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Doric String Quartet Leon Mccawley Tasmin Little Martin Roscoe Coull Quartet Mark Bebbington Britten Oboe Quartet Nicholas Daniel
MALVERN CONCERT CLUB FOUNDED 1903 BY SIR EDWARD ELGAR OM 115th Season 2017-18 Trio Apaches Doric String Quartet Leon McCawley Tasmin Little Martin Roscoe Coull Quartet Mark Bebbington Britten Oboe Quartet Nicholas Daniel Roderick Williams Iain Burnside malvern-concert-club.co.uk MALVERN 115th Season CONCERT CLUB 2017-18 FOUNDED 1903 BY SIR EDWARD ELGAR OM Ever since its first concert on 31 October 1903, MALVERN CONCErt CLUB has been a cornerstone of musical life in Worcestershire. It was founded by Sir Edward Elgar, and the Club’s first Secretary (for over 38 years) was his close friend the local architect Arthur Troyte Griffith, whom Elgar had immortalised in Variation No. VII, Troyte, in his Enigma Variations. 114 years later, today’s Concert Club is proud to continue that tradition of bringing the best chamber music to this part of the country. Although we’re called a ‘club’, anyone can join - and anyone can attend concerts without joining. Besides their high quality, our concerts offer excellent value Thursday 21 September 2017 7.30pm for money. Single tickets are available to non-members, but membership of Malvern Concert Club offers six concerts Trio Apaches for less than the price of four - an exceptional bargain at Matthew Trusler violin Thomas Carroll cello £12 a concert (only £2.50 for students under 21) – with Ashley Wass piano no booking fees. Our main concerts are Saint-Saëns Piano Trio No.1 in F, Op.18 held in The Forum, Malvern Theatres; the Sally Beamish Dance the Beginning of the World subscription series are on Thursdays at WORLD PREMIERE of a MALVERN CONCERT CLUB COMMISSION 7.30pm, with an extra daytime concert on Brahms Piano Trio No.1 in B, Op.8 (1889 version) Sunday 18 February at 3.00pm, for which Trio Apaches, comprising three of the UK’s most respected special ticket arrangements apply. -
PPG POSTBID+ AUCTION No. 75 Closing Date Mon 1St October 2012
PPG POSTBID+ AUCTION No. 75 Closing Date Mon 1st October 2012 Thanks Ron Hartwell, George Fleming and Molly Rawlinson. In this issue : More Charles Herbrugen jazz collection, acquired for offer to members. ROLL CONDITION CODES BOX CONDITION CODES A+ As-new or Very Good condition. Perhaps A Original box in As-new or Very never played, or played only a few times. Good condition. A Good condition for its age. May have B Original box in reasonable defects to the Leader and/or slight wear to condition for its age. May roll edges, but no tears. exhibit some wear. B Normal wear and tear for its age. Usually C Original box complete but may some wear/damage to Leader and perhaps require some repair. some damage to roll edges requiring no or D Original box requiring only minor repair. significant repair. C Significant defects requiring attention W Not original box (but usually and/or repair. serviceable) NB No box Every effort is made to describe each Lot fairly, but in establishing Description Codes for each Lot, it must be appreciated that it is impossible for us to play through every roll, and most Lots will have been examined only to the extent of the first 2-3 feet of the roll. Where a particular Lot was not in our possession at the time the Catalogue was compiled, we have relied on the description provided by the Vendor. Codes may appear alongside the Tune Title, as follows: FT – FoxTrot; W – Waltz; T- Tango; QS – Quickstep; B – Ballad; M – March; HP – Hand-played recording; WMS – World’s Music (Audiographic) Manufacturers’ codes A/A Angelus/Artistyle -
Against Expression?: Avant-Garde Aesthetics in Satie's" Parade"
Against Expression?: Avant-garde Aesthetics in Satie’s Parade A thesis submitted to the Division of Graduate Studies and Research of the University of Cincinnati In partial fulfillment of the requirements for the degree of MASTER OF MUSIC In the division of Composition, Musicology, and Theory of the College-Conservatory of Music 2020 By Carissa Pitkin Cox 1705 Manchester Street Richland, WA 99352 [email protected] B.A. Whitman College, 2005 M.M. The Boston Conservatory, 2007 Committee Chair: Dr. Jonathan Kregor, Ph.D. Abstract The 1918 ballet, Parade, and its music by Erik Satie is a fascinating, and historically significant example of the avant-garde, yet it has not received full attention in the field of musicology. This thesis will provide a study of Parade and the avant-garde, and specifically discuss the ways in which the avant-garde creates a dialectic between the expressiveness of the artwork and the listener’s emotional response. Because it explores the traditional boundaries of art, the avant-garde often resides outside the normal vein of aesthetic theoretical inquiry. However, expression theories can be effectively used to elucidate the aesthetics at play in Parade as well as the implications for expressability present in this avant-garde work. The expression theory of Jenefer Robinson allows for the distinction between expression and evocation (emotions evoked in the listener), and between the composer’s aesthetical goal and the listener’s reaction to an artwork. This has an ideal application in avant-garde works, because it is here that these two categories manifest themselves as so grossly disparate. -
Scott Joplin Silver Swan Rag Original Version Sheet Music
Scott Joplin Silver Swan Rag Original Version Sheet Music Download scott joplin silver swan rag original version sheet music pdf now available in our library. We give you 2 pages partial preview of scott joplin silver swan rag original version sheet music that you can try for free. This music notes has been read 18416 times and last read at 2021-09-26 01:05:22. In order to continue read the entire sheet music of scott joplin silver swan rag original version you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: Piano Solo Ensemble: Musical Ensemble Level: Intermediate [ Read Sheet Music ] Other Sheet Music Scott Joplin Scott Joplins New Rag Original Version Scott Joplin Scott Joplins New Rag Original Version sheet music has been read 11600 times. Scott joplin scott joplins new rag original version arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-25 10:24:17. [ Read More ] Scott Joplin Original Rags Original Version Scott Joplin Original Rags Original Version sheet music has been read 12664 times. Scott joplin original rags original version arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-24 16:46:10. [ Read More ] Scott Joplin Please Say You Will Original Version Scott Joplin Please Say You Will Original Version sheet music has been read 12350 times. Scott joplin please say you will original version arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-25 23:19:45. -
The Form of the Preludes to Bach's Unaccompanied Cello Suites
University of Massachusetts Amherst ScholarWorks@UMass Amherst Masters Theses 1911 - February 2014 2011 The orF m of the Preludes to Bach's Unaccompanied Cello Suites Daniel E. Prindle University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/theses Part of the Composition Commons, Musicology Commons, Music Practice Commons, and the Music Theory Commons Prindle, Daniel E., "The orF m of the Preludes to Bach's Unaccompanied Cello Suites" (2011). Masters Theses 1911 - February 2014. 636. Retrieved from https://scholarworks.umass.edu/theses/636 This thesis is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Masters Theses 1911 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES A Thesis Presented by DANIEL E. PRINDLE Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of MASTER OF MUSIC May 2011 Master of Music in Music Theory © Copyright by Daniel E. Prindle 2011 All Rights Reserved ii THE FORM OF THE PRELUDES TO BACH’S UNACCOMPANIED CELLO SUITES A Thesis Presented by DANIEL E. PRINDLE Approved as to style and content by: _____________________________________ Gary Karpinski, Chair _____________________________________ Miriam Whaples, Member _____________________________________ Brent Auerbach, Member ___________________________________ Jeffrey Cox, Department Head Department of Music and Dance iii DEDICATION To Michelle and Rhys. iv ACKNOWLEDGEMENTS First and foremost, I would like to acknowledge the generous sacrifice made by my family. -
Things Seen on Right and Left Erik Satie
image A Derain Art & Heritage Collections Jack in the Box Projet de costume pour une danseuse, 1926 Cultural Musing Cabinet 8 31 Alfred Frueh Portrait of Erik Satie Rare Books & Special Collections in collaboration with the J M Coetzee Erik Satie, Socrates Postcard, Paris 1920 Centre for Creative Practice and Art & Heritage Collections present: and John Cage Printed on card, 14 x 9 cm In the years after the First World War, Satie’s Alfred (‘Al’) Frueh (1880 – 1968) was an style moved towards what was to become known American cartoonist and caricaturist. He studied Things seen on right and left as neo-classicism. Although his reputation was in Paris from 1909 to 1924, contributing regularly based on his humorous works, Satie’s later music to the New York World, and to New Yorker from Erik Satie in words, pictures and music sometimes has a more serious character. His neo- 1925 onwards. This portrait comes from the year classical masterpiece is the ‘symphonic drama’ that Socrate was premiered. Socrate (Socrates). Following his death in 1925, Exhibition 32 Erik Satie Marche de Cocagne. Satie’s music fell into neglect until the 1950s For three trumpets in C Level 1 & 3, Barr Smith Library when there was a revival of interest in his music Reproduction of Satie’s manuscript as in the United States, particularly due to advocacy frontispiece to Almanach de Cocagne, 9 June until 24 July 2011 of the composer John Cage. Editions de la Sirène, Paris 1920 29 Erik Satie Socrate, Symphonic Drama in 223 pages, original soft cover, 11 x 16.5 cm three parts for piano and voice, composed for the Almanach de Cocagne was an annual performances of Princess Edmond de Polignac. -
03 May 2021.Pdf
3 May 2021 12:01 AM Francesco Geminiani (1687-1762) Concerto grosso in D minor, Op 7 No 2 La Petite Bande, Sigiswald Kuijken (conductor) DEWDR 12:10 AM Heitor Villa-Lobos (1887-1959) Prelude for guitar no.1 in E minor Norbert Kraft (guitar) CACBC 12:15 AM Sergey Rachmaninov (1873-1943) 2 Songs: When Night Descends in silence; Oh stop thy singing maiden fair Fredrik Zetterstrom (baritone), Tobias Ringborg (violin), Anders Kilstrom (piano) SESR 12:24 AM Jean Sibelius (1865-1957) Serenade no 2 in G minor for violin & orchestra, Op 69b Judy Kang (violin), Orchestre Symphonique de Laval CACBC 12:33 AM Franz Liszt (1811-1886) Polonaise No.2 in E major from (S.223) Ferruccio Busoni (piano) SESR 12:43 AM Giovanni Gabrieli (1557-1612) Exaudi me, for 12 part triple chorus, continuo and 4 trombones Danish National Radio Chorus, Copenhagen Cornetts & Sackbutts, Lars Baunkilde (violone), Soren Christian Vestergaard (organ), Bo Holten (conductor) DKDR 12:50 AM Joseph Haydn (1732-1809) Symphony no 104 in D major "London" (H.1.104) Tamas Vasary (conductor), Hungarian Radio Symphony Orchestra HUMR 01:15 AM Erich Wolfgang Korngold (1897-1957) Piano Quintet in E major, Op 15 Daniel Bard (violin), Tim Crawford (violin), Mark Holloway (viola), Chiara Enderle (cello), Paolo Giacometti (piano) CHSRF 01:47 AM Barbara Strozzi (1619-1677) "Hor che Apollo" - Serenade for Soprano, 2 violins & continuo Susanne Ryden (soprano), Musica Fiorita, Daniela Dolci (director) DEWDR 02:01 AM Maurice Ravel (1875-1937) Ma mère l'oye (suite) WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:18 AM Francis Poulenc (1899-1963) Concerto for Two Pianos in D minor, FP 61 Lucas Jussen (piano), Arthur Jussen (piano), WDR Radio Orchestra, Cologne, Christoph Eschenbach (conductor) DEWDR 02:38 AM Ludwig van Beethoven (1770-1827) Symphony No. -
Sounding Nostalgia in Post-World War I Paris
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2019 Sounding Nostalgia In Post-World War I Paris Tristan Paré-Morin University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Recommended Citation Paré-Morin, Tristan, "Sounding Nostalgia In Post-World War I Paris" (2019). Publicly Accessible Penn Dissertations. 3399. https://repository.upenn.edu/edissertations/3399 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/3399 For more information, please contact [email protected]. Sounding Nostalgia In Post-World War I Paris Abstract In the years that immediately followed the Armistice of November 11, 1918, Paris was at a turning point in its history: the aftermath of the Great War overlapped with the early stages of what is commonly perceived as a decade of rejuvenation. This transitional period was marked by tension between the preservation (and reconstruction) of a certain prewar heritage and the negation of that heritage through a series of social and cultural innovations. In this dissertation, I examine the intricate role that nostalgia played across various conflicting experiences of sound and music in the cultural institutions and popular media of the city of Paris during that transition to peace, around 1919-1920. I show how artists understood nostalgia as an affective concept and how they employed it as a creative resource that served multiple personal, social, cultural, and national functions. Rather than using the term “nostalgia” as a mere diagnosis of temporal longing, I revert to the capricious definitions of the early twentieth century in order to propose a notion of nostalgia as a set of interconnected forms of longing. -
Peter Donohoe Piano Raphael Wallfisch Cello
Volume II SOMMCD 256 DDD PROKOFIEV serGEI PROKOFIEV (1891-1953) PIANO SONATAS PIANO SONATAS nos. 9 &10 volume II SONATINAS nos.1 &2 Sonatas nos. 9 &10 CeLLO Sonata Sonatinas nos.1&2 Peter Donohoe piano Raphael Wallfisch cello Sonata No. 9, Op. 103 in C major (21:33) Sonatina No 1, Op. 54 in E minor (9:12) CELLO SONATA 1 1. Allegretto 6:44 9 1. Allegro moderato 3:08 2 2. Allegro strepitoso – Andantino – Allegro strepitoso 2:56 bl 2. Adagietto 3:29 3 3. Andante tranquillo 6:38 bm 3. Allegretto 2:34 4 4. Allegro con brio, ma non troppo presto 5:13 Sonatina No. 2, Op. 54 in G major (8:52) Sonata No. 10 (fragment), Op. 137 in E minor bn 1. Allegro sostenuto 3:25 5 Allegro moderato 0:57 bo 2. Andante amabile 2:15 bp 3. Allegro ma non troppo 3:11 Sonata for Cello & Piano, Op. 119 in C major (23:13) 6 1. Andante grave 11:01 Total duration 64:05 7 2. Moderato 4:40 8 3. Allegro ma non troppo 7:30 Peter Donohoe piano Recording location: Turner Sims Concert Hall, University of Southampton on 15th and 16th April 2014 Recording Producer: Siva Oke Recording Engineer: Paul Arden-Taylor Front Cover Photographs: Peter Donohoe by Sussie Ahlburg; Raphael Wallfisch by Benjamin Ealovega Raphael Wallfisch cello Design & layout: Andrew Giles © & 2014 SOMM RECORDINGS · THAMES DITTON · SURREY · ENGLAND Made in the EU PROKOFIEV PIANO SONATAS volume II Amongst Prokofiev’s friends during those last years were the pianist Sonatas nos. -
Harpsichord Suite in a Minor by Élisabeth Jacquet De La Guerre
Harpsichord Suite in A Minor by Élisabeth Jacquet de la Guerre Arranged for Solo Guitar by David Sewell A Research Paper Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Musical Arts Approved November 2019 by the Graduate Supervisory Committee: Frank Koonce, Chair Catalin Rotaru Kotoka Suzuki ARIZONA STATE UNIVERSITY December 2019 ABSTRACT Transcriptions and arrangements of works originally written for other instruments have greatly expanded the guitar’s repertoire. This project focuses on a new arrangement of the Suite in A Minor by Élisabeth Jacquet de la Guerre (1665–1729), which originally was composed for harpsichord. The author chose this work because the repertoire for the guitar is critically lacking in examples of French Baroque harpsichord music and also of works by female composers. The suite includes an unmeasured harpsichord prelude––a genre that, to the author’s knowledge, has not been arranged for the modern six-string guitar. This project also contains a brief account of Jacquet de la Guerre’s life, discusses the genre of unmeasured harpsichord preludes, and provides an overview of compositional aspects of the suite. Furthermore, it includes the arrangement methodology, which shows the process of creating an idiomatic arrangement from harpsichord to solo guitar while trying to preserve the integrity of the original work. A summary of the changes in the current arrangement is presented in Appendix B. i ACKNOWLEDGMENTS I would like to express my great appreciation to Professor Frank Koonce for his support and valuable advice during the development of this research, and also to the members of my committee, Professor Catalin Rotaru and Dr. -
Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music
Rachmaninoff Italian Polka 1 Piano 4 Hands Sheet Music Download rachmaninoff italian polka 1 piano 4 hands sheet music pdf now available in our library. We give you 4 pages partial preview of rachmaninoff italian polka 1 piano 4 hands sheet music that you can try for free. This music notes has been read 13652 times and last read at 2021-09-24 00:14:22. In order to continue read the entire sheet music of rachmaninoff italian polka 1 piano 4 hands you need to signup, download music sheet notes in pdf format also available for offline reading. Instrument: 1 Piano 4 Hands, Piano Method Ensemble: Mixed Level: Early Intermediate [ READ SHEET MUSIC ] Other Sheet Music Italian Polka By Rachmaninoff Arr For 4 Hands Italian Polka By Rachmaninoff Arr For 4 Hands sheet music has been read 3334 times. Italian polka by rachmaninoff arr for 4 hands arrangement is for Early Intermediate level. The music notes has 2 preview and last read at 2021-09-24 02:03:33. [ Read More ] Italian Polka Polka Italienne By Sergei Rachmaninoff Italian Polka Polka Italienne By Sergei Rachmaninoff sheet music has been read 1926 times. Italian polka polka italienne by sergei rachmaninoff arrangement is for Intermediate level. The music notes has 2 preview and last read at 2021-09-22 11:02:16. [ Read More ] Italian Polka Sergei Rachmaninoff For Oboe Piano Italian Polka Sergei Rachmaninoff For Oboe Piano sheet music has been read 2773 times. Italian polka sergei rachmaninoff for oboe piano arrangement is for Beginning level. The music notes has 1 preview and last read at 2021-09-22 22:28:55. -
Scott Joplin: Maple Leaf
Maple Leaf Rag Scott Joplin Born: ? 1867 Died: April 1, 1917 Unlike many Afro-American children in the 1880s who did not get an education, According to the United States Scott attended Lincoln High School census taken in July of 1870, in Sedalia, Missouri, and later went to Scott Joplin was probably born George R. Smith College for several years. in late 1867 or early 1868. No Throughout his life, Joplin believed one is really sure where he was in the importance of education and born either. It was probably in instructed young musicians whenever northeast Texas. he could. Joplin was a self-taught Although he composed several marches, musician whose father was a some waltzes and an opera called laborer and former slave; his Treemonisha, Scott Joplin is best known mother cleaned houses. The for his “rags.” Ragtime is a style of second of six children, Scott music that has a syncopated melody in was always surrounded with which the accents are on the off beats, music. His father played the on top of a steady, march-like violin while his mother sang accompaniment. It originated in the or strummed the banjo. Scott Afro-American community and became often joined in on the violin, a dance craze that was enjoyed by the piano or by singing himself. dancers of all races. Joplin loved this He first taught himself how to music, and produced over 40 piano play the piano by practicing in “rags” during his lifetime. Ragtime the homes where his mother music helped kick off the American jazz worked; then he took lessons age, growing into Dixieland jazz, the from a professional teacher who blues, swing, bebop and eventually rock also taught him how music was ‘n roll.