10/02/21 ML1101: International Film 1: Contexts and Practices | Royal Holloway, University of London

ML1101: International Film 1: Contexts View Online and Practices (Academic year 2018-2019)

Abrams, N., Bell, I. and Udris, J. (2001) Studying Film. London: Arnold.

Allinson, M. (2001a) A Spanish Labyrinth: The Films of Pedro Almodovar. London: I.B. Tauris.

Allinson, M. (2001b) A Spanish Labyrinth: The Films of Pedro Almodovar. London: I. B. Tauris. Available at: https://ezproxy01.rhul.ac.uk/login?url=http://www.vlebooks.com/vleweb/product/openread er?id=Holloway&isbn=9786000006693&uid=^u.

Almódovar, P. (1993) ‘Labyrinth of Passion.’ [S.l.]: Tartan.

Almódovar, P. (1999) ‘Todo Sobre Mi Madre.’ [S.l.]: Pathé.

Almódovar, P. (2005) ‘Almodovar: the collection, Vol. 1.’ Optimum Releasing.

Almódovar, P. (2006a) ‘Almodovar: The Collection, Vol. 2.’ Optimum Home Entertainment.

Almódovar, P. (2006b) ‘Women on the Verge of a Nervous Breakdown.’ [S.l.]: Optimum.

Almódovar, P. (2007) ‘Volver.’ Pathe.

Almodovar, P. (no date) ‘Los Abrazos Rotos.’

Almódovar, P. and Strauss, F. (1996) Almodóvar on Almodóvar. London: Faber & Faber.

Almodv ̤ ar, P. (2006) Volver: guin ̤

cinematogrf ̀ ico. Primera edicin ̤ . Madrid: Ocho y Medio.

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Andrew, D. (1984) Concepts in Film Theory. Oxford: Oxford University Press. Available at: http://eu.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pack age_service_id=13398644640002671&institutionId=2671&customerId=2670.

Andrew, J. D. (1976) The Major Film Theories: An Introduction. Oxford: Oxford University Press.

Andrew, J. D. (1984) Concepts in Film Theory. New York: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=253386.

Armes, R. (1971) Patterns of Realism. South Brunswick: A. S. Barnes.

Armes, R. (1985) French Cinema. New York: Oxford University Press.

Armes, R. (1994a) Action and Image: Dramatic Structure in Cinema. Manchester: Manchester University Press.

Armes, R. (1994b) Action and Image: Dramatic Structure in Cinema. Manchester: Manchester University Press.

Baxter, J. (1971) The Cinema of Joseph Von Sternberg. London: Zwemmer.

Bazin, A. and Rosenbaum, J. (1991) Orson Welles: A Critical View. Acrobat.

Blandford, S., Grant, B. K. and Hillier, J. (2001) The Film Studies Dictionary. London: Arnold.

Bondanella, P. (1999) Italian Cinema: From Neorealism to the Present. New expanded ed. Roundhouse.

‘Box of Broadcasts’ (no date). Available at: https://learningonscreen.ac.uk/ondemand/.

Boyd, D. (1989a) Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo, and Persona. New York: P. Lang.

Boyd, D. (1989b) Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo, and Persona. New York: P. Lang.

Boyd, D. (1989c) Film and the Interpretive Process: A Study of Blow-Up, Rashomon, Citizen Kane, 8 1/2, Vertigo, and Persona. New York: P. Lang.

Braudy, L. and Cohen, M. (2009) Film Theory and Criticism: Introductory Readings. 7th Edition. New York: Oxford University Press.

Buckland, W. (1998) Film Studies. London: Hodder & Stoughton.

Buckland, W. (2009) Puzzle Films: Complex Storytelling in Contemporary Cinema. Malden, MA: Wiley-Blackwell. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=437494.

Buckland, W. (2010) Understand Film Studies. New Edition. London: Teach Yourself.

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Choi, J. and Wada-Marciano, M. (2009) Horror to the extreme: changing boundaries in Asian cinema. Hong Kong: Hong Kong University Press.

Constable, C. (2005) Thinking in Images: Film Theory, Feminist Philosophy and Marlene Dietrich. London: BFI.

Cook, P. (2007) The Cinema Book. 3rd ed. London: BFI.

Corrigan, T. (2012) A Short Guide to Writing About Film. 8th ed. Boston: Pearson.

Crofts, S. (2000) ‘Concepts of National Cinema’, in World Cinema: Critical Approaches. Oxford: Oxford University Press.

Curle, H. and Snyder, S. (2000a) Vittorio De Sica: Contemporary Perspectives. Toronto, [Ont.]: University of Toronto Press.

Curle, H. and Snyder, S. (2000b) Vittorio De Sica: Contemporary Perspectives. Toronto, [Ont.]: University of Toronto Press.

Davies, A. (2007) Pedro Almodovar. [S.l.]: Grant & Cutler.

Dick, B. F. (2000) ‘Hitchcock’s Terrible Mothers’, Literature/Film Quarterly, 28(4), pp. 238–249. Available at: http://www.jstor.org/stable/43796999.

Diestro-Dópido, M. and British Film Institute (2013) Pan’s Labyrinth. Basingstoke, Hampshire: Palgrave Macmillan.

Download & Streaming : Moving Image Archive : Internet Archive (no date). Available at: https://archive.org/details/movies.

Eisenstein, S. and Leyda, J. (1975) The Film Sense. [Rev. ed.]. New York: Harcourt Brace Jovanovich.

Ellis, J. (1992) Visible Fictions: Cinema, Television, Video. Rev. ed. London: Routledge.

Ellis, J. (2002) Visible Fictions: Cinema: Television: Video. 2nd ed. Hoboken: Taylor and Francis. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=178323.

Elsaesser, T. (2012a) The Persistence of Hollywood. New York: Routledge.

Elsaesser, T. (2012b) The Persistence of Hollywood. New York: Routledge. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/e xternal/AbstractView/S9780203152508.

Elsa ̈ sser, T. and Wedel, M. (1999) The BFI Companion to German Cinema. BFI.

Epps, B. S. and Kakoudaki, D. (2009) All About Almodovar: A Passion for Cinema. Minneapolis, Minn: University of Minnesota Press.

3/8 10/02/21 ML1101: International Film 1: Contexts and Practices | Royal Holloway, University of London

Ezra, E. (2004) European Cinema. Oxford: Oxford University Press.

Fabe, M. (2004) Closely Watched Films. Berkeley: University of California Press. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://hdl.handle.net/2027/heb.08041.

Fabe, M. (2014) Closely watched films: an introduction to the art of narrative film technique. 10th anniversary edition. Berkeley: University of California Press.

Forgacs, D. (1990) Italian Culture in the Industrial Era, 1880-1980: Cultural Industries, Politics and the Public. Manchester: Manchester University Press.

Forgacs, D. and Lumley, R. (1996) Italian Cultural Studies: An Introduction. Oxford: Oxford University Press.

Geiger, J. and Rutsky, R. L. (2005) Film Analysis: A Norton Reader. New York: W.W. Norton.

Gellen, K. (2011) ‘Be/Ruf: Sound Control and Vocal Training in Der Blaue Engel’, Colloquia Germanica: Internationale Zeitschrift für Germanistik, 44(3), pp. 259–281. Available at: https://www.jstor.org/stable/23981967.

Genter, R. (2010) ‘"We All Go a Little Mad Sometimes”: Alfred Hitchcock, American Psychoanalysis, and the Construction of the Cold War Psychopath’, Canadian Review of American Studies, 40(2), pp. 133–162. doi: 10.1353/crv.2010.0001.

Giannetti, L. (1999) Understanding Movies. 8th ed. Englewood Cliffs, N.J: Prentice Hall.

Ginsborg, P. (1990) A History of Contemporary Italy: Society and Politics, 1943-1988. London: Penguin.

Gómez-Castellano, I. (2013) ‘Lullabies and Postmemory: Hearing the Ghosts of Spanish History in Guillermo del Toro’s Pan's Labyrinth (El laberinto del fauno, 2006)’, Journal of Spanish Cultural Studies, 14(1), pp. 1–18. doi: 10.1080/14636204.2013.841046.

Gordon, R. S. C. (2008) Bicycle Thieves =: Ladri Di Biciclette. Basingstoke: Palgrave Macmillan.

Gottesman, R. (1971) Focus on Citizen Kane. Englewood Cliffs, N.J.: Prentice Hall.

Gregg Toland, ASC — An Enduring Legacy - The American Society of Cinematographers (no date). Available at: https://theasc.com/articles/gregg-toland-asc-an-enduring-legacy.

Günsberg, M. (2005a) Italian Cinema: Gender and Genre. Houndmills, Basingstoke: Palgrave Macmillan.

Günsberg, M. (2005b) Italian Cinema: Gender and Genre. Basingstoke: Palgrave Macmillan. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=258609.

Hayward, S. (1993) French National Cinema. London: Routledge.

Hayward, S. (1996) Key Concepts in Cinema Studies. London: Routledge.

4/8 10/02/21 ML1101: International Film 1: Contexts and Practices | Royal Holloway, University of London

Hayward, S. (2005) French National Cinema. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=256887.

Hayward, S. and Vincendeau, G. (2000) French Film: Texts and Contexts. London: Routledge.

Heller-Nicholas, A. (2014) ‘Through the Peephole: Alfred Hitchcock and the Enduring Legacy of Psycho.’, Screen Education, pp. 96–101. Available at: http://search.ebscohost.com/login.aspx?direct=true&db=ufh&AN=100063328&a mp;site=ehost-live.

Hessel, S. and Huppert, M. (eds) (2010a) Fear Itself: Reasoning the Unreasonable. Amsterdam: Rodopi.

Hessel, S. and Huppert, M. (eds) (2010b) Fear Itself: Reasoning the Unreasonable. Amsterdam: Rodopi.

Hewitt, N. (1989) The Culture of Reconstruction: European Literature, Thought, and Film, 1945-50. New York: St. Martin’s Press.

Hitchcock, A. (2005) ‘Psycho.’ [S.l.]: Universal. Available at: https://learningonscreen.ac.uk/ondemand/index.php/prog/0000E859?bcast=122012920.

Kaes, A. (1989) From Hitler to Heimat: The Return of History as Film. Cambridge, Mass: Harvard University Press.

Kibel, H. D. (2016) ‘Rashomon Revisited: A Re-Analysis of the Film and Implications for Mass Psychology’, International Journal of Group Psychotherapy, 66(1), pp. 75–101. doi: 10.1080/00207284.2015.1089688.

Kosta, B. (2009) Willing Seduction: The Blue Angel, Marlene Dietrich, and Mass Culture. New York: Berghahn Books. Available at: http://ezproxy01.rhul.ac.uk/login?url=http://www.dawsonera.com/depp/reader/protected/e xternal/AbstractView/S9781845459147.

Kosta, B. (2012) Willing Seduction: The Blue Angel, Marlene Dietrich, and Mass Culture. New York: Berghahn Books.

Kurosawa, A. (2001) ‘Rashomon.’ [S.l.]: BFI.

Kurosawa, A., Richie, D. and Akutagawa, R. (1987) Rashomon. New Brunswick [N.J.]: Rutgers University Press.

Landy, M. (2000) Italian Film. New York: Cambridge University Press.

Lapsley, R. and Westlake, M. (1988) Film Theory: An Introduction. Manchester: Manchester University Press.

Liehm, M. (1984a) Passion and Defiance: Film in Italy From 1942 to the Present. Berkeley: University of California Press. Available at: http://hdl.handle.net/2027/heb.08127.

5/8 10/02/21 ML1101: International Film 1: Contexts and Practices | Royal Holloway, University of London

Liehm, M. (1984b) Passion and Defiance: Film in Italy From 1942 to the Present. Berkeley: University of California Press.

Lugo, M. D’ (2006) Pedro Almodovar. Urbana, [Ill.]: University of Illinois Press.

Marcus, M. (1986) Italian Film in the Light of Neorealism. Princeton, N.J.: Princeton University Press.

Matrix, S. E. and Greenhill, P. (2010) Fairy Tale Films: Visions of Ambiguity. Logan, Utah: Utah State University Press. Available at: https://www.jstor.org/stable/j.ctt4cgn37.

Matthews, P. (2006) ‘Lost in La Mancha’, Sight and Sound, 16(9).

Maunula, V. (no date) Rashomon • Akira Kurosawa Information. Available at: http://akirakurosawa.info/rashomon/.

Mayne, J. (1993a) Cinema and Spectatorship. London: Routledge.

Mayne, J. (1993b) Cinema and Spectatorship. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=169503.

McCracken, C. (2012) ‘Oldboy and Korean film Noir’, Asian Cinema, 23(2), pp. 167–182. doi: 10.1386/ac.23.2.167_1.

Monaco, J. (2009) How to Read a Film: Movies, Media, and Beyond : Art, Technology, Language, History, Theory. 4th ed., completely rev. and expanded. Oxford: Oxford University Press.

Morris, C. D. (2002) The Hanging Figure: On Suspense and the Films of Alfred Hitchcock. Westport, Conn: Praeger.

Mulvey, L. (1992) Citizen Kane. London: BFI Publishing.

Naremore, J. (2004) Orson Welles’s Citizen Kane: A Casebook. Oxford: Oxford University Press. Available at: http://www.loc.gov/catdir/toc/ecip048/2003018676.html.

Nelmes, J. (2012a) Introduction to Film Studies. 5th Edition. London: Routledge.

Nelmes, J. (2012b) Introduction to film studies. London: Routledge. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=958440.

Nowell-Smith, G. (1996a) The Oxford History of World Cinema. Oxford: Oxford University Press.

Nowell-Smith, G. (1996b) The Oxford History of World Cinema. Oxford: Oxford University Press. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=431159.

Park, C., Choi, M.-S. and Jie-Tae, Y. (2005) ‘Oldboy.’ Tartan Video.

Pheasant-Kelly, F. (2016) Fantasy Film Post 9/11. New York: Palgrave Macmillan. Available

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at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1183160.

Pilipp, F. (2014) ‘Desire, Deviation, Double Entendre: The Aesthetics of Sexuality in Der Blaue Engel Revisited’, Journal of Popular Film and Television, 42(2), pp. 91–104. doi: 10.1080/01956051.2013.805119.

Rebello, S. (1990) Alfred Hitchcock and the Making of Psycho. London: Boyars.

Redfern, N. (2013) ‘Film Style and Narration in Rashomon’, Journal of Japanese and Korean Cinema, 5(1-2), pp. 21–36. doi: 10.1080/17564905.2013.10820070.

Roberts, G. and Wallis, H. (2001) Introducing Film. London: Arnold.

Rothman, W. (2012) Hitchcock: The Murderous Gaze. Second edition. Albany, NY: SUNY Press.

Sánchez, F. J. (2012) ‘A Post-National Spanish Imaginary: A Case-Study: Pan’s Labyrinth’, Comparatist: Journal of the Southern Comparative Literature Association, 36, pp. 137–146. Available at: https://www.jstor.org/stable/26237299.

Sassoon, D. (1997) Contemporary Italy: Economy, Society, and Politics Since 1945. 2nd ed. New York: Longman.

Shiel, M. (2006) Italian Neorealism: Rebuilding the Cinematic City. London: Wallflower.

De Sica, V. (2006a) ‘Bicycle Thieves.’ Arrow Films.

De Sica, V. (2006b) ‘Bicycle Thieves.’ Arrow Films.

Silberman, M. (1995) German Cinema: Texts in Context. Detroit: Wayne State University Press.

Smith, P. J. (2006) ‘Women, Windmills and Wedge Heels’, Sight and Sound, 16(6).

Smith, P. J. (2007) ‘Pan’s Labyrinth (El Laberinto Del Fauno)’, Film Quarterly, 60(4), pp. 4–9. doi: 10.1525/fq.2007.60.4.4.

Smith, P. J. (2014) Desire Unlimited: The Cinema of Pedro Almodovar. Third edition. London: Verso.

Sorlin, P. (1996a) Italian National Cinema, 1896-1996. London: Routledge. Available at: https://ebookcentral-proquest-com.ezproxy01.rhul.ac.uk/lib/rhul/detail.action?docID=5121 862.

Sorlin, P. (1996b) Italian National Cinema 1896-1996. London: Routledge.

Spoto, D. (1992) The Art of Alfred Hitchcock: Fifty Years of His Films. London: Fourth Estate.

Sternberg, J. von (2001) ‘The Blue Angel.’ Eureka Video.

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Sterritt, D. (1993) The Films of Alfred Hitchcock. Cambridge: Cambridge University Press. Tifft, S. (2015) ‘Mrs. Bates’s Smile’, in Freedman, J. (ed.) The Cambridge Companion to Alfred Hitchcock. Cambridge: Cambridge University Press, pp. 143–158. doi: 10.1017/CCO9781316227756.012.

Del Toro, G. (2007) ‘Pan’s Labyrinth.’ [S.l.]: Optimum Releasing.

Tudor, A. (1974) Image and Influence: Studies in the Sociology of Film. London: Allen and Unwin.

Vargas, J. C. (2014a) ‘Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy’, in Davies, A., Shaw, D., and Tierney, D. (eds) The Transnational Fantasies of Guillermo Del Toro. New York, NY: Palgrave Macmillan, pp. 183–198.

Vargas, J. C. (2014b) ‘Between Fantasy and Reality: the Child’s Vision and Fairy Tales in Guillermo del Toro’s Hispanic Trilogy’, in Shaw, D., Davies, A., and Tierney, D. (eds) The Transnational Fantasies of Guillermo Del Toro. New York, NY: Palgrave Macmillan, pp. 183–198. Available at: https://ebookcentral.proquest.com/lib/rhul/detail.action?docID=1809207.

Vernon, K. M. and Morris, B. (1995) Post-Franco, Postmodern: The Films of Pedro Almodovar. Westport, Conn: Greenwood Press.

Vincendeau, G. (ed.) (1995) Encyclopedia of European Cinema. London: illustrations.

Wagstaff, C. (2007) Italian Neorealist Cinema: An Aesthetic Approach. Toronto: University of Toronto Press.

Welles, O. (2003) ‘Citizen Kane.’ [S.l]: Universal.

Williams, A. L. (1992) Republic of Images: A History of French Filmmaking. Cambridge, Massachusetts: Harvard University Press.

Williams, C. (1980) Realism and the Cinema: A Reader. London: Routledge and Kegan Paul [for] British Film Institute.

Williams, J. (2010) ‘Gazes in Conflict: Lola Lola, Spectatorship, and Cabaret in the Blue Angel’, Women in German Yearbook: Feminist Studies in German Literature & Culture, 26(1), pp. 54–72. Available at: https://muse-jhu-edu.ezproxy01.rhul.ac.uk/article/405334. Wright, S. (2013) The Child in Spanish Cinema. Manchester: Manchester University Press.

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