Lingue Migranti: a Dialectic on the Languages of Italy Published on Iitaly.Org (
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ebook Download a Reference Grammar of Modern Italian
A REFERENCE GRAMMAR OF MODERN ITALIAN PDF, EPUB, EBOOK Martin Maiden,Cecilia Robustelli | 512 pages | 01 Jun 2009 | Taylor & Francis Ltd | 9780340913390 | Italian | London, United Kingdom A Reference Grammar of Modern Italian PDF Book This Italian reference grammar provides a comprehensive, accessible and jargon-free guide to the forms and structures of Italian. This rule is not absolute, and some exceptions do exist. Parli inglese? Italian is an official language of Italy and San Marino and is spoken fluently by the majority of the countries' populations. The rediscovery of Dante's De vulgari eloquentia , as well as a renewed interest in linguistics in the 16th century, sparked a debate that raged throughout Italy concerning the criteria that should govern the establishment of a modern Italian literary and spoken language. Compared with most other Romance languages, Italian has many inconsistent outcomes, where the same underlying sound produces different results in different words, e. An instance of neuter gender also exists in pronouns of the third person singular. Italian immigrants to South America have also brought a presence of the language to that continent. This article contains IPA phonetic symbols. Retrieved 7 August Italian is widely taught in many schools around the world, but rarely as the first foreign language. In linguistic terms, the writing system is close to being a phonemic orthography. For a group composed of boys and girls, ragazzi is the plural, suggesting that -i is a general plural. Book is in Used-Good condition. Story of Language. A history of Western society. It formerly had official status in Albania , Malta , Monaco , Montenegro Kotor , Greece Ionian Islands and Dodecanese and is generally understood in Corsica due to its close relation with the Tuscan-influenced local language and Savoie. -
Fra Sabba Da Castiglione: the Self-Fashioning of a Renaissance Knight Hospitaller”
“Fra Sabba da Castiglione: The Self-Fashioning of a Renaissance Knight Hospitaller” by Ranieri Moore Cavaceppi B.A., University of Pennsylvania 1988 M.A., University of North Carolina 1996 Thesis Submitted in partial fulfillment of the requirements for the Degree of Doctor of Philosophy in the Department of Italian Studies at Brown University May 2011 © Copyright 2011 by Ranieri Moore Cavaceppi This dissertation by Ranieri Moore Cavaceppi is accepted in its present form by the Department of Italian Studies as satisfying the dissertation requirement for the degree of Doctor of Philosophy. Date Ronald L. Martinez, Advisor Recommended to the Graduate Council Date Evelyn Lincoln, Reader Date Ennio Rao, Reader Approved by the Graduate Council Date Peter M. Weber, Dean of the Graduate School iii CURRICULUM VITAE Ranieri Moore Cavaceppi was born in Rome, Italy on October 11, 1965, and moved to Washington, DC at the age of ten. A Fulbright Fellow and a graduate of the University of Pennsylvania, Ranieri received an M.A. in Italian literature from the University of North Carolina at Chapel Hill in 1996, whereupon he began his doctoral studies at Brown University with an emphasis on medieval and Renaissance Italian literature. Returning home to Washington in the fall of 2000, Ranieri became the father of three children, commenced his dissertation research on Knights Hospitaller, and was appointed the primary full-time instructor at American University, acting as language coordinator for the Italian program. iv PREFACE AND ACKNOWLEDGMENTS I deeply appreciate the generous help that I received from each member of my dissertation committee: my advisor Ronald Martinez took a keen interest in this project since its inception in 2004 and suggested many of its leading insights; my readers Evelyn Lincoln and Ennio Rao contributed numerous observations and suggestions. -
Chapter 2. Native Languages of West-Central California
Chapter 2. Native Languages of West-Central California This chapter discusses the native language spoken at Spanish contact by people who eventually moved to missions within Costanoan language family territories. No area in North America was more crowded with distinct languages and language families than central California at the time of Spanish contact. In the chapter we will examine the information that leads scholars to conclude the following key points: The local tribes of the San Francisco Peninsula spoke San Francisco Bay Costanoan, the native language of the central and southern San Francisco Bay Area and adjacent coastal and mountain areas. San Francisco Bay Costanoan is one of six languages of the Costanoan language family, along with Karkin, Awaswas, Mutsun, Rumsen, and Chalon. The Costanoan language family is itself a branch of the Utian language family, of which Miwokan is the only other branch. The Miwokan languages are Coast Miwok, Lake Miwok, Bay Miwok, Plains Miwok, Northern Sierra Miwok, Central Sierra Miwok, and Southern Sierra Miwok. Other languages spoken by native people who moved to Franciscan missions within Costanoan language family territories were Patwin (a Wintuan Family language), Delta and Northern Valley Yokuts (Yokutsan family languages), Esselen (a language isolate) and Wappo (a Yukian family language). Below, we will first present a history of the study of the native languages within our maximal study area, with emphasis on the Costanoan languages. In succeeding sections, we will talk about the degree to which Costanoan language variation is clinal or abrupt, the amount of difference among dialects necessary to call them different languages, and the relationship of the Costanoan languages to the Miwokan languages within the Utian Family. -
The Pirandello Society of America BOARD of DIRECTORS Jana O
The Pirandello Society of America BOARD OF DIRECTORS Jana O’Keefe Bazzoni Stefano Boselli Janice Capuana Samantha Costanzo Burrier Mimi Gisolfi D’Aponte John Louis DiGaetani Mario Fratti Jane House Michael Subialka Kurt Taroff (Europe) Susan Tenneriello HONORARY BOARD Stefano Albertini Eric Bentley Robert Brustein Marvin Carlson Enzo Lauretta Maristella Lorch John Martello PSA The Journal of the Pirandello Society of America Susan Tenneriello, Senior Editor Michael Subialka, Editor Samantha Costanzo Burrier and Lisa Sarti, Assistant Editors Lisa Tagliaferri, Managing Editor EDITORIAL BOARD Angela Belli Daniela Bini John DiGaetani Antonio Illiano Umberto Mariani Olga Ragusa John Welle Stefano Boselli, Webmaster PSA The official publication of the Pirandello Society of America Subscriptions: Annual calendar year subscriptions/dues: $35 individual; $50 libraries; $15 students with copy of current ID. International memberships, add $10. Please see Membership form in this issue, or online: www.pirandellosocietyofamerica.org Make all checks payable to: The Pirandello Society of America/PSA c/o Casa Italiana Zerilli-Marimò 24 West 12th Street New York, NY 10011 All correspondence may be sent to the above address. Submissions: All manuscripts will be screened in a peer-review process by at least two readers. Submit with a separate cover sheet giving the author’s name and contact information. Omit self-identifying information in the body of the text and all headers and footers. Guidelines: Please use the current MLA Style Manual; use in-text references, minimal endnotes, works cited. Articles should generally be 10-20 pages in length; reviews, 2-3 pages. Please do not use automatic formatting. Send MSWord doc. -
Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century
W&M ScholarWorks Undergraduate Honors Theses Theses, Dissertations, & Master Projects 5-2014 Bard in the Gondola, Barred in the Ghetto: Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century Anne M. Kehrli College of William and Mary Follow this and additional works at: https://scholarworks.wm.edu/honorstheses Part of the European History Commons, European Languages and Societies Commons, Fine Arts Commons, Intellectual History Commons, Italian Language and Literature Commons, Jewish Studies Commons, Music Performance Commons, Social History Commons, and the Theatre History Commons Recommended Citation Kehrli, Anne M., "Bard in the Gondola, Barred in the Ghetto: Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century" (2014). Undergraduate Honors Theses. Paper 70. https://scholarworks.wm.edu/honorstheses/70 This Honors Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Undergraduate Honors Theses by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. Bard in the Gondola, Barred in the Ghetto: Operatic Adaptations of Shakespearean Text and Italian Identity in the Late Nineteenth Century A thesis submitted in partial fulfillment of the requirement for the degree of Bachelor of Arts in Theatre from The College of William and Mary by Anne Merideth Kehrli Accepted for _____Highest Honors________________________ -
Il Cinema Di Angelo Musco
ORTO BOTANICO e CINEFORUM DON ORIONE di Messina in collaborazione con l’ASSOCIAZIONE ANTONELLO DA MESSINA presentano la 7ª Edizione (2019) del CINEMA IN ORTO Quattro serate presso la Cavea dell’Orto IL CINEMA DI ANGELO MUSCO BIOGRAFIA - Angelo Musco nasce a Catania il 18 dicembre 1872 e muore a Milano il 6 ottobre 1937. Dopo aver esercitato i più umili mestieri, incomincia a lavorare in un Teatrino dell’Opera dei pupi e poi si dà da fare come canzonettista e macchiettista. Si trasferisce a Messina per unirsi alla Compagnia di Peppino Santoro. Nel 1900 rientra a Catania, dove viene scritturato da Giovanni Grasso, assieme al quale dà l’avvio al teatro popolare siciliano. Nel frattempo rafforza i rapporti prima con Nino Martoglio e poi – dopo aver fondato una sua Compagnia – anche con Luigi Pirandello. IL CINEMA - Dopo il film San Giovanni decollato, risalente al 1917 e diretto da Telemaco Ruggeri, su sceneggiatura di Nino Martoglio (da considerarsi irrimediabilmente perduto), l’esperienza cinematografica di Angelo Musco è tutta racchiusa nel periodo 1932-1937, in cui è il protagonista di ben 10 film, quasi tutti trasposizioni cinematografiche dei suoi successi teatrali. IL RAPPORTO CON MESSINA - Si tratta di un legame molto stretto, che affonda le sue radici in tempi lontanissimi, quando egli vi si reca per la prima volta nel 1899, incontrando il “capocomico” Peppino Santoro, che lo fa debuttare nella sua Compagnia con il nomignolo di Piripicchio. Dopo la morte di Santoro, Musco rientra a Catania; ma Messina gli rimane sempre nel cuore, tanto che vi ritorna diverse volte, anche quando - divenuto famoso - fa Compagnia a sé. -
0 Lexical Differences Between Tuscan Dialects and Standard Italian: Accounting for Geographic and Socio-Demographic Variation Us
0 Lexical differences between Tuscan dialects and standard Italian: Accounting for geographic and socio-demographic variation using generalized additive mixed modeling Martijn Wielinga,b, Simonetta Montemagnic, John Nerbonnea,d and R. Harald Baayena,e aDepartment of Humanities Computing, University of Groningen, The Netherlands, bDepartment of Quantitative Linguistics, University of Tübingen, Germany, cIstituto di Linguistica Computationale ‘Antonio Zampolli’, CNR, Italy, dFreiburg Institute for Advanced Studies, University of Freiburg, Germany, eDepartment of Linguistics, University of Alberta, Canada [email protected], [email protected], [email protected], harald.baayen@uni- tuebingen.de Martijn Wieling, University of Groningen, Department of Humanities Computing, P.O. Box 716, 9700 AS Groningen, The Netherlands 1 Lexical differences between Tuscan dialects and standard Italian: Accounting for geographic and socio-demographic variation using generalized additive mixed modeling 2 This study uses a generalized additive mixed-effects regression model to predict lexical differences in Tuscan dialects with respect to standard Italian. We used lexical information for 170 concepts used by 2060 speakers in 213 locations in Tuscany. In our model, geographical position was found to be an important predictor, with locations more distant from Florence having lexical forms more likely to differ from standard Italian. In addition, the geographical pattern varied significantly for low versus high frequency concepts and older versus younger speakers. Younger speakers generally used variants more likely to match the standard language. Several other factors emerged as significant. Male speakers as well as farmers were more likely to use a lexical form different from standard Italian. In contrast, higher educated speakers used lexical forms more likely to match the standard. -
Developments of the Lateral in Occitan Dialects and Their Romance and Cross-Linguistic Context Daniela Müller
Developments of the lateral in occitan dialects and their romance and cross-linguistic context Daniela Müller To cite this version: Daniela Müller. Developments of the lateral in occitan dialects and their romance and cross- linguistic context. Linguistics. Université Toulouse le Mirail - Toulouse II, 2011. English. NNT : 2011TOU20122. tel-00674530 HAL Id: tel-00674530 https://tel.archives-ouvertes.fr/tel-00674530 Submitted on 27 Feb 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. en vue de l’obtention du DOCTORATDEL’UNIVERSITÉDETOULOUSE délivré par l’université de toulouse 2 - le mirail discipline: sciences du langage zur erlangung der doktorwürde DERNEUPHILOLOGISCHENFAKULTÄT DERRUPRECHT-KARLS-UNIVERSITÄTHEIDELBERG présentée et soutenue par vorgelegt von DANIELAMÜLLER DEVELOPMENTS OF THE LATERAL IN OCCITAN DIALECTS ANDTHEIRROMANCEANDCROSS-LINGUISTICCONTEXT JURY Jonathan Harrington (Professor, Ludwig-Maximilians-Universität München) Francesc Xavier Lamuela (Catedràtic, Universitat de Girona) Jean-Léonard Léonard (Maître de conférences HDR, Paris -
For a Mapping of the Languages/Dialects of Italy And
For a mapping of the languages/dialects of Italy and regional varieties of Italian Philippe Boula de Mareüil, Eric Bilinski, Frédéric Vernier, Valentina de Iacovo, Antonio Romano To cite this version: Philippe Boula de Mareüil, Eric Bilinski, Frédéric Vernier, Valentina de Iacovo, Antonio Romano. For a mapping of the languages/dialects of Italy and regional varieties of Italian. New Ways of Analyzing Dialectal Variation, In press. hal-03318939 HAL Id: hal-03318939 https://hal.archives-ouvertes.fr/hal-03318939 Submitted on 11 Aug 2021 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. For a mapping of the languages/dialects of Italy and regional varieties of Italian Introduction Unifi ed late, Italy is well-known for its great linguistic diversity. This diversity has been thoroughly covered by linguistic atlases such as the Italian-Swiss Atlas (Jaberg / Jud 1928-1940), the Italian Linguistic Atlas (Bartoli et al. 1995), or the linguistic atlases of the Dolomites (Goebl 2003, 2012), Sicily (Sottile 2018), Calabria (Krefeld 2019) and the Piedmont mountains (Cugno / Cusan 2019), for which projects have undertaken to digitise a portion of the material (Tisato 2010) 1 . In other countries, too, various projects have aimed to make the dialect data collected in the 20th century more widely accessible: in France (Goebl 2002; Oliviéri et al. -
The Italian Verse of Milton May 2018
University of Nevada, Reno The Italian Verse of Milton A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English by Francisco Nahoe Dr James Mardock/Dissertation Advisor May 2018 © 2018 Order of Friars Minor Conventual Saint Joseph of Cupertino Province All Rights Reserved UNIVERSITY OF NEVADA, RENO THE GRADUATE SCHOOL We recommend that the dissertation prepared under our supervision by Francisco Nahoe entitled The Italian Verse of Milton be accepted in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY James Mardock PhD, Adviser Eric Rasmussen PhD, Committee Member Lynda Walsh PhD, Committee Member Donald Hardy PhD (emeritus), Committee Member Francesco Manca PhD (emeritus), Committee Member Jaime Leaños PhD, Graduate School Representative David Zeh PhD, Dean, Graduate School May 2018 i Abstract The Italian verse of Milton consists of but six poems: five sonnets and the single stanza of a canzone. Though later in life the poet will celebrate conjugal love in Book IV of Paradise Lost (1667) and in Sonnet XXIII Methought I saw my late espousèd saint (1673), in 1645 Milton proffers his lyric of erotic desire in the Italian language alone. His choice is both unusual and entirely fitting. How did Milton, born in Cheapside, acquire Italian at such an elevated level of proficiency? When did he write these poems and where? Is the woman about whom he speaks an historical person or is she merely the poetic trope demanded by the genre? Though relatively few critics have addressed the style of Milton’s Italian verse, an astonishing range of views has nonetheless emerged from their assessments. -
The Representation of Central-Southern Italian Dialects and African-American Vernacular English in Translation: Issues of Cultural Transfers and National Identity
THE REPRESENTATION OF CENTRAL-SOUTHERN ITALIAN DIALECTS AND AFRICAN-AMERICAN VERNACULAR ENGLISH IN TRANSLATION: ISSUES OF CULTURAL TRANSFERS AND NATIONAL IDENTITY A thesis submitted to Kent State University in partial fulfillment of the requirements for the degree of Doctor of Philosophy by Adriana Di Biase August, 2015 © Copyright by Adriana Di Biase 2015 All Rights Reserved ii Dissertation written by Adriana Di Biase Ph.D., Kent State University – Kent, United States, 2015 M.A., Università degli Studi di Bari “Aldo Moro” – Bari, Italy, 2008 M.A., Scuola Superiore per Interpreti e Traduttori, Gregorio VII – Rome, Italy, 2002 B.A., Università degli Studi “Gabriele D’Annunzio” – Chieti-Pescara, Italy, 2000 Approved by ______________________________, Chair, Doctoral Dissertation Committee Françoise Massardier-Kenney ______________________________, Members, Doctoral Dissertation Committee Brian J. Baer ______________________________, Carol Maier ______________________________, Gene R. Pendleton ______________________________, Babacar M’Baye Accepted by ______________________________, Chair, Modern and Classical Language Studies Keiran J. Dunne ______________________________, Dean, College of Arts and Sciences James L. Blank iii TABLE OF CONTENTS LIST OF FIGURES ...................................................................................................................... vii LIST OF TABLES ....................................................................................................................... viii ACKNOWLEDGEMENTS ........................................................................................................ -
Pierfrancesco Giambullari and Azariah De Rossi: a Note on the Hebrew Discourse of Me’Or Enayim, Chapter 571
Daniel STEIN KOKIN University of Greifswald PIERFRANCESCO GIAMBULLARI AND AZARIAH DE ROSSI: A NOTE ON THE HEBREW DISCOURSE OF ME’OR ENAYIM, CHAPTER 571 RÉSUMÉ Cette note intervient dans un débat érudit de longue date s’agissant d’établir à quel point le Me’or Enayim du polymathe italien Azariah de Rossi doit être regardé comme un défenseur polémique du judaïsme. La note le fait en se focalisant sur une petite partie de sa discussion de la langue hébraïque. En surface, il apparaît qu’au chapitre 57, Azariah emploie les arguments des érudits chrétiens à l’appui de sa thèse selon laquelle l’hébreu «est l’ancêtre et la source de toutes langues». Mais une étude approfondie de ce point du texte montre qu’en fait, Azariah lance ici une polémique subtile contre ses sources chrétiennes, et tout particulièrement, mais de manière implicite, contre l’argument selon lequel le dialecte toscan d’Italie provien- drait directement de l’hébreu ou de l’araméen. En effet, ce sont les érudits juifs qui se révèlent être les mieux à même de démontrer la prééminence de l’hébreu. Or les Toscans ne sauraient revendiquer un rapport particulier avec l’hébreu, comparé aux autres langues. Mon étude d’un petit extrait de ce texte énorme et difficile offre donc une preuve supplémentaire, quoique subtile, en faveur d’une interprétation polé- mique du Me’or Enayim. ABSTRACT This note intervenes in a long-standing scholarly debate concerning the degree to which the Italian polymath Azariah de Rossi’s Me’or Enayim should be regarded as a polemical defense of Judaism.