Intesa Sanpaolo 2019 Consolidated Non-Financial Statement
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
2019 Annual Report 2019 Annual Report Content
2019 Annual Report 2019 Annual Report Content: Key Financial Indicators 7 Letter from the Chairman of the Board of Directors 8 Foreword by the President of the Executive Board 10 Macroeconomic Environment and the Banking Sector 12 Highlights of the Bank’s Strategy and Planned Development 22 Retail Banking 26 Corporate Banking 32 Asset Management and Investment Banking 36 Corporate Social Responsibility 40 Risk Management System 46 Events after the Reporting Period 54 Financial Report 56 Organisational Chart 204 Branch Network 206 Banca Intesa - 2019 Annual Report Key Financial Indicators RSD thousands Banca Intesa Beograd 2019 2018 Income Statement Net interest income 20,500,555 20,487,856 Net fee and commission income 7,691,852 7,191,558 Profit before tax 13,938,435 13,234,169 Income tax (1,587,375) (1,073,267) Net profit from deferred tax assets and liabilities (21,601) 443,208 Profit after tax 12,329,459 12,604,110 Balance Sheet Cash and balances with Central Bank 97,392,634 86,962,607 Non-current assets held for sale and discontinued operations 38,301 143,015 Securities and receivables from derivatives 108,369,638 93,204,324 Loans and receivables from banks, other financial organisations and customers 425,076,129 372,788,378 Investments in subsidiaries 1,199,472 1,199,472 Intangible assets, property, plants and equipment and investment property 15,302,768 11,756,960 Other assets, current and deferred tax assets 5,251,950 5,020,423 Total assets 652,630,892 571,075,179 Financial liabilities based on derivatives 7,869 21,497 Deposits -
A Compendium of Good Practices
1 Education Campaigning Showcases 20 powerful education initiatives and programmes developed to fight antisemitism, from across the world of European football. CompendiumRemembrance and A Commemoration of good practices Team Building Awards 2 What are you reading ? This Compendium of good practices showcases 20 power- ful education initiatives and programmes, developed to fight antisemitism, from across the world of European football. The Compendium is not the definitive list of all noteworthy initiatives, nor is it an evaluation of a selection of programmes which are considered to be the best which exist; its aim is, rather, to highlight some of the existing practices - from workshops to commemoration plaques and remembrance trips to online campaigns – in the hope they might spark interest and motivate clubs, associations, fan groups and other stakeholders within or associated with the football community to develop their own practices. The initiatives were selected as a result of research conducted by a group of eight researchers and experts from across Europe who were all part of the Changing the Chants project. They conducted desk research and interviewed stake- holders connected to these initiatives. As a result, for every initiative the Compendium provides project background and context and an overview of what took place. Due to the limited scope of this Compendium, it has not been possible to analyse all these good practices in great depth and, as such, readers of this Compendium are invited and encouraged to seek out further information where further detail has not been provided. Categorization The practices have been categorised against five overarching themes: Campaigning (1), Education (2), Remembrance and com- memoration (3), Network building (4) and Awards (5). -
Half-Yearly Report As at 30 June 2008
Half-yearly report as at 30 June 2008 WorldReginfo - 6286e888-1677-4def-bcb9-53736907df49 This is an English translation of the Italian original “Relazione semestrale al 30 giugno 2008” and has been prepared solely for the convenience of the reader. The Italian version takes precedence and will be made available to interested readers upon request to Intesa Sanpaolo S.p.A. WorldReginfo - 6286e888-1677-4def-bcb9-53736907df49 This document contains some forward-looking statements and forecasts reflecting the Intesa Sanpaolo management’s current views with respect to certain future events. The Intesa Sanpaolo Group’s ability to achieve its projected results is dependent on many factors which are outside management’s control. Actual results may differ materially from those projected or implied in the forward-looking statements. Such forward-looking information involves risks and uncertainties that could significantly affect expected results and is based on certain key assumptions. The following important factors could cause the Group’s actual results to differ materially from those projected or implied in any forward- looking statements: - the Group’s ability to successfully integrate the employees, products, services and systems of the merger of Banca Intesa S.p.A. and SANPAOLO IMI S.p.A. as well as other recent mergers and acquisitions; - the impact of regulatory decisions and changes in the regulatory environment; - the impact of political and economic developments in Italy and other countries in which the Group operates; - the impact of fluctuations in currency exchange and interest rates; - the Group’s ability to achieve the expected return on the investments and capital expenditures it has made in Italy and in foreign countries. -
Sustainability Report 2012
Sustainability Report 2012 On the cover: Umberto Boccioni (Reggio Calabria 1882 - Verona 1916) Officine a Porta Romana, (Workshops at Porta Romana), 1910 oil on canvas, 75 x 145 cm Intesa Sanpaolo Collection Gallerie d’Italia - Piazza Scala, Milan BOARDS, MANAGEMENT, AUDITORS SUPERVISORY BOARD MANAGEMENT BOARD Chairman Giovanni Bazoli Chairman Andrea Beltratti Senior Deputy Chairman Marcello Sala Deputy Chairmen Mario Bertolissi Pietro Garibaldi Deputy Chairman Giovanni Costa Managing Director Members Luigi Arturo Bianchi and Chief Executive Officer Enrico Tommaso Cucchiani Gianfranco Carbonato Rosalba Casiraghi Members Aureliano Benedetti Franco Dalla Sega Paolo Campaioli Jean-Paul Fitoussi Elio Catania Guido Ghisolfi Roberto Firpo Giulio Stefano Lubatti Emilio Ottolenghi Marco Mangiagalli Gianni Marchesini GENERAL MANAGERS Enrico Tommaso Cucchiani Fabio Pasquini Giuseppe Castagna Eugenio Pavarani Carlo Messina Gaetano Miccichè Gianluca Ponzellini Gian Guido Sacchi Morsiani MANAGER RESPONSIBLE FOR Marco Spadacini PREPARING THE COMPANY’S Livio Torio FINANCIAL REPORTS Ernesto Riva Riccardo Varaldo INDEPENDENT AUDITORS KPMG S.p.A. LEGEND Link to Sustainability V Report 2012 Link to Website Link to topics of interest also to other stakeholders MPLOYEES CUSTOMERS E SHAREHOLDERS SUPPLIERS ENVIRONMENT COMMUNITY Key ï ï Back Key alt + ï ï CONTENTS Letter to the stakeholders 6 V Sustainability report 24 V Introduction and Methodology 8 V Stakeholder map 25 V Customers 26 V Identity and governance 10 V Employees 36 V Mission and values 11 V Shareholders 48 V Strategies 12 V Suppliers 50 V The profile of the Intesa Sanpaolo Group 13 V Environment 52 V Governance 14 V Community 64 V CSR management model 16 V Global Compact 18 V Improvement objectives 74 V Stakeholder Engagement 19 V Indicators 76 V Materiality analysis 20 V GRI Content Index 99 V Our achievements in 2012 21 V KPMG assurance statement 111 V Economic report 22 V Contacts 112 V LETTER TO THE STAKEHOLDERS The past five years have been severely hit by an unprecedented crisis. -
Blank Document
kpmg KPMG d.o.o. Beograd Tel.: +381 (0)11 20 50 500 Kraljice Natalije 11 Fax: +381 (0)11 20 50 550 11000 Belgrade www.kpmg.com/rs Serbia T R A N S L A T I O N Independent Auditors’ Report TO THE SHAREHOLDERS OF BANCA INTESA A.D. BEOGRAD Report on separate financial statements We have audited the accompanying separate financial statements of Banca Intesa a.d. Beograd (“the Bank”), which comprise the separate balance sheet as at 31 December 2018, the separate income statement, separate statement of other comprehensive income, separate statement of changes in equity and separate cash flow statement for the year then ended, and notes, comprising a summary of significant accounting policies and other explanatory information. Management’s Responsibility for the Separate Financial Statements Management is responsible for the preparation and true and fair view of these separate financial statements in accordance with International Financial Reporting Standards, and for such internal control as management determines is necessary to enable the preparation of separate financial statements that are free from material misstatement, whether due to fraud or error. Auditors’ Responsibility Our responsibility is to express an opinion on these separate financial statements based on our audit. We conducted our audit in accordance with the Law on Auditing of the Republic of Serbia, the Decision on External Audit of Banks and applicable audit standards in the Republic of Serbia. Those standards require that we comply with ethical requirements and plan and perform the audit to obtain reasonable assurance about whether the financial statements are free from material misstatement. -
Professional Lighting for the Performing Arts Portfolio Showbook (Abstract) Light Illuminates; but It Does a Lot More Than This
professional lighting for the performing arts Portfolio Showbook (abstract) Light illuminates; but it does a lot more than this. Light is like a building material; it models shapes, it transforms space without moving it, it allows the space to be designed and it defines functions without changing the architectural structure. Light is a means of communication; the intensity, the colour, the shades, the transparencies, the movements, the effects and the reflections. It directs attention to objects, to people and to their movements. Skilful use of light can highlight and enhance and a scenography and enrich the expressive dialogue, in architecture, on stage, in TV and Cinema studios. The following pages highlight a selection of Spotlight installations from around the world. Thank you to the many lighting designers, theatre consultants, architects, distributors, and installers who have chosen Spotlight as a partner for these and many other lighting projects. Since 1969 Spotlight has been committed to quality and innovation. We are all so very proud that our technology has proven to be a valuable asset in realizing your creative vision. [email protected] www.spotlight.it [email protected] www.spotlight.it Jardin des Tuileries Museum, Paris (France) Rembrandt Museum, Amsterdam (Netherlands) Hyperactive South Korean artist, entrepreneur and environmentalist Ahae collected for the exhibition “Through my window” a selection The house where Rembrandt lived between 1639 and 1658 of his photographs, which range from 10 meters long to a more is nowadays a museum: Museum het Rembrandthuis or the modest size and reveal various perspectives, taken over a period of Rembrandt House Museum. -
COMMUNITY SUPPORT 103-2 Society
201-1; 203-1; COMMUNITY SUPPORT 103-2 Society Community support COMPANY POLICIES The Group plays an active role in the areas in which it operates. The Code of Ethics draws attention to the requirements and needs of the community: this commitment consists of various activities which tangibly contribute to achieving sustainable development goals at a global level, such as the promotion RIVROLGDULW\LQLWLDWLYHVZLWKSURMHFWVVHWXSWKURXJKSDUWQHUVKLSVGRQDWLRQVWKHVSRQVRUVKLSRILPSRUWDQW cultural and social initiatives, and the protection and promotion of the historical, artistic and cultural KHULWDJHRIERWK,WDO\DQGWKH*URXSVRWKDWLWFDQEHHQMR\HGE\WKHSXEOLFDVZHOO With the 2018-2021 Business Plan, the Group intends to become an increasingly important exemplary PRGHOIRUVRFLHW\GHYHORSLQJNH\SURMHFWVVXFKDV ,QWHVD6DQSDRORIRUGLVDGYDQWDJHGSHRSOHZKLFKHQWDLOVWKHH[WHQVLRQRIWKH³&LERH5LSDURSHUOH SHUVRQHLQGLI¿FROWj´ )RRGDQG6KHOWHUIRUGLVDGYDQWDJHGSHRSOH LQLWLDWLYHWRJXDUDQWHHPHDOV a day (3.6 million a year), 6,000 beds a month (72,000 a year), 3,000 medicines and 3,000 clothing items a month (36,000 drugs and 36,000 items of clothing a year) to people in need; Intesa Sanpaolo for culture, with the creation of a specialist unit for the promotion and proactive ma- nagement of artistic, cultural and historical heritage to champion art and culture in Italy and abroad. 3URMHFWVDQGDFWLYLWLHVDUHSURPRWHGE\WKH*URXSLQRUGHUWRUHVSRQGHIIHFWLYHO\WRWKHPRVWLPSRUWDQW QHHGVRIFRPPXQLWLHVWDNLQJLQWRDFFRXQWWKHREMHFWLYHVRIWKHPDMRULQWHUQDWLRQDODQGQDWLRQDOSXEOLF and private institutions that -
Dipartimento Di Scienze Giuridiche “Cesare Beccaria”
Dipartimento di Scienze Giuridiche “Cesare Beccaria” 2018 04 Il Centro di Ricerca Coordinato in Information Society Law (ISLC) The Information Society Law Research Center (ISLC) 08 Le linee di ricerca del Centro Research lines of the Center 12 L’attività congressuale nel 2018 Conferences in 2018 16 L’osservatorio Internazionale sul Cyberbullismo e il Memoriale della Shoah Information Society Law Center International Cyberbullying Observatory and Shoah Memorial Direttore responsabile Editor in chief Dipartimento di Scienze Giuridiche “Cesare Beccaria” Giovanni Ziccardi 20 Le pubblicazioni Publications Hanno collaborato In collaboration with Barbara G. Bello 24 I contratti di ricerca, le convenzioni con privati, Pierluigi Perri i progetti europei e i rapporti internazionali Alessandra Salluce Research contracts, agreements with private associations, Andrea Scirpa Samanta Stanco European projects and International relations Gabriele Suffia Adriano Zambon Il Comitato di Indirizzo del Centro, i legami con l’Ateneo, 28 Progetto grafico con il Dipartimento “Beccaria” e con le Cattedre Art director e la didattica di Informatica Giuridica Cristina Menotti The Center’s Steering Committee, the links with the University of Milan, Stampa with the Department “Cesare Beccaria”, with the University Chairs, Printing and with the teaching of Legal Informatics Tipografia Verderio CHI SIAMO TECNOLOGIA E TUTELA DEI DIRITTI UMANI protezione dei dati INTELLIGENZA ARTIFICIALE odio politico e propaganda online Il Centro di Ricerca Coordinato numerosi: tecnologia e tutela dei diritti umani, protezione dei dati, intelligenza artificiale, odio DIRITTO ALL’OBLIO in Information Society Law (ISLC) politico e propaganda online, diritto all’oblio, negazionismo in rete negazionismo in rete, cyberbullismo, discriminazioni, CYBERBULLISMO sorveglianza di massa, terrorismo e radicalizzazione, discriminazioni Il 26 luglio 2017 il Magnifico Rettore diritto, e tra il diritto e le più nuove tecnologie. -
Jahrbuch 2015
Bundesministerium für Inneres, Andreas Kranebitter (Hg): FORSCHUNG | DOKUMENTATION | INFORMATION Justiz, Polizei und das KZ Mauthausen Jahrbuch 2015 der KZ-Gedenkstätte Mauthausen | Mauthausen Memorial Forschung – Dokumentation – Information ISBN: 978-3-7003-1952-8 JAHRBUCH MAUTHAUSEN Erscheinungsdatum: 02.05.2016 KZ- GEDENKSTÄTTE MAUTHAUSEN | MAUTHAUSEN MEMORIAL JAHRBUCH 2015 2015 Mit den nationalsozialistischen Konzentrationslagern werden meist SS und Gestapo in Ver- Justiz, Polizei und bindung gebracht. Andere Institutionen wie Justiz oder Kriminalpolizei assoziiert man in der Öffentlichkeit weitaus seltener mit ihnen. In der NS-Forschung werden seit einiger Zeit das KZ Mauthausen verstärkt Konflikte und Kooperationen ins Blickfeld gerückt, die zwischen Instanzen wie Justiz und Polizei im NS-Staat bestanden haben. Im „Forschungsteil“ des vorliegenden Jahr- buchs werden deshalb die vielfältigen Verbindungen zwischen Judikative und Exekutive im Hinblick auf die teils sehr rege Kooperation der beiden Einrichtungen, auf Maßnahmen wie die „Sicherungsverwahrung“ von StraftäterInnen oder kriminalpolizeiliche Ermittlungen in Bezug zur Geschichte des KZ Mauthausen gesetzt. Der „Dokumentationsteil“ des Jahrbuchs ist einem der umfangreichsten Projekte der KZ-Ge- denkstätte Mauthausen der letzten Jahre gewidmet – dem Gedenkbuch für die Toten des KZ Mauthausen und seiner Außenlager. Mehrere Artikel erläutern Entstehungsgeschichte und Hintergründe des Gedenkbuchs; zudem werden ausgewählte Biografien von Verstorbenen als integraler Bestandteil des -
Memorie Fragili Da Conservare: Testimonianze Dell'olocausto E Della Resistenza in Italia
POLITECNICO DI TORINO Repository ISTITUZIONALE Memorie fragili da conservare: testimonianze dell'Olocausto e della Resistenza in Italia Original Memorie fragili da conservare: testimonianze dell'Olocausto e della Resistenza in Italia / Giacomini, MARIA VITTORIA. - (2012). Availability: This version is available at: 11583/2501639 since: Publisher: Politecnico di Torino Published DOI:10.6092/polito/porto/2501639 Terms of use: openAccess This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 11 October 2021 POLITECNICO DI TORINO SCUOLA DI DOTTORATO Dottorato di Ricerca in Beni Culturali Ciclo XXIII Tesi di Dottorato Memorie fragili da conservare: testimonianze dell’Olocausto e della Resistenza in Italia Coordinatore: Prof.ssa Costanza Roggero Tutors: Prof.ssa Carla Bartolozzi, Prof. Guido Montanari Candidata: Maria Vittoria Giacomini a.a. 2011-12 POLITECNICO DI TORINO SCUOLA DI DOTTORATO Dottorato di Ricerca in Beni Culturali Ciclo XXIII Tesi di Dottorato Memorie fragili da conservare: testimonianze dell’Olocausto e della Resistenza in Italia Coordinatore: Prof.ssa Costanza Roggero Tutors: Prof.ssa Carla Bartolozzi, Prof. Guido Montanari Candidata: Maria Vittoria Giacomini a.a. 2011-12 DIPARTIMENTO CASA-CITTÀ Castello del Valentino - Viale Mattioli 39 - 10125 Torino Tel. (39) 011.5646453 Fax (39) 011.5646450 E-mail [email protected] A nonno Carlo Boccassi INDICE: Introduzione p. i I: Le coordinate e i temi della ricerca 1 Per le memorie del Novecento p. 3 1.1 Memoria e architettura p. 3 1.2 Documenti fragili p. 10 2 La memoria della Deportazione p. 22 2.1 Testimonianze materiali p. -
Memoriale Della Shoah Di Milano
Fondazione Memoriale della Shoah Guides Che cos’è il Memoriale Per consentire anche ad altri di vivere questa esperienza, La Fondazione Memoriale della Shoah nasce nel 2007 suggerisci la visita a tutti sui social network e con una con l’obiettivo di realizzare a Milano un “laboratorio della recensione su TripAdvisor memoria”. Il progetto defi nitivo, fi rmato Morpurgo de MEMORIALE Curtis Architetti Associati, viene presentato nel 2008 in occasione dell’accordo siglato tra Ferrovie dello Stato Questa pubblicazione è stata resa possibile grazie al contributo di DELLA SHOAH e la Fondazione Memoriale della Shoah. La posa della prima pietra del Memoriale ha luogo il 26 gennaio 2010 e il 27 gennaio 2013 ne viene inaugurato il “cuore”: atrio DI MILANO d’ingresso, Muro dell’Indifferenza, rampa di accesso e L’Associazione senza scopo di lucro Milano Loves You Luogo di Rifl essione, quattro vagoni originali restaurati a nasce nel 2012 su iniziativa degli editori di “Where® Milan”, cura del Collegio Ingegneri Ferroviari Italiani – sezione di con lo scopo di far conoscere e promuovere nel mondo Il Memoriale della Shoah di Milano sorge in un’area della Milano, targhe che ricordano i convogli delle deportazioni, le eccellenze in ambito turistico, culturale e commerciale Stazione Centrale cui si aveva accesso diretto da via Ferrante scala circolare di collegamento col piano interrato, dove del territorio di Milano. Aporti (oggi piazza Edmond J. Safra), situata al di sotto dei binari è stato realizzato l’auditorium e completato il sistema del www.milanolovesyou.com ferroviari ordinari e originariamente adibita al carico e scarico foyer e dei servizi per il pubblico. -
IL DOVERE DELLA PAROLA La Shoah Nelle Testimonianze Di Liliana Segre E Di Goti Herskovitz Bauer MARINA RICCUCCI – LAURA RICOTTI
IL DOVERE DELLA PAROLA La Shoah nelle testimonianze di Liliana Segre e di Goti Herskovitz Bauer MARINA RICCUCCI – LAURA RICOTTI È il 1944 quando Goti Bauer e Liliana Segre vengono deportate ad Auschwitz: hanno rispettivamente 19 e 13 anni. Sopravvivono: i loro cari, insieme a milioni di altri esseri umani, in Lager trovano la morte. Quando le due donne si incontreranno, molti anni dopo il ritorno dall’inferno dei Lager, sarà Goti a spingere Liliana a parlare, a farsi testimone. Per entrambe la parola diviene un dovere da rendere alla verità e alla giustizia. Contro ogni negazionismo, contro ogni tentativo di relativizzare e minimizzare, contro ogni banalizzazione. Il racconto di Goti e di Liliana occupa le pagi- ne di questo libro: le parole di Goti conducono a tante vite e a tante storie altrui; quelle di Liliana dentro l’universo del Lager sulla scorta dell’Inferno dantesco. Insieme, fanno la voce sola che svela l’orrore indicibile e abbatte il muro dell’indifferenza. Marina Riccucci insegna Letteratura Italiana presso l’Università di Pisa. Ha pub- blicato volumi su autori e opere del Quattrocento e contributi sul Settecento e sul Novecento. Ha lavorato presso il Consorzio ICoN (Italian Culture on the Net) e da anni si occupa anche di Scrittura Professionale. Attualmente dirige e coordina il progetto Voci dall’Inferno il cui scopo è quello di creare un database digitale delle testimonianze non letterarie dei sopravvissuti ai Lager nazisti e di censire la presen- za, in quelle testimonianze, del lessico dantesco. È membro del CISE di Pisa (Centro Interdipartimentale di Studi Ebraici).