Professional Lighting for the Performing Arts Portfolio Showbook (Abstract) Light Illuminates; but It Does a Lot More Than This
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THE PYRAMIDS of MADRID 1 the Purpose of This Illustration Is to Suggest That the Various Localities Around Madrid, Spain Incorporate the Great Pyramid of Giza Pattern
THE PYRAMIDS OF MADRID 1 The purpose of this illustration is to suggest that the various localities around Madrid, Spain incorporate the Great Pyramid of Giza pattern. In this specific case, the Almudena Cometary appears to approximate the layout of the Grand Gallery that matches the M-23 motorway. The ‘Pit’ corresponds to the Sacred Family College area. It is suggestive but as the powers that rule and design the various layouts of their world capitals, they incorporate the motifs of their Mystery Babylonian religion. In the case of Madrid, as with many other world empire capitals, there are various pyramid layouts and have actual relics from Egypt itself. They are mostly obelisks and parts of temples as it is the case with the Temple of Debod that was moved from Aswan and rebuilt just north of the Royal Palace. M1088 miles The other prominent pyramid layout involves the Spanish Air Force mili- tary base of Torrejon. The runway is the base of the pyramid and an oval 1.88 nautical miles is centered on the pyramid in phi ration proportions. In a lot of cases Cementerio de Almudena around the world, the various Air Forces of nations are situated next to sacred ley-lines. In many bases, it is believed that secret experiments, alien technologies and abductions are carried out. Based on some eye witness accounts, even the experimentation with Stargates goes on. Grand Gallery Base Aerea Torrejon M Plaza Ortega y Obelisco -23 Citra. Eje. Odennell In the case of the Spanish Royal Air Force, the very ensign appears to suggest the winged disk of Assyria. -
The Crown of the Divine Child in the Meroitic Kingdom. a Typological Study 1
ANNALS OF THE NÁPRSTEK MUSEUM 37/1 • 2016 • (pp. 17–31) THE CROWN OF THE DIVINE CHILD IN THE MEROITIC KINGDOM. A TYPOLOGICAL STUDY 1 Eric Spindler2 ABSTRACT: The crown of the divine child was one of the headdresses that transferred from Egypt to the Meroitic Kingdom. It was integrated in the Egyptian decoration program in the early Ptolemaic time. The first king of Meroe to use this crown in the decoration of the Lion Temple in Musawwarat es-Sufra was Arnekhamani (235–218 BCE). It also appeared later in the sanctuaries of his successors Arkamani II (218– 200 BCE) and Adikhalamani (ca. 200–190 BCE) in Dakka and Debod. The Egyptians presented it as the headdress of child gods or the king. In the Kingdom of Meroe the crown was more like a tool to depict the fully legitimised king before he faced the main deity of the sanctuary. To show this the Meroitic artists changed its iconography in such a way that the primarily Egyptian focus on the aspects of youth and rebirth withdrew into the background so that the elements of cosmic, royal and divine legitimacy became the centre of attention. Even if the usage and parts of the iconography were different, the overall meaning remained the same. It was a headdress that combined all elements of the cosmos as well as of royal and divine power. KEY WORDS: Crowns – divine child – Meroitic culture – Dakka – Debod – Musawwarat es-Sufra Introduction The beginning of the third century BCE witnessed a marked change in political relations between Egypt and its southern neighbour – Nubia (for a more specified overview of this topic see: Török 1997: 424-432; Welsby 1996: 66-67). -
A Compendium of Good Practices
1 Education Campaigning Showcases 20 powerful education initiatives and programmes developed to fight antisemitism, from across the world of European football. CompendiumRemembrance and A Commemoration of good practices Team Building Awards 2 What are you reading ? This Compendium of good practices showcases 20 power- ful education initiatives and programmes, developed to fight antisemitism, from across the world of European football. The Compendium is not the definitive list of all noteworthy initiatives, nor is it an evaluation of a selection of programmes which are considered to be the best which exist; its aim is, rather, to highlight some of the existing practices - from workshops to commemoration plaques and remembrance trips to online campaigns – in the hope they might spark interest and motivate clubs, associations, fan groups and other stakeholders within or associated with the football community to develop their own practices. The initiatives were selected as a result of research conducted by a group of eight researchers and experts from across Europe who were all part of the Changing the Chants project. They conducted desk research and interviewed stake- holders connected to these initiatives. As a result, for every initiative the Compendium provides project background and context and an overview of what took place. Due to the limited scope of this Compendium, it has not been possible to analyse all these good practices in great depth and, as such, readers of this Compendium are invited and encouraged to seek out further information where further detail has not been provided. Categorization The practices have been categorised against five overarching themes: Campaigning (1), Education (2), Remembrance and com- memoration (3), Network building (4) and Awards (5). -
Sustainability Report 2012
Sustainability Report 2012 On the cover: Umberto Boccioni (Reggio Calabria 1882 - Verona 1916) Officine a Porta Romana, (Workshops at Porta Romana), 1910 oil on canvas, 75 x 145 cm Intesa Sanpaolo Collection Gallerie d’Italia - Piazza Scala, Milan BOARDS, MANAGEMENT, AUDITORS SUPERVISORY BOARD MANAGEMENT BOARD Chairman Giovanni Bazoli Chairman Andrea Beltratti Senior Deputy Chairman Marcello Sala Deputy Chairmen Mario Bertolissi Pietro Garibaldi Deputy Chairman Giovanni Costa Managing Director Members Luigi Arturo Bianchi and Chief Executive Officer Enrico Tommaso Cucchiani Gianfranco Carbonato Rosalba Casiraghi Members Aureliano Benedetti Franco Dalla Sega Paolo Campaioli Jean-Paul Fitoussi Elio Catania Guido Ghisolfi Roberto Firpo Giulio Stefano Lubatti Emilio Ottolenghi Marco Mangiagalli Gianni Marchesini GENERAL MANAGERS Enrico Tommaso Cucchiani Fabio Pasquini Giuseppe Castagna Eugenio Pavarani Carlo Messina Gaetano Miccichè Gianluca Ponzellini Gian Guido Sacchi Morsiani MANAGER RESPONSIBLE FOR Marco Spadacini PREPARING THE COMPANY’S Livio Torio FINANCIAL REPORTS Ernesto Riva Riccardo Varaldo INDEPENDENT AUDITORS KPMG S.p.A. LEGEND Link to Sustainability V Report 2012 Link to Website Link to topics of interest also to other stakeholders MPLOYEES CUSTOMERS E SHAREHOLDERS SUPPLIERS ENVIRONMENT COMMUNITY Key ï ï Back Key alt + ï ï CONTENTS Letter to the stakeholders 6 V Sustainability report 24 V Introduction and Methodology 8 V Stakeholder map 25 V Customers 26 V Identity and governance 10 V Employees 36 V Mission and values 11 V Shareholders 48 V Strategies 12 V Suppliers 50 V The profile of the Intesa Sanpaolo Group 13 V Environment 52 V Governance 14 V Community 64 V CSR management model 16 V Global Compact 18 V Improvement objectives 74 V Stakeholder Engagement 19 V Indicators 76 V Materiality analysis 20 V GRI Content Index 99 V Our achievements in 2012 21 V KPMG assurance statement 111 V Economic report 22 V Contacts 112 V LETTER TO THE STAKEHOLDERS The past five years have been severely hit by an unprecedented crisis. -
Digital Epigraphy of the Temple of Debod
EGYPTIAN ARCHAEOLOGY Digital epigraphy of the temple of Debod A Spanish team is currently applying the latest digital recording techniques to a study of the scenes and inscriptions of the Nubian temple from Debod, now in Madrid, as Lucía E Díaz-Iglesias Llanos and Daniel M Méndez Rodríguez describe. The Lower Nubian temple of Debod was constructed of the uprising of the Theban area against Alexandria c.20km south of the original island of Philae, but the at the end of the third century AD; the iconographic building of the Aswan High Dam led to the dismantling programme highlights the importance of a new local and removal of the monument in the early 1970s. It theological creation (Amun as divine father of the king of was presented to Spain by the Egyptian government in Meroe) and the central role played by the nearby temple appreciation of Spanish participation in the UNESCO of Isis in Philae in the cultic network of small chapels in ‘Campaign to save the monuments of Nubia’ and now the area; and the religious background of the decoration, stands in the Parque del Oeste in Madrid. with its balance of representations of Nubian and The core of the temple is a small decorated shrine Egyptian deities, exemplifies the political and religious erected by the Meroitic king Adikhalamani in honour developments in the Dodekaschoinos. of Amun of Debod in the place where a chapel built by Our project ‘tA-Hwt, Digital Techniques applied to the Seti II originally stood. Ptolemy VI enclosed the shrine Inscriptions and Reliefs of the Temple of Debod’, directed within a typical Ptolemaic temple structure, turning it by Miguel Á Molinero Polo of the University of La into a rectangular building with access to a terrace and Laguna, Tenerife, has a multi-disciplinary team composed with a screen-walled, columned façade. -
2.Geographie and History. the Temple of Debod Realizado Por: Enedina, Manuela, Martin.T and Mary He Students Must Do the Following Taks in Groups: 1
2.GEOGRAPHIE AND HISTORY. THE TEMPLE OF DEBOD REALIZADO POR: ENEDINA, MANUELA, MARTIN.T AND MARY HE STUDENTS MUST DO THE FOLLOWING TAKS IN GROUPS: 1. DO A SCHEMATIC DRAWING OF THE TEMPLE, AND NUMBER AND WRITE DOWN THE VIDIBLE EXTERNAL PARTS. FOR TAKING MEASURMENT, USE FEET. 2. YOU MUST WRITE DOWN THE FOLLOWING DTA FOR RELATING THEM WITH THE CLASSROOM ACTIVITIES: WHAT IS THE MATERIAL FOR THIS CONSTRUCTION? HAS IT GOT ANY RELATIONSHIP WITH THE ORIGIAL LOCATION OF THE TEMPLE OF DEBOD? YES, THE RELATIONSHIP OF THE POND AND THE TEMPLE IS THAT THE TEMPLE IS THAT EGYPT ALL TEMPLES THAY HAD TO BE NEAR NILO RIVER, SO WHEN THEY MOVED THE TEMPLE TO MADRID THEY ALSO BROUGHT SOME WATER FROM THE NILETO BE REPRESENTED AS A TRUE TEMPLE OF EGYPT • WHAT IS THE MATERIAL USED FOR ITS CONSTRUCTION? DO YOU SEE MORE WAL OR OPENINGS? THINK ABOUT ITS RELATIONSHIP WITH THE MONUMENTAL CHARACTER OF EGYPTIAN ARCHITECTURE. 1. STONE PILLARS 2. MORE WALLS 3. IT HAS TO BE A HARD WALL AND MATERIAL BECAUSE IS A MONUMENTAL ARCHITECTONE • IS ITS STRUCTURE MORE BASED ON LINTELS OR ARCHES AND VAULTS: • IS A LINTELS STRUCTURE. • DRAW A SKETCH OF THE CAPITALS OF THE COLUMNS IN THE FRONT • PART OF THE TEMPLE CLASSROOM ACTIVITIES. 4. THE TEMPLE OF DEBOD. GEIGRAOHIE AND HISTORY. TAKING INTO ACCOUNT THE NOTE YOU TOOK AND QUESTIONS YOU ANSWERED IN THE FIELDWORK, ANSWER THE FOLLOWING QUESTIONS. 1. WHY IS THE TEMPLE OF DEBOD IN MADRID? RELATE WITH ASWAN DAM. BECAUSE IT WAS A GIFT FROM THE EGYO PEOPLE TO US BECAUSE WE HELP THEM. -
COMMUNITY SUPPORT 103-2 Society
201-1; 203-1; COMMUNITY SUPPORT 103-2 Society Community support COMPANY POLICIES The Group plays an active role in the areas in which it operates. The Code of Ethics draws attention to the requirements and needs of the community: this commitment consists of various activities which tangibly contribute to achieving sustainable development goals at a global level, such as the promotion RIVROLGDULW\LQLWLDWLYHVZLWKSURMHFWVVHWXSWKURXJKSDUWQHUVKLSVGRQDWLRQVWKHVSRQVRUVKLSRILPSRUWDQW cultural and social initiatives, and the protection and promotion of the historical, artistic and cultural KHULWDJHRIERWK,WDO\DQGWKH*URXSVRWKDWLWFDQEHHQMR\HGE\WKHSXEOLFDVZHOO With the 2018-2021 Business Plan, the Group intends to become an increasingly important exemplary PRGHOIRUVRFLHW\GHYHORSLQJNH\SURMHFWVVXFKDV ,QWHVD6DQSDRORIRUGLVDGYDQWDJHGSHRSOHZKLFKHQWDLOVWKHH[WHQVLRQRIWKH³&LERH5LSDURSHUOH SHUVRQHLQGLI¿FROWj´ )RRGDQG6KHOWHUIRUGLVDGYDQWDJHGSHRSOH LQLWLDWLYHWRJXDUDQWHHPHDOV a day (3.6 million a year), 6,000 beds a month (72,000 a year), 3,000 medicines and 3,000 clothing items a month (36,000 drugs and 36,000 items of clothing a year) to people in need; Intesa Sanpaolo for culture, with the creation of a specialist unit for the promotion and proactive ma- nagement of artistic, cultural and historical heritage to champion art and culture in Italy and abroad. 3URMHFWVDQGDFWLYLWLHVDUHSURPRWHGE\WKH*URXSLQRUGHUWRUHVSRQGHIIHFWLYHO\WRWKHPRVWLPSRUWDQW QHHGVRIFRPPXQLWLHVWDNLQJLQWRDFFRXQWWKHREMHFWLYHVRIWKHPDMRULQWHUQDWLRQDODQGQDWLRQDOSXEOLF and private institutions that -
Dipartimento Di Scienze Giuridiche “Cesare Beccaria”
Dipartimento di Scienze Giuridiche “Cesare Beccaria” 2018 04 Il Centro di Ricerca Coordinato in Information Society Law (ISLC) The Information Society Law Research Center (ISLC) 08 Le linee di ricerca del Centro Research lines of the Center 12 L’attività congressuale nel 2018 Conferences in 2018 16 L’osservatorio Internazionale sul Cyberbullismo e il Memoriale della Shoah Information Society Law Center International Cyberbullying Observatory and Shoah Memorial Direttore responsabile Editor in chief Dipartimento di Scienze Giuridiche “Cesare Beccaria” Giovanni Ziccardi 20 Le pubblicazioni Publications Hanno collaborato In collaboration with Barbara G. Bello 24 I contratti di ricerca, le convenzioni con privati, Pierluigi Perri i progetti europei e i rapporti internazionali Alessandra Salluce Research contracts, agreements with private associations, Andrea Scirpa Samanta Stanco European projects and International relations Gabriele Suffia Adriano Zambon Il Comitato di Indirizzo del Centro, i legami con l’Ateneo, 28 Progetto grafico con il Dipartimento “Beccaria” e con le Cattedre Art director e la didattica di Informatica Giuridica Cristina Menotti The Center’s Steering Committee, the links with the University of Milan, Stampa with the Department “Cesare Beccaria”, with the University Chairs, Printing and with the teaching of Legal Informatics Tipografia Verderio CHI SIAMO TECNOLOGIA E TUTELA DEI DIRITTI UMANI protezione dei dati INTELLIGENZA ARTIFICIALE odio politico e propaganda online Il Centro di Ricerca Coordinato numerosi: tecnologia e tutela dei diritti umani, protezione dei dati, intelligenza artificiale, odio DIRITTO ALL’OBLIO in Information Society Law (ISLC) politico e propaganda online, diritto all’oblio, negazionismo in rete negazionismo in rete, cyberbullismo, discriminazioni, CYBERBULLISMO sorveglianza di massa, terrorismo e radicalizzazione, discriminazioni Il 26 luglio 2017 il Magnifico Rettore diritto, e tra il diritto e le più nuove tecnologie. -
Jahrbuch 2015
Bundesministerium für Inneres, Andreas Kranebitter (Hg): FORSCHUNG | DOKUMENTATION | INFORMATION Justiz, Polizei und das KZ Mauthausen Jahrbuch 2015 der KZ-Gedenkstätte Mauthausen | Mauthausen Memorial Forschung – Dokumentation – Information ISBN: 978-3-7003-1952-8 JAHRBUCH MAUTHAUSEN Erscheinungsdatum: 02.05.2016 KZ- GEDENKSTÄTTE MAUTHAUSEN | MAUTHAUSEN MEMORIAL JAHRBUCH 2015 2015 Mit den nationalsozialistischen Konzentrationslagern werden meist SS und Gestapo in Ver- Justiz, Polizei und bindung gebracht. Andere Institutionen wie Justiz oder Kriminalpolizei assoziiert man in der Öffentlichkeit weitaus seltener mit ihnen. In der NS-Forschung werden seit einiger Zeit das KZ Mauthausen verstärkt Konflikte und Kooperationen ins Blickfeld gerückt, die zwischen Instanzen wie Justiz und Polizei im NS-Staat bestanden haben. Im „Forschungsteil“ des vorliegenden Jahr- buchs werden deshalb die vielfältigen Verbindungen zwischen Judikative und Exekutive im Hinblick auf die teils sehr rege Kooperation der beiden Einrichtungen, auf Maßnahmen wie die „Sicherungsverwahrung“ von StraftäterInnen oder kriminalpolizeiliche Ermittlungen in Bezug zur Geschichte des KZ Mauthausen gesetzt. Der „Dokumentationsteil“ des Jahrbuchs ist einem der umfangreichsten Projekte der KZ-Ge- denkstätte Mauthausen der letzten Jahre gewidmet – dem Gedenkbuch für die Toten des KZ Mauthausen und seiner Außenlager. Mehrere Artikel erläutern Entstehungsgeschichte und Hintergründe des Gedenkbuchs; zudem werden ausgewählte Biografien von Verstorbenen als integraler Bestandteil des -
Memorie Fragili Da Conservare: Testimonianze Dell'olocausto E Della Resistenza in Italia
POLITECNICO DI TORINO Repository ISTITUZIONALE Memorie fragili da conservare: testimonianze dell'Olocausto e della Resistenza in Italia Original Memorie fragili da conservare: testimonianze dell'Olocausto e della Resistenza in Italia / Giacomini, MARIA VITTORIA. - (2012). Availability: This version is available at: 11583/2501639 since: Publisher: Politecnico di Torino Published DOI:10.6092/polito/porto/2501639 Terms of use: openAccess This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 11 October 2021 POLITECNICO DI TORINO SCUOLA DI DOTTORATO Dottorato di Ricerca in Beni Culturali Ciclo XXIII Tesi di Dottorato Memorie fragili da conservare: testimonianze dell’Olocausto e della Resistenza in Italia Coordinatore: Prof.ssa Costanza Roggero Tutors: Prof.ssa Carla Bartolozzi, Prof. Guido Montanari Candidata: Maria Vittoria Giacomini a.a. 2011-12 POLITECNICO DI TORINO SCUOLA DI DOTTORATO Dottorato di Ricerca in Beni Culturali Ciclo XXIII Tesi di Dottorato Memorie fragili da conservare: testimonianze dell’Olocausto e della Resistenza in Italia Coordinatore: Prof.ssa Costanza Roggero Tutors: Prof.ssa Carla Bartolozzi, Prof. Guido Montanari Candidata: Maria Vittoria Giacomini a.a. 2011-12 DIPARTIMENTO CASA-CITTÀ Castello del Valentino - Viale Mattioli 39 - 10125 Torino Tel. (39) 011.5646453 Fax (39) 011.5646450 E-mail [email protected] A nonno Carlo Boccassi INDICE: Introduzione p. i I: Le coordinate e i temi della ricerca 1 Per le memorie del Novecento p. 3 1.1 Memoria e architettura p. 3 1.2 Documenti fragili p. 10 2 La memoria della Deportazione p. 22 2.1 Testimonianze materiali p. -
Memoriale Della Shoah Di Milano
Fondazione Memoriale della Shoah Guides Che cos’è il Memoriale Per consentire anche ad altri di vivere questa esperienza, La Fondazione Memoriale della Shoah nasce nel 2007 suggerisci la visita a tutti sui social network e con una con l’obiettivo di realizzare a Milano un “laboratorio della recensione su TripAdvisor memoria”. Il progetto defi nitivo, fi rmato Morpurgo de MEMORIALE Curtis Architetti Associati, viene presentato nel 2008 in occasione dell’accordo siglato tra Ferrovie dello Stato Questa pubblicazione è stata resa possibile grazie al contributo di DELLA SHOAH e la Fondazione Memoriale della Shoah. La posa della prima pietra del Memoriale ha luogo il 26 gennaio 2010 e il 27 gennaio 2013 ne viene inaugurato il “cuore”: atrio DI MILANO d’ingresso, Muro dell’Indifferenza, rampa di accesso e L’Associazione senza scopo di lucro Milano Loves You Luogo di Rifl essione, quattro vagoni originali restaurati a nasce nel 2012 su iniziativa degli editori di “Where® Milan”, cura del Collegio Ingegneri Ferroviari Italiani – sezione di con lo scopo di far conoscere e promuovere nel mondo Il Memoriale della Shoah di Milano sorge in un’area della Milano, targhe che ricordano i convogli delle deportazioni, le eccellenze in ambito turistico, culturale e commerciale Stazione Centrale cui si aveva accesso diretto da via Ferrante scala circolare di collegamento col piano interrato, dove del territorio di Milano. Aporti (oggi piazza Edmond J. Safra), situata al di sotto dei binari è stato realizzato l’auditorium e completato il sistema del www.milanolovesyou.com ferroviari ordinari e originariamente adibita al carico e scarico foyer e dei servizi per il pubblico. -
POLITECNICO DI TORINO Repository ISTITUZIONALE
POLITECNICO DI TORINO Repository ISTITUZIONALE Digital Gallery of the maquettes Original Digital Gallery of the maquettes / Giovannini, Elisabetta Caterina; Tomalini, Andrea. - STAMPA. - 2(2020), pp. 192-202. Availability: This version is available at: 11583/2839396 since: 2020-07-10T12:43:47Z Publisher: Pavia University Press Published DOI: Terms of use: openAccess This article is made available under terms and conditions as specified in the corresponding bibliographic description in the repository Publisher copyright (Article begins on next page) 11 October 2021 Massimiliano Lo Turco Elisabetta Caterina Giovannini and Noemi Mafrici edited by Digital & Documentation Digital strategies for Cultural Heritage Volume 2 Digital & Documentation. Digital Strategies for Cultural Heritage / Massimiliano Lo Turco, Elisabetta Caterina Giovannini and Noemi Mafrici (edited by) - Pavia: Pavia University Press, 2020. - 205 p. : ill. ; 21 cm. (Prospettive multiple: studi di ingegneria, architettura e arte ; 2) ISBN 978-88-6952-123-2 (brossura) ISBN 978-88-6952-124-9 (Open Access) The present publication is part of the series “Prospettive multiple: studi di ingegneria, architettura e arte”, which has an international referee panel. “Digital & Documentation: Digital Strategies fo Cultural Heritage” is a scientific text evaluated and approved by the Editorial Scientific Committee of Edizioni Pavia University Press of University of Pavia. The author is available to those having rights which have been unable to communicate for any omissions or inaccuracies. The photo credits in the “Event Photo Gallery“ are by Elisabetta Caterina Giovannini and Francesca Picchio. © Copyright 2020 by Pavia University Press - Edizioni dell’Università degli Studi di Pavia Via Luino, 12 - 27100 Pavia (PV) Tel: +39 0382 987743 / 985047 Fax:+39 0382 985047 Email: [email protected] Editing Massimiliano Lo Turco, Elisabetta Caterina Giovannini and The rights of translation, electronic storage, reproduction and Noemi Mafrici even partial adaptation, by any means, are reserved for all countries.