Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
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2019 Annual Report
The Annual Report clarion west writers workshop • 2019 Our Mission We support emerging and underrepresented voices by providing writers with world-class instruction to empower their creation of wild and amazing worlds. Through conversation and public engagement, we bring those voices to an ever-expanding community. I continue to be inspired by the Clarion no small part due to the dedication of our Executive West community — in Seattle and staff. In 2019, we said goodbye to Neile beyond. Over the past two years we’ve Graham, who has retired as our Workshop Director's been forced to say goodbye to some dear Director, but promises not to go too far. friends and are joining forces to help For 19 years, Neile has helped to ensure Message others through difficult times. The drain that our classes and workshops are high on our community has been telling. quality as well as warm and welcoming. But the way that everyone has come Her constant guiding light is going to together to support each other in love be missed. Taking over from her is Jae and loss is even more telling. Clarion Steinbacher, who has been training with West is surrounded by a caring family of Neile for the past two years and is already individuals with a shared passion. an integral part of the organization, with Perhaps sometimes it seems that their attention to detail and commitment telling stories, especially speculative to the success of the workshop. Please join fiction stories, is not as important as me in welcoming Jae to their new position, the work of other organizations and as well as welcoming several more of individuals during difficult times. -
Top Hugo Nominees
Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K. -
Oscar Ballot
OSCARS 20 9 BEST PICTURE ORIGINAL SCREENPLAY SOUND EDITING “Black Panther” “The Favourite,” Deborah Davis, Tony “Black Panther,” Benjamin A. Burtt, Steve Boeddeker “BlacKkKlansman” McNamara “Bohemian Rhapsody,” John Warhurst “Bohemian Rhapsody” “First Reformed,” Paul Schrader “First Man,” Ai-Ling Lee, Mildred Iatrou Morgan “The Favourite” “Green Book,” Nick Vallelonga, Brian “A Quiet Place,” Ethan Van der Ryn, Erik Aadahl “Green Book” Currie, Peter Farrelly “Roma,” Sergio Diaz, Skip Lievsay “Roma” “Roma,” Alfonso Cuarón “A Star Is Born” “Vice,” Adam McKay SOUND MIXING “Vice” “Black Panther” ADAPTED SCREENPLAY “Bohemian Rhapsody” BEST ACTOR “The Ballad of Buster Scruggs,” Joel “First Man” Christian Bale, “Vice” Coen, Ethan Coen “Roma” Bradley Cooper, “A Star Is Born” “BlacKkKlansman,” Charlie Wachtel, “A Star Is Born” Willem Dafoe, “At Eternity’s Gate” David Rabinowitz, Kevin Willmott, Rami Malek, “Bohemian Rhapsody” Spike Lee PRODUCTION DESIGN Viggo Mortensen, “Green Book” “Can You Ever Forgive Me?,” Nicole “Black Panther,” Hannah Beachler Holofcener and Jeff Whitty “First Man,” Nathan Crowley, Kathy Lucas BEST ACTRESS “If Beale Street Could Talk,” Barry Jenkins “The Favourite,” Fiona Crombie, Alice Felton Yalitza Aparicio, “Roma” “A Star Is Born,” Eric Roth, Bradley “Mary Poppins Returns,” John Myhre, Glenn Close, “The Wife” Cooper, Will Fetters Gordon Sim Olivia Colman, “The Favourite” “Roma,” Eugenio Caballero, Bárbara Enriquez Lady Gaga, “A Star Is Born” CINEMATOGRAPHY Melissa McCarthy, “Can -
S TU D IES a Incidencia De Reescrituras Fílmicas Na Relación De Nomeados E Premiados Dos Principais Galardóns
BOLETÍN GALEGO DE LITERATURA, nº 56 / 1º SEMESTRE (2020): pp. 23-40 / ISSN 2174-4025 ESTUDOS A incidencia de reescrituras fílmicas / na relación de nomeados e premiados STUDIES dos principais galardóns internacionais a longametraxes animadas Rocío G-Pedreira CIEC-IE-Universidade do Minho/ ICE-Universidade de Santiago de Compostela https://orcid.org/0000-0002-5102-5078 [Recibido, 23 abril 2020; aceptado, 4 xuño 2020] [G-Pedreira, R. (2020). A incidencia de reescrituras fílmicas na relación de nomeados e premiados dos principais galardóns internacionais a longametraxes animadas. Boletín Galego de Literatura, 56, “Estudos”, 23-40] DOI http://dx.doi.org/10.15304/bgl.56.6776 RESUMO O presente artigo pretende dar conta da presenza de reescrituras fílmicas de obras 23 literarias realizadas mediante técnicas de animación cuxa calidade as fixo merece- doras de ser nomeadas e/ou premiadas con algúns dos galardóns cinematográficos a nivel mundial máis importantes que contan cunha categoría específica para estas producións, en concreto os Óscar, Annie, Globos de Ouro e BAFTA. Ademais, tamén se analizará brevemente a influencia que ten a creación do hipertexto fílmico para a difusión do correspondente hipotexto. PALABRAS CHAVE Premios cinematográficos; cine de animación; reescrituras fílmicas; adaptación. ABSTRACT This article aims to report about the presence of film rewritings of literary works through animation techniques whose quality making them deserving of being nominees and/ or designed to award some of the most important film awards around the world with a specific category for animated films, in particular, the Oscars, Annie Awards, Golden Globes and BAFTA. Furthermore, it will be analysed briefly the influence of the creation of the film hypertext for hypotext diffusion. -
THE 2016 DELL MAGAZINES AWARD This Year’S Trip to the International Conference on the Fantastic in the Arts Was Spent in a Whirl of Activity
EDITORIAL Sheila Williams THE 2016 DELL MAGAZINES AWARD This year’s trip to the International Conference on the Fantastic in the Arts was spent in a whirl of activity. In addition to academic papers, author readings, banquets, and the awards ceremony, it was a celebration of major life events. Thursday night saw a surprise birthday party for well-known SF and fantasy critic Gary K. Wolfe and a compelling memorial for storied editor David G. Hartwell. Sunday morning brought us the beautiful wedding of Rebecca McNulty and Bernie Goodman. Rebecca met Bernie when she was a finalist for our annual Dell Magazines Award for Undergraduate Ex- cellence in Science Fiction and Fantasy Writing several years ago. Other past finalists were also in attendance at the conference. In addition to Re- becca, it was a joy to watch E. Lily Yu, Lara Donnelly, Rich Larson, and Seth Dickin- son welcome a brand new crop of young writers. The winner of this year’s award was Rani Banjarian, a senior at Vanderbilt University. Rani studied at an international school in Beirut, Lebanon, before coming to the U.S. to attend college. Fluent in Arabic and English, he’s also toying with adding French to his toolbox. Rani is graduating with a duel major in physics and writing. His award winning short story, “Lullabies in Arabic” incorporates his fascination with memoir writing along with a newfound interest in science fiction. My co-judge Rick Wilber and I were once again pleased that the International Association for the Fantastic in the Arts and Dell Magazines cosponsored Rani’s expense-paid trip to the conference in Orlando, Florida, and the five hundred dollar prize. -
Conference Program
Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H. -
Mediakit with Links.Indd
Strange. Beautiful. Shocking. Surreal. “One of the trailblazing publishers of short-form science fiction, fantasy, and horror.” — Jason Heller, The A.V. Club Mission Statement Apex Magazine (http://www.apex-magazine.com) has been called all of these things since its inception. For more than ten years, Apex has been dazzling readers with its originality, fearlessness, and commitment to the very best. A three-time Hugo nominee, Apex Magazine is regarded as a trailblazer in the field of science fiction. A self-proclaimed mash-up of science fiction, fantasy, and horror, Apex delivers on the adage that a short story can take you to the end of the galaxy and back before dinner. The Magazine Apex has given a megaphone to some of the most unique and com- pelling voices of the past decade. Now one of the most recognizable names in the industry, Apex has become one of the standards that all others try to meet. From its hard-edged science fiction to magical realism, Apex has something to satisfy every fantastic taste. A two- time winner of the Nebula Award for Best Short Story (2014, 2015) and four-time nominee, the magazine continues to provide readers with some of the most thought-provoking and diverse fiction in the genre. Apex Magazine provides a monthly podcast for listeners to hear their favorite stories at a moment’s notice. The magazine also pub- lishes poetry, and it has had numerous pieces nominated for the Rhysling Award. Never one to play it safe, Apex’s stories blur the line between sci- ence fact and science fiction. -
Tor.Com, Which Averages 1 Million Unique Visitors and 3 Million Pageviews Per Month, with
TORDOTCOM JULY 2021 A Psalm for the Wild-Built Becky Chambers Just when the world needs it comes a story of kindness and hope from one of the masters of Hopepunk Hugo Award-winner Becky Chambers's delightful new series gives us hope for the future. It's been centuries since the robots of Panga gained self-awareness and laid down their tools; centuries since they wandered, en masse, into the wilderness, never to be seen again; centuries since they faded into myth and urban legend. One day, the life of a tea monk is upended by the arrival of a robot, there to honor the old promise of checking in. The robot cannot go back until the question of "what do people need?" is answered. FICTION / SCIENCE FICTION / ACTION & ADVENTURE But the answer to that question depends on who you ask, and how. Tordotcom | 7/13/2021 They're going to need to ask it a lot. 9781250236210 | $20.99 / $28.99 Can. Hardcover with dust jacket | 160 pages | Carton Qty: 28 8 in H | 5 in W Becky Chambers's new series asks: in a world where people have what they Other Available Formats: want, does having more matter? Ebook ISBN: 9781250236227 Audio ISBN: 9781250807748 PRAISE "This was an optimistic vision of a lush, beautiful world that came back from the brink of disaster. Exploring it with the two main characters was a fun and MARKETING -Long-term support for Hugo Award fascinating experience.” —Martha Wells winner Becky Chambers’ Monk & Robot series, including consumer & industry mailings & advertising targeting existing "I'm the world's biggest fan of odd couple buddy road trips in science fiction, and fans & readers of hopeful science fiction this odd couple buddy road trip is a delight: funny, thoughtful, touching, sweet, and one of the most humane books I've read in a long time. -
Costume Culture: Visual Rhetoric, Iconography, and Tokenism In
COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to the Office of Graduate Studies Texas A&M University-Commerce in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY May 2017 COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS A Dissertation by MICHAEL G. BAKER Submitted to: Advisor: Christopher Gonzalez Committee: Tabetha Adkins Donna Dunbar-Odom Mike Odom Head of Department: M. Hunter Hayes Dean of the College: Salvatore Attardo Interim Dean of Graduate Studies: Mary Beth Sampson iii Copyright © 2017 Michael G. Baker iv ABSTRACT COSTUME CULTURE: VISUAL RHETORIC, ICONOGRAPHY, AND TOKENISM IN COMIC BOOKS Michael G. Baker, PhD Texas A&M University-Commerce, 2017 Advisor: Christopher Gonzalez, PhD Superhero comic books provide a unique perspective on marginalized characters not only as objects of literary study, but also as opportunities for rhetorical analysis. There are representations of race, gender, sexuality, and identity in the costuming of superheroes that impact how the audience perceives the characters. Because of the association between iconography and identity, the superhero costume becomes linked with the superhero persona (for example the Superman “S” logo is a stand-in for the character). However, when iconography is affected by issues of tokenism, the rhetorical message associated with the symbol becomes more difficult to decode. Since comic books are sales-oriented and have a plethora of tie-in merchandise, the iconography in these symbols has commodified implications for those who choose to interact with them. When consumers costume themselves with the visual rhetoric associated with comic superheroes, the wearers engage in a rhetorical discussion where they perpetuate whatever message the audience places on that image. -
Fall 2018 Origami Birds Courtesy Sipho Mabona a Manual for the Morning
The Seventh Week clarion west writers workshop • fall 2018 origami birds courtesy Sipho Mabona A MANUAL FOR the morning. I imagined it like this: Once sprout more roots, until all the books are I get the books, I'll stash them in every connected, forming a web, inciting so pocket, and when I run out of space in my much verbal arousal that the books start READING BOOKS clothes, I'll put them in bags and boxes breathing together in unison, and some and suitcases, as many as will fit in my car. even open up and bloom to let go of syl- Andrea Chapela CW '17 Back at home, I'll take every book out and labic spores charged with such narrative start piling them in my bedroom until I strength that they float through the room start building towers, taller and taller, until like fireflies, spinning around, landing on I need to build bridges to connect them, other books, reacting with each other until and I create such an infrastructure that the crosspollination is unbearable and the The other day, before I went to bed, I it swallows all the furniture and only the books start sprouting trunks, branches, was clicking away on the internet when bed remains. By then it'll be dark outside, leaves, and in a couple of hours my room I found the hundred books that every but before I go to bed I make sure to open is a forest, and I, still fast asleep, don't person should read before they die. -
(Books): Dark Tower (Comics/Graphic
STEPHEN KING BOOKS: 11/22/63: HB, PB, pb, CD Audiobook 1922: PB American Vampire (Comics 1-5): Apt Pupil: PB Bachman Books: HB, pb Bag of Bones: HB, pb Bare Bones: Conversations on Terror with Stephen King: HB Bazaar of Bad Dreams: HB Billy Summers: HB Black House: HB, pb Blaze: (Richard Bachman) HB, pb, CD Audiobook Blockade Billy: HB, CD Audiobook Body: PB Carrie: HB, pb Cell: HB, PB Charlie the Choo-Choo: HB Christine: HB, pb Colorado Kid: pb, CD Audiobook Creepshow: Cujo: HB, pb Cycle of the Werewolf: PB Danse Macabre: HB, PB, pb, CD Audiobook Dark Half: HB, PB, pb Dark Man (Blue or Red Cover): DARK TOWER (BOOKS): Dark Tower I: The Gunslinger: PB, pb Dark Tower II: The Drawing Of Three: PB, pb Dark Tower III: The Waste Lands: PB, pb Dark Tower IV: Wizard & Glass: PB, PB, pb Dark Tower V: The Wolves Of Calla: HB, pb Dark Tower VI: Song Of Susannah: HB, PB, pb, pb, CD Audiobook Dark Tower VII: The Dark Tower: HB, PB, CD Audiobook Dark Tower: The Wind Through The Keyhole: HB, PB DARK TOWER (COMICS/GRAPHIC NOVELS): Dark Tower: The Gunslinger Born Graphic Novel HB, Comics 1-7 of 7 Dark Tower: The Gunslinger Born ‘2nd Printing Variant’ Comic 1 Dark Tower: The Long Road Home: Graphic Novel HB (x2) & Comics 1-5 of 5 Dark Tower: Treachery: Graphic Novel HB, Comics 1–6 of 6 Dark Tower: Treachery: ‘Midnight Opening Variant’ Comic 1 Dark Tower: The Fall of Gilead: Graphic Novel HB Dark Tower: Battle of Jericho Hill: Graphic Novel HB, Comics 2, 3, 5 of 5 Dark Tower: Gunslinger 1 – The Journey Begins: Comics 2 - 5 of 5 Dark Tower: Gunslinger 1 – -
The Annual Report Clarion West Writers Workshop • 2018
The Annual Report clarion west writers workshop • 2018 To provide a high-quality Clarion West is a nonprofit literary Our Mission: organization and is committed to equal educational opportunity for opportunity. Although there are fine writers of speculative fiction science fiction and fantasy writers of all at the start of their careers. ethnicities, races, and genders, historically Speculative fiction (science fiction, the field has reflected the same prejudices fantasy, horror, magic realism, and found in the culture around it, leading to slipstream) gives voice to those who proportionately fewer successful writers explore societal and technological change, of color and women writers than white along with deeper considerations of male writers. Clarion West is dedicated to the underlying archetypes of human improving those proportions. experience. Clarion West brings new As an extension of its primary mission, writers to the field by providing a Clarion West seeks to make speculative transformative experience in the form of fiction available to the public, and thus an intensive workshop focusing on literary holds readings and other events that bring quality, diversity of viewpoints, range of speculative fiction writers and readers material, and other essential qualities. together. Looking over the previous year, I am so received the inaugural Special Award Executive thankful for all of the support from our for Community Building and community. As we strive to meet the needs Director's of today’s writers, I am always grateful for Inclusivity, highlighting the contribu- our volunteers: those that offer their time tions of our workshop staff and alumni. and personal vehicles, sit at information We had some staff changes in 2018 as Message tables, and join committees, as well as the well.