano Publisher: (Programme du Bal des Petits Lits Blancs)

Fragments dramatiques op. 154b See Incidental music (Le conquerant) Aix, August 1936 1.1.1.1.-1.1.1.0.-P.H.S. First performance: 9 December 1936. Cone. Revue Mus., Paris. Conductor: P. Monteux

La tete de Ia lumiere op. 159 (Ballet celeste) [Paul Claude!] Paris, December 1936-January 1937 Solo voice, 1.1.1.1.-1.1.1.1.-3 sax-P.H. piano, 3 vln, va, vc. First performance: 1937. Fetes de lumiere et d'eau, Esposition 1937, Paris. Conductor: D. Milhaud, voice: E. Fels Noth, light. effects: Beaudoin, Lodz

Rondeau op. 178 [P. de Comeille] Paris, 1937 Voice, piano

Quatrain op. 180 [Mallarme] Paris, 28 October 1937 Voice, piano Dedication and/or commission: Marie-Laure de Noailles

L'oiseau* op. 181 Paris, November 1937 2.1.2.1.-1.2.1.1.-T.P.H.S. First performance: 30January 1938. O.S.P., Paris. Conductor: D. Milhaud

La reine de Saba* op. 207 (Harmonization for string quartet of a Palestinian tune) Aix, 8 August 1939 First performance: 1939. Radio Jerusalem

342 Fanfare op. 209 Aix, 14-16August 1939 3.3.3.3.-4.3.3.1.-T.P .H.S. Dedication and/or commission: St. Louis Symph. Orch. pour son 60e anniversaire (comm.) First performance: St. Louis Symphony. Conductor: V. Golschmann

Indicatif et marche pour les boos d'armement op. 212 Aix,1940 3 tpt, 2 tbn, tu, perc. Dedication and/or commission: comm. Ministere des Finances First performance: 1940. Radio d'Etat. Conductor: R. Desormiere

Sornettes op. 214 [Popular Proven-raJ texts, translated by Frederic Mistral] Aix, 12 March 1940 2 children's voices Dedication and/or commission: Daniel

Cours de solfege; Papillon, papillonette op. 217 [Henri Flucbere] Aix, 16-20 Apri11940 Children's voices, piano First performance: February 1950. Emission melodies inedites de Jane Bathori: Maitrise de Ia radio, Radio France. Conductor: M. Couraud

Mills Fanfare op. 224 Oakland, February 1941 String ensemble First performance: 16 Apri11941. Mills Orchestra. Conductor: W. Herbert

Fanfare de Ia liberte op. 235 Mills, 4 November 1942 3.3.3.3.-4.3.2.1.-T.P. cb. Dedication and/or commission: Cincinnati Symph. Orch. First performance: Spring Concert, Washington, D.C. Navy School Band

La libertadora op. 236b See Piano, two pianos Mills, November 1943 Piano

Cain et Abel op. 241 [Biblical text] Mills, 1944 Spoken voice, 2.2.3.2.-2.2.2.0.-P.S. Dedication and/or commission: comm. Shilkret First performance: 21 October 1945. Hollywood. Janssen Symph. Orch.

343 Airop. 242 See Duos, viola & piano (Premiere sonate) Mills, March 1944 Va, orchestra. First performance: April1944. University of Wisconsin. Va: G. Prevost

Printemps lointain op. 253 [Francis J ammes] Mills, 2 April1945 Voice, piano. Dedication and/or commission: P. Monteux pour ses 70 ans.

Pledge to Mills op. 261 (Student song) [George Hedley] Mills, 28 January 1946 First performance: February 1946. Mills College Assembly. Conductor: H. Brubeck

Sept danses sur des airs palestiniens op. 267 Mills, 17-18 May 1946 (7th dance: 7 August 1947) First six danses: ob, cl, bn, tpt, perc, harp, vln, vc. 7th danse: fi, ob, 2 cl, bn, 2 tpt, tbn, 2 perc, strings Dedication and/or commission: comm. Corinne Chochem

Meditation op. 277 Mills, 30 April1947 Piano Dedication and/or commission: Elsa Baraine First performance: 27 Apri11980. San Francisco Women Musicians Club. Piano: J. Galante

L'choh dodi op. 290 [Liturgical text] Mills, 18-19 November 1948 Cantor, mixed chorus, organ. Dedication and/or commission: Reverend Robert* Rinder First performance: 10 December 1948. Temple Emanu-El, San Francisco. Cantor: R. Rinder Duration: 2 min 30 s The work is listed in Milhaud's notebooks as having been published by Schirmer. Apparently this publication was never released. *This is an error. The Cantor at Temple Emanu-El was Reuben Rinder

Les temps faciles op. 305 [Marsan] Paris, 14 June 1950 Voice, piano Dedication and/or commission: La 100e repr. des 'Temps difficiles' d'Edouard Bourdet First performance: Chez 'Carriere'

344 Eglogue op. 335c Paris, June 1954 F1,piano

Pensee amicale op. 342 Mills, 8 February 1955 String ensemble Dedication and/or commission: pour les 80 ans ( 4.4) de Pierre Monteux First performance: 4 April1955. Boston Symphony. Conductor: C. Munch

Le chat op. 356 [Jean Cocteau] Paris, 1956 Voice, piano Dedication and/or commission: Marya Freund pour ses 80 ans

Ecoutez mes enfants op. 359 Mills, 7 February 1957 Voice, organ

Neige sur le lleuve op. 391 (Deux cadences) [Tsang Yuang, 773-819] Florence, 8 October 1961 F1, cl, bn, tpt, perc, vln, vc, cb. Dedication and/or commission: pour les 60 ans du Dr. Schlee

Fanfare op. 396 Paris, 12 November 1962 4 cl, 3 tmp, 3 tbn, tu. Dedication and/or commission: Ft. Lauderdale band

Preparatif a Ia mort en allegorie martime op. 403 [Agrippa d'Aubigne] Mills, 9 June 1963 Voice, piano. Dedication and/or commission: A Ia memoire de Francis Poulenc First performance: 13 January 1964. Carnegie Hall, New York. Voice A. Esty

Adamop. 411 [Jean Cocteau] 1964 Sop, 2 ten, 2 bar. Dedication and/or commission: A Ia demande de Ia Revue Adam; aux cheres memoires de Jean et de Francis

Elegie pour Pierre op. 416 Paris, 1965 Va,perc. Dedication and/or commission: Pierre Monteux

345 Vezelay 'La coUine eterneUe' op. 423 [Maurice Druon] Mills, 11 January-14 March 1967 Voice, 2.2.2.2.-4.3.3.1.-H.S. Dedication and/or commission: comm. Prefecture de l'Yonne First performance: 1967. 'Son et Lumiere,' Vezelay. Conductor: D. Milhaud, voice: E. Pierre

The following two works, in the Bibliotheque Nationale, have opus numbers that must have corresponded to a numbering ofyouthful manuscripts lost during the war.

Desespoir 'op. 33' [Armand Lunel) 1909 Voice, piano. Publisher: V. Morlot Dedication and/or commission: Jose de Berys

A Ia Toussaint 'op. 47' [Baronne de Grand Maison] 1911

REDUCTIONS, ARRANGEMENTS, & TRANSCRIPTIONS

Reductions I I

Reductions: for piano (two hands)------

Lessonges Publisher: Salabert

Le train bleu Publisher: Heugel

Reductions: for piano (four hands)------

Le boeuf sur le toit Publisher: Eschig

346 La creation du monde Publisher: Eschig

L'homme et son desir Publisher: U.E. serenade Publisher: U.E.

Suite fran~ Publisher: Bel. M.

Premiere suite symphonique Publisher: Eschig

Deuxieme suite symphonique Publisher: Durand

Reductions: for two pianos------

Ballade Publisher: U .E.

Le carnaval d'Aix Publisher: Heugel

Premier concerto de piano Publisher: Salabert

Deuxieme concerto de piano Publisher: Heugel

Troisieme concerto de piano Publisher: A.M.P.

Quatrieme concerto de piano Publisher: Heugel

Cinquieme concerto de piano Publisher: Eschig

Fantaisie pastorale Publisher: Salabert

Le retour de l'enfant prodigue Publisher: U .E.

347 Reductions: for three pianos------Premier concerto pour deux pianos Publisher: Elkan Vogel-Presser

Reductions: for solo instruments & piano------

Concertino d'ete (va) Publisher: Heugel

Concertino d'hiver (tbn) Publisher: A.M.P.

Concertino de printemps (vln) Publisher: Salabert

Premier concerto d'alto Publisher: U.E.

Deuxieme concerto d'alto Publisher: Heugel

Concerto de batterie (perc) Publisher: U.E.

Concerto de clavecin Publisher: Salabert

Concerto de harpe Publisher: Eschig

Concerto de marimba et vibraphone Publisher: Enoch

Deuxieme concerto de violon Publisher: A.M.P.

Premier concerto de violoncelle Publisher: Salabert

Deuxieme concerto de violoncelle Publisher: A.M.P.

Concerto pour ftfite et violon Publisher: Salabert

Concerto pour hautbois Publisher: Heugel

348 Concert royal (vln) Publisher: Eschig

Music for Boston (vln) Publisher: Elkan Vogel

Scaramouche ( cl) Publisher: Salabert

Scaramouche (sax) Publisher: Salabert

Stanford Serenade ( ob) Publisher: Eschig

Suite anglaise (vln) Publisher: B.&H.

Suite anglaise (harm) Publisher: B.&H.

Suite cisalpine (vc) Publisher: Eschig

Most of the operas as well as compositions for voice with instrumental ensemble are available as piano scores.

Arrangements by Darius Milhaud

Adieu New York, Georges Auric Piano 4 hands. Publisher: Eschig

Cinq grimaces, Erik Satie Piano. Publisher: U.E.

Entr'acte, Erik Satie Piano 4 hands. Publisher: Salabert

Gymnopedie, Erik Satie Piano 4 hands. Publisher: Salabert

349 Jack in the Box, Erik Satie Orchestra. Publisher: U.E.

Overture and Allegro (From 'La sultane suite,' Fran~is Couperin) 3.3.3.2.-3.3.3.1.-T.P.H.C. Publisher: Elkan Vogel

Ouverture (Finale of the 'Sonate de piano 4 mains,' Francis Poulenc) Orchestra. Publisher: Chester

Suite (From 'Morceaux en forme de poire,' Erik Satie) Vln,piano. Publisher: U.E.

Transcriptions of Milhaud's works by other composers

Accueil amical Orchestrated by J. Veyrier Publisher: Heugel

Brazileira (From 'Scaramouche') Arrangement for violin & piano, by Jascha Heifetz Publisher: Salabert

Brazileira (From 'Scaramouche') Arrangement for band Publisher: Salabert

Concerto for percussion Arrangement by Jerry Neil Smith Publisher: Presser

Corcocovado,Sorocaba (From 'Saudades do Brazil') Arrangement for violoncello & piano, by M. Marechal Publisher: Eschig

350 De profundis [Psalm 129] Arrangement for voice & organ, by Helmut Bomefeld Publisher: U .E.

Divertissements (From 'Vendanges') Arrangement for 2 pianos, by Victor Babin Publisher: Eschig

Le globe trotter Arrangement for band, by Maxim Koch Publisher: Bel. M.

Madame Bovary Arrangement for orchestra from the film score, by Chapelier Publisher: Enoch

Petit concert (From 'Le bal des voleurs') Arrangement for b-flat clarinet and piano by R. Calmel Publisher: Billaudot

Quatrieme quatuor Arrangement for piano 4 hands, by Nininha Velloso Guerra Publisher: (Senart) Salabert

Cinquieme quatuor Arrangement for piano 4 hands, by Nininha Velloso Guerra Publisher: (Senart) Salabert

Saudades do Brazil Arrangement for violin & piano, by Claude Levy Publisher: Eschig

Scaramouche Arrangement for alto saxophone & wind quintet, by D. Stewart Publisher: Salabert

Scaramouche Arrangement for 12 saxophones, by J. M. Londeix Publisher: Salabert

Sobre Ia loma (From 'Four Sketches') Arrangement for dance orchestra Publisher: Mercury

351 Suite Arrangement of 'Septieme quatuor' for string orchestra, by A. Willner Publisher: U.E.

Suite Arrangement for ondes Martenot & chamber orchestra, by R. Calrnel Publisher: Cerda

Suite anglaise Arrangement for accordion & orchestra, by M. Ellegaard Publisher: B.&H.

Sumare (From 'Saudades do Brazil') Arrangement for violoncello & piano, by Maurice Gendron Publisher: Eschig

Tango des Fratellini (From 'Le boeuf sur le toit') Orchestrated by H. Mouton Publisher: Eschig

Le train bleu 6 excerpts orchestrated by H. Mouton Publisher: Heugel

352 CATALOGUE OF COMPOSITIONS ARRANGED BY OPUS NUMBERS

Opus Year Title and Category

1 1910-12 Poemes de Francis Jammes (ler et 2e recueil): Unpublished works 2 1910-16 Trois poemes de Leo Latil: Unpublished works 3 1911 Premiere sonate: Duos, violin & piano 4 1910-14 La brebis egaree: Operas 5 1912 Premier quatuor: Quartets, string 6 1912-13 Poemes de Francis Jammes (3e recueil): Unpublished works 7 1912-13 Sept poemes de Ia connaissance de !'est: Solo voice, with piano 8 1913 Suite: Piano, solo 9 1913,31 Alissa: Solo voice, with piano 10 1913 Trois poemes en prose de Lucile de Chateaubriand: Solo voice, with piano 11 1913-14 Trois poemes romantiques: Unpublished works 12 1913-14 Premiere suite symphonique: Large orchestra, symphonic suites: Reductions 13 1913 Poeme sur un cantique de Camargue: Unpublished works 14 1913 Agamemnon: Operas 15 1914 Sonate: Trios, piano & two violins 16 1914-15 Deuxieme quatuor: Quartets, string 17 1913-19 Protee: Incidental music 18 1914 Le printemps: Duos, violin & piano 19 1914 Trois poemes romantiques: Unpublished works 20 1914 Quatre poemes de Leo Latil: Solo voice, with piano 21 1914 Le chateau: Unpublished works 22 1914 Poeme du Gitanjali: Solo voice, with piano 23 1915 Variations sur un theme de Cliquet: Unpublished works 24 1915-16 Les choephores: Operas 25 1915-19 Printemps (vol. I): Piano, solo 26 1915-17 Quatre poemes de Paul Claude! pour baryton: Solo voice, with piano 27 1915 D'un cahier inedit du journal d'Eugenie de Guerin: Solo voice, with piano 28 1915 L'arbre exotique: Unpublished works 29 1915 Notre Dame de Sarrance: Unpublished works 30 1915 Deux poemes d'amour: Solo voice, with piano 31 1915 Deux poemes de Coventry Patmore: Solo voice, with piano 32 1916 Troisieme quatuor: Quartets, string 33 1916 Sonate: Piano, solo 34 1916 Poemes juifs: Solo voice, with piano

353 Opus Year Title and Category

35 1916-17 Deux poemes du Gardener: Unpublished works 36 1916 Child Poems: Solo voice, with piano 37 1916 Trois poemes [Meynell, Rosetti]: Unpublished works 38 1916 No. 34 de l'eglise habillee de feuilles: Unpublished works 39 1916-19 Deux poemes [St. Leger Leger, Chalupt]: A cappella ensemble, mixed quartet (or chorus) 40 1917 Deuxieme sonate: Duos, violin & piano 41 1917-22 Les eumenides: Operas 42 1917 Le retour de !'enfant prodigue: Accompanied vocal ensemble, five voices & orchestra; Reductions 43 1917 Premiere symphonie: Chamber ensembles, chamber symphon- ies 44 1917 Chansons bas: Solo voice, with piano 44b 1917 Verso Carioca: Unpublished works 45 1917 Deux poemes de Rimbaud: Unpublished works 46 1918 Quatrieme quatuor: Quartets, string; Transcriptions 47 1918 Sonate: Quartets, piano & other instruments 48 1918 L'homme et son desir: Large orchestra, miscellaneous; Ballets; Reductions 49 1918 Deuxieme symphonie: Chamber ensembles, chamber sym- phonies 50 1918 Poemes de Francis Jammes (4e recueil): Unpublished works 51 1918 Deux petits airs: Solo voice, with piano 52 1918 Deux poemes Tupis: Unpublished works 53 1918 Psaume 136: Accompanied vocal ensemble, soloist, mixed cho- rus & orchestra 53b 1919 Psaume 129: Solo voice with orchestra; Transcriptions 54 1919 Poemes de Francis Thompson: Unpublished works 55 1919 Les soirees de Petrograde: Solo voice, with piano 56 1919 Machines agricoles: Solo voice, with chamber ensemble 57 1919 Deuxieme suite symphonique (Protee): Large orchestra, sym- phonic suites; Reductions 58 1919 Le boeuf sur le toit: Ballets; Reductions 58b 1919 Cinema-fantaisie: Duos, violin & piano; Solo & orchestra (or chamber ensemble), violin 58c 1919 Tango des Fratellini: Piano, solo; Transcriptions 59 1920 Trois poemes de Jean Cocteau: Solo voice, with piano 60 1920 Catalogue de fieurs: Solo voice, with piano; Solo voice, with chamber ensemble 61 1920-23 Ballade: Solo & orchestra (or chamber ensemble), piano; Re- ductions 62 1920-21 Serenade: Large orchestra, symphonic suites; Reductions 63 1920 Cinq etudes: Solo & orchestra (or chamber ensemble), piano 64 1920 Cinquieme quatuor: Quartets, string; Transcriptions 65 1920 Feuilles de temperature: Unpublished works 66 1919-20 Printemps (vol. II): Piano, solo 67 1920 Saudades do Brazil: Piano, solo 67b 1920-21 Saudades do Brazil: Large orchestra, symphonic suites; Tran- scriptions

354 Opus Year Title and Category

68 1920 Caramel mou: Piano, solo; Chamber ensembles, miscellaneous ensembles; Solo voice, with chamber ensemble 69 1920 Cocktail: Solo voice, with chamber ensemble 70 1921 Les maries de la Tour Eiffel: Ballets 70b 1971 Fugue du massacre: Ballets (Les maries de la Tour Eiffel) 71 1921 Troisieme symphonie: Chamber ensembles, chamber sym• phonies 72 1921 Psaume 126 ('Psaume 121'): A cappella ensemble, men's chorus 73 1921 Poeme [Latil]: Solo voice, with piano 74 1921 Quatrieme symphonie: Chamber ensembles, chamber sym• phonies 75 1922 Cinquieme symphonie: Chamber ensembles, chamber sym• phonies 76 1922 Sonatine: Duos, flute & piano 77 1922 Sixieme quatuor: Quartets, string 78 1922 Trois rag caprices: Piano, solo; Chamber ensembles, miscella• neous ensembles 79 1923 Sixieme symphonie: Chamber ensembles, chamber symphonies 80 1923 Quatre poemes de Catulle: Solo voice, with chamber ensemble 81 1923 La creation du monde: Ballets 81b 1926 La creation du monde: Quintets, string; Reductions 82 1923 Une education manquee: Recitatives 83 1924 Salade: Ballets 83b 1926 Le camaval d' Aix: Solo & orchestra (or chamber ensemble), pi• ano; Reductions 84 1924 Le train bleu: Ballets; Reductions; Transcriptions 85 1924 Les malheurs d'Orphee: Operas 86 1925 Six chants populaires hebrai:ques: Solo voice, with piano; Solo voice, with orchestra 87 1925 Septieme quatuor: Quartets, string; Transcriptions 88 1925 Deux hymnes: Solo voice, with piano 88b 1925 Deux hymnes: Large orchestra, miscellaneous 89 1925-27 Esther de Carpentras: Operas 90 1926 Piece de circonstance: Unpublished works 91 1926 Impromptu: Unpublished works 92 1926 Le pauvre matelot: Operas 93 1927 Premier concerto: Solo & orchestra (or chamber ensemble), vi• olin 94 1927 L'enlevement d'Europe: "Operas-minute" 95 1927 Polka: Piano, solo pieces included in collections; Ballets 96 1927 Prieres joumalieres a l'usage des juifs du Comtat Venaissin: Solo voice, with piano 97 1927 Trois caprices de Paganini: Duos, violin & piano 98 1927 L'abandon d' Ariane: "Operas-minute" 99 1927 La delivrance de Thesee: "Operas-minute" 100 1927 Sonatine: Duos, clarinet & piano 101 1928 La bien-aimee: Ballets 101b 1941 La bien-aimee (new orchestration): Ballets 102 1928 Christophe Colomb: Operas

355 Opus Year Title and Category

103 1929 Can tate pour louer le Seigneur: Accompanied vocal ensemble, mixed chorus & orchestra 104 1928 Actualites: Music for films 105 1928 Vocalise: Solo voice, unaccompanied 106 1929 Quatrain [Jammes]: Unpublished works 107 1929 La p'tite Lilie: Music for films 108 1929 Premier concerto: Solo & orchestra (or chamber ensemble), vi- ola; Reductions 109 1929-30 Concerto: Solo & orchestra (or chamber ensemble), percus- sion; Reductions 110 1930 Maximilien: Operas 110b 1930 Suite de Maximilien: Large orchestra, symphonic suites 111 1930 Choral: Unpublished works 112 1931 Sonate: Other solo instruments, organ 113 1932 Deux poemes de Cendrars: A cappella ensemble, mixed quartet (or chorus) 114 1932 Deux elegies romaines: A cappella ensemble, women's quartet (or chorus) 115 1932 L'automne: Piano, solo 116 1932 La mort d'un tyran: Accompanied vocal ensemble, mixed cho- rus & orchestra 117 1932 L'annonce faite a Marie: Accompanied vocal ensemble, vocal quartet & chamber ensemble; Incidental music see also opus 231 118 1932 A propos de bottes: Accompanied vocal ensemble, easy pieces 119 1932 Un petit peu de musique: Accompanied vocal ensemble, easy pieces 120 1932 Le chateau des papes: Incidental music 120b 1932 Adages: Accompanied vocal ensemble, vocal quartet & cham- ber ensemble 120c 1932 Suite: Duos, ondes Martenot & piano; Transcriptions 121 1932 Huitieme quatuor: Quartets, string 122 1933 Devant sa main nue: A cappella ensemble, women's quartet (or chorus) 123 1933 Le funeste retour: Unpublished works 124 1933 Les songes: Ballets; Reductions 125 1933 Liturgie comtadine: Solo voice, with piano; Solo voice, with or- chestra 126 1933 Rallo Everybody: Music for films 127 1933 Premier concerto: Solo & orchestra (or chamber ensemble), pi- ano; Reductions 128 1933 Madame Bovary: Music for films; Transcriptions 128b 1933 L'album de Madame Bovary: Piano, solo 128c 1933 Trois valses: Piano, solo 128d 1933 Deux chansons: Solo voice, with piano 129 1933 Quatre romances sans paroles: Piano, solo 130 1934 Pan et la Syrinx: Accompanied vocal ensemble, vocal quartet & chamber ensemble 131 1934 Se plaire sur la meme fleur: Incidental music

356 Opus Year Title and Category

132 1934 Les amours de Ronsard: Accompanied vocal ensemble, vocal quartet & chamber ensemble; Accompanied vocal ensemble, mixed chorus & orchestra 133 1934 Un petit peu d'exercice: Accompanied vocal ensemble, easy pieces 134 1934 Exercice musical: Duos, pipeau & piano 135 1934 Concertina de printemps: Solo & orchestra (or chamber ensem- ble), violin; Reductions 136 1934 Premier concerto: Solo & orchestra (or chamber ensemble), vi- oloncello; Reductions 137 1934 L'hippocampe: Music for films 138 1934 Tartarin de Tarascon: Music for films 139 1934 Le cycle de Ia creation: Incidental music 140 1935 Neuvieme quatuor: Quartets, string 141 1935 La sagesse: Accompanied vocal ensemble, soloist, mixed cho- rus & orchestra 142 1935 Le cygne I et II: Unpublished works 143 1935 Quatrain [Flament]: Unpublished works 144 1935 Dixieme sonate de Baptiste Anet (1729): Duos, violin & piano 145 1935 Le faiseur: Incidental music 146 1935 Voix d'enfants: Music for films 147 1935 Pastorale: Trios, oboe, clarinet & bassoon 148 1935-36 Bolivar: Incidental music 148b 1935-36 Trois chansons de negresse: Solo voice, with piano 148c 1936-37 Trois chansons de negresse: Solo voice, with orchestra 149 1936 La folie du ciel: Incidental music 150 1936 The Beloved Vagabond: Music for films 151 1936 Tune m'echapperas jamais: Incidental music 151b 1936 Six chansons de the~tre: Solo voice, with piano 152 1936 Bertran de Born: Incidental music 152b 1936 Trois chansons de troubadour: Solo voice, with piano 152c 1936 Suite proven~e: Large orchestra, symphonic suites 152d 1936 Suite proven~e: Ballets 152e 1937 Le trompeur de Seville: Incidental music 153 1936 Le quatorze juillet: Incidental music 153b 1936 Introduction et marche funebre: Large orchestra, miscellane- ous;Band 154 1936 Le conquerant: Incidental music 154b 1936 Fragments dramatiques: Unpublished works 155 1936 Cantique du Rhone: A cappella ensemble, mixed quartet (or chorus) 156 1936 Amal, ou La lettre du roi: Incidental music 157 1936 Le voyageur sans bagages: Incidental music 157b 1936 Suite: Trios, piano, violin & clarinet 158 1936 Jules Cesar: Incidental music 159 1936-37 La f8te de Ia lumiere: Unpublished works 160 1937 La duchesse d'Amalfi: Incidental music 161 1937 Romeo et Juliette: Incidental music 161b 1937 Suite d'apres Corrette: Trios, oboe, clarinet & bassoon

357 Opus Year Title and Category

162 1933,37 Le tour de !'Exposition: Piano, solo pieces included in collec- tions 163 1937 Liberte: Incidental music 164 1937 Can tate pour !'inauguration du Musee de l'Homme: Accompa- nied vocal ensemble, vocal quartet & chamber ensemble 165 1937 Le mectecin volant: Incidental music 165b 1937 Scaramouche: Piano, two pianos 165c 1939 Scaramouche: Solo & orchestra (or chamber ensemble), saxo- phone 165d 1941 Scaramouche: Solo & orchestra (or chamber ensemble), clari- net; Reductions; Transcriptions 166 1937 Cantate de la paix: A cappella ensemble, mixed chorus 167 1936-37 Cinq chansons: Solo voice, with piano; Solo voice, with arches- tra 168 1937 Cantate nuptiale: Solo voice, with orchestra 169 1937 Main tendue a tous: A cappella ensemble, mixed chorus 170 1937 Les deux cites: A cappella ensemble, mixed chorus 171 1937 Chansons de I'opera du gueux: Incidental music 171b 1937 Chansons du camaval de Londres: Solo voice, with piano; Solo voice, with orchestra 172 1937 Le carnaval de Londres: Chamber ensembles, miscellaneous ensembles 173 1937 Naissance d'une cite: Incidental music 173b 1937 Chanson du capitaine; Java de la femme: Solo voice, with piano 174 1937 Mollenard: Music for films 175 1937 Macbeth: Incidental music 176 1937 La citadelle du silence: Music for films 177 1937 Hecube: Incidental music 178 1937 Rondeau: Unpublished works 179 1937 Holem tsaudi-Gam hayom: Solo voice, with piano 180 1937 Quatrain (Mallarme]: Unpublished works 181 1937 L'oiseau: Unpublished works 182 1937 Grands feux: Music for films 183 1937 Prends cette rose: Two voices, with orchestra 184 1937 La conquete du ciel: Music for films 185 1938 Cantate de I' enfant et de la mere: Spoken voice, with chamber ensemble 186 1938 Plutus: Incidental music 187 1938 La tragedie imperiale, Raspoutine: Music for films 188 1938 Fantaisie pastorale: Solo & orchestra (or chamber ensemble), piano; Reductions 189 1938 Les quatre elements: Two voices, with orchestra 189b 1956 Les quatre elements: Solo voice, with orchestra 190 1938 Tricolore: Incidental music 191 1938 Medee: Operas 192 1938 Le bal des voleurs: Incidental music; Transcriptions 193 1938 La premiere farnille: Incidental music 194 1938 Magali: Accompanied vocal ensemble, mixed chorus & arches- tra

358 Opus Year Title and Category

195 1938 Recreation: Solo voice, pieces for children 196 1938 Les otages: Music for films 197 1938-39 Concerto: Several instruments & orchestra, flute & violin; Re- ductions 198 1939 Islands: Music for films 199 1939 Trois elegies: Two voices, with strings 200 1939 Hamlet: Incidental music 201 1939 Incantations: A cappella ensemble, men's chorus 202 1939 Espoir: Music for films 202b 1939 Cortege funebre: Large orchestra, miscellaneous 203 1939 Voyage au pays du reve: Music for radio 204 1939 Cavalcade d'amour: Music for films 205 1939 La cheminee du roi Rene: Quintets, wind 206 1939 Quatrains valaisans: A cappella ensemble, mixed chorus 207 1939 La reine de Saba: Unpublished works 208 1939 Gulf Stream: Music for films 209 1939 Fanfare: Unpublished works 210 1939 Premiere symphonie: Large orchestra, symphonies 211 1940 Couronne de gloire: Solo voice, with chamber ensemble 212 1940 Indicatif et marche pour les bons d'armement: Unpublished works 213 1940 Cantate de laguerre: A cappella ensemble, mixed chorus 214 1940 Somettes: Unpublished works 215 1940 Un petit ange de rien du tout: Incidental music 216 1940 Le voyage d'ete: Solo voice, with piano 217 1940 Cours de solfege; Papillon, papillonette: Unpublished works 218 1940 Dixieme quatuor: Quartets, string 219 1940 Moise: Ballets 219b 1940 Opus Americanum no 2: Chamber ensembles, miscellaneous ensembles; Large orchestra, miscellaneous 220 1940 Introduction et allegro: Large orchestra, miscellaneous 221 1940 Sonatine: Duos, two violins 221b 1940 Sonatine a trois: Trios, violin, viola & violoncello 222 1941 Black Keys (Touches noires): White Keys (Touches blanches): Piano, easy pieces 223 1940-41 Quatre chansons de Ronsard: Solo voice, with piano; Solo voice, with orchestra 224 1941 Mills fanfare: Unpublished works 225 1941 Deuxieme concerto: Solo & orchestra (or chamber ensemble), piano; Reductions 226 1941 Sonatine: Duos, violin & viola 227 1941 Four Sketches (Esquisses): Piano, solo; Chamber ensembles, miscellaneous ensembles; Transcriptions 227b 1941 Madrigal; Pastoral (originally 'Eglogue'): Duos, clarinet & pi- ano; Quintets, wind 228 1941 Premier concerto: Solo & orchestra (or chamber ensemble), two pianos; Reductions 229 1941 Pastorale: Other solo instruments, organ 230 1941 Concerto: Solo & orchestra (or chamber ensemble), clarinet

359 Opus Year Title and Category

231 1942 L'annonce faite a Marie: (2nd version) Incidental music 231b 1942 Neuf preludes: Other solo instruments, organ 231c 1942 Cinq prieres: Solo voice, with organ (or piano) 232 1942 Onzieme quatuor: Quartets, string 233 1942 Reves: Solo voice, with piano 234 1942 Suite anglaise: Solo & orchestra (or chamber ensemble), violin; Solo & orchestra (or chamber ensemble), harmonica; Tran- scriptions 235 1942 Fanfare de Ia liberte: Unpublished works 236 1943 Bolivar: Operas 236b 1943 La libertadora: Piano, two pianos; Unpublished works 237 1943 Les songes: Piano, two pianos 238 1942-43 Quatre visages: Duos, viola & piano 239 1944 Borechou; Schema Israel: Accompanied vocal ensemble, solo- ist, mixed chorus, & organ 240 1944 Premiere sonate: Duos, viola & piano 241 1944 Ca1n et Abel: Unpublished works 242 1944 Air: Unpublished works 243 1944 Jeux de printemps: Chamber ensembles, miscellaneous ensem- bles; Large orchestra, miscellaneous 244 1944 Deuxieme sonate: Duos, viola & piano 245 1944 La muse menagere: Piano, solo; Chamber ensembles, miscella- neous ensembles 246 1944 La liberation des Antilles: Solo voice, with piano 247 1944 Deuxieme symphonie: Large orchestra, symphonies 248 1944 Suite fran~ise: Large orchestra, symphonic suites; Band; Re- ductions 249 1945 Le bal martiniquais: Piano, two pianos; Large orchestra, miscel- laneous 250 1945 Kaddisch: Accompanied vocal ensemble, soloist, mixed chorus &organ 251 1945 Elegie: Duos, violoncello & piano 252 1945 Douzieme quatuor: Quartets, string 253 1945 Printemps lointain: Unpublished works 254 1945 Introduction; Marche; Fete de Ia victoire: Ballets 255 1945 Deuxieme concerto: Solo & orchestra (or chamber ensemble), violoncello; Reductions 256 1945 Danses de Jacaremirim: Duos, violin & piano 257 1945 Sonate: Duos, violin & harpsichord 258 1945 Duo: Duos, two violins 259 1945 Les cloches: Ballets 259b 1946 Les cloches: Large orchestra, symphonic suites 260 1945 Deux marches: Large orchestra, miscellaneous; Band 261 1946 Pledge to Mills: Unpublished works 262 1946 Farandoleurs: Duos, violin & piano 263 1946 Deuxieme concerto: Solo & orchestra (or chamber ensemble), violin; Reductions 264 1946 Lidoire: Incidental music 265 1946 Chants de misere: Solo voice, with piano

360 Opus Year Title and Category

266 1946 Six sonnets composes au secret: A cappella ensemble, mixed quartet (or chorus) 267 1946,47 Sept danses sur des airs palestiniens: Unpublished works 268 1946 Treizieme quatuor: Quartets, string 269 1946 Une joumee: Piano, easy pieces 270 1946 Troisieme concerto: Solo & orchestra (or chamber ensemble), piano: Reductions 271 1946 Troisieme symphonie (Te Deum): Large orchestra, symphonies 272 1946 The Private Affairs of Bel-Ami: Music for films 273 1947 Dreams that Money Can Buy: Music for films 274 1947 Trio a cordes: Trios, violin, viola & violoncello 275 1947 Camaval ala Nouvelle Orleans: Piano, two pianos 276 1947 Trois poemes [Supervielle]]: Solo voice, with piano 277 1947 Meditation: Unpublished works 278 1947 Concerto: Solo & orchestra (or chamber ensemble), marimba & vibraphone: Reductions 278b 1952 Suite concertante: Solo & orchestra (or chamber ensemble), pi- ano 279 1947 Service sacre: Accompanied vocal ensemble, soloist, mixed chorus, & organ; Accompanied vocal ensemble, soloist, mixed chorus, & orchestra 280 1947 La maison de Bemada Alba: Incidental music 281 1947 Quatrieme symphonie: (1848) Large orchestra, symphonies 282 1948 Le grand testament: Music for radio 283 1948 'Adame rniroir: Ballets 284 1948 Paris: Piano, four pianos 284b 1959 Paris: Large orchestra, symphonic suites 285 1948 Sheherazade: Incidental music 286 1948 L'apotheose de Moliere: Chamber ensembles, miscellaneous ensembles 287 1948 Kentuckiana: Piano, two pianos; Large orchestra, rniscellane- ous 288 1948 Le jeu de Robin et Marion: Incidental music 289 1948 L'enfant aime: Piano, easy pieces 290 1948 L'choh dodi: Unpublished works 291 1948-49 Quatorzieme quatuor: Quartets, string Quinzieme quatuor: Quartets, string Octuor a cordes: Larger string ensembles 292 1949 N aissance de Venus: A cappella ensemble, mixed chorus 293 1949 Deuxieme sonate: Piano, solo 294 1949 Les reves de Jacob: Quintets, wind 295 1949 Quatrieme concerto: Solo & orchestra (or chamber ensemble), piano; Reductions 296 1949 Ballade nocturne: Solo voice, with piano 297 1949 La fin du monde: Music for radio 298 1949-50 Barba Garibo: Accompanied vocal ensemble, mixed chorus & orchestra 298b 1949--50 La cueillette des citrons: Ballets 299 1950 Gauguin: Music for films

361 Opus Year Title and Category

299b 1958 Divertissement: Quintets, wind 300 1950 Suite opus 300: Solo & orchestra (or chamber ensemble), two pianos 301 1950 Le repos du septieme jour: Music for radio 302 1950 Jeu: Piano, easy pieces 303 1950 Seizieme quatuor: Quartets, string 304 1950 La vie commence demain: Music for films 305 1950 Les temps faciles: Unpublished works 306 1950 Leconte d'hiver: Incidental music 307 1950 Dix-septieme quatuor: Quartets, string 308 1950-51 Dix-huitieme quatuor: Quartets, string 309 1951 Concertino d'automne: Solo & orchestra (or chamber ensem- ble), two pianos 310 1951 Cantata from Proverbs: Accompanied vocal ensemble, three- part women's chorus & chamber ensemble 311 1951 Concertino d'ete: Solo & orchestra (or chamber ensemble), vi- ola; Reductions 312 1951 Premier quintette: Quintets, string 313 1951 West Point Suite: Band 314 1951 Miracles de la foi: Accompanied vocal ensemble, soloist, mixed chorus, & orchestra 315 1951 Le candelabre a sept branches: Piano, solo 316 1952 Deuxieme quintette: Quintets, string 317 1952 Vendanges: Ballets; Transcriptions 318 1952 Christophe Colomb: Incidental music 319 1952 Petites legendes: Solo voice, with piano 320 1952-53 David: Operas 321 1953 Samael: Music for radio 322 1953 Cinquieme symphonie: Large orchestra, symphonies 323 1953 Concerto: Solo & orchestra (or chamber ensemble), harp; Re- ductions 324 1953 Sonatine: Duos, violin & violoncello 325 1953-54 Troisieme quintette: Quintets, string 326 1944-47 Accueil amical: Piano, easy pieces; Transcriptions 327 1953 Concertino d'hiver: Solo & orchestra (or chamber ensemble), trombone; Reductions 328 1953 Le Dibbouk: Music for radio 329 1953 Suite campagnarde: Large orchestra, symphonic suites 330 1953 Ouverture mediterraneenne: Large orchestra, miscellaneous 331 1953-54 Hymne de glorification: Piano, solo 332 1954 Suite cisalpine: Solo & orchestra (or chamber ensemble), vio- loncello; Reductions 333 1954 Etude poetique: Music for radio 334 1954 Saiil: Incidental music 334b 1970 Musique de theatre: Band 335 1954 Caprice: Duos, clarinet & piano 335b 1954 Danse: Duos, saxophone & piano 335c 1954 Eglogue: Unpublished works 336 1954 lls etaient tous des volontaires: Music for films

362 Opus Year Title and Category

337 1954 Sonatine: Duos, oboe & piano 338 1954 Le chateau de feu: Accompanied vocal ensemble, mixed chorus &orchestra 339 1954 Trois psaumes de David: A cappella ensemble, mixed chorus 340 1954-55 Deuxieme concerto: Solo & orchestra (or chamber ensemble), viola; Reductions 341 1955 Protee: Incidental music 342 1955 Pensee amicale: Unpublished works 343 1955 Sixieme symphonie: Large orchestra, symphonies 344 1955 Septieme symphonie: Large orchestra, symphonies 345 1955 Service pour Ia veille du Sabbat: Accompanied vocal ensemble, children's chorus & organ 346 1955 Cinquieme concerto: Solo & orchestra (or chamber ensemble), piano; Reductions 347 1955 Deux poemes [de Vilmorin]: A cappella ensemble, mixed quar- tet (or chorus) 348 1955 Petite suite: Other solo instruments, organ 349 1955 Juanito: Incidental music 350 1956 Quatrieme quintette: Quintets, string 351 1956 Duo concertant: Duos 352 1956 Fontaines et sources: Solo voice, with piano; Solo voice, with orchestra 353 1956 La couronne de Marguerite: Valse en forme de rondo: Piano, solo pieces included in collections 353b 1956 Valse en forme de rondo: Large orchestra, miscellaneous 354 1956 Sonatine: Piano, solo 355 1956 Tristesses: Solo voice, with piano 356 1956 Le chat: Unpublished works 357 1956 Le mariage de Ia feuille et du cliche: Accompanied vocal ensem- ble, soloist, mixed chorus, & orchestra 358 1956-57 Le globe trotter: Piano, solo; Chamber ensembles, miscellane- ous ensembles; Transcriptions 359 1957 Ecoutez mes enfants: Unpublished works 360 1957 Les charmes de Ia vie: Piano, solo; Chamber ensembles, miscel- laneous ensembles 361 1957 Aspen serenade: Chamber ensembles, miscellaneous ensem- bles 362 1957 Huitieme symphonie (Rhodanienne ): Large orchestra, sym- phonies 363 1957 Symphoniette: String orchestra 364 1957 Celle qui n'etait plus: Music for films 365 1957 Concerto: Solo & orchestra (or chamber ensemble), oboe; Re- ductions 366 1957 Segoviana: Other solo instruments, guitar 367 1957 La rose des vents: Ballets 368 1958 Sextuor a cordes: Larger string ensembles 369 1958 La tragedie humaine: Accompanied vocal ensemble, mixed chorus & orchestra 370 1958 Fiesta: Operas

363 Opus Year Title and Category

371 1958 Huit poemes de Jorge Guillen: A cappella ensemble, mixed chorus 372 1958 Peron et Evita: Music for television 373 1958 Concert royal: Solo & orchestra (or chamber ensemble), violin; Reductions 374 1958-59 La branche des oiseaux: Ballets 375 1959 Burma Road: Music for television 376 1959 Symphonie concertante: Several instruments & orchestra. trumpet, horn, bassoon & contrabass 377 1959 Sonate: Duos, violoncello & piano 378 1959 Sonatine: Duos, viola & violoncello 379 1959 Mother Courage: Incidental music 380 1959 Neuvieme symphonie: Large orchestra, symphonies 381 1959-60 Cantate de la croix de charite: Accompanied vocal ensemble, soloist, mixed chorus & orchestra 382 1959-60 Dixieme symphonie: Large orchestra, symphonies 383 1960 Sonatine pastorale: Other solo instruments, violin 384 1960 Onzieme symphonie (Romantique): Large orchestra, sym- phonies 385 1960 Les funerailles de Phocion: Large orchestra, miscellaneous 386 1960 Cantate sur des poemes de Chaucer: Accompanied vocal en- semble, mixed chorus & orchestra 387 1960 Aubade: Large orchestra, miscellaneous 388 1960 Cantate de !'initiation: Accompanied vocal ensemble, mixed chorus & orchestra 389 1961 Concert de chambre: Chamber ensembles, miscellaneous en- sembles 390 1961 Douzieme symphonie (Rurale): Large orchestra, symphonies 391 1961 Neige sur le fleuve: Unpublished works 392 1961 Judith: Incidental music 393 1961 Traversee: A cappella ensemble, mixed chorus 394 1961 Deuxieme concerto: Solo & orchestra (or chamber ensemble), two pianos 395 1962 Invocation a l'ange Raphael: Accompanied vocal ensemble, women's chorus & orchestra 396 1962 Fanfare: Unpublished works 397 1962 Ouverture philharmonique: Large orchestra, miscellaneous 398 1962 Suite de quatrains: Spoken voice, with chamber ensemble 399 1962 A Frenchman in New York: Large orchestra, miscellaneous 400 1962 Fanfare: Trios, two trumpets & trombone 401 1963 Suite de sonnets: Accompanied vocal ensemble, vocal quartet & chamber ensemble 402 1963 Caroles: Accompanied vocal ensemble, mixed chorus & orches- tra 403 1963 Preparatif ala mort en allegorie maritime: Unpublished works 404 1963 Pacem in terris: Accompanied vocal ensemble, soloist, mixed chorus & orchestra 405 1963 Meurtre d'un grand chef d'etat: Large orchestra, miscellaneous 406 1963 Ode pour les morts des guerres: Large orchestra, miscellaneous

364 Opus Year Title and Category

407 1964 Concerto: Solo & orchestra (or chamber ensemble), harpsi• chord; Reductions 408 1964 Septuor a cordes: Larger string ensembles 409 1964 L'amour chante: Solo voice, with piano 410 1964 Adieu: Solo voice, with chamber ensemble 411 1964 Adam: Unpublished works 412 1964-65 La mere coupable: Operas 413 1965-66 Cantata from Job: Accompanied vocal ensemble, soloist, mixed chorus & organ 414 1965 Music for Boston: Solo & orchestra (or chamber ensemble), vi• olin; Reductions 415 1965 Musique pour Prague: Large orchestra, symphonic suites 416 1965 Elegie pour Pierre: Unpublished works 417 1966 Quatuor: Quartets, piano & other instruments 418 1966 Musique pour l'Indiana: Large orchestra, symphonic suites 419 1966 Jerusalem a Carpentras: Incidental music 420 1966 Musique pour Lisbonne: Chamber ensembles, miscellaneous ensembles 421 1966 Hommage a Comenius: Two voices, with orchestra 422 1966 Musique pour la Nouvelle-Orleans: Large orchestra, sym• phonic suites 423 1967 Vezelay 'La colline etemelle': Unpublished works 424 1967 Promenade Concert: Large orchestra, symphonic suites 425 1967 Cantate de psaumes: Solo voice, with orchestra 426 1967 L'histoire de Tobie et Sara: Incidental music 427 1968 Paul Claudel: Music for films 427b 1968 Symphonie pour l'univers Claudelien: Large orchestra, sym• phonic suites 428 1968 Trio: Trios, piano, violin, & violoncello 429 1968-69 Musique pour Graz: Chamber ensembles, miscellaneous en• sembles 430 1969 Stanford Serenade: Solo & orchestra (or chamber ensemble), oboe; Reductions 431 1%9 Suite en sol: Large orchestra, symphonic suites 432 1969 Musique pour Ars Nova: Chamber ensembles, miscellaneous ensembles 433 1969-70 Six danses en trois mouvements: Piano, solo; two pianos 434 1970 Saint-Louis, Roi de France: Operas 435 1971 Hommage a Igor Stravinsky: Quartets, string 436 1971 Musique pour San Francisco: Large orchestra, symphonic suites 437 1971 Sonate: Other solo instruments, harp 438 1971-72 Promesse de Dieu: A cappella ensemble, mixed chorus 439 1972 Les momies d'Egypte: A cappella ensemble, mixed chorus 440 1972 Ode pour Jerusalem: Large orchestra, miscellaneous 441 1972 Ani maamin, un chant perdu et retrouve: Accompanied vocal ensemble, soloist, mixed chorus & orchestra 442 1973 Etudes: Quartets, string 443 1973 Quintette a vent: Quintets, wind

365 CATALOGUE OF COMPOSITIONS ARRANGED ALPHABET!CALLY BY TITLE

A abandon d' Ariane (L') op. 98 Accueil amical op. 326 Actualites op. 104 Adages op. 120b Adamop. 411 'Adame Miroir op. 283 Adieu op. 410 Agamemnon op. 14 Airop. 242 album de Madame Bovary (L') op. 128b Alissaop. 9 Amal, ou La lettre du roi op. 156 amour chante (L') op. 409 amours de Ronsard (Les) op. 132 Ani maamin, un chant perdu et retrouve op. 441 annonce faite a Marie (L') op. 117; 231 apotheose de Moliere (L') op. 286 A propos de bottes op. 118 arbre exotique (L') op. 28 Aspen Serenade op. 361 Aubade op. 387 automne (L') op.ll5

B bal des voleurs (Le) op. 192 bal martiniquais (Le) op. 249 Ballade op. 61 Ballade nocturne op. 296 Barba Garibo op. 298 Beloved Vagabond (The) op. 150 Bertran de Born op. 152 bien-aimee (La) op. 101; 101b Black Keys (Touches noires); White Keys (Touches blanches) op. 222 boeuf sur le toit (Le) op. 58 Bolivar op. 148 Bolivar op. 236 Borechou op. 239 branche des oiseaux (La) op. 374 brebis egaree (La) op. 4 Burma Road op. 375 c cahier inedit du journal d'Eugenie de Guerin (D'un) op. 27 Cain et Abel op. 241

366 candelabre a sept branches (Le) op. 315 Cantata from Job op. 413 Cantata from Proverbs op. 310 Cantate de la croix de charite op. 381 Cantate de laguerre op. 213 Cantate de la paix op. 166 Cantate de !'enfant et de la mere op. 185 Cantate de !'initiation op. 388 Cantate de psaumes op. 425 Cantate nuptiale op. 168 Cantate pour !'inauguration du Musee de l'Homme op. 164 Cantate pour louer le Seigneur op. 103 Cantate sur des poemes de Chaucer op. 386 Cantique du Rhone op. 155 Caprice op. 335 caprices de Paganini (Trois) op. 97 Caramel mou op. 68 Camaval ala Nouvelle Orleans op. 275 carnaval d'Aix (Le) op. 83b carnaval de Londres (Le) op. 172 Caroles op. 402 Catalogue de fieurs op. 60 Cavalcade d'amour op. 204 Celle qui n'etait plus op. 364 Chanson du capitaine op. 173b chansons (Cinq) op. 167 chansons (Deux) op. 128d Chansons bas op. 44 Chansons de !'opera du gueux op. 171 chansons de negresse (Trois) op. 148b chansons de negresse (Trois) op. 148c chansons de Ronsard (Quatre) op. 223 chansons de tbefttre (Six) op. 151b chansons de troubadour (Trois) op. 152b Chansons du carnaval de Londres op. 171b Chants de misere op. 265 chants populaires bebraiques (Six) op. 86 charmes de la vie (Les) op. 360 chat (Le) op. 356 chftteau (Le) op. 21 chftteau de feu (Le) op. 338 chftteau des papes (Le) op. 120 cheminee du roi Rene (La) op. 205 Child Poems op. 36 choephores (Les) op. 24 Choral op. 111 Christophe Colomb op. 102; 318 Cinema-fantaisie op. 58b citadelle du silence (La) op. 176 cloches (Les) op. 259; 259b Cocktail op. 69

367 Concert de chambre op. 389 Concert royal op. 373 Concertino d'automne op. 309 Concertino d'ete op. 311 Concertino d'hiver op. 327 Concertino de printemps op. 135 Concerto: clop. 230 Concerto: fl, vln op. 197 Concerto: harp op. 323 Concerto: hprd op. 407 Concerto: mba, vib op. 278 Concerto: ob op. 365 Concerto: perc op. 109 concerto (Premier): piano op. 127 concerto (Deuxieme): piano op. 225 concerto (Troisieme): piano op. 270 concerto (Quatrieme): piano op. 295 concerto (Cinquieme): piano op. 346 concerto (Premier): 2 pianos op. 228 concerto (Deuxieme): 2 pianos, perc, op. 394 concerto (Premier): va op. 108 concerto (Deuxieme): va op. 340 concerto (Premier): vln op. 93 concerto (Deuxieme): vln op. 263 concerto (Premier): vc op. 136 concerto (Deuxieme): vc op. 255 conquerant(Le)op.154 conquete du ciel (La) op. 184 conte d'hiver (Le) op. 306 Cortege funebre op. 202b Couronne de gloire op. 211 couronne de Marguerite: Valse en forme de rondo (La) op. 353 Cours de solfege op. 217 creation du monde (La) op. 81; 81b cueillette des citrons (La) op. 298b cycle de la creation (Le) op. 139 cygne I et II (Le) op. 142

D Danse op. 335b Danses de Jacaremirim op. 256 danses sur des airs palestiniens (Sept) op. 267 danses en trois mouvements (Six) op. 433 David op. 320 delivrance de Thesee (La) op. 99 Desespoir "op. 33" deux cites (Les) op. 170 Devant sa main nue op. 122 Dibbouk (Le) op. 328 Divertissement op. 299b Dreams that Money Can Buy op. 273

368 duchesse d'Amalfi (La) op. 160 Duoop.258 Duo concertant op. 351

E Ecoutez mes enfants op. 359 education manquee (Une) op. 82 Eglogue op. 335c Elegie op. 251 elegies (Trois) op. 199 Elegie pour Pierre op. 416 elegies romaines (Deux) op. 114 enfant aime (L') op. 289 Enfantines (no opus) see op. 59 enlevement d'Europe (L') op. 94 Espoirop. 202 esquisses (Quatre) see Sketches (Four) op. 227 Esther de Carpentras op. 89 Etude poetique op. 333 Etudes op. 442 etudes (Cinq) op. 63 eumenides (Les) op. 41 eventail de Jeanne (L') see Polka Exercice musical op. 134

F faiseur (Le) op. 145 Fanfare op. 209; 396; 400 Fanfare de la liberte op. 235 Fantaisie pastorale op. 188 Farandoleurs op. 262 f~te de la lumiere (La) op. 159 F~te de la victoire op. 254 Feuilles de temperature op. 65 Fiesta op. 370 fin du monde (La) op. 297 Flower Given to My Child (A) no opus, see unpublished works folie du ciel (La) op. 149 Fontaines et sources op. 352 Fragments dramatiques op. 154b Frenchman in New York (A) op. 399 Fugue du massacre op. 70b funerailles de Phocion (Les) op. 385 funeste retour (Le) op. 123

G Gauguin op. 299 globe trotter (Le) op. 358 Grands feux op. 182 grand testament (Le) op. 282 Gulf Stream op. 208

369 H Rallo Everybody op. 126 Hamlet op. 200 Hecube op. 177 hippocampe (L') op. 137 histoire de Tobie et Sara (L') op. 426 Holem tsaudi-Gam hayom op. 179 Hommage a Comenius op. 421 Hommage a Igor Stravinsky op. 435 homme et son desir (L') op. 48 Hymne de glorification op. 331 hymnes(I>eux)op.88;88b

I Ils etaient taus des volontaires op. 336 Impromptu op. 91 Incantations op. 201 lndicatif et marche pour les bons d'armement op. 212 Introduction et allegro op. 220 Introduction op. 254 Introduction et marche funebre op. 153b Invocation al'ange Raphael op. 395 Islands op. 198

J javadelafemme(La)op.173b Jerusalem a Carpentras op. 419 Jeuop. 302 jeu de Robin et Marion (Le) op. 288 Jeux de printemps op. 243 joumee (Une) op. 269 Juanita op. 349 Judith op. 392 Jules Cesar op. 158

K Kaddisch op. 250 Kentuckiana op. 287

L L'choh dodi op. 290 liberation des Antilles (La) op. 246 libertadora (La) op. 236b Liberte op. 163 Lidoire op. 264 Liturgie comtadine op. 125

M Macbeth op.175 Machines agricoles op. 56 Madame Bovary op. 128

370 Madrigal op. 227b Magali op. 194 Main tendue a tous op. 169 maison de Bemada Alba (La) op. 280 malheurs d'Orphee (Les) op. 85 Marche op. 254 marches (Deux) op. 260 mariage de Ia feuille et du cliche (Le) op. 357 maries de Ia Tour Eiffel (Les) op. 70; 70b Maximilien op. 110 Mazurka no opus, see Piano: solo pieces included in collections medecin volant (Le) op. 165 Medee op. 191 Meditation op. 277 mere coupable (La) op. 412 Meurtre d'un grand chef d'etat op. 405 Mills Fanfare op. 224 Miracles de Ia foi op. 314 Moise op. 219 Mollenard op. 174 momies d'Egypte (Les) op. 439 mort d'un tyran (La) op. 116 Mother Courage op. 379 muse menagere (La) op. 245 Music for Boston op. 414 Musique de theatre op. 334b Musique pour Ars Nova op. 432 Musique pour Graz op. 429 Musique pour !'Indiana op. 418 Musique pour Lisbonne op. 420 Musique pour Ia Nouvelle-Orleans op. 422 Musique pour Prague op. 415 Musique pour San Francisco op. 436

N Naissance d'une cite op. 173 Naissance de Venus op. 292 Neige sur le fleuve op. 391 No. 34 de l'eglise habillee de feuilles op. 38 Notre Dame de Sarrance op. 29

0 Octuor a COrdes op. 291 Ode pour Jerusalem op. 440 Ode pour les morts des guerres op. 406 oiseau (L') op. 181 Opus Americanum no 2 op. 219b Orestie (L') see Agamemnon; Les choephores; Les eumenides otages (Les) op. 196 ours et Ia lune (L') no opus, see Incidental music Ouverture mediterraneenne op. 330 Ouverture philharmonique op. 397

371 p Paceminter.risop.404 Pan et la Syrinx op. 130 Papillon, papillonette op. 217 Paris op. 284; 284b Pastoral op. 227b Pastorale op. 147; 229 Paul Claudel op. 427 pauvre matelot (Le) op. 92 Pensee arnicale op. 342 Peron et Evita op. 372 petit ange de rien du tout (Un) op. 215 petit peu d'exercise (Un) op. 133 petit peu de musique (Un) op. 119 Petites legendes op. 319 Petite suite op. 348 petits airs (Deux) op. 51 Piece de circonstance op. 90 Pledge to Mills op. 261 Plutus op. 186 Poeme [Latil] op. 73 Poeme du Gitanjali op. 22 Poeme sur un cantique de Camargue op. 13 poemes (Deux) [de Vilmorin] op. 347 poemes (Deux) [St. Leger Leger, Chalupt] op. 39 poemes (Trois) [Meynell, Rosetti] op. 37 poemes (Trois) [Supervielle) op. 276 poemes d'amour (Deux) op. 30 poemes de Catulle (Quatre) op. 80 poemes de Cendrars (Deux) op. 113 poemes de Coventry Patmore (Deux) op. 31 Poemes de Francis Ja0101es op. 1; 6; 50 Poemes de Francis Thompson op. 54 poemes du Gardener (Deux) op. 35 poemes de Jean Cocteau (Trois) op. 59 poemes de Jorge Guillen (Huit) op. 371 poemes de la connaissance de I' est (Sept) op. 7 poemes de Uo Latil (Trois) op. 2 poemes de Leo Latil ( Quatre) op. 20 poemes de Paul Claudel pour baryton ( Quatre) op. 26 poemes de Rimbaud (Deux) op. 45 poemes en prose de Lucile de Chateaubriand (Trois) op. 10 Poemes juifs op. 34 poemes romantiques (Trois) op. 11; 19 poemes Tupis (Deux) op. 52 Polkaop. 95 preludes (Neuf) op. 231b premiere farnille (La) op. 193 Prends cette rose op. 183 Preparatif ala mort en allegorie maritime op. 403 prieres (Cinq) op. 231c

372 Prieres journalieres a !'usage des juifs du Comtat Venaissin op. 96 Printemps op. 25; 66 printemps (Le) op. 18 Printemps lointain op. 253 Private Affairs of Bel-Ami (The) op. 272 Promenade Concert op. 424 Promesse de Dieu op. 438 Protee op. 17; 341 Psaume 121 see Psaunte 126 Psaume 126 op. 72 Psaume 129 op. 53b Psaume 136 op. 53 psaumes de David (Trois) op. 339 p'tite Lilie (La) op. 107

Q quatorze juillet (Le) op. 153 Quatrain [Flament] op. 143 Quatrain [Jammes] op. 106 Quatrain [Mallarme] op. 180 Quatrains valaisans op. 206 quatre elements (Les) op. 189; 189b Quatre visages op. 238 Quatuors(string)op. 5; 16;32;46;64;77;87; 121; 140;218;232;252;268;291;303; 307;308 Quatuorop. 417 Quintette op. 312; 316; 325; 350 Quintette avent op. 443

R rag caprices (Trois) op. 78 Recreation op. 195 reine de Saba (La) op. 207 repos du septieme jour (Le) op. 301 retour de !'enfant prodigue (Le) op. 42 Reves op. 233 reves de Jacob (Les) op. 294 romances sans paroles (Quatre) op. 129 Romeo et Juliette op. 161 Rondeau op. 178 rose des vents (La) op. 367 s sagesse (La) op. 141 Sailor Song see Suite anglaise Saint-Louis, Roi de France op. 434 Salade op. 83 Samael op. 321 Saudades do Brazil op. 67; 67b SaUl op. 334 Scaramouche op. 165b; 165c; 165d

373 Schema Israel op. 239 Segoviana op. 366 Se plaire sur la marne fleur op. 131 Septuor a cordes op. 408 Serenade op. 62 Service sacre op. 279 Service pour la veille du Sabbat op. 345 Sextuor a cordes op. 368 Sheherazade op. 285 Shimmy see Caramel mou Sketches (Four) op. 227 soirees de Petrograde (Les) op. 55 Sonate: harp op. 437 Sonate: organ op. 112 Sonate: piano op. 33 sonate (Deuxieme): piano op. 293 Sonate: piano, fl, ob, cl. op. 47 Sonate: piano, 2 vln. op. 15 Sonate: vln, hprd. op. 257 sonate (Premiere): va, piano. op. 240 sonate (Deuxieme): va, piano. op. 244 sonate (Premiere): vln, piano. op. 3 sonate (Deuxieme): vln, piano. op. 40 Sonate: vc, piano. op. 377 Sonate de Baptiste Anet 1729 op. 144 Sonatine: cl, piano. op. 100 Sonatine:fl,piano.op. 76 Sonatine: ob, piano. op. 337 Sonatine: piano op. 354 Sonatine:vln,va.op.226 Sonatine:vln,vc.op.324 Sonatine:va,vc.op.378 Sonatine: 2 vln op. 221 Sonatine a trois op. 221b Sonatine pastorale op. 383 songes (Les) op. 124; 237 sonnets composes au secret (Six) op. 266 Somettes op. 214 Stanford Serenade op. 430 Suite: ond Mart, piano. op. 120c Suite: piano op. 8 Suite: piano, vln, clop. 157b Suite anglaise op. 234 Suite campagnarde op. 329 Suite cisalpine op. 332 Suite concertante op. 278b Suite d'apres Corrette op. 161b Suite de Maximilien op. llOb Suite de quatrains op. 398 Suite de sonnets op. 401 Suite en sol op. 431

374 Suite fran9ffise opo 248 Suite opus 300 opo 300 Suite proven~e opo 152c; Suite proven~e op 152d

suite symphonique (Premiere) op 0 12 suite symphonique (Deuxieme) opo 57 Symphonie: chamber ensemble opo 43; 49; 71; 74; 75; 79 Symphonie: large orchestra opo 210; 247; 271; 281; 322; 343; 344; 362; 380; 382; 384; 390 Symphonie concertante opo 376 Symphonie pour l'univers Claudelien opo 427b Symphoniette opo 363

T Tango des Fratellini opo 58c Tartarin de Tarascon opo 138 temps faciles (Les) opo 305 Touches noires, touches blanches opo 222 tour de !'Exposition (Le) opo 162 Toussaint (Ala) "opo 47" tragedie humaine (La) opo 369 tragedie imperiale, Raspoutine (La) opo 187 train bleu (Le) opo 84 Traversee opo 393 Tricolore opo 190 Trioopo 428 Trio a cordes opo 274 Tristesses opo 355

trompeur de Seville (Le) op 0 152e Tune m'echapperas jamais opo 151 v Valse en forme de rondo opo 353b valses (Trois) opo 128c Variations sur un theme de Cliquet opo 23 Vendanges opo 317 Vezelay 'La colline eternelle' opo 423 Verso Carioca opo 44b vie commence demain (La) opo 304 Vocalise opo 105 Voix d'enfants opo 146 Voyage au pays du reve opo 203 voyage d'ete (Le) opo 216

voyageur sans bagages (Le) op 0 157 w West Point Suite opo 313

375 DISCOGRAPHY

The present edition does not contain a discography as did its French counterpart. The decision to omit it was made because the Bibliotheque Nationale of Paris, through its Departement de La Phonotheque et de l'Audiovisuel (2 rue de Louvois, F-75002 Paris) has just compiled a complete list of recordings of Milhaud's works edited by Fran~ine Bloch. At best, any discography becomes obsolete on the day ofits publication because ofthe continuing release ofnew recordings, but the list compiled by the Bibliotheque N ationale is far more complete and up to date than anything that could be included here. For historical reasons, however, we list recordings that feature Milhaud himselfas performer (or as conductor). Mlle. Bloch has very graciously contributed the following information.

Abbreviations m monophonic record s stereophonic record sc compatible stereophonic record t magnetic tape p date of publication r date of recording

INA Institut National de I'Audiovisuel RTB Radio Tel

Entry Format

Title opus number Performers Record label, record number, technical description, date

Les amours de Ronsard op. 132 La rose- La tourterelle-L'aubepin- Le rossignol Sop: A. Bollinger, con: H. Glaz, ten: L. Chabay, bass: M. Harrell, Philharmonic Chamber ensemble, conductor: D. Milhaud Contemporary Records NY, AP102, 33113 rpm, 25 em, m, p ca 1953 Excerpts: La rose-L'aubepin- Le rossignol Sop: R. Mahe, mezz: E. Schenneberg, ten: C. Rouquetty, Pierre Froumenty et Orchestre, conductor: D. Milhaud V.S.M., DB4999, 78rpm, 30cm, p 1936 Victor, JD932, 78 rom, 30 em

376 Aspen Serenade op. 361 Fl: J-P. Rampal, ob: P. Pierlot, cl: J. Lancelot, tpt: P. Thibaud, bn: P. Hongne, vln: G. Jarry, va: S. Collot, vc: M. Toumus, cb: J. Cazauran, conductor: D. Milhaud Ades, 15.503, 33 rpm, 30 em, sc, p 1966 Ades, 17.005,33 rpm, 17 em, sc Everest, LPBR6176, 33 rpm, 30 em, m, p ca 1967 Everest, SDBR3176, 33 rpm, 30 em, s, p ca 1967

Aubadeop. 387 Orchestre philharmonique de l'ORTF, conductor D. Milhaud B202~80,r1970 102M338, p 1 January 1971, INA Le boeuf sur le toit op. 58 Orchestre du Theatre des Champs-Elysees, conductor: D. Milhaud Discophiles fran~s, 525.125,33 rpm. 30 em, m, p 1959 (Grand Prix du disque de 1' Academie Charles Cros 1959) Discophiles fran~, 530.300, 33 rpm, 30 em, s Republished by: Charlin, SLC17, 33 rpm, 30 em, p 1964 Discophiles fran~s, DI25/32, 33 rpm, 30 em, m Discophiles fran~s, DI125/132, 33 rpm, 30 em, s, p 1966 Nonesuch, H112, 33 rpm, 30 em, m, p 1964 Nonesuch, H71122, 33 rpm, 30 em, s, p 1966 Bolivar op. 236 Excerpts: Air de Manuela- Berceuse Sop: J. Micheau, Orchestre de la Societe des Concerts du Conservatoire, conductor: D. Milhaud Columbia, FCX556S, 33 rpm, 30 em, m, p 1957 Angel, 35441, 33 rpm, 30 em, m, p ca 1958 Republished by VSM, 2C051-73075, 33 rpm, 30 em, p 1982 Labranche des oiseaux op. 374 Orchestre de la RTB, conductor: D. Milhaud Broadcast at RTB, 18 May 1962 Cantata from proverbs op. 310 Mezzo: H. Bouvier, con: J. Collard, conductor: D. Milhaud Versailles, ARTX10.001, 33 rpm, 30 em, m, p ca 1956

Cantate nuptiale op 168 Sop: J. Micheau, Orchestre de la Societe des Concerts du Conservatoire, conductor: D. Milhaud Columbia, FCX5565S, 33 rpm, 30 em, m, p 1957 Angel, 35441, 33 rpm, 30 em, m, p ca 1958 Republished byVSM, 2C051-73075, 30rpm, 30em, p 1982

Le carnaval d'Aix op. 83 Piano: C. Seaman, Orchestre de Radio-Luxembourg, conductor: D. Milhaud Candide, CE 31013, 33 rpm, 30 em, sc, p 1969 CBS, S72.925, 33 rpm, 30 em, sc, p 1971 Vox, STGBY640, 33 rpm, 30 em, sc, p 1971

377 Quatre chansons de Ronsard op. 223 Sop: J. Micheau, Orchestre de Ia Societe des Concerts du Conservatoire, conductor: D. Milhaud Columbia, FCX556S, 33 rpm, 30 em, m, p 1957 Angel, 35441,33 rpm, 30 em, m, p ca 1958 Republished by VSM, 2C051-73075, 33 rpm, 30 em, p 1982

Les cbarmes de Ia vie op. 360 Los Angeles Chamber Ensemble, conductor: D. Milhaud Decca, DL9965, 33 rpm, 30 em, m, p 1958 Republished byVarese Sarabande, 81051,33 rpm, 30 em, m, p 1979

Le chiteau de feu op. 338 Orchestre philharmonique de Paris, conductor: D. Milhaud, Choeur de l'ORTF, conductor: Y. Gouverne Chant du Monde, LDA8179, 33 rpm, 30 em, m, p 1957 Republished by Chant du Monde, LDXA8325, 33 rpm, 30 em, m, p 1964 Chant du Monde, LDXA48325, 33 rpm, 30 em, s, p 1964 Chant du Monde, LDX A78325, 33 rpm, 30 em, sc, p 1968

Chlld Poems op. 36 Excerpt: Paper Boats Voice: J. Hericard, piano: D. Milhaud Vega, C35A14, 33 rpm, 30 em, m, p ca 1957

Les Choephores op. 24 Narr: M. Milhaud, sop: L. Malimpietri, N. Pucci, bass: H. Rehfuss, orchestre et choeur de Ia RAI, conductor: D. Milhaud t, RAI, November 1953

Concert de chambre op. 389 Piano: A. Bonaventura, conductor: D. Milhaud Recorded at the first performance, 16 November 1962, Hanover, N.H., USA, private tape

Concert royal op. 373 Vln: D. Erlih, Orchestre symphonique de RTB, conductor: D. Milhaud Recorded in May 1962 by RTB

Les quatre saisons: Concertino d'automne op. 309 Concertino d'eteop. 311 Concertino de printemps op. 135 Concertino d'hiver op. 327 Piano: G. Joy, J. Bonneau, va: E. Wallfisch, vln: S. Goldberg, tbn: M. Suzan, Ensemble de solistes des Concerts Lamoureux, conductor: D. Milhaud Philips, 00.575L, 33 rpm, 30 em, m Philips, 835-499A Y, 33 rpm, 30 em, s, p ca 1959 Epic, LC3666, 33 rpm, 30 em, m, p 1960 Epic, BC1069, 33 rpm, 30 em, s p 1960

378 Republished by Philips, 839-270, 33 rpm, 30 em, sc, p 1969 Philips, 6504-aas, 33 rpm, 30 em, sc, p 1974 Philips, 6529-167 (collection: Excellence), 33 rpm, 30 em, sc, p 1983

Concertino d'ete op. 311 Va: R. Courte, Philharmonic Chamber Ensemble, conductor: D. Milhaud Contemporary Records, NY-AP102, m, p ca 1953 Excerpt Va: E. Wallfisch, Ensemble de solistes des concerts Lamoureux, Conductor: D. Milhaud Heugel, 70, 33 rpm, 17 em, sc, p 1970

Concertino de printemps op. 135 Vln: Y. Astruc, conductor: D. Milhaud Decca, CA8025, 78 rpm, 30 em Polydor, 516.616, 78 rpm, 30 em, p 1935 Polydor, 566,288,78 rpm, 30 em, p ca 1935 Vln: L. Kaufman, Orchestre National de l'ORTF, conductor: D. Milhaud Capitol, 886.013, 78 rpm, 30 em, r 1949 Republished by Capitol, CfL7005, 33 rpm, 30 em, m Capitol P8071, 33 rpm, 30 em, m, p 1950 Orion, 76250E, 33 rpm, 30 em, sc, p ca 1977

Premier concerto op. 108 Va: W. Trampler, Aspen Festival Orchestra, conductor: D. Milhaud t, 1 October 1963 Va: W. Koch, Orchestre de Radio-Luxembourg, conductor: D. Milhaud Candide, CE31013, 33 rpm, 30 em, sc, p 1969 CBS, S72-925, 33 rpm, 30 em, sc, p ca 1971 Vox, STGBY640, 33 rpm, 30 em, sc

Concerto op. 109 Perc: F. Daniel, Orchestre de Radio-Luxembourg, conductor: D. Milhaud Candide, CE31013, 33 rpm, 30 em, sc, p 1969 CBS, S72-925, 33 rpm, 30 em, sc, p 1971 Vox, STGBY640, 33 rpm, 30 em, sc

Concerto op. 407 Hprd: R. Veyron-Lacroix, Orchestre philharmonique de l'ORTF, conductor: D. Milhaud B202M280 102M338, INA, 1 January 1971

Concerto op. 228 Piano: I. Marika, G. Joy, Orchestre de la Societe des Concerts du Conservatoire, conductor: D. Milhaud Vega, C30A355, m, 1962 Westminster,~19101,m, 1966 Westminster, WST17101, s, 1966

379 Concerto op. 323 Harp: M. de Gray, Aspen Festival Orchestra, conductor: D. Milhaud Aspen, 15 July 1962

Concerto (oboe) op. 365 Grand Orchestre Symphonique de la RTB, conductor: D. Milhaud RTB, 1962

Premier concerto op. 127 Piano: M. Long, conductor: D. Milhaud Columbia, LFX375/6, 2 78 rpm, 30 em, 1935 Columbia, 68737/8D (album X-67), 2 78 rpm, 30 em Columbia, COLC319, 33 rpm, 30 em, m, 1966 VSM, C05116.349 (collection: References), 33 rpm, 30 em, 1979 Piano: P. Entremont, Orchestre de la Societe des Concerts du Conservatoire, conductor: D. Milhaud CBS, S75660, 33 rpm, s, 1968

Deuxieme concerto op. 225 Piano: G. Johannesen, Orchestre de Radio Luxembourg, conductor: D. Milhaud Turnabout, TVS34496, 33 rpm, 30 em, sc, ca 1974 Excerpt: first movement Heugel, 74,33 rpm, 17 em, 1974

Quatrieme concerto op. 295 Piano: Z. Skolowski, Orchestre National de l'ORTF, conductor: D. Milhaud Columbia, LFX924/5, 2 78 rpm, 30 em, 1950 Columbia, ML4523, 33 rpm, 30 em, m, 1951

Deuxieme concerto op. 263 Vln: L. Kaufman, Orchestre National de l'ORTF, conductor: D. Milhaud Capitol, CTL7005, 33 rpm, 30cm Capitol, P8071, 33 rpm, 30 em, 1950 Capitol, 76250E, 33 rpm, 30 em, sc, 1977

Couronne de gloire op. 211 Voice: B. Demigny, conductor: D. Milhaud Versailles, ARTXlO.OOl, 33 rpm, 30 em, m, 1956

La creation du monde op. 81 19 players conducted by D. Milhaud Columbia, LFX251/2, 2 78 rpm, 30 em Columbia, 68094/5D, 2 78 rpm, 30 em, (album x 18) (???) Columbia MX70420/1D Festival, FLD76A, 33 rpm, 30 em, m, 1957 Orchestre du Theatre des Champs-Elysees, conductor: D. Milhaud Discophiles fran~ais, 521-125,33 rpm, 25 em, m, 1959 Discophiles fran~s, 530-300, 33 rpm, 25 em, s Charlin, SLC17, 33 rpm, 30 em, s, 1964 Discophiles fran~s, DI25/32, 33 rpm, 30 em

380 Discophiles fran~, SDI125/132, 33 rpm, 30 em, 1966 Nonesuch, H1122, 33 rpm, 30 em, m, 1966 Nonesuch, H71122, 33 rpm, 30 cm,s

Etude poetique op. 333 Mezzo: I. Kolassi, narr: M. Milhaud, Claude Roy, conductor: D. Milhaud Festival, FLD76A, 33 rpm, 30 em, m, 1957

La fin du monde op. 297 Narr: A. Rignault, M. Milhaud, R. Iglesis, A. Tainsy, J. Denoel, J. Bertheau Orchestre Radio-Lyrique, conductor: D. Milhaud. Maison de Ia Radio, Paris, 21 December 1949. B LO 4986, INA

Fontaines et sources op. 352 Sop: J. Micheau, Orchestre de Ia Societe des Concerts du Conservatoire, conductor: D. Milhaud Columbia, FCX556S, 33 rpm, 30 em, m, 1957 Angel, 35441, 33 rpm, 30 em, m, 1958 VSM, 2C051-73075, 33 rpm, 30 em, 1982 Sop: R. Serverius, Orchestre symphonique de Ia RTB, conductor: D. Milhaud RTB, May 1962

Les funerailles de Phocion op. 385 Orchestre symphonique de Ia RTB, conductor: D. Milhaud RTB, 18May 1962

Le globe trotter op. 358 Los Angeles Chamber Ensemble, conductor: D. Milhaud Decca, DL9965, 33 rpm, 30 em, m, p 1958 Varese Sarabande, 81051, 33 rpm, 30 em, m, p 1979

L'homme et son desir op. 48 Ensemble vocal et instrumental de Roger Desormiere, conductor: D. Milhaud Champrosay, TC11112, 78 rpm, 30 em, 1948 B. aM., LD029, 33 rpm, 30 em, m, 1957 B. aM., LD5029, 33 rpm, 30 em, 1974 Festival, FLD76, 33 rpm, 30 em, m, 1957 Voice: J. Doerner, M. J. Klein, V. Arend, R. Koster; Orchestre de Ia Radio-Luxembourg, conductor: D. Milhaud Candide, CE31008, 33 rpm, 30 em, sc, 1968 CBS, S72.803, 33 rpm, 30 em, sc, 1970 Vox, STGBY626, 33 rpm, 30 em, sc Vox, 678.080, cassette

Introduction et marche funebre op. 153b Orchestre Philharmonique de Paris, conductor: D. Milhaud Chant du monde, LDXM8179, 33 rpm, 30 em, m, p ca 1957 Chant du monde, LDXA8325, 33 rpm, 30 em, m Chant du monde, LDXA48325, 33 rpm, 30 em, s, p ca 1964

381 Liturgie comtadine op. 125 Sop: H. Bouvier, conductor: D. Milhaud Versailles, ARTX10001, 33 rpm, 30 em, m, p ca 1956

Les malheurs d'Orphee op. 85 Sop: J. Brumaire, C. Collart, con: J. Collard, bar: B. Demigny, solistes de l'Orchestre du Theatre National de !'Opera de Paris, conductor: D. Milhaud Vega, C30A68, 33 rpm, 30 em, m, p ca 1957 Westminster, OPW11031, 33 rpm, 30 em, m, p ca 1957

Deux marches op. 260 Excerpt: In memoriam CBS Symphony Orchestra, conductor: D. Milhaud Columbia, 72.242D (Album MM704), 4 78 rpm, 30 em, p ca 1948

Les maries de Ia Tour Eiffel op. 70 Orchestre Nationaldel'ORTF, Phono: P. Bertin, J. Duby, conductor: D. Milhaud Ades, 15.501, 33 rpm, 30 em, sc, p April1966 Republished by Ades, 14.007, 33 rpm, 30 em, sc, p 1980 Ades, C12003, cassette, p 1980

Meutre d'un grand chef d'etat op. 405 Aspen Symphony Orchestra, Conductor: D. Milhaud t, private recording

La muse menagere op. 245 Piano: D. Milhaud Columbia, MU305, 33 rpm, 25 em, m, p ca 1950 Republished by Odyssey, Y33790, 33rpm, 30cm, m, p 1976 CBS, Classics 61.130, 33 rpm, 30 em, m, p 1981

Musique pour Ia Nouvelle-Orleans op. 422 Orchestre du Festival d' Aspen, conductor: D. Milhaud t, private recording, 11 August 1968

Musique pour lal'lndiana op. 418 Orchestre philharmonique de l'ORTF, conductor: D. Milhaud B202M280 102M338,INA, 1971

Musique pour Prague op. 415 Conductor: D. Milhaud t, private recording during the Prague Spring Festival

Ode pour les morts des guerres op. 406 Orchestre National de l'ORTF, conductor: D. Milhaud B101M152 201M92, INA

382 'Operas-minute' L'envlevement d'Europe op. 94 L'abandon d'Arianne op. 98 La delivrance de Thesee op. 99 Voice: J. Bathori, Bouteron, Brega, Valencin, Hazart, Petit, Planel, conductor: D. Milhaud Columbia, D15137/9, 3 78 rpm, 30 em, p ca 1929

Opus Americanum no 2 op. 219b Membres de l'Orchestre National de l'ORTF, conductor: D. Milhaud Capitol, CfL7008, 33 rpm, 30 em, m, p ca 1950 Capitol P8114Z, 33 rpm, 30 em, m, p ca 1950

Le pauvre matelot op. 92 Sop: J. Brumaire, ten: J. Giraudeau, bass: X. Depraz, A. Vessieres, Solistes de l'orchestre du Theatre National de l'Opera de Paris, conductor: D. Milhaud Vega, C30A69, 33 rpm, 30 em, m, p ca 1957 Westminster, OPW11030, 33 rpm, 30 em, m, p ca 1957 Trois poemes de Jean Cocteau op. 59 Sop: J. Bathori, piano: D. Milhaud Columbia, D15195, 78 rpm, 30 em, p ca 1930 Columbia, SW276, 78 rpm, 30 em Gramophone, GDA4894, 78 rpm, 30 em Republished by Columbia, FCX50030, 33 rpm, 30 em, m, p ca 1964 Poemesjuifs op. 34 Excerpts: Chant de nourrice- Chant de resignation- Chant d'amour Sop: J. Bathori, piano: D. Milhaud Columbia, D15.194, 78 rpm, 30 em, p ca 1930 Columbia, SW275, 78 rpm, 30 em Republished by Columbia, FCX50030, 33 rpm, 30 em, m, p ca 1964

Printemps op. 25 Piano: D. Milhaud Columbia, LF25, 78 rpm, 25 em

Promenade Concert op. 424 Aspen festival Orchestra, conductor: D. Milhaud t, private recording, 17 August 1969

Les quatre elements op. 189b Sop: J. Micheau, Orchestre de la Societe des Concerts du Conservatoire, conductor: D. Milhaud Columbia, FCX556S, 33 rpm, 30 em, m, p ca 1957 Angel, 35441, 33 rpm, 30 em, m, p ca 1958 Republished by VSM, 2C051-73075, 33 rpm, 30 em, p 1982 Sop: R. Serverius, Orchestre Symphonique de la RTB, conductor: D. Milhaud t, RTB, May 1962

383 Le retour de )'enfant prodigue op. 42 A. Vessieres, M. Caron, sop: J. Collard, ten: B. Demigny, bar: G. Bacquier, Solistes de l'Orchestre du Theatre National de !'Opera de Paris, conductor: D. Milhaud Vega, C30A284, 33 rpm, 30 em, m, p ca 1960

Les reves de Jacob op. 294 Ob: P. Pierlot, vln: R. Gendre, va: C. Leuquen, vc: M. Lepinte, cb: J. Cazauran, conductor: D. Milhaud B. aM., LD029A, 33 rpm, 30 em, m, p ca 1957 B. aM., LD5029, sc, p ca 1972 First movement republished by: Heugel, 72, 33 rpm, 17 em, sc, p 1972

Salade op. 83 Excerpts: Duo-Tango P. Froumenty, sop: R. Mahe, ten: C. Rouquetty, E. Chastenel, conductor: D. Milhaud Gramophone, DA4886, 78 rpm, 25 em, p 1936

Saudades do Brazil op. 67 Concert Arts Orchestra, conductor: D. Milhaud Capitol, P8558, 33 rpm, 30 em, m, p ca 1957 Excerpts: Sorocaba-Ipanema-Corcovado-Sumare Reduction for piano Piano: D. Milhaud Columbia, LFX40, 78 rpm, 30 em, p ca 1940

Scaramouche op. 165b Piano:M.Meyer,D.Milhaud VSM, DB5086, 78 rpm, 30 em, p 1938 Republished by World Records, SH227, 33 rpm, 30 em, m, p 1975

Service sacre op. 279 Bar: H. Rehfuss, choeur de la RTF, conductor: D. Milhaud Vega, C30A178, 33 rpm, 30 em, m, p ca 1958 Westminster, XWN19052, 33 rpm, 30 em, m, p ca 1964 Westminster, WST17052, 33rpm, 30cm, s, pea 1964; republished by Westminster, WGS8281, 33 rpm, 30 em, s, p 1975 Ades, 140061 (collection: Editions recommees), 33 rpm, 30 em, s. p 1983

Les soirees de Petrograde op. 55 Sop: J. Bathori, piano: D. Milhaud Columbia, D15135, 78 rpm, 30 em, p ca 1930

Les songes op. 124 Orchestre Symphonique de Paris, conductor: D. Milhaud Columbia, LF133/4, 78 rpm, 25 em, p ca 1934 Columbia, 17038/9D, 78 rpm, 25 em

384 Suite de quatrains op. 398 Narr: M. Milhaud, fl: J-P. Rampal, sax: D. Deffayet, bas cl: L. Montaigne, harp: F. Pierre, vln: G. Jarry, vc: M. Tournus, cb: J. Cazauran, conductor: D. Milhaud Ades, 15503, 33 rpm 30 em, sc, p ca 1966 Everest, LPBR6176, 33 rpm, 30 em, m, p ca 1967 Everest, SDBR3176, 33 rpm, 30 em, s, p ca 1967

Suite fran,.aise op. 248 New York Philharmonic Orchestra, conductor: D. Milhaud Columbia, 12395/6D (Album MX268), 78 rpm, 30 em, p 1949 Columbia, LFX860/1, 78 rpm, 30 em, p ca 1949 Republished by Columbia, ML2093, 33 rpm, 30 em, m, p ca 1950 Columbia, FC1003, 33 rpm, 25 em, m, p ca 1952 Columbia, C1027, 33 rpm, 25 em, m, p ca 1954 Columbia, RL6629, 33 rpm, m, p ca 1954 Philips, A01256L, 33 rpm, 30 em, m, p ca 1958

Suite proven~e op. 152c Concert Arts Orchestra, conductor: D. Milhaud Capitol, P8538, 33 rpm, 30 em, m, p ca 1957

Premiere symphonie op. 210 CBS Symphony Orchestra, conductor: D. Milhaud Columbia, 72242/5D (Album MM704), 4 78 rpm, 30 em, p ca 1948 Republished by Columbia, ML2082, 33 rpm, 30 em, m Columbia, ML4784, 33 rpm, 30 em, m, p ca 1954 Philips, A01.256L, 33 rpm, 30 em, m, p ca 1958

Troisieme symphonie (Te Deum) op. 271 Orchestre de la Societe des Concerts du Conservatoire and Elisabeth Brasseur Chorus, conductor: D. Milhaud Vega, C30A355, 33 rpm, 30 em, m, p 1962 Westminster, WST17101, 33 rpm, 30 em, s, p ca 1966; republished by Westminster, XWN19101, 33 rpm, 30 em, m, p ca 1966 Excerpt from the Vega recording Heugel, 67A et B, 33 rpm, 17 em, m, p 1967 (gift copies)

Quatrieme symphonie op. 281 Orchestre philharmonique de l'ORTF, conductor: D. Milhaud Erato, STU70452, 33 rpm, 30 em, sc, p ca 1968

Cinquieme symphonie op. 322 Turin RAI orchestra conductor: D. Milhaud t, RAI, 16 November 1953

Septieme symphonie op. 344 Orchestre de l'INR, Brussels, conductor: D. Milhaud t, RTB, 22 February 1956

385 Huitieme symphonie (Rhodanienne) op. 362 Orchestre philharmonique de l'ORTF, conductor: D. Milhaud Erato, STU70452, 33 rpm, 30 em, sc, p ca 1968 Excerpt from the Erato recording Heugel, 69-lB, 33 rpm, 17 em, sc, p ca 1969

Dixieme symphonie op. 382 RTB orchestra, conductor: D. Milhaud t, RTB, ca 1962

Onzieme symphonie (Romantique) op. 384 RTB Grand Orchestre, conductor: D. Milhaud t, RTB, 1962

Symphonie concertante op. 376 Turin RAI orchestra, conductor: D. Milhaud t, RAI, 8 June 1959 Tpt: L. Vailland, hn: L. Courtinat, bn: R. Plessier. cb: J. Toraille, Orchestre National de l'ORTF, conductor: D. Milhaud BLM141(SR67) INA, 3 November 1959

Premiere symphonie 'Le printemps' op. 43 Deuxieme Symphonie 'Pastorale' op. 49 Troisieme symphonie 'Serenade' op. 71 Cinquieme symphonie op. 75 Concert Hall Chamber Orchestra, conductor: D. Milhaud Concert Hall Society, Bll, 2 78 rpm, 30 em Republished by Concert Hall Society, 1076, 33 rpm, 30 em, m, p ca 1950 Musical Masterpiece Society, 108,33 rpm, 30 em, m, p ca 1954 Guilde Intemationale du Disque, MMS108, 33 rpm, 25 em, m, p ca 1956, Orchestre de Radio-Luxembourg, conductor: D. Milhaud CBS, S72.803, 33 rpm, 30 em, sc, p ca 1970 Candide, CE31.008, 33 rpm, 30 em, sc, p, 1968 Vox, STGBY626, 33 rpm, 30 em

Quatrieme symphonie op. 74 Orchestre de Radio-Luxembourg, conductor: D. Milhaud CBS, S72.803, 33 rpm, 30 em, sc, p ca 1970 Candide, C£31.008, 33 rpm, 30 em, sc, p, 196& Vox, STGBY626, 33 rpm, 30 em

Sixieme symphonie op. 79 Sop: J. Doerner, con: M-J. Klein, ten: V. Arend, bass: R. Koster, ob: N. Matern, vc: G. Mallach, Orchestre de Radio-Luxembourg, conductor: D. Milhaud CBS, S72.803, 33 rpm, 30 em, sc, p ca 1970 Candide, CE31.008, 33 rpm, 30 em, sc, p. 1968 Vox, STGBY626, 33 rpm, 30 em

386 La tragedie humaine op. 369 ORTF chorus and orchestra, chorus conductor: R. Alix, conductor: D. Milhaud B LM141(SR67), INA, 3 November 1959

Darius Milhaud vous parle et presente son oeuvre avec des extraits de: La cantate des deux cites, L'Orestie d'Eschyle, Ia Troisieme symphonie de chambre, L'homme et son desir, les 3e et 4e Etudes pour piano et orchestre, La creation du monde, I'Octuor (finale) et Etude poetique Voice: D. Milhaud Festival. FLD76A, 33 rpm, 30 em, m, p ca 1957

387 BffiLIOGRAPHY

Compiled by R. Wood Massi

The following is a selected bibliography of works in English. The citation of a book by Milhaud and a chronological list of articles written by him is followed by a list of books and articles by other authors. Many reviews of compositions by Milhaud have been included, but not reviews of performances. A number of reference, history, and music appreciation books make mention of Milhaud. Only a few of the more important ones have been listed, since more or less the same information is given by all. For a list of works in other languages, see: Drake, 1 eremy, ed. Notes sur Ia musique: Essais et chroniques. Paris: Flammarion, 1982. Lists of many performance reviews are contained in The Music Index (Detroit, 1949-). A collection of scores, recordings, program notes, and films can be found in the Milhaud Archives at Mills College in Oakland, California.

Works by Darius Milhaud

Books

Notes without Music: An Autobiography. Edited by Rollo Myers. Translated by Donald Evans. London: Dobson, 1952. American ed., with an added final chapter edited by Herbert Weinstock and translated by Arthur Ogden. New York: Knopf, 1953. Reprint. New York: Da Capo, 1970. 355 pp. (Translation of Notes sans musique. Paris: Rene Julliard, 1949. Rev. & en!. as Ma vie heureuse. Paris: Belford, 1974.)

Articles I I "Arthur Honegger." The Chesterian, n.s. 19 (December 1921): 65-69. "The evolution of modem music in Paris and in Vienna." North American Review 217 (April1923): 544-554. "The jazz band and Negro music." Living Age 323 (October 1924): 169-173. "Polytonality and atonality." Pro Musica Quarterly (New York) 2 (October 1924). "The day after tomorrow." Modern Music 3 (November-December 1925): 22-24. "Louis Fleury." The Chesterian 7 (July-August 1926): 264--265. "Farewell to Diaghilev." Modern Music 7 (December-January 1929): 12-15. "Experimenting with sound film." Modern Music 7 (February-March 1930): 11-14. "Paris opera just before the occupation." Modern Music 18 (November-December

389 1940):45--46. "Through my California window." Modern Music 21 (January-February 1944): 89-95. "To Arnold Schoenberg on his seventieth birthday: Personal recollections." Musical Quarterly 30 (October 1944): 379-384. "Music and politics." Modern Music 22 (November-December 1944): 5-6. "French music between two wars." Circle 7-8 (1946): 106-108. Preface to Poetics of Music, by Igor Stravinsky. New York: Random House, 1947. "Music for the films." Theatre ArLf 31 (September 1947): 27-29. " 'Modem music' is nonsense." Etude 67 (September 1949): 9, 58-59. "Thirty-seven years." In Stravinsky in the Theatre, edited by Minna Lederman, 131-32. New York: Pellegrini & Cudaby, 1949. "In memoriam Richard Strauss." Books Abroad 23 (Autumn 1949): 333-334. "The Western Round Table on Modem Art," 1949; D. Milhaud, participant. Modem Artists in America, 1st ser., no. 1. New York: W. Schultz, 1952. Foreword to Composers, Conductors, and Critics, by Claire R. Reis. New York: Oxford University Press, 1955. "Farewell to Paul Claude!." Books Abroad 29 (Spring 1955): 133. "Reminiscences of Debussy and Ravel." The Listener (May 29, 1958). Reprinted in Essays on Music: An Anthology from "The Listener," edited by F. Aprahamian, 78-83. London: Cassell, 1967. "Of men, music, and machines: Conversations between Darius Milhaud and Leon Kirchner." Mills Quarterly 41 (February 1959): 94-98. "The composer speaks." In The New Book ofModern Composers, edited by David Ewen, 267-269. 3d ed., rev. & enl. New York: Knopf, 1961. Preface to Crowell's Handbook of World Opera, by F. L. Moore. New ~rk: Crowell, 1961. " 'The Six.' "The Listener 67 (February 22, 1962): 336-337. "The image: Three views: Ben Shahn, Darius Milhaud, and James Baldwin debate the real meaning of a fashionable term." Opera News 27 (8 December 1962): 8-12. "My first encounter with jazz," from Notes Without Music, by D. Milhaud. In Contemporary Composers on Contemporary Music, edited by Elliot Schwartz and Barney Childs, 34-39 New York: Holt, Rinehart & Winston, 1967. "I am always interested in what is coming." Christian Science Monitor, 20 May 1968,8. Foreword to Treatise on the Fugue, by Andre Gedalge. Translated and edited by Ferdinand Davis. Norman, Oklahoma: University of Oklahoma Press, 1965. "Stravinsky: A composer's memorial." Perspectives of New Music 9 & 10 (1971): 9-10.

Works about Darius Milhaud

Abraham, Gerald. This Modern Music. 3d ed. London: Duckworth, 1955. Auric, Georges. "Paris resurgent." Modern Music 22 (May-June 1945): 247-250. Austin, William W. Music in the Twentieth Century. New York: Norton, 1966. Barrell, E. A. "A decade of 'The Six'." Etude 47 (December 1929): 883 & 944. Barzun, Jacques. Review of Notes without Music, by Darius Milhaud. Notes 10 (June 1953): 441-442.

390 Baskerville, David Ross. Jazz Influence on Art Music to Mid-century. Ph.D. diss., University of California, Los Angeles, 1965. Bauer, Marion. "Darius Milhaud." Musical Quarterly 28 (April1942): 139-159. --. Twentieth Century Music. Rev. ed. New York: Putnam, 1947. Berger, Arthur W. "Darius Milhaud, promulgator of polytonality." American Music Lover, February 1936, 296. Bernstein, Leonard. The Infinite Variety of Music. New York: Simon & Schuster, 1962. Blanks, F. R. "Darius Milhaud." Canon 12, no. 6 (January 1959): 203-204. Bobbitt, Richard B. The Harmonic Idiom in the Worh of Les Six. Ph.D. diss., Boston University,1963. Bolcom, William. "Reminiscences of Darius Milhaud." Musical Newsletter 7 (Summer 1977): 3-11. Breitrose, Henry. "Conversation with Milhaud." Music Educators Journal 56 (March 1970): 55-56. Broeckx, Jan L. "Current Chronicle: Brussels (Les Eumenides)." Musical Quarterly 36 (April1950): 285-286. Brown, RoyalS. "French music since Debussy and Ravel." High Fidelity/Musical America 23 (September 1973): 50--65. Calvocoressi, M.D. "Darius Milhaud." Living Age 350 (April1936): 140-141. Campbell, Alan. "San Francisco." Musical Courier 155 (June 1957): 26. Campbell, Francean. "Homage aMilhaud." Mills Quarterly 53 (May 1971): 15-16. Casella, Alfredo. "Tone problems of today." Musical Quarterly 10 (October 1924): 159-171. Chanan, Michael. "DariusMilhaud." The Listener82 (October 1962): 461. Chase, Gilbert. America's Music. New York: McGraw-Hill,1955. --. "Darius Milhaud." In Great Modern Composers, edited by Oscar Thompson, 192-198. New York: Dodd, Mead, 1941. Cherry, Paul W. "A cornucopia of quartets: The string quartets of Darius Milhaud." American String Teacher 33, no. 1 (1983): 56ff. --. The String Quartets of Darius Milhaud. Ph.D. diss., University of Colorado, Boulder,1980. --. "Two unknown string quartets by Darius Milhaud." In Report on the Proceedings on the Ph.D. in Music, edited by W. Kearns. Boulder: University of Colorado, 1986. Cocteau, Jean. A Call to Order. Translated by Rollo H. Myers. London: Faber & Gwyer, 1925. --. "Cock and Harlequin." Translated by Rollo H. Myers. Dial 10 (January-June 1921): 55-62. Cohn, Arthur. Twentieth Century Music in Western Europe. Philadelphia: Lippincott,1965. Collaer, Paul. A History ofModern Music. Translated by Sally Abeles. New York: World, 1961. Translation of La musique moderne. Brussels: Elsevier, 1955. "A composer's life. Darius Milhaud talks to Opera News." Opera New 30 (4 June 1966): 8-11. Cook, J. Douglas. "The composer tells how." Saturday Review, 26 June 1954, 43. Cooper, Grosvenor. "Three Milhauds." Modern Music 18 (January-February 1941): 118-120. Cooper, Martin. French Music. London: Oxford University Press,1951.

391 --. "How it's done." Saturday Review, 25 April1953, 35-36. Copland, Aaron. "The art of Darius Milhaud." Saturday Review of Literature, 26 June 1948, 43. --. Copland on Music. New York: Doubleday, 1960. --. "The lyricism of Milhaud." Modern Music 6 (January-February 1929): 14-19. --."Music since 1920." Modern Music 5 (March-April1928): 16-20. --.Our New Music. New York: McGraw-Hill, 1941. Rev. & enl. as The New Music. New York: Norton, 1969. Copp, Laura R. "Whither the trend of modem music? An interview with the famous French modernist, Darius Milhaud." Etude 46 (April1928): 277-278. Cowell, Henry. New Musical Resources. New York: Knopf, 1930. Reprint. New York: Something Else, 1969. --. "Newtermsfornewmusic." Modern Music 5 (May-June 1928): 21-27. Craft, Robert. Stravinsky: ChronicleofaFriendship/948-1971. New York: Knopf, 1972. Crichton, Ronald. "Darius Milhaud: Obituary." Music Time 115 (August 1974): 684-685. Dallin, Leon. Techniques of Twentieth Century Composition. Dubuque, Iowa: Wm. Brown, 1957. Daniel, K. W. "A preliminary investigation of pitch-class set analysis in the atonal and polytonal works of Milhaud and Poulenc." In Theory Only 6 (September 1982): 22-48. "Darius Milhaud, rebel composer, dies." New York Times, 25 June 1974,40. Demarquez, Suzanne. "Paris honors Milhaud and Honegger at 60." Musical Courier 145 (May 1952): 5. Demuth, Norman. French Piano Music with Notes on Its Performance. London: Museum Press, 1959. --. Musical Trends in the Twentieth Century. London: Rackliff, 1952. DeRhen, A. "Milhaud retrospective." High Fidelity/Musical America 22 (July 1972): 22. Deri, Otto. Exploring Twentieth Century Music. New York: Holtz, Rinehart & Winston, 1968. Dickinson, Peter. "Milhaud." Music and Musicians 14 (March 1966): 22-25, 59. Downes, Olin. "Milhaudarrives to teach." New York Times, July21, 1940, sec.10, 5. Drew, David. "Modem French music." In European Music in the Twentieth Century, edited by Howard Hartog, 232-295. New York: Praeger, 1957. Evans, Edwin. "Milhaud." In Cobbett's Cyclopedic Survey of Chamber Music, 140-145. London: Oxford University Press, 1929. Ewen, David. "The Jew in modem symphonic music." Jewish Tribune (New York), 1 July 1927,8-9 & 11. --. The World of Twentieth Century Music. Englewood Cliffs, N.J.: Prentice-Hall, 1968. Ewen, David, ed. The New Book of Modern Composers, 266-277. 3d ed., rev & enl. New York: Knopf, 1961. Faurot, Albert. Concert Piano Repertoire. Metuchen, N.J.: Scarecrow, 1974. Fels-Noth, Elena. "Excerpts from a portrait of Darius Milhaud." Occidental (September 1949). Reprint in Jewish Music Notes (April1952).

392 Fine, Irving. "Milhaud at home." New York Times, 8 January 1950, sec. 2, 9. Forte, Allen. "Darius Milhaud: 'Midi' from Une Joumee." In Contemporary Tone Structures, 39-47 & 154-155. New York: Columbia University, 1955. Frankenstein, Alfred. "Current chronicle: Oakland." Musical Quarterly 49 (October 1963): 514-517. ---. Review of Notes Without Music, by Darius Milhaud. Mills Quarterly 35 (May 1953): 117. Freed, Richard. "Darius Milhaud at eighty." Stereo Review 29 (September 1972): 94. Freeman, John W. "Darius Milhaud, obituary." Opera News (September 1974): 66. Friskin, James, and Irwin Freundlich. Music for the Piano. New York: Dover, 1974. Fuller, Donald. "Forecast and review: Prokofieff and Milhaud, winter of 1944." Modern Music (22 January-February 1945): 103--107. Gilbert, Richard. "Honegger, Poulenc and Milhaud." Disques 1, No. 5 (July 1930): 162-165. Goetze, Wilhelm A. A. An Analytical Study of Milhaud's Neufpreludes for Organ. Ed.D. diss., Columbia University, 1976. Golea, Antoine. "French music since 1945." In Contemporary Music in Europe: A Comphrehensive Survey, edited by Paul Henry Lang and Nathan Broder, 22-37. Translated by Lucile H. Brockway. New York: Schirmer, 1965. Gradenwitz, Peter. "Israel's public festival-minded." Musical Courier 146 (August 1952): 8. Graham, William Allen. The Choral Works of Darius Milhaud, 1960-1974: A Stylistic Analysis. D.M.A. final project, Stanford University, 1975. Green, Christopher. Leger and the Avant-garde. New Haven: Yale University Press, 1976. Hansen, Peter S. An Introduction to Twentieth Century Music. 4th ed. Boston: Allyn & Bacon, 1978. Harding, James. The Ox on the Roof: Scenes from Musical Life in Paris in the Twenties. London: Macdonald, 1972. Haughton, John Allen. "Darius Milhaud: A missionary of the Six" Musical America 37 (January 1923): 3--42. Helm, E. "Darius Milhaud: A personal reminiscence." Music Review 37, no. 4 (1976): 301. Henahan, Donald. "Milhaud: He churned out music but fulfilled the composer's role." New York Times, 7 July 1974, sec. D, 13. Hendrick, Kimmis. "Chatting with Darius." Christian Science Monitor, 20 May 1968,6. Hill, Edward Burlingame. Modem French Music. Boston: Houghton-Mifflin, 1924. Hodgson, Kenneth Dorsey. An Examination of the Compositions of Darius Milhaud for Unaccompanied Mixed Voices. D.M.A. diss., University of Illinois, Urbana-Champaign, 1979. Honegger, Arthur. I Am a Composer. Translated by Wilson 0. Clough. London: Farber & Farber, 1966. Howe, W. "The percussionist's guide to Darius Milhaud's La creation du monde." Percussionist 17, no. 1 (1979): 37-48.

393 Hughes, Allen. "Les Six: A generation later their youthful spirit endures." Musical America 74 (February 1954): 12. Hutcheson, Ernest. The Literature of the Piano. New York: Knopf, 1952. Jacob, Arthur Review of Notes Without Music, by Darius Milhaud. Music Teacher and Piano Student 31 (October 1952): 491. Jade, Ely. "Darius Milhaud." Pro Musica Quarterly (New York) 4 (May-June 1926): 36-40. Jones, Charles, ed. "American music abroad: A symposium." Juilliard Review 3 (Winter 1955-56): 12. Kaplan, A. R. A Performance Analysis of Five Major Recital Works: Concerti for Solo Trombone and Orchestra. Ph.D. diss., New York University, 1978. Kay, Norman. Review of Notes Without Music, by Darius Milhaud. Music and Musicians 19 (November 1970): 72. Kerr, Russell M. "New publications in review." Musical Courier 142 (September 1950): 34. Kirby, Frank E. A Short History of Keyboard Music. New York: Free Press, 1966. Knickerbocker, Paine. "Milhaud at Mills." Mills Quarterly 23 (November 1950): 99-100. Koechlin, Charles. "Tradition in French music." Translated by Lester Burton. Rice Institute Pamphlet6, no. 2 (April1919): 112-117. Kolodin, Irving. "Music to my ears." Saturday Review, 23 August 1952, 27. Kfenek, Ernst. Exploring Music. Translated by Margaret Schenfield and Geoffrey Skelton. London: Calder & Boyers, 1966. --. "Milhaud." In The Book of Modem Composers, edited by David Ewen, 187-193. New York: Knopf, 1942. Krockover, Rosalyn. Review of Concerto for Two Pianos and Orchestra, by Darius Milhaud. Musical Courier 141 (15 April1950): 31. Landormy, Paul. "Darius Milhaud." Musical Times 72 (January 1931): 28-32. Larson, Robert M. Stylistic Characteristics in A Cappella Composition in the United States, 1940--1953: As Indicated by the Works ofJean Berger, David Diamond, Darius Milhaud, and Miklos Rozsa. Ph.D. diss., Northwestern University, 1953. Laughton, John C. A Comprehensive Performance Project in Clarinet Literature with an Essay on the Woodwind Music ofDarius Milhaud. D.M.A. diss., University of Iowa, 1980. --. "The Brazilian Milhaud." Art 9, special English issue by Revista da Escola de MU.Sica e Artes Cenicas, Bahia, Brazil (December 1983): 91-101. Lee, Patricia Taylor. The Solo Piano Music of Darius Milhaud with Suggestions for Its Instructional Use. D.M.A. diss., Temple University, 1979. Lockspeiser, Edward. "The mixture that is Milhaud." High Fidelity 11 (March 1961):42-43,98,100-103. Longyear, Rey M. "Principles of neglected musical repertoire." Journal of Research in Music Education 18 (Summer 1970): 167-177. Lyon, Margaret. "Music-Milhaud-Music." Mills Magazine 3 (November-December 1971): 2-7. McCarthy, Peter J. The Sonatas of Darius Milhaud. D.M.A. diss., Catholic University of America, 1972. McCrory, M., and B. Hieronymus. "Interviews with famous men." South Western Musician 18 (1951): 9. McDonagh, Don. Martha Graham: A Biography. New York: Praeger, 1973.

394 McGuire, Thomas H. "Charles Koechlin." American Music Teacher 25 (January 1976): 19-22. Machlis, Joseph. Introduction to Contemporary Music. New York: Norton, 1961. Mason, Colin. "The chamber music ofMilhaud." Musical Quarterly 43 (July 1957): 326--341. Matson, R. and P. Tanner. "More on the Milhaud marimba/vibe concerto." Percussion Notes 14, no. 3 (1976): 9. Mellers, Wilfrid. Studies in Contemporary Music. London: Dobson, 1947. Meltzer, Charles H. "The polytonic Six of Paris." Forum and Century (December 1921):53(}-537. Morgan, Robert P. "Towards a more inclusive musical literacy: Notes on easy twentieth century piano music." Musical Newsletter 1 (April1971): 12. Morrill, Dexter G. Contrapuntal Tonality in the Early Works of Darius Milhaud. Ph.D. diss., Cornell University, 1970. Myers, Rollo H. "Milhaud." In the Music Masters, edited by A. L. Bacharach; vol. 6, 208. Baltimore: Penguin, 1957. ---. Modern French Music: From Faure to Roulez. New York: Praeger, 1971. ---."A music critic in Paris in the nineteenth-twenties." Musical Quarterly 63 (October 1977): 524-544. Newman, WilliamS. Reviews of Quatrieme concerto pour piano et orchestre and Deuxieme sonate, by Darius Milhaud. Notes 8 (December 1950): 134-135. Nin-Culmell, Joaquin. "Tribute to Milhaud." Delivered before the Society of California Pioneers, 14 January 1965. Typescript, 6 pp. Milhaud Archives, Mills College, Oakland, California. Noble, Natoma N. The Neoclassic Aesthetic in Two Early Song Cycles by Darius Milhaud. D.M.A. diss., University of Texas, Austin, 1981. Noss, Luther. Review of Sonata for Organ, by Darius Milhaud. Notes 8 (December 1950): 134. Palmer, Christopher. "Milhaud at 80." Musical Times 113 (September 1972): 861-863. ---. "Milhaud, Darius." In The New Grove Dictionary ofMusic and Musicians, edited by Stanley Sadie; vol. 12, 305-310. London: Macmillan, 1980. Pearsall, Ronald. "The sophistication of the graceful." Music Review 23 (1962): 205-207. Perlis, Vivian. Interview of Darius Milhaud at Aix-en-Provence, France, 25 July 1970. Typescript, 30 pp. Milhaud Archives, Mills College, Oakland, California. Petrella, Robert L. The Solo and Chamber Music for Clarinet by Darius Milhaud. D .M.A. diss., University of Maryland, 1979. Pimentel, L. "The marimba bar." Percussion Notes 14, no. 2 (1976): 40. Prunieres, Henry. "Darius Milhaud." In A Dictionary of Modern Music and Musicians, edited by A. Eaglefield-Hull, 331-332. New York: Da Capo, 1971. Rasin, Vera. "Les Six and Jean Cocteau." Music and Letters 38 (April 1957): 164-169. Roberts, William B. Darius Milhaud and His Choral Works with Biblical Texts: A Conductor's Study. D.M.A. diss., Southern Baptist Theological Seminary, 1984. Robinson, Forrest. "The music of Darius Milhaud for piano and orchestra." American Music Teacher 18 (November-December 1968): 20. --. "The two-piano music of Darius Milhaud." American Music Teacher 16 (April-May 1967): 27. --. The Works of Darius Milhaud for Piano and Orchestra. Ph.D. diss.,

395 Boston University, 1966. Rogers, Robert M. "Jazz influence on French music." Musical Quarterly 21 (January 1935): 53--68. Rosen, Jerome. "A note on Milhaud." Perspectives of New Music 2 (Fall-Winter 1963): 115-119. Rosenfeld, Paul. Discoveries ofa Music Critic. New York: Harcourt, Brace, 1936. Rostand, Claude. French Music Today. Translated by Henry Marx. New York: Merlin, 1957. --. "The operas of Darius Milhaud." Translated by Denis Stevens. Tempo 19 (Spring 1951): 23-28. Rothe, Friede F. "The leader of the famous Six: A conference with Darius Milhaud." Etude 59 (September 1941): 589 & 640. Rothmuller, Aaron Marko. The Music of the Jews: An Historical Appreciation. Rev. ed. New York: Yoseloff, 1967. Rubsamen, Walter. "Current chronicle: Informal Milhaud festival." Musical Quarterly 35 (October 1949): 610--614. Rupert, M. J. The Piano Music of Darius Milhaud: A Survey. Ph.D. diss., University of Indiana, 1974. Sabin, Robert. "Second piano concerto by Darius Milhaud issued." Musical America 70 (November 1949): 29. Salazar, Adolfo. Music in Our Time. Translated by Isabel Pope. New York: Norton, 1946. Saleski, Gdal. Famous Musicians ofJewish Origin. New York: Bloch, 1949. Salzman, Eric. Twentieth Century Music: An Introduction. Englewood Cliffs, N.J.: Prentice-Hall, 1967. Schaeffer, S. G. The Organ Works of Darius Milhaud. D .M.A. diss., University of Cincinnati, 1977. Schonberg, Harold. The Lives of the Great Composers. New York: Norton, 1970. Schumann, Marguerite E. A Souvenir of Milhaud, His Friends and His Works: An Oral History with Madame Madeleine Milhaud. Reproduction of typescript. Copy deposited at Milhaud Archives of Mills College, Oakland, California, 1986. Searle, Humphrey. Twentieth Century Counterpoint. London: Williams & Norgate, 1954. Sendrey, Alfred. Bibliography of Jewish Music. New York: Columbia University Press, 1951. Shapero, Harold. Reviews of Ouverture mediterraneene, Cinqieme symphonie, and Le carnaval d'aix, by Darius Milhaud. Notes 13 (December 1955): 148-149. Siegmeister, Elie. "Conversations with Milhaud." Musical America 82 (October 1962): 6, 8, & 44. Slonimsky, Nicolas. Baker's Biographical Dictionary of Musicians, 1971 Supplement. New York: Schirmer, 1971. --.Lexicon of Musicallnvective. 2d ed. New York: Coleman-Ross, 1965. --. Music Since 1900. 4th ed. New York: Scribners, 1971. Slonimsky, Nicolas, ed. Baker's Biographical Dictionary ofMusicians. 5th ed. New York: Schirmer, 1958. Smith, Cecil M. "Milhaud's Orphee and The Bells." Modern Music 23 (June-July 1946): 205-207. --."New Milhaud opera: Simon Bolivar." Musical America 70 (June 1950): 7. --. "A new organ sonata by Darius Milhaud," and "New publications offer sampling of French piano music." Musical America 70 (November 15, 1950): 30 & 31.

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397 Publishers

In the case of two or more editions of a work, the editions are listed chronologically and those which are no longer available are in parenthesis.

Following is a list of publishers for which addresses are available:

A des A des 54 rue St. Lazare, F-75009 Paris

A.&S. Ahn & Simrock 66 Taunusstrasse, D-6200 Berlin (USA: see A.M.P.)

A.M.P. Associated Music Publishers (see Schirmer)

Bel. M. Belwin Mills Publishing Corporation c/o Columbia Pictures Publications 15800 Northwest 48th A venue Miami, FL 33014 (Rental: see Presser)

Billaudot Gerard Billaudot, Ed. 14 rue de l'Echiquier, F-75010 Paris (USA: see Presser)

B.&H. Boosey & Hawkes 295 Regent Street, London W1R 8JH (USA: 200 Smith St., Farmingdale, NY 11735)

Cerda Cerda (seeE.F.M)

Ch.duM. Chant du Monde (Distrib. by: Schott Freres, 35 avenue Jean Moulin, F-94300Vincennes)

Cambre Editions M. Cambre 24 Boulevard Poissonniere, F-75009 Paris

Deiss Deiss (see Salabert)

Delkas Delkas (seeMCA)

Durand Durand & Cie. 21 rue Vernet, F-75008 Paris (USA: see Presser)

398 Edit. Trans. Editions Musicales Transatlantiques 50 rue Joseph de Maistre, F-75018 Paris (USA: see Presser)

E.F.M. Editions Fran~ses de Musique (USA: see Presser)

ElkanVogel Elkan-Vogel, Inc. (see Presser)

Enoch Enoch&Cie. 193 boul. Pereire, F-75017Paris (USA: seeA.M.P.)

Eschig Editions Max Eschig 48 rue de Rome, F-75008 Paris (USA: see A.M.P.)

E.S.I. Editions Sociales Internationales (seeCh.duM.)

Fischer Carl Fischer, Inc. 62 Cooper Square, New York, NY 10003

Gallo CH-1411 Donneloye, Switzerland

Gray The H. W. Gray Co., Inc. (see Belwin Mills)

Heugel Heugel & Cie. (see Leduc)

I.M.P. Israeli Music Publishers, Ltd. 25 Keren, Jerusalem 91188 (USA: see Presser)

Leduc Alphonse Leduc S.A. 175 rue St. Honore, F-75001 Paris (USA rental: see Presser)

Leeds Leeds Music Ltd. (see Belwin Mills)

Leonard Hal Leonard Publications 8112 W. Blue Mound Rd., Milwaukee, WI 53213

Marks E. B. Marks Music Corp., 1190 Broadway, New York, NY 10019 (Sales: see Leonard Rentals: see Presser)

399 Mathot Mathot (see Salabert)

MCA MCA Music Publishing (see Belwin Mills)

Mercury Mercury Music Corp. (see Presser)

Ois. Lyre Editions de l'Oiseau Lyre 4 rue des Remparts, Monaco

P. Marconi Pathe Marconi 94-96 rue Lauriston, F-75016 Paris

P.Noel Pierre Noel (see Billaudot)

Presser Theodore Presser Co. Presser Place, Bryn Mawr, P A 19010

Ricordi G. Ricordi & Co. 2 via Berchet, I-20121 Milan (USA: see Schirmer)

Salabert Editions Salabert 22 rue Chauchat, F-75009 Paris (USA: see Schirmer)

Schirmer G. Schirmer Inc. (Sales: see Leonard) (Rental: Music Sales, Inc. 24 East 22nd Street, New York, NY 10010)

Senart Maurice Senart (see Salabert)

Sirene Editions de la Sirene (see Eschig)

South. Mus. Southern Music Publishing Co. (Peer-Southern Concert Music) (see Presser)

U.E. Universal Edition Bosendorferstrasse 12, A-1015 Vienna (USA: European-American Music Dist. Box 850, Valley Forge, PA 19482)

400