Amélie Olaiz
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Beneath the Surface *Animals and Their Digs Conversation Group
FOR ADULTS FOR ADULTS FOR ADULTS August 2013 • Northport-East Northport Public Library • August 2013 Northport Arts Coalition Northport High School Sunday Monday Tuesday Wednesday Thursday Friday Saturday Courtyard Concert EMERGENCY Volunteer Fair presents Jazz for a Yearbooks Wanted GALLERY EXHIBIT 1 Registration begins for 2 3 Friday, September 27 Children’s Programs The Library has an archive of yearbooks available Northport Gallery: from August 12-24 Summer Evening 4:00-7:00 p.m. Friday Movies for Adults Hurricane Preparedness for viewing. There are a few years that are not represent- *Teen Book Swap Volunteers *Kaplan SAT/ACT Combo Test (N) Wednesday, August 14, 7:00 p.m. Northport Library “Automobiles in Water” by George Ellis Registration begins for Health ed and some books have been damaged over the years. (EN) 10:45 am (N) 9:30 am The Northport Arts Coalition, and Safety Northport artist George Ellis specializes Insurance Counseling on 8/13 Have you wanted to share your time If you have a NHS yearbook that you would like to 42 Admission in cooperation with the Library, is in watercolor paintings of classic cars with an Look for the Library table Book Swap (EN) 11 am (EN) Thursday, August 15, 7:00 p.m. and talents as a volunteer but don’t know where donate to the Library, where it will be held in posterity, (EN) Friday, August 2, 1:30 p.m. (EN) Friday, August 16, 1:30 p.m. Shake, Rattle, and Read Saturday Afternoon proud to present its 11th Annual Jazz for emphasis on sports cars of the 1950s and 1960s, In conjunction with the Suffolk County Office of to start? Visit the Library’s Volunteer Fair and speak our Reference Department would love to hear from you. -
Feature Films
NOMINATIONS AND AWARDS IN OTHER CATEGORIES FOR FOREIGN LANGUAGE (NON-ENGLISH) FEATURE FILMS [Updated thru 88th Awards (2/16)] [* indicates win] [FLF = Foreign Language Film category] NOTE: This document compiles statistics for foreign language (non-English) feature films (including documentaries) with nominations and awards in categories other than Foreign Language Film. A film's eligibility for and/or nomination in the Foreign Language Film category is not required for inclusion here. Award Category Noms Awards Actor – Leading Role ......................... 9 ........................... 1 Actress – Leading Role .................... 17 ........................... 2 Actress – Supporting Role .................. 1 ........................... 0 Animated Feature Film ....................... 8 ........................... 0 Art Direction .................................... 19 ........................... 3 Cinematography ............................... 19 ........................... 4 Costume Design ............................... 28 ........................... 6 Directing ........................................... 28 ........................... 0 Documentary (Feature) ..................... 30 ........................... 2 Film Editing ........................................ 7 ........................... 1 Makeup ............................................... 9 ........................... 3 Music – Scoring ............................... 16 ........................... 4 Music – Song ...................................... 6 .......................... -
Music and Migratory Subjects in Pedro Almodóvar's <Em>Todo Sobre Mi
Trinity University Digital Commons @ Trinity Modern Languages and Literatures Faculty Research Modern Languages and Literatures Department Spring 2014 Music and Migratory Subjects in Pedro Almodóvar’s Todo Sobre Mi Madre, Hable con Ella, and Volver Debra J. Ochoa Trinity University, [email protected] Follow this and additional works at: https://digitalcommons.trinity.edu/mll_faculty Part of the Modern Languages Commons Repository Citation Ochoa, D.J. (2014). Music and migratory subjects in Almodóvar's todo sobre mi madre, hable con ella, and volver. Confluencia, 29(2), 129-141. This Article is brought to you for free and open access by the Modern Languages and Literatures Department at Digital Commons @ Trinity. It has been accepted for inclusion in Modern Languages and Literatures Faculty Research by an authorized administrator of Digital Commons @ Trinity. For more information, please contact [email protected]. Music and Migratory Subjects in Almodóvar's Todo sobre mi madre. Hable con ella, and Volver Veí^íiJ. Ock&ti Trinity University Since the end of Erancisco Franco's dictatorship (1939-1975), Spain has transformed itself from an isolated, fascist state dominated by the promotion of hispanidad and national Catholicism (Corkill 49) to a country that hosts nearly 5.7 million international residents (Deveny, Migration 4). Pedro Almodovar, who began his film career at the time of Spain's transition to democracy, has steadily responded to the country's changes through his examination of identity, sexuality, repression, and desire (Acevedo-Muñoz 1—2). The director has distinguished himself partly by his continuous use of international music in his films, in a way that corresponds to Spain's development into a more tolerant, liberal, multicultural state (Kinder, "Pleasure" 37). -
Fragments of the Past in Pedro Almodóvar's Broken
Oceánide 5 2013 Fecha de recepción: 27 diciembre 2012 Fecha de aceptación: 11 enero 2013 Fecha de publicación: 25 enero 2013 URL:http://oceanide.netne.net/articulos/art5-4.php Oceánide número 5, ISSN 1989-6328 The Shortcomings of Simulacra: Fragments of the Past in Pedro Almodóvar’s Broken Embraces Marcela T. GARCÉS (Siena College, New York, United States) RESUMEN: La obra de Pedro Almodóvar abarca una colección de temas y referencias a sus propias películas, al mismo tiempo que hace referencias a varios otros directores conocidos. Los abrazos rotos (2009) reproduce varias escenas de Mujeres al borde de un ataque de nervios. No obstante, las referencias a ésta en Los abrazos rotos nos dejan con una sensación de desencanto. Las referencias crean una fragmentación del pasado y en última instancia no cumplen con su meta original. La relación entre estas dos películas demuestra las debilidades inherentes en la reconstrucción de filmes dentro de otros filmes, lo cual se conecta con la idea de Baudrillard que el cine está constantemente cometiendo plagio a la hora de rehacerse. Palabras clave: Almodóvar, nostalgia, Baudrillard, flashback, Los abrazos rotos ABSTRACT: Pedro Almodóvar’s oeuvre encompasses a collection of themes and references to his own back catalogue, all the while referencing many other well-known directors. Broken Embraces (2009) refers to and re-enacts scenes from Women on the Verge of a Nervous Breakdown (1988). Yet the references to the latter in Broken Embraces fail to enchant, instead creating a fragmentation of the past and ultimately shifting from a breakdown to being simply broken. -
Bruce Jackson & Diane Christian Video Introduction To
Virtual May 5, 2020 (XL:14) Pedro Almodóvar: PAIN AND GORY (2019, 113m) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Bruce Jackson & Diane Christian video introduction to this week’s film Click here to find the film online. (UB students received instructions how to view the film through UB’s library services.) Videos: “Pedro Almodóvar and Antonio Banderas on Pain and Glory (New York Film Festival, 45:00 min.) “How Antonio Banderas Became Pedro Almodóvar in ‘Pain & Glory’” (Variety, 4:40) “PAIN AND GLORY Cast & Crew Q&A” (TIFF 2019, 24:13) CAST Antonio Banderas...Salvador Mallo “Pedro Almodóvar on his new film ‘Pain and Glory, Penélope Cruz...Jacinta Mallo Penelope Cruz and his sexuality” (27:23) Raúl Arévalo...Venancio Mallo Leonardo Sbaraglia...Federico Delgado DIRECTOR Pedro Almodóvar Asier Etxeandia...Alberto Crespo WRITER Pedro Almodóvar Cecilia Roth...Zulema PRODUCERS Agustín Almodóvar, Ricardo Marco Pedro Casablanc...Doctor Galindo Budé, and Ignacio Salazar-Simpson Nora Navas...Mercedes CINEMATOGRAPHER José Luis Alcaine Susi Sánchez...Beata EDITOR Teresa Font Julieta Serrano...Jacinta Mallo (old age) MUSIC Alberto Iglesias Julián López...the Presenter Paqui Horcajo...Mercedes The film won Best Actor (Antonio Banderas) and Best Rosalía...Rosita Composer and was nominated for the Palme d'Or and Marisol Muriel...Mari the Queer Palm at the 2019 Cannes Film Festival. It César Vicente...Eduardo was also nominated for two Oscars at the 2020 Asier Flores...Salvador Mallo (child) Academy Awards (Best Performance by an Actor for Agustín Almodóvar...the priest Banderas and Best International Feature Film). -
Treasures from the Yale Film Archive
TREASURES FROM THE YALE FILM ARCHIVE SUNDAY AN ONGOING SERIES OF CLASSIC AND CONTEMPORARY FILMS PRESENTED IN 35MM BY THE YALE FILM STUDY CENTER SEPTEMBER 17, 2017 2:00PM • WHITNEY HUMANITIES CENTER PRESENTED WITH SUPPORT FROM VOLVERVOLVER PAUL L. JOSKOW ’70 M.PHIL., ’72 PH.D. All about mothers, Pedro Almodóvar’s 2006 quiet masterpiece blends tragedy, melodrama, magical realism, and farce in a story of three generations of working-class Spanish women and the secrets they carry between La Mancha and Madrid. Penélope Cruz o. gives the performance of her career as Raimunda, struggling to protect her teenage daughter (Yohana Cobo) while haunted by N the ghost of her estranged mother (Carmen Maura). A.O. Scott said of the film, “To relate the details of the narrative—death, cancer, S 1 E 4 betrayal, parental abandonment, more death—would create an impression of dreariness and woe. But nothing could be further from A S O N the spirit of VOLVER which is buoyant without being flip, and consoling without ever becoming maudlin.” One of Almodóvar’s most assured and mature works, it foregoes the flashy visuals and assertive soundtracks of his earlier comedies, as well as the complex plots of the dramas that immediately preceded it, TALK TO HER and BAD EDUCATION. Other than MATADOR and KIKA, it was his first film to be released in the U.S. under its untranslated Spanish title. Volver means return, and the many returns throughout the film help bring the characters and their director overdue resolutions to unfinished business from the past. -
Relationship Between Foreign Film Exposure And
RELATIONSHIP BETWEEN FOREIGN FILM EXPOSURE AND ETHNOCENTRISM LINGLI YING Bachelor of Arts in English Literature Zhejiang University, China July, 2003 Submitted in partial fulfillment of requirement for the degree MASTER OF APPLIED COMMUNICATION THEORY AND METHODOLOGY at the CLEVELAND STATE UNIVERSITY MAY, 2009 1 THESIS APPROVAL SCHOOL OF COMMUNICATION This thesis has been approved for the School of Communication And the College of Graduates Studies by: Kimberly A. Neuendorf Thesis Committee Chairman School of Communication 5/13/09 (Date) Evan Lieberman Committee Member School of Communication 5/13/09 (Date) George B. Ray Committee Member School of Communication 5/13/09 (Date) 2 ACKNOWLEDGEMENTS I would like to express my special thanks to my advisor, Dr. Kimberly Neuendorf, who provided me with detailed and insightful feedback for every draft, who spent an enormous amount of time reading and editing my thesis, and more importantly, who set an example for me to be a rigorous scholar. I also want to thank her for her encouragement and assistance throughout the entire graduate program. I would also like to thank Dr. Evan Lieberman for his assistance and suggestions in helping me to better understand the world cinema and the cinema culture. Also, I want to thank him for his great encouragement throughout the writing of this thesis. I want to offer a tremendous thank you to Dr. Gorge Ray. I learned so much about American people and culture from him and also in his class. I will remember his patience and assistance in helping me finish this program. I am also grateful for all the support I received from my friends and my officemates. -
Redalyc.TIEMPO Y PERSPECTIVA EN LA PELÍCULA RASHOMON DE AKIRA KIROSAWA
Vivat Academia E-ISSN: 1575-2844 [email protected] Universidad Complutense de Madrid España Grandío Pérez, María del Mar TIEMPO Y PERSPECTIVA EN LA PELÍCULA RASHOMON DE AKIRA KIROSAWA Vivat Academia, núm. 111, junio, 2010, pp. 87-105 Universidad Complutense de Madrid Madrid, España Disponible en: http://www.redalyc.org/articulo.oa?id=525752961007 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto Grandío Pérez, María delRevista Mar (2010): de Comunicación Tiempo y perspectiva Vivat Academia en la película de Rashomon de Akira KurosawaRevistaISSN: . 1575-2844Vivat de AcademiaComunicación · DOI:. nº http://dx.doi.org/10.15178/va.2010.111.87-105 111. Junio. Vivat 2010. Academia ISSN: 1575-2844 http://www.ucm.es/info/vivaJuniotaca/numeros/n111/DATOSS.htm Diciembre2010 · Año XIII 2011 · nº 111Año · pp.XIV 87-105 Nº117 pp 131-163 RESEÑA/REPORT TIEMPO Y PERSPECTIVA EN LA PELÍCULA RASHOMON DE CRÍTICASAKIRA DE CINE KUROSAWA / FILM REVIEWS Octubre-Diciembre, 2011 TIME AND PERSPECTIVE ON FILM AKIRA KUROSAWA'S Jesús Miguel Sáez-González1: Crítico de cine. Alcalá de Henares. España [email protected] RASHOMON AUTOR/ESOctubre 2011 María del Mar Grandío Pérez: Profesora contratada. Doctora de la Facultad de Ciencias Sociales y de la Comunicación. Universidad Católica San Antonio de Murcia. Murcia (España). [email protected] RESUMEN El objetivo de este artículo es analizar el papel del tiempo y de la subjetividad de las perspectivas en la película Rashomon, aspectos que se consideran decisivos en la filmografía de Akira Kurosawa. -
The Decadent Image of the Journalist in Pedro Almodóvar Cinema
Vivat Academia. Revista de Comunicación. March 15, 2019 / June 15, 2019 nº 146, 137-160 ISSN: 1575-2844 http://doi.org/10.15178/va.2019.146.137-160 RESEARCH Received: 12/01/2018 --- Accepted: 11/10/2018 --- Published: 15/03/2019 THE DECADENT IMAGE OF THE JOURNALIST IN PEDRO ALMODÓVAR CINEMA La imagen decadente del periodista en el cine de Pedro Almodóvar Cristina San José de la Rosa1: University of Valladolid. Spain. [email protected] ABSTRACT Journalism and journalists play key roles in the cinema of Pedro Almodóvar. The director uses the character communicator with superficial presenters in most cases and occasionally precise serious informants. This study analyzes the presence of means of communication or journalists in his last 17 films and affects the prevalence of frivolity and satire before the camera as it is shown four emblematic titles to Ticos: Distant Heels (1991), Kika (1993) Talk to her (2002) and Return (2006). The data is extracted from the doctoral thesis The journalists in the Spanish cinema (1942-2012), in which the professional and personal profile of the informers which appear as protagonists or secondary in Spanish films is analyzed during the seventy years2. KEY WORDS: journalism – cinema – Almodóvar – gender – villains. RESUMEN Periodismo y periodistas juegan papeles clave en el cine de Pedro Almodóvar. El director emplea el personaje del comunicador con superficiales presentadoras en la mayoría de los casos y alguna vez puntual serios informadores. Este estudio analiza la presencia de medios de comunicación o periodistas en sus últimas 17 películas e incide 1Cristina San José de la Rosa: Licenciada en Ciencias de la Información por la Universidad Pontifica de Salamanca y licenciada en Filología Hispánica por la Universidad de Salamanca y la UNED. -
Programming Ideas
Umbrella License® Programming Guide We have compiled a programming guide that will allow you to take full advantage of the wide variety of motion pictures and audiovisual works available for screening under your facility’s MPLC Umbrella License. Please be sure to review titles and MPAA rating information prior to your screening to ensure that the subject matter is appropriate for your audience. Twentieth Century Fox From the highest-grossing motion picture of all time to Hollywood classics, the Twentieth Century Fox catalogue spans decades and includes many contemporary favorites. Affiliated labels include Fox 2000 Films, Fox-Walden, Fox Look, and Fox Searchlight. • Maze Runner: The Scorch Trials (2015) (PG-13) • The Maze Runner (2014) (PG-13) • Fantastic Four (2015) (PG-13) • Fantastic 4: Rise of the Silver Surfer (2007) (PG) • Fantastic Four (2005) (PG-13) • The Book of Life (2014) (PG) • Rio 2 (2014) (G) • Rio (2011) (G) • Night at the Museum: Secret of the Tomb (2014) (PG) • Night at the Museum: Battle of the Smithsonian (2009) (PG) • Night at the Museum (2006) (PG) • Dawn of the Planet of the Apes (2014) (PG-13) • Rise of the Planet of the Apes (2011) (PG-13) • Planet of the Apes (1968) (G) • Gone Girl (2014) (R) • The Fault in Our Stars (2014) (PG-13) • Son of God (2014) (PG-13) • X-Men Days of Future Past (2014) (PG-13) • The Wolverine (2013) (PG-13) • X-Men: First Class (2011) (PG-13) • X-Men: The Last Stand (2006) (PG-13) • X2 (2003) (PG-13) • X-Men (2000) (PG-13) • 12 Years a Slave (2013) (R) • A Good Day to Die Hard (2013) -
Let My People Go! a Film by Mikael Buch
Let My People Go! a film by Mikael Buch Theatrical & Festival Booking Contact: Clemence Taillandier, Zeitgeist Films (201) 736-0261 • [email protected] Marketing Contact: Ben Crossley-Marra, Zeitgeist Films 212-274-1989 x10 • [email protected] Publicity Contact (New York and Los Angeles): Sasha Berman, Shotwell Media 310-450-5571 • [email protected] A ZEITGEIST FILMS RELEASE Let My People Go! a film by Mikael Buch A sweet and hilarious fusion of gay romantic comedy, Jewish family drama and French bedroom farce, Mikael Buch’s Let My People Go! follows the travails and daydreams of the lovelorn Reuben (Regular Lovers’ Nicolas Maury), a French-Jewish gay mailman living in fairytale Finland (where he got his MA in “Comparative Sauna Cultures”) with his gorgeous Nordic boyfriend. But just before Passover, a series of mishaps and a lovers’ quarrel exile the heartbroken Reuben back to Paris and his zany family— including Almodovar goddess Carmen Maura (Women on the Verge of a Nervous Breakdown, Volver) as his ditzy mom, and Truffaut regular Jean-François Stévenin as his lothario father. Scripted by director Mikael Buch and renowned arthouse auteur Christophe Honoré (Love Songs), Let My People Go! both celebrates and upends Jewish and gay stereotypes with wit, gusto and style to spare. The result is deeply heartwarming, fabulously kitschy and hysterically funny. AN INTERVIEW WITH MIKAEL BUCH What was your background prior to making your first feature film? My father is from Argentina and my mother is Moroccan—a complicated mixture in the first place. I was born in France, but we moved to Taiwan when I was two months old. -
Drama Movies
Libraries DRAMA MOVIES The Media and Reserve Library, located in the lower level of the west wing, has over 9,000 videotapes, DVDs and audiobooks covering a multitude of subjects. For more information on these titles, consult the Libraries' online catalog. 0.5mm DVD-8746 42 DVD-5254 12 DVD-1200 70's DVD-0418 12 Angry Men DVD-0850 8 1/2 DVD-3832 12 Years a Slave DVD-7691 8 1/2 c.2 DVD-3832 c.2 127 Hours DVD-8008 8 Mile DVD-1639 1776 DVD-0397 9th Company DVD-1383 1900 DVD-4443 About Schmidt DVD-9630 2 Autumns, 3 Summers DVD-7930 Abraham (Bible Collection) DVD-0602 2 or 3 Things I Know About Her DVD-6091 Absence of Malice DVD-8243 24 Hour Party People DVD-8359 Accused DVD-6182 24 Season 1 (Discs 1-3) DVD-2780 Discs 1 Ace in the Hole DVD-9473 24 Season 1 (Discs 1-3) c.2 DVD-2780 Discs 1 Across the Universe DVD-5997 24 Season 1 (Discs 4-6) DVD-2780 Discs 4 Adam Bede DVD-7149 24 Season 1 (Discs 4-6) c.2 DVD-2780 Discs 4 Adjustment Bureau DVD-9591 24 Season 2 (Discs 1-4) DVD-2282 Discs 1 Admiral DVD-7558 24 Season 2 (Discs 5-7) DVD-2282 Discs 5 Adventures of Don Juan DVD-2916 25th Hour DVD-2291 Adventures of Priscilla Queen of the Desert DVD-4365 25th Hour c.2 DVD-2291 c.2 Advise and Consent DVD-1514 25th Hour c.3 DVD-2291 c.3 Affair to Remember DVD-1201 3 Women DVD-4850 After Hours DVD-3053 35 Shots of Rum c.2 DVD-4729 c.2 Against All Odds DVD-8241 400 Blows DVD-0336 Age of Consent (Michael Powell) DVD-4779 DVD-8362 Age of Innocence DVD-6179 8/30/2019 Age of Innocence c.2 DVD-6179 c.2 All the King's Men DVD-3291 Agony and the Ecstasy DVD-3308 DVD-9634 Aguirre: The Wrath of God DVD-4816 All the Mornings of the World DVD-1274 Aladin (Bollywood) DVD-6178 All the President's Men DVD-8371 Alexander Nevsky DVD-4983 Amadeus DVD-0099 Alfie DVD-9492 Amar Akbar Anthony DVD-5078 Ali: Fear Eats the Soul DVD-4725 Amarcord DVD-4426 Ali: Fear Eats the Soul c.2 DVD-4725 c.2 Amazing Dr.