Mediakit with Links.Indd

Total Page:16

File Type:pdf, Size:1020Kb

Mediakit with Links.Indd Strange. Beautiful. Shocking. Surreal. “One of the trailblazing publishers of short-form science fiction, fantasy, and horror.” — Jason Heller, The A.V. Club Mission Statement Apex Magazine (http://www.apex-magazine.com) has been called all of these things since its inception. For more than ten years, Apex has been dazzling readers with its originality, fearlessness, and commitment to the very best. A three-time Hugo nominee, Apex Magazine is regarded as a trailblazer in the field of science fiction. A self-proclaimed mash-up of science fiction, fantasy, and horror, Apex delivers on the adage that a short story can take you to the end of the galaxy and back before dinner. The Magazine Apex has given a megaphone to some of the most unique and com- pelling voices of the past decade. Now one of the most recognizable names in the industry, Apex has become one of the standards that all others try to meet. From its hard-edged science fiction to magical realism, Apex has something to satisfy every fantastic taste. A two- time winner of the Nebula Award for Best Short Story (2014, 2015) and four-time nominee, the magazine continues to provide readers with some of the most thought-provoking and diverse fiction in the genre. Apex Magazine provides a monthly podcast for listeners to hear their favorite stories at a moment’s notice. The magazine also pub- lishes poetry, and it has had numerous pieces nominated for the Rhysling Award. Never one to play it safe, Apex’s stories blur the line between sci- ence fact and science fiction. The magazine has published the likes of Brian Keene, Ursula Vernon, Mary Robinette Kowal, Douglas F. Warrick, Rachel Swirsky, and Theodora Goss — and that was just in its first ten years. Now venturing into its second decade of life, Apex Magazine is attracting some of the most well-regarded short fiction writers in the world. The Brand Apex is more than just a magazine. Apex Publications (http://www.apexbookcompany.com), responsible for bring- ing the magazine into existence, has published more than forty books of fiction. In 2014, The Apex Book of World SF: Volume 3, was selected as one of NPR’s top 40 books of the year. Apex Publications has published some of the most original, engaging voices in the genre — such as Bram Stoker Award-winning author Elizabeth Massie and Nebula Award-nominated author Christopher Barzak. Apex is a beacon for the strange and weird. It’s a place for some of the most unique and imaginative voices, stories, and monsters to come together and be recognized for what they truly are. And if a monster likes to go bump in the night, that’s all right with Apex — they’ll bump right back. A fixture at national award ceremonies and conferences, Apex is one of the most noteworthy and trusted names in science fiction, fantasy, and horror. Readers know that they’ll be getting works “full of marrow and passion, stories that are twisted, strange, and beautiful.” “The finest in speculative fiction from around the world and beyond.” —Ann VanderMeer, Hugo Award-winning editor Website Traffic and Social Media Data Total Paying Subscribers: 1500 eBook Edition Issue Sales: 100 per month eBook Edition Comp Issues: 100 per month eBook Edition Estimated Circulation: 2500 Page views — 420,000 (2015) Sessions (Visits) — 240,000 (2015) Unique Users — 150,000 (2015) From 2014 to 2015, Apex showed a 15% increase in page views, 16% in site visitors, and 13% in unique visitors. Social Networks 9600+ Twitter followers 4400+ Facebook likes Advertise With Apex While some of its competitors have stumbled — and even disappeared —Apex has done nothing but grow over the past ten years. Now when readers think of the gold stan- dard of science fi ction they think of Apex. With three ad- vertising spots available in every issue, it gives advertisers the greatest opportunity to stand out. While the space may be limited, the potential isn’t. Display Rates Cost Location Size $100 Site’s sponsor ad on 400px wide by front page 500px tall. 72dpi. Non-animated. JPG. RGB. $60 Footer spot that 400px wide by displays just below 500px tall. 72 dpi. the fold on all other Non-animated. JPG. pages and posts RGB. $200 Site sponsorship with all three posts, plus eBook ad $25 eBook ad Awards and Nominations Hugo Awards 2014 — Nomination for Best Semiprozine: Apex Magazine, editors Lynne M. Th omas, Jason Sizemore, and Michael Dami- an Th omas 2014 — Nomination for Best Short Story: Rachel Swirsky • “If You Were a Dinosaur, My Love” • Apex Magazine 46 2013 — Nomination for Best Semiprozine: Apex Magazine, editors Lynne M. Th omas, Jason Sizemore, and Michael Dami- an Th omas 2012 — Nomination for Best Semiprozine: Apex Magazine, editors Catherynne M. Valente, Lynne M. Th omas, and Jason Sizemore Nebula Awards Winner (Best Short Story): Ursula Vernon • “Jackalope Wives” • Apex Magazine 56 Winner (Best Short Story): Rachel Swirsky • “If You Were a Dinosaur, My Love” • Apex Magazine 46 Nomination (Best Short Story): Jennifer Pelland • “Ghosts of New York” • Apex Magazine 23 Nomination (Best Short Story): Amal El-Mohtar • “Th e Green Book” • Apex Magazine 18 Shirley Jackson Awards Nomination (Best Short Fiction): Chikodili Emelumadu • “Candy Girl” • Apex Magazine 66 Aurealis Awards Nomination (Best Horror Short Story): Lisa L. Hannett • “Heirloom Pieces” • Apex Magazine 69 Nomination (Best Young Adult Short Story): Liz Argall • “Falling Leaves” • Apex Magazine 60 WSFA Awards Winner (Best Short Story): Ursula Vernon • “Jackalope Wives” • Apex Magazine 56 Nomination (Best Short Story): Catherynne M. Valente • “Th e Days of Flaming Motorcycles” • Apex Magazine 12 Million Writers Award Nomination: Amal El-Mohtar • “Th e Green Book” • Apex Magazine 18 Cóyotl Award Winner (Best Short Story): Ursula Vernon • “Jackalope Wives” • Apex Magazine 56 The Bram Stoker Awards Nomination: Damien Angelica Walters • Sing Me Your Scars Rhysling Award (Poetry) Nomination (Long Form Poem): Alvaro Zinos-Amaro • “Conservation of Energy” • Apex Magazine 63 Winner (Short Form Poem): Amal El-Mohtar • “Turning the Leaves” • Apex Magazine 54 Nomination (Long Form Poem): Catherynne M. Valente • “A Great Clerk of Necromancy” • Apex Magazine 50 Nomination (Short Form Poem): Amal El-Mohtar • “No Poisoned Comb” • Apex Magazine 35 Nomination (Short Form Poem): Tim Pratt • “Lion Heart” • Apex Magazine 30 Nomination (Short Form Poem): Elizabeth McClellan • “Down Cycles” • Apex Magazine 27 Nomination (Long Form Poem): Elizabeth McClellan • “Th e Walking Man Goes Looking for the Sons of John: Six Cantos” • Apex Magazine 24 Nomination (Long Form Poem): Mike Allen, Sonya Taaff e, and Nicole Kornher-Stace • “Th e King of Cats, the Queen of Wolves” • Apex Magazine 22 Nomination (Short Form Poem): Nicole Korhner-Stace • “Th e Witch’s Heart” • Apex Magazine 21 Nomination (Long Form Poem): Elizabeth R. McClellan • “Anything So Utterly Destroyed” • Apex Magazine 17 3rd Place, Short Form Poem: C.S.E. Cooney • “Dogstar Men” • Apex Magazine 15 Chesley Award (Artwork) Nomination (Best Magazine Cover): Carly B. Sorge — Apex Magazine 28 cover art.
Recommended publications
  • Hugos Ceremony
    “World Science Fiction Society”, “WSFS”, “World Science Fiction Convention”, “Worldcon”, “NASFiC”, “Hugo Award”, and the distinctive design of the Hugo Award Rocket are service marks of the World Science Fiction Society, an unincorporated literary society. Loncon 3 is the trading name of London 2014 Ltd, a company limited by guarantee and registered in England. Company number: 7989510. Registered Office: 176 Portland Road, Jesmond, Newcastle-upon-Tyne, NE2 1DJ Front cover design: Vincent Docherty 2/2014 Hugo Awards Ceremony Good Evening Welcome to the 2014 Hugo Awards Ceremony, being held as part of the 72nd World Science Fiction Convention, Loncon 3, in London at the ExCeL Exhibition Center. Although the stage tonight has a very British feel (well, London at least), this ceremony celebrates the worldwide appeal of science fiction. Presenting awards tonight, there are guests from Britain and America, but also Nigeria, China, Canada, and even Australia – just to mention a few of the countries as the members of this convention come from all over the globe – and our list of nomi- nees hail from around the world too. However, it is not just the geographical diversity of our field that we celebrate tonight – it’s the diversity within fandom. Although you might not like the styles of all of the nominated works and you might not choose to read all the myriad sub-genres that exist within speculative fiction, tonight they have their place as Hugo Award nominees, chosen by the community of fans. As Ray Bradbury put it, “Anything you dream is fiction, and anything you accomplish is science.
    [Show full text]
  • Top Hugo Nominees
    Top 2003 Hugo Award Nominations for Each Category There were 738 total valid nominating forms submitted Nominees not on the final ballot were not validated or checked for errors Nominations for Best Novel 621 nominating forms, 219 nominees 97 Hominids by Robert J. Sawyer (Tor) 91 The Scar by China Mieville (Macmillan; Del Rey) 88 The Years of Rice and Salt by Kim Stanley Robinson (Bantam) 72 Bones of the Earth by Michael Swanwick (Eos) 69 Kiln People by David Brin (Tor) — final ballot complete — 56 Dance for the Ivory Madonna by Don Sakers (Speed of C) 55 Ruled Britannia by Harry Turtledove NAL 43 Night Watch by Terry Pratchett (Doubleday UK; HarperCollins) 40 Diplomatic Immunity by Lois McMaster Bujold (Baen) 36 Redemption Ark by Alastair Reynolds (Gollancz; Ace) 35 The Eyre Affair by Jasper Fforde (Viking) 35 Permanence by Karl Schroeder (Tor) 34 Coyote by Allen Steele (Ace) 32 Chindi by Jack McDevitt (Ace) 32 Light by M. John Harrison (Gollancz) 32 Probability Space by Nancy Kress (Tor) Nominations for Best Novella 374 nominating forms, 65 nominees 85 Coraline by Neil Gaiman (HarperCollins) 48 “In Spirit” by Pat Forde (Analog 9/02) 47 “Bronte’s Egg” by Richard Chwedyk (F&SF 08/02) 45 “Breathmoss” by Ian R. MacLeod (Asimov’s 5/02) 41 A Year in the Linear City by Paul Di Filippo (PS Publishing) 41 “The Political Officer” by Charles Coleman Finlay (F&SF 04/02) — final ballot complete — 40 “The Potter of Bones” by Eleanor Arnason (Asimov’s 9/02) 34 “Veritas” by Robert Reed (Asimov’s 7/02) 32 “Router” by Charles Stross (Asimov’s 9/02) 31 The Human Front by Ken MacLeod (PS Publishing) 30 “Stories for Men” by John Kessel (Asimov’s 10-11/02) 30 “Unseen Demons” by Adam-Troy Castro (Analog 8/02) 29 Turquoise Days by Alastair Reynolds (Golden Gryphon) 22 “A Democracy of Trolls” by Charles Coleman Finlay (F&SF 10-11/02) 22 “Jury Service” by Charles Stross and Cory Doctorow (Sci Fiction 12/03/02) 22 “Paradises Lost” by Ursula K.
    [Show full text]
  • Volume 31 Number 10 Issue 375 March 2019 Events Comic Con
    Volume 31 Number 10 Issue 375 March 2019 A WORD FROM THE EDITOR Omni Expo This month was a very difficult for me personally but March 15-17 we go on.. Florida Hotel and Convention Center I include a list of recommended short fiction. I read a lot 1500 Sand Lake Road more. There is a lot of good fiction out there. Orlando, FL 32809 Please note that some of the Nebula short fiction Guests: Hisashi Kagawa (animation director) nominees may be available online. Please check Oasfis Mamoru Yokota (animation director) Convention on Facebook or OasisCon on Twitter for links to the Paul St. Peter (voice actor) stories. Matt Shipman (voice actor) Next month pictures from ICFA, and with luck a Sawa (singer) review. And others $50 at the door for weekend www.omniexpo.com Events ICFA 40 (academic conference) Comic Con Revolution March 13-16 March 2-3 Orlando Airport Marriott, Palm Beach County Convention Center Orlando, Florida 650 Okeechobee Boulevard Guest of Honor: G. Willow Wilson West Palm Beach, FL 33401 Guest Scholar: Mark Bould Guests: Chris Claremont (comic book writer) www.fantastic-arts.org Amanda Conner (comic book writer/artist) Jimmy Palmiotti (comic book writer/artist) Clearwater Comic Con Peter Rawlik (writer) March 16 And others Clearwater Public Library $40 for 2 days, $25 for Sat, $20 for Sunday 100 N. Osceola Avenue comicconrevolution.com/westpalmbeach/index.php Clearwater, FL 33755 Guests: Chuck Dixon (comic book writer) Infinity Con 6 Karl Moline (comic writer/artist) March 2-3 And others National Guard Armory Free 490 NW Lake Jeffery Rd See Facebook Page Lake City, FL 32055 $18 for bothe days, $12 for one day My-Con infinityconfl.com/ March 16 Wyndham Orlando Resort Miami Comic Con 8001 International Drive March 9 Orlando, Florida 32819 Miami Airport Convention Center Guest: R.
    [Show full text]
  • The Cyborg Prophecy: Reading Between Isaac Asimov's Lines
    The Cyborg Prophecy: Reading between Isaac Asimov’s Lines Rudrani Gangopadhyay Jadavpur University, Kolkata Abstract: Donna Haraway’s “Cyborg Manifesto” describes the Cyborg as a conjunction of technology and discourse. It argues that a prosthesis becomes a cyborg element when it is integrated with the identity of an individual, and a cyborg is created by the almost symbiotic union of robotic and organic elements. Isaac Asimov, in his short story “The Bicentennial Man” for example, narrates the story of such a remarkable union of robotic and human parts and asserts, at the end, that the resultant system is, essentially, human. A cyborg, therefore, is ‘meta-human’, being somewhat enhanced (by the use of technology) in certain ways in comparison to a human being. There isa mass cyborgization of the global population taking place today. The kind of blurring of boundaries between exogenous and endogenous parts within the system of a human being that one had, so far, only come across in science fiction, is fast coming to life. The obvious example of prosthetics aside, gadgets like cellphone headsets, touchscreen phones and similar electronic devices have been rendered extensions of the human system, merging seamlessly with the organic identities and consequently, making cyborgs out of everyone. The relevance of literature featuring cyborgs, which have, in a way, acted as prophecies for human civilization, therefore cannot be emphasized enough. This paper explores the cyborg identity in select works of Isaac Asimov and reflect on the fast occurring cyborgization of the (meta-)human race in reality. Keywords: Science Fiction, Isaac Asimov, Cyborg, Cybernetics, Body Studies Donna Haraway, in the famous “Cyborg Manifesto,” describes a cyborg as a conjunction of technology and discourse (Haraway 149).
    [Show full text]
  • Conference Program
    Thirty-Ninth International Conference on the Fantastic in the Arts ConferenCe Program No taping of sessions may take place without signed permission from an elected officer of the IAFA Executive Board and from all individuals participating in the session. Wednesday, March 14 11:00am-6:00pm 9:00am-6:00pm Registration Desk IAFA Book Exhibit and Sales Main Floor Augusta A/B Coordinator: Karen Hellekson Director: Mark Wingenfeld Audio-Visual Acrobatics coordinated by the incomparable Sean Nixon 2:30-3:15 p.m. Pre-Opening Refreshment Ballroom Foyer 3:30-4:15 p.m. Opening Ceremony Ballroom Host: Donald E. Morse, Conference Chair Welcome from the President: Sherryl Vint Opening Panel: Mary Shelley’s Legacies Moderator: Gary K. Wolfe Nike Sulway, John Kessel, Fred Botting Wednesday, 4:30-6:00pm Sessions 1-11 C 1. (IF/SF/VPAA) Magic and Science Fiction from the Perso- 2. (FTFN/CYA) Constructing Identity in Wonder Tales P O Arabic World and Lovecraft Chair: Linda J. Lee I V N E Chair: Debbie Felton University of Pennsylvania E University of Massachusetts-Amherst Navigating Enfreaked Disabilities in the Realms of Victorian Orange Princesses, Emerald Sorcerers and Dandy Demons: Fairy Tales The Fantastic in Persianate Miniature Painting and Epic Literature Victoria Phelps Zahra Faridany-Akhavan Saginaw Valley State University Independent Scholar With Eyes both Brown and Blue: Making Monsters in Lost Girl The Vault of Heaven: Science Fiction’s Perso-Arabic Origins Jeana Jorgensen Peter Adrian Behravesh Indiana University/Butler University University of Southern Maine The Dark Arts and the Occult: Magic(k)al Influences on/of H.
    [Show full text]
  • Nebula Awards Showcase 2012
    an imprint of Prometheus Books Amherst, NY Published 2012 by Pyr®, an imprint of Prometheus Books Nebula Awards Showcase 2012. Copyright © 2012 by Science Fiction and Fantasy Writers of America (SFWA, Inc.). All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, digital, electronic, mechanical, photocopying, recording, or otherwise, or conveyed via the Internet or a website without prior written permission of the publisher, except in the case of brief quotations em- bodied in critical articles and reviews. Cover illustration © Michael Whelan Cover design by Grace M. Conti-Zilsberger Inquiries should be addressed to Pyr 59 John Glenn Drive Amherst, New York 14228–2119 VOICE: 716–691–0133 FAX: 716–691–0137 WWW.PYRSF.COM 16 15 14 13 12 5 4 3 2 1 Library of Congress Cataloging-in-Publication Data Nebula Awards showcase 2012 / edited by James Patrick Kelly and John Kessel. p. cm. ISBN 978–1–61614–619–1 (pbk. : alk. paper) ISBN 978–1–61614–620–7 (ebook) 1. Science fiction, American. I. Kelly, James P. (James Patrick) II. Kessel, John. PS648.S3A16 2012 813'.0876208—dc23 2012000382 Printed in the United States of America on acid-free paper PERMISSIONS “Ponies,” copyright 2010 by Kij Johnson, first published on Tor.com, January 2010. “The Sultan of the Clouds,” copyright 2010 by Geoffrey Landis, first published in Asimov’s Sci- ence Fiction, September 2010. “Map of Seventeen,” copyright 2010 by Christopher Barzak, first published in The Beastly Bride: Tales of the Animal People, edited by Ellen Datlow and Terry Windling, Viking.
    [Show full text]
  • Afrofuturism: the World of Black Sci-Fi and Fantasy Culture
    AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISMAFROFUTURISM THE WORLD OF BLACK SCI-FI AND FANTASY CULTURE YTASHA L. WOMACK Chicago Afrofuturism_half title and title.indd 3 5/22/13 3:53 PM AFROFUTURISM Afrofuturism_half title and title.indd 1 5/22/13 3:53 PM Copyright © 2013 by Ytasha L. Womack All rights reserved First edition Published by Lawrence Hill Books, an imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 978-1-61374-796-4 Library of Congress Cataloging-in-Publication Data Womack, Ytasha. Afrofuturism : the world of black sci-fi and fantasy culture / Ytasha L. Womack. — First edition. pages cm Includes bibliographical references and index. ISBN 978-1-61374-796-4 (trade paper) 1. Science fiction—Social aspects. 2. African Americans—Race identity. 3. Science fiction films—Influence. 4. Futurologists. 5. African diaspora— Social conditions. I. Title. PN3433.5.W66 2013 809.3’8762093529—dc23 2013025755 Cover art and design: “Ioe Ostara” by John Jennings Cover layout: Jonathan Hahn Interior design: PerfecType, Nashville, TN Interior art: John Jennings and James Marshall (p. 187) Printed in the United States of America 5 4 3 2 1 I dedicate this book to Dr. Johnnie Colemon, the first Afrofuturist to inspire my journey. I dedicate this book to the legions of thinkers and futurists who envision a loving world. CONTENTS Acknowledgments .................................................................. ix Introduction ............................................................................ 1 1 Evolution of a Space Cadet ................................................ 3 2 A Human Fairy Tale Named Black ..................................
    [Show full text]
  • The 2018 Dell Magazine Award Winners
    EDITORIAL Sheila Williams THE 2018 DELL MAGAZINES AWARD Dell Magazines Award for Undergraduate Excellence in Science Fiction and Fantasy Writing co-judge, Rick Wilber, and I were once again delighted that the Internation - al Association for the Fantastic in the Arts and Dell Magazines cosponsor the award. The winner gets a plaque and a check for five hundred dollars. The 2018 award and finalists’ certificates were distributed at the Thirty-Ninth International Con ference on the Fantastic in the Arts in March. It went to Arthur Davis, a junior at Swarthmore College in Pennsylvania. Art, who has studied with the writer Gre gory Frost, is orig - inally from Texas. Traditionally, our award winner participates in an author reading. Arthur read his story alongside Stephanie Feldman and Eileen Gunn. During the comment period, an older man raised his hand. He told us he wasn’t actually with the confer ence. He’d sort of wandered in from the John Deere Convention that was going on concurrently at the hotel. He said he was a veteran and that if he hadn’t been there to hear Arthur read he would never have believed that someone so young could write so convincingly and so compassionately about PTSD. High praise indeed! Art’s award-winning tale, “Happy? Sad?” should be available on our website next year. In the meantime, please check out last year’s winner, “Noor” by Taimur Ahmad, at www.asimovs.com . The award is decided by a blind read, which means the results always include a few surprises. A big one this year was that our first runner-up, Claire Spaulding, was also last year’s first runner-up.
    [Show full text]
  • Ansible® 405 April 2021 from David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK
    Ansible® 405 April 2021 From David Langford , 94 London Road, Reading, Berks, RG1 5AU, UK. Website news.ansible.uk. ISSN 0265-9816 (print); 1740- 942X (e). Logo: Dan Steffan . Cartoon (‘Dragon’s Eye’): Ulrika O’Brien . Available for SAE, ticholama, hesso-penthol or resilian. MOVING ON. October 2021 will see the tenth anniversary of the online £50 reg; under-17s £12; under-13s free. See novacon.org.uk. Encyclopedia of Science Fiction , hosted by Orion and linked to the SOLD OUT . 21-24 Apr 2022 ! Camp SFW, Vauxhall Holiday Park, Gollancz SF Gateway ebook operation. Orion/Gollancz have now decided Great Yarmouth. See www.scifiweekender.com. All places presumably not to renew the contract on 1 October. The principal Encyclopedia taken by membership transfers from the cancelled March 2021 event. editors John Clute and David Langford plan to move sf-encyclopedia.com POSTPONED AGAIN . 27-29 May 2022 ! Satellite 7, Crowne Plaza, to their own web server and continue as seamlessly as possible with Glasgow. £70 reg (£80 at the door); under-25s £60; under-18s £20; much the same ‘look and feel’, perhaps with a new sponsor and certainly under-12s £5; under-5s £2. See seven.satellitex.org.uk. Former dates 21- with a few improvements that the current platform doesn’t allow. 23 May 2021. All existing memberships transferred to 2022; no refunds. Rumblings. DisCon III (Worldcon 2021, Washington DC), with one The Army of Unalterable Law of its two hotels not only closed but filing for bankruptcy, is unable to tell Peter S. Beagle and his current business partners regained rights ‘to members whether it will be a physical as well as a virtual convention.
    [Show full text]
  • Exhibition Hall
    exhibition hall 15 the weird west exhibition hall - november 2010 chris garcia - editor, ariane wolfe - fashion editor james bacon - london bureau chief, ric flair - whooooooooooo! contact can be made at [email protected] Well, October was one of the stronger months for Steampunk in the public eye. No conventions in October, which is rare these days, but there was the Steampunk Fortnight on Tor.com. They had some seriously good stuff, including writing from Diana Vick, who also appears in these pages, and myself! There was a great piece from Nisi Shawl that mentioned the amazing panel that she, Liz Gorinsky, Michael Swanwick and Ann VanderMeer were on at World Fantasy last year. Jaymee Goh had a piece on Commodification and Post-Modernism that was well-written, though slightly troubling to me. Stephen Hunt’s Steampunk Timeline was good stuff, and the omnipresent GD Falksen (who has never written for us!) had a couple of good piece. Me? I wrote an article about how Tomorrowland was the signpost for the rise of Steampunk. You can read it at http://www.tor.com/blogs/2010/10/goodbye-tomorrow- hello-yesterday. The second piece is all about an amusement park called Gaslight in New Orleans. I’ll let you decide about that one - http://www.tor.com/blogs/2010/10/gaslight- amusement. The final one all about The Cleveland Steamers. This much attention is a good thing for Steampunk, especially from a site like Tor.com, a gateway for a lot of SF readers who aren’t necessarily a part of fandom.
    [Show full text]
  • The Annual Report Clarion West Writers Workshop • 2018
    The Annual Report clarion west writers workshop • 2018 To provide a high-quality Clarion West is a nonprofit literary Our Mission: organization and is committed to equal educational opportunity for opportunity. Although there are fine writers of speculative fiction science fiction and fantasy writers of all at the start of their careers. ethnicities, races, and genders, historically Speculative fiction (science fiction, the field has reflected the same prejudices fantasy, horror, magic realism, and found in the culture around it, leading to slipstream) gives voice to those who proportionately fewer successful writers explore societal and technological change, of color and women writers than white along with deeper considerations of male writers. Clarion West is dedicated to the underlying archetypes of human improving those proportions. experience. Clarion West brings new As an extension of its primary mission, writers to the field by providing a Clarion West seeks to make speculative transformative experience in the form of fiction available to the public, and thus an intensive workshop focusing on literary holds readings and other events that bring quality, diversity of viewpoints, range of speculative fiction writers and readers material, and other essential qualities. together. Looking over the previous year, I am so received the inaugural Special Award Executive thankful for all of the support from our for Community Building and community. As we strive to meet the needs Director's of today’s writers, I am always grateful for Inclusivity, highlighting the contribu- our volunteers: those that offer their time tions of our workshop staff and alumni. and personal vehicles, sit at information We had some staff changes in 2018 as Message tables, and join committees, as well as the well.
    [Show full text]
  • Lightspeed Magazine, Issue 78 (November 2016)
    TABLE OF CONTENTS Issue 78, November 2016 FROM THE EDITOR Editorial, November 2016 SCIENCE FICTION Dinosaur Killers Chris Kluwe Under the Eaves Lavie Tidhar Natural Skin Alyssa Wong For Solo Cello, op. 12 Mary Robinette Kowal FANTASY Two Dead Men Alex Jeffers Shooting Gallery J.B. Park A Dirge for Prester John Catherynne M. Valente I've Come to Marry the Princess Helena Bell NOVELLA Karuna, Inc. Paul Di Filippo EXCERPTS The Genius Asylum Arlene F. Marks NONFICTION Media Review: Westworld The Geek’s Guide to the Galaxy Book Reviews, November 2016 Kate M. Galey, Jenn Reese, Rachel Swirsky, and Christie Yant Interview: Stephen Baxter The Geek’s Guide to the Galaxy AUTHOR SPOTLIGHTS Chris Kluwe Lavie Tidhar J.B. Park Alyssa Wong Catherynne M. Valente Mary Robinette Kowal Helena Bell Paul di Filippo MISCELLANY Coming Attractions Stay Connected Subscriptions and Ebooks About the Lightspeed Team Also Edited by John Joseph Adams © 2016 Lightspeed Magazine Cover by Reiko Murakami www.lightspeedmagazine.com Editorial, November 2016 John Joseph Adams | 1064 words Welcome to issue seventy-eight of Lightspeed! We have original science fiction by Chris Kluwe (“Dinosaur Killers”) and Alyssa Wong (“Natural Skin”), along with SF reprints by Lavie Tidhar (“Under the Eaves”) and Mary Robinette Kowal (“For Solo Cello, op. 12”). Plus, we have original fantasy by J.B. Park (“Shooting Gallery”) and Helena Bell (“I’ve Come to Marry the Princess”), and fantasy reprints by Alex Jeffers (“Two Dead Men”) and Catherynne M. Valente (“A Dirge for Prester John”). All that, and of course we also have our usual assortment of author spotlights, along with our book and media review columns.
    [Show full text]