Disillusionment and Years of Conflict, 1884– 1905
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Midlands Historical Review Volume 1 2017 Cover Image. Detail from Britannia Saxonica (1695) by Robert Morden. Held within the Public Domain and accessed via Wikimedia Commons. Midlands Historical Review ISSN 2516-8568 Volume I, 2017 Published by the Midlands Historical Review With thanks to the editorial board. David Civil, Founding Editor David Robinson, Founding Editor Jonathan Roche, Founding Editor Gary Fisher, Founding Editor With thanks to the assistant editors Thomas Black Christopher Booth Kate Garland Joe Himsworth Joanne Lord Darcie Mawby Marco Panato Thomas Rose James Smith Kimberley Weir Published by Midlands Historical Review © 2018 Midlands Historical Review Midlands Historical Review Founded 2017 Midlands Historical Review is an interdisciplinary, peer-reviewed, student-led journal which showcases the best student research in the Arts and Humanities. It was founded in 2017 by a group of PhD students from diverse academic backgrounds and receives support from the University of Nottingham’s Department of History and School of Humanities. Students in the Arts and Humanities produce valuable contributions to knowledge which, once a degree has been awarded, are often forgotten. High quality research deserves an audience regardless of the level of education it was produced for. The research published by the Midlands Historical Review encourages and enables later cohorts of students to build upon previous students’ work. Contents Human Nature and the Joint Social Project: Towards a Coherent 1 Notion of Alienation Gaby Beckley Guess Who’s Coming to Dinner and Hollywood’s 17 Misrepresentation of the Politics of Interracial Relationships in 1960s America Sarah Dunne Ants and Cicadas: South American Football and National Identity 28 Mark Orton Pierre Nora, Memory, and the Myth of Elizabeth I 49 Tom Rose The Iconography of Kingship: Masques, Antimasques, and 66 Pastorals Thomas Black The “Russian” Woman? Cultural Exceptionalism among 88 Noblewomen in Late Imperial and Revolutionary Russia Darcie Mawby Book Reviews Belief and Unbelief in Medieval Europe. -
Russia's Imperial Encounter with Armenians, 1801-1894
CLAIMING THE CAUCASUS: RUSSIA’S IMPERIAL ENCOUNTER WITH ARMENIANS, 1801-1894 Stephen B. Riegg A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2016 Approved by: Louise McReynolds Donald J. Raleigh Chad Bryant Cemil Aydin Eren Tasar © 2016 Stephen B. Riegg ALL RIGHTS RESERVED ii ABSTRACT Stephen B. Riegg: Claiming the Caucasus: Russia’s Imperial Encounter with Armenians, 1801-1894 (Under the direction of Louise McReynolds) My dissertation questions the relationship between the Russian empire and the Armenian diaspora that populated Russia’s territorial fringes and navigated the tsarist state’s metropolitan centers. I argue that Russia harnessed the stateless and dispersed Armenian diaspora to build its empire in the Caucasus and beyond. Russia relied on the stature of the two most influential institutions of that diaspora, the merchantry and the clergy, to project diplomatic power from Constantinople to Copenhagen; to benefit economically from the transimperial trade networks of Armenian merchants in Russia, Persia, and Turkey; and to draw political advantage from the Armenian Church’s extensive authority within that nation. Moving away from traditional dichotomies of power and resistance, this dissertation examines how Russia relied on foreign-subject Armenian peasants and elites to colonize the South Caucasus, thereby rendering Armenians both agents and recipients of European imperialism. Religion represented a defining link in the Russo-Armenian encounter and therefore shapes the narrative of my project. Driven by a shared ecumenical identity as adherents of Orthodox Christianity, Armenians embraced Russian patronage in the early nineteenth century to escape social and political marginalization in the Persian and Ottoman empires. -
UCLA Electronic Theses and Dissertations
UCLA UCLA Electronic Theses and Dissertations Title On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire Permalink https://escholarship.org/uc/item/3053917v Author Feldman, Leah Michele Publication Date 2013 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire A Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree Doctor of Philosophy In Comparative Literature by Leah Michele Feldman 2013 © Copyright by Leah Michele Feldman 2013 ABSTRACT OF THE DISSERTATION On the Threshold of Eurasia: Intersecting Discourses of Empire and Identity in the Russian Empire by Leah Michele Feldman Doctor of Philosophy in Comparative Literature University of California, Los Angeles, 2013 Professor Aamir Mufti, Co-Chair Professor Azade-Ayse Rorlich, Co-Chair This dissertation considers the foundation of discourses of Orientalism and Postcolonialism in representations of the Caucasus in the literature of Russians and Muslims of the empire from 1828 through 1920. From the mid-nineteenth century through World War I, the Russian empire continued an era of expansion, colonizing the diverse ethnic and cultural territories of the Muslim Caucasus and Central Asia. The oil boom, the creation of an international Turkic language press, the spread of Russian language education and the construction of -
Freedom from Violence and Lies Essays on Russian Poetry and Music by Simon Karlinsky
Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky simon Karlinsky, early 1970s Photograph by Joseph Zimbrolt Ars Rossica Series Editor — David M. Bethea (University of Wisconsin-Madison) Freedom From Violence and lies essays on russian Poetry and music by simon Karlinsky edited by robert P. Hughes, Thomas a. Koster, richard Taruskin Boston 2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-158-6 On the cover: Heinrich Campendonk (1889–1957), Bayerische Landschaft mit Fuhrwerk (ca. 1918). Oil on panel. In Simon Karlinsky’s collection, 1946–2009. © 2012 Artists Rights Society (ARS), New York / VG Bild-Kunst, Bonn Published by Academic Studies Press in 2013. 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. -
THE RISE and FALL of the BLACK HUNDRED by Jacob Langer Department of History Duke Univers
CORRUPTION AND THE COUNTERREVOLUTION: THE RISE AND FALL OF THE BLACK HUNDRED by Jacob Langer Department of History Duke University Date:_______________________ Approved: ___________________________ Marty Miller, Supervisor ___________________________ Donald Raleigh ___________________________ Warren Lerner ___________________________ Alex Roland Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2007 ABSTRACT CORRUPTION AND THE COUNTERREVOLUTION: THE RISE AND FALL OF THE BLACK HUNDRED by Jacob Langer Department of History Duke University Date:_______________________ Approved: ___________________________ Marty Miller, Supervisor ___________________________ Donald Raleigh ___________________________ Warren Lerner ___________________________ Alex Roland An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History in the Graduate School of Duke University 2007 Copyright by Jacob Langer 2007 Abstract This dissertation analyzes the ideology and activities of the Black Hundred movement at the end of the Imperial period in Russia (1905-1917). It seeks to explain the reasons for the sudden, rapid expansion of Black Hundred organizations in 1905, as well as the causes of their decline, which began just two years after their appearance. It further attempts to elucidate the complex relationship between the Black Hundred and Russian authorities, including the central government and local officials. The problem is approached by offering two distinct perspectives on the Black Hundred. First, a broad overview of the movement is presented. The focus here is on the headquarter branches of Black Hundred organizations in St. Petersburg, but these chapters also look at the activities of many different provincial branches, relating trends in the provinces to events in the center in order to draw conclusions about the nature of the overall movement. -
Carnival-16-Final.Pdf
CARNIVAL XVI/2014 Journal of International Students of History Association ISSN 1457-1226 Internationa Students of History Association ISHA International Secretariat c/o Historia vzw. Blijde Inkomststraat 11 3000 Leuven Belgium www.isha-international.org Facebook: Carnival – Journal of the International Students of History Association INTERNATIONAL BOARD 2013/2014 Barbora Hrubá, President Anthony Grally, Vice-President Daria Lohmann, Secretary Roberto Tuccini, Treasurer EDITOR-IN-CHIEF Flavia Tudini ASSISTENT EDITOR Flavia Caruso LANGUAGE PROOFREADING ISHA Kent 2013-2014 Elke Close COVER DESIGN Antonino Mario La Commare Facts and opinions published in the papers express solely the opinions of the respective authors. Authors are responsible for their citing of sources and the accuracy of their references and bibliographies. ISHA cannot be held responsible for any omissions or possible violations of third parties’ rights. CONTENTS 8 A word from the Vice President 10 MANUEL REIMANN The American Revolution and its Impacts on British Atlantic Trade 29 NINA KRAUS “Temporary. For Ever.” Turkish Guest Workers in West Germany. Remembering Migration in 1961 - 2011. 52 DÁNIEL MÁRTON MOLNÁR Some new Revelations and Reflexions about the “Wessagusset-killing” in 1623 71 ALEXANDRA ESCHE “An Instrument of Destiny” - The Personal Crisis And Political Socialization of Adolf Hitler in the First World War 89 ERIK A. KRUEGER Murky Waters: How the Major Allied Powers in WW1 Remember the Great War 111 MICHALIS STAVRI Ireland 1912-1923: An exploration of Irish -
Thesis-1993D-R195w.Pdf (3.647Mb)
A WORTHY FRIEND OF TOMIRIS: OTHE LIFE OF PRINCESS EKATERINA ROMANOVNA DASHKOVA By SHERRI THOMPSON RANEY Bachelor of Arts Oklahoma State university Stillwater, Oklahoma ') 1978 .-· Master of Arts Oklahoma State tJniversity Stillwater, Oklahoma 1981 Submitted to the Faculty of the Graduate College of the Oklahoma State University in partial fulfillment of the requirements for the Degree of DOCTOR OF PHILOSOPHY July, 1993 COPYRIGHT by Sherri Thompson Raney July 1993 OKLA.HOM.A. STATE UNIVERSITY A WORTHY FRIEND OF TOMIRIS: THE LIFE OF PRINCESS EKATERINA ROMANOVNA DASHKOVA Thesis Approved: ii PREFACE March 17, 1993 marked the 250th anniversary of the birth of one of the most famous and least understood women of the eighteenth century, Princess Ekaterina Romanovna Dashkova (1743-1810). Toward the end of Dashkova's life, a young Irishwoman named Catherine Wilmot who enjoyed an extended visit with her issued the following warning, I have since I came here often thought what a task it would be to attempt to draw the Character of the Princess Daschkaw! I for my part think it would be absolutely impossible. Such are her peculiarities & inextricable varietys that the result would only appear like a Wisp of Human Contradictions .•• But she has as many Climates to her mind, as many Splinters of insulation, as many Oceans of agitated uncertainty, as many Etnas of destructive fire and as many Wild wastes of blighted Cultivation as exists in any quarter of the Globe! For my part I think she would be most in her element at the Helm of the State, or Generalissimo of the Army, or Farmer General of the Empire. -
The Material Culture and Architecture of the Jews of Central Asia 1800-1920
THE MATERIAL CULTURE AND ARCHITECTURE OF THE JEWS OF CENTRAL ASIA 1800-1920 Universiteit Leiden - Research Master’s in Middle Eastern Studies Maïra Kaye Acknowledgements I would like to thank all those who helped me carry out this research project, namely my advisor Dr. Elena Paskaleva, IICAS director Dimitry Voyakin, Alim Feyzulayev, and all the staff at IICAS. I am grateful to the University of Samarkand (SamDU) for hosting me in their dormitory for three months. I thank Rafael Elnatanov for his great hospitality in inviting me to Shabbat dinners and introducing me to other members of the Jewish community in Bukhara, as well as Valeria Kraeva and Behruz Kurbanov for their help with my research in Bukhara. In the age of working from home (wherever that is), the website of Library Genesis and SciHub are indispensable, so a shout-out to Alexandra Elbakyan, as well as to Brewster Kahle for the fantastic Internet Archive. Free access to knowledge for all! To my family, Mom, Dad, Théo, Tavi, vovó, and, in memoriam, vovô. 2 TABLE OF CONTENTS LIST OF MAPS ................................................................................................................................... 4 ABBREVIATIONS ............................................................................................................................. 4 GLOSSARY ........................................................................................................................................ 4 INTRODUCTION .................................................................................................................................. -
Undergraduate Research Symposium
European Studies Center Center for Russian, East European, and Eurasian Studies European and Eurasian UNDERGRADUATE RESEARCH SYMPOSIUM 2020 Proceedings Table of Contents NATIONAL IDENTITY AND POST-SOVIET AND POST-COLONIAL LITERATURE AND ART .... 5 Searching for the Yet-Nonexistent: Contemporary Kazakhstani Poetry and Kazakh Identity Aibarsha Kazhyakpar, Nazarbayev University ......................................................................................... 6 In-Between: Interpretations of National Identity and Alienation in Post-Soviet Russian Art Erik Livingston, The College of Wooster ............................................................................................... 17 Gogol’s Dead Souls: A Slavophile in the Provinces Dalton Arrendale, University of Florida ................................................................................................. 26 LANGUAGE AND EDUCATION POLICY AND NATIONALISM ...................................................... 34 National Identity in Education: A Comparative Analysis of Italy and Northern Ireland Courtney Madl, Miami University .......................................................................................................... 35 “Their Mother Tongue”: How Russia’s Language Policy Gives Voice to Nationalism Clara Giorgis, Dickinson College ........................................................................................................... 43 GENDER AND SEXUALITY .................................................................................................................. -
A Usable Collection
A Usable Established in 1935, the International Institute of Social History is one of the world's leading research institutes on social history, holding one of the richest collections in the field. These collections and archives contain evidence of a social and economic world that affected the life and happiness of millions of people. Including material from every continent from the French Revolution to the Chinese student revolt of 1989 and the new social and protest movements of the early 2000s, the IISH collection is intensively used by researchers from all over the world. In his long and singular career, former director Jaap Collection Kloosterman has been central to the development of the IISH into a world leader in researching and collecting social and labour history. The 35 essays brought together in this volume in honour of him, A Usable give a rare insight into the history of this unique institute and the development of its collections. The contributors also offer answers to the question what it takes to devote a lifetime to collecting social Collection history, and to make these collections available for research. The essays offer a unique and multifaceted Essays in Honour of Jaap Kloosterman view on the development of social history and collecting its sources on a global scale. on Collecting Social History Edited by Aad Blok, Jan Lucassen and Huub Sanders ISBN 978 90 8964 688 0 AUP.nl A Usable Collection A Usable Collection Essays in Honour of Jaap Kloosterman on Collecting Social History Edited by Aad Blok, Jan Lucassen and -
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The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth- Century Russia Alexandra Helprin Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2017 © 2017 Alexandra Helprin All rights reserved ABSTRACT The Sheremetevs and the Argunovs: Art, Serfdom, and Enlightenment in Eighteenth- Century Russia Alexandra Helprin This dissertation studies a case of Enlightenment art created in feudal conditions of servitude. The Sheremetevs, one of the richest and most powerful families in eighteenth-century Russia, had some of their hundreds of thousands of serfs trained as painters, architects, opera singers, and musicians. Two of these serfs, Ivan and Nikolai Argunov, became successful portraitists who painted a range of sitters from Empresses to fellow serfs. Tensions between social rank and individuality, already a preoccupation for eighteenth-century portrait painters, became particularly pronounced in this situation. While recent scholarship has focused on the Argunovs' cosmopolitan influences, their paintings of fellow serfs and others of low rank are sometimes visually and iconographically distinct from their usual output. This category of portrait, this dissertation argues, should be considered within the context of the other artistic projects of the Sheremetev household. Despite strong Western European influences on the Argunovs, the painters were also exposed to extremely personal and local precedents. These include earlier portraits, garden prints, an atlas project, the Sheremetevs' many collections, and operas staged by the family's renowned serf theater. Working within this visual environment, Ivan and Nikolai Argunov painted their subjects in intricately allusive ways. Their portraits represented and negotiated the complications of serfdom in a setting where unusual social change was possible. -
A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations
A Semiotic Analysis of Russian Literature in Modern Russian Film Adaptations (Case Studies of Boris Godunov and The Captain’s Daughter) Dissertation Presented in Partial Fulfillment of the Requirements for the Degree doctor of philosophy in the Graduate School of The Ohio State University By Elena K. Myers, B.A., M.A. Graduate Program in Slavic and East European Languages and Cultures The Ohio State University 2015 Dissertation Committee: Dr. Brian Joseph, Advisor Dr. Alexander Burry, Advisor Dr. Yana Hashamova Copyright by Elena K. Myers 2015 Abstract The current study analyzes signs and signifiers that constitute the structural composition of Pushkin’s historical works Boris Godunov and Captain’s Daughter and compare them with their Soviet and post-Soviet screen adaptations. I argue that the popularity of these literary works with filmmakers is based on their inexhaustible topicality for Russian society of the Soviet and post-Soviet periods, and therefore reassessment of their film adaptations guides us towards developing a better understanding of the sociopolitical complexities in modern Russia. The analysis employs methods of semiotics of film, which is a relatively young science, but has already become one of the most promising fields in the theory of cinema. The research is based on the scholarship of such eminent theorists and semioticians as Metz, Bluestone, Barthes, Lotman, Bakhtin, and others. By performing semiotic analysis of Russian intermedial transpositions and Pushkin’s source texts, the study demonstrates the parallels between the historical periods and contemporary Russia. ii Dedication To my mother and my son iii Acknowledgments Many people contributed to whatever academic growth I have achieved.