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(POST)COLONIAL AFRICA by Katherine Lynn Coverdale the F
ABSTRACT AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA by Katherine Lynn Coverdale The focus of this thesis is aimed at two female French directors: Claire Denis and Mati Diop. Both auteurs utilize framing to create and subsequently break down ideological boundaries of class and race. Denis’ films Chocolat and White Material show the impossibility of a distinct identity in a racialized post-colonial society for someone who is Other. With the help of Laura Mulvey and Richard Dyer, the first chapter of this work on Claire Denis offers a case study of the relationship between the camera and race seen through a deep analysis of several sequences of those two films. Both films provide an opportunity to analyze how the protagonists’ bodies are perceived on screen as a representation of a racial bias held in reality, as seen in the juxtaposition of light and dark skin tones. The second chapter analyzes themes of migration and the symbolism of the ocean in Diop’s film Atlantique. I argue that these motifs serve to demonstrate how to break out of the identity assigned by society in this more modern post-colonial temporality. All three films are an example of the lasting violence due to colonization and its seemingly inescapable ramifications, specifically as associated with identity. AN EXPLORATION OF IDENTITY IN CLAIRE DENIS’ AND MATI DIOP’S (POST)COLONIAL AFRICA A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts by Katherine Lynn Coverdale Miami University Oxford, Ohio 2020 Advisor: Dr. -
Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
Download the Word Farm 2016 Program
Word Farm 2016 Students Aubrie Amstutz Phalguni Laishram Joe Arciniega Gustavo Melo December Brown Claudia Niles Charlotte Burns Mia Roncati Derek Buss Melvin Singh Isabelle Carasso Corine Toren Christopher Connor Mel Weisberger Brendan Dassey Sydney Wiklund Phoebe DeLeon Dwight Yao Phi Do Julia Dumas Sylvia Garcia Gustavo A. Gonzalez Christine Hwynh Jae Hwan Kim Class Schedule Friday, January 29 9:00 Coffee & Snacks Sign-In 10:00-12:00 Session 1 Bryce & Jackie Zabel Tom Lazarus 12:00-1:00 Lunch 1:00-3:00 Session 2 David Gerrold Mitchell Kreigman Saturday, January 24 9:00 Coffee & Snacks 10:00-12:00 Session 3 Cheri Steinkellner J Kahn 12:00-1:00 Lunch 1:00-3:00 Session 4 Matt Allen & Lisa Mathis Dean Pitchford 3:00-3:30 Snacks 3:30-5:30 Session 5 Anne Cofell Saunders Toni Graphia 6:30 Dinner Annenberg Conference Room - 4315 SSMS Sunday, January 25 9:00 Coffee & Snacks 10:00-12:00 Session 6 Glenn Leopold Kevin McKiernan 12:00-1:00 Lunch 1:00-3:00 Session 7 Amy Pocha Allison Anders 3:00-3:30 Snacks 3:30-5:00 Session 8 Omar Najam & Mia Resella Word Farm Bios Allison Anders Allison Anders is an award-winning film and television writer and director. She attended UCLA film school and in 1984 had her first professional break working for her film mentor Wim Wenders on his movie Paris, Texas (1984). After graduation, Anders had her first film debut,Border Radio (1987), which she co-wrote and co-directed with Kurt Voss. -
H K a N D C U L T F I L M N E W S
More Next Blog» Create Blog Sign In H K A N D C U L T F I L M N E W S H K A N D C U LT F I L M N E W S ' S FA N B O X W E L C O M E ! HK and Cult Film News on Facebook I just wanted to welcome all of you to Hong Kong and Cult Film News. If you have any questions or comments M O N D AY, D E C E M B E R 4 , 2 0 1 7 feel free to email us at "SURGE OF POWER: REVENGE OF THE [email protected] SEQUEL" Brings Cinema's First Out Gay Superhero Back to Theaters in January B L O G A R C H I V E ▼ 2017 (471) ▼ December (34) "MORTAL ENGINES" New Peter Jackson Sci-Fi Epic -- ... AND NOW THE SCREAMING STARTS -- Blu-ray Review by ... ASYLUM -- Blu-ray Review by Porfle She Demons Dance to "I Eat Cannibals" (Toto Coelo)... Presenting -- The JOHN WAYNE/ "GREEN BERETS" Lunch... Gravitas Ventures "THE BILL MURRAY EXPERIENCE"-- i... NUTCRACKER, THE MOTION PICTURE -- DVD Review by Po... John Wayne: The Crooning Cowpoke "EXTRAORDINARY MISSION" From the Writer of "The De... "MOLLY'S GAME" True High- Stakes Poker Thriller In ... Surge of Power: Revenge of the Sequel Hits Theaters "SHOCK WAVE" With Andy Lau Cinema's First Out Gay Superhero Faces His Greatest -- China’s #1 Box Offic... Challenge Hollywood Legends Face Off in a New Star-Packed Adventure Modern Vehicle Blooper in Nationwide Rollout Begins in January 2018 "SHANE" (1953) "ANNIHILATION" Sci-Fi "A must-see for fans of the TV Avengers, the Fantastic Four Thriller With Natalie and the Hulk" -- Buzzfeed Portma.. -
Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
Volume 31 Number 10 Issue 375 March 2019 A WORD FROM THE EDITOR Omni Expo This month was a very difficult for me personally but March 15-17 we go on.. Florida Hotel and Convention Center I include a list of recommended short fiction. I read a lot 1500 Sand Lake Road more. There is a lot of good fiction out there. Orlando, FL 32809 Please note that some of the Nebula short fiction Guests: Hisashi Kagawa (animation director) nominees may be available online. Please check Oasfis Mamoru Yokota (animation director) Convention on Facebook or OasisCon on Twitter for links to the Paul St. Peter (voice actor) stories. Matt Shipman (voice actor) Next month pictures from ICFA, and with luck a Sawa (singer) review. And others $50 at the door for weekend www.omniexpo.com Events ICFA 40 (academic conference) Comic Con Revolution March 13-16 March 2-3 Orlando Airport Marriott, Palm Beach County Convention Center Orlando, Florida 650 Okeechobee Boulevard Guest of Honor: G. Willow Wilson West Palm Beach, FL 33401 Guest Scholar: Mark Bould Guests: Chris Claremont (comic book writer) www.fantastic-arts.org Amanda Conner (comic book writer/artist) Jimmy Palmiotti (comic book writer/artist) Clearwater Comic Con Peter Rawlik (writer) March 16 And others Clearwater Public Library $40 for 2 days, $25 for Sat, $20 for Sunday 100 N. Osceola Avenue comicconrevolution.com/westpalmbeach/index.php Clearwater, FL 33755 Guests: Chuck Dixon (comic book writer) Infinity Con 6 Karl Moline (comic writer/artist) March 2-3 And others National Guard Armory Free 490 NW Lake Jeffery Rd See Facebook Page Lake City, FL 32055 $18 for bothe days, $12 for one day My-Con infinityconfl.com/ March 16 Wyndham Orlando Resort Miami Comic Con 8001 International Drive March 9 Orlando, Florida 32819 Miami Airport Convention Center Guest: R. -
Riding the Anti-Corruption Tide
#7 (113) July 2017 What kind of land reform Will Ukraine lose the transit Updates on Ukraine’s captives will boost the economy of Russian gas in Russia and Crimea RIDING THE ANTI-CORRUPTION TIDE WWW.UKRAINIANWEEK.COM Featuring selected content from The Economist FOR FREE DISTRIBUTION CONTENTS | 3 BRIEFING 32 So many suspects, so little evidence: 4 The very costly secret: Ukrainian prisoners The pitfalls of Yanukovych’s in Russia and Crimea $1.5bn case 34 Ihor Luniov: “Our enemies no longer sleep tight” Commander POLITICS of Ukraine’s new Special Operations 7 Farmers vs agriholdings: Forces on progress, plans What kind of land market 36 Martin Brest: “Victory is not possible Ukraine needs until the people start to truly love 10 The Holy Grail: Who wants a change their military“ of Ukraine’s Constitution, and why Veteran and blogger on problems 12 Pre-Constitutional changes: and spirit in the Army, veteran What preceded the 1996 Constitution activism and life after war FOCUS NEIGHBOURS 16 A new kind of sport: 38 The crossroads of the new Silk Road: Why the trend of fighting government Kazakhstan is open for business corruption yields no visible results but only half-ready for it 18 Numerical anti-corruption: 40 Michael Binyon on the UK’s sense Scores in international rankings and of loss as Brexit talks start reports by domestic law enforcers 42 Gerardo Ángel Bugallo Ottone: “The image and ideas we project and ECONOMICS discuss today are not dissimilar 20 No transit, no cry: Dealing to the ones discussed during WWII” with the termination -
Julia Reichert and the Work of Telling Working-Class Stories
FEATURES JULIA REICHERT AND THE WORK OF TELLING WORKING-CLASS STORIES Patricia Aufderheide It was the Year of Julia: in 2019 documentarian Julia Reichert received lifetime-achievement awards at the Full Frame and HotDocs festivals, was given the inaugural “Empowering Truth” award from Kartemquin Films, and saw a retrospec- tive of her work presented at the Museum of Modern Art in New York. (The International Documentary Association had already given her its 2018 award.) Meanwhile, her newest work, American Factory (2019)—made, as have been all her films in the last two decades, with Steven Bognar—is being championed for an Academy Award nomination, which would be Reichert’s fourth, and has been picked up by the Obamas’ new Higher Ground company. A lifelong socialist- feminist and self-styled “humanist Marxist” who pioneered independent social-issue films featuring women, Reichert was also in 2019 finishing another film, tentatively titled 9to5: The Story of a Movement, about the history of the movement for working women’srights. Yet Julia Reichert is an underrecognized figure in the contemporary documentary landscape. All of Reichert’s films are rooted in Dayton, Ohio. Though periodically rec- ognized by the bicoastal documentary film world, she has never been a part of it, much like her Chicago-based fellow Julia Reichert in 2019. Photo by Eryn Montgomery midwesterners: Kartemquin Films (Gordon Quinn, Steve James, Maria Finitzo, Bill Siegel, and others) and Yvonne 2 The Documentary Film Book. She is absent entirely from Welbon. 3 Gary Crowdus’s A Political Companion to American Film. Nor has her work been a focus of very much documentary While her earliest films are mentioned in many texts as scholarship. -
The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Blade of the Immortal: Legend of the Sword Demon Free
FREE BLADE OF THE IMMORTAL: LEGEND OF THE SWORD DEMON PDF Junichi Ohsako,Hiroaki Samura | 224 pages | 09 Feb 2010 | Dark Horse Comics,U.S. | 9781595823380 | English | Milwaukie, United States Blade of the Immortal) | Blade of the immortal, Manga artist, Cool drawings Yoko Yamamoto is the mysterious Yaobikuni, an year-old nun who infuses the power of immortality Blade of the Immortal: Legend of the Sword Demon Manji. After a brutal and bloody battle, slain samurai warrior Manji is brought back to life by a mysterious witch Yaobikuni and cursed with immortality. Haunted by the brutal murder of his sister, Manji knows that only by fighting evil will he regain his soul. The mission sees Manji caught up in a plot by Anotsu to grab power as he battles bizarre henchmen in his quest for redemption. Takashi does make sure however to hold onto his quirky distinctive Blade of the Immortal: Legend of the Sword Demon whilst keeping the film firmly rooted in its Manga source right down to the look of the characters, with their trendy uniforms and punk hairstyles. The sword action comes blood-drenched, very thick and super fast with everyone from Manji himself to Sabato and the main villain Anotsu sporting a variety of unusual and colourful weaponry — from the Japanese take on the three-section staff to two Blade of the Immortal: Legend of the Sword Demon connected forming a deadly staff — slicing and dicing in every fight scene. The fights are certainly chaotic and at times obscure in some of the action but not enough to deter any sense of entertainment from the ensuing carnage. -
Depeche Mode to Bring Their 'Global Spirit Tour' to Latin
DEPECHE MODE TO BRING THEIR ‘GLOBAL SPIRIT TOUR’ TO LATIN AMERICA IN MARCH 2018 – Following European and North American Tour, Depeche Mode to Play Stadiums in Mexico, Colombia, Peru, Chile, Argentina, and Brazil – BEVERLY HILLS, CA (Mar. 22, 2017) – For the first time in nine years, Depeche Mode will tour Latin America, bringing their stunning live show to fans who have not seen the band since 2009’s Tour of the Universe. “We’re incredibly excited to return to Latin America”, says lead singer Dave Gahan. “We weren’t able to see our fans there on the last tour, so we knew we had to visit this time.” Following this summer’s massive European summer stadium tour and the upcoming fall tour of North America, the band will continue to extend the Global Spirit Tour with two weeks of stadium shows across Latin America in March 2018. The tour will begin on March 11th in Mexico City, continue through Bogota, Lima, Santiago and Buenos Aires, before wrapping up in Sao Paulo on March 27th. The Latin American tour is being promoted by Live Nation, continuing their global partnership with Depeche Mode. Details on all ticket on-sale dates will follow. The Global Spirit Tour supports the band’s 14th studio album, Spirit, released March 17th via Columbia Records. The album’s powerful and timely first single, “Where’s The Revolution”, has been well-received by critics and fans alike, lauded as a strong “return to form” for Depeche Mode. Spirit has already garnered critical acclaim, with MOJO calling it “blow by blow…Depeche Mode’s best album in years.” Spirit -
The BG News February 13, 1987
Bowling Green State University ScholarWorks@BGSU BG News (Student Newspaper) University Publications 2-13-1987 The BG News February 13, 1987 Bowling Green State University Follow this and additional works at: https://scholarworks.bgsu.edu/bg-news Recommended Citation Bowling Green State University, "The BG News February 13, 1987" (1987). BG News (Student Newspaper). 4620. https://scholarworks.bgsu.edu/bg-news/4620 This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. This Article is brought to you for free and open access by the University Publications at ScholarWorks@BGSU. It has been accepted for inclusion in BG News (Student Newspaper) by an authorized administrator of ScholarWorks@BGSU. Spirits and superstitions in Friday Magazine THE BG NEWS Vol. 69 Issue 80 Bowling Green, Ohio Friday, February 13,1987 Death Funding cut ruled for 1987-88 Increase in fees anticipated suicide by Mike Amburgey said. staff reporter Dalton said the proposed bud- get calls for $992 million Man kills wife, The Ohio Board of Regents statewide in educational subsi- has reduced the University's dies for 1987-88, the same friend first instructional subsidy allocation amount funded for this year. A for 1987-88 by $1.9 million, and 4.7 percent increase is called for by Don Lee unless alterations are made in in the academic year 1988-89 Governor Celeste's proposed DALTON SAID given infla- wire editor budget, University students tionary factors, the governor's could face at least a 25 percent budget puts state universities in The manager of the Bowling instructional fee increase, a difficult place. -
2012-Loft-Film-Fest-Program
Festival Parties Join us as we cut the ribbon on our brand-new third screen! Ribbon cutting Friday November 9 at 5:00pm Open House 5:00 - 6:30pm Join the Loft staff, Board of Directors and local officials as we un- veil our new third screen (or what we affectionately call Screen 3)! You’ll be the first to step inside this new space for a behind-the- Loft Film Fest 2012 scenes tour! Join us for a champagne toast as we celebrate a job well done by an incredible team of dedicated people! loftfilmfest.com We will recognize the donors who made this phase of the project Inspired by film’s unique ability to entertain, engage, challenge and possible and we will especially honor those who have given their illuminate, The Loft Cinema will present its third annual international name to key parts of the project, including Bob Oldfather and film festival fromNovember 8th – 15th, 2012. Bookmans for the 3-D technology in Screen 3! Honoring Tucson’s richly diverse cultural community, The Loft Film Fest will present foreign films, documentaries and U.S. indies in a cin- You’re invited to The Loft Cinema’s ematic celebration of storytelling from around the world. 40th birthday party! The Loft Film Fest is an eight-day showcase of exclusive, one-time-only Friday November 15 from 5:30 - 7:30pm screenings and will feature: Yes, we know we don’t look 40, but The Loft is celebrating four • Festival favorites from Cannes, Sundance, Telluride, and more! decades of great film in Tucson! • Lively Q&A’s with talented filmmakers and actors Join us as we honor the last 40 years and toast the next 40! • Exciting retrospective screenings Where: The Lodge on the Desert • New international cinema 306 North Alvernon Way • Edgy Late Night movies When: 5:30 - 7:30pm, Thursday, November 15 (the actual 10th an- • Stimulating shorts from the filmmakers of tomorrow niversary of our purchase of The Loft as a nonprofit in 2002!) At the Loft Film Fest, audiences experience world-class film festival Who: Everyone! Loft Film Fest passholders get in free.