Oskar-Von-Miller Strasse 16 (2000–2011), an Art Space That Became Renowned As a Gigantic Replication Device

This is the account of Oskar-von-Miller Strasse 16 (2000–2011), an art space that became renowned as a gigantic replication device. With the call of ‘record, label, play back’, a group of young artists reiterated the language of a city’s cultural offerings—often without a full understanding of what they were reciting, but always with an acute aesthetic interest in the faults of transmission and transference. This book itself is a product of such practices. Scores of audio and visual materials, partly in the form of transcripts from two Conferences of Anecdotes, chronicle the group’s eleven years of Trojan activities: a natural force uncontri- ved amidst the staging of innumerable cultural endeavours.

Osk r-von-M RZ_OSKAR_UMSCHLAG 266x266_Titel.indd 1 20.02.14 18:05 This is the account of Oskar-von-Miller Strasse 16 (2000–2011), an art space that became renowned as a gigantic replication device. With the call of ‘record, label, play back’, a group of young artists reiterated the language of a city’s cultural offerings—often without a full understanding of what they were reciting, but always with an acute aesthetic interest in the faults of transmission and transference. This book itself is a product of such practices. Scores of audio and visual materials, partly in the form of transcripts from two Conferences of Anecdotes, chronicle the group’s eleven years of Trojan activities: a natural force uncontri- ved amidst the staging of innumerable cultural endeavours. This book is the newly translated, revised, and expanded edition of the 2003 version of Oskar, which was originally published in German (Silverbridge Paris, 2003). Additions consist of photo material of some of the activities that took place between 2003 and 2013, as well as the text ‘A Grid of Anecdotes is what it was called’ (2013), which gives a synopsis of these years and completes the previous ‘Grid of Anecdotes’ (2003) text. For reasons of space, a number of texts that were published in the first edition, namely ‘die Oppenheimer’, ‘Blackbox’, ‘Boppard’, ‘eintausendsechshundertachtundvierzig Mark eins’ (one thousand six hundred forty-eight marks and one pfennig), and ‘Telefonbuch’ (Telephone Book) could not be included in this edition. To inquire about the original texts in German, please contact David Zwirner, New York.

Oskar Michael Riedel (2014)

Published by David Zwirner 525 West 19th Street New York, New York 10011 +1 212 727 2070

24 Grafton Street London W1S 4EZ +44 (0)20 3538 3165 davidzwirner.com

Editor: Michael Riedel Text: Michael Riedel, Roberto Ohrt, Daniel Baumann Transcription: Michael Riedel, Hank Schmidt in der Beek Translation: Lisa Voigt English language editing: Erin Troseth Pre press production: Chris Bredl

All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photographing, recording or information storage and retrieval, without prior permission in writing from the publisher.

Available through: ARTBOOK | D.A.P. 155 6th Avenue, 2nd Floor New York, New York 10013 +1 212 627 1999 artbook.com

ISBN 978-0-9899809-5-1 Library of Congress Cataloguing-in-Publication Data available from the publisher upon request Osk r-von-M Printed by Vier Türme GmbH in Germany RZ_OSKAR_UMSCHLAG 266x266_Titel.indd 1 20.02.14 18:05 4 5

Oskar-von-Miller Strasse 16 Michael Riedel, Dennis Loesch (2000 - 2011)

with Alina Grumiller (2000 - 2001) Hank Schmidt in der Beek (2000 - 2002) Niklas Schechinger (2000 - 2002)

and Ursula Schöndeling, Marcus Andrew Hurttig, Roberto Ohrt, Achim Lengerer, Denise Mawila, Sonja Umstätter, Tina Schott, Tina Kohlmann, Catalina Niculescu, Isabelle Fein, Daniel Herrmann, Björn Renner, Thomas Seidemann, Marco Lulic, Ursula Meyer, Jason Rhoades, Raymond Pettibon, Georg Otto, Gerd Zink, Hugh Pocock, Fabrice de Feo, Pernilla Renner, Jodie Winkler, Mateata Perseigale, Konrad Hasse, Michael Korbun, Stephan Golowka, Daniel Baumann, Oliver Drescher und Maike Abetz, Lisa Voigt, Gregor Schubert, Virginie Dorso, Sebastian Klöckner, Andreas Diefenbach, Chris Bredl, Anja Stoffel, Beate Bauer, Saskia Randt, Thomas Friemel, Marcus Arndt, Daniel Nikolaou, Peik Simpfendörfer, Marcel Bugiel, Steffen Jobst, Maria Wiklund, Winfried Günther, Günther Zehetner, Moses Mawila, Andreas Edler, Barbara Vatter, Barbara Wolff, Jule Kracht, Marcus Heinicke, Nicole Ernst, Wolgang Beuschel, Karl Walter Sprungalla, Ali M. Abdullah, Christoph Weber, Erik Maisenhelder, Christoph Mohr, Gabriele Senn, David Zwirner, Michael Neff, Daniel Birnbaum, Yilmaz Dziwior, Guido Baudach, Heimo Zobernig, Wilfried Kühn and you. 6

Contents Re-entry – Michael Riedel (2014) …………………………………………………… p. 9 Duplication and Something in Between or Not – Daniel Baumann (2007) …………………………………………………… p. 10 Serial Offenders, Replicants, Animals of Theory – Roberto Ohrt (2001) …………………………………………………… p. 11

Grid of Anecdotes (2003) …………………………………………………… p. 17 A Grid of Anecdotes is what it was called (2013) …………………………………………………… p. 267

Index of persons …………………………………………………… p. 477 Chronology of events …………………………………………………… p. 484 Recordings (written and unwritten texts) …………………………………………………… p. 487 8 9

Illustration: Art genres from 1800 to the present – Michael Riedel (1998)

Re-entry Michael Riedel (2014)

You can basically imagine it like this: „Entdecke die Möglichkeiten“ (Discover the possibilities) — Ikea „Nichts ist unmöglich“ (Nothing’s impossible) — Toyota We’re talking about a space full of possibilities, though none of the possibilities are as interesting as the space itself, which contains these possibilities.

This is what I had in mind in 2000 when I, together with Dennis Loesch, Alina Grumiller, and Ursula Schöndeling, rented a house at Oskar-von-Miller Strasse in Frankfurt am Main and established the art space Oskar-von-Miller Strasse 16. Located at ground level and equipped with two giant shop windows, the space allowed an unimpeded street view into its activities, which were copies of the activities which took place in the surrounding urban cultural landscape. Functioning as a blank space that nonetheless remained interesting to observe, it managed to sustain that interest, even while refusing any clear offer of interpretation to those whom it had seduced into observing it.

In contrast to the cultural endeavours happening elsewhere, Oskar-von-Miller Strasse 16 functioned as a recording device that would merely replay the cultural offerings it had recorded and then marvel at the pops, hisses, crackles, and skips that such playback caused. Whereas the original cast of cultural events could be experienced elsewhere, this is where the B-versions took place, which themselves implied the possibility of C-, D-, E-, F-, G-, and H-versions and beyond—a domain of the non-made, wanting purely to be seen in the context of its dissimilarity from that which was made. The smack of arbitrariness was intentional, and responsibility had to be avoided if a truly organic experience was to be achieved. Record—label—play back corresponded to creativity‘s zero-point of origin.

The presentation of near-natural situations and their ongoing reproduction seemed contemporary to me, so a group of friends and I began to: sift through the waste of an art exhibition hall looking to reemploy discarded installation elements of another artist (Jim Isermann); produce an audio recording of increasingly unrestrained chatter (Bar Oppenheimer); not define our own texts as literature but as mere material to overwrite existing literature and change it into something different (Benjamin von Stuckrad-Barre); refuse to set the tone (Legendary Orgasm); pay homage to dyslexia (Shroud of Turin); engage in masquerade (Club[b]ed Club); occupy marginal space (Ladies’ Room Party); discover double-blurriness (Filmed Film); analyse systems too complex for a theoretical or formula-based treatment (Speculative exhibition of a future taking place in reality); set alternative time experiences in motion (Double-sided clock with contrary running directions and variable velocity); turn the function of flushing a toilet into the central topic of an exhibition (Watertest); and more generally, pursue our aesthetic interests, create art, and understand reproduction not merely as bound to the notion of a product, but rather to a process in the broadest sense of the word—one which could be halted at will and at any point in order to mark the distance achieved from one‘s point of departure.

Appealingly effortless, the very act of labelling carried artistic significance in itself. The minor part that originality played at these events was no coincidence, as it was precisely this fact which helped to create the impression of a vacancy in the cultural landscape and to direct focus onto the form providing the framework: the art space Oskar-von-Miller Strasse 16. Paradoxically, this operationally closed system was the ideal form of re-introducing any copied series of events into the city‘s cultural calendar, thus imagining reality while simultaneously realising imagination.

Due to the drastic improvement in technical capacities, recorded material accumulated in the space of only a few years. Based on recorded materials, my texts initially came from sources that were 45 or 90 minutes long, but then capacity jumped to 320 minutes in long-play mode and shortly afterward to 8,000 minutes or longer—provided that a power supply was on hand of course. The conditions for visual material were similar, as they evolved from rolls of film with 36 exposures to limitless picture taking. The function of these recordings is no longer primarily illustrative; as a consequence of digital technology and our expectations of contemporary distribution methods, they have instead become a trigger for self-perpetuating processes. Understood in this context, our interest in self-referentiality—existing already in 2002 and expressed in the form of catalogues, posters, postcards, and Oskar-von-Miller Strasse 16 replicas—required that the distinction between relevant and irrelevant information be dismantled if one were to do justice to its proper complexity. The transition towards a perspective from which one could observe oneself making art led to a situation where the act of observing the observer ensured a self-perpetuating production of further forms. This has culminated in the present publication, which wants to be noted, which announces itself, and which creates a stage for imminent activities, thus offering the potential of new recording opportunities. 10 11

‘The Pictures Oskar-von-Miller Strasse Generation: What these fledgling artists did have fully to themselves was the sea of images culture industry into which they were born the media Duplication and Something in Between or Not culture of movies and television, popular music, and magazines—the culture industry as pervaded by perfectionism, opportunism, prestige, and commercialisation, that to them constituted Daniel Baumann (2007) a sort of fifth element or a prevailing kind of weather. Their relationship to such material was productively schizophrenic: while they were first and foremost consumers, they also learned to adopt a cool, critical attitude toward the very same mechanisms of seduction and desire that played upon them from the highly influential writings of French philosophers and cultural critics such as Michel Foucault, Roland Barthes, and Julia Kristeva that were just beginning to be made available in translation.’ (Department of Photographs, The Metropolitan Museum of Art Oskar-von-Miller Strasse 16 at Weydinger Strasse 20 http://www.metmuseum.org/toah/hd/pcgn/hd_pcgn.htm) So Dennis Loesch and Michael S. Riedel went to the pop author’s reading. The man read from his book, occasionally adding asides, skipping lines, and showing off in front of his audience. Riedel and Loesch recorded the event then transcribed everything the author said, word for word, and overlaid their new text onto the original contents of the book. Later, at Oskar-von- Miller Strasse 16, the two publicly repeated this recorded reading, reiterating it verbatim while sitting at a table wearing headphones. They’ve done the same thing with exhibitions, clubs, performances, and concerts—they‘ve repeated them. A Jim Isermann exhibition at Portikus, for example, was replicated at Oskar-von-Miller Strasse with materials left over from the original show. They also started an event series titled Club(b)ed Clubs, where a variety of club nights were restaged a few days after they occurred—reenacted at Oskar-von-Miller Strasse 16 in a room that was empty apart from one or two items brought over from the original club. And of course there was music. For their Lola Montez club event, Diedrich Diederichsen, Jason Rhoades, Kasper König, Leo König, Heiner Blum, Bärbel Grässlin, Peter Cook, Jonathan Meese, Roberto Ohrt, Franz West, Heimo Zobernig, Veronique Bourgoin, Mandla Reuter, Raymond Pettibon, Hans Weigand, Bruno Brunett and many others were made into extempore telephone DJs. Riedel and Loesch had gotten hold of their phone numbers, called them up Serial Offenders, Replicants, Animals of Theory from Oskar-von-Miller Strasse 16, and asked them to request a song. It was a disaster. Riedel and Loesch also went to experimental film screenings where they recorded the films being Roberto Ohrt (2001) shown, then showing these re-recordings at their own screenings. The result was a series titled Filmed Films, which was presented as a genre and also shown under the indicative title How You Look At It. In connection with this, they later produced the legendary Trailer Filmed Films, which consisted of the opening and closing credits of their filmed films so that viewers could be held in an extended state of pre-film anticipation and post-film satisfaction. On the subject of performance, there was the site-specific Gilbert & George, in which two actors (Gert & Since July 30, 2000 a house at Oskar-von-Miller Strasse 16 in Frankfurt am Main has been the scene of a permanent introduction to the art of the incidental. Here, the planning, Georg) were hired to act as doubles for the English artist duo Gilbert & George, who had an exhibition opening in the nearby Portikus. And there was also a live concert, which consisted of execution, and refinement of events is condensed into a form of nocturnal entertainment that—with the ultimate aim of multiplying the pleasures of the present—puts decoration, complete Riedel, Loesch, and their friends motionlessly posing as musicians on stage. with audio and visual elements (as well as guests) at everyone’s disposal in the form of a transportable (mobile), imitated (performed), or rebuilt (mirrored) ensemble of elements. At unreliable intervals, but with a self-imposed preference for those days that are clearly highlighted in any urban event calendar (because of a concentration of exhibition openings and their The concept has always been the same: The recording of an event becomes an event in its own right. This has resulted in numerous variations and misunderstandings, gaps and remnants. accompanying events, for example), this meeting point projects itself onto the city’s cultural activities by hosting its own ‘exhibition’, ‘club night’, ‘reading’, or ‘film presentation’.That might Loss and pointlessness were words that came to mind at the beginning; people stood and watched the events before them unfold, the experience never losing its ambivalence. Nobody sound pleasantly familiar and like a great strategy for neighbourhood revitalisation, only that almost any event at Oskar-von-Miller Strasse 16 comes in the form of a deferred projection, felt responsible for the gaps generated by the duplications, though of course these spaces were filled nevertheless, taken up by a specific concept of living.Alongside this, there was also because the activities inside the space’s 84 square (or 277 cubic) metres are all about the concept of the copy. The identities of interior spaces are captured in ‘container format’, then a certain clarity—not only on what would be presented, but also on how it would be imparted, documented, and received. Events would be photographed, recorded, transcribed into texts, doubled, transferred, and replayed using craftsmanship, performative methods, and the latest in recording and playback technology to replicate and simulate complete or incomplete facts. and then published. As a result, the occasion of the occasion became the occasion itself and the doublings multiplied, which at times created the sensation of a loop in which the disoriented Whatever type of artistic, cultural or consumer-oriented event that might occur elsewhere on the city’s space-time coordinates laying claim to a certain distinctiveness (or even originality) spectator was caught, watching Oskar-von-Miller Strasse 16 drift past like a spaceship (which in a way it was). Everything was clearly defined, thoroughly thought out, and systematically will find its concrete counterpart at von-Miller Strasse. It’s the game of an unsanctioned doppelgänger that sometimes strikes on the very same night of the source event but mostly days or executed, yet always on the brink of absurdity, where—as we all know—the most attractive concepts are developed. In 2003, only three years after the venue was opened, a sizable weeks later. retrospective catalogue of its activities was published, complete with the following announcement: ‘OSKAR-VON-MILLER STRASSE 16, 24 cm x 17 cm, 660 pgs. (approx. 90 blank), paperback, numerous b/w illus., texts by Daniel Baumann (“Tracings”), Roberto Ohrt (“Serial Offenders, Replicants, Animals of Theory”), Michael S. Riedel (“Conference of Anecdotes”, In its function as an extended profile, the double increases the accessibility of the original construction.There’s a hidden disadvantage in default views and ways of interfacing that is usually “Blackbox”, “Boppard”, “Onethousandsixhundredfourtyeight Marks and One Pfennig”, “Cover Design”, “Telephone Book”), in German, edition limited to 500 numbered copies, numbers 1–50 obscured by their self-evidence (address or licence): They reduce an object (for example, a dance floor) to certain predictable forms of usage (for instance, dancing). This definitely has to be published as a special edition with five posters (screen print).’ some irrefutable benefits (in this case, eroticism), but at the same time, limits possible movement or even prevents it (as can be seen in the interplay of the dance moves and inhibitions typical of various eras). ‘Based on fake events, the documentation created by Michael S. Riedel and Dennis Loesch is, in itself, open to question. In the exhibition room at Oskar-von-Miller Strasse 16, the two artists have reiterated the language of public cultural offerings, often without a full understanding of what has been said. With transcribed texts and numerous illustrations, they have Measurable by how severe the distortions in perception that set in when tipsiness turns into full-blown drunkenness are, these standards and regulations become especially obvious. The chronicled their three years of Trojan activities.’ This chronicle was then published as a book, with the so-called Conference of Anecdotes, where the most important Oskar-von-Miller plagiarised copy liberates the initial situation from such binding ‘requirements’, loosens the concepts of credibility and obligation, draws nearer to non-prescriptive usage options, and Strasse 16 players met for a two-day gathering to review past events, serving as its introduction. The group’s combined thoughts and stammerings were recorded, transcribed word for presents one and the same ‘thing’—be it in a fragmented, assembled or mirrored form—as a broader terrain, which in its turn creates possibilities that often instantly provoke other ways of word, and made into a 260-page ‘table of contents’ that prefaces the documentation, thus becoming a retrospective review with an anticipatory fu ‘interpretation’ (with your back on the dance floor, imagining it as the ceiling). Inside your ear, an echo is usually the first sign of inebriation and in its kinetic manifestation on the dance floor Eventually, Loesch and Riedel even extended their duplication methods to the site itself. In 2006, they constructed a replica of the entire Oskar-von-Miller Strasse 16 house by sewing also marks the prelude to erotic communication. together lengths of fabric; they then draped this enormous textile replica over their exhibition booth at the Fine Art Fair Frankfurt. The new space had to be filled again, but at the same time it was a mobile model that could be packed up, sent off, and set up anywhere—an Oskar-von-Miller Strasse 16 tepee so to speak. Already in 2003, the two had had the Oskar-von-Miller That’s why at Oskar-von-Miller Strasse the focus on repetition is ultimately linked to pleasure and its protagonists operate inside the conduits of recording and transmission technology Strasse 16 exhibition space rebuilt true to scale at the Secession in Vienna in order for it to be used as an exhibition site inside an exhibition site. Events promised on the programme: where they disrupt any kneejerk mechanisms of control, subvert any semblance of identity, and establish a platform for sabotage from which utopian people are sent out on a mission in the Oskar-von-Miller Strasse 16 exhibition (Friday, November 14 to Sunday November 16, 2003); Oskar-von-Miller Strasse 16 film evening (Thursday, November 13, 2003, 6 p.m.); Oskar-von- name of beauty. Miller Strasse 16 club night at Ramien at Gumpendorfer Strasse 9, 1060 Vienna (Thursday, November 6, 2003, 11 p.m.); Oskar-von-Miller Strasse 16 Premade Club/Recording 101103 (Thursday, September 25, 2003, 6.30 p.m.). When the exhibition at the Secession ended, the replica of the house was destroyed and, in anticipation of the already-announced future Furthermore, the fact that the location’s name duplicates the name that city authorities assigned it on the map is not unintentional. The art space Oskar-von-Miller Strasse 16 (located at demolition of the real Oskar-von-Miller Strasse 16, thoroughly documented so that in an interview in the December 2006 edition of Artforum, Michael S. Riedel was able to state: ‘The best Oskar-von-Miller Strasse, house number 16) has to position itself inside a city that is, in strange ways, refuting, cancelling, and undermining its signs and declared dimensions. It seems show of 2006 already took place in 2003 at the Secession in Vienna, as part of the group exhibition Context, Form, Troy, when Dennis Loesch and I simulated the demolition of our building, that Frankfurt’s image-makers are either unwilling or unable to find an adequate format for its self-representation, because everything here is either done too big or too small. Just take Oskar-von-Miller Strasse 16. At the time, we described it as “a speculative exhibition of a future taking place in reality.” Three years later we witnessed the real thing, a scene we could not the Frankfurt skyline for example, known to be Germany’s most impressive metropolitan silhouette (popular exaggerations include the nickname ‘Mainhattan’). But at second glance, its have imagined more accurately, because we already knew what it would be like.’ skyscrapers with their colourful little caps preside over nothing but a sleepy, tranquil town, fairly small and quickly taken in and in certain places even fairly square (Römer) and provincial (Sachsenhausen). Whoever tries to wander the city’s streets as they would through some small town or quiet neighbourhood though will experience its public space as a snarling network of Not long ago, a close friend and I had a discussion about Riedel’s and Loesch’s duplications, and the question of what is or isn’t between them. The next day that friend wrote me an email intolerant and un-budging rejection. The static elements of footpath decoration and roadside indicators all operate at a different pace: expeditious, efficient, exit here, and thanks for the visit. saying: ‘At Oskar-von-Miller Strasse 16, events only ever refer to other events. The concept of the original is irrelevant there, which renders any form of nostalgia superfluous, because It’s no surprise that this blur of a stopover town is constantly trying to appear more than what it is; in its search for something bigger, expectations go out the potted-plant-adorned window their replications don’t demonstrate sadness about a loss. At the same time, this repetition is not interested in uniqueness and inimitability, despite the fact that those are the lifeblood of the right onto the autobahn and disappear through the area’s very own “gate to the world” (in other words: If Frankfurt am Main compares to any major U.S. city, then it’s to Los Angeles, culture industry and the basis for any event as a platform for social and political distinction. Consequently, the events at Oskar-von-Miller Strasse 16 can only be read with reference to an of which the German city is something of a miniature model, in that nearly as soon as your car has left the narrow shadow of the skyscrapers and reached an arterial road it becomes original event. This creates a distance that can’t be bridged and that doesn’t want to be bridged, because it‘s precisely because of this distance that the kind of critical space that is free immersed in the dull uniformity of single-family-home suburbia). space can be created. In this sense, Oskar-von-Miller Strasse 16 carries forward the work of the Picture Generation, a group of artists and critics around Troy Brauntuch, Jack Goldstein, Sherrie Levine, Louise Lawler, Richard Prince, and Cindy Sherman. In 1977, Douglas Crimp wrote in the accompanying text to his Picture exhibition: ‘a group of younger artists sees Compared to other German cities, here the simplified layouts of the city planners’ blueprints have been more clearly, or at least more prominently, transferred into reality. The outlines of its representation as an inescapable part of our ability to grasp the world around us. It is not, therefore, relegated to a relationship to reality that is either secondary or transcendent; and it does larger roads, for example, that on the map appear nicely rounded, are in reality straight and uninterrupted lines, cutting through the fringes of high-density traffic zones.They’re not designed not achieve signification in relation to other representations.’ 12 13

to be walked along or crossed—exceptions to this can only be found in a few designated spots. Or the opposite example: on the map, the city’s underground- and suburban-rail network, a compact, multi-coloured maze of central transportation lines looks like a massive hive. But take the escalator down there, and you’ll find that the supposed high-energy multi-coloured cluster is nothing more than one single double-tracked and rather lightly frequented transportation line and—quite tellingly—surrounded by tiled walls reminiscent of a hospital cafeteria after opening hours.

These are the local conditions that Oskar-von-Miller Strasse 16 finds itself centred in, located in the triangle formed by the River Main, the Portikus museum, and the Ostendstrasse underground station. The building is in a stage of early retirement, already awaiting its impending demolition. Its bargain rent is due to its predictably limited life-span as a leftover sitting by the side of a four-lane thoroughfare built to ‘enhance traffic handling capabilities’ and not far from a couple of slowly-rising architectural promises, which it will very soon cede its spot to: ‘New York and New Orleans in Frankfurt, the success story continues’ (an astounding exaggeration, mashed together out of a mix of provincial haughtiness and unconcealed bravado but I suppose that’s the lingo of the future for you). At the foot of all this looming and unstoppable progress, and with its days numbered, stands this spacious shop easily recognisable by its two large plate glass windows. A relic from a time when buildings had a different kind of relationship with the street, it is now oriented towards nighttime activities. And out back, the water of the Main travels west towards the Rhine and the Atlantic.

During the location’s first year, its big windows played witness to the activities in its interior while simultaneously providing an expansive view of the high-volume traffic of the exterior. It almost seemed like the proceedings inside were constantly stunned by their (dis)-placement into this reality, or as if the space was turning its insides out and putting the unprotected festivities it was hosting at the disposal of a public which, in turn, rewarded this effort with complete indifference (apart from a few visits by the police, who were initially duly motivated but soon acted with a rapidly increasing weariness). Between midnight and dawn it seemed like the space’s excessive accessibility was directly proportional to the exuberance of the festivities in its interior. Most other activities in its vicinity were guided by the typical misguided aims or illusions that only occur at such an advanced hour and mainly benefited the neighbouring worksite of a group of sex professionals; only from time to time would the occasional disoriented vagrant stumble past, when straying from their perpetual to and fro between work and sleep. Other than that, at this time the outside world was utterly devoid of waking life, so that the noise behind the windows could easily compete with the interruptions created by the headlights flashing past on the street outside. Today though, these big windows are covered in white, so that inside and outside merely reflect the contrast between black and white (or day and night), which also happens to have served as the design principle strictly adhered to for all posters, flyers, invitation cards, documentations, stage shows, wall decoration, suit fabric, and text-slide projections since the very beginning of Oskar-von-Miller Strasse 16.

The white dots on a silver background from the inaugural event two years ago offered up a handy coincidence. What looked like the light effects from the inside of a disco ball and had been put up by a Californian artist on the Portikus’ walls for the institution’s one hundredth anniversary only a few weeks before, suddenly appeared just 200 metres down the Main on the opposite side of the road on the walls of Oskar-von-Miller Strasse, its format adapted to fit the smaller premises and its function now that of an exhibition by those four artists who initially acted as representatives of the new location to the general public. Although the number of protagonists who organise these large-scale copying tests has since been reduced to two, namely Dennis Loesch and Michael S. Riedel, they can now predictably count on the support of Hank Schmidt in der Beek and Niklas Schechinger (if the term predictability can be used in this context). All four operate inside the space of ill-defined gaps left by the transfer of an original stemming from somewhere else in the cultural landscape to its copy, which is often presented at Oskar-von-Miller Strasse 16 after a slight time delay, can sometimes even make a simultaneous appearance (or at least seem to), but will always appear as soon as possible. In 2000 for example, after the German pop author Benjamin von Stuckrad-Barre read from his latest product, Blackbox, at the Frankfurt Book Fair, the very same reading was announced for the following night at Oskar-von-Miller Strasse. In its re-staged version, the event was presented as the gradual fabrication of speech while listening. Needless to say, the event organisers also supplied a reprinted ‘double’ to accompany their reiterations; in contrast to the first edition however, this ‘new edition’ of Blackbox also contained all the little asides the author had made at the reading for the entertainment of his audience, as well including crossed-out passages which the author had been forced to skip over due to time constraints. At Oskar-von-Miller Strasse 16, every event concept has to submit itself more or less unconditionally to one rule: to function like a copy—or at least look like one or carry the marks of being one. The act of copying is simultaneously a call of action and a provocation. It is expected to make the impossible possible and, if required, even move whole buildings.

Quoting is necessary. The passage of time implies it. One has to lean in close to the fragments drifting down the river of the present, bother them, make use of what they have to offer, take an existing idea, and expand it through its own repetition.

A quote (as one of the copy’s early forms, or as the first level of duplication) is used as both a movable and a moving device because repetition adds to the object it repeats and maintains the object’s purpose and the way it is perceived from the outside in a balance between visible concordance and invisible divergence. This intervention takes place in the territory between opposites that act like poles in that they irreconcilably exclude and repel each other just as they cannot exist without each other. It is hard to say in each individual case which element triggers the effect or where it sends the others; what part of this process is due to the affirmative pleasure derived from repetition and what part is owed to the delight taken from diminishing the original? Where is repetition simply about attracting attention or paying homage to the original, and where does a disregard for the original begin? Is it about finding the fastest, most vehement and direct way towards appropriation or about proving something useless? Or is its aim to demonstrate that any instruction for use always veils the truth, because all these instructions with their verifiable tips do is prime us for a use value in order to distract us from the irrevocable loss of an exchange value? The kind of devaluation that copies or mock-ups create both relieves and unburdens the subject matter, which has now been subtly moved outside the realm of its implicit meaning, liberated from its rigid state and the kind of earnestness that’s often the toll for using the road to reality, and instead generates a gain in attention, playfulness and materiality. As a replication, it is once again accessible in its entire appearance and light-heartedness. This kind of copy is like the art of a thief leaving someone else’s fingerprints. Like the sparkling dust of thought, his skilful touch only leaves a thin layer of intensive observation on the ‘stolen’ goods; or it could be the work of an inspired gravedigger who, by reviving things (or faces) that lie lifeless underneath the dusty cover of their appearance, is acting at the service of an inverted concept of time. Like a little shiver, a delicate shower of light rains down onto the visible result he leaves behind after each of his meticulously executed projects like an illegible message.

An imitation always strives for the highest possible degree of resemblance, and on its route to perfecting this achieves a level of autonomy equal to that of the original. The exhibition of the original’s absence in the copy is done just as thoroughly; thus, the now movable image (copy) also brings to view a kind of stagnancy. As an example and testing ground for this notion, Oskar-von-Miller Strasse 16 used the appearance of a band, in combination with the sound of instruments and singing, presented like an uninvolved or mute freeze frame image but 14 15

charged with the kind of interjections that tend to happen at the start of a song (‘three, two, one ... sorry, again’). In this way, Legendary Orgasm celebrated a premiere in a new form, and as When The Who were later building up their supermod image, the Frankfurt group even went on tour to Hamburg, Berlin, and Munich (the most memorable of these being its Reeperbahn gig, where half the audience demanded their money back and the other half was both stunned and thrilled. After the gig, there was no calming the place down, and in the end one waitress was left with a bleeding ear and at Hamburger Berg ‘the band’ almost ran into the open knife of a rather humourless bunch). In a way, a copy is nonsensical and superfluous, or at least doesn’t require much. This is an aspect that Oskar-von-Miller Strasse 16 likes to emphasise, and at times also exaggerate, with the deliberately inadequate execution of their endeavours. And even though one specified task (copy a whole exhibition!) might initially be done with a certain effortlessness (because the participants are able to meet the challenge by hastily putting together a makeshift setting and concealing any possible gaps or imprecisions with their characteristically impeccable elegant appearance), when faced by their next task at the following event, they have to prove themselves all over again. In any case, it’s irrelevant how feasible an idea might seem at the time of its proposal, and sometimes the actual objective is to devise a clearly unrealisable plan just to then carry out a step-by-step demonstration of one’s own failure. Guided by the same rigorousness, their practice demands the implementation of the ‘law of serial production’, which is to guarantee that the realistic and the unrealistic do no suddenly merge into each other in individual instances of approximation or resolution. Instead, any possible claims that the existing object might make against its mirror image (and vice versa) are meant to be faced with their own shortcomings. This irreducible interstice (inframince, magic) triggers inventive talent and movement inside the foundations of fixed definitions. It is thus a point of access to conflicts and (just to provide some additional orientation here) can also be found in the reverse argument. As an introduction, let’s look at the following exercise:

Receive an art award, organise the obligatory award exhibition, agree to say a few words of thanks to the audience on the night of the opening after the speech in your honour has been given, appear at the event dressed in a way that befits the festive occasion, have a recording device, a microphone, and earbud headphones handy, record the speech the Deputy Mayor in Charge of Culture is holding in your honour, then after he finishes, step up to the microphone, re-play his speech while listening to it over your earbuds, and reiterate word for word what you’re hearing; pay attention to the sound patterns of the applause (should you be dissatisfied with the result, please contact the editorial department).

The relationship between an original and its copy tends to be similar to the situation described, which in accordance with the exact instructions outlined above, took place some time prior to the inauguration of Oskar-von-Miller Strasse 16. From an historical viewpoint, such techniques have been part of the repertoire of a practical critique of cultural communication which has existed since the birth of bourgeois public life, and which were particularly prevalent in eighteenth-century London, where the notion of ‘bad taste’ was invented in order to set pseudo- convictions born out of arbitrary and unquestioned assent up for a fall. From there, the techniques of ‘feigned conformity’, personified by the figure of the dandy, made their way into the next century and onto the continent, where—among other things—they led to the mockery in Edouard Manet’s painting philosophy and later played a fairly significant role in the invention of Dada and Surrealism. Finally, it returned to our more recent history and once more to England in the form of a proletarian mass movement. This time its protagonists called themselves mods (we’re in the 1960s now) and attacked society’s monopoly on the definition of elegance, simply taking the material signs of beauty and luxury away from the social class that usually lays claim to the usage of all valuables of vanity, and then taking it upon themselves to decide what could be considered stylish and of value.

At Oskar-von-Miller Strasse 16, the codes of the mods are an implicit part of everyday life and outline the social sphere of a large part their regular audience. They don’t just conserve and take proper care of the aesthetic assets of this cult though, but also confront anyone propagating the supposed norms of this by now quite aged youth movement—and especially those propagating these norms thoughtlessly—with the realities of its past. What is essential is that these assets be employed casually and on a daily basis, thus always in a relatively improvised and unprepared fashion, and that new territory be broken into. Other essentials are the use of a ‘form language’ that is free from any kind of cult as well as the aforementioned amount of impropriety. In this spirit, the experiment of ‘misappropriating through copying’ has been extended from clothing to the presentation of so-called Filmed Films, and a recently initiated event series for which entire clubs find themselves being transferred to Oskar-von-Miller-Strasse 16. On show so far have been Roberto Johnson (Offenbach), Atomic Café (Munich), and Zosch Club (Berlin). Some international addresses have also been added to the transport list (Brussels and Paris), and London has already been targeted. And of course not even hastily tightened security controls (like in Paris, and rumour has it that Milan and Vienna are already in a similar process) prevent anyone from being next on the list—au contraire.

In close cooperation with Niklas Schechinger and Hank Schmidt in der Beek, Michael S. Riedel, and Dennis Loesch have been experimenting with location-specific implementation and expansion of their copying technique. Regarding the aesthetics of their own ‘products’ as well as those of their dress code, the constant stylistic challenges they face have, above all else, resulted in the fact that even for themselves their practices remain unpredictable and that not even they have any control over the possible outcomes of their practices. This also explains the frequent appearance of things slightly damaged or deformed (the historical reference here being the proximity of mods to punks). Under these conditions, Oskar-von-Miller Strasse 16 is part of a movement form working both inside and outside an art system that will react surprised, and occasionally even offended or hurt, when by the unauthorised intervention of these artists it finds its reality confronted with the fragility of all (identity) construction, and during the ensuing events has to drastically and unpleasantly experience (firsthand or reflexively) the limits that exist regarding private property claims on the present. 16 17

Grid of Anecdotes 877 minutes, January 2–3, 2003, Oskar-von-Miller Strasse 16, Frankfurt

In order to create what will become the publication Oskar (2003), Michael Riedel and Dennis Loesch invite their collaborators to a two-day conference held at Oskar-von-Miller Strasse 16 in Frankfurt to look back on and discuss the artistic activities that have taken place there since the opening of the art space on June 30, 2000. The result is a text titled Grid of Anecdotes, produced in collaboration with Hank Schmidt in der Beek, Niklas Schechinger, Marcus Hurttig, Roberto Ohrt, and Daniel Hermann that provides an unabridged account of their collective memories.

Paris Ostend Nordend Bornheim right that they all listen to soul did someone pounce your head there as well the small print what does that say about Paris I can’t read it only listen to soul not really everyone was they were all really nice everyone was Michael and the that Beat Ben doesn’t have any money incredibly nice at the Robert Johnson it was incredible Michael they have no money right right switch on the projector till Herrmann gets here we can look at a Michael Paris for Ostend and Nordend and yes few New Year’s pictures Bornheim this is really indecipherable and he doesn’t go out unless he’s DJing where is Herrmann well it’s really small print right everyone wants something from you that’s really bloody small print because then everything’s free Daniel Herrmann’s coming as well I think that was meant to be produced at text level I said that was and I remember we briefly talked about whether the sauce was fuck fuck fuck meant to be produced at text level hot or cold when dishing it out are you going over to the house again we didn’t really get to talk on New Year’s we do you have the Saturn bag yes I think I didn’t talk to anyone on New Year’s it feels like I wasn’t right we talked during that as well can you bring back the book with really there I didn’t say a single word to Isabelle can you tell her the Saturn bag has never paid anything only run riot I said hi is it the fat book sure it’s all here yes I think I wasn’t really there door’s open gets stoned at other people’s expense I think I wasn’t gone yet over at the house really you can do it Didi well we have plenty of time to catch up now we’ve got a couple gets as much as possible out of there always inviting offering Didi right of hours now drugs and everything and then always so fucking unfriendly I didn’t say a single word to Hank either five hours easy it’s nice and warm in here isn’t it surprises me I don’t really get that yeah but you weren’t really here for most of the night were you nice and warm in here yes it’s warm outside as well that’s celebrities for you yeah I don’t know I was drinks we’re all set yeah maybe you were always hanging out by the toilets slept twelve hours you never have to pay to get in when you go there though do you yeah I don’t know Dennis and in the kitchen a lot were you were you you were here till the end weren’t you no we don’t pay for drinks either yes and at the beginning yeah almost I don’t know we left when there were still lots of and who gets you in that guy there or who the one who yeah at the beginning people lights please although brilliant this sort of thing either through Ata or Saskia or Pia or whatever all their names are I danced once it already I already knew then that there was no turning back and so you know more than three now we briefly sort of then I went I went to bed at eleven thereabouts we ended up going yeah sure looks like to the Robert Johnson yep and you’re joking but we ran into Saskia and I told her hi from you looks like a garage garage rock yes we went straight to the Robert Johnson and what did she say we once talked about those thingies with Stoffel she said yeah alright and then I somehow got the feeling that she could you change this carburettor please no no I left her here hadn’t really heard it so I said it again and then she was like she garage sound you left her here didn’t really want to hear it about the stripes that was disastrous she’s probably pissed off yeah that too I sat opposite you at dinner I think it must’ve been good then naw I don’t know she didn’t act pissed off she kept wanting to talk right yeah to me the whole time and I couldn’t I mean I couldn’t really talk we talked during dinner I know it only by hearsay anymore and then Beat Ben briefly she basically pounced on me Ja cigarettes right Beat Ben I remember we briefly yeah naw should I be jealous again now should I be jealous about that you don’t really go out in Hamburg because yeah it was quite funny tobacco from Ja everyone just listens to soul in Hamburg we were at the Robert Johnson till the very end no there’s Ja tobacco 18 19

it’s just normal somehow at these because everyone was so Madhiata Tiravanoklou but didn’t you say you still had your naw that’s a person isn’t it is that uncut or what friendly from Tahiti right from Tahiti right Daniel still has them on his computer doesn’t he all of it everything yeah yes that’s a jacket yes you can forget that yes yeah I’ve got a few very nice slides didn’t hear anything that’s a person so the Conference of Anecdotes I think everyone knows what this we haven’t investigated yet why they didn’t you can even see the glitter Madiata which window Fabrice’s eyes red and yellow is about here’s the book for those of you who haven’t seen it yet I still decided to go home then so can I have a light there was this shattering sound from upstairs allegedly a skyrocket what are they doing there I have but I’ve already forgotten it again from the Robert they’re all upside down could you ninety-ninety degrees please had crashed into the window caught in the act or you’ve forgotten again well then I’ll show you it again yeah I wasn’t tired I wasn’t falling asleep yet I couldn’t I didn’t feel yeah later in Usch’s room that was great too that’s Sebastian oh okay they were all just flying towards us over the house mum what are you doing here so basically we’re collecting anecdotes that we’re going to tell and tired everyone right we were back there for ten minutes and I put on a record why don’t you have the slide show function who’s that and nothing got destroyed then they’ll be transcribed and published in this book one thing tell him go on tell him that it wouldn’t hurt him to make a bit of an Remains then we danced for a bit and then took off again Michael De Feo Hank and me no that’s important is that we try and mention everything that’s in any effort and finally make himself a Ja cigarette pack because that’s can’t you come over here De Feo I thought he was wearing my wig when he first came in yeah is that the way worthy of mention and many names of people and things that really why yeah I thought the same thing straight away I had to pull on his so you did see each other that’s the red wine will then be listed in the register and on the basis of this register yes I’d like to have you next to me hair straight away and you too and he was like no that’s my real you did snog half of the glasses have disappeared everyone will then be able to look up each anecdote the book it would take him all of ten minutes and he could always refill it yeah we can switch places later hair and I was like yeah sure yeah well everyone got a happy New Year Tina is theoretically finished the only thing that’s missing is the Grid I do that too or we could a bit long it’d always been quite long at least a bit yeah it’s true Tina was her name of Anecdotes and I’m not entirely sure yet how we’ll go about but they also sell Ja tobacco or something like that yeah exactly no not last time it wasn’t I can’t go on for very much longer half of the glasses have disappeared gone this I think going through the list that I that we sent out to people there’s Jakkordia after five hours I might want to have something to rest against yes they were I wonder where Daniel Herrmann is we all know who that is chronologically well one thing is that it’s not in chronological order it’s horrible tastes like shit so Hank pay attention now Hankl last time he was here his hair was blond and short so let’s do a time check that’s Kati just sorted according to year and I think it’s not a problem to just yeah that too but I forgot my glasses he couldn’t because of his girlfriend let’s get started go back one no it doesn’t work jump around because an order is not really necessary the main do you drink Ja coffee I mean do you eat drink Ja coffee in Hamburg or what and that’s over now twenty-one doesn’t work anymore thing is that we cross everything off that we’ve covered so that we yes wow cool he’s got a different one now so now he can mine’s already showing twenty-two that picture is interesting where Kati is almost someone’s almost don’t forget anything and you eat Ja products have you written all this down yet no he’s already got another new one really grabbing her breasts and if someone remembers something later on one of the points if something doesn’t exist we put it in the right packaging extremely cool well okay the one tonight is only a music film yeah the one he had before and when did we say we’d meet you’re right and we only have this list now oh okay you put it in the Ja packaging Isabelle had really rosy cheeks Madiata three because that’s not her arm this one here is the list now yeah and yeah now he’s seeing this Thai model three p.m. you’re right we don’t have any others coffee’s ready and Graw was here Tiramanoklou well really we said ten and down there you can see the shoes but I’d say one’s enough look at that one he’s got the same that guy’s crazy but last time he said he would really like to have long hair really at ten her arm sticks out on this side here okay fine then say it again or I’ll have one but black please which Isabelle Tahiti not Thailand oh well that got changed though yeah everything that’s been mentioned will just be crossed off so that I’ll have one but white please Hank’s girl we are in love he said really did we say ten o’clock today was it you Marcus we know and have something of an overview I’ll have one too Isabelle Schmidt in der Beek Alina isn’t it I planned for tomorrow no okay then I was completely out of it later at the Robert Johnson I was just you is she still your girl then naw tomorrow me neither I think incapable of anything you gave me money to get home yeah of course yes Anja Stoffel yeah because you’d I thought you’d said it was at three now so I who’s got his hand on Kati’s tits that’s unbelievable the crossing off is your job then okay Tina Schott so did I get something confused or was that really that Sonja Anja Stoffel thought on the third and then Nickel woke me up today and was oh Roberto you do the crossing off then okay who you also snogged in addition to Anne Hohmann who’s that like we have to go I wanted to because you’re the one who spotted it so clearly yes I’ll do the crossing off isn’t that Tina Silke Hohmann I meant oh okay I meant the gap here and after that it’s normal yes but you have to you have to you have to send off everything yes I’m an art historian I always look at images closely regarding the material we have a couple of videos here and it’s not we yeah we were yeah were pissing ourselves with laughter it was Sonja but then here it starts again Grid of Anecdotes okay twenty-five past three let’s start shall we like we actually have to watch them all but I think we can put one more rubbing up against each other than actual snogging Silke Hohmann what part of him is it that’s so big with a user’s manual yes it’s twenty-five past now on every once in a while and it can just run in the background so I also found it a bit too much in retrospect Hohmann she came back at some point just the chin isn’t it we should still really send a letter straight afterwards saying that Daniel Daniel Herrmann can hand his in later that we’ll maybe get other ideas out of that I thought more of a throwing each other around she was here the chin we really meant it who the hell is he anyway yes Daniel also has you’ve got your laptop with you don’t you but I also thought I was over it yeah I thought okay this time I had that’s Fabrice incredible or a paper slip there he is now Daniel’s brought some photos as well it all under control that’s Fabrice yeah unfathomable I have there he is look at photos yeah Sonja Hohlmann and Tracey right behind a signed paper slip there he is there’s the connection if you want to plug it in it it’s over there and then we were saying goodbye that’s David did you snog that guy that I said three o’clock not the third no that’s not him or is it maybe we can do it so that I’ve taken tons of pictures during my I’m sure Roberto wants coffee as well doesn’t he on the left that’s Sebastian what on the third I swear yes it is whole time here that we maybe we can show the pictures first definitely yes Sebastian one cuter than the last one no you have to make one of those slips where you have to send yes it is because and those two are still sleeping and the looker up front is Hank blue blue Björn back the bottom with your parent’s signature on it that could be him that is him so that you know for what where they belong yeah no they already went back home Sebastian you mean Sebastian or David there our bombshell from Stockholm ah yeah here it comes he’s carrying a stick yeah mainly party pictures were back to Paris again yeah Sebastian I only know him as David yeah the bombshell that slide was great an umbrella but no Mahadatja was out of the game for a moment then David Television exactly yeah really great an umbrella and the the laudatory speech yeah yeah she was out of it for a moment David Television exactly what did he say again two hundred question marks or what I’ll try to keep a low profile for now then so there are obviously lots of photos that you have or at the beginning yeah yeah I know him Guido Bohr no the two thousand two and the three are scratched onto it how exhausting my back already hurts well that’s going to take us an hour of sitting here so you were here Marcus yeah yeah no no oh well I mean I’ll read it then do you have a sheet of paper for me Roberto if we look at all of these it’ll definitely take us an hour or two and where the hell was Michael Schneider oh okay right he had something new pulley what was it in Hamburg he always who was that let me check on and off look Hank’s decrepit shoes talked about the what I’m not very well prepared well but maybe it’ll make us remember certain situations and it’ll he didn’t come still looking great then pulley should we switch on the light I thought we were supposed to talk bring up stuff that we would’ve otherwise forgotten show it as a slide show just let all the pictures run through they were still okay then the old decrepit shoes pulley who took the picture yes but it’s always good to take notes for when something comes then you could you could you could make them a slideshow you can’t it’s too far away somehow open a pulley open a pulley no who was that guy he’ll be in one of the next shots as well and to mind later but you’ve already made folders organised them more or less in why not why shouldn’t you be able to and with and now he’s already got something new watch and learn from what’s that very well I mean you have do you want a bit more coffee Dennis guy on the left that friend of Caroline’s that guy that guy is definitely from the military I’ll come to where you are then if you don’t want to come to me no like I said I’ve got all the pictures here yeah did what exactly saying to a woman go wash your prick and who would bring cans of Tuborg beer naw let me sit here okay but aren’t they sorted according to events me too did you get one for me too that’s not on he’s amazing mental what’s going on there isn’t it yeah can’t don’t you see that they’re not sorted oh you haven’t had one yet have you well as long as it was just Caroline’s friend it’s okay isn’t it mental definitely that’s where the lid is from this thing oh here come more people okay I haven’t had any there’s photos of that as well later on the fireworks were great there he is we lost our key here on New Year’s have you found a key I mean they’re sorted by date and the nights that I was here and I thought everyone’s had one aha I see no one dared to move away from the wall that’s the photo where she’s snogging that girl who’s a friend of that was too good to be true okay so then from time to time we can have a look at one night so what’s her name again yeah no no the wind was coming directly at us Caroline’s mate and then Madihata it’s definitely fine by me as well and what was with the window right what are we talking about photos on your computer now or are they Madtheater what about the photos from last year everything was just flying towards us and drugs hi developed photos Madtheater disappeared along with the computer the window nothing nice one yes no they’re on my computer 20 21

oh okay did you get punched for that preposterous enterprise is this all that stuff from archaeology in where is that from the first of June to the Alina Grumiller Ursula Schöndeling Dennis Loesch and me okay no I was pissed off again but I forgot about it eventually your own dentures to unrepresentable I mean you were so well I Garmisch Patenkirchen I managed to sneak in during the setting up and dismantling of the and Jankowski was here well let’s have a look then but you and Lisa were still a couple then weren’t you was more amused than anything really in Bavaria exhibition over at Portikus to get some material you’re right Jankowski came to the opening and when we played Friemel without his beard no I was already with Catalina yeah for me it was tiring I think I got into it too much as well yeah yeah Jacques Dutronc he said what did he say the janitor was that so long ago that you two split up yeah you desperately wanted something what in Bavaria and we just carried the material over here he said he knew who that was that was Jacques Dutronc the janitor it already started it started at that concert at Daimler Strasse didn’t exactly right Dennis wasn’t here yet and what sort of exhibition was on before Isermann Jacques Dutronc and then he said a new generation is trying their and the sceptical look again it the whole time you were trying to explain something to me but you no for another nine months or so he was still I don’t even remember luck yeah so I think it’s about the events that took place here but also the roof concert yeah weren’t really getting anywhere I moved in on the twelfth of June so then we first met at the opening exactly elsewhere that night right I think one of your arguments at one point was yes but once you Alina Marcus Wasner and I organised the whole thing together right exactly you were standing by the columns with Heimo Kaspar König showed up as well because there was a new Berlin all the In Concerts for example it was half a year later have children everything changes completely anyway with you Zobernig and I came over to you with Jodie Winkler exhibition opening that night at Portikus that was Elke Krystufek in the broadest sense I was there too Marcus it’s all here already Marcus Wasner right god yeah Ladies’ Room you were at the roof concert yeah oh it’s all there right you weren’t here were you and Heimo was like because we talked to you first instead of to who shat into a jug I think we should start around nineteen ninety-nine there’s Zobernig had told Michael he should do something there how did we get onto that subject hang on what was that again Marcus Wasner him he was apparently like oh looks like you’ve scored the two right and all of them came over here afterwards for a bit laughing definitely one two three things that happened before that or that but the roof concert wasn’t until later when you that was before I don’t remember anymore either but it was that kind of argument Georg Wasner pretty ones the best looking guys in the school again hysterically for example the first thing at the Up Club which I think was the the Lisa thing and then I realized that you were going off on a tangent a bit and Georg Wasner right yeah that night a lot of Frankfurt notables were here Lauter first Ladies’ Room Party we did and Dennis and I neither one of that was later weren’t as serious as me about the whole conversation anymore yes but what came after people relevant I remember that yes who us could remember when exactly that was but it must’ve been in Oskar-von-Miller Strasse started in June of two thousand yeah but it wasn’t really something you had to take terribly whatshisface what’s the name of that professor and you two talked about your your new mobile phones and Jodie from the MMK ninety-nine because not exactly seriously was it Nitsch was there the whole time like now I’ve finally got a new mobile oh okay before that we didn’t know each other on the sixth of June two thousand yeah I don’t know at that moment I kind of wanted to not go too naw definitely not Nitsch that’s why Jodie stopped studying at the Städel him the end of ninety-nine so let’s deep either in the end there was no harm done and then on the Bayrle Kirkeby no definitely not Bayrle and your your your film because of her mobile that fraud you’d seen you’d seen the film flyer right yes sixth of June we showed the Society of the Spectacle here professor no so she could afford things like that he’s director of the museum in Mannheim now you didn’t know each other before let’s maybe start with one particular thing I think that’s already Schwitte because of the money that fraud no we didn’t yeah hello that was Madame Schlitte yes oh right he was here as well that we showed right hang on she came as well and everyone was talking about Big Brother at that time and the one from the MMK I think and two more so apparently incredible so it all started with the that was two thousand that wasn’t an official event here yet it was right right that was also word had got round about our first event here in Frankfurt you gave us one sure let’s have a look yeah more do you need help Daniel we chose to and there was even some perfect press but you didn’t show up because you were flat hunting or something yeah so basically it started here in June of two thousand no yeah of course it was sort of no no that’s alright no yeah no ‘cos we were ill nonsense even before that with Roberto we showed a film here based on your seminar I think you don’t have the connector cable we chose not to talk about it that was our first big announcement ill that was on the sixth of June the first event here so to speak or what as always I did the synchronised speaking that was before a big article yeah in the newspaper so there was one photo of Jim yeah sixth of June two thousand exactly the Society of the Spectacle Roberto you don’t have an adapter either Big Brother was already the second season that summer the first Isermann at his own exhibition and we kind of tried to recreate that Marcus and I yeah let’s start with that instead were you still able to accept that then after that conversation had and what else one I still watched in Garmisch photo at our space and then there was this article but with four yeah yeah we need Roberto for that been so shit you did the synchronised speaking right we watched Big Brother there photos so these four people inaugurating things here presented no because we also didn’t know yet that you were such cool guys but don’t we have a lot more than I can separate a conversation from a person I spoke in synchrony with the text I watched the first one with Caroline still themselves in the space it was difficult to see that straight away Wasner Georg Wasner was still there then the Society of the Spectacle still took place oh right yeah with the living room lamp I watched it with Lisa did Sandra Danicke or it was difficult to know straight away okay ciao I’ll take one of these cigarettes yeah that’s how I’m so sure that that summer it was already the second Sandra Danicke wrote the article yes I suspected it but yeah you’re right yeah sure you have an ordinary RGB season but it came out in in the regional news section didn’t it but you did admit it once there are photos as well we hadn’t even officially rented this space yet we had the keys but you also recorded that didn’t you for Jim Isermann I remember that for the setup here Christoph it yeah can you turn that off Roberto there wasn’t any contract yet not the whole thing there’s only part of it on video Weber he was living behind the exhibition room and there’s some or was it you said you’d seen me three times and each time I was wearing yeah yeah oh right nice pictures with Nick and Hank and Usch also right right of the Frankfurter Rundschau a different detail that made you think that in Frankfurt the bar must shut up but we just did it here anyway or here we were there too yes Rundschau be set quite high which is true so basically it started on the sixth of June two thousand and we yeah or rather you had to you desperately wanted it to take place video out Barbara Vatter it was interesting that on the Kulturspiegel page on the same page and shortly afterwards I sort of got to know you so all of that sort already knew each other then because in a seminar I’d come up here oh okay yeah yeah oh right yeah and this was very appropriate of overlapped and talked to you at art school when I was still a student and we yeah outside of all the have you got an adapter oh yeah when we were tearing apart the plastic sheet was the comparative photo of parts of Recuperata Liberatis I don’t know when when had a horrible conversation about my work outside of the school we’ve got ninety-three minutes of it and six photos everyone helped with that crumpled up plastic sheet that was sort no that was the one where we you came in ninety-nine say what you had a horrible conversation with me I can’t even remember the event itself ninety-three minutes that sounds like enough of stuck there the four of us dinner here with Raymond Pettibon yes well I know yeah I didn’t are just standing there no I met you at a seminar at art school are you crazy right we put up a big sheet on the wall so to unfold it the four of us but where was the comparison because there was yes yeah at the studio for me that was really horrible I know that but in the photo you can’t see any of the film just some I was ill one the Situationists it was an art studio conversation because the walls were still brown no that was before the recordings you were ill there wasn’t any comparison we just recreated the photo like that yes but that was also in ninety-nine it was an art studio conversation yellow yellow blinds on the windows standing by the window yeah earlier four weeks earlier in the newspaper that was in ninety-nine because I was there too yeah from the Städel so that was the first event to take place here where we just invited with the glue you no our we had the part that’s from above Portikus that that so you also didn’t meet until nineteen ninety-nine on that occasion you showed me your your your it was all extremely work intensive people and then there was the Jim Isermann exhibition at Portikus you fucked up your hands oh yeah right that as well but that wasn’t on the opening night we us four the box yeah very how many days later was that yeah from the glue the whole skin on your fingers came off that also had the and Daniel was there as well Daniel also appeared on the scene yeah how would you call that until we’d managed to make it really dark in here so we opened on the thirtieth of June hurt like hell but there was a photo later the drawings yeah but there were also the projectors June thirtieth but then everything fit perfectly no that was in the catalogue of the Frankfurter Kreuz exhibition I arrived a bit later though so the first time I was here was your no that was In Girum that was later two thousand what at the Schirn yeah the Signetic Drawings In Girum was later right too small exactly as the event was happening that night and there was also right drawing tower no no the Society of the Spectacle was really so three weeks later was the official photos so what was the exact course of events that night the door opened from the start there was that thing the little affair with Lisa drawing tower yes I thought a straightforward and the Jim Isermann naw that’s normal it automatically puts it in synch so we didn’t at ten and there was music right from the start right drawing cabinet film presentation Isermann was before that already have to cut it into lengths or anything like that it all fit perfectly we had bubbly you had something going on with Lisa your well attended Isermann was the that was still the original team actually instead of well Jim Isermann at Portikus also had white stickers that was on the thirteenth of July yes Frankfurt drawing cabinet seminar that was yeah really on the floors really you had an affair with Lisa Daniel archive box seminar we had all the relevant the hundredth exhibition at Portikus with Usch and Alina and we had balloons yeah exactly at that time I was still living in Garmisch already finished at Portikus Usch and Alina we had balloons everywhere around the room that’s not okay no it was horrible ‘cos we talked for way too long and I must’ve the where exactly and Alina Grumiller and we DJed ourselves or did we have a DJ I thought we were supposed to tell anecdotes discussion got awkward and I felt like you were fed up with it and in Garmisch yeah and when was the they were part of things at the beginning we were the DJs that should also be part of it you were just projecting I just thought what a completely yeah four weeks before it was they were still part of the team so to speak with the four of us spun records 22 23

who was number four then yeah and then we that was at the Up Club Isermann that’s spelled we unexpectedly made quite a bit of all the same drinks that the Bar Oppenheimer had Pfrommer also butted in and lots of who else was there the next stage we’re just scrolling through money from all the drinks and just kind of lived on that for a while no that was Pfrommer Bianca and Catalina yeah who took part in Shitting and Pissing well yeah that’s nice those were the days Up Club yeah Alexander Wolff also took over for a bit and I remember at right you were with Bianca at the time Shitting and Pissing was Lisa and I haven’t sorted it in any way or anything at the Bar Oppenheimer yeah yes the Up Club one point that song by the Attack that you had brought was playing yeah we wanted it to be quiet Lisa Voigt yeah and the next thing was that was in the nineties still but shouldn’t we sort that a bit because otherwise we’re just pretty often so you and Bianca had something you Hank and me and then we also reshot Zabriskie Point yeah I’d say we early late nineties randomly skipping around Hi Ho Silverline yeah but a different Bianca on the Bar Oppenheimer the glorious beginnings yes it doesn’t matter if they just run through just look but nothing Hi Ho Silverline and trying to watch Quadrophenia really earnestly and give right yeah let’s move a bit chronologically now that was the Schröder boom years still here in Germany and then you have an idea that you can’t mention because we’ve Hi Ho Silverline ourselves over to it and the whole time the girls had nothing better Alpspitz yeah yeah we could still afford Bavarian beer then later that was out of the already moved on but yeah that was Catalina’s favourite song at the time to do than giggle yeah jump from one event to the next question three events and all three were fairly well attended actually we’d brought that there was this girl from the south Alpspitz the next one was Bar Oppenheimer right a proper control freak yeah yeah she ended up puking in the skiing region the next one was Bar Oppenheimer and I think before that we we still had Augustiner Edelstoff and lager well yeah it’s loads of material wasn’t that when things between you and Catalina started the one in Karlsruhe the sound from Zabriskie Point and celebrated the Seven Twelve Red Letter Day brilliant otherwise we’ll get confused that’s when it started yes too much to drink barefoot weren’t we all barefoot which is your birthday in June two thousand that was still the Helmut Kohl era I think if you don’t keep track somehow then that’s the end and me and Jutta you don’t want to talk about it you’re right which is my birthday that was sometime around then Schröder came in no Schröder was elected in ninety-eight I see why did we bring that along yeah well that was in the snow Henninger Tower Schröder was elected in ninety-eight Guy Debord speaks with the voice of André Breton because you’d brought your records Hurttig we’ll get to you we’ll get to you in a minute barefoot in the snow on the mountain nothing spectacular I think right it was sorry smile at me will you and music carted our records here what is there anything besides photos is there a film that goes with it the next one was that came from Marcus Hurttig Bar Oppenheimer yes my anecdotes are very minimal we made a little film that was at the Henninger Tower and then in Rüsselsheim art historian took place on three consecutive weekends no is there any toilet paper left I don’t think I’ve ever seen it right I briefly miscalculated there exactly so we documented one night that we spent at the Bar we did play it apparently it’s on the sound recording it’s provable over at the house no meat salad you didn’t have three types of Bavarian beer Oppenheimer for a sound recording and the recorded material do you already have photos from that night I don’t think I wore cowboy ankle boots for that yeah two was then the text that we wrote on a plastic sheet here that’s when I met you all over at the house and Hank didn’t have any shoes at all but how was that again didn’t we come straight from Aachen two on a big white plastic sheet that covered the entire floor you’ve got it too don’t you anyone’s ever asked that what happened meat salad you had Edelstoff and Augustiner lager it was twelve by eight metres yeah but I didn’t buy it until one year later give Daniel the key please right yeah and Michael yes right like I said and underneath now you have to switch it to RGB in the front at any event here I don’t think with Hank we went hiking as well and everyone had these fat and everything was rotating right and in the beginning you always had the wheat beer stood pedestals oh so you want to see the photos now or what here’s the key hiking boots and Hank had his meat salad he ordered a meat salad right no it wasn’t really wheat beer but almost there were pedestals yes please Michael I wore your Adidas didn’t we come from Aachen by car and drive directly to the there were a few exactly they were distributed all around the room and above the but you don’t have any from that night do you hang on here’s the key Adidas indoor trainers Henninger Tower or how was that again yeah we had complaints because of that heater there was also for example texts from top to bottom and I slept in the flat at Mörfelder Landstrasse that night and you has anyone ever asked this at an event toilet paper that someone and up to our knees in snow from where only the women complained though never the men and at some point during the night it was pulled out into the street had you already had your rooms here didn’t you had to go get toilet paper I can’t remember after Isermann there was a break Henninger Tower birthday didn’t you and I yeah no it was the text size was relatively small so I think only about I was still in my old room I’m not quite sure either after Isermann no there wasn’t but that was one year later not that time complained why a tenth of the guests even saw that there was text because the so where did you sleep then yeah yeah once you yourselves at this one event you rang us to it was on till the thirty-first of July we had we had the poster outside oh okay that it tasted like shit room was really crowded and the next morning it had been so at the I was already living here please bring toilet paper but I don’t remember which event that and then there was the matter of finding a logo that we wouldn’t I think I also and what other drinks did you have as standards trampled on and was so full of cigarette burns that we decided to I slept on my old sofa was have to change and where you’d only have to change the text yes it was I feel personally offended pull it outside no no I was already living here I also remember ordinary guests who said who complained that colon in two thousand we yeah that’s right that could be right yes we gin and vodka cleaned it you all slept in here there wasn’t any but colon became comma were at the Henninger Tower Beck’s beer we unfolded it in the courtyard even though it didn’t really fit into no no in the house in the back so if you were still living in Garmisch at the time this had to have the colon right that’s how we came up with the idea of the black so then we did come down directly from Aachen by car no we didn’t have Beck’s yet the courtyard properly it was too big and then we cleaned it right been before we square basically right that was we didn’t really know each other very well then I we didn’t have Beck’s until much later where did you get it from the large plastic sheet I was still in the old room that Usch is in now I was yeah one week before we came to check out the space through the colon remember that in the beginning we always sold wheat beer and gin I don’t know either oh so that used to be your room but then Hank and I went to Garmisch yes yeah that wasn’t wheat bear it was one of those sheets that they normally use to drape over oh yeah that’s right right and you took my scooter back with you how so so the atmosphere was a bit like we were still testing the waters vodka hay bales on fields that kind of thing I was moved no we didn’t I know it looked I think we had how was it I was at the Oppenheimer all very Mitropa style up there until two thousand we only sold at that time we had this rehearsal space in the basement which everything over there all your rooms were already completely was it after that already but in any case we and we put up two posters outside on the wall and from a distance and how how long was the break water was a new thing furnished I’d remember if we had taken the scooter back with us they looked like a colon and then we reduced it to just one point that’s getting turned off now isn’t it a cheap a cheap gin right at that time yeah I think so we recorded that Shitting and Pissing text a punctuation mark that’s what I’ve heard Finsbury and then I arrived one day and you were sitting in the courtyard the moving I don’t even remember what I was doing during that right so after the Jim Isermann exhibition we did that thing that wasn’t in between Isermann and the Bar Oppenheimer I think that’s kind Finsbury Headache round lunch time and were scrubbing the dirt off that sheet time I don’t think I was very involved in it text really an exhibition but above the display windows we wrote of interesting was that the scrubbing away yeah exactly you’d already painted the walls I remember that your whole room wrote it so to speak which is now in Texte zur Kunst Recuperata Libertate following the example of Portikus where it’s so Bar Oppenheimer took place on August twenty-fifth September and it was all downhill from there and that was the first time I talked to you upstairs was already white well done written above the columns even though I think their version reads first and September eighth so on three consecutive weekends and it was all downhill from there with washing powder because for me it was only a transition phase the whole week in the lyric poetry corner something like bakery oh yeah several mornings I woke up blind right you used the rehearsal space following the thing I had to move to the big one lyric poetry corner exactly hang on Dennis wasn’t it really strict in the beginning and we didn’t sell any Coke you were wearing a hat a funny hat or I was right they’re going to get a harsh letter to the editor from me we won’t be able to do it where we but only water or something like that because we liked it best for I think it was in the summer it was and then we watched the Euro Cup in the big one and then I do they really print letters to the editor literis so after its colour so our drinks selection was a lot more minimalistic in it would have been a straw hat moved in there what are you gonna write them ex libris where we the beginning right it was Euro Cup time you’re right I’m not completely sure yet but I’m definitely gonna draw my sword literis recuperata civitas is what it says there after Isermann there was something like a four week break no I think it was just the normal stuff yeah but did you scrub off all the text as well and write it on again yeah about Shitting and Pissing but the whole thing was too long on our wall so we just used part that was at the hotel in the morning do you remember naw it wasn’t or just scrub the dirt off yeah naw of it after Isermann there was nothing for about a month and then red wine white wine and I think we even had parts of it and we had a really nice time with Sascha Pohle in Berger Strasse about the lyric poetry corner directly above the window there was another event the dandy just scrubbed off the dirt right about poetry nice afternoon yeah more or less right for the bar we even had we had to rewrite parts of it but you could still see it you just had watching football about the whole shitty issue transferred it one-to-one more or less one month a spliff to retrace it but not copy it or transfer it again from scratch just around that time we invited people for the Blowpheniapoint and it costs fourteen euros yeah yeah almost two months and yes Bar Oppenheimer was the next white wine retrace it we spent a whole night watching Blow Up Quadrophenia and really how did you measure it one caipirinhas Anja Stoffel almost killed herself mixing drinks but the last night of the event it was pulled out into the street Zabriskie Point you couldn’t even buy it anywhere in Aachen the size was based on an estimate for that you wrote down the texts on a plastic sheet wrote the right right on that last night cars drove over it oh yeah that was lame well that’s Aachen for you we guessed dialogue sequences on a plastic sheet we had caipirinhas and other cocktails the street was closed off there was one stamped stone plate yeah that’s all we counted our paces under it right so basically with the Jim Isermann exhibition we had yeah we had I was ill I couldn’t come on that last night I wasn’t there for that the girls were giggling the whole time okay good let’s move on then and this here is the Up Club already enough of Isermann already that’s New Year’s Eve then it was only us left 24 25 Jim Isermann 2000 it was us but to get it through the door it didn’t really fit through okay what are you supposed to do about it because it was too thick so we had to pull it from outside with ten the Bar Oppenheimer phase was kind of although it was called and didn’t Sonja also snog someone that night no Sonja wanted people Bar Oppenheimer what about the music did we DJ because it got to get off with Wieland right yeah pretty wild at some point there was one event where everyone last name please and when we finally got it out it and it completely covered both was dancing on the tables but Wieland didn’t put out that night I still remember that lanes we only sold hard liquor which is why that happened quite quickly full name please and Alina filmed it on sixteen millimetre and we never DJed we played everything from tapes what’s Wieland’s first name Alina filmed it on sixteen tapes exactly and on your small stereo with the small speakers the Stefan right Alina filmed it music wasn’t louder than our voices right now that was the phase Stefan Wieland filmed on sixteen or on eight millimetre of tearing off your shirt buttons and all Willi right with her Bolex that was the opening of because he’s married cars were driving over it over the sheet lying in the street and has a child they were sounding their horns and everything exactly shirtless on the tables where whatshisface that chubby and Sonja had only just started to rediscover the opposite sex because it covered both lanes filmmaker from the Städel Günther Zehtner again so to speak I didn’t even know that Alina filmed it Günther Zehtner was dancing with Lisa yeah yeah that’s how it was from left and right cars were driving over the sheet right in any case it was at first they would brake but then they didn’t care anymore and just I pissed myself when I saw the two of them dancing what was that just now rode over it that was pretty cool yeah and you you wanted to jump from pedestal to pedestal that Oppenheimer and for the second date was a kind of contest that night at that party that’s the most important bit we completely everyone and where’s the sheet now right was dancing and we just waltzed in and told the DJ to stop and we got rid of it two weeks ago but you never managed to go away and then Michael and I went behind the DJ desk and on September first September first after that night well after the that was the time wasn’t that the time with the Sandy Shaw style picked out a random record which happened to be The Who and Bar Oppenheimer we went to Kike’s birthday party and there was of taking one’s shoes off then things took off and that’s why Kerstin didn’t invite us to her almost a brawl outside right birthday party last year oh right with broken glass everywhere really with some Polish lads or something and badly cutting your feet because we were like a whole cavalry that was cool ‘cos you had you were already quite drunk well what yeah and she was pissed off because we took off at some point everyone was basically and you were pissed off that those chavs no I wasn’t here for that and just left all the women there who stayed the whole night and called us gay right Lisa and all the other women they were always dancing were on drugs and squealing right barefoot and they all ruined their feet so who then Sonja or Jodie and you said to the bloke with the car to the Polish guy you were Lisa and Hank were pioneers with that I remember that they yeah yeah like hey but you’re gay and they were really offended but weren’t invented all of a sudden they were really into barefoot Sandy and Stoffel Anja Stoffel aggressive but more like they were trying really hard to make Shaw and no matter what the floor looked like they’d take off their no I don’t think Anja was there everyone see that they weren’t gay and he was like tell your friend shoes heading for Rüsselsheim tell your friend I’m not gay tell your friend I’m not gay and Michael that started in Munich no yes Anja was there because I in the background with his bottle of wine that he wanted to take to that started in no no no but before everything was brown and then we renovated it and they didn’t get paid because they were gone then and had to stay the party was like who’s the leader I’ll hit him on the head and then Atomic Café times because we once pushed Lisa to a petrol Anja and I pushed you into a cab and you were shouting abuse at it just became more and more work and in the end it was still not in jail for a whole day and were then set free again but they really the others will get scared and run away station barefoot in a shopping cart and the shop assistant said the ten foreigners and wanted to climb back out of the cab completely white had to spend a whole day behind bars Michael’s legendary theory that all you need to do is punch the she looks just like Sandy Shaw on the way there oh yeah great Björn took those pictures from the safety of the kitchen window leader right yeah and then we made you sit in the middle I think we painted the walls about four times and it was still not but somehow someone had spotted him and didn’t that one that was great yeah but what he said was because she didn’t have any feet on that was on the way there though white and we had already set the date for the next opening so then policeman then come up to you and was like if he ever discovered hang on hang on because she wasn’t wearing tights yeah on the way there that’s how I know that Anja was there we asked Markus Arndt who had set up shop here with his flower his face here somewhere and with the same wine bottle later because I wanted to drink it but at some point Lisa had to go to hospital because her foot had because she helped me okay so Bar Oppenheimer was was there business whether he knew someone who could help us out and right I later broke off the bottleneck in the street outside Kike’s house started to fester were always a lot of people weren’t there he had two friends in a photo in an exhibition and cut my finger that was Maria once the entire sixties team showed up when when you were ill friends that was a different story right that was Maria because there was a mini weekender on at the same time a couple who wanted to could help us out and so they came over that was another story it never made it to the party that wine bottle that wine bottle never oh that was Maria okay no a young man and a young woman Polish people it later turned out that was later on made it to the party and then at Kerstin’s or at Kiki’s or Kerstin’s private party oh right which isn’t a problem as such but they had no residence permit I just wrote that down but when her name’s Kiki a mini weekender and they started painting here and we had to go drive off to get that was part of that was later yeah Björn took the photos from the it was really obvious that we’d managed to turn the tables on them yes at the Dreikönigskeller more paint we were gone for about half an hour and came back back building Christoph Weber really got involved with his press because they were really the aggressive ones in terms of how the you broke up with Catalina just shortly after that right once Michael Orgel sat in a corner here all by himself looking and only Björn was standing there the other two were gone and accreditation card he was like they can’t do this but we should roles were distributed and who’d called us gay right because I wanted to get Jodie into bed sad Björn was like the police came and took them away call him right right and Matthias Vatter but Björn had recorded it all with his photo camera from the other what is it part one now and we completely turned the tables and we we barged in on that party and took over the DJ desk oh right building we still have the photos is the phone connected but we were going around in a group straight away went completely overboard with that married woman here once yeah we still have photos of the police picking the two up and what yeah telephone’s working so were they Love Sex it’s all on video on the pedestal they engaged in the most nasty had happened was that some woman from the job centre across let’s call him right now it was an equal number of people about fifteen in each group right we went straight over to the DJ and said what the road had seen us renovating the space and immediately I don’t have his number on me I don’t believe a word you’re saying now snogging right in the middle of the crowd and he told us we couldn’t suspected that we had hired undocumented workers for that and one one oh we had lots of women in our group though stop show it because we had we did want to show it once but he then came over here herself accompanied by a group of policemen what is that supposed to mean now I don’t have the number later I got to witness in Hamburg how you no more hip-hop it’s on video at least she showed some civic commitment Christoph Weber’s number I don’t have his number anymore here we come with the house music there’s quite a lot of video material on that event about one and our helping hands I got charged for that later I had to go down is there any coffee left okay that’s different though but when was when was the party My Generation or something like that hundred eighty minutes I think to the police station as yeah when the police showed up right three whole video tapes that’s people with moral courage for you make yourself one that was later is what came on then one hundred forty photos that’s more photos than we’ve taken of as the main suspect so to speak we could call the police and ask what that actually that’ll come later right then we also danced to that any other event I need a paper and pen please so what happened about that photo they came when the Stuckrad-Barre event you wanted to get Jodie into bed you wanted to get Jodie into bed and then the following story took place in connection with the but they got paid the Polish people didn’t they with the photo yeah so we had Björn had taken some pictures of that was Stuckrad-Barre that night I did yeah she clung to me like some kind of Bar Oppenheimer the thing is that we’d renovated the space Roberto have you got a piece of paper the arrest 26 27 Jim Isermann Jim Isermann 2000 2000

that’s what I’m asking about yeah and we had them and then there was but that was already after the Bar Oppenheimer that was part one then right so then we started what are we doing here then we then started having an opening here whenever there was an opening at Portikus simply because there were always people about for that and many would wind up here and for the next set date we didn’t have any material for an exhibition yet so then we did part one part one exactly so we copied all the pictures that we’d gathered by that point that was after the Pettibon dinner is when the whole right yeah thing started to come right and she didn’t want to come because someone had cut her a so already something like a small retrospective which of course round fringe was too premature and who cut it you was complete bollocks well that was sort of I don’t know there me was that film Alina made of us taking down the white plastic sheet cut her out shown backwards we sat over there at the children’s table or what and the photos but you were yeah no we weren’t even there right they were up on the wall yeah that was a bit of an emergency about that and there was the book presentation I know I sat next to Achim Lengerer issue somehow I don’t think that really deserves a mention but at the Städel and me then we had the dinner with Pettibon oh god yeah quite a lot you were all there weren’t you and you and the next day two men and a woman came yeah Sascha Pole was there and Hans Weigand oh right yeah at the dinner and we also where did we get the money for that anyway three men and a woman and asked if they could have a look at the at the dinner from the school space without saying you weren’t here for the dinner from the Städel the exhibition I don’t think so from from the school right the exhibition without saying who they were and then it turns and Catalina didn’t dare show her face because she right out it was the two policemen and they immediately threatened to weren’t you at the children’s table I remember we drank wine press charges had cut herself a round fringe I remember that that’s illegal then we diverted money I’m not even sure were there any pictures of them what it wasn’t diverted yeah they were on the wall all the police photos were up there Catalina didn’t show up for the dinner you desperately wanted that could now yeah and the dinner with Pettibon you’d already started saying Catalina I’m not even sure 28 29 Jim Isermann Jim Isermann 2000 2000

… instead of well Jim Isermann at Portikus also had white stickers on the floors and we had balloons … (p. 21)

but I remember I paid yeah well there were a few in attendance no no no that was all money from me who else was there then the the French woman from Lohrey Veronique I think I fronted that money Veronique and the one from Vienna from Lohrey there’s a bill of eight hundred eighty-one marks for Linda wine Linda exactly because of course we had to have exquisite wine Angela Thomas Seidemann was the cook right right quite a few yes and good red wine but never got a book for it which he tells me every time I see him as decoration of course he got a book from it he must’ve cocked up somehow I would say that it was more about I don’t know we had two different kinds what did we what did we we had sorbet for starters pomace somehow what did we have for dinner we had two different types of wine he cooked a really great dinner yes and I remember I know we Albali was one of them wasn’t it went to Lohrey’s and did a wine tasting yeah we’ve stuck to Albali ever since yeah Vino d’Albali because we didn’t have much time and after the third tasting we there’s three bottles left over there were already a bit tipsy let’s open them but they advised us well shall we we had several courses didn’t we Pettibon stayed the night as well several courses we’ve got beer as well yeah we had several courses right starter main course dessert Hans Weigand seated seating seating order Hans Weigand also showed up for the very first time yeah right was it here in the front space with the with the current director of the Schauspielhaus or yeah whatever it’s called yeah she was at the dinner masked off as well she was what’s her name again yeah no idea you’d have to ask Thomas Friemel actually actually actually wasn’t it wasn’t the whole point of it just the woman who everyone wants to get rid off now beautiful women right yeah who was in Munich before 30 31 Jim Isermann 2000 32 33 Recuperata Libertate Recuperata Libertate 2000 2000

well it went on until quite late because the Book Fair was on as based on that sound material we wrote a corrected version of his well and anyway Alina was supposed to fly him drive him to the Blackbox and that was Marcus Dennis and me airport but she didn’t really get it and anyway he got there too late what we did was to come back here after the reading divided it up so he missed his flight between the three of us so three shifts of three or four hours each he missed his flight I don’t remember who got the first shift what I found fascinating is that he came with just a briefcase and I think you did the first one because you in the car you said I’ll type his jacket over his arm it up in two hours and I said I want to see that before I believe it and then he stayed with you for two weeks and then we both slept well I the computer was at that time ‘cos I no was the only one who had a computer at that time in my room and no rubbish his suitcases went to Zurich I was sleeping while you were typing no no he came from Zurich fortunately he’d had something to do so then in Zurich so he’d already been there for a while and then he came thanks here for about five days or so and the dinner for Pettibon was so then I typed maybe from midnight to three and then Michael before the book presentation that was the night before typed from three to six right no I didn’t do any typing and then the following night right was the book presentation and only the two of us the following night already was right because you guys were you wanted to have the text in text right Stuttgart-Barre format and read aloud from it whereas I wanted to rather stick with I’m not sure has that ever been painted over Stuttgart-Barre what Björn and I did that one summer when we with Kinski we did no where Benjamin von Stuckrad-Barre the test and recited Kinski while simultaneously listening to him but somebody wrote something next to it in the same style right over headphones and so then I yeah that’s when it started do you want a bit more milk Frau Witte Schwitte great tried for the first time with headphones to repeat Stuckrad-Barre yeah oh directly while you guys suggested it be painted over baked from scratch thanks oh okay basically that was all a bit too much of a good thing to first have stuck to the text because it was definitely it was time to do that the dinner here and then drive back and forth the whole day type can I get a coffee too Daniel but it doesn’t matter what you paint there now because that’s things up copy by the way that sounded a lot more professional so when I saw always a new if you make it all white again yeah it for the first time I thought you’d done it a million times before stop there and so forth because it was extremely precise so that was really in our early phase the dinner with Pettibon were well first of all what also made things harder was that we first had when the whole you still at the Städel then or did you still have the lectureship to watch the show at Batschkapp and sit there for two and a half yeah especially the reading off technique I mean listening and yeah yes that was Kaspar König who said well we can do the hours and at that point we still had the plan to invite him here then repeating what you get over headphones and then it comes book presentation at the Städel the book is going to be published Stuckrad-Barre himself which in the end we didn’t after we’d seen out over an amplifier and that as part of a reading that was yeah by Walther König so let’s have the book presentation here at the the show and so we recorded the sound from the whole show and you were at the Stuckrad-Barre reading you were there also school and then I organized the exhibition what’s the book called again and König didn’t mind that the dinner ended up taking place here he didn’t know about it Archive of Book Archive of Booklets yes but Kaspar König didn’t come no no no I don’t know who else was here Achim Lengerer Pilli Günther Günther Günther Günther Zehtner apparently with his girlfriend as well yeah as director of the Marstall and now she’s here at the what’s I gave you several Melabon K I gave you pills slightly fewer than we expected it called as placebo or what but the dinner table was full was my impression Schauspiel Frankfurt no Marcus Arndt also came Schauspiel Schauspiel Frankfurt and yes she was here and she well anyway I managed to convince Hans that I couldn’t go with right he was there as well was the one who brought Pettibon to Munich as well to the Marstall him right right with Jonathan Meese and so you acted like you were really drunk okay exactly and Hans I acted like I was completely knackered I thought I want I made it well that was quite a dinner who you woke up next to the next morning with a clear to him that I was in absolutely no condition to go what did Alina say he really wanted me to go to Tyrol with him apart from the photos do we have also have sound recordings Alina was here as well which Hans from that dinner what did she say he had walked in and just gave everything the Hans Weigand no once over Pettibon everything just once Hans Weigand only photos and he left his crossed out A four pages here Hans Weigand only photos the script pages he wanted me to go to Tyrol with him the next morning and I really and that time he also presented the book at the Städel that you’d right couldn’t be arsed it was just a really stupid idea of his and then I published with him right we sent them to him later or something and of course when Alina acted really I acted really drunk so that he painted the whole cafeteria there was meant to take him to the airport the next day after the opening 34 35

yeah yeah and then I saw someone someone crouch down like this and try to first things first no you weren’t laughing you were screaming the whole time I walked over there after them of course and then it what’s the word it transpired that we would continue to pull the plug and I was already quite pissed and went over there so Michael’s yelling and again Alina filmed the whole thing on sixteen millimetres Marcus Hurttig came to the police station with Niklas it was packed work with that technique and kind of pushed him a bit and sort of kicked his hand lightly I want to tell the thing with Michael let me no yes I went and got your ID did you come with me I don’t remember and there were more people then and there was also and then he rose up and it was a policeman and he immediately and then within a few minutes just loads of police cars turned up no then they retreated behind the wall where they’d been lying in wait it was packed then via headphones twisted my arm around my back and took me outside so the policeman thought that he was being attacked and pushed it was too late then the whole time hedonistic society some people thought that Benjamin himself would be here already when he came in though he pushed through the crowd I his emergency button yes she filmed it with a video camera and got about one minute and then we were at the police station went in and said so where’s thirty or forty people at the party yeah the Book Fair was taking place at the time saw him when he came in I’m not surprised and thirty seconds of footage our friend and I suppose then they quickly got you out of the cell not it had gradually become the established practice to view this yeah yeah some of the guests of the people who nobody knew well obviously I wasn’t able to identify him as a police officer that’s and literally within five minutes at least eleven policemen appeared yeah one bar whole thing as more of a party and they wanted to know they really thought Stuckrad-Barre why I went straight over there and was like hey piss off on the scene maybe but anyway different tactics were being employed Michael sat you outside had you sit outside because it wasn’t really and slowly it was getting sort of would be here right five threw himself to the ground screaming and acted like he’d been comfortable that’s Fabrice in the back mostly teenagers I just remember that you said to him no I’m not going to turn it no it was eleven hit Hank put his hands on the roof of the police car with his legs they wanted to call my parents he’s DJing in the back and they were just looking around down you were wearing your velvet suit and the police officer was five minutes spread like this hands on the car roof the roof of the car and was with a criminal complaint right you’re right we also had the slides the slides from the Batschkapp show were really only trying to talk to you like you can carry on just turn it less like search me search me for breach of the peace and resisting the authorities okay projected down a bit and then you sort of two and I kept telling the police officer who was restraining Dennis I I was charged Catalina Catalina Nikulesku cried during the arrest there’s one of you it was really obvious that he was a police officer he also had it was two minutes want handcuffs too I want handcuffs too because I thought he’d right right I don’t remember the exact order but it doesn’t really matter then here on the wall yeah he was in full uniform two minutes been handcuffed but he hadn’t but they there was the roof concert there’s some pictures of Roberto or rather a video sequence he was in full full uniform but that wasn’t until he hadn’t that night cost me two hundred thirty marks guys oh right at Daimler Strasse where he’s got this deadpan expression on his face before that must’ve been here before then one was a woman unfortunately what the resisting the authorities at Daimler Strasse that’s a nice study you and Achim as spectators no no no no he came in he came round this way pushed through as if they’d been lying in wait somewhere but they still proper pushed me into the car yeah and the breach of the peace so the summer party at the Städel exactly the crowd and I thought oh god oh god oh god what’s happening it was We Are the Mods was struck up of course were you convicted or what exactly that was a whatsit a semester party the camera was on you two the whole time and then he went over to you and was like turn off the music and let’s okay now we’re moving in right because they formed a circle around us and we were jumping I got a fine right Achim’s yawning constantly you were like no right it was a woman and a man and the man was the one who up and down and singing We Are the Mods We Are the Mods and your commentary was and Heimo Zobernig had asked among his students whether they once he had a finger up his nose or something yes yes yes exactly came in and then the woman came to help him we demanded that they form a circle like in Quadrophenia resisting the authorities could ask us if we could play there with our band and they were and Fabrice de Feo was there no way am I turning off the music right have you seen that in Brighton the pier’s collapsed yes of course a bit pissed off but it was nice of them to pass on the really you just glanced at him from the side and then went no no holding and they managed to get out but then they still had to get to their yeah you wanted that’s how you wanted the party to end because it was message and then we played up on the roof he DJed afterwards him off didn’t want to be bothered basically don’t get on my tits car to make the emergency call it wasn’t on their shoulder I don’t yeah yeah in full swing it was all great until you went ballistic and afterwards Oasis yeah that was the breakdown then and then he I think then he came over here think we didn’t want that you said that’s exactly how the party was supposed to end tonight at the Daimler Strasse and then things got really crazy right no he set it off from his shoulder they were going to fix up the pier yeah but it continued that was Oasis then didn’t you also show your Las Vegas slides that evening because and wanted to do it himself and then you went after him whatever they made an emergency call and then that was it now it continued that was Hank’s and my first gig the time you did that was on an evening where Fabrice was DJing exactly suddenly and Roberto came over and was arguing with the policeman the no it didn’t continue I Am a Walrus no I think that was after the Guy Debord dubbing and then there was a bit of a skirmish which suddenly eleven police cars showed up whole time arguing in the weirdest manner you can’t do that you yes it did I Am a Walrus way too loud right it wasn’t very loud either as if they’d been lying in wait somewhere honestly don’t have the right yes it did right no I don’t think so we didn’t have a party after that and then I was in those two minutes Michael and Frank Bardonner were running I’d suggest only one person should speak from now on because Michael says it continued I Am the Walrus I Am the Walrus I’ll have a slice too eight people and one policeman and basically he only had to send around outside and shouting like crazy and Michael Michael otherwise it was still great after that Hank Nick Marcus Michael no off this emergency call which he basically had on his shoulder jumped on one policeman’s back leave my friend alone and I was form a circle around us it did continue and you took pictures and we were going to edit it into a video no after Debord was just yeah just standing there by the police car already otherwise it’ll make the text production really difficult if it but when I got back it was over right you also peace and quiet afterwards and within one minute but then that was and then yeah or something I also took pictures they came out great nothing but black but how was that again no it was like this he was trying to take Dennis outside and the police officer just went like this once and Michael fell onto no the coppers when I got back it was dark violet but after Stuckrad-Barre we were didn’t we had like five dark he led me outside the grassy bit outside the ones that had pushed Dennis into the car had made Dennis sit we were all knackered then someone almost fell off the roof circles under our eyes we didn’t have a party then did we it was so packed no no in the car and I also wanted to get in the car with him yeah when we got back Thomas Friemel yes we did he pulled him outside and screamed but before they led me to the house and I had to get my passport you were there long enough yeah me that night Fabrice that he no no that was different that’s not true Michael I think did try to but couldn’t find it and then they got really pissed off and really god how we still partied Thomas Friemel filmed as well Fabrice DJed no he attack the copper like this I think the cop quickly turned around restrained me and pushed me into the car but Frank Bardonner I still wanted to mention he went completely almost fell off the roof but we were there as well had to push through all the people no I saw Michael on some policeman’s back but anyway I wanted to get in the car as well and was kind of ballistic he I remember that well of course that was mental the police intervention he couldn’t get you outside yeah yeah jealous that they were arresting you and not me I wanted to get in I don’t remember that we were fucking high up you were sitting right here yeah exactly wait but the copper turned around and somehow tried to fight the car with you to help you as well because you were really upset he wasn’t even stuttering and was screaming at the top of his Daniel was climbing around on the edges to get a better there were three of us and then Michael came up as well Michael off and Michael instantly fell to the ground me I was well I was giggling hysterically because I simply couldn’t lungs outside perspective and almost fell right he had to fight his way through the crowd and with Dennis in tow screaming comprehend what was going on he lost his stutter that was what like thirty metres that was the night of the police intervention and pushing through to get out the door right and then there was the one guy that was great too a couple of the no well that’s quite a lot that night was the police intervention he couldn’t get outside I deserved a penalty kick for that policemen were plainclothes and then someone said these are I don’t remember that more or less four or five factory floors yeah yeah and at the same time lots of people were crowding in on them and it was a standoff situation with guests and everyone attending and Nazi methods anyway that was quite nice it was at least twenty metres but that was later wanted to prevent it and by sheer force of their them being present about the same number of police officers right yeah and that was the story we were standing up there with the loudspeakers and the audience we arrived kind of late and the reading was almost finished they kept him from getting out so that it became a jostle and I right and the plainclothes police leader said Nazi methods that’s how it went down was down in the courtyard and could hardly see us because it was but Fabrice did DJ that night remember very gleefully that you could just kind of jab him the was my impression I’ll show you and there was a reading at the start of the night so dark we had the strobe light with us definitely policeman because it was so crowded and he couldn’t see who forty-forty If that’s what you want I can yeah with about twelve people I’d say we carried the loudspeakers all the way up there yeah of course was doing it and didn’t know what was going on and you could just forty-forty right more than that but they could hear us much more clearly because we had from the dinner with Pettibon there was so much kinda push against the police officer and just jab him but I don’t know the other officers were completely shell shocked show you at the reading yeah food left over that we were still eating it three days later and I while innocently looking the other way because it wasn’t really obvious that something right he thought that was really stupid what Nazi methods no and it was very loud remember how Fabrice and I were sitting over there and finishing that was brilliant and at the same time telling him hey hey you they didn’t understand what was going on and Dennis’ police station wasn’t that far away there weren’t many people not for us off that goulash can’t do that what is this none of them could hang on before that Fabrice was standing there and was waving no I’ve never seen the pictures by the way I took them with one of yeah Fabrice was definitely there that night that’s yeah Michael’s appearance I’ll never forget that because he’s also they couldn’t communicate with each other because it was so to me the whole time and shouting that’s Germany for you and twelve people your cameras and then the police intervention happened right the tallest most of the time and a really red face noisy then I was then I was really locked into the car they locked the but twelve people is quite a lot for a Book Fair weekend yeah with a single lens reflex camera the reason for that was yeah no one was able to say anything door and I couldn’t do anything what came next right what happened no and each of us was sort of employing a different tactic and I still wanted to get in with you and then they said I should it had gradually become the established practice then that people I have a few photos Dennis would you like to tell it Dennis walks straight up to him but you didn’t have a question you were just lying on the ground walk that it wasn’t far and I said you needed support didn’t show up until midnight or one in the morning because there you can hardly see anything in them me yeah okay so I saw someone here because the stereo system Frank Bardonner was there as well and he completely and and then Dennis was gone and we carried on with the party were always more people at the parties yeah was set up in the first window and the plug for the stereo was there hang on hang on but in addition there was I was laughing but right yeah of course I’ve also brought a few photos but just of the display window 36 37 Bar Oppenheimer Bar Oppenheimer 2000 2000 you did that gig twice didn’t you it was so tall that street lamp that you couldn’t reach it there’d been only two we rewound after that right yeah as an encore and then we went home what come on another one of those I thought you’d already done they wanted an encore I was it more often right right what and we’re and just left the others there there was one in ninety-nine and one in ninety-nine at the Atomic I Am the Walrus at some point it was just me and Marcus Hurttig Café that was the second one and that one was the third in the Oasis version of I Am the Walrus at the end it just continues where you told us about the band and all at Kike’s party acoustically and at that moment when the text had finished we at the party oh okay stopped and left and let the song keep playing yeah because we’d left or whatever her name is and went downstairs to watch it from there that’s the at Daimler Strasse Kike yeah we were standing really close to the edge of the roof so that I’m completely lost really people could even see us at all I don’t have any recollection and what happened right and you said complications with the light as well securing it somewhere up you and I were there and in that foyer there’s we were standing there was this recording there on the roof I remember that around with who else was still there Wieland or somebody the first thing I heard about you didn’t come from you but from right do you remember in the I can still see that corridor up there now Daniel I think I think Heimo Zobernig had I somehow managed to spot him right I was walking around up there looking for Lisa no from Lars didn’t he have a oh from Lars he was trying to take pictures from the ground with a flash oh that there was there was a band at the Städel that that played was he also at the Städel at that time and walk up there and see Lisa and Daniel playbacks of rare Beatles songs yeah sure and Hank rare Beatles still right with Hank see Lisa and Daniel kissing and what did I say only that they were never Beatles songs but only Beatles he was tenured there I can still see you announcements and then some kind of psychedelic stuff in last year he that I can still see you exactly and then I turned around and left between he then then he at that point I was no longer able to take any decisions music Beatles and he was completely psyched and said he had he has a professorship he and you got in the car in the taxi I saw with a few women watched your gig for about half an hour until he realised that you he has a professorship I was walking around with my I was still wearing something I think weren’t really playing but he isn’t there anymore I was still wearing something an undershirt and then I was I was sort of intrigued I kind of liked it he’s in Vienna now It was all a bit hazy and you were there with the white car with the Roberto isn’t that in Vienna he has Ich car and Barbara that’s Linda now he went to oh yeah I really have a horrible chin Vatter that’s Linda right and that night Matthias Vatter almost killed me and her friend Sonja Umstätter why and another hairdresser so the out of joy you were still seeing Barbara Vatter you had a hanky panky at that so the gig up on the roof was your third gig ever out of joy time didn’t you yes he was sort of quite drunk already and so happy to see me and right Michael Riedel and Barbara Vatter were still in total grabbed me on the dance floor and started shaking me but with how do you spell hanky panky and before that ah right all his power and I sort of went completely stiff and he was holding hanky panky well I can’t me by the neck and shaking me with all his might and at some H A N K Y P A N K Y before that we once played at the Städel for the Annual Student point I Sandra Ackermann was at the reading Exhibition and I remember we advertised for it with the Who you heard a cracking sound just write affair posters at some point I didn’t have any strength left to keep my body so right exactly the Who at the Städel stiff and relaxed just for a second and all my vertebrae popped and and you had you were in the car and I was like are you leaving and then I felt like oh oh if now I don’t I really have to keep completely already and you said get in and I was like alright and didn’t just a second so I know that at the beginning Michael had always stiff now or he’ll kill me out of joy and he was laughing and saying really know what was going on and after about twenty metres it toyed with the idea of the band and I remember that must’ve been he was so happy to see me and almost shook me to death and dawned on me that you were taking me away from the party and in ninety-six or ninety-seven and in Nauheim you and I we were then people I don’t exactly remember if that was you Dennis but I wasn’t really happy with that but I didn’t have the strength left both driving in our cars and came across each other by accident in someone came and to do anything about it and then we ended up here and me and Nauheim and you stopped me and then we talked from one car to saved you Barbara’s friend the other about the thing with the band I don’t remember anymore rescued me so to speak and calmed him down or maybe the song right what exactly but after that it became more and more concrete so was over something like that then in the the first gig was I don’t remember you all just disappeared for a while and then came back wearing in Dennis’ room was at the Städel women’s clothes or something like that in what is now Dennis’ room it wasn’t Dennis’ room at that time yet the first gig was at the Städel yes right we were just stumbling around you’re right as supporting band for Etienne wasn’t it all of this at Daimler Strasse it was the living room and the second gig you were in the garden and took down some clothes from a it was the TV room in Munich at the Atomic Café clothesline on the sofa weren’t we the support band for Etienne that time no it was in what was the lounge at the time Vivienne I don’t remember exactly with who but I was stumbling around I slept with her on the sofa we weren’t their support band completely lost through the front gardens around there and then with her they were our support band we there were clothes hanging well a clotheslines with clothes on yeah no we were both way too drunk but but it was this sort of oh okay it and we put them on aggressive lecherous really weird always like scratching and we didn’t really talk about who was supporting who but the order that was the first women’s clothing appearance bending each other’s arms back and was that we played after them and then the auditorium was of yeah a skirt and a blouse but the thing with the gig we won’t be able to remember the course packed and only the people in the front row were able to right chronological order of the gigs will we ‘cos that was one of many recognise that we weren’t really the the blouse was left behind on some street lamp yeah but looking back we can say how it all started because we’ve got a recording of that though right on the lamp there before there were two more gigs what do you mean you didn’t really 38 39 Bar Oppenheimer Bar Oppenheimer 2000 2000

basically none of us knew any instruments me too Supermod Image a stage hand who set everything up for us and you didn’t want to do it because you said you didn’t know how that was right so the lineup for the first gig was Stephan Golowka much money we would get Supermod Image but that’s Michael Korbun I ordered the most expensive dish I was that was an attempt to sort of give the whole thing a fixed name Michael Korbun was in the band right I just assumed that it didn’t make any difference even though it was just as Marcus Hurttig I would’ve ordered the most expensive thing as well didn’t that take its cue from Superpunk for the second one as well but what’s always kind of funny with the band especially with no were you how often did you play at the Atomic Café the band name that people who saw us once the band name no twice they always I once had a situation always remember the band that’s the whole name twice name even though we often don’t remember it ourselves once it was out of the text Supermod Image twice altogether you maybe that was at the Atomic Café you called them and yeah that was out of the text twice and when was the second gig announced us and then that woman whoever she was on the no that’s not correct that was in two thousand one phone was like aren’t you the When The Who Were Later Building Up Their Supermod two thousand and one Seeds Them I once said when someone asked what kind of people they were ah no that name that I don’t remember now Nina Hager was there as well and in their calendar they have they’ve kept all their calendars and you knew were like maybe that’s what we were called once I said well they’re super mods and then then I told you that and since how long has it existed well anyway all the calendars in any and in Hamburg the name was Supermod you took it up the Supermod you looked it up in some Who text case and for our dates the ones we played it says New Art School and there it said supermod image right oh that was always a headache to announce the whole thing When The Who Were Later Building Up with press releases and all that Their Supermod Image at the beginning Their Supermod Image it was enormously difficult to write anything about and then you but we had an advance notice in the in the that was going to be the band name we created the world’s longest band name right right for for the for the gig at the Atomic Café our band was called there’s a banner as well the Seeds Them Who Riot it yeah god but in between the concert in Frankfurt the first one and the one in the Seeds Them Who Riot Munich we had a Single Release Show In Crowd Park Avenue Playground Research One Six Twelve at the Baader Café in Munich and at the Sick Wreckords store something like that right two even yeah at the Sick Wreckords store here what’s interesting is with the with the what’s that which was the band names of what you were playing right and no who’s that Anja isn’t it no not at all Anja they were all band names but we didn’t just play from those there we didn’t have our own single but presented their singles what was interesting was I sort of as our singles I remember on the flyer it only said the Seeds Them dot dot dot right okay and the video from that we also had an advance notice in the Süddeutsche Zeitung I Edelstoff beer right remember right oh right and then our next gig after the one at Daimler Strasse was the one and in Prinz in Hamburg already right oh my god that was bad after the one at Daimler Strasse came they had at dinner we we we were supposed to get a free dinner before there was one more here and so we all ordered the most expensive thing on the menu and here we did whatsit that caused a bit of a commotion and they wanted us to pay some here we did Legendary Orgasm of it ourselves and we refused to do that do you remember right I remember it differently I ordered the most expensive thing on on December eighth the menu Hank and I didn’t take part in that one

Hardy Huck Hardy Huck was there and was really happy that there were heated debates finally we were playing live and then he saw that my guitar didn’t and then Ole Heydekamp even have strings on it nice picture right had a heated discussion with Christoph Blum and he was like now I get it and Michael Pfrommer was like and you fucking rigorous that is not me in the photos Marcus is sweating as if he was really playing his that was really annoying Christoph Blum got riled up and kept drums going on about it for the whole rest of the evening yeah and the second gig was at the Atomic Café in Munich which was I had stomach cramps obviously a great promotion stage fright with hotel rooms and we told our girls to throw knickers and bras onto the stage but from zero to hero unfortunately they didn’t that’s like but we got roses from zero to hero at a proper club yeah proper pay Christoph Blum was really furious about the whole thing pay oh yeah nice setting 40 41 Bar Oppenheimer Bar Oppenheimer 2000 2000 no you didn’t play at that that one said I think I wanted to leave the band twice the thing was basically that half of the people were totally sort of yeah right they were cheering you’d already wanted to leave before Legendary thrilled and the other half went straight to the door and were like but you were too weak to actually go through with it fucking shit they were shouting I once had a fall out with Dennis because of the whole band thing we had this this run-down band area backstage area so I had my problems with the band but yeah you’re right for Legendary Orgasm we rehearsed for the first time in the basement last door on the left rehearsed past the storage room for gin and tonic cans and then we discovered that thing with the projections where you right gin and tonic no it was gin and lemon came later and for that we had whatever the projecting onto something gin and Lennon can storage and Sidney Sam was here as well she no longer wanted to ah right Sidney Sam not anything the Finnish girl was completely he’ll come into play in a second she told us she wouldn’t give us any more drinks and Ursula Meyer pissed off we also had one in Vienna at the Schickaneder I think a surprise right so then we took the cans with us and distributed them concert for Ursula Meyer’s birthday we were drinking on the dance floor and the Finnish girl came over yeah you’re right collected the cans and poured them out that was later wasn’t it yeah but we could and then Anette came over and was like she can’t do that shall I that was in August that was punch her in the face and we were like yeah sure feel free and so and in Berlin but I’d left by then she went behind the bar and sort of slapped her and then the two in Berlin that was women were pulling each other by the ears after Hamburg right Berlin was the culmination especially since I found out recently and the Finnish girl lost an earring that Merlin Carpenter saw it her earring got pulled out who saw it her earring got ripped out Merlin Carpenter not it just came off on its own Merlin Carpenter she was crying oh yeah he mentioned that to me yesterday that wasn’t that was and here this is the Hamburg rocked oh yeah Hamburg was incredible oh dear because that’s where the whole scam was discovered ‘cos but the whole concert someone was like they’re not even playing live we’re almost through now it looks like it’s calmed down now the Finnish girl at the bar completely normal the cops show up every once in a while no they’re not playing live completely ordinary police intervention there was quite a lot going wait a second slow down on though because the microphone recording the bass drum didn’t have a count the cars cable and that it wasn’t even connected oh there was lots going on that was the Finnish girl I didn’t know it was that long that was really the audience was split into two camps and they me neither and they and where is the circle they made but at least that Hurttig she was the bartender Marcus with his shirt hanging out of his trousers already none of them there Dennis being driven off in the car that one in the back was because she came up to me and was like but you have to hook the car ah okay that up definitely inside the car already who the hell cares if Merlin Carpenter sees anything yeah true but that yeah yeah maybe but anyway about Berlin I’ve got feedback from several we don’t need that you’re being driven off sources that that was pretty good they didn’t get it at all they’re taking off the Jam no you really left them out in the rain you didn’t give them anything We Are the Mods We Are the Mods the gig was also perfect backstage and everything yeah they knew fuck am I in the car already no the backstage area was excellent and it cost fifteen marks to get in they’re standing on all sides but Hamburg was fabulous as well yeah no one had a clue everyone they all expected a proper I don’t know that one backstage backstage was an extension of official gig that was the unmarked car Hamburg yeah and the person in charge I mean the the Michael I’ve never seen these before well we’re not done with Hamburg yet Enno me neither we’re definitely not through with Hamburg yet the owner of the club said I haven’t either one after the other Enno I haven’t either there’s still a lot left that was the last time that’s me sitting in the back we have to now now we have to go slower Enno no no no no should we do all the concerts first that’s it I’ll never organise anything ever again he was ready to you’d already left yeah I think that’d be better give up you were already Hamburg and the Finnish girl came and said you’re not getting any more you were taken away in the first one now while we’re at it it’s really drinks because everyone wants their money back and then she you were in the other car 42 43 Bar Oppenheimer 2000 yeah and right there were still some plainclothes police from Uwe Liebscher he’d organized it for us and so he smashed it onto the ground and again and again incredible yeah you’re right they had so that’s it we had a white Benz and he also took it with him outside the bass drum he wanted to there were easily nine cars at that time I was still working for National Car Rental driving cars take it home with him he said he’d fallen in love with it and if we for only one intervention back and forth ever needed it again while in Hamburg we could borrow if from and two more unmarked cars two with tinted windows even him but we wouldn’t go along with that and took it off him Anja that was one wicked motor that was a completely different lineup though Alina was on drums Anja Stoffel especially the air conditioning that could be set so high that it blew yeah Anja the hair back from your face yeah making sure that they’re all actually driving off and I handed out a list with ten rules for Hamburg oh that was also I’d already left at that point there in the back are Hank Nick and so yeah in a white trouser suit that was just a little bit too tight I remember on or are they coppers that Dennis Loesch didn’t comply with at all trouser suit right yeah neither did you yeah like this Fabrice can you list them again a suit indeed I have them I only remember one thing I remember okay I was still there then the one jumping I still have the list much too tight for her bum I remember I’ll never forget that there part of a poster it was based on an incident I’d had with Daniel and it said don’t lie but that was it’s quite long this video unfortunately we started a bit late down on a motorway white because of the contour thing by the way the guy who’s arresting me there had that was don’t mix your alcohol no no nobody was wearing white I mean there was we were Pombode Chief Constable Bode and that’s Fabrice because that’s what you did at the Oppenheimer Bar supposed to wear things with some kind of pattern on them I wore with shorter hair still don’t mix your alcohol a black suit a little and blond don’t walk down your grandma’s street and Michael had yeah don’t kiss your friends kiss them but don’t use your tongue I wore a white checked shirt but anyway that was at that point not bad either exactly it was still difficult with Alina and the band I think there were still there was some discussion on that that was another rule problems as well if she should even play or not and if we should Roberto and wasn’t there a street that we weren’t allowed to enter play there’s Catalina the Herbert Strasse probably no that started in Berlin that’s what I meant about Roberto because he right that was us Catalina completely shattered there were about ten rules what happened in Berlin was camera work stay away from Herbert Strasse but it was already like that before who was filming there don’t stay away from Herbert Strasse the lineup in Hamburg was Hank Dennis Michael Niklas and Alina probably got run over by a car yes stay away and me filming yeah where were you staying anyway I mean were you staying with me right and you did the filming who was filming I stayed with Dorothea right and then the fight with the girl at the door who thought her Marcus Niklas Schechinger forgot the key and we all had to crash at earlobe was ripped because it was bleeding a little but then the Marcus completely I Roberto Ohrt’s place my head was about this thick earring was found and also it turned out that it had only been we wanted to drive with them didn’t we well mine was hadn’t ripped after all Catalina I don’t know that one who’s the tall figure on the left mine was this thick the earring clasp had only come undone Catalina I think isn’t it and then my trousers ripped and that did it oh okay no that was a policeman but I I’d arranged a place for you to stay next door but she went completely ballistic she wasn’t a typical Finnish a policeman right yeah with that art historian woman person either she had sort of black hair Georg Otto’s brother probably and who was you had terror woman and that one there is Bode he cocked up with the key two metres or something and Anette was quite small no Pombode a really mean one that was I literally left the key in the band room that was just mental they Pombode right she ran out to that other club crying and screaming and from there Maximilian Otto wasn’t part of any operation until New Year’s two that was a fatal error got the black thousand and one and anyway that was Marquee you got a ride you got to ride in the car yeah that night for the first time we had this for the first time this to the Marquee Club and got the black bouncer from there who no that’s me really tough attitude throwing around the drum kit on the dance she knew they didn’t have their own bouncer and then we had to yeah you floor Marcel Schwegler and Andie Diefenbach came for the first walk through St Pauli to Rosi’s and there there was amazing that they took you time he wanted to kick us out but didn’t in the end because he said that they didn’t take me one man he didn’t have the authority to do that in that venue and so couldn’t it all happened so fast and Fedi kick anyone out and to him it he didn’t he didn’t understand where yeah let’s go back to Hamburg for a second we had that super one man had his head stuck in the bass drum and was rolling all the aggression was coming from van for that around on the floor yeah well it was really funny because initially they’d booked us as we had a giant car yeah yeah one guy a band and on the other hand it was they’d done it in a really weird we had a white rental car with air conditioning he was completely infatuated with that bass drum he was just fashion the boss of the bar was one guy and then the concert oh right shredding it concert booking guy was another and anyway Enno was like that right Podewil paid for that his whole body was inside the bass drum was my last job with tornado air conditioning sliding it around on the floor and just thumping the floor and right no no from Podewil we got the Sprinter holding it high above his head holding it there for an incredibly Enno was ready to throw his life away that night thingy in Hamburg long time and then she immediately closed the bar Podewil was after there’s a there’s a photo of me holding the bass drum above my yeah she said everyone had to leave you’re right head like this and then came the we had but he held it above his head quite a long time and then we went she was done for the night but in Hamburg the car was completely overloaded over to him and told him to let it go and he just looked at us sadly we had an endless discussion with her we had and held it for about another minute but then he couldn’t anymore yeah that was kind of okay but basically 44 45 Bar Oppenheimer Bar Oppenheimer 2000 2000

Star Club Fedi was there as well yeah right he’d come across us by chance we were out of there after half an hour Fedi Anette Andi Diefenbach and Marcel yeah Fedi had just arrived from Munich and for some reason he it’s become a kind of electro place now suddenly turned up the Tanzhalle and Fabrice yeah at the the what was that bar again the Tanzhalle was a fairly new venue as well Rosi’s wasn’t there something about you saving me from a fist fight Tanzhalle St Pauli a knife fight no no Tanzhalle St Pauli yeah that was right okay so that was when things really kicked off in the front row that’s when things he suddenly turned up in the audience completely the fuse at Rosi’s right Fedi was also there that’s when things got started we should mention that it at unexpected Silbersack Strasse across the Reeperbahn in that above the right Reeperbahn in basically the most dangerous street in Hamburg we had a sausage at the Lucullus Hamburger Berg so the most dangerous street in the area which yeah and then on to Rosi’s really is quite dangerous yeah Niklas and I a and at that instant they were playing no but yeah Silbersack Strasse right after the Reeperbahn is quite My Generation dangerous and My Generation and that Dennis at Rosi’s Dennis took the lead and the rest of you as well were all like ho ho at that instant We Are the Mods at the top of your lungs and Dennis with every fuck off everyone five minutes ten minutes ho ho We Are the Mods before that we’d stormed into that other place and there they were who came near us look at that nose you got there why don’t you playing My Generation try and dress better no Dennis was Dennis was adrenaline up to here proud arrogant no I I had I only had no he was mental they had a Spanish DJ there

the weirdo yeah the weirdo told us we should play there again he had the right idea though … so we documented one night that we spent at the Bar yeah Oppenheimer for a sound recording and the recorded material was yeah could you pass me that then the text that we wrote on a plastic sheet here but at Hamburger Berg it was like as soon as we’d turned into the street and had walked three metres down Hamburger Berg on a big white plastic sheet that covered the entire floor we bumped into these two chavs some kind of chavy youth gang it was twelve by eight metres nineteen twenty-one years old and one of them out of nowhere he held a knife in his hand and he instantly went after Dennis and underneath instantly I think you’d briefly grappled him stood pedestals no I stuck my finger in his face there were pedestals … (p. 23) right your middle finger and then I still remember that and then he sort of you’d already walked on then and he went exactly the two fingers straight after you and was like hey mate what was that what was that was at Rosi’s yeah yeah and the the whole time he was like this and I just that about yeah thought oh my god oh my god oh my god oh my god yeah every couple of every couple of steps and again you from two or three metres away you just kind of and where did we take out the fuse this is going to end badly and as soon as we got to the Hamburger and he said to the other guy hand me my knife at Rosi’s Berg yeah and then he turned around and got himself a knife off at the same place but later whose idea was Rosi’s someone and when you saw the knife you at first you and then that was that was right in the middle of dancing it was a really no idea that one guy you just turned and really small dance floor and it was so packed that everyone was Andi Diefenbach and where was Michael in all this because he said he saved me falling around and into the people sitting on that sofa that one guy who yeah but that was with right no the weirdo the I with that guy I told him everything was alright that he should yeah hang on hang on we’d been in that place for about ten right put his knife away minutes maybe quarter of an hour and it was all really civilised the weirdo but he didn’t take you one bit seriously they were playing whatever kind of songs and the the weirdo he didn’t take that seriously he just they weren’t playing just whatever the weirdo who the hell was the weirdo and anyway yeah wait the weirdo Dennis was two feet above everything they were playing My Generation 46 47

no Tanzhalle we’d finished I mean the tape had finished we’d played all that and we were like yeah that’s right and they wanted their he once took you aside and was like you’re copying me mate okay so that was basically Legendary Orgasm that was before because we were not mod compatible let him speak TV Personalities if I remember correctly pictures taken with us they had cameras with them and were like yeah it should say somewhere that it’s referencing such and such Hamburg not at all and then it was that you were then you were on the dance floor and the volume was too low can we get a picture with you that was really the typical star image what sort of guy is this and before Berlin so who did they choose in the end ah then they talked to Roman it was already pretty packed on the dance floor but everything was the volume was too low that was pretty cool so we got approached quite frequently in the Oliver Drescher was a mod before you was a mod and then got right yeah with Roman more or less okay like that and then My Generation came on after between street and then the next night was the night of our exhibition at the his that was here at Oskar-von-Miller Strasse who didn’t even have anything to do with the band fifteen minutes or so and then the whole dance floor everything right the sound was mixed badly Pudel yeah right or everyone everyone was falling over people were standing on in between the songs we’d fit in live screaming from a Beatles at the Pudel he’s the guy who I saw that too the Legendary Orgasm gig they didn’t even mention the band top of each other and again and again someone falling on top of recording yeah but that night in addition there was Maike Abetz because here basically we’d already done a dry run of the because there were someone else and so on and that was everyone not just you guys yeah that was the same show that we’d had here for Legendary we missed something oh him complete Hamburg show here the band performance so to speak it was a film about mods everyone else was going at it as well Orgasm yeah but that didn’t diminish his enthusiasm for us and then we tried at Portikus we tested the whole flipping the fuse oh okay yeah and I remember there was this sofa that sort of bordered might be yeah oh okay yeah he really liked it switch and so they just filmed a couple of mods who were there that night the dance floor and two or three people were sitting on that as if Legendary Orgasm was before which is that you’d lost the key in Berlin he yeah in Berlin he and Maike were the two who danced I documented that one of them your niece your cousin or whatever nothing was out of the ordinary and every two to three minutes yeah that night in addition yeah yeah and the fake drugs my cousin about ten people very briefly sat on it and then things came to an end we’d finished our show because which meant four people didn’t have a bed or five people didn’t and it wasn’t easy to dance to that there are two photos of the fuse switches Arita yeah yeah for us nothing had changed we hadn’t done anything anyway have a bed because we were nine people in total who needed Maike was brilliant as well she was feeling sick maybe from the flipping fuse switches and fake drugs nice beautiful backstage area in Munich but on top of each other so we were up on the stage the music had stopped complete lodging and everyone had to sleep at mine fake drugs do you have them here somewhere Munich no I found that I thought that was a bit youth centre style I right silence facing the audience who didn’t know what was happening and I slept next to you which was a horrible mistake and in addition we also have those got bored with it at some point you had to wriggle your way out and as soon as you were back on we looked at each other and then someone shouted what is this in armchairs and I remember I was sitting in an arm chair that was and then we went into the backstage area and from about four or I’m not sure where the best one was in Berlin your feet We Are the Mods and everyone was back on their arse shit and then from the other side of the room shut your gob and crazy soft I think that was the softest armchair I’d ever sat in the so onwards everyone who walked in was noticing a funny smell from Portikus Hamburg was also pretty depressing that basement dump again that was brilliant then from the other side again what do you mean shut your gob seat sagged about this low when you sat down in it and but we couldn’t find the source of the smell and at some point a thousand photos that was and then you shut your gob and then some people sort of started clapping right Maike was lying on the floor but then she was gone again and you what did we have again spliffs without any dope but Berlin was excellent the next day and some were whistling and then Fabrice got the music started more than a metre or even lower couldn’t see anybody it just stank and you’d look for it and then I had so I got white snuff from the tobacconist’s and filled it in small but we still wanted the exhibition yeah yeah and then started DJing right get another beer or whatever else we had there and eventually we plastic bags those classic about the backstage area in Munich we should mention that we the organiser owner or guy at the bar the whole time he was like on the video you can see the brawl in the audience and I was just kind of slumped in it like this discovered that someone had puked in an empty there’s such a thing as white snuff left our organ there is that really Tony Sheridan’s son yeah a fight broke out in the audience there’s one photo of Hank with his jacket over his ears beer crate yeah right we had like a proper home organ yeah yeah you go on stage then the ugly brown beer crate mint and it didn’t really work it had always sat around at my parents’ he kept saying between the pros and the contras it’s not ugly vile vile mint right I’d got it from a junk yard for a tenner and then we took it but it yeah yeah one guy briefly came up on stage well yeah Hank and me with heads about this size I can see it now and if you leave the tin open for a bit it loses its mint taste wasn’t working anymore it lit up and was really beautiful and so and we were just hanging out there and at the back there were I can do that too can’t I right puked and then from record covers I cut out little acid blotters which we lugged it there and left it behind afterwards and just pretended a few steps leading down to the toilets and the fuse box is down he was just standing up there and saying to the other guy look with helmet haircuts you can still see it now Oliver Flössel then rolled into spliffs it wasn’t ours and it’s still there but now it’s working there and so Dennis I was somehow there as well same thing the Coneheads I still can too yeah someone fixed it it was a flip switch one of those right there are a couple of group photos and you couldn’t see that someone had puked because it was sort Xandi was there as well and some of the bands that play there when they’re in the and Dennis of course wouldn’t listen to reason shut this down now he had a point the Coneheads of evenly spread inside the whole crate Xandi backstage room they play on that organ flip the switch and I think they later suspected Michael although you’re talking on the phone I think while we’re taking the group we cleared it away and it stayed there on the floor left a puke print Xandi was there too cool right Michael came but there was also one guy who was completely stoked and said picture on the carpet my sister came but all that wasn’t until a lot later was it we’re not done with Michael was the suspect and he really got into trouble for it that was the weirdo right a puke print there’s a really great photo of you with a massive tube like this Hamburg yet we had to leave that was the weirdo you were on the phone and everyone was really pissed off with that was you’re right we already had the drugs then with a no with an old no no no no yeah after that we had to leave that was the weirdo who said we’d given his life a new meaning me for the first time yeah like so and then we had this exhibition there and outside that that was proper mod that took us till it took us till the following afternoon at five until we someone had you had asked that Katrin or what was her name ten mark note next was the exhibition because that was a did we have to leave he wasn’t the only one who was stoked finally got that fucking Enno on the phone Katarina but rolled lengthwise the evening of the following day is when we showed that right and this one photo is from when we were standing outside with he said we should play again right and then I went over there and got the key I still remembered Katarina right gigantic no no the exhibition was the paper from the ripped trousers and when I was sitting at Roberto’s at the art Podewil’s wife was there where I’d left it and well everyone was really pissed off hung over Katarina rolled lengthwise and with that massive tube you’re snorting up a paper historian’s flat with my ripped trousers Hank told me to jump on top right yeah badly rested Katarina Hagemann Hagemann or something like that Katarina line this size from the from the from the from the from the stage crumpled up of him and that’s how my trousers ripped because I had I had and why did you something one did actually well many people experienced a placebo effect and stuffed into the exhibition space what what’s her name again why did I have the key and she invited us to the festival at the Podewil from the drugs right I know that’s the first thing I have any recollection of to Katarina what’s her face I had by the way the poster’s still up on the wall at the Pudel yeah because there I’d wanted she wanted to have one of my yeah it got very festive in that backstage area there and they closed it immediately the exhibition had to be closed but it continued after that with the she’d come from Berlin just to see us the idea was that somehow the key would be safest with me films In Girum we were meant to it was going to be shown there yeah immediately the boss came in Roberto what is this you’ve dragged it was fucking cold yeah she came she saw us play and had this look on her face which poster was that which we here we that’s up next so I remember that I quickly had to sew on a button in that dark in here those guys are all quite amusing but that’s not on we have musical chairs with that guy Fabian came too the silver one and so I told her sure okay but I have I also know this band backstage space it’d come off my jacket and I it looked like the to close the exhibition no that was the next some other day Fabian When The Who Supermod Image and that she should come check them out and work of a madman I looked at it the following day and it was unlike what was the boss’ name right yeah Fabian Stefan Thater as well lots of people had come to Supermod When The Who Were so then she came and said okay she’d do it anything I’d ever seen before the stitches literally covered an area Norbert Karl one day later see us Later Building Their Supermod Image and very successfully of Norbert Karl but it continued because you moved on to somewhere else someone one year later or something I was at that what’s that that was a brilliant poster though I got into trouble for it with Oliver very you also there were lots of people weren’t there because you stayed gentlemen’s outfitters shop called the one in Hamburg Drescher yeah five or ten centimetres back and forth some had hit the button what so maybe it really was the next day then but somehow Herr von Eden oh right yeah he working there was very pleasant some had completely missed it but for some reason it didn’t fall off at the beginning we were still charging people to get in I remember no no Herr von Eden and in there the shop assistant came up to me oh yeah we rented a bus Fabrice was there again in Munich backstage there was this TV crew from Polilux that you sentenced me to guarding the door and twenty minutes Fabrice was also there oh at the Markt the Markstube well he was right of course years before he’d already worked with right oh yeah you’re right later or so you came and pulled me away and then told Hank Nick Fabrice was also there yeah because I’d asked him if he wanted to do a cover version that mod book and had used photos from it copied them that is and Alina and Georg Wasner drove up with us from Frankfurt oh yeah that was sad to do it yeah with his band of our last gig and he was like oh so that was you and put text on top more or less in the in same style as the poster to Louise Kubelka’s because she lived there and they stayed with Polilux right you’re right guys I thought that was an English band the one that once played but then he accused me and was like why had I done that among them to be honest that was already that was the low point because you thought I didn’t have a convincing enough facial yeah at the Tanzhalle and didn’t even really play live mates you just don’t do that you don’t just steal each other’s ideas and right when entering Berlin the text Me In Berlin When I was was that did they ever broadcast that expression that would get people to I don’t remember him being there aha what made yes right so basically but I also remember around that fairly small neighbourhood in yeah he really took huge offence with this picture I remember that for the gig here Legendary yes pay entrance fees but in total he was the DJ at the Tanzhalle Hamburg where we were also staying walking around it during felt copied Orgasm the whole thing with turning your back to the audience yes oh yeah but ours did or what right right the day several people came up to us and mentioned the gig from right started but not with us in it there were about four or five of us who there were nine of us I’m one hundred percent sure the night before so this was the next day and then and people but he wasn’t aware of what was going on yeah not with us because he was sort of meant to be a bit of a representative oh and I remember what we should also mention about the were like weren’t you the guys last night who didn’t who didn’t and right that wasn’t bad us look at the two of us no more people came later that night 48 49 Benjamin von Stuckrad-Barre Benjamin von Stuckrad-Barre 2000 2000

… Stuttgart-Barre Stuttgart-Barre later it was really packed right me inside the space with the paper and I’m covering both their packed yeah eyes with my hands I don’t know why where Benjamin von Stuckrad- Rumbling Thomas and all those came later brilliant brilliant totally Barre oh right they always do that but that’s a strange situation and later there was your broken nose no that’s you’re standing in this big mountain of paper right yeah mine buffet style that was no before that we were writing the texts you broke your nose sometimes we were still with the the songs that’s when it started my nose which is still broken yeah so every every fourth exhibition they organise there’s the then it winter cold and studied art oh how did that happen happens the song lyrics great well that was really just well somehow who was the DJ that night Fabrice DJed again and you’re covering both their eyes with your hands oh right right you were dancing yeah I remember now right yeah Alina Fabrice put on music and it was all really wild and I think I was why baked from scratch … (p. 33) and the story was that there were these really nice they’d set up dancing with my arm up in the air and moving with jerky movements to make them write differently or what lots of food outside what music was that anyway no right Stooges I didn’t get what he found embarrassing about the whole thing oh you mean the story with the cops we started it in Berlin outside the Golden Pudel Stooges can be good well weird somehow no in general so it’s this well known that was our musical apex so to speak definitely but you know why you did it or what the pay this is red now I think that means it’s off doesn’t it and you were dancing kind of bent over and then I somehow no not anymore right there was a problem with our pay shit smacked you with my elbow that’s why it makes you feel uncomfortable our pay problems audience problems we don’t need a new minidisc do we right no not really there wasn’t really a reason why I was covering their much too cold for an open air I check from time to time but and you immediately went down eyes but somehow it just looks sort of contrived consider it a side but very nice recordings of it right anyway all seven Jam bingo note I haven’t seen it yet Andi still hasn’t managed to bring it round obviously total knockout footnote so basically it was a village records each compressed into one song we played seven songs yeah yeah for the first time so one LP equalled one song and then we hauled you away just a bit away from the crowd and Rumbling Thomas came Dennis’ home village right I got you some ice from from from the bar to cool your nose and so the concert that’s still far from everything completely inappropriate to present that kind of thing there so to speak you were slowly coming to and then you even thanked me ‘cos that was that was that was the first time at the Pudel that there someone made the statement that for the people of Trebur it was that was always a nice moment when all the songs ended and the you didn’t know who had hit you and what had happened and so was a really strict no smoking policy inside a place like a UFO had landed there longest song you thanked me and were like I don’t know what happened I don’t it was also the first time that an exhibition got closed the reason because Dennis told me this only recently the reason I think it started it was the Beatles to be honest know who hit me and I was like that was me that was me I’m so yeah it got closed they pulled the plug on us wasn’t that it was too loud but yeah sorry and you didn’t really understand until later though so the exhibition did get closed or the police prohibiting it right it was sort of like like We Are the Beatles and then the oh Pudel now I don’t remember that or the police prohibiting it screaming and the next song was Help yeah yeah yeah no one else was allowed inside but because they couldn’t take it any longer and an average of ten songs started at once and then there was Dennis always remembers this really nice excellent but because everyone backstage thought that it was just some right scene I think it was outside and we left it behind the paper fucking rubbish or airplane noise I heard someone say as well and then would end at different times right ‘cos outside we asked you how you were and you just slowly and who was the DJ that night so what kind of noise was it anyway and for the audience it was always like a proper slap in the face collapsed against a lamp post Fabrice compressed this massive wall of noise which then towards the end because and then Fabian and I drove you home I remember that mainly all the records by the Jam were layered into one song with Beatles the songs weren’t all equally long would dissolve until you could well anyway what happened was that I’d pulled a nerve other concerts were Daniel’s Star Club in Offenbach announcements no a live recording of Television Personalities finally recognise parts of it a nerve the last one wasn’t it babbling right yeah something has been sort of broken in there ever since and the open air festival in Trebur but that was after Berlin wasn’t it and the place was packed and you never went to see a doctor right that was after Berlin Michael numb all in white well Berlin I really liked musically and that was also the Jam chockablock it was definitely really swollen your nose the open air concert in Trebur right compressed chock full Nickel that was quite good right and people were dancing which that was obviously very unpleasant open air festival in Trebur was definitely an experience so all their records where’s that three way plug okay at the exhibition there are lots of photos of us setting it up fatal the exact same thing I think is basically unimaginable and there’s this one photo which in retrospect I find quite sort of I think you remember that one best the background arrangements the exact same thing yeah over there’s one embarrassing but Dennis doesn’t it’s a photo of Dennis Alina and and we started it in Berlin and people were throwing stuff up onto the stage they were pissed 50 51 Benjamin von Stuckrad-Barre 2000

off because they didn’t understand what was going on and I got hit she could open all kinds of things with her mouth which I found the whole thing was organised by some of the stuff and then most fascinating that was the next and then Alina left the stage and started filming yeah whatever no it was the next day right Nickel alright that and Georg Wasner also filmed it and made it into a really nice before that we had a because after the video this is not really the appropriate setting I don’t remember Fabrice later told me that he was standing behind this guy similar sorry that was just after the In Girum presentation we because that also took place situation to the leader hitting the leader of a group over the head it was a whole weekend we were just going to have the gig but here with a bottle and Fabrice was telling me he was standing behind then you also had let’s talk about that later because after that we went to the Dirt a guy who kept throwing stuff at us up onto the stage and I gave before that was the reading the Dirt him the bird from up there naw I think that was the day after you went to the Dirt and the you had the the Ladies’ the bird the day after Ladies’ Room Party because he said he was this close to storming up on stage or right Ladies’ Room Party kicking up a row or something he was basically ready to knock no that was before Ladies’ Room Party him over the head if he before because that was the time when Fabrice in the ladies’ room at the if he started something before and then there was that fairy guy the really tall black fairy Dirt he the original Pink Floyd colour organ started something oh yeah horrible Pink Floyd from sixty-eight and then Maria came into play as well the horror bitch and on the on the during the table fireworks the horror bitch light show Fabrice was with Agath that wasn’t on the same day record player he played his records on the one the he got from with Agath yes it was our kitchen right of course it was right Agath yes it was they played before us our support band and Fabrice was like this is fantastic he was playing records worth Agath from Pforzheim yeah no around 800 marks and he knew that this record player was ruining she never got in touch again I was going to ask what happened that was all on the same day his records and it’s fantastic to Agath the film wasn’t on the same day the toilet yeah and that’s when Maria turned up yes it was that girl those girls needed the loo and were pissing in there and Maria turned up and opened beer bottles with her mouth which I naw it would’ve been way too much work to rearrange the stage Fabrice wasn’t allowed to stay inside the ladies’ room because the found most fascinating that’s right the film wasn’t girl said it bothered her and the song ended and Fabrice called 52 53 Benjamin von Stuckrad-Barre Benjamin von Stuckrad-Barre 2000 2000

inside for the girl to change the record but that’s gaffer tape and he did too and then eventually you came in and I was like hey yeah and then we had our second concert Markus Schulz yeah that was yeah that was that was the most cramped almost sorry what completely everything with Michi in German and that blew our cover and I think he was a bit no Markus yes the most cramped Ladies’ Room Party someone had to keep the door shut and some just sat down on it started off with a flag there was this flag up on the wall I think it pissed off then we’ve already covered that in in in Munich at the Atomic Café Markus Schulz yeah and my parents were there as well definitely the toilet without the door and others went over to the kebab shop was a Finnish flag and that’s how it started we traced it with tape Daniel is Björn at Pernilla’s does anyone know everyone slightly dissatisfied right the one at Portikus was the most cramped one across the street that was the first and after that there was no stopping us not even what where we right where I committed a blunder that we we had like that was brilliant and that was that was and in the in the space at the front the main room of the Dirt so to the gap in the doorway was safe I mean even the is Björn at Pernilla’s forty minutes Berlin was also the end of things with Oliver it couldn’t have been any more cramped speak the Yesterday exhibition was on display even the cable holders yes hi Pernilla it’s Marcus are you going to come by before it was only one room with a toilet bowl in it so basically it was right yeah right cable holders and socket holes were were done twice let him know about going to the cinema we’d prepared forty minutes of sound and after thirty minutes the yeah since that time I haven’t heard from Oliver Drescher and yeah yeah and a sink that was this Yesterday poster and a sound recording of one night at some point everything was completely covered in tape we’ll let’s call use Roberto’s no you can call from here as well sound stopped and we didn’t really know because we couldn’t Maike Abetz one sink at the Dirt was playing and basically it was like sort of an early that was to this day they haven’t discovered all the things that what do you want remember ourselves how long it was supposed to last and so we half past seven is probably perfect right and the men’s room only had urinals and no Remake Club at the place itself a sound recording from some were probably I just have to let Björn know thought something might follow still although I right Denise and I were staying with him with them right months before they were just really tiny strips nine eight one nine five six five nine half seven well at quarter past eight we have to pick up the tickets no normal toilet which is why the girls were a bit like that was one year before I think we were outdoing each other are you going to the cinema and then up on stage I suddenly remembered that I had transferred which was actually nice and then we started organised by you wasn’t it the Dirt’s been closed down hasn’t it yeah the forty minutes from the computer onto a sixty-minute tape but or you can catch up with us there there was only one toilet for the girls yeah exactly the actual party took place in the back inside the yeah tonight it hadn’t occurred to me and then we were sort of avoided and there were lots of arguments that the door had to be closed ladies’ loo and in the front the Remake Party was going on yeah even so there are still some hanging there that hasn’t we haven’t mentioned that yet okay we’ll nip on ahead and you’ll meet us there at quarter to nine or closed right out in front we outlined the letters Dirt as well what’s Björn’s number that a sixty-minute tape has two sides of thirty minutes each and something before we go in outline everything with tape the sound right and basically the essence of the Ladies’ Room Parties was the so it was all just on one side we didn’t really talk anymore stayed in our own room when the door was closed both the light show and our music were that’s when we started to do that thing with the tape on the on the roller shutters pop art confetti and the paper streamers if you’re up for cinema later well shut out and so everyone who was using that toilet the girls I mean and Hans Weigand was jumping around the whole time with his in black and but what I found most interesting was this this fucking right that was a startling end all of a sudden yeah we took it down took the door from its hinges camera and going nuts madness absolute madness graffiti in the men’s room were used Eminem yeah Eight Mile at quarter past no quarter to nine the last concert was and then we then there was absolute madness right right anyway that was quite disappointing that gig half past eight right but we need to get hold of the film that fucking horrible graffiti to highlight that with tape was just so paper streamers is when the film starts and at a quarter past eight we have to pick Opel the result of everyone always closing the door which basically he’d snorted too much of that placebo stuff brilliant right up the Opel always ended the show we then took the door from its hinges and absolute madness I think Guido were fax paper rolls fax paper rolls used as paper streamers and and then the one at the Star Club and that was it ah right carried it somewhere else I I can’t believe it wasn’t all that thrilled those writing pads with the tear away sheets used as confetti right the Dennis and some of the girls actually then started in on the urinals anyway the sticky tape story didn’t know oh no I think he was do you want a beer we wanted to grab a bite to eat as well right right then several girls pissed into the urinals how exactly they did absolutely when we got there he didn’t know who I was he only knew you we nothing’s happening here Daniel your friend from Berlin filmed that one Elysee it I don’t know black tape only spoke in English do you remember we only spoke in English yeah Markus which marked a further development in terms of music 54 55

Marco Lulic no no no you mean Philli from from Hamburg … and I kept telling the police I don’t know who that is and Hendrik tall guy officer who was restraining Hendrik Dennis I want handcuffs too I yeah he works at Herr von Eden want handcuffs too because I no no no he plays bass with Stella oh okay did we meet him here or something thought he’d been handcuffed yeah I just know him but he hadn’t … (p. 35) oh okay and he’s making his own record has just brought out his own record electro stuff well experimental and he plays with Stella with him you with Philip you guys wanted to play together sort of Esplanade parallel or simultaneously in Berlin some time Esplanade oh him tell him to come by here ah right but he wants to meet us there now I remember before that was the Star Club right exactly we wanted to play together in Berlin and the tour was why don’t you just come here supposed to be called Berlin Must Be Destroyed where we played the other band that had played shortly before us Berlin Must Be Destroyed we’re going by car too okay I really liked that musically too right yeah yeah let’s talk about the concert again we met him at the that was Städel I’ll call you again later hang on Daniel wants to speak to you the Annual Student Exhibition hi Björn at the Annual Exhibition party they DJed upstairs in the fog and yeah basically they brutal one hundred percent electronic okay so then I’ll they played live as well at the Opel gig we used the MTV recordings yeah yeah do you have time to eat something before downstairs twenty-three that was Andi what I mean is I saw eighty percent of your gigs and that was the yeah but there was someone else as well last gig that’s that’s Gabber yeah that was Gabber Thomas apart from the Atomic Café gigs I think I saw them all naw the tall one’s name wasn’t Thomas yeah Gabber Phillip and except the one at the Städel Philli it’ll still be a while before we’re finished here who sent us a CD by the way the moment we went on stage the MTV live sound was brought in who did but until today we still haven’t sort of Gabber Thomas the one from the show at the Annual Exhibition yeah terror because we’d planned to also so as far as that’s concerned you’ll definitely get quite a few you could start boiling the potatoes versions ask other bands to do cover versions of that yeah that’s basically already enough and that was it Blumfeld right you asked me a few times if I could that would I don’t really think so he’s he doesn’t really do that kind I could definitely imagine doing that as an event of thing Pernilla knows how basically for a casserole with broccoli and leek what about Die Goldenen Zitronen in it I suspect they wouldn’t either they’re too we should do that we could ask Koko Schamhaari great so then in Schamhaari no what Fedi said about that was that he’d prefer around Christmas a whiff of anarchy time okay so then the next thing here was In Girum Imus Nocte Et I’ll be there shortly before seven see you then Consumimur Igni Synchronisation German premiere is what it nice reply Phillip and whatshisface and and said on the poster Alexander Wolff has already sent a tape yes indeed yeah we have quite a few and it was and who’d also probably be up for it is Andreas Dorau oh yeah right Andreas Dorau would also and earlier we tried to make sure it would be completely dark in yeah here yeah but we didn’t really manage and Fedi with Kamerakino he’s still stoked on the idea yes we did Fabrice would produce something as well with his project there well let’s do it then yes we did and that other guy who you did that that disco type thing at the well I had it from the side from there through this little thingy school through that hole there came some faint 56 57 Legendary Orgasm 2000 well from where I was okay so I walked around before that and into the photo of course it does took people’s cigarettes off them because you could see them into the photo I’ve never seen it glowing in the dark yeah and there was also just to say that the band in the band’s there’s even a super eight film of that right entire career we only rehearsed once and immediately arguments but there are also some really nice illustrations in the book and then it was so dark well I didn’t notice any more light arose between Marcus and Dennis and during the rehearsal Bernie Schreiner filmed with his super eight camera there were only eight people in the audience I think we’d also tested what it would look like if someone sang along or exactly three minutes we can look at the photos later for Legendary yeah pretended to be singing along Orgasm we were also invited by Radio X and did a programme naw that’s absolutely not true there were lots of people and Marcus actually thought that we would go ahead with it even there to promote the event no no no there were only a few people only since then has it though it had just been a test and because of this attitude on my splendid become a well-sought-after film well anyway what really stuck out part on on Marcus’ part the argument broke out which was a complete disaster was the live simultaneous interpretation you wanted to make a video clip or something well that’s Radio X for you very nice yeah and we did make one but only to see what it would look like associations are coming thick and fast now what was her name the moment when it went really dark was quite scary and you said with the projection and we were just trying things out you were on again the one who did it would be ten minutes or so drums that time Felicia Herschaft five it wasn’t really clear what we would do but at that rehearsal we Felicia Herschaft five which already seemed like an eternity in the dark the lights also came up with the silhouette projections which also Johan König’s girlfriend went out and then you could hear someone lock the door so that the Pastel effect on the camera right no one could get in or out and a slight murmur went through the which by the way we borrowed from Sandra Kranich at the last no Felicia Herschaft was the name of the woman room minute because she just happened to have the same camera and Felicia Herschaft brilliant the one we’d always borrowed before from the City Media Centre is also like that yeah in Berlin it lasted fifteen minutes which was probably a bit wasn’t working at the time it turned into a disaster that interview because … the the projections with too long something like that yeah she didn’t believe you right and imagine that was three days before with the red hair probably the drawings just really that was insanely that was in the summer and it was insanely hot the concert but we but we’d actually agreed before that we didn’t really want complemented each other ten minutes seemed like an eternity before the concert to reveal any information about it just the fact that there was a gig and and also we’d done everything to make the room completely and you asked if it had a Pastel effect as well that night but I don’t really feel like dark but some people switched on their mobiles as a source of we asked everyone yeah but of course she wanted to know a few things but the light the gig at the Schikaneder was only a highlight because someone questions were asked in such a stupid manner that you couldn’t explaining that right now I would’ve flipped out from from the audience shouted abuse at me really they were Sidney Sam they’re always quite pushy so who will do it then people in Berlin are a bit more unrestrained anyway and later we became good mates Sidney Sam he was the only ill-prepared and on top of that always kind of does that video of me still exist yeah well one who was dancing because well it was a concert for Ursula forward now I do think that Berlin must be destroyed Meyer for her birthday and it was at a café and we just showed up right by that you should have the tapes from that then at twelve set up our stuff and started playing impolite in a way and then sort of grabbing your nose which tapes we got changed for it at a service area please do something with grabbing people’s nose of course it does the sound recordings from the got changed at a service area the projection was Like People no verbally I mean instead of asking decent questions but then or rather we weren’t willing to pay one pfennig for what had been I’ve never seen it … (p. 56) right yeah so Like People fortunately Johann König called in and managed to save the his amusement I’d quite like a copy of those right and he was dancing maybe even to a Seeds song and situation a bit with his questions and acted a bit as a facilitator yeah and then then well that’s a bit difficult okay I’ll make a note yeah I kept moving in on me in a really provocative manner and then Johann König so then we got our own back by other means by having a little fun I was just going to say something he intentionally bumped into me a couple of times and stuff like yeah with him whenever we’d meet him somewhere we’d made a poster In Girum that and then it was a bit awkward like should I do something the that was great right for the poster I went to the film museum and photographed now should I react in some way and then I just gave him a kiss was it live at least five or six times we pulled him out of conversations at the poster from the Who for The Kids Are Alright and then we because he was standing really close face to face the whole time gallerist openings or something and accosted him about it scratched the text for our event into that because it took place the just dancing with his feet while his upper body remained like gallerist at the Robert Johnson as well same year completely stiff and then I gave him a kiss and then he just left all Kaspar’s son about the two hundred marks what was happening with that and seventy-eight of a sudden so I don’t know who was the one who completely different story but who quite all that and the poster who took an interest in it again you also have to mention that before that he did this S and M type often I witnessed it once but properly and later people told me god Heiner Blum wanted it but I’d of performance and that it had happened quite a few times before that he would wreak and each time he’d answer seriously and explain well yeah but didn’t want to pay right exactly in Ursula’s honour complete havoc in smaller gatherings after a certain alcohol you know I can’t I’m not going to pay for this because you are an the price was too high well it wasn’t really too high but he didn’t a cross on his thingy and probably completely on on intake and on that specific night it got to the point where he first independent exhibition space and you make enough money from want to pay anything right smashed the washbasin to pieces and when we started laughing drinks and all that well we wanted to make a whole edition of them anyway but in the some kind of drugs he seemed to feel challenged in a way and then tore the boiler utterly ludicrous end we never did oh right from the wall in our bathroom but each time he’d start off in a really serious manner trying to tell your friends from the commune it could still happen I once met him in Berlin when I was working there he completely smashed everything to bits explain but no one would even listen to him anymore we’d just yeah that was brilliant not officially yeah right leave him standing there in midsentence and would then come that he’d have the police pay us a visit here or something what ran into him in the summer and that was quite funny because nothing was left intact back ten minutes later and ask the same question I don’t know what strings he was talking about maybe the not officially but there are some going round he was actually quite enthusiastic about us and wanted to get in smashed everything to bits and then we stood around and toasted that was at the Schirn did you ever get your two hundred marks but there’s a really big one really big version contact what he’d just done and the story didn’t end there the hassle and this eventually culminated in well he eventually moved away no we never got it but with yeah that was up on the wall outside right yeah the Legendary Orgasm concert as we called it back then continued for a long long time so we couldn’t hassle him anymore but it culminated in him once let’s just call him shall we but that was a copy from the original we’d actually literally cut the because now it’s called Television Personalities that was part of because of insurance threatening us that if we didn’t stop straight away this was after with Mandla Reuter and Michael Pfrommer we’re still planning an letters out an exhibition that we did here as well so the concert was the one insurance we’d come back three times in one night then he’d pull some exhibition yeah of course thing and then all the drawings on the wall who was going to pay for it strings and would have us shut down before we could blink right took us four long hours to do the the projections with the drawings just really complemented right afterwards he was like he was like yeah yeah I’ll we’ll sort this wasn’t that at the Robert Johnson in Berlin and it not the original each other out somehow and in the end it was about two hundred marks that yeah you’re right it was it’s going to be titled Two Hundred Marks my fingers were bleeding but I don’t really feel like explaining that right now the insurance hadn’t paid for and he didn’t want to pay it himself he got really pissed off that night no why I made one as well everyone made a version so who will do it then and then we had to listen to endless explanations about why he he got really pissed off and then I walked off and didn’t he say to you scratched it into the does that video of me still exist by that wasn’t going to pay for it that I didn’t really care to hear because I you [BREAK] 58 59 Legendary Orgasm Legendary Orgasm 2000 2000

thanks Lisa also went but on her own divided up between three people you weren’t even there Lisa came on her own that was kind of the first conscious copy of an Unkel party which yes we were right but Lisa had we also had her face with us had really impressed me I wasn’t even at the party I only know the yeah we were in the audience we’d made a Portable of her because I’d contacted her in Vienna photos of Michael Jodie Björn Renner Marcus Hurttig doesn’t Catalina have film material of that night about if she wanted to participate and she said yeah she was in Kati she needs to hand that over and poor Basti only had a we only had a really horrible photo of Kati no no I’m talking about the Patches now because Michael I think my mother had cut my hair shortly before that him Korbun was there Jojo Miriam Jodie Winkler and Jule Kracht in the audience that didn’t matter and then all of us together had the Patches at the Atomic Café Bernhard Martin yeah that didn’t matter and anyway it all started again is that in black and white now or what’s going on there it did matter a little yeah that was before though no that was in black and white because we didn’t want to celebrate New Year’s without doing when we went to see you in Garmisch that was black and white something we wanted to pull off one of our insider stunts right that was already they were already around then with the the ok so we’ll go on till eight right first ones that was quarter to so basically like an event inside an event and that was when you but the and then directly to the came up with the Portable Identities that we should organize a Unkel ninety-six I think is the Wedding one still coming up protest march down Carnaby Street and then we had the idea but the Portable Identities already existed back as well didn’t they it should do that at the New Year’s party we should hold faces our own faces no they didn’t come up until Unkel ninety-seven should do in front of our face and then we were sitting in Catalina’s kitchen so the Insteads are kind of a smaller spin off of the Portable or did you cut that out forever Identities yes right right yeah no no it’s still there looking for a name for the things right Wedding yeah they’re the ones in original size so we’ve gone over all the concerts right yeah check Face Boards was a runner up and the Portable Identities were in Unkel I’m sure someone will remember something else by tomorrow oh my the names we came up with ninety-seven but it’s enough do you still have the list ninety-seven right okay weren’t we already looking at In Girum or at the film yeah but don’t ask me where it’s over there in the drawer but in ninety-six you had the Patches you went with those small that’s already done somewhere what were they called again cloths with stuff like All Weather written on them we’re already done with that what right they were they were pieces of cloth with small text fragments so we could move on couldn’t we Faces someone suggested suddenly and there were lots of other on them and some of them sure funny names All Weather what about the the recording and in the end they were called Insteads well text from pictures subtitles of pictures simply printed on them we’re in Clacton now Insteads Me Instead Of right I got mine primarily off record covers we were in Clacton just now Me and the Portable Identities were passport photos blown up to quite right with the but in the end they were little Portable Identities a big size that you could like the placards people carry around at with the corkscrew yeah I think so demonstrations this is nice where is that corkscrew the thingies we also had those pieces of cloth with us didn’t we right is that the one from Aldi let’s start with Clacton from the beginning again right on poles to carry them around and they were standing around at no from oak barrels yeah the Patches the party at the mod weekender in Unkel at the Löwenburg don’t cork it with London the Patches they were everywhere don’t put the cork back in that was for New Year’s but overall which has since closed down the problem is when we have breaks what do we talk about during well Clacton started with us all agreeing well Catalina made the Lisa with her assclowns and Golowka I always like telling this story because he didn’t get breaks suggestion and Nickel aha thanks I spent two days printing and that was kind that that was us on the posters and I was standing next to my we don’t have breaks we don’t talk during breaks who was there for that of Portable and asked him what do you think and Golowka said he’s there’s no difference between breaks and work with this work in Clacton Sha La La La La La Lee a god but really it was my face on the thing but we had made so but that’s what’s nice about it Catalina Anyway Sha La La La La La Lee Anyway many of the Insteads that they filled one and a half suitcases I mean what we’re saying now you don’t have to type that up Catalina Niklas Hank and I and Gaius and and Pow Wow Wow or how was it at the hotel room in Clacton you could just right Biff Bang Pow right we had one and a half suitcases too many and even that or we just don’t talk at all but Gaius lives in London so he didn’t come with us but we stayed Biff Bang Pow right was only possible because our flight got cancelled and so they but I think tomorrow I’ll bring a cushion with him yeah didn’t charge us for our excess luggage otherwise we would have or some kind of backrest I’ll bring a backrest nice is that your video oh that night some people came up to me and asked me if I was in the band I remember that that’s here now because they thought I was part of it of the whole performance because I you were part of the staging because you were walking around inside I was also wearing a suit and was strolling around inside right completely erratic right Alina was on drums and was filming simultaneously Marcus yes looks nice 60 61 Legendary Orgasm Legendary Orgasm 2000 2000

our suitcases were filled to the brim with Portables they were we loaded them onto the plane ourselves right they let us pack them onto the plane ourselves typical Ryan Air Ryan Air and anyway anyway we slept at the in Hahn near Hahn somewhere in Hahn right in this guesthouse right right and then we yeah at the airport we had them page us as Television Personalities right and then they did actually call out the group Television Personalities please proceed to counter A Television Personalities the group Television per Personalities please proceed to the information desk Television Personalities like personalities from television that was pretty cool and then they were lying around for people to pick up and take on right that was at the party so each of us was present at the party many many multiple times so to speak these things were lying around everywhere on the floor inside the toilets on the dance floor we made a small pile right and people did take them to some extent not very well documented though I have to say yeah but we have lots of photos there are quite a few photos that was New Year’s two thousand that was yeah two thousand two thousand two thousand and one and then at Carnaby Street with the big ones yeah god that was a nightmare we had them in London we had to find a DIY shop where we could buy long poles what was that called again so that we could carry around the demonstration type placards and the next morning completely hung over we had to paint them right in the street should should we should we also mention that painted them in the street in front of Gaius’ house somewhere in he was he was tough he’d come straight from the from Colombia except and Phil was there as well wasn’t he some dodgy neighbourhood we were standing outside Dennis and or something and hadn’t yet he’d been living in London for a year I don’t remember anymore I the others were still in bed everyone else completely hung over and hadn’t spoken to a single soul he said he didn’t speak a word the one with that thingy and had to paint those poles with white paint because obviously of English and didn’t know anyone and was completely alone and and the Insteads we also had them with us we didn’t want to protest with untreated wood poles he couldn’t believe it that someone was suddenly talking to him we had the Insteads with us again and after this little procession well we were stupid to have bought just paint instead of emulsion he was completely on the ropes and then we went down Carnaby we so there were for some reason people were sitting outside and paint because it doesn’t dry and then we I completely ruined my Street then we handed them out to people sitting at tables outside and expensive gloves that I’d bought here at a Christmas market with Carnaby Street and there there were way too many how many did we have five hundred in those sticky things walking down Carnaby Street rendezvous with the mods total each of us carrying their own sticky thing and the paint coming right with the with who who was there again what kind of action was the one on Carnaby Street off them and stains all over the double decker bus of course and that a protest march upstairs obviously being tourists we had to sit upstairs Paul Untitled Protest right the bus driver wanted to throw us out too Paul Sean Untitled Protest we called it we barely managed to get up the narrow steps balancing that load Sean Michael Winston or something was his name up and down each one with their own face Gaius unhappy with his leaving paint stains all over the place and the Impact a protest march and each of us with their own face blown up to A the poles dripping wet the Impact the the the the whatsit the Tuborgs zero size black and white from passport photographs and we were in the aisle and everyone who walked past got white no the Talbots making use of the protest march context to basically present one’s paint on their trousers and we were really hoping that no one the Talbots self would notice that it was paint which won’t come out and we made the Impact marching up and down the street with our small following of friends with some jobless guys that somehow I don’t know what right London mods they thought of it that we’d seen in Aachen what was shit though was that we’d actually arrived too late you talked to them for basically the whole trip with that Spanish right because who’d cocked it up probably Gaius guy who had like three teeth left yeah the Impact in full regalia very likely 62 63 Legendary Orgasm Legendary Orgasm 2000 2000

no when Dennis repeated my that was John my my first Annual Exhibition piece was your first Annual Exhibition no no no Skinhead John was in a league of his own piece alright repeated my first Annual Exhibition piece anyway he filmed the whole thing my first oh and right his first was my first congratulations on your art with that thing for you you and you that was the banner wasn’t that what’s his face the guy that always DJs in Unkel and the banner everywhere Rob Bailey the University of Signetic Art and the canvas all the canvases the Rob Bailey wasn’t there we were at a party at his house though measurements of the canvases so I only stuck to the format not oh right the so and Michael had drawn something on it Jodie or whatever but that mate of his that a pencil drawing Paul pencil drawings which I left out on mine and only copied the the one who’d walked round Aachen with the minidisc recorder formats and the measurements and the big banner the big banner Paul Paul with University of Signetic Art on it Paul hung it from the window in Nitsch’s room and then that night but okay that was the action that was right we were late what would be interesting to mention is that it was actually a kind Daniel I also need that film by the way what were the names of the people who marched with us of remake action which film Sebastian was his name right from when you filmed Sebastian Kelk that was the first intentional copy as far as location it was obviously right I still have it so there were five of us with Portable Identities great because it was London I need it you need to bring that because I need to add some Paul the Impact by you of Michael recordings but one of them had and you’d missed you weren’t there for the earlier things do you have a piece of paper Roberto Dennis Loesch I only wasn’t I only missed the Patches what time do we start tomorrow before Daniel takes off now Paul the original took place at the mod weekenders in Unkel over the at ten but one of them slightly heavyset the one with the hat course of two or three years sort of I think it all started with the at ten with the chubby cheeks buttons with text on them and then well the thing in Unkel in this thank you that’s Paul village where we relabelled a whole street at ten a.m. that’s Paul labelled it Carnaby Street pen please there are several things no the one with the hat the short one Paul’s the taller one which we painted onto the street we painted Carnaby Street so that’s that yeah don’t forget the R Michael don’t forget the R okay you mean the fat one Marcus and I I don’t have that much left from two thousand the one with the chubby cheeks he always says Makus or what that was the Wedding who told the joke with the I filmed it that was the Wedding just now the fat one Dennis documented the whole thing with a in my left right hand I yeah but it’ll come up again I used the effect for quite some time with Wagner held the paint brush and in the left a audio recorder although the I think that was Tommy Diamond that was recording no longer exists it got lost somewhere and Dennis took is that Catalina Tommy Diamond photos yes go on tell it in a very dilettantish manner got rid of them all and then in the what time is it now the joke Tommy Diamond told us went like this how was it Hitler is Jumbo or was that the half six looking hang on no no that was the Grey Arrow ten past six thereabouts Hitler and Goebbels are looking through Hitler’s records the Grey Arrow half six Goebbels is looking through Hitler’s record collection oh Adolf had ourselves a beer I’ll never forget that sitting in the trunk of twenty past six you’ve got wonderful records Wagner Wagner Wagner Wagner the car next item but what is this Barry Weisse and he says Hitler says that’s not I didn’t allow myself any beer yeah so we’re done with Clacton mine that’s Eva’s and a police report came up exactly half a year later because okay what sort of record was that meant to be someone had reported our license plate number and so I had to when we’re sorry done with two thousand then tomorrow let’s right and after telling the joke go to the police station and they even took pictures of me like continue with two thousand two Barry White one from the front and from each side and those were shown to that can’t be Barry Weisse someone in Unkel who had allegedly seen the perpetrators but there’s still two thousand two stuff why do you want to stop now and that was a two-hundred-pound seventeen-year-old skinhead you can still make out a little bit of the paint on the cobblestone because we’ve run out of steam a little or whatever street you have right yeah for a long time no more ska root though still today I haven’t yeah whatever in a suit that he had dry-cleaned every day that was visible for a long time me neither so always waited for it until it was clean and then put it straight back the the whole assemblage so Carnaby Street Portable Identities I’m running a bit out of breath telling long stories ticking off one on and on the inside that was amazing the inside was completely the whole load got concentrated in Clacton and London all of it thing after the other torn and all held together with fixing pins and so that when he together that’s in two thousand one I celebrated Seven Twelve Red Letter Day buttoned it he’d look perfect and that was your first remake here it starts off here with Seven Twelve Red Letter Day at the and colossal right house there’s quite a lot on that two tons the highlight of this personal story of Dennis and mine was the so two thousand one the first event at Oskar-von-Miller Strasse and high Annual Student Exhibition two thousand and one was Lola Montez well yeah speed he snorted speed like my dad snorts snuff put it two thousand and one that was in February wasn’t it on his and at the Städel yeah yes hello can you play Five Years by David Bowie no you’re mistaking him for someone else at the Städelschule that was when we had the telephone DJs 64 65 Legendary Orgasm Legendary Orgasm 2000 2000 which record is that on but before there was the the the the the Bridget Riley thing and on the sound came out of here we were at the Lola Montez and the slide there was underneath there was some sort of painting by photographed people which we then painted here by Roman Ziggy no is that called Five Years that was before Five Years but it was painted in there yeah they were hanging up everywhere for that and after that afterwards we went to Clacton hung life sized because there was oh okay but the thing with Roman where he Ziggy Stardust was here and painted that wasn’t until much later right that was New Year’s last year so then that was a different painting then that one just now he painted onto the charcoal drawing right Marcus’ armchairs rotting away in our backyard but earlier we made good use of them as tanks right Jason Rhoades’ Watertest why did they really rot yeah the Lola Montez happened with that was a collaboration decomposed mouldy between Michael Thomas Seidemann we forgot them out in the garden right Achim Lengerer the sofa’s still out there Achim Lengerer and me and that was in the winter yeah and Alina was also there no those my armchairs are upstairs those were different Alina was there as well yeah they were different armchairs okay yeah I think yeah I really like the Bridget Riley on the on the and and the thing in Cologne with the masks ventilation shaft right yeah for the first time now we’d need Daniel because he they were generally quite nicely arranged the drawings there but that wasn’t until much later that’s the controversial rehearsal now yeah that can wait the dangerous rehearsal made of cardboard the Pastel November eleventh oh right the ceiling light is quite good carnival that’s when Hank had this unbelievable haircut at the the guests at the Lola Montez Pastel dreck Lola Montez do you remember that one photo Michael at the Lola and Sascha Sascha Knoche ghost dreck Gerstel effect Montez where Hank had a red a red ball on his head some sort right H and M H and M of red brambles he wanted to take Anja Cioska home Gerstel effect no no you’re confusing me with someone else yeah and Michael didn’t let him the cars are driving past outside and and and about the shoes about the shoes that guy that guy Michael didn’t want to give her to him the Anja Cioska no Jarvis at the Atomic Café out of cardboard the radiator ace yeah yeah maybe oh yeah that was at a time when things like that made what did he tasty modette or something he said me pretty aggressive right yeah oh right that really wound me up that properly wound me up that things like that comment the figures did we make them out of cardboard not the comment so much as the question what are you doing Anja Cioska was right by the entrance later and he replied in a sort of snippy way they were hung and then he said the thing with the tasty modette that one’s great Jarvis that’s her right there yeah although I’d kind of prefer not to talk about that never saw him again what would you rather not talk about what I remember from that rehearsal is Alina bobbing up and those cardboard figures that we made down with the guitar which looked the Redondo Beat cover looked ... yeah I think yeah I really like the Bridget Riley on the on the ventilation shaft ... (p. 64) why exactly like Alina I mean the collage that Björn added to it that was just fiddle faddle at HfG level the explosion Hardy Huck was extremely interested in them the figure the figure looks exactly like Alina yeah but it’s Roman yeah she used to have really short hair Hardy Huck wanted Hardy Huck wanted us to paint a picture of I hope we get to see now how Alina is bobbing up and down with him and his girlfriend his girlfriend at the time the guitar swastika sort of passionately like pigmented she’s on drums now Alina yeah but what was yeah later great Georg Wasner was also the drummer for ages live dancing party event now wasn’t bad either bent over the whole time and who’s that by the heater ah that’s those weren’t drum sticks that was a lath broken in two Ken building the desk the desk construction Ken right Dennis lighter with the square beams from the Signetic Theatre a desk got built was that before or after New Year’s two thousand right just fade the Lola Montez out before that was on December eighth yeah but short relaxation periods are maybe not a bad idea 66 67 Legendary Orgasm Legendary Orgasm 2000 2000 we’d really need Daniel’s photos now some not everyone so that people will be able to read it later we even have a video cassette with material from the Lola Montez and Thomas Seidemann made this makeshift replica of the DJ you branded him as an alcoholic I don’t even know what’s on there desk and parts of the furnishing yeah Markus Ziksay that’s Alina jumping those cardboards you mean how did the collaboration with with Thomas Seidemann come but without the guitar Achim Lengerer about anyway there’s Michael wearing my shirt that’s that’s just gimmicks or what that’s just gimmicks isn’t it that was a result of the magazine project I have a completely different memory of that rehearsal yeah right we’d started a magazine project here where we wanted to well only half of it is on here we threw them out publish some kind of magazine I only remember you to be honest that we were standing there that’s me I remember that no I was sitting and you were talking at me the whole time no we that’s me Sandra Ackermann took part in that as well which didn’t work at all were standing there as well there were lots of discussions and stuff like that I don’t remember Alina that night no and in the end we had to realize that there was no common that was the Lola Montez we should maybe mention that as we’re sitting here and talking ground and that that was incredibly long wasn’t it didn’t that last five or eight hours we’re looking at videos that was in the kitchen yeah that was endless you mean you’re telling the recording device that or what that was the end yeah I’m telling the microphone we had completely different ideas Sidney Sam Dirk Fleischmann got the Ilya Kabakov catalogue which no one has read no after that an event came out of things sure there were burning and in the end there was light left in only two of the rooms you’re already wearing your wig there check out those rings yeah that bombed but we recorded all the discussions I haven’t was that when Seidemann and the others said that okay now they but you weren’t hung up on I was already outside and you two were still at it I think I’d already no that was Sam so that the microphone doesn’t get impatient or what listened to any of it yet but it should be interesting would help with the Lola Montez how moved aside a bit and suddenly I hear the music die down and I you all tore them off though you deliberately made him ugly and so then after that you came up with the idea to no things don’t developments are not usually linear like that it was no there were all sorts of things knew someone had got it simply no there weren’t any hang-ups does that mean you win or lose if you get the music switch it doesn’t work like that of course you called you called at least twice you win we just ended up seeing less and less of each other and then yes but once was only to tell you that we were doing it and once you win suddenly one day at the cafeteria well the whole Lola Montez while we were broadcasting oh okay thing wasn’t really a proper exhibition but more of a reaction and it right and then instantly the music died down but we were also was there was also sort of a competition between the Lola Montez yeah because you could always hear the conversations here in immediately like hey what’s going on with the music I don’t hear and Oskar-von-Miller Strasse the room they were transmitted over loudspeakers the telephone it anymore yeah yeah clearly conversations only that the music wasn’t what people requested hey music at that time was it but that wasn’t the party where you locked yourself into the although they were purely party oriented and they were successful but I remember that I just passed on the phone to Juli in Paris and bathroom for half an hour with that whereas we strictly stuck to our concept and then they he you were talking to him the whole time yes it was suddenly after an opening at Portikus they got to do the Portikus that was also later but it’s in there yeah party or it’s in there yeah at their place he goes and requests something that I didn’t even know how to it was that party or just took it or whatever and so we simply wanted to because spell right we’d also counted on the Portikus openings we just wanted to didn’t I have some French guy on the phone or something they for half an hour you counter that with something to nip the whole competition in the and several times we dialled the wrong number and then had cut yourself a slice of cake Dennis bud we’ll just call ourselves Lola Montez too for that night and so random people on the phone that we included in our game locked yourself in the toilet then we were like okay so what do we need to do to make people was it full in the end that come here instead of there and so we started the thing with the more or less I snogged Denise for the second time so it can’t have someone was feeling like shit telephone DJs and on the flyers there were the phone numbers been that empty to pee of famous people from the art world like Jeff Koons and Kasper otherwise you wouldn’t have done it or what and Matthias Vatter was in a huff about it for the whole rest of the König yes I would but if evening West there was another party at Christoph Blum’s place at Münchener did I lock you in Franz West Strasse no you did it yourself Bruno Brunett oh yeah you’re right you locked yourself in and half an hour later you came out Brunett and so on and then where we wrote the dates for one of our events on the toilet wall you came out half an hour later Heiner Blum somewhere with a permanent marker yeah right exactly the queue was already quite long I had to wait Heiner Blum he got a call from you as well oh yeah I remember that for half an hour as well and when it was my turn I thought if I’ve Heiner Blum was the only one who played a techno song over the and also that night I had Roberto Roberto I’m not sure if it was had to wait that long then the others can wait even longer and phone one that was very dear to him and it was played backwards Niklas or Roberto it was Roberto Niklas and me then I made a point of demonstratively staying in there drank a and what did you do and you played Flip the Fuse Switch bit of wine we DJed we played Flip the Fuse Switch and then we talked the ear off of Michaela’s friend that girl from the so was it music from tape then it was so crowded that you could hardly move and somehow we HfG who went and ate schnitzel with us one time the book also contains the conversations ended up next to the fuse box and then got started you were smoking dope yeah it was where was that where was that again right that we’d had with people on the phone so printed conversations at that party I didn’t smoke dope that night and I think now we can admit it we obviously never played what at some party where was that again people requested there were ten switches and it was like fuse roulette Russian fuse at Münchener Strasse I knew it that’s why I never answered the phone roulette Münchener Strasse was I there yes you did answer the phone which one would yeah I think so you failed to mention that I always feigned absence after that who would switch off the music or maybe I mean a different party I’m not sure that’s the piece of cake right flip one switch flip another switch but I left early with Catalina later you did answer it once right well you liked Catalina then once and all the other attempts you didn’t even include in the text so that preferably that’s why I didn’t play the flip the fuse switch game that party was or what first you heard shouts from the toilet hey what’s going on out there brilliant the first time with the permanent marker all over the place there weren’t any other attempts and then suddenly the kitchen was completely dark only candles what did I announce there 68 69 Legendary Orgasm 2000

we’ll yeah the key go for well I’ll have some is that special tea what do you think will you have it cold or what yeah green tea all of them or no I don’t want it cold oh okay not all for now the kitchen is still quite a mess you don’t have a tea pot either just part well anyway doesn’t matter we can still heat it up yes we do right there no I’ll eat it cold as well that’s fine they’re all it’s all over here sort them out help yourselves that’s Daniel over there there’s some glitter on the writing at the bottom if you can eat it cold didn’t you find the Frankfurter Rundschau or did you not go over Max speak to me is there any coffee left in there I’d rather warm it up though there just a sip so let’s take a break then the kiosk was closed okay me too yeah sure the kiosk’s closed could you pass those no those I’ll order a pizza yeah this pile I’ll have some of the cold roast but why pile shall I show you do you want to see the trailer again he’s got an open sign outside but it’s closed check out how the PowerBooks are getting shoved around here so you’re all having roast for renovation bloody hell he’s got a Titan as well yeah everyone then the sign is lying are they called Titan if we can warm it up that’s what I thought yes you’re sure yeah because I don’t want to have to share my pizza coffee they’re called Titanium later yes please they’re all they’re all Lord of the Rings tie ins to my ears yeah I’ll I might go over there for a bit what trailer is that good morning what Film Filmed Film morning they’re all Lord of the Rings references what do you mean Filmed Film Dodo Titan yes you should watch it it’s quite good where’s the other one but they but they’re not in Lord of the Rings the trailer of our is that Hugo Ball so you know the old Dadaist as well not until the third one do we have any toast left yeah we’ve got his mobile number these laptops are in the third film Filmed Film archive concert concert concert done done and done yeah yes hello and good evening nine oh four three four six six nine yes Titanium it’s not finished yet the text still needs to be added text one thousand one hundred seventy-seven marks that’s the German title of the third one is In the Mountain of Titans Loesch one small Subtropen but you don’t have that here once you showed the Mystery of the Titan five minutes two minutes one minute what something in your in my seminar ninety-nine work meeting it says it’s faster it’s faster seventeen minutes here doesn’t it no trouble please tomatoes cheese and pepperoni oh our telephone book but there will be oh god I’ve got mine here yeah and another small one with the orange book trouble are you really going to watch that now I’ve got mine mine as well what were you having fun with other fuses Opel ham are they really all in there with the Titaniums so we announced the Lola Montez party there good to know yes oh you mean my phone book I’ve never had one no we could move into the kitchen if you want onion Bolognese sauce but the proper one yes in addition right let’s have a look because I don’t know who’s next pass the sugar yeah well what did we announce I’ll cut myself another slice right please thank you and you I don’t remember should we order a takeaway Dennis make it two pepperoni pizzas this time of the year I don’t have one either how is that possible yeah I was just going to say it’s quarter to seven pepperoni and chillies on one these numbers are all outdated I don’t need one either the only thing I remember is that I scribbled tomorrow eight p.m. at yeah but I wanted could I get another coffee why don’t you buy one now Oskar-von-Miller Strasse all over the place didn’t we say we’d go for dinner and that’s it and then another small pepperoni pizza have a look if there’s some left in the coffee pot if not let’s drink tea I’ll soon have to upgrade I wonder which though with a permanent marker I could offer pizza ok I’ll go over to the house then and and and and start is there any tea left what’s that feedback sound and Denise watched my back I mean we could also I I wouldn’t mind a bit of your chillies on one of them no because the speaker from the video projector is on that’s absolutely correct roast right another small one can I get a piece of that Easter cake so do you also want to get an Apple then I I met her for the first time that night wow that caused a lot of roast try to make the roast happen where’s the key I’ve got an Apple PowerBook or whatever I’m not even sure what excitement and cheering when it turned out her name was Denise no I’m done with that so forget my can you get a couple of spoons spoons it’s called that’s how old it is and mine Dennis and then you wanted to set me up with Micha I’d be quite content with that if it’s if it’s still roast to cut the cake the Easter cake or what which one a black one with Micha Binder so that so that Dennis and Michaela would be I get the first go though no Hank no the cigarette supply’s looking bad yeah an item and Michael and Denise is there not a lot left then yes yes pardon that was the G three right and both of them Negroid it’s about this many slices what now we’re almost out of cigarettes G three right right I’d be satisfied with that as well I think I’ve asked for one with chillies now we’ve got six left an iBook nicely said roast so then we have three now but they’re over at the house and before that the but Micha is now together with Claus well whatever so be it roast a roast it’s all the same to me I’ve got them you shouldn’t smoke too many of them no the iBook the iBook was available for about half a year or so if they’re happy roast roast roast no no just pepperoni and one of the two pepperoni with chillies where did we leave off have we explained yet that the Michael has an iBook they were here by the way on New Year’s Eve Michaela Binder we have a budget though right so what do we have all together now could you tell me again at the Lola Montez they’re still around really oh yeah you’re right well not really though we do but we haven’t paid for the roast yet right yes we explained that the DJs were on the phone and outside yeah yeah and Claus wasn’t what do you mean the roast’s not paid for yet I thought you paid switch off the camera will you there was no music soon I’ll get one too Claus wasn’t he’s in Cape Town for it on the spot did you take Fabrice to the train station this morning right you have to keep your iBook because they’ll probably be like … live dancing party event now really okay so now we’ll pay it out of our budget yeah why collectible design items one day Cape Town no no exactly great yes but to the front the room in the front not the rear why Treber bent over the whole time … taking some kind of pictures for Opel well good question what shall we do with the roast now building this time to the front room it’s all lit up you’ll see us so then Daniel could start with the slide show maybe they were really on the market for only half a year Africa I don’t want any more of it I’ll order a small pizza have to unlock the door as a little warm up that’s my number (p. 77) Claus so we can eat it okay thanks bye okay so then I’ll switch that there off again are you Treber for Opel how do we do we roast it [PART 3] or Daniel that says Trebur not Treber 70 71 Legendary Orgasm Legendary Orgasm 2000 2000 72 73 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002 whereas the G three that’s the drugs and then we did one where the slide show consisted of you always pronounce it Trebber these are the Up Club photos now slide masks and then Konrad Hasse let us use his drawings those is a normal one yeah really delicate sort of ink drawings which we then also he had that’s also quite good now they’re all photographed a whole lot of them and we projected them which regarding the design who’s that then Lars veered a bit towards paisley patterns but then again not really has anyone ever adjusted the video projector it should be a bit darker in here those slides cut off a pulley of that for me will you no leave it can you cut off a nah it’s alright yeah slice for me yeah until it gets dark I didn’t take photos of them take a slice of me stand in front of the window isn’t that the yeah a slice like this who’s that guy again I remember that or Tina Kohlmann she’s very scantily clad yeah that one the one there and Niklas we did a birthday Up Club here as well okay with the long blond hair with flowers that’s a damned thick one I’d like one too but Tina Kohlmann with flowers drawn onto the wall with charcoal and projections as I’d also like a damned thick one that’s Höpfel that was one of four Up Clubs that we did here wasn’t well Duddel Duddel Duddel it yeah yo Duddel and afterwards we went up the to the top of the Main Tower what was that Duddel afterwards climbed up on the roof that that new new building and flowers ouch at the top it had a satellite antenna that said Satan on it no projections then see my dentist definitely drug texts your Up Club was during the IAA wasn’t it and Denne by the way we haven’t mentioned that Denne and that was afterwards in the morning near the main station Matze was here for that Daniel what are you doing there we all went to a hotel together across the street from there and she’s wearing a wig that one at the back maybe it’s over there where you are cleared the breakfast buffet once a month no we weren’t really allowed to Denise no yeah we just walked in we didn’t give a fuck Denise maybe where the microphone is or that’s great that there are photos of that Denise yes that was the breakfast buffet Denise Mawila well turn it a bit there were people sitting there it was half seven or something and Andi is that Andi why is that are you recording as well or what there were people having breakfast and we were like we had what the Up Clubs here were always a bit weird some sort of high tech concentration are they called again they were like those köttbullars we scoffed Maria no I’m starting my computer them all from Saarbrücken this is like in the military you stayed up all night and then went straight into which hotel so Marcus this is a minidisc player this is a laptop and this is a video straight into the nearest hotel for breakfast Saarbrücken close the lid projector Hotel Adler or something it was called ah okay for me that’s all high tech where was that here in Frankfurt aw it’s simple technology across the street that was and a video camera at the at the corner across the street from Saarbrücken close the lid that’s not for surveillance that’s a surveillance camera there in the in Münchener Strasse that was the night when we went over to Portikus and flipped the back from from the bakery and we had a shoeshine fuse switches over there but the surveillance camera looks like it’s from the sure oh yeah previous century an omafiet bike so to speak thingy at Portikus gets you a bit more respect though sometimes was also there what event was that then how that was on the way back at Portikus as well really post arrest state already so they’re not really in chronological order either these photos yeah that’s where we rehearsed it so these photos are some of the first that I took here where is this then that was at an event that was taken over here in in Oskar-von- November twenty-seventh two thousand one that’s at the Up Club Miller later changed that’s the Up Club I think that was me no not all of these dates correct the dandy appeared for the first time so it was always really packed in here and they all have the same I thought the Up Clubs here the ones that took place here were I think that was the Rirkrit Tiravanija show do you also have the dates of when they were made do you have the best ones the ones at the Clubkeller that’s over and done with oh god those on your computer it was more glamorous here that was that series by no because the date was always incorrectly set on the camera so that too yeah making food making food you shouldn’t be surprised if it says two thousand on there or two with the video projector and all that those battles cooking battles thousand two wasn’t that a brilliant time because it was really crammed in here this one was at Portikus that’s a shame proper chockablock and then I would start to take pictures and nice well with my old camera it was always incorrect and I I’ve never then would get wasted and just stumble through the crowd through it’s a bit of a shame because in the background well you can’t see accurately sorted them either all those people completely pissed and just take one picture after the whole picture in the background there were some shades of and the initial file saving on the computer is basically deleted as another yeah grey and some accessories soon as you change something the date that is Dirk which brunette’s back of the head is that yeah Dirk well that’s a really nice photo shit the story was that Stephan Jojo and Michael Korbun organised so just briefly concerning the order again why did you change it the Up Club together in here well in collaboration with us because who’s the first back of the head happens automatically just by opening it over at the Wüsten Keller they couldn’t do it anymore because it the first one is Dennis and the second changed instantly had closed down and so we left the whole party to them and we no no the brunette one right okay would always kind of concentrate on one projection thing and then I don’t know that’s and none of these are sorted they were simply burnt on there in there was one Up Club where we only projected drug texts they just someone the order they were in were like excerpts from different literary sources that talked about a girl and another girl 74 75 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002

members of the Factory together with Ursula Meyer that one made trouble afterwards he tore the whole shirt to shreds right the Up Club that took place here a bit later parallel to the Portikus Zipp opening key they’re from Matthias Tetiukosama those swastika rings that wasn’t the Up Club just now the Up Club we’ve looked at all Phillip Zaiser with long hair yeah the Up Clubs well not all of them Niklas in the back whispering something into Dennis’ ear oh that’s Sebastian oh okay Peckl rather than Andy Warhol Matthias Vatter but we have enough pictures slow down a bit I’ll be right back Jodie videos were shown but what do you mean what trouble did Zipp make which event was that that was the flower flower Up Club that’s not an Up Club for the photo set there was so the set up was we’d reconstructed yeah you’re right there are flowers on the wall that’s the the window the corner and the desk with flowers on the wall yes that’s my foot I think and the Niklas what was that I think that’s Marco Lulic and the utensils and then what stood out was this charcoal drawing just how you like to see yourself Sandra Hahmann and Dennis’ birthday you’re right that’s the photo that was up on the wall at the Star that striped shirt and everyone had to take turns putting it on and what the hell is he doing Club when it was Zipp’s turn at the front it had a zip and he didn’t feel did you really draw flowers on the wall right like opening it so he just ripped it open yeah black and white yes that’s interesting here’s a picture from the from the Mulpha Beardsley style or what that’s the one of Dennis that hung at the Star Club what’s the Mulpha yeah a bit hippy dippy I’d never seen the original before that was at the Mulpha in that room upstairs and this is the original Maria wasn’t it which is probably for the best photo and then they both looked at it on the on the display of the Beardsley style oh my god digital camera because digital cameras were quite a new thing no that’s a triangle back then and they found it very surprising that you could instantly yes it was what is that look at the photos and then they restaged the photo and then yes it was social drinks afterwards that was the first time that Maria that night I saw Maria for the first oh go back one they did that quite well time and there’s also a photo of the last time I saw her Dennis Loesch goes Factory with the swastika ring Michael the one in the back wait a second right that was the group shot you gave me that as a present okay and there are you Cecil Beaton and the members of the Andy Warhol and the right Jodie 76 77 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002

… and there it said supermod image When The Who Were Later Building Up Their Supermod Image Their Supermod Image and then you that was going to be the band name … (p. 39) and always with the microphone there were also we also had text excerpts from a the blonds well yeah otherwise everything just passes me by Gunnar the blonds table fireworks from Hamburg wasn’t that the Up Club where isn’t that the singer of that band that that wasn’t here Dennis that’s a nice photo of Michael look at this one here on the monitor yes it was go back one Daniel Phillip Zaiser lost his his lighter here what’s going on there oh okay from Pettibon’s Archive of His Booklets with I don’t remember which one that was these are the drugs texts oh okay fell down the grate the drug texts there’s a couple of LSD outside yeah you once offered me a pair of trousers for this photo there on the left that’s Gunnar his lighter fell down the grate a pair of trousers that’s Gunnar look yeah you’ll get a pair of trousers for that photo you said he and then he was lying on the floor outside the window for ages nice entries and John Lennon quit taking LSD is another of the texts on the right that’s Alexandra from Saarbrücken naw … and that’s Titles Are Lyrics there Peckl just stopped by but that’s no one really knew what he was doing it looked like he was on Already Done now it would also Hank did Gunnar have short hair in that picture just now Dennis drugs and crawling around until finally it turned out that and that was the beer we always had here set on fire right be nice to have sound with this yeah that was the one from Munich still on the right he was trying to get his lighter out from that basement Augustiner has him on toast that’s totally insane … (p. 235) Clubs Covered in Pills was another one she does that grate above the basement Gunnar und Alexandra that’s good you’re right that is insane and I filmed the whole thing we have it all all that on what does it say on there blond insanity we do have photos of that don’t we British English yeah British English that’s Weller isn’t it you read that to us go on Matthias Denise Sonja Umstätter that wasn’t Gunnar are the black ones always the drug texts then flowers I think that was also an Up Club party when Johann König ripped not that one no the water heater off the wall that’s not Gunnar yeah well no that wasn’t Gunnar these are the posters of that’s also at the Star Club that picture Michaela Spohn and Sascha Knochen Sandra from Saarbrücken at that time Hank was primarily dressed in tablecloths his shirts I what’s her name again mean Opitz Christian Opitz from what’s the band called Velveteen Saarbrücken again I don’t know her friend that was the Up Club don’t go so fast where Gunnar was here as well so I did see him once that’s Ela is that the same one still yeah that’s still the birthday Up Club with don’t go so fast the flowers in the background slow down Daniel for the Cecil Beaton have we mentioned why I’m standing by the Vatter that’s the one with the wig right Michael Riedel DJed later that camera or the special edition who’s that night no just some twat that’s a nice one would work don’t go so fast one of those rose vendors had come in from the street I took pictures of everyone everyone in one position so that how did this photo happen the one of you slow it down a bit will with the rose vendor everyone could be everyone you were you wearing lipstick for that’s a shit photo who’s that check out that haircut but someone took it with your camera that was once once this older guy who came in and went Cecil Beaton Vatter took that one started dancing like crazy just now that was the opposite Bad Brains went completely off on the music not the opposite Tina Kohlmann that was stop for a second wasn’t that at one of the Up Clubs yes but over here definitely on this side you can’t see it now that’s did I always have that look on my face back then when when Engel came over the owner of the Sudfass next door some sort of wall beam a slide Steve Marriott haircut who was that with from yes yeah maybe 78 79 Supermod Image Tour 1999 – 2002

we named him Daniel Cohn Bendit at the Sudfass I think no they got kicked out of theirs right inside or they got kicked out and then they got a room at the Sudfass was that with you or you no no it’s somewhere else right yeah me no I think he has some kind of gallery at Uhland Strasse for one night we went over there and he was like some kind of name he told us right and rumour has it that Dennis I I think of someone from the Who where he organises readings as well we should really don’t go so fast what I remember best though was the constant hugging because eats there a lot and when we came in he was so happy that someone knew Pietro Aretino and so what leave it there please constantly like this or Marcus he has red hair doesn’t he but once you came to regret that a bit didn’t you and we were already quite pissed so this is the boss of the brothel next door I went there to eat well we all did for a while after after our events what yeah at night and then we were like ah okay Daniel Cohn Bendit he had a yeah at the Sudfass cigarette dangling from his mouth do you remember and then we Herr Engel over at the Sudfass told him to come over sometime and then he did actually come Herr Engel for god’s sake it’s a restaurant with over later he doesn’t only own the Sudfass though but also some other a guesthouse we invited him over places at Kaiser Strasse a pub he was here for quite a while a proper all in one Michael introduced me to him he controls everything it opens Daniel wait please brothel icon sauna restaurant he’s just racing through them but not one of those pimp types it opens at eleven p.m. and how how how does that go together until six in the morning and once I ordered chips and first there Daniel what was a I can’t not a pimp type but still one of the biggest pimps brothel owners paper clip let’s just in Frankfurt or a paper clip in there and then something similar to a cockroach be patient a pimp and a brothel owner are not the same thing ass that was tell the anecdotes first right but the owner is actually quite nice the owner of the tavern what’s go back he’s more of a a his name and then we move on businessman Lars press pause manager Lars it’s pausing already but we won’t get through them all there are businessman really Lars right so many like in Hamburg yeah but I we have to tell this first otherwise the next story will isn’t he like the pimpdaddy of the pimps surely he has a few pimps can we move on come up already working for him we always used to go there to get change yeah exactly so he invited us over to his porn and sex museum I’m not really sure how it works he worked in Hamburg for a long time in the red light district and right probably I’m sure they have some kind of people which place in Hamburg is there any tea left Roberto let’s call him I don’t remember but it was quite a common occurrence that we’d and also invited us for some other things none of which we’ve ever who take care of things head over there after each event done though let’s call him yeah readings at the Divan he needs to be interviewed and once with Michael Vatter and Dennis Michael and I we had how could you turn that down the guy owns a porn museum that’s the situation that we went in there at a time when all the prostitutes yeah he has a porn museum somewhere round here first of all we should immediately tell him that that that thathis had just got off work well Engel told me he owns some nice engravings from the erotic art collection right seventeenth and sixteenth centuries and Michael introduced examine it closely maybe that was also after an Up Club night and they were all me to Engel as an art historian and we immediately got into a that we need to have a close look at it and then well then arrange sitting in a corner and we were sitting almost opposite them and conversation about Pietro Aretino he absolutely loves and idolises a meeting next to discuss the principles and terms of business like little eight-year-olds really timidly and nervously we kept and that we should definitely go over there sometime and there’s this there’s also this tale going round that the Rolling glancing over at them and then they at us until Matthias Vatter yeah Stones once couldn’t get a hotel room anywhere in Frankfurt with a kind of jovial gesture like but where because hey you’re just 80 81 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002

overcame that did anything you’re just ordinary working people like everyone else it was probably a strong aphrodisiac and it just completely knocked and then they came over and and communication was quite you out because you were already so pissed difficult because they were all from Brazil and so a bitof no idea what that was Portuguese Spanish unbelievable that’s the classic trick no yeah sort of is what they spoke and then we toasted and and then they took off knockout drops in St Pauli and then you find yourself standing pretty quickly because they weren’t really free and couldn’t decide somewhere in your underpants for themselves how long they were allowed to stay up or if they but in that case it didn’t really enable her to do anything you were had to sitting round the table with your friends so a brothel is basically like any other workplace people are just we were yeah all of us were there there to work and for the most part it’s shut your gob or else she just she only wanted to test it with you yes right and then they had to fly back it was the kind of thing right where they only have a work permit for a limited time whether the stuff actually worked Matthias Vatter in his horrible navy blue tracksuit I won’t I’ll never whether that he’s more or less the right size test that forget that Dennis that wasn’t that the same night that some woman tried to okay where she anaesthetised you so exactly yeah yes the woman in the pink dress that’s gave you knockout drops didn’t Sonja wear that on New Year’s the exact same one yeah I I maybe oh with the old camera that was a really nice one because smelled them or something it had this function you could just put it in a corner and then all by yeah I was sitting there and suddenly she came up to me and itself it would shoot thirty-six pictures held a little bottle under my nose and I just continued to breathe on a timer normally and suddenly my head sank onto the table great where cool over at that pub but the no way I took some really nice pictures with Björn in Sweden with that yeah I was unconscious for about a minute camera which were basically every hour so you can set whether but that’s really and then she tried the you want hours or minutes and we slept in this double bed this tall I don’t know if she bed or how do you call that in your pockets bunk bed bunk bed right and then every hour it took a picture of us lying in the bunk bed the whole night and of course you’d always wake up … their legendary album from the flash and the sound Orgasm in Sweden you also took pictures of a badminton match right a badminton match Orgasm on which there’s also well the album itself wasn’t really a we used that camera as well for that where the ball is up in the air exactly twice the rest of the time it’s big hit when it was released always on the floor no it flopped who’s that go back in the sixties it was a flop so they took it off the market again and I think we played naked or under the right yeah added the screaming of audiences at Beatles concerts and released that’s the owner of the brothel it again and as a result it became a bit of a cult object and so we naw that’s not Herr Engel that’s the guy thought we’ll take the screaming but then not really so we prepared that’s something you were fascinated by her it all here at home and then the four of us recorded the yeah I was fascinated by the colour who’s that sound the fact that it’s so completely pink with a silver belt I thought that the sound of just the screaming … (p. 208) was amazing I just saw that Isabelle Fein is participating at the in that Rirkrit Tiravanija exhibition the film presentation she showed her film there it says Film Presentation Every Saturday Isabelle Fein is that Isabelle that’s Isabelle no idea who she is what did she show there before she was already you’re the only one who owns a pair of shoes like that no that’s Michael that was a blind alley really yeah they were my shoes I’ve never worn them again since that 82 83 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002 night because they looked so manky that I though it wasn’t really worth cleaning them I discovered the state of my shoes earlier I have shoes like that too that got so filthy that’s psychedelic light that is Marcus didn’t we have something going on with a yellow jersey yeah but it’s that was later Konstanze Krehan gave me that shirt she got it from go back to the shirt Konstante Gregor gave you Konstanze Gregor Konstante Gregor brought back from New York Konstanze Krehan yes but that was the evening with the slide show which slides Konrad’s his yeah so he had didn’t Konrad for one of the Up Clubs also make the flyers make his own posters and flyers right they were great yeah confirmation I think I was happy about something there go back one please on the left in that picture ... speaking of Chocolat Art I my Chocolat haircut’s coming up now you yeah with a Chocolat beard what’s that isn’t that a with Chocolat in hand as well ... (p. 167) your nose and glasses I thought that was a rear view mirror scooter picture no the only one to ever wear a rearview mirror was Michael that was Vatter’s girlfriend he kicked me out in the end it was a really thick one not just some flimsy right that was at a where was that at the Mousonturm she still is yeah when was that that was at the Mousonturm right that was also the phase that we sometimes yeah well during that storm and what did you have there Bella and Stefan Limbach saw two women walking past on the other and the next morning it was found over in Sachsenhausen or what that’s not you though is it danced piggyback style side of the street and just took off after them that’s yes that’s me again right right that was the Up Club where Hank and Isabelle got together those are the benches from that was right right what a pretty picture when Hank and Isabelle and there’s the yellow jersey there it is now in a green suit where is Bella both wearing parkas there’s the yellow jersey that was the one on the right is Bella Tamo’s girlfriend walked off home and Isabelle with her bare legs sticking out under we introduced a game in connection with that called Stage Race in a green suit with white shoes and on the left that’s Isabelle isn’t it the parka Drinking that wasn’t a rear view mirror at the Mousonturm that was a yeah you in the street in the morning is that you Marcus doctor’s or a thingy and in the middle parka and bare legs yes it was a hairdresser’s mirror that was Tanja Jessek so that was the Up Club then yeah that’s me a hairdresser’s mirror and that one what’s going on with my hair there oh my god look at you well actually it was a vanity mirror from the seventies Susanna Otis where I lay down on the big motorway and Daniel pulled me off and that’s Limbeutel that’s a photo of when Dennis cut Hank’s hair for the first time Susanna the motorway go back look at that body that’s unbelievable isn’t it she worked behind the bar it wasn’t really a motorway it was a road ass no I’d done it before everyone always ordered another one Oskar-von-Miller Strasse you could place a beer glass on that Jens Völker another small one right you were just lying there you were done with life you felt it was so this game was during the Tour de France and we came up with ah nice one small vodka is what you had to say Maria nice all over this idea to award the yellow jersey to the person at the party who who was that wait wait wait go back what was that I really wanted to stay there at a certain point had already scored or rather drunk who was in one yeah the lead so to speak and yeah that was another Up Club until you came and Michael and who else and that motif later I also the wearer of the yellow jersey that noticed with other people and that person got the yellow jersey or yellow shirt I recognise that ‘cos of the pedestals for most Up Clubs we had the road mirror don’t forget I would’ve been awarded the shirt but I didn’t want to about two pedestals standing around repeated it wear it ‘cos it was already soaked through with your sweat after that Up Club we went over to the bakery and there was this go back one oh yeah right that’s when that luxury limo almost ran us over scene with the back right they even hit the gas when they saw us cake yeah yes gentlemen and we threw something in the river in the hope but I all I want is a piece of cake that road mirror right outside the house was felled two years later that it would be washed up somewhere what was that again right during a storm a message in a bottle you yelled at the baker oh really yeah but I don’t remember anymore what exactly yeah yeah and what you also missed because you weren’t here was over after that we wanted to go for breakfast and we were over at the ‘cos you wanted a piece of cake there on the other side a tree was blown over house and suddenly you disappeared and I just stood there and right really didn’t know what to do with myself and we wanted to have a coffee and then Stefan Limbach yeah wasn’t that the same Up Club where that big limo pulled up and 84 85 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002 86 87 Supermod Image Tour Supermod Image Tour 1999 – 2002 1999 – 2002 two Marcus Hurttig unshaven Michael one Michael two Michael three Imitation no that was some other time who’s that god look at that face I don’t really like hearing that the first picture I ever took of her that was at the Andy Warhol photo shoot I need to go again but you’re going to bring the series to a close right and now you’re having a baby yeah I know and you went outside and photographed them no way what that was the limousine yeah those photos are coming up Mongolian influence no comment yet oh right okay so let’s save that for later then Latvia more like who’s that oh wait so what was the day’s headline that day you change your hair style like Inka Harvers what did we think who’d get out I thought Madonna Death in what she’s nice looking and who of us ran over there Genoa you change your hair style like your underwear like all the time she was here on New Year’s as well Dennis oh right the riots in Genoa were the big topic then can’t you who all of us yeah what do you know she was here I was just scared that someone would get hit by a bullet the one the Genoa demonstrations go back please is that her real name or running is Dennis I guess of course and some other nutter and the renovation of the bridge back there about how often I change my underwear oh It’s hard to see ‘cos of all the light coming through the window right set it to Portrait he’s brilliant as well I don’t remember his name but this is shit which took a whole year rotate it I do it’s Erik out another cyclist yeah because it’s a bit silly most of them are in a portrait format yeah that’s Erik but we can all imagine how long it is on your plane it says Mensa or what aren’t they from Offenbach oh right in reality it was white Arvensa it says you have to do it separately for each one you know he’s the oldest student at the HfG how many windows did they did it have isn’t that the same event oh okay he studies at HfG one two three four five on this side five on each side yeah there’s some evil combat pictures of Dennis coming up and then they become really small I’d have to rotate it as well really psychedelic but in the end no one got out well that’s great I have a horrible chin isn’t that the girlfriend but Dennis pulled the car door open combat pictures Marcus Hurttig that’s Silke Hohmann and yeah of you wearing the yellow jersey we can the the interesting ones we can rotate that’s Silke Hohmann right and oh right so I did wear it there’s me dancing who’s written several times bullet yeah oh stop that’s Denise’s ex was she not near sighted then or what yeah when I saw that my stomach briefly dropped but then the I think shots fell into the category mountain stage and beer was oh no that’s the ex for I mean about our events whole thing was over in a second because they just immediately considered flatland stage the one in the background she and Chris are now seeing each other drove off that one’s Bella the girlfriend of of the guy who lives with Tina right yeah there you can see it really well again Schott louloulou loulouloulou louloulouloulou oh so she’s a journalist but we should ask Dennis who was sitting inside because I don’t so not that Bella another Bella also named Michael yeah remember yeah I thought it was nice and brave of him to come FR and that was at the photo shoot that one his name’s also Michael she wrote the yeah FR and Journal Frankfurt she once wrote an definitely two axles in the back not the one from Munich yeah article although and what Gregor Maria Schubert unbelievable I think Denise’s last three boyfriends were all called Michael Pernilla Renner no that was at the event that we just saw at the Flashmen concert in Munich no way although it had a really good title the article was titled System Up Club probably stop stop heavily into the sixties now enough yapping

[BREAK] there I have the yellow thing but there at the top that’s the date yeah Daniel read me that will you what at the top it always says the date and then lecture first sentence technique first meeting and then it started with the small drawings the yellow jersey I’ll have one too by the way that was a cheap Hennes and Mauritz shirt Ja Handel it says on there now Handel merci so so I don’t think the stage race drinking would have come up without the photos the thing with the limo was at the Warhol Shooting I think so okay limousine what with the limousine Sebastian Gregor the porn museum wouldn’t have come up either there’s me in the yellow jersey 88 89

two hind axles yes what was that oh my oh my you can make out a wee bit of Oskar-von-Miller Strasse in the he was going to drive completely pissed to the Robert Johnson oh my background I think oh my oh my oh my by the way do you wash them like that or do you peel off the that was one of the early events here and that’s some kind of cross on there or what stickers before yeah relatively early no that’s an anchor depends Bar Oppenheimer round that time right Hank painted it on me some are sewed on but most of them we just peel off and throw and the car was full actually five so there were five places but he an anchor wasn’t it them away crammed eight in there or something or even more than that and an anchor tattoo on the wrist there in full length again we were a bit annoyed that they were all pissing off to the Robert quite nice with the beer bottles and all that was probably Roberto inside Johnson so the car everyone jumped on the car and three people not bad Daniel I’d never seen these before excuse me were standing on the roof of the car and but then they drove off the and this is admit it you ordered it didn’t you driver completely off his face and apparently Daniel Blau himself that is fucking amazing what he told us this afterwards after like two hundred metres without amazing grace I’m sure it was you who ordered it stopping the car he opened the door and puked out the door but grace my arse the limousine missed and so hit the side compartment in the door you could’ve easily shown me that and told me that that was carnival limousine no way before I met you now would be the perfect moment to come clear but it wasn’t us seafood pizza what you’re still waiting for the right moment to admit it filled it up with seafood pizza and apparently the rest of the drive right at the next conference I’ll comment on this again was really pleasant Trebur times or something so it could basically be printed now that’s vile that’s when you with the piss dripped and rollered cars don’t believe that this is it now though Christoph Weber that was the night you and Isabelle oh yeah we’ve done these we’ve done these so he actually puked into the side compartment so to speak eight two eight three bass tubes you can see a bike there as well Dennis didn’t you open the door of that limousine that pulled up rotate that rotate that please the limousine here once in your station wagon yeah that no in the Caravan Omega three litre twenty-four v at the back you can make out that Delta antenna on the boot who was it then that got wrecked didn’t it oh right we just saw pictures of the limousine completely wrecked yeah at Nitsch’s someone stole it but that was a different limousine the one that almost ran us over did you jump into the red cabriolet that’s my parka one night it wasn’t no great I like telling all this as if someone’s never heard it before that was a completely different one that was a Golden Gate one ‘cos it’s too green I have one photo taken at the Robert Johnson Hank where you and it was gold coloured a bit of everything guys are snogging for the first time right we still had Edelstoff then yes wasn’t there another story involving a car where Hank just went the four protagonists right there one of the Michaels and the yeah you have to if you just hint at it no one can really understand and jumped into a cabriolet ‘cos it had to stop at a red light bottles of beer no look Dennis has taken over the yellow jersey but I remember something like that everything’s dyed yellow as well someone was just the car was standing right next to us a cabriolet yeah with the top down and it was quite late at night again and then teeth hair eyes Hank Nick Daniel or maybe all of us the old crew just climbed in even his teeth are yellow like over the door and sat down in it he’d probably won a mountain stage that was on the way to the Ostpark Strasse but but there’s me you could briefly see me in a yellow suit on our way back from the Ostpark Strasse and a classic situation key in hand in front of the Ostbahnhof right right that was a really close shave right for you shortly before putting it down somewhere yeah there was a yeah someone someone chased us in their car yeah shortly before forgetting it somewhere right we were walking on the road what am I doing there whose back am I riding on right you’re at the mixing desk just walking along and then this BMW driver veered to one side on at the mixing desk purpose and managed to hit Hank’s foot yeah yeah I had a black stripe on my on the heel of one of my Clarks somehow that was a really close shave white finger nails nice he managed to get my heel fucking hell but then at the next light someone drove up in their cabriolet cabriolet quite fancy with the top down and then one of us just got in and the guy went mental didn’t even open the door just jumped in that one I can also just barely recognise so the guy went completely mental yeah he he snarled and yelled at us and then took off with screeching tires another car anecdote that I’ve just remembered yeah there are quite a few good car anecdotes which one once with Blau’s car Daniel Blau 90 91 Ladies’ Room Party 1999 – 2002 what you’re talking about more than we had agreed to and he invited his students who then I couldn’t really say myself but the white fingernails are definitely cool somewhere in his house Dennis as a balloon did you instigate the attack Hank yeah well that was because he was a prof here he was a prof and not bad is that where you met because of the parka or what who else was there quite a few notables were here that night or is that you Daniel exactly oh you’re wearing olive green as well what exactly was it what are those hats there in the background wasn’t that a Seven I knew then that Hank and Isabelle had properly from New York Twelve Red Letter Day warmed to each other so Jason Rhoades still I drew little matchstick men on them they warmed to each other after I’d trimmed Hank and given him you were sitting over there I remember that you’re right that’s in the over at the house that really accurate mod haircut the the in the living room right marvelling but that must’ve been the Watertest they’re the same suits stop what was her name again Angela Angela the gallerist from Hauser the Watertest was on July twenty-eighth two thousand one so that’s a different event and Wirth the gallerist from New York yeah before that was a Seven Twelve Red Letter Day no that was the Watertest Jason Rhoades I’ve got another one Dennis have you seen this one were they left over Watertest with Jason Rhoades I think that’s where I spoke to Daniel Birnbaum for the first time they were left over and that one that was the session in your room Hugh Pocock Dennis do you have photos of the Seven Twelve Red Letter Day weren’t Hugh Pocock there there there there there we go again you’ve already moved on to something completely different you okay there’s something to tell now so basically this was one of no that was still here are we just carrying it inside there the few events where we did something in collaboration with an I want your haircut is what you were just saying oh yeah that’s my duvet artist so Jason Rhoades and Hugh Pocock had an exhibition titled go back one which Seven Twelve Red Letter Day which year Costner Complex over at Portikus I also want I’d also like to have a hairstyle no that was because I the one at the house and Perfect Process was cold because my suit was wet the one with the Perfect Process and together with him we thought about what we I wasn’t there for the Watertest itself though was I with the hats could show here parallel to his opening apart from those vegetable yes you were that was on the same evening with the hats things that he’d stuffed into preserving jars it was also about sort oh alright with the hats of pumping water out the back of Portikus from the ground and so do you think it’s really bad Daniel I think it’s alright traditionally on people’s birthdays everyone has to wear a white Hugh Pocock had built this pump with a motor and so we thought there’s a very nice poster to go with it the poster party hat ever since Marcus’ birthday three or four years ago we could drain the water over here that they’d pumped up over yeah his twenty-fifth that was there and so we had an installation in our toilet where we where for the event yes because they lift people’s spirits a lot even if it’s really you could flush down your bathroom business with water from that’s Robert Speranza he showed a video that evening the atmosphere there’s formal at least Portikus only that they never found with his cock formal very formal atmosphere with the party hats flush it down right because Kevin the so basically the videos that the students two thousand and one was the twenty-ninth birthday then flush it down only that they never found water which meant that showed all made reference to Kevin Costner and the it was my twenty-ninth and it was very naïve of me to think we our toilet stayed dry and the installation just sat there but we stuck well more or less more or less could just have a small garden party at the back a note on it that read How To Use This Toilet Fill Black Bucket and Robert Speranza sort of reenacted this baseball film with very naïve From Sink Use The Toilet Pour Water Into Bowl so you had to Kevin Costner in it with with his erect penis and this tennis this especially especially as it started to rain at around noon get water from the sink for flushing and in addition we had this ping pong ball he’s trying to hit the ball and everyone was laughing right Watertest with these mussels that survived for half a year and that and cheering but later the weather improved I proudly kept as pets afterwards horizontally or vertically but fifty people about fifty people were crammed into the living but there was also another Watertest in the same way you’d hold a baseball bat room didn’t Jason parallel to this with the Hockenheim on the on the oh okay okay that was a bit naïve thingy horizontally and that was one of the first times that you made a speech that was the next day Susanna right you said the birthday dates of all the guests that was the following day Roberto Ohrt all the guests’ birthday dates I oh okay and then I called his mobile from my mobile recited in our living room who who’s that there not wearing shoes read off right usually a woman Jodie I’d guess and some were of course wrong parallel to the race at the Hockenheim Ring which was on not Jodie it’s a man but what shoes am I wearing Agath I think most of them were television Jason Rhoades drove a race on the PlayStation Agath there was some heckling on the PlayStation Agath no PlayStation two the new one girlfriend of that’s not true PlayStation two Fabrice de Feo’s girlfriend at the time I’m not that old which you couldn’t get in Germany at the time only in the States she was here for that my birthday is not on that day did he win he didn’t did he and she drew me on that balloon there mine was suddenly on June first Atomic Mod Party One I think he was slower by forty minutes yeah and later you were taking photos in my room that’s coming that was when the Atomic Café was recreated slower by forty minutes up now Julia Lüthen and Isabella Gütlein but on the same day there was another Watertest Michael with José that was the Atomic Café Maria you and me in the backyard we came up with the idea to that’s José the flight attendant who the Atomic Café inside the Atomic Café come out in wet suits that that I’ve just realised that I don’t have many of the pictures here I’ve right our subletter left them at home but in the end we didn’t go back isn’t that Michaela Spohn yes we did lives here no we showed up for the Watertest in wet suits there’s the stripe of the no and Jason’s final talk here wasn’t that before that Watertest right and who’s the one on the right stop for a second José she’s wearing suspenders ah that was Roberto when did José move in Michael so I think Atomic Café was the second that was the the same night he had sort of I mean he’d done I don’t know Remake Club 92 93

… that was this Yesterday poster and a sound recording of one night at the Dirt was playing and basically it was like sort of an early Remake Club at the place itself a sound recording from some months before … (p. 52)

Remake Club that we did Oskar-von-Miller Strasse 16 Clubs and yeah you had so the idea was to restage the previous week’s party with that’s Bella the help of sound recordings and original objects from the original that’s Nadar transported next to Nadar places simply transported clubs to Oskar-von-Miller Strasse Nadar Safari and I think it was Dennis who went and got it all from Munich he from the beginning again went there for the gig three weeks before so basically the club that’s okay oh that’s the pastoral shirt night was there was a gig by International Noise Conspiracy and I think that was the only only one afterwards they had this club night at the Atomic Café what was it quite nice you got from there that haircut is nonsense the girls lamps it’s badly cut invited I invited everyone who was there I mean the main it’s badly cut organisers of the Atomic Café and then I got this ceiling this ceiling it’s badly styled Nickel element rather bad the T-shirt the bulges weren’t accentuated the T-shirt a bottle of Atom Pils three bar stools a table a that’s good god how did you get all that back here badly cut in completely wrapped in in Jumbo foil the toilet roll holder from Sascha what’s his face the Atomic Café restrooms Langer posters Sascha Langer he right the posters that were hanging over there incredible I see Felicia Herschaft Roman and Nadar came Felicia Herschaft flyers right got a terrible slap in the face Tina Schott Tina Kohlmann the flyers Kohlmann and on that occasion Stefan Limbach paid us a compliment for the Pernilla Renner first time because he was there that night what did he say Michael Schneider that it was good Michael Schneider that it was good on the right that it was good is that still the Atomic or what he said you could choose where you wanted to go or something yeah like that in that one you can see all the flyers that was the phase where we all drank vodka straight up out of you’re right we were going to ask you about that these big glasses white fingernails again there’s only about five or six left of those because since the for that you opening in two thousand at one time they were on sale at Karstadt we wanted to ask you do you remember which band invented the as it closed down and they were actually really expensive glasses schnitzel well they’re quite massive right we had a whole load of them and now there’s only five left because Roman that time Roman stayed with you at the house one hundred glasses yeah and Usch right that was and those five now have some sort of I don’t know what you’d call there was some drama involving Usch because Roman had fallen that but this in love with some record and was sitting in the corridor at your glass corrosion house glass corrosion or something like that screaming at the top of his lungs what the hell is that outside right outside Usch’s room screaming and kept coming up from constantly being washed with more and more superlatives to say how amazing that band I think there’s a Calgon is advertising that at the minute that they was and in the end he happily decided that they were so good can get rid of that they must have invented the schnitzel and we’re still wondering when it gets sort of dull what band that was ah yeah Dennis I think I was no longer present at that point yes right you had that’s Bella I’d left 94 95 Ladies’ Room Party Ladies’ Room Party 1999 – 2002 1999 – 2002

yeah that was the bar but the beer ... Maike was brilliant as well she that can’t have been that evening because Bella’s there as well right was feeling sick maybe from the no that was the beer we couldn’t drink anymore that everyone just fake drugs ... (p. 47) had one sip of and then we left because we thought we all thought we definitely had to order another beer Michael one time at a pub in Frankfurt or someone I think it was Michael ordered something to eat that one there is great I one bite and then you got up and left right I was completely knackered where’s that that’s a self-timer shot I took over in that corner nice mod sunglasses that’s quite in boots you bastard I’d say that’s pretty much perfect that’s a cult picture Kerstin Loose Kerstin Loose there’s a story in connection with her Kerstin Loose two stories which one first call Roman the first one was at the World Cup final you weren’t even there that night were you oh right he doesn’t remember either Germany Brazil yes I was shit I don’t have those photos either oh so he doesn’t know either oh Roman I don’t think so oh I would’ve loved to see them there’s Niklas with the dandy that’s so nice to see that’s Michaela you’re right tomorrow there’s another day or was I not here that night yeah yes Marcus the room was completely packed and the match had already I think you weren’t because Roman had your room not Bella that was alright Stefan Limbach started we were behind the bar who was that Hank and I no but I was definitely here for the Atomic Café night did I say something just now he’s put on weight Stefan Limbach has put on weight the four of us sometimes it was always completely crazy ah right okay there’s Roman oh Jürgen no bollocks with because that was really nasty Roman in der Stroth Rainhardt grass blades there’s the ceiling element you and I Roman singing with a schnitzel Rainer grass blades between our thumbs and we were making trumpet that was another that was one of the Remake Clubs where we well more people a recurring thing that we keep neglecting because it would often Rainer sounds which was exactly the right volume for this room and we’d roughly rebuilt the things so we just measured the room with our oh right that was really nasty sort of happen in the background but I’ve noticed quite a few times Rainer the footballer already shared a bottle of bubbly before the match because we footsteps this room here I mean and imagined where something there were three of us right now is that grey Mercedes parked outside there it’s been parked Rainer what’s his name again were so happy that Germany had even made it to the final had hung in the original place and what had been to the left and no Maria was also there in the same spot since the very beginning Neumaier that was the final match right of it and were still trying to kind of piece it all together but then Maria you’re right yeah naw yeah and then suddenly Kerstin Kerstin Loose came in and we all later all we did was Hank Nick that estate car right there yes sort of instantly had the same thought and the whole right hand on a big pile right you were also there but without a scratch still which really speaks in our favour Martin Neumaier corner at the back of the room simultaneously shouted Kerstin simply place a big pile in the middle of the room transport design no no Daniel Hank Maria and I you’re right yeah no Rainer Neumayer ‘cos they all have the same last names but Klose or simply a fluorescent tube and then the sound and a a shoe box highlight they’re spelled differently we have to rotate that and but Kerstin Kerstin Loose just turned on her heel and walked yeah that was for the Robert Johnson that was when Maria got stuck in the serving hatch one leg on this yeah you’re right the things it’s been through already if that thing Rainer also played a prominent role in Four Against Four out which I really didn’t get that was the Robert Johnson side the other in the office and couldn’t get out and was screaming could tell about the things that have gone on out there Four Against Four I couldn’t stop laughing just the light situation and the whole time we were still I think that might have even been I wasn’t really sure whether I should buy it or not let’s call it yeah the football text she walked out that was the mod club par excellence My Generation again a black one but a highlight in Alina’s film where the plastic plastic the plastic that’s Rainer again from Kerstin Klose right and all the other mods had left already is that a mod jacket sheet Tina Kohlmann that was our battle cry for the following weeks and one week before that I was in Munich there’s a photo of the two of you looking at the Who record ‘cos the sleeves were a bit short and everyone was like yeah there he’s driving off Denise right right there were only mods that cost us one of the office windows get the jacket or you’ll regret it later if you don’t and I ended up ah okay yeah those are always critical phases Kerstin Klose there were there were only mods right later I glued that window back together wearing it only that one time this one time it’s driving off but the film’s running backwards so that’s the one now and things got even madder after the finals well it was the mod party and I wrote it down as Mod Party you were wearing a crazy bomber jacket if it could even be called of course really it’s just arriving that’s the one at the pub isn’t it didn’t you also have other right that with that so Bianca Karger was briefly employed as secretary of the Oskar- should be ‘cos we actually went to Konstablerwache wearing German flags and we had I wore a bomber jacket quite frequently the place was full of mods von-Miller Strasse that’s right around our necks so really like no one would’ve ever imagined us that was quite extreme right yeah only at the Mod Party oh yeah that’s it doing such a thing and then relatively early because of the time quite a nasty after-hours party in the office in the back no with that Japanese I mean really packed and most of them were architects because but then gave up as a result of I don’t know her tasks being too that’s the classic round table at the pub at the Sudfass next door difference it was only like three in the afternoon or something like right you’d bought it the day before Peter Cook who also came as a mod that night had an exhibition complex and there’s the prostitute who said I like we like people who look that when the final was over and it was basically a normal work after-hours ah right opening at Portikus I think at the time she was juggling like four different jobs like pop stars day but there were a few nutters jumping around in the street and after-business party that was a great one no yeah oh thank you trying to stop every car that went past Maria at N and H there he is that’s pure bliss in your face sometimes Michael Spohn that was at the bar right 96 97 Ladies’ Room Party In girum imus nocte et consumimur igni 1999 – 2002 2000

yeah just briefly about Kerstin Loose again she’s living upstairs now oh really Kerstin Loose moved into Frau Viciello’s flat right I know but not in your house no no no she briefly lived here at the house for two weeks oh and now she’s moved into the flat of as I said guys we all have to grow our hair again we all look ten times better with long hair … who has a very nice bathroom lamp namely a lamp shade with my World Cup experience started with with the with the World Cup two thousand this text carved into it hang on Daniel slow down that’s a good photo that’s a very good photo cut out hang on a sec Daniel that’s Kabel in girum imus nocte et consumimur igni let’s stick to the World Cup for a bit shall we by Nicola Torke yeah first let’s so it started with myself and Michael in Turin you could turn it like this in the bathroom all the way around let’s finish looking at this folder first there are still some Germany against Rosemarie Trockel ten pictures no Nicola Torke Saudi Arabia at an Italian restaurant managed by Ricardo Ronci and Germany was already a far cry from being the favourite how do you spell Nicola Torte Societé Lutece that was called look that was the the Torke TO TOR just a second and at the beginning the Italians didn’t take Germany K seriously at all and then the match ended eight nil and for us being Germans in Italy we immediately started feeling uncomfortable KE Nicola … (p. 167) again because of course it had to be such a clear victory and yeah and then you ran the World Cup Studio here didn’t you with all the but really the minority in this city you’d also gone did you freak out in Italy or did you play it cool what but didn’t you have and I really thought for a moment Hank would jump on the back of I have to let my hair grow back my short hair is not a good idea we played it cool I think I should tell this now a pickup that was going past a how did our one saying go another one thousand Beck’s up to up to the four nil we were still quite excited even cheered didn’t you have another football chant in addition to that one I was on one of them and they we’re drinking one thousand Beck’s quietly every once in a while but after the seventh and eighth goal something with Ronaldo or Vivaldo you took off with some Brazilians two thousand Beck’s it was like you just wanted to right yeah but god knows where they took me we’re singing two thousand Beck’s as a reference to the World keep a low profile oh we had some great chants but the most incredible thing was that you guys didn’t see me at all Cup happening in Germany in connection with the eight nil there was also another story shite Robert how no we didn’t two thousand Beck’s Marcus Robert Carlos I was standing right there Kerstin Klose you can read about that in Deutsch Tedesco which me and Marcus shite Norbert Carlos went into McDonald’s and got some more beer two thousand six right published shite Norbert Carlos there are hundreds I have them all on video right got some beers from McDonald’s it was yeah well anyway you had the World Cup Studio here with the shite Norbert Carlos right got some beers from McDonald’s that was also quite and two thousand Beck’s burgers from what I heard and Rehberger we’re singing shite Teppich Bruni then jumped onto some lorry which took me away but I didn’t the day before we had our match at the Ostpark do you remember right Tobias Rehberger shall I put that in really manage to get on the back of the lorry and it drove me we’re drinking two thousand Beck’s sponsored your Premiere World what somewhere really far and eventually I had to jump off two thousand Beck’s sponsored our Premiere World do you have it here what’s that we’re drinking two thousand Beck’s well more or less Norbert Carlos yeah I have it on video I think I couldn’t get back up Michi our football match our final at the Ostpark and of course it meant four weeks of proper work so getting up at let’s have a quick look then and at some point the first few people initially they were all really no seven to make sandwiches because the matches usually started let’s have a quick look friendly but then they realised I’m not one of them because the I bought myself white football trainers for that around eight yeah but even people who normally hung out with our group contents of what I was hollering weren’t really compatible with oh right yeah that was great that was were taken aback by the behaviour of some of the members at theirs and you when we got home with Limbach and those and Kiese and during preliminary rounds it was often there were only five of Konstablerwache because I was with Denise and Limbach and what was really sad though was the way home at like half four from Redondo Beat was also part of it us sitting here watching matches like South Korea against Mexico and Tina and that lot oh yeah right once I had to do it on my own and fell asleep on the sofa right yeah ‘cos we’d arranged to go to the Kiosk together that evening to that didn’t you also have a goal shooting wall or something like that and then I we walked past there because we wanted to grab late afternoon or something football pla pla pla party yeah right we had something to eat because I was so sloshed I had to eat something none of us three said a word half past four in the afternoon no one I must’ve missed that we built our own goal shooting wall yeah we’d rudely taken off and left you there said a word and the three of us at like ten metre intervals trotting yeah you were already in bed none of you were there and we’d stolen the foosball table from the HfG right you were you’d already left right and I had to go back in for home heads hung low and completely pissed yeah and then Limbach and I we were deliberating for three hours or it barely fit into the Jumbo a second and so then we were walking around Konstablerwache I still have a so if we should really go and at two we finally went and I put on right somewhere and suddenly I spot Michael his mouth open spit and then in the kitchen we still sat around for like an hour until my trainers and went with my football trainers to the Kiosk that I have another detail on the goal wall because I went and painted drooling out of his mouth finally one after the other was bizarre it white and in the end that wall got me into the Städel because I that’s not true went off with the brand new white had to show one piece and I showed that and that was it knocking on BMW windows and just screaming stuff that was first Niklas left with my brand new trainers right and the viewing public went from builders to Saatchi and Saatchi really right shall we go back to the World Cup Studio or whatever depending on who was playing but that was also a manifestation of solidarity with all the Turks then I fell asleep while you were still there and when I woke up yeah I have here Yugos Italians 98 99

people from the job centre hang up where the job centre I wish I had been there my final was very depressing near the oh right yeah sure that’s a good photo as well Reeperbahn with four women the text when the Atomic Café in Munich was recreated here that is what is that Michael yeah but we were yelling something out the back door I don’t remember what am I supposed to say now and you were here as well what I Keep On Holding On we were yelling ask her if she remembers that night here yeah but I don’t really know a whole lot about it anyway and no at least where in my present state I can’t really do this today I mean no really no Miche’s calling us I think the Atomic Café it would just well it would be just a matter of if something did come that’s like a Hieronymus Bosch turn the volume up to mind hello and put her on loudspeaker aw that would’ve been great now hello the number seems to be wrong maybe a different event do you have a key I forgot to take mine does look quite nice sort of doesn’t it no I think right now isn’t a good time key for I prefer sandwiches right downstairs calling is not listed please check if it is correct this D one pretty bad time actually I don’t have one for downstairs it’s the wrong number so then I’ll try the number I’ve got ask her if Hurttig is there you don’t have one activate it do you do this for all of the nights no switch it on more or less yeah and how how is that supposed to work if an interesting phenomenon I thought was that prior to the World hi Kerstin’s here as well great and where’s the big bunch of keys Cup all the football intellectuals preferred Brazil and Portugal so I’ve been trying to remember I think the last thing we got out was football jerseys when kicking a ball around somewhere and as hi the cordless drill from Markus’ things progressed there was suddenly such a big run on the yeah so we’re calling different people and basically asking them if you need the key German jerseys something comes to mind about the different events rotate it right no I don’t really no no no no okay that they were sold out everywhere okay you’re posing and especially the German flag they had to produce more and but it was nice of you to think of me but right now just really doesn’t oh Michaela Spohn dancing at the Atomic Café more work okay and the Turkish one I think well okay no worries so and okay so then have fun and all so what happened with the kebab flag you too in the bathtub have you screwed that tightly that’s hanging on whatsit now alright ciao yeah we don’t do that anymore the kebab flag that we stole in Berlin bye no that’s rubbish yeah in Berlin the scooter thing should also be mentioned okay you screwed it on that’s for later okay you screwed Michaela Spohn oh right the scooter photos from Berlin what I did screw her once yeah oh shite Norbert Carlos we’re singing shite Norbert Carlos Daniel Herrmann once screwed Michaela erm I think we can will make a note of that we’re singing shite Norbert Carlos clarify something now yeah could you write that down we’re singing shite Norbert Carlos shall we call her scooter photos we’re singing shite Norbert Carlos yeah and donkeys shite Norbert Carlos Michaela Spohn whether she remembers the Atomic Café here write down donkeys and scooters keep singing boys Hurttig will do that got that I’ll do the scooter ones later what but you’re on good terms with her aren’t you Roller Montez shite Norbert Carlos we’re singing shite Norbert Carlos both of you are on very good terms with Michaela Spohn we’ll probably get to that in connection with the Remake Clubs we’re singing shite Norbert Carlos does anyone have her number didn’t we also watch one match in Berlin which game did we watch we’re singing shite Norbert Carlos I don’t have it there which we’re singing shite Norbert Carlos ‘cos I don’t either didn’t we watch the Olympics in Berlin shite Norbert Carlos me neither hello and one more time have you got it Marcus hello Michaela you weren’t there were you okay so that’s fallen through then oh right no I was in Hamburg you’ve got it it’s Daniel hi and one more time Daniel should call her I’m not on good terms with Michaela Olympics finals right shite Norbert Carlos let’s draw lots shall we I’m taking a bath another favourite was we have it here as well is that a screen clean great Richard no this is an anti-static cloth which I’ve cut to the right size from really that was also not bad an A four sheet see yes and the Römer nice nice at the Römer this is much better now I can finally clean the screen nice upstairs I went over to the camera crew from Sat Eins and filmed right nice what a surprise so what’s up with them on loudspeaker well I’m here at Oskar-von-Miller Strasse and now I’ve now I’ve missed all these things she’s probably at work okay so Robert Carlos again doesn’t matter we’re having a little anecdotes conference and well because yeah is that these guys want to produce a book and so we’re in the process of Norbert Carlos no no sort of recreating all the different meetings and parties here in our Norbert Carlos I have her mobile number too heads and also sort of by looking at photos and telling the stories shite Norbert Carlos we’re singing shite Norbert Carlos dial go on behind them and right now we’re talking about the Atomic Café we’re singing shite Norbert Carlos but you have to put it on night I’m sure you still remember we’re singing shite Norbert Carlos dial go on Atomic Café we’re singing shite Norbert Carlos 100 101

shite Norbert Carlos mine was baby’s breath it wasn’t created there could always each of us could film for three consecutive minutes we’ll do the wall construction later baby’s breath Hankl the Boppard text was on the way back from Unkel and then the other one would start and meanwhile the first one blimey wild flower medley that was the Boppard text could change the film and it went back and forth like that until we okay let’s carry on wild flower medley and I buried a bottle of vodka in case we ever right had fifteen minutes and but then this woman came and told us wasn’t there this scene in the street somewhere fell on hard times but we went past Boppard on the boat that we were much too loud and that we couldn’t film in there and yeah the which should still be buried there now yeah so then we suggested she should sort of turn up the volume of yeah let’s dig it up yeah the sound which only consisted of music by Velvet Underground it’s gone I don’t know where it is which should still be in the ground but on the train as well but she didn’t and so but then they let us go into the projection oh man no yeah on the train as well you’re right room at the back and film from there from the window and that’s that’s shame we’ll leave it what basically how the thing with the recorded films started and today what’s that we’ll wait till they tear everything down oh right we have accumulated quite a collection of over ninety films that World Cup does anyone remember anything else we’re not in hard times yet yeah we’ve recorded but you can also find them in the book the archive about the World Cup well a bottle of vodka okay so where were we of recorded films those were among the happiest consecutive four weeks I’ve ever it might rust won’t the cap rust we were just talking about the World Cup aren’t they in the Filmed Films had no I don’t think so shall we jump back Filmed Films is what they’re called that’s true you just pour out the first bit Daniel should show the photos again now Filmed Films right and it just kind of built from there and for a while good food every day I’ll go make a coffee yeah rewind to where the photos are we were also showing all the current films here that on the other I’ve not had a happy phase like that long for a long time ace this by the way is side of the Main you could see at the big cinemas like Spy Game sandwiches sandwiches this big yeah very good idea okay we had thought about if we actually now we’re getting to the films Winged Migration didn’t you name the sandwiches after different goal scorers trusted ourselves to do it for four whole weeks for quite some time by the way this is a very good system with the with the photos and the remake of ET we had the Beckenbauer bap right that there ET actually we wanted to name them after the top four scorers from especially since we feared that Germany wouldn’t make it very far referring to the photos that was a dual projection the goal scorer list to pay tribute to them we wanted to name the exactly oh okay that’s what I said yesterday didn’t I because it’s dual projection because the digitally remastered version had sandwiches after them oh no we don’t have any coffee here it wasn’t all that obvious at the beginning come out by then no Beckenbauer buttie it was called right yes we do in the fridge because it makes you remember certain things and One Million Dollar Hotel the Beckenbauer buttie yes we do yeah and it also kind of breaks up the chronology a little which we right One Million Dollar Hotel Beckenbauer buttie although he didn’t even play himself in the fridge door don’t need for the grid anyway oh god it was tough in terms of times though the first match would usually I’ve got a Deutsch Tedesco folder here that I haven’t given you yet we’re learning very fast which I’ve now finally seen by the way start around half seven in the morning right from the reading a few things needed to be added where there were no photos it was on TV yeah we’ll do that later you’re never too old to learn on TV well some did and also some days later we went to Sweden for two days even if you’re old and tough you just never learn enough the day before yesterday most of them started around nine only a few started at eight thirty after the World Cup what was that and I got goose pimples again we worked in shifts of four people the World Cup ended in June already is what my grandpa always used to say why the sandwiches were very popular that was later how how does it go how does it go when the when they play I Am a Walrus well they were very good you went in August you just you just even if you’re old and tough for those film viewings Michael was even Michael worked behind before though before we ran the World Cup Studio a few months we went shortly after after your Red Letter Day you just never learn enough my grandpa also used to say the bar before I don’t remember what the occasion was we celebrated the oh right we went after the Red Letter Day everything gets worse with age that was great official cooperation of Niklas Schechinger Maximilian Schmidt in which in two thousand and two included a boat trip from Mainz you also say you can’t teach an old dog new tricks yeah for that I der Beek Michael Riedel and Dennis Loesch and to Cologne an old dog new tricks why didn’t we film yesterday by the way Eight Mile also needs to oh right oh right okay and then we showed films here and I took some photos of go into our collection we planted flowers outside which lasted eleven hours that but most of them didn’t come out great but a few of them are yeah we only remembered when we were at the cinema oh right that was tough really good so how was the film by the way let’s go have a look with bags you’ve aroused my interest shit and later someone was going to ride over them with a scooter it was mainly tough then was it the suspense is killing me too shit but we were too impatient and planted them too early when it was bags on our heads what but didn’t you throw out the ones that weren’t any good shit still winter almost exclusively in the company of groups of retired people straight away or something boring planted them too early and you tell us what you planted oh god that’s sheer desperation ‘cos no one ever came to the film nights it was extremely boring oh I planted we lowered the average age considerably but the weather didn’t which event stuff you’ve seen a million times before the only thing you hadn’t marigolds I think really play ball that July was a very bad month but we should add here that the film series started with an event Renate Voigt great no I planted something that looked like a blanket of snow yeah titled How to Look At It the only thing you’d not seen before is a rap contest but they really Michael the weather was okay How You Look At It make you wait you have to wait for a really long the past few years July twelfth has never been very sunny How You Look At It was a complete film exhibition of underground Kim Basinger with the Lorelei song films from nineteen sixty to nineteen eighty at the Städel Museum have to sit there a really long time before they show it yeah that was that was the high point and we went there and rerecorded them and then showed the what I kind of liked though was the by the way you said you’d call me when you were going past the rerecorded versions here but there’s a background story to this I was pretty disappointed by Lord of the Rings also Lorelei which was that even before Oskar-von-Miller Strasse started we what The Two Towers or what at that point we were pretty Dennis and I had a wonderful exhibition at Schul Strasse yeah I went to see it with Björn two days ago and I’d always we were busy grade A thought it was a great film we were pissed at Robert Bock’s exhibition room and the event was titled or rather rotate that please we were bellowing things again the exhibition Lord of the Rings Lorelei we know where you’ve parked your car Velvet Underground and Nico yeah and this’ll be yeah and Boppard Velvet Underground and Nico and we following the same system this’ll be great the dog’s bollocks right Boppard was another highlight had rerecorded the film at the cinema and it was an Andy Warhol the first thing that annoyed me was that there was a break all of is that where the Boppard text was created film a sudden and we were already completely overdosed it would’ve no we’re talking about the boat trip we still used super eight back then been best if we had just gone home at that point yeah but wasn’t the with two super eight cameras from inside the auditorium and of what do you mean there was a break no course they were much too loud and our working method was you during Lord of the Rings because it lasts at least three and a half 102 103 Lola Montez Lola Montez 2001 2001

hours why is it still closed to save it right yeah and then really for renovation does it stick to the book yeah sure god but that’s really shit are you going to the station then they also throw in that whole American aspect for example that the do they always have a break in Lord of the Rings central station yeah bad guy looks like Osama Bin Laden for the second one at least yeah the tube stop why don’t you go to the tube stop fucking hell for the first one wasn’t there also so not really the complete opposite but seeing the reality in which didn’t he … can you play Five Years by so we could arrive at break time these texts are created I thought was really good because later he did yeah it might’ve also been a bit stupid to go to the cinema on January you listen to it on CD and try to imagine god knows where these this whole good versus evil thing basically that was also very David Bowie first texts were written and that was really it was written there while prominent well anyway and then it started in the second part the carnage he’s sort of watching his little sister sitting in a corner completely well okay but I mean that’s how the book is structured as well that was when we had the yeah and the thing was normal like okay maybe but watch the film and you’ll see telephone DJs is it empty okay I still have some left here it’s not a film you have to see at the cinema it would be completely okay I will well they did really make an effort but it was all a bit fine to watch it on video and then we’ll talk again which record is that on that’s lucky right or on TV I’m not sure I want to see it if it lasts a whole three hours three euros and that’s all basically apart from that it was but there’s a long break so it’s alright the sound came out of here we do you have three euros Roberto like a like a TV in terms of genre like a TV drama three hours when am I supposed to have time for that were at the Lola Montez and who’s that I kind of liked the beginning the beginning was really Barbara Wolff you still owe me twelve though what happened there again afterwards you’re exhausted so all in all it takes up five hours of photographed people which we yeah when I get a chance to go to the cash point I’d like to increase when he’s warming up and you think right he’s warming up for a your time my debt fight but then he goes on stage and he’s standing there with his yeah probably so a whole evening then painted here okay microphone that that really reminded me of us when he’s standing a whole evening with Lord of the Rings but there was one good scene in the Eminem film there the music’s playing but he doesn’t say anything and then he yeah I’ll go see it when they show all three one after the other Ziggy Barbara walks off the stage because he doesn’t have the guts everyone has to know for themselves is that called Five Years when he’s sitting at home his little sister is sat opposite him he can’t think of anything listen he can’t think of anything all three what would you call that and he’s writing his lyrics he’s gutted triple pack or what Five Years and he’s writing his lyrics this this discrepancy of the sound that no he’s he can’t say anything he’s completely right because that would be more or less nine hours so it would he’s listening to over his headphones and this perfect sound of to just briefly get back to Lord of the Rings be well worth it yeah they were hanging up the DJ and but the reversal what you see is the complete the yeah cod pack hey hey everywhere for that complete opposite of so that we’re up to date on that as well I’d like a coffee too can you get well it just laid it on too thick pulled out all the stops and just not me too hung life sized right enough new ideas and thoughts that you could well they could’ve everyone can you also get a whatsit a Frankfurter Rundschau I want to stay done something more in terms of filming than than apart from from coffee for me too Ziggy Stardust up to date all those massive special effects and their fat budget well I thought I’ll take a small one right what am I meant to do with this shit now it lacked ideas a bit and all in all it seemed like they tried to make so who doesn’t want one forget it you have to change it at the kiosk or at the kebab shop up for that with a big budget actually we could’ve called Roman about the Atomic stuff made of cardboard … (p. 63) the kiosk is still closed to save it yeah 104 105 Disco Wilhelm Reich (Version Frankfurt) 2001

oh eight nine one six eight nine nine one six pre-dial an oh one hundred ninety number … do you remember the Disco Wilhelm Reich isn’t that doesn’t your phone do that automatically XXL good one too yeah Disco Wilhelm Reich do you have do you have the yeah we could ask Kerstin how she automatically Marco Lulic yeah but first I have to ask you something quickly what what and Marco Lulic was there you didn’t put sugar into my cup did you yeah of course wasn’t that wasn’t that that that that Austrian guy or can I borrow this sometime because then I’d try and get the corresponding adapter you DJed there yeah sure just to configure this yeah exactly sure maybe tonight round yeah do you know what the cable looks like and we and that was when we launched Queen of Japan well I’d need the one from that ISDN plug an adapter in one of those TAE sockets right when everyone was really thrilled about that record right Christoph has one upstairs and Marco Lulic was there as well oh you mean those adapters for these long connectors yeah who wants coffee me fascinated by exactly and apart from that I think that’s the only thing moi moi that’s the only thing mine is on top yeah no problem here hit me but that was that was actually pretty cool to DJ for the sixties no Marcus first there isn’t any more because at that time you were all still those weird sixties types and no worries we’ll make another one yeah make two more batches all that I think that was your milk I don’t remember right here so basically all you can remember you had an appearance here you were already completely in that phase there was a situation during the World Cup right from your perspective were you on mushrooms or what so you know we had this Kerstin Klose battle cry and then you sort of you sort of had to imitate a a Robert Johnson Nick could we clarify that quickly ‘cos I don’t think you walked out DJ so that Marco Lulic because of our shouting because Dennis claims you came in and Dennis right during the World Cup final and we had this Kerstin Klose shout so that Marco Lulic do you remember is there any milk left was it like that though was it like that no yeah exactly that’s why I take so much sugar in mine make him happy so to speak I didn’t even hear it so but it was really loud proper did you imitate a Robert Johnson DJ they were just it was really noisy people were yelling yeah that worked beautifully sure no problem … (p. 229) but nothing else and then someone shouted at me Kerstin Klose I mean no all four of us because Klose was playing oh okay and then for Germany you came in and everyone’s instant association was Kerstin Klose and so that got bellowed out and we always thought that we’d made you feel insecure or something and that’s why you walked out I think I probably really didn’t even pick up on it so we’ve overestimated ourselves we’ve really overestimated ourselves and do you on that Atomic Café night do you remember any you wore your hair up two braids pulled back and then pinned up terrific 106 107 Filmed Film 1999 – 2002

… with two super eight cameras from inside the auditorium and of course they were much too loud and our working method was you could always each of us could film for three consecutive minutes and then the other one would start and meanwhile the first one could change the film and it went back and forth like that until we had fifteen minutes and but then this woman came and told us that we were much too loud and that we couldn’t film in there and so then we suggested she should sort of turn up the volume of the sound which only consisted of music by Velvet Underground but she didn’t and so but then they let us go into the projection room at with the beautiful red lamp that was hanging here I’ve never worn my hair like that I think you’re making that up no the back and film from there from the window and that’s basically what sort of event was that where exactly was that Daniel do you know where that was no how the thing with the recorded films started and today we have where was that accumulated quite a collection of over ninety films …(p. 101) because it was relatively empty that night yeah that was for the Atomic Café that was could you try and find that quickly there were not that many people but everyone danced right absolutely everyone I don’t have any recollection done in two-D three-D well I really were there any other events well really through three-D he was trying to depict four-D that was abnormal dancing if I do remember something I’ll come back down really his idea and through two-D he tried to depict three-D but I remember Michaela really well from that night ‘cos everyone was okay sounds good really I mean actually as a visible space and not as an illusionary dancing so abnormally and she’s really good at imitating people okay form no I don’t want any milk or we’ll come up but isn’t there also some text on the rotor reliefs I think that on that night it was she imitated how everyone danced right yeah and it was hilarious if we remember something yeah they’re why didn’t she tell us that because we can’t call you right and what does that thing with Rrose Sélavy mean she imitated people’s dancing no you can’t no they’re two different yeah okay so then we’ll knock on your door there are various people what’s going on now there are various texts because he made he made like what nine she often does that scenes from films shown here photographed off the screen that’s films that only consisted of text Michaela Spohn is maybe in the bathtub right now maybe you can what is that so one of them I re I mean I re do something about that that’s Marcel Duchamp following the principle of Raymond Roussel he used this the in no condition to make statements oh yeah language as a medium and then went and slightly changed some she could have really Marcel Duchamp of the words there’s this one sentence that sort of starts off with she could have just said that she imitated people’s dancing about that film series we said with with with a certain meaning and then twists the words slightly she refused to make a statement or was it more like I have to go to the jeweller’s and it ends in a completely different meaning and that’s no I think how did she word it Marcel untranslatable those texts that she was too knackered the Filmed Film it’s a play on words you can’t condition-wise that’s harsh can you show that again that one condition-wise did we drink that much back then but they alternate those spirals and the text spirals for Anemic Cinema go back one technical yeah I think there are photos of that coming up or maybe we’ve already wise during the films seen some of the film with the writing we have condition-wise there’s also I rebuilt the disc from that film by the way does he put them both on the same level reasons the rotor disc no I think one is they’re two different projects because of her condition what a killer but in the at the in the Anemic Cinema unconditional reasons that was a film by Marcel Duchamp yeah he but that sounds oui let’s go back to the beginning that condition-wise she wasn’t in the position something like that Roberto go on you tell something was that with a text spiral and graphic spirals we have to call her again about the film or what yeah but I’m not sure if that was the the the he didn’t just make but it was meant to be three-dimensional a sphere those text films once and then call the whole thing Anemic Cinema let’s continue with Films rotor disks did he I think they’re two different things she misunderstood she thought we were asking her to come by I illusion but and then he also really produced them as discs and sold them think is what she understood doesn’t it have text as well as rotor reliefs yeah did he did he make other films yeah and there you can oh no he he always liked to try and depict one dimension more in the for for for next to nothing somewhere at some fair and that’s why it medium beyond what it would actually allow for and for this film he for record players you can look at it on a record player Marcel you wanted to do that too yeah those are the texts 108 109 How you look at it How you look at it 1999 – 2002 1999 – 2002 these texts those are the texts we don’t really need what a record player I have the one with the Une Habit bladibla a flat I once used something like that with spirals like that and now there’s the texts again that’s still that Städel exhibition How You Look At It the Duchamp Film and what now Renée Green is also exhibiting a text spiral now at Portikus miserable surface yeah I saw that when I walked past earlier Hank at the front how do you know now well just look on the screen so the coffee project’s been abandoned then right afterwards that’s not Hank the jacket … Filmed Films right and it just kind of built from there and for a not necessarily while we were also showing all the current films here that on the well read it just read it you have to get coffee other side of the Main you could see at the big cinemas like Spy abandoned it Game Winged Migration or is that my glass the remake of ET but that’s Coke but that’s Coke ET give me your cup so is there’s some left or what I don’t believe this that was a dual projection what is that coat he’s wearing pardon dual projection because the digitally remastered version had come that’s not true out by then … (p. 101) yeah it is naw you’re taking the piss so what else could we that went on for almost a whole year showing those films I could’ve got that myself not a whole lot left you have to make yourself another one later not really at least did them for the whole month of November every Thursday no it went on from November to December what did these Filmed Films events but I think that’s still How You Look At It isn’t it yeah that was the day before the no no that’s there was the How You Look At It event and then we also had a weekly film presentation and I think this is from that weekly series that was the Word Movie the Word Movie was rerecorded during a Heimo Zobernig seminar to which he’d invited someone to show his films at the Städel right the polo neck is now funnel shaped that’s right right clothes shop guarantees a lot of neck room which was really bad I think that’s it that’s going a bit too far now that’s going to be and before we were at the stadium okay Michael Riedel is wearing Anja Stoffel’s shirt there isn’t he so that it doesn’t pill from your stubble right is the Word Movie the same one that we saw at whatsit in London yeah but not it obviously goes perfectly with the record player that so extra wide Mönchengladbach for the first time yeah exactly was exactly like that the sore spot with the white polo neck has long healed because well we could go on for four hours now I want to get straight to the that’s the same Word Movie okay what’s this you’re right the thing was you know yourself how difficult it is to find a white point of the white polo neck the next day we went for breakfast Niklas do you still have that shirt you do don’t you polo neck and then I bought one at Benetton relatively expensive and everyone was still so drunk that we started throwing food at that caused a bit of a stir because between between you wasn’t I still have it I should really give it back though there you’re already and wore it straight away when we went to Aachen for the first each other I think or for some reason things got pretty antisocial that when the dispute broke out wearing one of your humbug jumpers and then you went and premiere of Thomas’ Tropfen and do you remember one day later again with who bought the exact same one again after Aachen we continued on to Hannover Alina was there as well when you said I’d end up working in a clothes shop because I that’s a medieval Benetton jumper that is right right wanted to play music with my version of the Word Movie it’s a cool jumper it just shrunk on me and now it’s too small for me for Kati’s birthday party and you threw a cucumber at me exactly 110 111 Filmed Film Filmed Film 1999 – 2002 1999 – 2002 112 113 Filmed Film 1999 – 2002

that’s not true that was that was Darmstädter Landstrasse thirty-four or someone someone threw a cucumber right here and I’d only that was at that mod’s exhibition on the wall he’d painted some kind of had that jumper three days and the stain never came out the mod’s one targets in never came out not even when it was dry-cleaned the mod’s one targets that was vinegar and oil from the cucumber right and he assembled cans splat at Raum Zwei assembled cans and now I’ve bought myself a white polo neck that’s slightly too at the mod exhibition in colours large for me who was he Paul Weller the one where one thread in one seam was pulled in such a stupid and that was supposed to which nobody understood way that it looks like some kind of medieval vest Raum Zwei and something else he but I’ll sort it out through calculated shrinking oh how those anecdotes keep bubbling up and there was some kind of reference to a film and there was also right so this is the there we’re testing how often it’s possible to spin these are the parka patches that we made ourselves Brigitte Bardot around on one’s heel right the film where someone puts photos on a hob the interesting detail though is that over there you can see those exactly right that’s a good one envelopes hanging out of the invitation cards from the from the mod exhibition Hollis Frampton that were never sent off we never saw him again though that guy say again that everyone could just take away with them they were addressed that was only middling Hollis Frampton to us and you could send something back to us I think only three that was shit that exhibition Hollis Frampton came back it was middling and who put what on what I’ve never seen them oh okay that’s quite so he put some photos of the one hundred that we’d made we didn’t get it Hollis Frampton they already had stamps on them didn’t they he was trying to explain the references but we didn’t get it because on a hob and then said something about it but you could witness yeah he I don’t know the process in real time of the photos burning slowly yeah did he oh okay which event was that he explained to us you asked him didn’t you Hollis Frampton of course so you converted the invitation cards into parka decorations where’s the like from the seventies we were trying to be polite and so showed up with his invitation that was also in the Eminem film yesterday when he’s looking at people probably took them and sent them somewhere else and on our the photo used the stamps not that I’m implying anything you just pinned it with a safety pin to your hang on hang on go back one business right Daniel’s smoking somehow it’s easier to see the chronological order with you three to your clothes go back one Daniel than with Michael and me because you changed your hair and yeah Daniel still smokes spliffs clothes more often each of us got one part oh right okay well you’re younger right that’s the photo that that Niklas finds really embarrassing right you’re a meaningful one right you’re still going through changes mine was the dumbest this photo right Raum Zwei Michael Michael shame that it’s so bright in here I thought yours was really great I find the photo so embarrassing because I’m not really sure why where are we now Raum Zwei is the exhibition room of let me think I well I just find it embarrassing that was the Elevator Movie Christoph Blum why go on tell us something the first colour film we had here Meike Behm I don’t know I can’t explain why I’m covering his eyes with my yeah was also there that night hands but the first sharp photos Christoph Blum and Daniel’s the first colour photos were also made during that time Peter Lütje I don’t like looking at this photo everyone everyone’s looking a bit sadder already Peter Lütje and and then he jumps onto the roof of the car and from there he Michi that was the Elevator Movie that you really liked with the what was his name again jumps to the ground oh right two more people I think but I don’t remember their names yeah where the camera doesn’t effect the motion but on the right side of the Lokalbahnhof who’s that right yeah yeah exactly that’s you what was that again right no 114 115 Filmed Film 1999 – 2002

your grandpa for the uniform with Jobst but where one is a spoon he blew smoke rings like that Swastika Redux you’ve you’ve understood it haven’t you so yeah that was in Hank’s and Nick’s kitchen right we’ve seen it now your grandpa from Czechoslovakia right where you one two fork teeth are joined into one and also at the moment of the scene cut when he’s looking down that’s where the thing was invented what’s that at the car roof it’s someone else who jumps exactly there was a complaint now about the Leni Riefenstahl posters someone else jumps derived from a swastika so to speak during her exhibition in Bonn because on the posters you can see let’s stay a bit more focused it actually makes reference to a swastika with one half of the original missing and obviously and I think you only see him from behind you can’t even recognise it anymore so an S then yeah yeah you can only see him from behind and when and when no it’s based on on the on the film the film only half of it but no you could still recognise the swastika so he comes back up they quickly cut him back into the scene very clever someone sued because supposedly it right exactly what’s the title of that film again that war film Apocalypse Now glorified ah these are the Space Photos now do you remember we made Apocalypse Now glorified Space Photos back then that was when the Apocalypse Now Redux was released there’s a Kippenberger picture titled I’m very curious right I Can’t that one and that was quite a bit With the Best Will in the World I Can’t they’re proper Space Photos that’s correct With the Best Will in the World I on the left hand side on the bottom that’s Saturn longer than even though it was called Redux it was a bit longer Can’t See a Swastika yeah it has to be darker in here they’re pretty funny than the regular Apocalypse Now Can’t See a Swastika something that was unusual for an American film was that Kim maybe someone could describe it Can’t See a Swastika Basinger said he doesn’t want to go down on me the swastika and then Roberto’s already on lunch break it’s a swastika with one additional piece one more than the original I don’t know how that lawsuit ended I’ve already swastika Leni Riefenstahl is too old to be arrested what’s going on here but as a Redux that would basically mean like this more or less noticed that not a good image description have you done it now there’s something that’s me isn’t it I think it was let’s see don’t you want to call Renate Voigt that again can you say that again I wasn’t listening just now yeah more or less shall I draw it make a drawing let’s see she was here for the films there should be another swastika inside this square really that’s an H I think she’s still in Mexico Michael no there shouldn’t there should be here it’s basically something’s of course they’d sue or wasn’t that wasn’t that unusual been cut out here and it’s a it’s not cut out completely an H with an Elvis quiff yeah yeah it was Roberto hang in there you’ll get something soon a gap a gap what that’s Peter Frampton a gap that’s the flight in Space Odyssey Two Thousand you’ll get something to eat in a minute from this prong to the next one it’s filled One we’ll have a break in a minute it just didn’t get cut out just like One do you need a glass of red wine already it has more volume than the original swastika Filmed Films which photos are these Daniel that’s how you could describe it oh that was already Space Photos I photographed into the projector and sometimes after that description I’d really like to ask ten people to draw it now that was also some kinds of silhouettes of faces in there as well one piece more than the original that that flash regarding the projector we could at this point thank the City Media I’d like to see that right Centre Rüsselsheim which has kindly helped us out over the years like in Apocalypse Now Redux there’s another part to that also go back one we’ve completely forgotten the talk in Vienna supplying us technical material a small bit there is not cut away as well either the still today or not aha and Stefan Limbach was one of the few you could say that still today yeah aha regulars the equipment of Oskar-von-Miller Strasse for for the well visual it’s like a fork with four teeth people who media were always borrowed they were never our property right exactly what until suddenly there was enough money but where he makes one thicker well a regular for one and also who first saw our filmed version of incredible that’s the modified swastika logo yeah Two Thousand One yeah don’t be so arrogant guys you’ve already that’s something that’s not easy to find 116 117 Filmed Film Filmed Film 1999 – 2002 1999 – 2002 118 119 Warhol Shooting Warhol Shooting 2001 2001 right and had never seen the original that’s a rare occurrence where did they come from generally who the films but who no Stefan Limbach where the Stefan Limbach is from yeah the Stefan Limbachs who is he anyway that’s a Marcus’ best friend my best friend right Stefan Limbach is my best friend okay he has a very special he pursues the same goals as I do only by different means but Stefan Limbach was the one who after years of hard work managed to cut off Thomas Friemel’s hair okay in an act of total destruction we’re slightly exaggerating now aren’t we confidently and coolly total destruction who made the prophecy come true that everyone had ceased to believe years ago so Thomas Friemel is the one since I’ve been in this group there’s always been talk of cutting off Friemel’s hair Stefan Limbach is a handball player was he used to be a landlord and then tried to set something up in East Germany let’s call him then came back yeah we could call Stefan Limbach right let’s call him yeah why not ask him to introduce himself right regarding Two Thousand One who is he anyway but I don’t have his number I think oh yeah I have it go on oh god he’s getting loud now it’s not long enough it’s not long enough you have to sit by Daniel it is long enough he can dial Daniel can dial for me right oh okay do you want me to do the interview again or what he’s unemployed he must be at home he’s not unemployed oh six nine we’re here already Marcus is not up to date yeah two four two really what does he do now he’s making that film with Tauss as a job creating measure then four six no oh two nine into the grid that you mean you mean he’s still turn it up after the same things as you ask him about the film Two Thousand One too loud one 120 121 Warhol Shooting Warhol Shooting 2001 2001 answer the phone sorry what quarter to one still too loud I want a bit more of that too I don’t find it too loud so we can still he’s not home is the minidisc still running no one’s home his fax machine is going to answer normally we’d start the break now you’ve reached Stefan Limbach Frankfurt two four two four six oh oh Michael is the minidisc still running two nine please leave a message yeah yeah oh god we could also or a number have a look ask him to call back I’d say Daniel decides because if we have a few photos left in so that I can return your call thanks there in that folder we’ll go through them and then there’s the number on the tell him to call us back on that number there’s twelve more photos in here ahoi Stefan Limbach it’s us from Oskar-von-Miller Strasse we that’s have a few questions about your personal experiences that you’ve no signal had here at Oskar-von-Miller Strasse especially very nice he won’t call back if you say it like that you don’t like looking at this photo either do you in regards to the films Odyssey Two Thousand One that one tell him it’s about a competition and that he’s won a prize yeah you’re right Hank doesn’t either … for the photo set there was so the set up was we’d reconstructed so please give us a call us back on nine four ‘cos you’re not really sure here’s the Hank finds it embarrassing the window the corner and the desk nine four six eight eight one sometime today ciao right and the give us a shout or is that not true quite nice to have an answering machine text like that isn’t it do you know why you’re covering your eyes with your hands there and the utensils and then what stood out was this okay I don’t know I don’t like looking at the photo for certain reasons go but I don’t know why Sandra Hahmann what’s that then why that striped shirt and everyone had to take turns putting it on and I don’t know any of these we have that in large as well that right somehow it’s a weird photo swastika I’m just not sure where we were at McDonald’s when it was Zipp’s turn at the front it had a zip and he didn’t feel like shall we break for lunch at one right what time is it now it’s contrived somehow opening it so he just ripped it open … (p. 74) quarter to I was still buying Big Macs

yeah but you forgot mine yeah yeah yeah I remember that yeah and after the break we’ll look at the Mod Party right yeah yeah that sounds good that’s rank Mod Party again in black and white yeah I’d never seen that before a Big Mac box are these the last four folders you have a posed Big Mac box I still have some on my hard drive and apart from that I’ve still got oh tomorrow Dennis Loesch is going to buy the same shoes as tons at home on my other computer Daniel Herrmann how many do you have you can’t get them off the computer can oh yeah where you in Wiesbaden are you coming which ones I can drive us there and back the white Buffalos with the red B to you can’t get them anymore to the jeweller’s yes they’re back now naw they’re not it’s because I don’t have all the Oskar-von-Miller photos on this yes they’re back computer no they’re not really quick yes they are no that would take ten minutes if you can get them then they’re the old ones yeah I know your ten minutes they’re back I have them the ones on the other computer I haven’t burned on well if at all then you can only get the ones with the ugly soles CD yet like the they’re back I’ll just drop off the ring and we’ll leave yes with orange on the inside as well I’m coming with where in which direction are we going I don’t know shall we go get them horrible topic Konstabler where’s my jaw there what’s going on there today have you squashed your chin well okay no idea what are you doing into your side what was that but that’s not just the tongue rotate that that was Christian Dior that was and there’s one more what was great yesterday was the pork loin with a stripy shirt out of Friemel’s mouth is that the perfume ad with Christian Dior okay so then we’ll take a break now or yeah 122 123

and before that was H and M or what only mods I don’t doubt it yeah exactly yeah and then she just decided to throw drinks all over the parka these are new ones already yeah the one with the suit for one hundred sixty-nine marks Jean with house music is that a stamp you’re holding there never underestimate the faces right can we zoom in on that I’d really like to or does it get blurry then she was damned right old fifty mark notes Paul Gaultier that was pretty good where there were lots of faces that night gentlemen it gets blurry and then that was the bitter end of very old shanks what was that Calvin Klein we did have a stamp right only numbers and there’s photos coming up where she’s in full action and the that was yours was it shanks C oh I have I have to show you the other folder first it’ll become clear normally you can see the cat there you can’t really see it there bottle it was Hank’s there’s the money could be yeah oh god did I really take my clothes off there by the later why only numbers and that’s that Lia again right Hank’s parka the dosh way there’s now you can see the wait ‘cos otherwise we’d start with the after-hours party only numbers no no that’s not Lia that’s from Marcus one hundred marks concept oh no there that’s and then there’s photos of Marcus wearing the thing that was the golden age not even silver anymore Marcel Duchamp texts because that was that would’ve been next the after-hours party there she is Anya Sheade but you don’t have here right now do you the eye the those those rotor reliefs so this is the action where you hot modette right I think I do briefly with the headphones on and what is that in the foreground that silhouette right yeah I do remember look at that check out the parka fur Anya Sheade oh but that’s very interesting Clara Schumann that’s Jodie’s cardboard cutout right and there’s another nice anecdote in connection with that I’ll the whole rabble in the background Sheade unremitting rotate it oh okay get to that in a minute and while dancing what a shame that the quality of these I mean that they don’t have die parka there you’re wearing the jumper with the nice lettering that’s now at the studio at the Städel there’s the jacket Scott more connotation I mean that you can’t identify things things more a whole crate of beer it seems on that parka Rico Roll at the studio that’s the jacket again right Scotch clearly it’s in the second right there’s Dennis oh yeah Scotch did it the music generally come out of these big speakers so legendary and those headphones normally belong to what am I doing there Rogers yeah Usch’s cat Dennis always always just borrowed the big speakers from I see there’s also Mod Party Three my mum sewed one of the arrows on I did the other one and Fedi and then we developed this sort of tick with the rifle Rogers I thought its name was Scott somewhere and the amplifier and then the I’ve already seen those had right we shot at things where are all the other people green eyes and then we played the sound recordings here we’ve already done those is that supposed to imitate a swastika or how am I meant to see yeah shortly after this things really got started I wanted to shoot we were kind of getting into each other’s faces there a very clingy cat and the minidisc player was the DJ I at home I named the folders Mod Party because Michael said it this at the canvases there they are yeah but it it’s slightly unhinged the music was oh yeah right it came out of the minidisc player and was a mod party Rico Roll and in Berlin you crossed it out yeah I wanted to as well but I really did it Daniel Birnbaum definitely I always sort of wondered how you still managed in your drunken I think on the night I said that about four hundred times right in Berlin I crossed it out Dennis was trying to stop me the whole time no no don’t don’t do it check this out guys it’s a party animal state to change it ‘cos normally that’s quite an art yeah yeah your target was the man at the bottom oh no it’s not them so who is it Barbara Wolff there you see the flyer rack and for those who didn’t want to believe it I just told them another we still had the old photocopier back then have you lost sight of that poster campaign Matthias Tekiukuosama Ace Face number one and when when the music stopped everyone knew okay now it’s time few times until they were convinced and you still filmed yeah what Prinzhorn no idea no no I meant the sound recordings themselves Maria with four bottles right that’s a good photo is he wearing one of Nikoulai’s buttons no he isn’t Lia oh right concentration and that guy there absolutely kaput that was the guy who in the rotate how many things were we wearing there he the button he was always wearing that button Lia because in Hamburg I failed miserably twice when other one was sitting on the ground with all the flyers in front of I still filmed as well one winter coat isn’t he from isn’t that Nikoulai at the party Lia Henning in Unkel him rotate Moving Papers that’s who is that Marcus that’s the one there you’d ruined your parka yeah yeah and where where is that film Shooting Sculpture Paul Breitner I still feel justified when I see this photo rotate it I think you politely asked him to leave that was at the end where is the film Gilbert and George hang on that’s Riedel now right that was what’s his face that’s Peter Maffay but failed oh those are the invitations a baptism that was wasn’t it Maria could hold amazing amounts of alcohol and still speak there are still some snippets right that was the final song pure gin Michael Riedel exactly Fedi failed as well Maria’s in Stockholm now normally but her coordination would completely let her down at and after that Maria go back he had there Marcus really got a load on his parka those are the invitations and normally the parka would be lying here you can see it really some point she’d just fall around but could still speak normally Finsbury to boot go back one oh right that’s what the Robert Johnson flyers looked like clearly on the screen now Charles Bukowski was always lying right there wasn’t he Finsbury Riedel above all Jobst they were copied over you’re pouring out a whole bottle of Beck’s over it there right pure gin and after that Maria disappeared that’s him who how did that happen who was that who spilled a bottle of beer no the back was inverted and on the other side we just left the Freixenet and beer you poured over it right and the six one oh eight was the selection number definitely is all over the over my parka information from the original flyer oh right the Freixenet I was handling several bottles at once and hearsay told me that Gunnar was also lying on the floor here and then I also left and knocked on the glass to say goodbye and that’s him Maria who’s that you were serious about the whole thing once then the glass broke oh really doused and how were they presented here Barbara has completely disappeared from the scene hasn’t she Gunnar which you then fixed with that yellow glue Klaus’ glue who’s that I can’t remember that’s Susanne Schön she’s in London now on the on the the the the subject of lying on the ground right and it’s still intact just some guerrilla fighter no idea Michael what was going on with you there I even have photos from the Robert Johnson of you making the she’s in London okay and then the after-hours party started it’s still intact there it is the price tag was still on there the price tag of the H and M glasses I think I was just in really high spirits that night recording I mean she’s in London and we had these multi-coloured neon tubes here yeah that’s the one with the Clarks yeah seriously though because it was packed that’s obviously good too the same ones they have at the Robert Johnson oh yeah the donkey one should be coming up soon I wasn’t joking no one photo of you hiding sort of hiding by the doorplate yeah with right there’s us right now the Robert Johnson copy it wasn’t packed your coat we bought them but afterwards we returned them and got our I’d already left at that point right once we Mod Party because of the Remake Club right money back me too bought new Clarks two pairs and put them on a donkey Mod Party crazy and Hank felt so egged on by the whole action that he ended up and another one of the two of you inside that was quite nice we often borrowed materials from the DIY what you’ve already mentioned is those people who always I didn’t attend because I was in Munich to record the Atomic Café dancing on his parka let’s see them store just for one weekend we have photos of that as well in Offenbach in the pedestrian precinct check out the mod naw I don’t know if they’re in here straw mat My Generation right those circus people who are always there with their animals you can’t imagine what was going on here yes and here how were the flyers because at the Robert Johnson yeah straw mat exactly I think so right no your parka later got a lot more than that I think they’re up on the wall so here how did you there it is I’d love to have sound with this right now to collect money at Christmas time for decoration we had the the lamps you spread out your parka on the ground and then you they were flyers that we no I don’t know if at the Robert Johnson straw mat Remake Club Wiesbaden we always had to be careful but look this must be My Generation they always shake a can the lamps and the video the neon tubes the coloured ones and a couple of beer bottles they were on the wall they were flyers that we handed out no straw mat was at the Zosch there right the video I don’t believe that here’s the Zosch I remember I couldn’t even read it anymore and they have a donkey that always wears a blanket which video and Daniel had some kind of here it is now we couldn’t spread them out because later we wanted to return but the large stuff you can but you didn’t buy four Clarks the video installation that your parka was filthier than my parka Hank’s parka them the large stuff you could read two pairs the video of of the light of the can you go back a few that was the installation of the bar video no that’s Hank’s parka and Hank’s just looking on the part you want to read two pairs of the video DJing video-jaying of the the monitors at the Robert Johnson we threw them on the floor you were proud as a peacock weren’t you I could still decipher the Who but the rest was really tricky two pairs right we played the bar video oh right that would be the parka right smashing the beer bottle there right there should be another one with you wearing a Clarks shoebox exactly I think we can safely say that was pure mod and that’s the TV set that we now have in our living room oh right yeah exactly because we didn’t have any coat racks right on your head yeah that was the first Remake Club we ever did the Robert Johnson with price tags on them and there Michi at the back yeah two for the front and two for the hind legs and it was packed no no that’s the light from the VJs the rack wasn’t there she was angry indeed right two for the front and two for the hind legs and the people it was packed with okay right was that at the end or the beginning half mast and we put them on the donkey and then Michael’s parka why what kind of people that night I think it was Marc Oswald and Daniel Dilger still then Maria lost it and started to smash beer bottles on there why what was her problem you were waving the money around which went perfectly with its own coat pure mods I doubt that people knew what an amazing event that was Maria more or less towards the end I think we still had all the glasses back then yeah light brown mods yeah I doubt that too although on the parka she was sort of well really really indignant about the mod thing still had them all yeah exactly 124 125

threw Michael’s parka over the back the pony’s back well sound him out that’s Dennis it was mine what a great mod well he works as some sort of and we have Marc’s memorised it drove up outside right a Rolls Royce drove up outside with a kind we didn’t manage to attach the mirror I know him from years ago and Isabelle’s I know oh one seven seven three oh three eight of weird guy inside who no it wouldn’t fit right one seven seven I don’t remember that did you take a photo from a time when we still went to the KUZ in Mainz and he was like mailbox me neither no one of the first who danced with his hands up in the air imagine you read advertisements as well don’t you do you remember that no at that place I know another mobile number but I’m standing right next to it no what did that mean hands up in the air that and there you’re leaning against it no well I mean rave times late eighties to Dee Lite and stuff like that if you find that so incredible I know yet another mobile number oh there was this Rolls Royce with two pretty women in the back and they let you do anything with the animals if you put a tenner into gay isn’t it one seven three six five oh four oh six five the guy was at the wheel yeah on the right their can shall we call him six five Merzen no way you can do anything no number right can you remember I’m not sure what event that was this one guy so call amazing coming in and trying to sell a gold necklace another it’s funny too ‘cos I didn’t meet him till a later and you never quite pain yeah brilliant that’s just well that just speaks for itself doesn’t it knew who he was I know the Oskar-von-Miller number by heart more or less but right yeah very mod isn’t it I’ve never talked to him we know each other by sight that’s the only one I already struggle with my own number was that a gold necklace on the table that was shall we call someone though strange he won’t answer we’d just brought back came back from got it from Wiesbaden I on the table I met him recently I know about ten numbers from memory think god I can so imagine how you cranked the thing up just now yeah and for a while now he’s been banned from entering oh six nine six nine oh four three four six six nine right the tons cranked what up yeah he got a good bashing once let’s try him again later the tons and then he came in and out of the blue tried to sell a there’s definitely can’t you hear what’s going on there yeah I know tons more gold necklace the thing’s going on very nice guy who’s that then the weird six hundred marks you mean it’s totally banging Sascha Langer I don’t even know people’s names from memory here he is again you’re completely the gin’s flying out of the glass and Maria’s he’s not nice that he’d neither answer his mobile or his no way trying to fly yes he is right that’s a he’s probably from Eintracht Michael doesn’t notice a thing Tina’s ex-boyfriend there’s something going on it’s an English car what’s that he bought me tons of drinks that night even though I he’s probably getting a haircut again football player that’s singing he okay yeah football guy I’d say as well I can’t wait for number three didn’t even know him very well but the women in the backseat oh it’s written in lowercase he fouled like crazy at the football tournament in Braunschweig nothing we can do well a pro a football pro that was at the Robert Johnson he played there so much for that sure the real one skinhead Didi okay but an English one right that was outside the real Robert Johnson skinhead Didi weird but an English one that was god what’s going on with Didi next photo no you were there with have to call him so what’s on offer at Carpet Frick at the moment English car right yeah hardcore shit all twentieth century I cannot remember this excerpt from drinks menu we’ll call him Roberto can I have one of those ground cherries me neither and we’re still we’re still looking at the Robert Johnson the prices are already in euros let’s call him what do you want photos probably both still whether he remembers the T-shirt so that must be one of the last photos now of the right that’s when Maren was still working there here a ground cherry or whatever they’re called I didn’t know that we went outside auntie Maren and why he’s got short hair like that these things here didn’t we stay inside the whole time is that Maren yeah what got into him ask him about the haircut he had when he yeah that to me is Max Planck Secondary School thirteenth grade oh stop put him on loudspeaker yeah yeah sure Laura Kuch who are those when he was wearing the Singapore T-shirts what would you call them Tina Schott do you know the blond one VJs at the Robert Johnson no idea now we’re back at Oskar-von-Miller Strasse the guy when he was VJ cherry in a blanket very nice does anyone know who the blond guy is I can speak like this as well can’t I I know them as ground cherries equipment yes yeah into the thingy that must be one of the last photos of Daniel and Sascha together almost stylish yes well you have to talk into the mouthpiece no one answering again in a photo absolutely that’s Marcel Härtel yeah hello have they fallen out or something glamorous that is that’s Marcel Härtel but he’s not home Didi’s not home yeah because well as a result of that Singapore story glamour yeah no he must be home Didi answer the phone why did they fall out then just like playing those old Atari games Brad Pitt I’ve got his mobile number girl trouble who was that again now way he looked completely different right over a woman if you look carefully you can recognise a style here where do you know him from the Robert Johnson yeah can I have it please Hank call him Jockel Dittmann I photographed his fashion collection and stuff oh let’s call yeah so what’s going on with Marcel Härtel then do you have it girl trouble okay he makes he makes this sort of pop star fashion he overprints one seven oh nine eight unbelievable are you saying I should stop reading the paper these face covers and then puts pearls and stuff on everything the calling people up thing is not going so well today I think at that time it wasn’t really clear yet those were the neon tubes portraits of pop stars like Michael Jackson no hang on again oh one seven oh two one three one of the T-shirts is wrong which unfortunately aren’t in colour is he at the HfG just check the number Hank which one I think on the left they were green and on the right red but then you no nine eight eleven which one could change the colours and then it would be yellow on the left no right which one doesn’t fit into the and green on the right he lives in Wiesbaden and by the way he’s also the manager at incredible you know a mobile number from memory right one tricked its way in that was definitely a very sophisticated system the Buffalo store I’ve got another number memorised as well oh one seven seven that was at Mulpha yeah definitely here we had the thing was that we had these one he’s the manager at the Buffalo store seven seven three six oh two three four five six neon tubes in the hall with the yeah so he five eight and that was also at the Mod Party that was a Rolls Royce flip fuses 126 127 Premiere Premiere 2001 2001 128 129 Illustration Subtropen Illustration Subtropen 2001 2001

… the text we traced we traced the text that was already there but because of the chunky paint brush and all that resulted in a different typography … (p. 189) could be turned on and off with the flip fuses and so we had three Merzen did the Version Frankfurt at Marco Lulic’s which fell through because of my because of my dilettantism clothes what’s going on there flip fuses for six rows so they would always turn on two rows at Rehberger what was that called right Frankfurt’s burning down now once but then the function of number twelve was that only two of Rehberger was also alcohol ah yeah right the Schlachthof you didn’t do in the end it was already passé the six neon tubes would come on Rehberger was there what was that called again which we also tried to make a hit that was Dennis just now rows what is that jacket he’s wearing Revolver that was Dennis Alt rows would come on first class parka what else Revolver Club didn’t catch on either Dennis Alt rows would come on Tina was there Revolver that was a trendsetter Volker is his name which was enough we could call Tina we should ask her anyway how her ear’s doing or Molotow as well right here right check I’ve done that already yeah at the Molotow he always wears strange stand-up collars Hermann Nitsch does no what’s his name they had a club in Cologne that was a different those shoes are why what’s the matter with Tina’s ear you once sent us six minidiscs and on each of them there were yeah one Arcadia no I don’t know those are the Clarks it’s kaput only about ten minutes of sound and but the microphone was lying but that’s not a collar is it Cologne cool inflammation of the middle ear on top of a loudspeaker and so you could only hear the bass beats not a collar what’s that then is that still ace really speaking of clubs this is now Club Eleven the neck wouldn’t fit in there is that still Club Eleven what a sharp haircut with millimetre precision he’s wearing Clarks white ones oh yeah great that was quite a show of course tie isn’t it everyone’s got Clarks with the masks that was it Dennis is that was here at times I would’ve really liked to have had bouncers with the masks no not yet there’s more wearing the mask on his head oh yeah that was another story U Sixty they had no props that we could have taken with us so we just we always had a good nose for the clubs because once in Spex or that’s Michael Wink again that’s yeah took photos of faces at the original club in Cologne and from the in Rock ‘n’ Roll there was a list with the top ten clubs in Germany which ones are real and which ones are fake no that was at the beginning with the photos we made masks which we then gave to the guests here right no that’s yeah that was right who more or less wore them and Michael Wink got his mask as a present in Unkel and then he was that was the beginning just call over the bouncers that’s in there as well isn’t it who was on there walking around with his mask on the whole night I remember that that was the beginning right that’s in the book as well illustrations of the masks of the the that was the Unkel when we were running around yelling wasn’t it that’s how it started oh yeah that was also the time of the of painful confrontations with Denise Atomic Café that is so glam again momentarily at odds with each other were you there right there was a brawl four that we had had here or five all were in among the top ten what you referred to as stylish Marcus especially Michael is looking really cross didn’t we make a recording at the U there’s the masks already Atomic Café Molotow Club Club Eleven Robert Johnson that’s an animation video yeah but me too Sixty Three Hundred and Eleven when Matthias Voigt DJed there Marcus hanging around I don’t think Club Eleven was on there right what’s going on had you been tippling for a while already right in the background was it an animation video by Daniel Herrmann I think that’s and the remake was going to be their bouncers outside our door it was very poorly attended though Zosch go back go back the first few the first hour probably and the what the hell is Daniel Nikoulai doing there right the Pudel was there rotate rotate I think we started at nine wall which is why we repeated it three times the Pudel was on there here we go don’t you have any phone numbers of anybody from the Robert the wall six people having a party I think and but the Molotow as well which I found really surprising crazy shit Johnson who was here for the Remake the wallpaper we tried to make Club Eleven a hit by repeating it three times but right I shat my pants there no the wallpaper it didn’t work it just wouldn’t take off finger up the nose why Marc was here or am I making that up on our wall no one knew what kind of club that was supposed to be one of the ten best clubs in Germany the Molotow that was pretty acidy that would be interesting and in addition we wanted I was supposed to make one in Hamburg not really oh there’s me in that was me wearing Herrmann Nitsch’s well that’s the way it is look at that I mean that’s 130 131 Illustration Subtropen Illustration Subtropen 2001 2001 132 133 Rirkrit Tiravanija Rirkrit Tiravanija 2001 2001

pay attention the first loose archive and each folder corresponds to an event we didn’t call Catalina until we saw her photo I said yeah from there again please and then later that got split up into the complete archive with yeah but really could you ask her if she remembers the call minidiscs DV video VHS right is it running now is that what you said yes yes indeed not so fast and each is practically I mean here everyone laughed and here as well each practically serves as a catalogue which in the book you can we did laugh very much yeah then not so fast which will be listed in the back there that’s way too low listed in the back right we have to go through all of them again okay continue what’s that now okay what are we saying there okay continue I said panic struck and you understood muck have you ticked it off right yeah instead of mucky no that wasn’t there yet and then I said you’ve dented your mask a bit that’s Nigel for some reason it stinks and at first I didn’t get what you were saying check out how he down there how he’s emerging from down there that’s my bag in the background and then you were like the archive should be up next shouldn’t it my bag you were saying and then I said because of your Adam’s apple yeah my bag in the background yeah exactly and that’s a mask as well that one’s lost his face the first loose that’s a mask right and then you said that’s three-D in two-D you said you made that and then we said what the archive again that was in Unkel there were two people wearing these T-shirts and then you said the is what I said with some kind of police uniform like fire brigade squad leaders check out how he’s devilling in from the top and that was the we brought them over from the Dreikönigskeller he’s devilling in from the top here we go again okay right go back one another one one more came with a kebab on the shuttle and I’m saying there didn’t Pernilla and Golowka use to be an item now we have to concentrate Michael on the shuttle bus right one more now you and it instantly stank up the whole place exactly back one again right oh man back one again the whole place that’s really that’s me too there’s the Aphex Twin that’s Lia there the last time right that was the loose archive I then said no the the mods creepy that’s the is that the there that’s him belt is way too high archive and Dennis also said because of the night sandwich who’s wearing which head there are you having a flashback now or what that’s him yeah it’s just drawn on that belt there everyone was stinky mods at the front I don’t recognise anyone that’s that’s Aphex Twin at its best that is stop well that’s just about acceptable then who is behind which head it’s even creepier because there were only five of us I said that and there I’m saying don’t stop so here yeah and especially since you couldn’t see anything because they record and then you say that’s the Aphex Twin right going by the jumpers I’d guess didn’t have holes for the eyes right right from left to right Niklas Michael Hank and Dennis at the front they didn’t have holes for the eyes but it’s already on there this mustn’t stop you’re saying there were only eleven people right no but that’s Eminem what do we have here then but check out how straight my profile is oh right too much if he turns around that’s no that’s not possible that’s you had to every time you wanted to drink you had to lift the mask that’s really too much if he turns around that’s a redundancy Hermann Nitsch and a little how about we just skip them those are my hands I recognise them so good Golowka no that way we would lose half of it that was important look now you’ve said it that’s LSD so for large parts of the night in the club you’d walk around don’t mess with the chocolate Niklas behind the bar and the little ones completely blind careful there you’ve got the best Roberto can you pass the if you don’t eat that now forgot the most important thing one part [BREAK] do we have to call Catalina again as well left it out ground cherries ask her if she remembers detail study by Marcus ground cherries if you insist so are you going to call again Marcus yeah right this one’s good I’m not sure how she just got a call from us detail studio right isn’t there another one where you’re wearing the glasses on top please don’t right studio or something shall we go see Eminem again tonight yeah detail studio beautiful that’s Marcus detail study what a chin that is Sebastian’s pales in comparison do you want to see my animation film again yes Hank Marcus’ detail studio I think that’s Heidi Duis’ boyfriend now yeah go on eighty cents per piece oh about that the style we had Heidi’s no I don’t want to call him again no they don’t cost eighty cents who’s that the chubby one that’s the walking stroboscope you have to call Catalina no idea chubby Heidi movie almost as expensive as gold leaf that picture you later turned around look at that side parting Dennis Dennis for some reason everyone’s really knackered today Barbara not bad at all I was trying to photograph the stroboscope at the instant where it one’s in the bath the other one’s ill I don’t remember anymore Egyptian head shape flashes but I never managed so I wasted loads of photos yeah so call Catalina again yeah rhubaba fucking hell guys I don’t find it funny at all I find it simply that looks it’s flashing yeah the squad leader check out how he’s devilling in from the top so deranged no so they look like they look like they’re wearing masks as well I think it’s funny stop but we’re not there yet Denise was always complaining because I gave her dirty glasses 134 135 Jason Rhoades Jason Rhoades 2001 2001

… it was also about sort of pumping water out the back of Portikus from the ground and so Hugh Pockock had built this pump with a motor and so we thought we could drain the water over here that they’d pumped up over there and so we had an installation in our toilet where okay and there Roberto was saying they’re thug faces I said this is like in Star Wars we where you could flush down continue you’re sensitive aren’t you stinky mods at the restaurant your bathroom business with stinky mods this this is sick absolutely sick this is it’s worse than carnival water from Portikus only that that was the condition with the kebab it’s proper it’s so then came those junk photos of yours belt the stinky mods oh yeah they never found what junk I’m already wearing the red wine belt there and then this was the who was like well there’s only one proper in many of the videos and photos you can see how the lights from with the Concorde that’s coming up as well right mod in here and that’s well the one with the arrow pointing up the street are distorted flush it down ah yeah Micro Grammar Medium Extended red wine belt in your face first you said stripe perspectively flush it down only that they yeah exactly that’s coming up as well we’ll get to that no not yet there it is now and pointing down was but the car’s not there what now check this out first you got it wrong and said stripe instead of arrow distorted never found water which meant it’s okay I’ll make a note of what you said look at Niklas yeah but now I said arrows and it was the arrows he was referring yes the car is there isn’t it well alright that’s fine then no worries look at Niklas to no it’s not there that our toilet stayed dry and not but which who are you and then you said Hank although the place was full of mods and now the installation just sat there but you should know you and who are you Daniel right the stinky mods no it’s not there which photos ah now I finally get to see this that’s how the safety pins were used Chilli no the car’s not there we stuck a note on it that read said that yeah that was a really good one Chille Catalina rotate excellent everyone got assigned a role oh Konrad was here as well is not there How To Use This Toilet Fill Black shall we go to the Kleinmarkthalle or the Thai restaurant sorry mum the thing with the glasses we mentioned four hours ago didn’t we is not there oh yeah this did you deliberately leave one out now yep is not there Bucket From Sink Use The these are the it was upside down Tina so he was gone briefly Toilet Pour Water Into Bowl … everything’s mixed up now and look at how you wrapped it around you three times Tina why don’t you call her that’s the cover heroin photos but he’s got a beard yeah why don’t you call her was that when the whole thing with that could be the cover (p. 90) right these are things from last week already you two started Dennis the cover yeah the heroin photos from Michael Dodt what it had already started yeah but isn’t that already in the book right and then the junkie photos look at how red you are Nickel out the back in the book look now you can finally see it go one forward one forward that is so warped the that’s when you said about the junkie photos go back one in a second the he used to live in the back as well how Michi’s crotch is sagging there was that already with with the evil lived in the back those trousers sagged down to your ankles didn’t they it was already in the air quite a side parting that is that’s not even funny only grimers have lived in the back and later came the it was definitely in the air then that is proper here now you can properly see the shape of the body go on call Tina I cannot laugh about this anymore can’t find anything funny in it in the back we’ve only had grimers yeah exactly go back one makes your jaw drop didn’t you once want to live in the back brilliant call her it’s like didn’t you want to move into the back once how was that with the how did you hold them up with braces right yeah let’s go back again 136 137 I was outside Portikus 2001

I don’t remember them which song god what schizophrenic madness that guy turn it up turn it up sing it please has he ever seen these the pictures by the way he’s got a face like this no don’t Sing Along we should give them to him it’s this long you ask her Sing Along how fitting you were in stitches there he’s got quite a face on him first you explain what exactly is going on here sing it please I’ll be in stitches too in a second and on we go hello can you sing it incredible there was complete silence for a moment there’s the zip hi it’s Niklas no I can’t sing today Michael nice zip across the shoulder hi no you mean you can only speak Michael I first turned it around and then said what a nice zipper hi are you ill Boppard aha listen we’re sitting here and we’re just looking at a photo of you yes dead serious I’m cold with the Club Eleven with the masks you know with the big face oh okay pity but maybe you’ll think of something else okay and now you’re the only one giggling Daniel Nikolaou as a Jew masks do you remember in connection with the masks I’d really like to know if I was actually so you turned that around as a Jew no there it’s only you giggling the whole time as a Jew you don’t you really don’t remember right yeah you were the only one who found it funny and we’re back now we’re back in the present no no honestly it’s completely gone there’s the red wine belt what’s that in the foreground you don’t remember at all well okay here’s the red wine belt at last that has to be Jean Claude honestly no what masks what masks were they people or no no that’s not true that has to be Jean Claude we organised this club with these big masks face masks from yeah exactly yeah yeah JC Cologne trees it’d come up before that is Jean Claude are you sure aliens no it first appeared there oh right and now Michael’s saying that we didn’t record it ask her if she remembers any other anecdotes people could just put them on with a rubber band we’re new there he is that that’s me in the photo tree bark no what was that what’s coming up now I’ve got proof bread yeah and then and then it was like another highlight what proof well Stefan Limbeutel yeah I remember that a photo we’ve got a photo here of bread a slice of bread piece of slice of bread we recorded that any second now I can’t bear to look but maybe it’s from a different event maybe you can remember something from New Year’s Eve he’s still at work Bianca no no you can see the masks in the background from New Year’s Eve but we also called didn’t we she’s changed completely we’ve got proof yeah or from any other event no Michael said she has changed what do you mean got older and I’m wearing a mask we kicked Pernilla out of the band no he’s still at work in comparison to earlier the other photos you’re not wearing a mask in in the photo but they’re in the no not really maybe how about you call me back in ten minutes still at work let’s see the earlier photo again background because we’re doing this thing here right now with and maybe ask me the same thing oh okay not right now or the anecdotes in connection with different events and maybe you we’ll do that anyway Catalina but I called him and left I have to call him again Niklas in the back can think of something okay you’re right little Niklas ask her how much rent she pays yeah no he’s taking the grand tour Michael go back to the same photos okay who else did we say Tina we called Tina earlier and only got her always along the wall I can’t think of anything speak soon answering machine he’s standing on the table isn’t he like I’m sure you can think of something okay speak soon but you tried again didn’t you he looks really small in comparison think of something hope you’re feeling better soon I tried her again Tina Kohlmann with a big head anything alright thanks bye Tina after Catalina though ‘cos otherwise Tina wouldn’t have come in why don’t you don’t they have a rehearsal space here in the basement how did you put up with her for so long you called Tina sort of fawning don’t you have this you have a rehearsal space here in the ace you called Tina the whole time I was trying to figure out how it was basement at Oskar-von Miller Strasse don’t you how did you put up with her for so long how about you call Tina did we even record there yeah so oh so that was Tina Anja Stoffel how much rent do you pay unbelievable call Tina again Anja but I think Roman knows because we only pay very good so why don’t you call her call Tina but she’s not allowed to answer is the minidisc still on that’s a sidetrack now we have another Go don’t we they should also have to yeah that’ll be like an infinite loop I pay twenty euros so this is where we were at more or less right and then the New Year’s photos but that wasn’t yet was it twenty we called Tina as well but she wasn’t home right nice photo of Nick and Hank you said something different before we could call her too now it’s the New Year’s photos what a nice photo of you two call Catalina per month the eye could they have the fire engine drive past here again naw there was the Go already yes and now the that was last year Roman again with his mouth shut also a very rare sight oh yeah Catalina have you got her new number and you can’t think of any anecdotes the ears no that was this year now you remember that there’s nothing on there check this out no look at those ears is that this let’s call Roman just use redial yeah you can that’s not even funny that’s not even funny that was last year on the whole minidisc no redial would be Tina hang on hang on she’s very tiring because we had the same flowers that was this year he’s got something to tell at least right yeah that’s that’s not true Catalina that guy knows a song from memory Sing she’s really tiring but it was this year wasn’t it right redial is Tina Along no I agree it’s not even funny anymore it was this year because we had the same flowers the minidisc is full now nine there’s this guy living above our rehearsal space and he knows the order is to laugh till you drop now no and what is that bellows doing underneath the sofa we can turn it on there you’re in a bit of a predicament Björn one of our songs by heart Daniel we used it to blow up balloons and is there any which one Daniel great put in a new minidisc straight away eight and why but that was my idea no detail’s lost here right yeah should we have roast again which one it was my idea because I said he should throw some beer into it’s rare to see Roman’s mouth shut by the way there we were one nine five two because it’s so loud his face definitely this year there we were Thomas is the gravy nearly ready you were probably always playing the same one in the beginning in which one yeah definitely this year now we’re back in the present nine yeah Tina screams especially loudly in it and that’s why he can in which one stop go back good we need the gravy otherwise we can’t serve anything hear it so well which one not so fast not so fast not so fast so ask the exact same questions now which song what’s the title have you ever shown him the pictures what a face so and now we have a Go 138 139 Scooter Pictures Scooter Pictures 2001 2001 140 141 Scooter Pictures Scooter Pictures 2001 2001

now the Go here we go again now we can say whatever we want again now we can call Roman right no just let the thing play alongside Roman call Roman and ask him how he liked New Year’s is he even at home though we’ll see we can also ask him about the Atomic Café he was here for that right yeah yeah number oh eight nine one six in the meantime I’ll go have a shit … oh right the scooter photos eight nine nine one six I’ll go get my pizza from Berlin Roman hiya oh put it on loudspeaker loudspeaker will make a note of that it’s Niklas hiya yeah could you write that down hang on I just have to hello yeah scooter photos hang on I and donkeys yeah can’t hear you properly write down donkeys and now now’s okay scooters … (p. 99) okay listen we’re sitting here at Oskar-von-Miller Strasse and we wanted to ask you if you remember the Remake Atomic Café Club here yeah of course yes yes well then shoot wasn’t that when you got in trouble with Usch why what’s happening now we’re collecting anecdotes from different events that took place here okay I don’t I didn’t know that let me think yeah that was I think that was that time yeah but you don’t remember anymore which band invented the schnitzel no I mean if you tell me what I said no no idea I’m sorry I don’t remember anymore pity pity yeah anything else you remember another anecdote yeah I’ll have a think and call you back okay right I’ll give you our number then because it’s a different one right now we’re sitting in the front space in the front space yeah okay ready oh six nine hang on wait oh okay right who’s sitting there then Dennis and co and Michael yeah Dennis Michael Roberto Marcus Hank and Daniel so let’s hear it ninety-four 142 143 Quadrophenia Quadrophenia 2001 2001 right have you no could you press play press Go ninety-four where were we though yes do you know where the cups are because you you cleaned up in six eight eight here six eight eight yes one and why are there no cups left then one we have rules now that repetition bit was cool which are I’ll call you in half an hour no more cups yeah cool I’m out speak to you in a bit bye ciao no more cups yeah in a bit bye right that was hard work I’m out what does Roman say maybe we that he’ll call back when something’s come to his mind no sorry mum Michi we’ve completely left this one out wow that was hard work now it’ll come up in a bit there’s still quite a few details anyway that it well we’ve been looking at photos for a few hours now would be nice to I think it would be really good since we’re already here if we try what is all this anyway and cover the whole thing Roman’s called twice already yeah really wow Gin Ladies on DCA that was brilliant it’s a bit chilly in here don’t you think in here yes no do you want to sit over there Gin Ladies on DCA perfect this is a lot better I think it’s because over here you’re right next to the windows this is miscellaneous can you get the camera … and anyway then we came across these open doors where you could just walk into the these studio stages studio stages but they weren’t in use and we were like now that we’re here up on a stage why don’t we reenact Quadrophenia jesus who can guess the scene with Dave the brawl in at this bar on the pinball machine right on the pinball machine exactly … we propped the table up with a suitcase to create the slant of a pinball machine god this one’s quite nice as well Niklas as Jimmy oh yes and Michael and I as postmen who hit who drive into Jimmy and he comes off his scooter represented by a chair here … (p. 197) 144 145 Shroud of Turin Shroud of Turin 2001 2001 what’d he say what is it scanned scans constantly offloading bits of information that’s your pad that is yeah I’m probably trying to find out where the key is and if we can is there any bubbly group photo with finally if we can finally get into the place but we’re telling him he has to call back later oh at mine that sounds very likely that’s at the Fichtekränzi Roberto on the phone definitely shall I take this opportunity to switch it off for a bit right right and where’s the dandy who was it on the other end of the call again there I have it Klaus K and the dandies that was the day after the exhibition everyone in their new so it’s still Enno on the phone right maybe at my place but I don’t think so who are you ringing there you don’t know exactly completely dozy and what’s that about … Achim and I wrote on the wall there let me see give it here I have to look more closely that’s the dandy it’s not there no no no no it’s staying here with me right here I definitely think that’s Enno that that’s Enno on the I’ll fuck you when and where very nice how the streetlights in this one no he has to tell us now who he phone did you have it somewhere give it so how should we proceed now just randomly I’ll fuck you when and where so this loo scribble repeats the have a look on my desk where’s the key here it is was talking to I wanted to see this again connection too complex to explain now and Dennis just shot out very well you can see it from there you wanted to see these again wow Gin Ladies on DCA is brilliant I don’t have my glasses with me because yeah everyone went on and on about it two thousand the Lyric Lights … (p. 234) that was a farce I don’t give these to anyone three about the last New Year’s but that’s old art I don’t have my glasses with me is there a video on there or what so the outfit no photos can I see your stick please what is only photos that was in the morning Munich that’s old art right Städel that was the sewing box but now it isn’t a sewing box anymore Michael what’s SC this is all miscellaneous what do you buy this as not at all either a normal camera tripod this Marcus is another one of those a monopod or what but I like that with the with the camera that transmits it directly yeah vodka you can get them I think they’re also great as Gin Ladies you can crank it up like this and you’re having a whisky or what yeah but also like this as a with a camera no apple juice it looks completely disproportionate now that cameras have fuck become so small would you like some apple juice too yeah I’d quite like a glass of bubbly looks good though do we have any you could also use it as a stick with camera yeah yeah that’s what we did can we open a bottle you have it here the thing and how about some champagne that’s the dandy it’s right there in the serving hatch okay where shall we start I think I think here Michael has checked this already to see what Dennis we’ve already done that was Marcus yeah I’ve crossed a few things off it’s not in the serving hatch then it’s in the fridge okay so then I’ll have a quick look at the timetable timetable timetable I’ll write down again where the train here you go Roberto the train is meant to stop so where does the train leave from yeah exactly legendary 146 147

okay it’s a seasonal thing can you confirm that I wasn’t there I’d say just continue in the same random fashion what do you think we’re not the Rolling Stones those were the autograph cards continue randomly wasn’t that the the autograph cards continue randomly I thought we wanted check if that was all Single Release Show at the Baader Café handed out on flyers but what we shouldn’t do is look at photos each of us separately Single Release Show at the Baader Café in Munich right there you can see it right still true exactly great we have them here on the do you need more time to sort them that’s a banner with We’re Not the Rolling Stones printed on it you screen I still need a bit yeah can’t see it on the text and here’s the on the screen we’ll get started meanwhile if you want you can that was actually an accurate statement We’re Not the Rolling you handed out flyers okay Stones can I have the key please look with us well of course with you on them or something and also some other people yeah we could with our signatures but different different pictures well if all of them that sums up exactly our sense of humour and our stance on with signatures right I just have to I just quickly wanted to who’s that autograph cards more bubbly anyone explain right sort this pile because otherwise it’ll be a mess because it’s Maria there were Pink Floyd and the Who posters black and white and is that her Dennis the one I’m in mail contact with shall we shall we call Hans again enlarged no yeah definitely hang on I’ll hand you over to Dennis that also belongs with that but only loosely Hans no Michi Hans yes and the fittings should really already definitely oh alright Michi what was going on there I’ve got it yes do you know what was going on do you remember Hans what’s his last name there’s one of the Who no Wiegand yeah I’ll tell you then put it down for a sec that was at the party in Berlin Weigand right and the paper was bigger than the than the actual image and where all these somehow there were lots of drunk people and I’ve got it because of that you could recognise that we bought beer and always quite a few because the queue was okay just like in the book now always really long to get a beer and anyway we wanted to take a so right basically like in the book photo of ourselves and so we put the camera on self-timer and put we’re looking at the Single Release Show at the Baader Café and what’s that isn’t Roman in these photos it on top of a beer crate maybe Roman could also say something on that naw right in Munich the medium is bigger than the content and the guy the bar man pulled out the beer crate from underneath right yes he is it and the camera flew through the air and landed on the bar and yeah sure so we we I could call him again actually the medium is bigger than the content then took the photo we were supposed to call him back so says art theory amazing that was he said you mean art theory the moment we looked into the lens no there what sort of party was that so should I oh right there we it was this big you can’t enlarge the picture that’s Marcus holding a camera for the first time in his life that was the big party no the it was actually outside that house yes you can Max and then I you could zoom in yes the teacher’s house or what hold it a bit higher can I call you back later yeah no you can’t zoom in anymore either or can you no that’s it ah right oh right okay yeah sorry near Alex do you see but that’s the projection itself isn’t it wait a bit and call me in like two or three hours because I’m on the where the light installation was that also sums it up a bit computer right now exactly hello okay sure loads of photos of the Berlin trip with all the scooters and all We’re Not the Rolling Stones so then ciao you’re looking good very nice perfect yeah bye Roberto and there was also this in connection with the thing at the Baader Café with a beard name dropping and establishing a connection between yourself what’s up with him cheerio good day cheers and names while simultaneously through the negation this is this is Jörg Gönnar cheers right he’s going to call back in a couple hours cheers and oh that was the poster that the owner pieced together himself now the boyfriend of Jutta Zimmermann I’ll say goodbye now with the autograph cards on the phone they still owe us a Beat CD don’t they with the autograph cards we had there why is she laughing like that ah yeah hiya it’s Hank hi yeah us again but not there nice this is the first time I see that hey telephone conversations with Roman are the opposite of what’s I’m almost there listen so we’re talking about the Single Release Show right now at happening live but that’s not possible right now the Baader Café do you remember so with in connection with the Baader Café I remember yeah while he’s still sorting them I can yeah we played records no no he’ll sort them in the meantime what do you remember that I love it here with you guys go but that’s not the Baader Café me too what exactly Michael and I suddenly started a wild chase it’s alright yeah so the flyers with faces on them that you handed out I’ll just go and get right this moment or what he’s got some kind of lock on his phone not possible in general as well but especially here right now right not possible in the summer you all looked damned handsome yeah I’ll start over then 148 149 Opel Opel 2001 2001 yeah we have to listen now right we just pretend we are before it had never been like that the groupie here is the spindle adapter and that time Michael Korbun that’s where the material explosion came from but that’s not the Single Release Show where’s the spindle adapter right you mean proper alcohol so this yes it is where’s the spindle adapter arrived in Munich in an old Ford Taunus yeah yes it is they thought proper alcohol material explosion no but we’re up to that point now temporally and in terms of what spindle adapter they took real drugs we just really somehow wanted to have as much as possible location that’s where we’re at we had stolen it and kept harassing us about the thing terrible there’s oh alright so it was the spindle adapter for the that’s the record player but we hadn’t yet made any sound recordings back then that is the single release oh dear which became legendary Golowka was there’s the thing was that Michael or I we ran away from each other and for the centre of the record player yeah was the one who introduced him no ran into a tube station as if one of us was a thief really bizarre do so that they could listen to records my gran was the one who introduced him two cameras video cameras you remember well I found their rock ‘n roll attitude too real they really drank and another thing I remember about the Baader Café our new one of them Anke Rausch was also there for that and brought her yeah but I remember the atmosphere was so because that was yeah understanding for mass production the amount of film and photos camera the second gig with Stephan Golowka and Michael Korbun and we always just pretended like we were pissed but they were really we produced Jodie brought her new maybe they did the right thing by just drinking copious amounts drunk right her new mobile of alcohol the whole time even during the day and somehow that … one wall was reconstructed for us which was whatsit was really tiring to always have to take responsibility and have everything set up by the right time and all that I found that hugely the back wall exhausting and after that one it was kind of over and we separated from them that’s the wall opposite the display windows well Golowka is exactly or maybe they were tired of us as well because apparently our approach was too strict about things but with a disco ball even you I back then I couldn’t do things any other way with drinks even you or me one of us I don’t remember who but I vividly remember this said to Golowka at the Up Club you’re out and Golowka was a bar really pissed off and Korbun was too serving hatch right one time Golowka serving hatch it just didn’t work between us at five in the morning yelled into our room where there the complete wall all of it one to one obviously yeah twelve metres in length unfortunately only two eighty in height a bit a bit flatter than the origin …(p. 248) 150 151 Catalogues Catalogues 2001 2001

what what have you ever been here has Gabi ever been here no not yet once so what do you know about Oskar-von-Miller Strasse a lot a lot enough let’s put it that way enough enough what’s that supposed to mean now what do I know she could say something about Christopher Wool couldn’t she we need Hans what now what now how no so when are you coming to Vienna again pretty soon pretty soon and I want to stay with you guys yes you’re very welcome to when you can have a room here room key as well yes everything room key key to the flat key for downstairs she’s already promised me so where’s Hans Hans is I’m not even sure where he is he’s somewhere around town tell him to call me to call me on this number I don’t know what time he’ll be back his mobile’s off has he switched it off well yeah I’ll give you a number get ready which is hang on just a moment stop stop stop I need a pen and paper what do you mean stop he’s being cheeky again today does Gabi have a pen so oh oh four nine six nine yes her video eight camera yeah you’re right that was a real not home yes documentation frenzy that was the new mobile just now nine that’s how it all started right nine right hello nine that was even before Gabi four nine all the while Hank and I were also in Munich completely unaware well hello hi four nine call Weigand who wants to talk to Weigand hello four nine Michael how are you four you first well how should I be four you of course well four ask him about the Ladies’ Room Party at the Dirt I’m in how do you say six is the do you have an automatic depression six right what madness right I’m depressed six cheap call by call number yeah what you’re depressed double eight yeah is it automatically saved on the phone don’t shout like that it’s wrong that number XXL oh god six madness oh boy he’s strict incredible eight eight six eight eight and ask him if he still has the video material from the Dirt I’m at Oskar-von-Miller Strasse six he has to you’re at Oskar-von-Miller Strasse in Frankfurt double eight what of what right and so what what’s going on at double eight Ladies’ Room Party at the Dirt well that’s nice isn’t it one exactly that’s the first what one and then from the Pettibon Dinner no need to be depressed if you’re there read it back to me yeah and what that bird’s name was well I’ve just given up smoking for the time being one so I’ll repeat nine four nine four six six eight eight one that’s too mixed up now I’m here with new I’ve got the next Single you don’t smoke anything anymore but isn’t that what you’ve it’s only one six Release the first Single Release Show here at the always done only one six Sick Wreckords no you can cross one off at the Sick Wreckords Store no drinking no smoking one six can go doesn’t matter which put him on loudspeaker well if that’s the case go on and tell me something okay great I did no no you tell me something ask her if she has an anecdote about Christopher Wool oh okay what okay is it on loudspeaker yeah it’s on loudspeaker god help him if he’s no problem just tell me something so you want Hans to call you back on this number 152 153 Postering Postering

yes please exactly right what about the yes so whatshisname is coming to Vienna soon don’t digress have you ever met the guy by the way who’s coming to Vienna I’ll try anyway listen when Hans gets back I’ll tell him to call you I know Christopher Wool yes Michael back yes no that’s already you’ve remembered correctly and now back to the yes yes other thing one anecdote on about the exhibition at the Christopher he was there as well oh right about the Christopher Wool exhibition one anecdote go on I don’t know him personally not like not as well as you because oh sure of course yes why you’re good friends with him right he wanted to come to Vienna right don’t be so stingy in a way yeah yeah no cheers I’m not being stingy I’m definitely not stingy right so what did he say about the whole thing yeah so hang on what do you know about Oskar-von-Miller she once told me that the people from the Secession came to see call him Strasse the exhibition we could no the Christopher Wool exhibition right right did the people from the Marcus is getting embarrassed no leave it oh god already you could call him couldn’t you shut up for a second will you what what Marcus we could yeah enough do you want me to tell you the people from the Secession came to see the exhibition how he was here for the opening but it was September eleventh so yes exactly was that everyone was completely distracted that day well he had other no well they were sort of a bit how should I say I think they didn’t find problems than to think about what was going on at the gallery one thing one thing please it very funny you shouldn’t have said that now September eleventh no I don’t really feel like it right now they thought it to them it wasn’t a joke for the I liked the fact that it wasn’t the first why not to them it wasn’t a joke no of course that’s how it was naw no yeah I’ll take up smoking again they sort of all I know is that they Matthias Herrmann told me how everything was overshadowed by September eleventh somehow okay one one anecdote on the Christopher Wool exhibition they got the invitation from the gallery and didn’t know what was he came in completely gutted because of America now going on and sort of felt uncomfortable but at the same time they which reminds me Gabi weren’t and somehow they were a bit confused and maybe found came into the gallery and couldn’t really take in what was going on but Roberto it a bit cheeky but and was completely done with pull yourself together please they realised that they shouldn’t take it the wrong way he had I once asked him and at first he didn’t and then he kind of you pull yourself together unbelievable that guy right well sort of took it quite well so by the way is the text in here that I how can that be every everyone okay wrote for the Christopher Wool opening by the way your text is very nice in in Texte zur Kunst despite that’s what happened that’s how they sort of so that’s enough now no only what we worked in into the other everything isn’t it do you still have that text sorry what’s going on and no no your text I said the text is very good in Texte zur Kunst your text for god’s sake yeah the one I that’s a new topic now Christopher Wool the one you sent me 154 155 Postering Postering

it was quite we’ll insert it nine no cameras directed at them it was also exactly now okay Nine Dark Pictures I think it’s not supposed to be to the second she got that wrong it addressed a lot of things no now I’ve got a newspaper clipping here from the aforementioned Silke that’s supposed to be a two so Gilbert two I think she’s a bit and it wasn’t easy to understand either but anyway it says now we’ll continue with our stuff here Hohmann unversed in mathematics something in there about pulverised skyscrapers I was because I right I also remember that Heimo Zobernig introduced us to various well okay so I’ll take over from here saw a commercial here once that I didn’t that I didn’t know before break people that night Achim and me with the words the words may I Silke you mean it was a sort of let’s say a commercial of the reconstruction of the now it’s the end of the text introduce you these are the and they’ll be really really big artists yeah because that’s just nonsense Frauenkirche in Leipzig now we’ll continue one day shall we call her isn’t that in Munich hang on hang on was he already drunk or what that would be nonsense to the second and there you could see digitally an image of some kind of buildings let’s carry on a little Gilbert Gilbert and then digitally they got pulverised and then they showed this that was quite nice a little just read it till the end I know what’s meant solid looking brick wall and donations help the reconstruction and there was something else in in in in in in in in Vienna I we then no because you said really really big artists it’s not just about you that’s what I made reference to in the text went to the vernissage of the of Christopher Wool it was was along those lines let’s call Silke yeah I knew that the digital thing right he was already because they’re also yeah exactly because it was about that this information overkill which was also the opening oh yeah this is the one that Dennis doesn’t know yet right this text right call Silke this this allround documentation documenting anything and that was on September twelfth shall we read it out loud I don’t have her number everything and in a way that as a result we get something like a no from Monday March twenty-fifth two thousand two with the title I’ve got it digital vanishing of the world or a reconstruction or was it on the tenth Absolute Warhol Gilbert to the second and George to the second well then you even added that later it wasn’t in the original text yet and here yes it was by Silke Hohmann there are no cameras directed at them except their own which are in Frankfurt you told me I’d like to work the digital thing into the no on the twelfth twelfth or thirteenth it was later because ours from the Rundschau recording the whole spectacle it’s a true Warhol programme what’s text somehow hadn’t opened yet from the Rundschau happening here because of the two British artists remarks one right and there were these images of these they showed these right have you finished off all the bubbly Marcus thank you very much guest at the vernissage of Nine Dark Pictures which opened on children and they’re looking kind of and then they see how these the gallery was closed because the original exhibition that we’d it’s a short description Friday night at Portikus cult celebrity content inside the container skyscrapers get pulverised I mean in the way it can be done repeated hadn’t opened yet read it out loud I don’t know it that usually distinguishes itself by daring ventures today however digitally dissolving into digital dust and I worked that in and this and then they I met some of those clever Austrians a few times from top to bottom the entire text it’s playing it rather safe the idea of Warhol’s Factory is in fact a text was then published on the eleventh so for the exhibition on who were like yeah great text it’s just that I didn’t understand a yeah recurring theme for the Oskar-von-Miller Strasse 16 participants September eleventh thing that’ll take too long I think for the past two years the artists’ collective has been reacting it’d be great to have the passage from the text at the opening which was also the beginning of the season at the just read it straight through once to the events taking place at Portikus by imitating or copying its exactly we should read that out at this point Secession okay so Gilbert folds his hands and makes a quarter turn backwards exhibitions or conceptualising them further and thus in the true yeah I agree right George nods amicably and lifts his arm Gilbert to the second spirit of Warhol dismantling the notion of originality the subject that passage Gilbert and George were also there as special guests who later folds his hands and makes a quarter turn backwards George to matter of Gilbert and George’s exhibition and consequently of its well we’ll later insert it here were the protagonists at our exhibition Gilbert and George at the second nods and lifts his arm then Gilbert and George look copy is unequivocally Gilbert and George themselves they notice do you have that with you right Portikus Eight Dark Pictures straight into the cameras the others Gilbert to the second and and briefly acknowledge their impersonators but then continue no unfortunately not I’m at home we’ll insert it there I George to the second just look straight ahead because there are to be above everything keeping the same professional amiability you don’t have it at home no it’s at the gallery pity I’ll be happy to fax it to you you could but you don’t have the text right now no not right now but Michael S Riedel should have it because he also received it ask him where it is not so grumpy now no but I’m not I’m just as grumpy as you okay fine alright yes Hans will call us back right Hans will call you back okay ciao ciao ta ta well done Roberto yeah very well so in connection with the Christopher Wool exhibition we could maybe just add that Achim Lengerer and I at Gabriele Senn Galerie in Vienna Gabi Senn in Vienna yeah yeah sure I was just going to ask you though you don’t have that text now that I wrote I have it where he’s getting all nervous now no I’ve got it in that folder over there I think because in that text there’s also something about pulverised skyscrapers haven’t you noticed it was pretty long I don’t remember exactly you haven’t even read it I get it yeah 156 157 Postering Postering

and patience with which during the press conference that morning alright cool they ungrudgingly answered questions like do you work together yeah no just because we just had the link to her Sergej Jensen often obligingly and politely play along with souvenir snapshots she’ll come up again she’ll come up again Sergej Jensen and give autographs will she come up again was he still somewhere else then what okay Dennis no before they eventually disappear off to dinner at the Städel voicing fine don’t then I think it’s a rotten thing to do that’s Sergej Jensen friendly goodbyes at the same time across the street at Oskar- I’ve got the Single Release Show at the Sick Wreckords Store yes that is indeed Sergej Jensen von-Miller Strasse 16 the freshly filmed video is projected onto the here now and Jörg Siedel in the background wall in front of an audience almost live so to speak and the whole just race through them Single Release Show that was after the and Michael Beutler was there as well madness can be witnessed again in greater clarity thanks to its first concert at the Städelschule Sergej’s back in Frankfurt now isn’t he duplication in this live copy of Gilbert and George the encounters that was before back rituals and presentation appear even more absurd and the whole no ‘cos we showed the video there even before the concert it was pretty packed excitement is even more evident are you sure Draschan no flash yeah Thomas Draschan and me with a really strange haircut the concept of the group around Michael S Riedel doesn’t Jojo and you’re looking pretty short as well just involve the documentation of an appearance but also of a it was a CD release show wasn’t it and you stupid commentary which couldn’t have turned out more to the point if it Jojo Marisa go on faster Chris had been planned that was the stamped banner Jodie Winkler as an old woman let’s call her again who’s that on the left with the long blond hair Paul Weller that last sentence what is that supposed to mean Caroline Zacheiß was that Usch’s first time here already the concept Michael S Riedel come on I think she was with Draschan thanks I don’t know still with Draschan no idea call her Michael you don’t know Dennis me Silke Hohmann Dennis right ask her what she has to say about Oskar-von-Miller Strasse we’re calling her right now me isn’t it thank you Zielinski simultaneously Roberto can you push over that stack please but that’s the Up Club John’s Children record what is this authoritarian shit Paul that’s not Sick Wreckords yeah but the new pressing had his toy taken from him hang on isn’t that go back quick the one in the red jacket isn’t one hundred and eighty grams let’s do a few more photos first what do you think that no by Get Back that’s what they’re called right 158 159 Postering Postering

right the Italians okay so then now up next I have was that it with the Single Release Show then yeah we showed videos of course that’s the roof concert at Daimler Strasse the roof concert brilliant let me just ask does Daimler Strasse still exist yes does it still exist yeah they everything had to go up on the roof that quite a hassle that was through that roof hatch right oh yeah Michael S Riedel wearing Dennis Loesch’s sunglasses that are still missing to this day I have them upstairs when I arrived in Vienna I stooped down and they fell onto the concrete floor and one of the lenses broke and fell out I need them back they need to be repaired first Hank with a cleaning mop on his head still that one there is a proper haircut and what you also see here is that Lisa Voigt right here she’s still taking part here and later she’s down there with Daniel wasn’t that the time when you were wearing magician’s shoes yes indeed Merlin those were fine shoes as well the Merlin shoes

you mean my Chelsea boots all’s well that ends well that’s another way to call them yeah wasn’t he there as well I got into a proper argument with a passerby there who said I Jason Rhoades looked exactly like Roy Black was he right Roy Black was mentioned naw so everyone had their little troubles that day one of the few days I’m not wearing Clarks I think those are Hurttig leather boots striking a proper pose that was leave me a message thanks everyone at the tone please record your message when you’re finished what a total pain carrying the speakers up there recording you may hang up yeah up through that hatch I was a bit pissed off that night you look like Lou Reed in that one and press one for more options to leave your call back number that’s the boat press five Lou Reedel hi this is Roberto could you call me on my mobile the number’s Lou Reedel one seven oh two oh eight three one ten okay bye I wore one of these reflectors on my jacket who was that called Silke what Jason Jason Rhoades he should know about his first time here when he more water he has to pass a bit more water and he especially I’m sure he knows exactly how many extra minutes it took him to do the Hockenheim race don’t you think he’d remember that kind of thing yeah one round would be a bit much can you top up my glass as well thanks the day before I got a rejection notice from the Städel so I’m a bit pissed off there but in the end you did get in with the goal wall 160 161 Postering

do you still have those red sunglasses since then he’s put on weight so let’s get back to the concert this is I’ve put new lenses in them the first concert of the band at the Städel Städelschule Thomas Friemel no beard but a hat wow you did sweat a bit so it must’ve been summer yeah different lenses what lenses that’s Marcus there right we already mentioned this yesterday he black ones really looked like he was actually playing the drums I’ve never seen them Stephan Golowka on organ me on guitar at that time I was smoking unfiltered Pall Malls do you remember lead guitar no the first and only time or did I have a guitar for any of the other I wanted to opt out back then ones is that still the same gig up no in Munich yeah no yeah preparations I don’t think you did after that the others were making a real effort downstairs there were other lead guitar bands after that I was downgraded to singer other bands didn’t you have they didn’t stand a chance but you’ve still got it in you don’t you yeah downstairs didn’t you have when we started playing everyone was outside guitar sure hand me one right now yeah but there were other bands playing downstairs didn’t you have at whatsit one on the roof not a chance Ole Heydekamp but not at the exact same time no that’s what a strange photo format no no no no APS stringless guitar right there who took these and up there the light that was connected to the motion detector they’re what’s referred to as panorama photos which was tricky I only know the ones by Thomas Zielinski right APS didn’t exist back then yet did it to switch off there’s the legendary stringless guitar drumming standing up which Ida Red has now copied from us right let’s zoom in the the rockabillies do that too because they only have one snare you can’t see it anyway in the text Hank still smoking since he and how is the lamp fitted in there oh right yeah he hasn’t mastered this technology it’s all blurry now or what 162 163 Postering 164 165 Postering

Marcus later well that was quite the photo is out of focus Fabrice later Marcus became our bass player he changed position that was before the gig wasn’t it yeah I think so we’re moving through St Pauli right that’s somewhere near the Tanzhalle St Pauli round the corner and our new drummer was from there for a little while it was Alina yeah there’s the harbour Alina Hank for a bit the steps leading down to the Pudel Hank as well sometimes yeah I think so I stuck with the lead guitar no yeah yeah right they’re the steps leading down to the Pudel Hank also quite legendary often with the drumstick up his nose that’s inside the service area right from there I remember right on the way back on the way back in the car in Trebur at the open air festival remember the doggy bar right I copied that from Paul Cook right or often just chucked it away the stick and then drummed without outside the stick no and I remember the Moods okay right the CD towers yeah once in Munich you did throw it away CD towers oh yeah in Munich right you turned the volume up too loud but that was also yeah the one where you could set the volume and I cranked it up the only reason I remember this is because it hit me otherwise I all the way wouldn’t have noticed either and I I think I sent Denise a horoscope from there from that okay vending machine and sand again no that was somewhere else he’s really driving back and forth in that funny that was somewhere else was that on the way back from Berlin only because of the sand yeah okay so we’re going to Hamburg now get your hands off my bubbly will you oh okay no I think what now Hamburg if you finish your bottle didn’t we already cover that yesterday no I remember that because I was there as well I was we did just skimmed them or what you were there too well but there’s still of course we were yeah right of course we were somewhere not all of it with that pretty little minivan there’s definitely stuff that should still be mentioned I don’t know right yeah I was a passenger where you were that time at the Italian restaurant the legendary hat that I was wearing with the unbearable on the first evening temperatures in Hamburg what Italian restaurant was that where is it Niklas your haircut you have to see this Benito what the hell is that have you got the phone number that was on your staircase on the Reeperbahn incredible that is nope in Aachen I I’d bought myself these Puma shoes side street naw that’s not in that’s not at mine that was in Ursula’s building Alina made a very nice drawing there on a napkin yeah maybe yeah a photo of that’s coming up the photos are definitely all that’s good because sadly it’s been lost but at least we have the blurry photo I remember that and this one here I hadn’t cut both these guys’ hair yet I don’t yeah you had 166 167 Postering Postering

I hadn’t realised that yet that was inside that record shop they had they had the everyone bought Television Personalities there I think right look how Alina’s peeking in from above and holding her record right portfolio there was nothing for me inside that record shop Television that was at whatsit the Ritz or what that was Subsound that was at Subsound the others are still glued to the other shop and I just followed you right because I just knew that you were on your way to a better one headed for the top stuff Fabrice bought a record by the Monks right Heidelberg GIs and Dennis I think bought three hundred marks worth of records in that shop in under twenty minutes he’d bought all of them except for one West Coast Pop Art all of them I bought the at the other shop the one before the TV Personalities before me there’s the record for the concert that’s where the text came from that’s at Ursula’s is the green one still in the race bought Chocolat Art Chocolat Art who has a very nice bathroom lamp namely a lamp shade with the green one and the red one things have changed there though now now they only have Chocolat Art for the gig in Rüsselsheim at Opel this text carved into it that one wasn’t bad at all alternative electro garage right exactly later we copied it off cut out the red one too what’s it called yeah in girum imus nocte et consumimur igni the red one hardcore hip-hop independent and there’s a copy still there are two copies the first was the copy by Nicola Torke the burgundy one punk rock of when we copied the text off the record the text titled Three you could turn it like this in the bathroom all the way around the burgundy one you’ve grown out of it’s become less because he now owns two shops Wishes and then that’s directly followed by another text called Rosemarie Trockel a little bit too small I’m not used to that anymore yeah that’s what I’m saying Three Wishes Three Wishes and that’s a documentation of how I naw Nicola Torke can we get back to this later the other shop it says hip-hop down there now transcribed the sound how do you spell Nicola Torte but it won’t fit you Hank oh okay oh Torke TO TOR the green one I almost fit into has mod been removed from stock now of the situation of how we’re transcribing the sound from the record K we spent quite a lot of time there removed from stock yeah hip-hop and okay KE Nicola To Go Café mod Three Wishes Three Wishes there it is the lamp To Go Café and these soul funk and in connection with the record Alina was on drums in Hamburg ah right so the Togo trash surf and the the text from the record we copied onto the the inner yep some wild coffee parties we had there better this way sleeve right and I filmed I cocked up straight away and spilled my white coffee and more Verve now we could call Silke Hohmann to see if it’s nine wishes or six I slept that’s a white coffee I would do exactly the same according to her calculations do you still have the green suit Michael Fabrice and Michael more Verve there’s another one of that record at this point we should maybe thank ah right the To Go now I know that was right on the corner yeah exactly or three Ursula downstairs yeah right that’s not the green suit yeah normally you wouldn’t go there it’s a horrible place one more anecdote thread so this was before the euro changeover Panhans Bühler it’s alright no and I go there regularly to check out their new acquisitions and these are only the green trousers hey now yes that record he’s just not been able to sell he still has it Ursula what I can do my emails there for free that is not my work I’ll take it then only the green trousers ah that’s why you cut that and now it costs forty-five marks it said on the price tag and yeah Alina who was always trying so hard no scrawled on top of it was twenty euros or twenty-three euros or Panhans P A N you can do that in any public toilet these days though can’t you I’d bet my head on it something like that hans in photos to put on this pout I remember yeah right and then you’d look like this or what twenty-three euros Michael has a green suit like this that you cut those hairstyles for some reason he just can’t get rid of it Bühler by the way there’s my white polo neck again the one that got yeah but in any case but that’s a fair conversion isn’t it Bühler stained by a cucumber there it is twenty-three euros for the record and a separate pair of green trousers too which is basically un-wearable now there you’ve got that was the start of your career as a hairdresser it used to cost forty-five marks Panhans as one word hyphen Bühler the polo neck hadn’t taken on the funnel shape there yet very nice drawing well and Nickel bought it for a tenner these are only the green trousers Togo isn’t anywhere it only says Mother’s Café oh I vaguely remember Alina’s drawing at the other shop with H Coffee there were all the names ah okay the green suit is they’re only the trousers the green suit has stripes by the way one of the few photos where I could pass for a punk right speaking of Chocolat Art I my Chocolat haircut’s coming up now as well yeah let me see and Oskar-von-Miller Strasse with a Chocolat beard I’m giving away two suits if anyone’s interested with spiked up hair yeah with Chocolat in hand as well very good question right and the band name as well that’s just incredible the green one again definitely McLaren and Dennis that was at the start of your career as a hairdresser those haircuts they’re proper can I have another glass of bubbly yeah because that’s what it was about that’s at your friend’s the art historian’s now isn’t it no the red one yeah 168 169 Postering Postering

whatever a picture no an image a moment a situation in Frankfurt that was those young guys right yes in the house yeah the chick the blond guy another guy yeah but what about it though that’s where you are yeah oh yeah we were just there like a day I think right oh no no four four days or three days four days okay well you know I don’t my I don’t have that great a memory about those things you know but what do you ask about we’re just collecting memories oh okay yeah they were in a they’re in music too and art no I don’t know not that much ask him if he can sing a song pardon I don’t remember that much more when do you go to New York I’m not going not in this one not anymore that’s what Dennis needs now no that was still the phase of sometimes writing postcards to our or just forget about the photos that we already talked to death it’s it’s been cancelled or what what’s friends about yesterday no I’m just not going alright and now and now comes something that we need to yeah that too ah okay explain a bit about because there were somehow four vodkas and with all the concerts and all that it is you know it is the usual bullshit only two cups of coffee you have to you have to look at this here we’re going that’s at the Amphore my favourite Café with Michael and we were hello you’re going to New York there knocking back vodka and each time also got a glass of tap water hey this is Roberto oh no no no February mid February with it ha you’re coming to LA at that time you weren’t living in Hamburg yet hey yeah you going to be there no no and that’s how this photo came about that we had eight Happy New Year yeah what date glasses of vodka which was quite nice so all in all there must have oh Happy New Year well some second or third week of February been about thanks where are you right yeah I’ll be here have you I wasn’t paying attention just now have you explained Long Beach okay so I’m going to call you again the thing with the water Long Beach okay cool yeah do you remember Oskar-von-Miller Strasse yeah yep remember what yeah I’ll be around here stupid do you remember Oskar-von-Miller Strasse okay shit what’s that so sorry that I’m not that high that always passed as four glasses of vodka on the table what’s that you stayed there we had this dinner there when you yeah okay okay bye eight I thought when you the when you stayed at the in Frankfurt at the Städel okay see you bye eight right yeah right bye no memory well these guys this chick it’s the right moment for this though yeah don’t you this chick not yet actually and what what the blond guy and the other guy no comment don’t you remember where you stayed we were there one day I’m not sure what this will read like later without looking at the yeah but what about it but I think it was just one photo in connection with it do you remember no it was definitely two or three days I don’t know either I suppose we shouldn’t maybe comment on remember what come on we he did the whole wall painting there every single photo the people the space the house right yeah we should stick to anecdotes that somehow yeah organised the exhibition the opening then we went to that he’s he capture the situation evening was here for the presentation of the book of the book and the next have a message not like yeah day no the evening the evening before we had the dinner and two we should actually do remember something three days before he was painting the thing Marcus has spilled his coffee or something like that what are you talking about right yeah we should speak about anecdotes based on the photos well and then we also went up to Suhrkamp’s son at the opening be a bit more selective too we don’t have to look through the in Frankfurt what’s his name again the unhappy whole box when we yes Frankfurt Suhrkamp okay I’ll try and call Raymond yeah but what about it Suhrkamp’s unhappy son who also owns a publishing company we’re not at someone’s gran’s after all yeah I just want to know if you remember anything about this Frankfurter Verlag or something Raymond Pettibon the people there they just they are just asking me what do you I know what his name is yeah remember I could just read my address book out loud if you is he talkative what do you mean remember peeked in already no anything like special something what something like a picture or let’s take things a step further then 170 171 Postering Postering

so shall we continue with Berlin I don’t know and on the way back we counted how much beer we’d drunk that right yeah and you couldn’t really be sure whether it was Georg Otto but we already did that yesterday right everyone wanted he was cuddling and kissing it so fiercely right the Mercedes is gone no that’s a different that was were you there Friedrich Strasse at this at this in this yeah you’re right yes exactly that was that was at the broken glass or decorations riot decorations for chic what’s it we went we went round their house walked there stop insane Friedrich Strasse we were only there with you once downstairs that was there called radical chic oh my god the Mercedes is gone we almost missed Stuckrad-Barre at the opening honestly every day we were we made it into a sport to be plastered below and you were always going to that one place and then we went right we went there you told me that later every day by noon and there you here I remember this snack stall a radical chic shop the same walk that took us past those smashed in windows of the opening that was that was still yeah that was the snack stall Chrystal Park that super expensive fashion store we also went past Oliver and that he told you Stuckrad-Barre was here and you said who’s but not really pissed at the mezzanine level of the underground station we met my right to see John Axel John Wieder Maike’s door but couldn’t bring ourselves to ring their doorbell I Stuckrad-Barre that was sister exactly Axel John Wieder at the backstage got into the backstage area think I was already quite pissed so it might have slipped my mind in the feeling was kind of I have photos ah yes right just dropped by unannounced and got a coffee oh okay so things were already over then my defence drink a lot without being pissed right right we ran into your sister and it was so dreary no how was it we had been walking around yeah and were we by any chance at Contemporary Fine Arts as maybe that’s in Berlin now that that was so here before well things were over ah right those were the we drank insane amounts of alcohol that was unbelievable and we also saw how this tramp yeah I think we decided to pass on that things were over big it just kind of happened that we with the dog that and read this article by Marius Babias in the Zitty that was really you two things were over I don’t know I think we went to Berlin to record the Zosch Club I don’t remember why with the dog the story with the dog shocking and somehow things were completely dreary that we were for the coffee we were there as well that was ah okay exactly couldn’t admit to each other right pity that the afternoon we walked past that shop with the windows bashed in we also ran into Jonathan Meese but I don’t want to create the wrong impression now that afternoon and why again we stayed in Berlin longer right what was that again was he talking to it no it was more he was and we mistook it for part of the window dressing no we didn’t see him either we didn’t see Oliver and Maike was actually utterly dreary until we started drinking beer at that the sand is driving past again to turn down a beer that was cuddling it almost eating it up that was in Mitte that was anymore either snack stall and eating sausages the whole boot full of sand eat as much sausage as possible he almost but in the end it turned out to be a Oliver and Maike at that point were you still staying with them that right we were definitely in Berlin for a whole week or something not possible hang on oh yeah right exactly wasn’t until two days later that you got kicked out of there and basically that was we were in Berlin for a week yeah and drink as much beer as possible ate it up demonstration of right wing extremists yeah was I still staying with them no I was staying with Georg what triggered it 172 173 Postering

here we were constantly that was when we that was that was shortly after the Olympic Games shortly after the Olympic Games had ended there’s no right that was here or it was while they were still going on before the Olympics there we were watching an ice hockey match at Georg’s here together right there USA against Canada or what was it what mattered was that they didn’t win another gold medal yeah exactly we were at the top of the medal table here that was I think the first time or the first time in ages that the USA didn’t win gold yeah in ice hockey whatever anyway we were that was were we in all those I have two thousand what triggered it was that we thought three films from Berlin and we’re that basically every day we said us eating sausages makes the two evening makes the day two what and drinking beer two thousand and one and drinking beer no that must’ve been and drinking beer we’d just woken Niklas up there I have some photos here there the situation was no one really wanted to anymore but one and but the beer drinking was really as Niklas said of us would invariably appear with another beer in his hand put it on there always completely naturally like well of course you just sort of didn’t want to be impolite towards the others if one with that kind of face it’s pretty obvious that you were down for of us said okay the count or lose face I’d simply fallen asleep I was so drunk and we went actually there let’s have a beer should be a whole bunch of photos before this one let me see we I have several pictures always at at some snack stall were at that party that here that’s the kebab flag hang on that’s the kebab flag which we yeah later was pretty hip and we just couldn’t leave right here guy in a parka and all rolled up and took with us and we desperately wanted to take artistic photos and had it’s hanging on the wall over at the house now here definitely that’s the particular people and situations yeah particular people that’s good that’s hanging next door now UBA it’s now hanging next door here in Frankfurt UBA hang on it was Michael who hid it mods and I think that day I right exactly here mods psycho there’s the flag a hut twins similar whatever looking for sleeping people took pictures of I smuggled it away like this an Oktoberfest stall lots of sleeping people you hid it underneath your coat right but everything was closed four in the morning or something that was lots of people were sleeping at that party although it stank like a wow really foul it was yeah yeah it really did like a describe where it was you can see it there until I fell asleep myself because everything but I also stank at that time at night it was on the mezzanine level of an S-Bahn station I think in this one it’s already started Niklas did you steal it it was at Alex yeah yeah there at Alex never without a beer just unbelievable I have three or four rolls took it down rolled it up at Alex of film and on them no one’s ever beer-less somewhere there’s that’s when it started my thing for ayran yeah exactly and we noticed that there was no lock on the door always right on one of those Christmas market type stalls went in and opened but always with sleeping people but the guy still had the shop open it up from inside here beer beer here beer I think that’s us three again yeah first we ate bought a kebab and then we stole the flag and of course there was no one there yet who wanted to buy yeah that’s us three simple anything but we also didn’t have anything to sell beer beer beer Niklas looking nasty in that picture opened all all the windows the sides that were blocked up we didn’t drink anything else there that was sort of in a blind spot he couldn’t see it right that’s that’s the end there we were hiding behind the beer there who remembers what that was about the beer the thing was that you didn’t want to lose face if and here again I remember what that was we were opening a a stall someone offered go back Hank go back one back one 174 175 Postering Postering

schreib du das erste ruhig nein lass uns noch mal schwarze Farbe holen das können wir uns hier merken acht ja Messe ist besser /.../ also so richtig scharf so /.../ ciao /.../ mhm /.../ ich bin dabei strengt euch ALLES KOMMA WAS GUT TUT PUNKT willst du welche drehe ich rum nein gehen wir kurz hin Taverne Nico Taverne Nico Messe wäre schon die Richtung gewesen FOTOGRAPHENSTIMME an/.../ ja weiter Leute /.../ na logo klappt das /.../ guck mal hier was da zustande 91 Minuten nein ich brauch keine ich fotografiere das jetzt schon extrem ominös wenn jemand nein fahre mal hier weiter ja hier rechts oder kommt /.../ das ist doch super /.../ wird immer besser /.../ ist schon wieder ein 05.11.2001 hier Handschuhe anzieht irgendwo im Industriegebiet also ich habe keine schwarze Farbe das ist muss ich die Jungs noch anrufen gucken wir da noch mal kurz 161 Minuten Frankfurt a. M. 15.02.2004 Film oder /.../ nein das geht nicht mehr /.../ ja lass uns lieber noch mehr Bilder sieht ja keiner ich glaube ich habe noch eine Tube die Tube mit der auch Pettibon gemalt hat acht Mark acht Mark wenn man darauf achtet ist es gar nicht mehr so viel das fällt einem echt nur Oskar-von-Miller Strasse 16, Frankfurt a. M. machen bevor wir die in den Rechner stecken /.../ ja lass uns erst mal paar Bilder Die im folgenden Text erkennbare Aktivität ist abgebildet in der Zeitschrift ‘Subtropen’ (ehemalige '/.../' nicht geschriebene Stimmen weiterer anwesender Personen Beilage von ‘Jungle World’), Ausgabe 8/12, 2001. ich muss pinkeln vorher noch ich muss noch mal pinkeln vorher aha das reicht nicht dauernd irgendwie machen und dann kann man es sehen weil es /.../ ich habe kein Bock den Kram da steht es ja Qualität kann man nicht sehen aber erfahren Wurstzentrum Frankfurt nein auf dem Weg nach Offenbach ist da nicht noch was ständig da anzuschließen und wieder auszustöpseln /.../ also von der Größe ist ja /.../ total verkabelt /.../ gut /.../ das ist gut das ihr genug Bier da habt dann wird und was heißt jetzt auf hold wie startet das dann dann machen wir beide fahre mal die nächste rein das passt schon doch unten aber nicht auf der Hanauer sondern auf der Parallelstrasse also über es doch okay /.../ das liegt jetzt eigentlich nur noch an der an der /.../ ist doch ja ich würde hier gerne rein fahren aber da ist zuviel los gerade hier oder fünfzig Pfennig fünfzig Pfennig die Brücke Michael S. Riedel, Dennis Loesch. es feucht fröhlich guck mal die Kleine die hat echt Bier getrunken /.../ dann geht das super /.../ ja /.../ also ich hatte den Ausschnitt so /.../ stimmt aber nicht wirklich ich muss noch mal pinkeln ja nein da umdrehen kriegst du nichts mehr es los das ist super /.../ das ist auch super die mit dem Anzug /.../ das ist sehr du kannst nicht mehr stopp drücken jetzt zum Beispiel /.../ obwohl /.../okay dann posed noch mal ein bisschen bitte /.../ Michael /.../ was wenn ein Auto kommt aufhören da kommt noch ein Auto da brauchen wir schwarz Für mich ob jetzt zehn Mark oder neun Mark ob jetzt zehn Mark oder neun Mark ist jetzt gut das ist sehr gut /.../ die sind auf dem Computer mit dem Anzug /.../ nein nein das nimmt jetzt schon auf Oskar-von-Miller Strasse 16 Buchpräsentation ist denn jetzt los /.../ gut weiter weiter weiter /.../ strengt strengt euch an bisschen wenn ein Auto kommt aufhören Für mich für meine Familie für die Zukunft meiner nein das ist nichts Life can be auch egal /.../ aber von dem fand ich das am besten vor der Tür mit dem mit der der das läuft jetzt durch halt an /.../ ich fotografiere die ganze Zeit /.../ nein Hank /.../ wir gucken uns die jetzt davor direkt so simple will ich unbedingt eigentlich Wurst ja Spiegelreflexion /.../ Denise Pernilla zusammen da gibt es doch noch was /.../ mal im Rechner an ja /.../ also ich habe die jetzt alle aus der gleichen Perspektive Supreme Equipment ist das okay fahren wir los als erstes müssen wir nicht fahren ja das muss sein and The more you know du hast auch noch einen Autoschlüssel im Auto bei mir Dennis das habe ich von meinem Vater zu Weihnachten gekriegt zweihundert- fotografiert /.../ damit es keine Schatten gibt ich meine /.../ hier ist noch nein das zum ersten ja von dir mit so einem Clarks Ding dran sehr gut ja was willst du jetzt sechsundfünfzig Megabite Memorystick /.../ also mit fünf Millionen Pixel kann ich ist Wasser /.../ ich habe jetzt dummerweise alle in ein Ordner kopiert aber das ist wohin Kippen wir teilen uns was da gerade mal neunzig Bilder machen /.../ aber das ist trotzdem schon geil /.../ egal /.../ nein /.../ das lässt sich so schlecht hier regulieren /.../ nein das ist ein auf die Brücke zum rein Wein ich habe jetzt für neun Mark fünfundzwanzig schon und wenn ich so drei Komma zwei /.../ super Party Bilder mit einem Baby dabei Panther /.../ ich habe die halt alle in einen Ordner kopiert deswegen das sind halt Back is Beautiful da wären wir bis morgen früh dran auch komplette Frontseite Geldmacher auch das kann doch reichen /.../ super /.../ du auch der Hank der muss mit drauf der Hank muss mit drauf /.../ sau viele Bilder /.../. Back is Beautiful Geldmacher ein Snickers ja das ist gut Nik Nik bleib mal so bleib mal so wie du bist /.../ das ist geil ja mit 2004. da brauchen wir eine Leiter auf jeden Fall Innenausbau Baukeramik nein kein Snickers du hast aber auch nichts rum liegen dem /.../ Michael guck mal her Michael /.../ super /.../ du auch noch du auch noch die Musik soll laufen Kartoffel Schwab nein ich bin nicht so einer drauf /.../ hier alle drauf Dennis /.../ und einer muss hinter die Scheibe Daniel Michael Riedel, S. 2004. Text: ja weißt du was ich auch gerne hätte Der Moment gehört dir wie ich bin nicht so einer hier liegt alles rum ja gehe mal raus und guck mal und guck mal von draußen in die Scheibe rein /.../ Atomic Remake Cafe München, Strasse 16, Oskar-von-Miller 2001. oh kein Geld halt habe ich gemeint ich gucke mal was es so gibt do adverts rote CLUBED CLUB 1997. ja Oskar-von-Miller Strasse 16, Oskar-von-Miller 2001. Beate Bauer, 2004. Beate Bauer, da /.../ weiter rüber so ja stopp das ist gut /.../ Hank /.../ ja /.../ ja ist alles drauf das wäre auch ganz vorne dabei ja UP CLUB wo ist denn unsere kleine Leiter /.../ ja dann muss er weg /.../ Hank du bist nicht drauf /.../ gehe mal weiter rüber verschwunden schon seit Jahren verschwunden schon seit Jahren was kostet ein Mars King Size zwei mal /.../ no memory stick access /.../ das ist eine ganz gute Serie /.../ ja wir machen die große das geht nicht das sind die kleinen großen eine Mark neunundneunzig ach die hier eins dreißig gleich weiter /.../ nein wir sind noch nicht fertig /.../ was /.../ gut /.../ es wird immer nein das kannst du vergessen höchstens kosten die

besser /.../ nein macht euch mal keine Sorge hoch den Hasen hoch den Hasen Andy 2004. Warhol, GABRIELE SENN GALERIE Michael Riedel, S. Dennis Loesch, Strasse 16, Oskar-von-Miller 2004. will der rein oder bleibt der draußen guck ich mal ob ich hin komme damit DJ LAGERREGAL /.../ hoch den Hasen hoch den Hasen /.../ okay /.../ nein das ist ganz gut so /.../ nein die die große geht auf gar keinen Fall die ist zu zehn fünfundfünfzig habe ich nicht /.../ Paula /.../ ach so wenn es nur um den Hasen geht /.../ okay irgendwas wo wir uns vielleicht drauf stellen können zehn fünfundfünf 06.11.2003 19.00 - 22.00 UHR dann geht mal alle auf den Hasen zu jetzt eins zwei drei /.../ bitte alle auf den ah dein Hocker im Zimmer ist okay Hasen ihr auch du auch ich will Bewegung haben jetzt geht doch mal bitte dahin da gibt es sogar noch einen im Keller passt so /.../ und die Paula auf einer Party ist natürlich auch original /.../ Michael /.../ ja look at that stupid girl eine Kippe nein der reicht auf jeden Fall da kommen wir ja SCHLEIFMÜHLGASSE 1A 1040 WIEN TELEFON +43 1 5852580 FAX +43 1 5852606 WWW.GALERIESENN.AT super /.../ schon wieder ein geiles Bild /.../ nein stopp scheiße /.../ der ist noch überall hin ciao nicht der /.../ okay wir gucken uns jetzt die Bilder an /.../ da /.../ da /.../ ich muss okay ciao erst mal kopieren erst mal rauf laden dann können wir es uns angucken /.../ nehmen wir den den nehmen wir jetzt erstmal so mit und die Farbe dann gehen da geht ein halbes Mars Mandel halt gefällt es dir hier gefällt es dir hier /.../ nein /.../ oh nein /.../ guck mal wie die /.../ wir zum Back is Beautiful das ist die Mini Version ah ja ihr versteht euch auch die tanzt so gerne die tanzt zu Techno Musik Techno mag lass uns das doch zuletzt machen es gibt überhaupt gar nichts ja da können wir auch noch mal lang fahren da hinten sie am liebsten da macht sie immer so /.../ ja Daniel das ist doch perfekt neue das Back is Beautiful neunundvierzig Gramm weiter gerade aus dann müsste irgendwo auf der linken Seite wo es zur Metro geht Schuhe /.../ der Hank müsste die noch mal anziehen /.../ Schätzchen Schätzchen erstmal so eins wo wir ein bisschen mehr geschützter sind ich will nur ein Viertel Michael hier /.../ nein nein immer zu den Frauen immer zu den Mädchen /.../ wo ist der Dennis da hätten wir halt direkt gewusst wie es ist auch Telefonbücher gibt es darin arbeiten mit Bleistift

1997. nein noch ein Stück weiter /.../ der wollte die Bilder noch mal sehen aber Paula guck mal da bist du siehst 2004. ja ohne Post kein Prost wo fahren wir hin CARNABY STREET hier jetzt du Dennis /.../ hier sind die Bilder mit dem Anzug /.../ hier guck ist ganz gut mit okay willst du nicht mit zum ersten rechts hier Buchpräsentation * und die hat er einfach so übernommen also sieht man es Seitenzahlen sondern ist wie ein Lexikon alphabetisch man könnte jetzt so zur Vereinfachung sagen na gut men finde ich das ist auch sehr viel Arbeit das Ganze der abgeschnittenen Krawatte da /.../ was /.../ die scharfen kommen gleich na /.../ nein also Richtung Messe oder gucken wir mal rechts hier geht es fast schon wieder hier ist nicht auf die Autobahn nein da geht es auf die Autobahn gerade aus ist einfach verschieden gesetzt mal werden die Sprecher geordnet mit Schlagbegriffen die oben rechts und links in Tonaufnahmesession oder so was ähnliches damit man so ist nicht mal eine Dokumentation es gibt ja verschiedene Positionen also verschiedene per se ist das schon ein falsches Moment wenn man sagt da /.../ hm /.../ hier das ist perfekt /.../ Aschenbecher /.../ Pernilla /.../ das ist gut ciao es so groß dass es fast schon hier hängen ja überall die selben Remake 1997, Remake Carnaby Street London, 2001. 2001. bis dann hier nein ich glaube da auf dem Weg nach Offenbach dürfte schon noch was sein also 1 differenziert mal gar nicht und das liegt aber einfach daran der Ecke stehen jeweils und jeder diese Schlagbegriffe stellt eine Vokabel hat mit der man umgehen kann könnte man meinen irgendwie weil das benutzt ja irgendwie Momente von dem Hochstapeln ich sage ja auch dass es es könnte darum gehen das ist ja auch meine Position der /.../ das ist schon gut /.../ das ist auch gut /.../ das nicht das /.../ das /.../ das /.../ PORTABLE IDENTITIES Michael S. Michael Riedel, S. 2004. * Test it hier zurück jetzt wieder auf was haben wir uns geeinigt dass er das den Leuten frei überlassen hat ich meine da ist eigentlich mehr oder weniger eine Aktion eine Ausstellung für die die es brauchen diese ganzen Form was aber ein gutes Beispiel dafür ist vielleicht das Moment ist hochstapeln vorzuführen Hochstapler der ist entweder im Knast oder man weiß nicht war Ohm /.../ Pernilla /.../ jetzt kommen die nein noch nicht jetzt kommt erst mal es wird kalt in Frankfurt LE JEU DE PET EN GUEULE schwarz umrandet die Buchstaben Easy den Kaiserlei raus eine Stunde ja der Unterschied im weitesten Sinne dar die wir hier in der Oskar von Miller also zum Beispiel dieses dass es doch nicht so seriös gemeint ist ist eben die Zeittafel und das Hochstapeln selbst war nicht Mittel zum Zweck nein dass es ihn gibt also und insofern würde ich sagen also an der der Wild Style kommt jetzt /.../ echt /.../ hast du mal einen Lappen /.../ hast du allerdings mit Easy aber da kommen wir nicht hin da kommen wir nicht hin ja eine Stunde das übernimmst du zum Beispiel aber nicht Straße gemacht haben oder auch unterwegs also ja hinten da sind dann zweitausend zweitausendeins zweitau- doch das Hochstapeln ist ein Produkt was entstanden ist der es geht hier nur um Hochstapler von dem man nicht weiß mal einen Lappen es ist alles nass hier scheiße Pernilla /.../ hier da geht es los unter die Brücke oder wobei da vorne ja auch das fünfte Revier ist nur das Easy oder ist das ein Markenzeichen Untermainkai eine Stunde reicht ja das übernehme ich nicht und es geht auch nicht da hier bitte sendzwei zweitausenddrei vermerkt die Einträge allerdings was aber nicht beabsichtigt ist so muss man es erklären dass es ihn gibt /.../ das ist doch Party /.../ der kommt noch /.../ da der Daniel hinter der Scheibe stimmt da können wir noch eine Pizza schnell essen irgendwie Warhol nachzuahmen sondern es gibt halt den also in Frankfurt in der Oskar von Miller Straße oder halt auch dieses Blackbox ist das jetzt komplett das Blackbox Buch die man so aus diesen schönen kleinen rororo Monografien das ist eine reine Interpretation ist der nicht bei diesem Buch das ist halt direkt da gegenüber wenn es hier nicht so hell wäre könnten wir da mhm /.../ ist gut /.../ hier Frau Hase /.../ ist schon gut /.../ also der muss auf dem Boden so Unterschied mit diesen Tonaufnahmen also die Texte die in auf Tournee also diese Konzerte waren ja eine Tourneereise das ist komplett kennt wo auch immer die Zeittafel ist wo man sehen kann na ich führe das jetzt mal wieder zurück auf das Buch also und deswegen kann man nicht danach fragen und sagen ist vorne die die auf der rechten Seite nehmen so eine kleine Tour mal sein /.../ das da /.../ noch mal /.../ also jetzt nur ihr beide /.../ ja /.../ der Hase war der für alle oder nur für dich dem Oskar von in dem Oskar nenne ich es jetzt mal abge- oder Sachen die einfach auch unterwegs entstanden sind aber mit vorher und nachher etwas der Text wird vorher und wann wer was gemacht hat und vergleichen kann wie die oder sagen wir erst mal auf die Sachen die in dem Buch das jetzt so sondern das hieße jetzt wieder eine Sache so links ist schon in Ordnung muss auf den Boden /.../ Photoshooting mit Baby /.../ ja so ist ganz gut /.../ okay für alle druckt sind dokumentieren immer eine Situation und das ist also alles was uns für präsentationswürdig irgendwie nachher auch noch aufgezeichnet alt man da selber war ist es halt hier in der Zeittafel so abgebildet sind die Veranstaltungen in der Oskar von Miller irgendwie daraufhin fixieren das war jetzt auch nur genannt ist da irgendwas ach so der entscheidende Unterschied auch also Warhol schneidet und da gab es dann also auch eine Auswahl aber das ist letztendlich der das sind die Texte die auch dass da zum Beispiel steht sechster sechster zweitausend Straße 16 in Frankfurt basierten ja darauf Ereignisse im kul- als ein sagen wir mal so ein Vorschlag wie man das messen /.../ ja Michael komm mal her /.../ das ist ganz gut /.../ hier guck mal /.../ das ist Michael Riedel, S. 2004. gut /.../ das ist auch gut /.../ super warte mal Paula Paula /.../ Paula /.../ ja /.../

ich gehe noch mal auf Toilette ja wahllos einen Tag einfach mit weil er die Personen und die erschien ist dort drin ja aber das ist schon relativ vollständig an anderen Stellen in der Form publiziert wurden also da dreiundneunzig Minuten Digitalvideo dreißigster sechster turellen Leben der Stadt Frankfurt und Umgebung oder auch kann oder beurteilen kann 2004. Renner, Paula ich begrüße sie Gespräche so faszinierend findet die um ihn herum waren in natürlich gibt es noch Sachen aber man muss jetzt auch gab es jetzt die Texte sind nicht gekürzt zum Beispiel also zweitausend achtzehn Minuten Digitalvideo hundertsieben- in anderen Großstädten Deutschlands eben zu kopieren zu um das auf das Buchprojekt vielleicht wieder zurückzu- lauf mal rum genau nach vorne /.../ bisschen ja bisschen weiter zur Wand /.../ ja nein den Texten die auch allesamt auf Tonaufnahmen basieren im nicht alles sagen so ist das Buch eben aufgeordnet mit das ist jetzt undvierzig Minuten Digitalsound elfter achter zweitausend wiederholen weiterzuzeichnen zumindest immer eben nach führen Bewegung /.../ komm auf mich zu /.../ komm noch mal langsam auf mich zu sehr nein Oskar Buch wird dadurch immer eine Situation dokumentiert diesen Kapiteln und dann gibt es also um darauf zurückzu- das ist das was Achim glaube ich meint zweihundertvierundneunzig Minuten Digitalsound zweihun- Vorlage zu arbeiten mit einer Vorlage zu arbeiten lass ihn doch mal zu Ende sprechen gut /.../ das ist gut /.../ okay ihr alle zusammen mit dem Parka vor der Box /.../ ja nein also es ist gleich am Anfang eben die Anekdotenkonferenz kommen die Anekdotenkonferenz an sich ist wird eigentlich dertvierzig Minuten Video VHS zwanzig Minuten Film sech- kann ich ganz kurz dazu was heißt weiterzeichnen ja nein macht mal macht mal /.../ ja vor das Ding /.../ ja stellt euch alle rein du nein die dokumentiert die Situation dass sich halt sieben Leute von uns auch noch als Veranstaltung gesehen also es war 11 zehn Millimeter daran sieht man schon also da wird eben ich muss jetzt aber nicht jedes Wort erklären oder 21 gehst auch mit rein stell dich mal da hin Dennis Michael du musst auch da hin also wirklich die enger mit der Oskar von Miller Straße verbunden waren eine Veranstaltung die eben auch eine Übersetzung ist in was Achim meint mit den Fotos vielleicht dass da eine nicht inhaltlich vermittelt was dort aufgenommen wurde nein ich dachte das sei also ich meine ja ich werde hier ständig unterbrochen und zieh die Sonnenbrille auf /.../ ja genau /.../ es muss alles drauf sein und du also zusammen setzen und alles und sich alles erzählen was dem Sinn dass man halt zwei oder also drei Jahre noch mal Auswahl getroffen wurde ja ich also eine Bilderflut an sich ich sondern eher nur die Tatsache dass dort aufgenommen nein das lassen wir einfach mal stehen ich sage den letzten Satz und dann kommen Sie dran Herr musst im Vordergrund sein und frech in die Kamera gucken Hank Hank guck ja oder ich kann das nicht einschätzen okay noch irgendwie in Erinnerung vorhanden ist dann gibt es zusammenfasst in einen Text und diese anderen Texte die meine ich hätte ja auch es wäre auch die Möglichkeit wurde an sich und das führt diese Zeittafel natürlich ja so das geht einfach zu weit Hurttig ich bin ja auch von diesem Hochstapelbegriff wegge- mich mal an /.../ Hank das ist auch gut guck mich noch mal an Hank /.../ ich habe ich glaube die werden halt denken das wir irgendwie plakatieren herzlich willkommen andere Situationen die eben zum Beispiel die Durchreiche noch im Buch enthalten sind dokumentieren eben zusätzlich Textfluß das macht ihr ja schon ein bisschen es geht um weiterzeichnen das muss sich dann irgendwie gangen und dann war eben diese Frage der Positionierung den schon mal fotografiert ja /.../ Hank /.../ super okay das ist ganz gut /.../ jetzt ja aber wenn es die Polizei ist glaube ich halten die auf jeden Fall an herzlich willkommen und zur Buchpräsentation Oskar von das war die Bar der Oskar von Miller Straße wo die zu Bildern oftmals auch die jeweilige Aktion und Text und ja aber ich hätte ja auch die Möglichkeit also ich sehe zum das meinte ich damit dass es selbst erklären und des Erfolgs wie du vorher nämlich ausgeführt hast es bewegt euch einfach mal frei /.../ Niklas /.../ du musst noch ein bisschen weiter stimmt Miller Straße 16 hier bei Gabriele Senn wir freuen uns dass Getränke verkauft wurden das ist einfach ein Mitschnitt Bild bekommt auch hier so einen gleichwertigen Standpunkt Beispiel den Text also Text an sich wie ein Foto ich kann ja entzieht ihr ja so ein bisschen den Boden genau das ist natürlich eine Technik die auch jeder selbst gibt eigentlich keine Begründung für die Produktion und ins Bild rein gehen /.../ ins Bild rein gehen /.../ ja /.../ super /.../ okay /.../ das aber 2000 . sonst nicht sie so zahlreich erschienen sind und ich möchte ihnen kurz von Durchreichen Gesprächen oder ein Gespräch oder ein eigentlich also Status die Bilder lassen sich ja auch von auch zum Beispiel fünf Aufnahmegeräte in den Raum stellen dass es da Verweise gibt die dann aber letztlich doch nir- machen kann und dadurch natürlich auch millionenfache ich glaube dass das sehr sehr viel Arbeit ist und das muss /.../ okay /.../ nein das ist ganz gut /.../ Michael zieh mal an der Kippe und Hank kann man nicht sehen die Beteiligten vorstellen die das Buch heute Abend präsen- Text heißt Boopard der dokumentiert den Transport von links nach rechts und von oben nach unten lesen genauso und habe fünf Texte von derselben Situation ja so sehe ich gends so richtig hinführen genauso wie wenn man jetzt also Ausfertigungen entstehen können wenn jeder selbst da wei- ja einen Grund haben dass man das macht man könnte ja trink mal dein Bier /.../ das ist ja das Duo gewesen ich gehe noch mal ein biss- Strasse 16, Club Oskar-von-Miller Köln, Remake 2001. Eleven Easy ist ein Markenzeichen da waren wir oder schon dann fahren wir mal da Michael S. Michael Riedel, S. Galerie Gabriele Senn, Wien, 2003. * hier ist der Foto tieren werden das ist ganz links Dennis Loesch Gegenständen die für einen Remake Club benötigt wurden wie Text sind so zusammengesetzt also Vorbild dafür war das eher verstehst du irgendwie einen Teil von dieser Anekdotenkonferenz vorliest terzeichnet ja und mit diesem dass man eben eigentlich die auch die Tage aus dem Fenster schauen oder schwimmen chen näher ran /.../ mit dem ja das ist ganz gut mach den noch mal /.../ mach CLUBED CLUB hinter guten Abend das heißt also da geht es nicht um wahllosen Mitschnitt weil eigentlich ohne auf das Format jetzt einzugehen aber auf ja ja das ist eine ganz gute Erklärung das heißt die und es geht da um die um irgendeine Veranstaltung dann Sprachen des öffentlichen Kulturangebots nachgesprochen gehen oder so was das kann man jetzt hier nicht so gut weil VERSION EINER AUSSTELLUNG (INVERSION) guckst du ja den noch mal Michael /.../ den du eben gemacht hast und der Hank guckt mal in da vorne waren noch diese hinter dem LKW das war das Professionalität kann Roberto Ohrt man irgendwie so toll findet wie die Leute reden oder so was die Zusammensetzung war ein Katalog ich glaube aus den Argumentation ist eine räumliche nicht skulpturale hört sich das so an Michi was war da los weißt du was da hat so lässt es sich ganz gut zusammenfassen ohne zu ver- die Fenster so klein sind aber ist nicht so da hat jemand sich ja mehr Gas die Kamera okay Michael /.../ fertig /.../ ja gut Hank das ist ein guter Bruch weiter man guten Abend sondern eher das ist eine mögliche Form der Dokumentation Achtzigerjahren von einer Agentur die Werbefotos anbietet es ist ja auch mehr ein Buch als ein Bilderbuch los war weißt du es noch nein dann sage ich es dir lege es stehen was da oftmals gesagt wurde das heißt man konnte hingesetzt hat das abgetippt guckst du wenn einer kommt das widerliche weiter weiter ja /.../ ja aber ihr könnt es trotzdem noch mal aus machen mal allerdings guck ich da kommt einer look at that stupid girl nein die weiße Jacke ist das ist Licher da habe ich ja ein Plakat nicht sehen daneben Marcus Hurttig einer Situation also Fotos für den journalistischen Bereich so und da wurden ja wobei ich ja die Texte auch als Bilder sehe von daher oder noch einmal hin das war die Party in in Berlin wo die ganz sich eigentlich bei dieser Produktionsweise an formellen das bringt doch keinen Spaß aber erfahren hallo es ist aber natürlich in diesem kleinen Katalog ganz viel Bildmaterial die Bilder als Texte vielen wo auch so viele besoffene Leute waren irgendwie Dingen orientieren ohne die Inhalte zu verstehen die da was bringt keinen Spaß gucken was dann kommt ich glaube das kommt besser /.../ ja super /.../ auf alle nichts das muss schwarz sein endlich mal wieder Achtung kommt einer stimmt ins Bild Michael ins Bild /.../ das ist die Situation klar /.../ gar nichts einfach nur die andere ist besser da habe ich ja Clarks drüber Qualität rechts von mir Achim Lengerer es ist eine mögliche gezeigt was nebeneinander stand ohne inhaltlich oder na sie ergänzen es und unterstützen es vielleicht und wir Bier gekauft haben immer gleich mehrere weil man verhandelt werden letztendlich ja das heißt zum Beispiel eine aus dem Fenster schauen und schwimmen gehen das ist natürlich besser rum laufen ihr sollt feiern feiern Party /.../ Michael /.../ nein /.../ Michael Michael ja komm das sind LKW Fahrer da scheißen wir doch drauf das ist auch nicht schlecht Frankfurter PlakatabbildungRundschau, 2001. Oppenheimer Bar, hallo ja natürlich weil wenn wir die Reise noch mal machen wür- thematisch irgendwelche Bezüge herzustellen sondern da ja da so lange anstehen musste am Bier und auf jeden Fall wir Lesung oder kommen wir jetzt auf diese Blackbox Lesung aber das bringt Spaß so abtippen so Textkonvolute ich will da gehen die Lichter an hier ist das der Getränkegroßhandel das ist keine Absicht und ich selbst Michael Riedel ja es geht um dieses Buch den würde der Text ein anderer sein aber die Situation wäre stand einfach Marilyn Monroe neben Adolf Hitler und den jetzt will ich dieser Argumentation auch folgen ja okay das wollten ein Foto von uns machen und wir haben ja und haben mal zurück oder wolltest du noch was sagen das gar nicht selbst beantworten aber Michael /.../ super bleib mal so /.../ Michael bleib mal so guck mal in die Kamera irgendein Stock zum umrühren das ist so dünn da oben das ist aber angewandt /.../ das ist super ihr müsst einfach nur weiter machen /.../ geh weg cool noch mal Alles Komma was gut tut Punkt Service wieder hier Wasser gespiegelt hier ist nichts mehr gibt es in allen Größen was sie bestimmt schon in der Hand hatten was sie sich die gleiche letztendlich verbrannten Kindern aus Hiroshima und solche Sachen ist eben aus einer Perspektive also der der das Mikro hat die Kamera mit Selbstauslöser auf einen Bierkasten gestellt da findet eine Konstruktion drin statt alles andere gibt es also dann so Richtung Bornheim oder oder ist das Sackgasse hier eins genau so mach noch mal so du bleibst da stehen guckst in die Kamera du das ist explizit Für alle mit Weitblick was ist in Offenbach so Richtung Robert Johnson auch während der Veranstaltung gerne in die Hand neh- oder es ist schon eine Frage was Perspektive ist aber die stimmt und so weiter ich meine da geraten das ist ja auch der 18 da ist das macht man dann halt so was soll das keine Wendemöglichkeit halt für LKWs da ist diese Galerie wie heißt die Fruchtig men können dort drüben vielleicht als Einleitung etwas zur 5 8 Umgebung wird textlich dokumentiert aber aller Text nach Moment dass es dann so konkret ist du beschreibst da jetzt gerade die Aktionen eigentlich und du wartest auf eine Antwort jetzt die du schon selbst weißt ja der Parka der Parka pass mal auf /.../ ja ja /.../ doch das muss so laut sein die okay Mehr muss der Spaß nicht kasten da könnte auch was sein ist ja Hafen da

Pernilla Renner, Denise Mawila, 2004. * Pernilla Renner, oder Gestaltung des Buches aber es gibt schon das Stildiktat also auch das gesamte ist das denn in diesem Andy Warhol also ich verstehe jetzt wie vor ist es so dass bei den Fotos selbst wenn es jetzt das ist leer weniger das Buch ich bestelle mir jetzt eine Pizza Musik lauter ja /.../ noch mal /.../ warte mal der Blitz muss laden /.../ okay /.../ fer- scheiße das andere kasten mhm weiß ich nicht soll ich das mal hoch zeigen das Tonband so ohne Streichung nicht ganz die Rolle des Andy Warhol Buches diese Perspektive dann gibt nicht alle benutzt werden und es also dass das das was hier auch als Dokumentation auf- ja aber ich meine die Aktionen sind ja abgebildet in dem nein nein nein ich weiß sie nicht tig /.../ fertig los langsamer /.../ bleiben bleiben bleiben bitte bleiben bleiben /.../ hast du den Hocker hast du den Hocker nein das ist nichts gucken wir da und fahren dann auf dem Rückweg das Untermainkai lang fahren wir zu dem LKW hinter genau zeige das mal hoch Streichung gibt es nie es ist immer alles komplett abge- Andy Warhol ist ist ja also was mir halt eben scheint ist dass das einfach nicht taucht so konkret ist dass es fast auch wieder nicht hilfreich Buch und vielleicht ist es mal ganz hilfreich na dann frage noch mal super /.../ Parka /.../ ja Michael du musst raus gucken Michael wo ist der Michael das andere ist zu dünn Hanauer Landstrasse mhm ja du musst jetzt auch das andere Buch hoch zeigen schrieben von der ersten bis zur letzten Minute wichtig ist die also das hört sich immer so nach zwanghafter Vermischung so wichtig ist also einfach nicht der Fokus liegt eben auf dem ist zu sagen was da eigentlich passiert ist die Aktionen jetzt zu erklären das ist jetzt das dritte Mal da ist der Michael stell dich noch mal oben drauf /.../ wir haben es glaube ich ja Carnaby Street Die Zeit ist reif steht da das ist ein Parkplatz von Siemens Is it too much we do it ja ja Frage wann man die Aufnahmetaste betätigt und die findet an Text und nicht auf dem Bildmaterial weil das Buch steht ja in der Reihe von den Aktionen es wer will denn schwimmen gehen dreh dich noch mal um und jetzt noch mal alle bitte ins Bild rein so von wegen habe ich Farbe irgendwo Feinde for you mit Kameras weil das ist die gewissermaßen das Original und wie war das halt erst dann statt wenn man sagt okay die Situation will nein also Warhol ist ein bisschen unglücklich ja 15 nimmt sich da ja nicht raus ja also es ist ja nicht so dass wir also ich finde ja /.../ zeigt mal Präsenz ich meine der Daniel ist der einzige der mit dem Rücken ist nichts bei dir ist nichts Feinde dann fahren wir mal weiter merken auf jeden Fall 2001. Offen nein Karlsruhe HFG Karlsruhe Is it too much we do it for you konzipiert das habe ich nicht ganz verstanden es ist es gibt ich jetzt haben dass die Situation dann nicht komplett sein Mensch die Konzeption ist stärker und es geht auch vom Buch aus ja das ganze Buch ist wie ein Sachbuch eigentlich aufgebaut plötzlich eine Dokumentation machen und sagen das ist was manche Leute machen das ganz gern zu mir steht ihr guckt mich alle an okay /.../ okay guckt alle zu mir bitte jetzt TOURNEE PLAKAT ‘WHEN THE WHO WERE LATER BUILDING UP THEIR SUPERMOD IMAGE’ versaut nein 2002. ja einen Formatunterschied muss also bei der bei dem Transport von den Gegenständen gewesen das ein Textbuch ist das man von mir aus auch dann auch spielt Dinge an es gibt einen Namensindex ohne Seitenzahl anderes als das wir vorher gemacht haben ja die interessieren uns nicht Niklas du auch super /.../ wir haben es /.../ was /.../ okay dann machen wir es ist immer offen Alles super hier gibt es eine Menge auf so einen Glaskasten wäre halt auch ein Brett herrlich Henninger verbindet 2001. Remake 1998, Remake Clacton on Sea, 2001. genau also das Buch Oskar von Miller Straße ist eine im Boppard Text da hört die Aufnahme vorher auf weil die gewesen es geht jetzt nicht darum hier Warhol zu imitieren bildlich natürlich funktioniert aber der Fokus der Produktion was eigentlich wiederum sehr widersprüchlich ist weil man ja nicht immer nur Wein trinken und rauchen aber vielleicht der gleich /.../ wo war denn mein Bier hat jemand mein Bier gesehen /.../ du /.../ 2002. okay wo drauf direkt gegenüber von der Aral beim Robert Johnson ist da was Niklas Schechinger, 2004. Niklas Schechinger, Anlehnung an das Buch von Andy Warhol A A a Novel heißt Batterien leer sind und die Reise geht aber noch weiter sondern es gab einfach den Bezug ein Buch zu nehmen ist der Text mit dem Namensindex ja gar nichts mehr anfangen kann weil letztendlich waren vorher die Sachen auch Herr Hurttig jetzt Dennis Loesch, 2003 -2004. OLIVER DRESCHER PATCHES der macht nicht zu hier ist doch da vorne links ist doch genau /.../ ja ja Denise und Pernilla /.../ ja das ist doch gut /.../ worauf kommt es KOPIE auf die schwarze es da was eine Tonaufnahme darstellt von einem Tag in der also das nimmt man dann in Kauf aber letztendlich ist die was auch mit Übersetzungsarbeiten spielt auch mit Texten ja schon ich meine also die Texte wenn man nicht die entsprechende Seitenzahl zu dem ent- Übersetzungsarbeiten die das Gleiche noch mal in einer ich ich hoffe dass ich jetzt den Faden noch mal finde Qualität kann man nicht sehen hier ist es viel zu hell fahren wir erstmal heim ja euch jetzt an /.../ ja danke /.../ das R sieht man nicht /.../ das ist doch gut /.../ kann ich den Pinsel dir geben Factory abgeschrieben in englischer Sprache daraus wurde Aufnahmetaste dann aktiv wenn eine Situation zu doku- auch mit transkribierten Texten das war eine Sache die uns oder um es anders zu sagen es ist sprechenden Namen hat anderen Form gebracht haben kann man ja so sagen Hochstapeln und den Bezug jetzt um wieder auf das Buch Polizei Zoo Polizei da kommen wir nicht hin dann machen wir doch mal so einen Ausschnitt hier /.../ wenn es nur um den ja dann dieser Umschlag der um die Buchstaben O S K A R mentieren ist aber auch erst so zufällig halt in die Hände gefallen ist und die Texte sind mir die sympathischeren Bilder eigentlich vielleicht kurz ein zwischen warum ist das so ja zurückzuführen ist die der gesamte Arbeitsprozess die ich was Zoo und drunter Polizei Taunus für Mutige Los kommt spielen da gibt es einige was Gute Fahrt mit null Promille Ausschnitt geht dann ist es okay /.../ Moment so komm mal in die Mitte ja ja

ergänzt wurde und sich dann jetzt als Oskar liest also A nicht du hast jetzt zweimal wahllos gesagt und dich sozusagen die dann hat sich dann war es einfach das Formale was sich so ja sind auch durchgearbeiteter halt ja weil es eben nicht darum geht ein Sachbuch zu machen letztendlich die ganze Ausstellungspraxis ist letztendlich ver- Herstellung des Buches ist sicherlich keine Hochstaplerei Hank Schmidt in der Beek, 2004. ist zu sauber keine Veränderungen man noch weg hauen kann nein da ist nichts nein da ist nichts da hinten schön scharf /.../ mhm /.../ also es ist schon es soll schon ein bisschen abstrakter mehr für Andy Warhol unbedingt stehen muss sondern auch Praxis die ihr macht weiß nicht im Verhältnis zu Warhol hast wunderbar ergänzt hat hier mit diesem großgeschriebenen A das habe ich nicht verstanden die Texte sondern ein Künstlerbuch gleichbar mit einer journalistischen Tätigkeit oder sagen wir weil es ist sehr arbeitsintensiv und sehr mit sehr viel Mühe OHM (MAß DES WIDERSTANDS) meinst du das langt noch um hier im Karree rum zu fahren wo gibt es denn noch so Industriegebiete mhm gelöst werden okay /.../ geanu das ist doch ganz gut /.../ super /.../ bisschen wei- für Oskar stehen kann das Format hat sich etwas vergrößert du auf mehr Wahl gepocht also jetzt Anfang und Ende dann dass man da Oskar drumherumsetzen konnte und dadurch die Texte sind für mich eigentlich die sympathischeren Bilder und für was ist der Index der Index ist des Index wegen mit einem Konsumenten der wohin geht sich seine Produkte verbunden und das ist Hochstaplerei nie Hochstaplerei hat ja das reicht locker in der Mörfelder hatte ich ja auch so Fußgänger und so was aber da war ich halt Richtung Catalina Ich bin ich wir sind wir ter raus Denise bisschen weiter zur Seite /.../ stopp stopp /.../ dann geh mal ein aufgrund des R Zusatzes und auch bei diesen äußeren Sachen das ist also manche Dinge auf ein neues Format kam weil bei Texten die eben auf Tonaufnahmen basieren hat enthalten selbst definiert diese konsumiert und dann journalistisch auch immer was mit dem Weg des Einfachsten und den Weg weil dann würde ich dahinten noch mal mit rum fahren bevor wir so betrunken dass mir das halt nichts mehr ausgemacht hat nicht schlecht aber zu hoch bisschen weiter rüber so gut /.../ stopp stopp stopp das war doch gut /.../ Michael werden übernommen das ist aber eine Wahl die jetzt weiß ja es gibt ja diesen Warhol Bezug nicht nur hier sondern man ja also vor allem die Leute die die Sprecher eventuell ja man spielt natürlich mit den Formen die allgemein gültig darüber berichtet wie er sie konsumiert hat so könnte man ohne Widerstand zu wählen aber die Form des Buches kann das ist ja auf dem Weg zur Daimlerstrasse auch das ist nicht schlecht wobei so oder vielleicht doch noch so ein Alles muss raus bei Prada ja kommen wir nicht hin hier könnten sie eigentlich pflastern 2 nicht wie zum Beispiel macht ihr das zusammen also den gibt es ja generell in vielen Grundkonzeptionen von der persönlich kennen hat man ja die Bilder ständig im Kopf sind allgemein anerkannt benutzt sie aber eben ohne den das eigentlich zusammenfassen dass man man finde ich als eine Art von Hochstaplerei schon ansehen bleib mal so stehen Michael friert die Situation mal ein /.../ ja das ist doch ganz war das damals auch da waren wir zu viert im Auto bei Prada in der Goethestrasse auch das ist auch das war ein riesen Ding eigentlich schon wie bitte wie wie ist das jetzt zu verstehen ja Oskar von Miller Straße also ich meine also insofern produzieren diese Texte ja enorm viel Bild festen Boden wie es sonst na ja es ist ja auch ein bisschen was also Mimikry imitieren da sie was wir die ganze Zeit eben angesprochen hatten gut der Aufbau hier das R da hinten das R /.../ hier das ist es oder /.../ das ist so ein Fahrer wäre natürlich schön Bierschwemme und hier ist das Ding dieser Strandbus also es gibt eine Erweiterung durch den Buchstaben R so die wird also ihr entscheidet macht wählt was aus schon im Gegensatz zu Textformen die halt eher so erklärend man entzieht sozusagen die Verbindungslinie ist ja auch immer ein bisschen was verscheißern also man nämlich spielt mit bestimmten formalen Dingen die ange- groß das ist doch gut /.../ guck mal /.../ schön scharf /.../ das ist das R das R /.../ das war natürlich Quatsch was ist das dass das Format also ein bisschen angewachsen ist an ja die Arbeitsweise in der Gruppe arbeiten und solche Dinge und beschreibend wirken es geht ja auch gar nicht so deswegen ist es zum Beispiel also in alphabetischer sagt sich Nachäffen einen Doppelgänger hinstellen jeman- spielt werden die aber dann doch nicht so konsequent durch- mhm /.../ du musst weiter vorne stehen geh noch mal ein Stückchen weiter zur zu viert nein wo ein Bus vorne raus guckt da drinnen wo ich fast gekotzt hätte der einen Seite und oben es gibt eigentlich das Papier ist setzt so eine äußere so ein weiß nicht so eine äußere Form glaube ich da ist ja schon ein starker Referenzpunkt sehr darum bei den Texten inhaltlich das nachzuvollziehen Reihenfolge gehalten den seiner Originalität berauben also das gehört ja alles gezogen werden wie man sie dann sonst von den herkömm- Pernilla noch weiter nach hinten /.../ so /.../ jetzt nimm mal deinen Arm runter das war natürlich Quatsch Lechons Deni B das zu nennen Boygroup Boygroup eigentlich größer als das abgebildete Buch was als Vorlage also so wie ein wie soll ich sagen klar das auf jeden Fall ja schon sondern eher die Situation zu erfassen denke ich mal wenn genau dazu bis zum Moment des Tragischen dass man eben sagt lichen Büchern kennt vor allem bei Sachbüchern also die Pernilla /.../ ja da haben wir es doch /.../ Moment das kann man erkennen sehr Le Chant was stand da galt der Buchrücken ist natürliche der Gleiche geblieben die einen Rahmen gerade in den Äußerlichkeiten es um was geht ja man kann das nicht mehr unterscheiden also man löst die ganze Idee sozusagen ein ich sage mal wie ein Sachbuch gut sogar das ist ja nur ein kleines Bild guck mal muss man am Monitor mal hier schon was steht da Für ihn bin ich Mutter sonst Frau Trebur hätte man es nennen müssen einfach Boygroup Buchanzahl die Seitenanzahl hat sich geändert dadurch dass einen Rahmen genau in dem Rahmen wird aber guten Abend ich glaube dass die also ich reite jetzt auf den Bildern rum und dann kommt dieser große Koloss Anekdotenkonferenz Identität von jemanden einer Sache auf man weiß nicht mehr über die Oskar von Miller Straße herauszubringen die ist sehen guck mal wie gut du das erkennst /.../ ja aber das erkennst du trotzdem wir gucken erstmal ja aber das sind so Schritte die gehören dazu langsam da sind noch welche da von was war das das Papier dünner wurde also wir haben jetzt sechshundert- wahllos ja hallo hallo ja schon also das ist spielt natürlich damit aber aber dass das auch wie Illustration funktioniert ja also relativ der sozusagen entsprechend eines Sachbuches eben die ist das jetzt das Original oder ist das jetzt das Original das ist sozusagen da schimmert das Hochstapeln die Hochstaplerei /.../ also das ist scharf das siehst du halt jetzt nur nicht so /.../ weil das Bild so Verbotene Liebe würde ich lieber nur dieses Qualität nehmen statt Service Kondomwerbung sechzig Seiten wovon etwa neunzig leer sind und hatten im da wird weniger manipuliert oder da wird weniger eingegrif- es ist jetzt nicht so dass wir eigentlich mit unserem Buch konditionell also zum Beispiel auch auf den Betrachter ange- Geschichte rekonstruiert ja ein Angriff auf die Sache also das kann man ja nun nicht schon durch da sie eben da nicht wirklich konsequent dann klein ist aber da siehst du ja dass das R gut zu sehen ist auf dem Foto /.../ und Verbotene Liebe ist ja keine direkte ist ja eine Fernsehsendung Qualität kann man erfahren ist mal ein guter Ort dann ist es mal ein guter Ort und dann hängt da ein blödes Original in etwa ja genau gesagt vierhundertsechzig fen oder so wenig wie möglich ständig auf Warhol verweisen wollen sondern wir haben dacht sind also die Texte sind so eine Masse dass es keine ist es mal gut mal zu erklären was das war weil das haben von der Hand weisen das tut wie man es von Sachbüchern dann kennt hier auch ja so das war das erste /.../ so das /.../ das /.../ das ist auch nicht ja kann man nicht sehen Plakat ja und warum ist das Papier jetzt dünner gewählt worden genau eigentlich gar nicht also der Rahmen wird festgelegt Warhol benutzt für unser Buch und man benutzt es als Rücksicht darauf nimmt ob jetzt jemand tatsächlich das wir noch nie gemacht und vielleicht nein also das darf man nicht unterschlagen aber Entschuldigung es handelt sich doch hier um ein schlecht /.../ das ist zu unscharf /.../ ja da war lass uns noch was anderes Litfasssäulen kann man nicht sehen aber erfahren bei den Jungs einen Kaffee trinken hinten raus bei der Villa Werner ist auch noch also und in dem Rahmen findet eine Beliebigkeit statt die sich Anleitung aber es ist kein Diktat letztendlich die Dinge so zu durcharbeiten kann durch die Fotos macht man es natürlich Anekdotenkonferenz kann man sagen dass das alles Angriffe sind Künstlerbuch insofern ist die der Vergleich doch hinfällig oder 2004. Goya, * machen weil das mit den beiden Rs ist jetzt klar glaube ich /.../ das letzte zeigen Clacton on Sea, 2000. Litfasssäule Gebiete zurück erobern ist das Industriegebiet fahren wir mal den Untermainkai lang mal sehen was da los ist hier weil es gab keine Notwendigkeit die Papierstärke beizu- zwar die sich zwar machen wie sie eben also wie sie darin vorgegeben sind auch das Buch also angenehmer zum Blättern und man ja ja ich also erst mal muss man diesen Aspekt ja behalten also also in dem Moment wo ein Künstler ein Buch rausbringt /.../ ja das war es guck das war das beste das ist jetzt nur so klein von der BRIGHTON also da sind nur was halt super wäre ein MTV Music Awards aber da sind nur zurück holen das ist wieder ein Einmischen auch ist es halt extrem beschissen jetzt Wohngebiet behalten wichtig ausschlaggebend war der Buchrücken aber ist es nicht ein bisschen anders es ist ja so es stehen kann das mal durchgucken eben aha da hat das und das doch es ist in der Technik des Imitierens gibt es gibt es also eine wir haben uns in der Anekdoten

Darstellung das sieht man guck /.../ siehst du ist doch richtig scharf /.../ setzt Michael Riedel, S. Dennis Loesch, Secession, Wien, 2003. * Termine und so Konzert Bekanntgebungen das ist uninteressant hier das kann man vergessen Wohngebiete und Hauptstrassen letztendlich da ja so Momente der Entscheidung gegeneinander also 9 stattgefunden also man kriegt da so was wie ein ja wie eine habt ihr das schon besprochen sehr große Gewalt drin aber setzen Sie Künstler gleich mit da ist dann alles erlaubt nur das hier aber das ist auch nicht so sind tabu Die Zeit ist reif auf das Dach hoch der dieselbe Stärke hat wie das Original somit bleiben bei einerseits entscheidet man sich dafür zu sagen also ich ich wollte noch mal zu dem Wählen weil die Frage ist irgend- Illustration funktioniert es ein bisschen das haben wir schon besprochen du könntest natürlich auch oder euch noch mal nebeneinander setzt euch noch mal nebeneinander /.../ habe ich PREMADE CLUB SWR Leben sie in einer Welt absoluter Klarheit hier für Marcus Hurttig Wir bringen täg- ich Ärgere mich immer noch ein bisschen dass wir diese Evian Flasche damals Oskar sechsundneunzig Seiten leer einfach nehme dieses man muss wenn man ein Buch macht muss wie untergegangen also der Text also dass keine Worte wieder mal geschlafen in unseren doch gerade gesagt du guckst in der Tasche drin rum also normalerweise läuft was auch gut ist lich vier Millionen Flaschen täglich in alle Welt nein Verbotene Liebe nicht um wieder das man ja irgendwelche Entscheidungen vorlegen also jeder der weggelassen werden aber ihr wählt ja natürlich so was 12 also das muss jetzt mittlerweile klar sein ja 22 es so ihr unterhaltet euch und du holst dir die Zigaretten aus der Tasche so quasi Nummernschilder bei uns rein gelegt haben ja um die Differenz wieder ein Buch macht sagt irgendwie ich möchte jetzt gerne ein wie also man muss eine Typographie wählen es gibt zum wobei natürlich auch gewisse Kapitel nur mit Bildern doku- und in meinen Augen sind dann eben wie ich es schon in unseren Breitengraden also ich glaube dass da zumindest /.../ ja ja ja /.../ aber das war doch ganz gut /.../ also gerade sieht man es nicht Zone dreißig Niemand hat Geld zu verschenken wir können da mal rein fahren danach Aussen ja einfach mitgenommen das ist das wäre ein Spielzeug gewesen das ist eine Fernsehsendung es muss schon es muss den Konsum direkt betreffen um wieder dieses buntes Cover oder was weiß ich ich möchte ein ich möchte Beispiel manche das ist jetzt also es gibt ein System oder mentiert sind angesprochen habe die Bilder und die transkribierten ja nein ich glaube das ist auch so Scheiße mit der Kunst muss man aufhören wenn das so ist das R /.../ so ist es ganz gut bleib mal so /.../ nein das ist es irgendwie noch nicht Polizei das Polizeischild Wasser innen reich das aufgeblasen das hätte da wäre Schluss da hätte sich keiner mehr bewegen ja fahren wir ein Stück weiter bisschen auch wie damals in Trebur ja klar es ist eine zum Original die und die Schrift und so weiter und die Entscheidung jetzt es gibt kein System im Prinzip basiert funktioniert ja das Buch so man hat Texte der einzelnen Situationen das Quellenmaterial der im asiatischen Raum wird das ja ganz anders definiert aber unter dem Aspekt Daniel , Nikolau 2004. stellt euch mal vor die weiße Wand da hat man nämlich hm setz du dich mal auf Test it gut ist auch wenn die das Bild wechseln können ja das war schade das war noch zu früh gelungene Kombination auch zum Original zu erreichen ein Buch zu kopieren das ist eine Entscheidung die dann doch die Anekdotenkonferenz die ja per se auch wieder eine Quellenanhang das ist sozusagen eine Stufe näher zum bei uns hat das Wiederholen das Kopieren einfach einen da haben sich keine Künstler hingesetzt glaube ich in dem NEUE MUSIKRICHTUNGEN den Boden /.../ halt du die Tasche mal so runter /.../ ja das ist es /.../ Pernilla dreh ja hier ist halt auch der FKK Club weiß man auch was da hinten drauf ist für immer getrocknete Tomaten getrocknete Tomaten wie findest du das was sind die was was bedeuten diese Ahnlehnungen weil ich dazu führt dass man keine Entscheidungen mehr fällt dass ob ein ganzer Satz gedruckt wird oder ob ein einzelnes Tonaufnahme darstellt und da kommen sozusagen die Werk selbst wiederum die Anekdotenkonferenz schildert die negativen Aspekt also man rutscht sofort in die Spalte dass Moment um das Buch zu schaffen sondern Wissenschaftler mal den Kopf nach links rechts extrem /.../ ja /.../ ich meine bisschen mehr ja der hieß doch auch mal anders das Gefühl will getrocknete Tomaten meine das funktioniert ja so dass manche Sachen werden man sich eigentlich plötzlich dann in einem Rahmen bewegt Wort erscheint untereinander in der Zeile und jetzt aber die Situationen vor werden angesprochen und sozusagen Sachen ja nur man jemanden verarscht die aber keine Wissenschaftler sind dann wiederum Spannung Pernilla /.../ ja ich denke wir wollen Fotos machen /.../ ja /.../ okay guck ja unter der Brücke habe ich schon ein bisschen Schiss unter der Brücke weil da Test it exzellent nachschmieren lass ich doch die Handschuhe aus das nächste mal ja also es gibt keine Notwendigkeit die Seitenzahl zu behalten der wie eine Maschine eben einfach diktiert was passiert und Frage ist eben ergänzend oder erklärend für den Leser kommen dann ja zu welchem Werk jetzt das ja ist nur die Frage oje jetzt läuft es aus dem Rahmen aber mal hier haben wir es doch /.../ r r /.../ das ist doch perfekt /.../ doch /.../ das ist das sind halt die Gitter die ich gesehen habe von innen das schaffen wir noch weißt du was hier das Problem ist dass man so scheiße fotografieren kann hast du Geld hast du Geld für was getrocknete Tomaten aber es gibt eine Notwendigkeit die Dicke zu behalten was dann beginnt wieder dieses Moment aha jetzt geht irgendwie ja wiederum diese Originaltextaufnahmen der entsprechen- na ja Clubed Club der Text sozusagen ist das Produkt das dass man was klaut dass man Eigentum ich war der Vorstellung dass es sich hierbei um ein Kunstbuch Licht am Auto Dachser das sind ja die das macht ja nichts wenn auf dem Bild mit den Illustrationen auch oben auf dem Fensterbrett müsste was liegen Ehrlenhof Werbung für getrocknete Tomaten also nach welchen warum ist das eine notwendig und das das nicht also es geht das Format nicht es geht es geht die sagen wir mal okay da wird nicht eingegriffen oder so wenig den Situationen drin vor sozusagen nicht als Anhang aber in dem Raum Clubed Clubs entstanden ist die Leser selbst ist die Frage welches Feld man da irgendwie handelt Dachser wollte ich gerade sagen auf dem LKW der Zaun drauf ist oder so das ist nicht schlimm Michi du Ibook alles geht alles man könnte alles nehmen aber es ist halt die Berliner Strasse andere nicht Seitenzahl nicht es geht die Papierdicke nicht oder so was wie möglich bei den Bildern wird aber viel stärker eingegrif- sozusagen danach und dementsprechend funktionieren ja waren nicht vor Ort dort so muss man das verstehen sich aneignet klar wir sind ja auch in einer Galerie das ist ja nicht so auch nicht schlecht es wäre schon gut wenn es nur das Bild wäre an sich hinten bei der Messe natürlich aber der Arbeitsplatz sozusagen war nicht schlecht wo hat sich denn der die Zigarette angezündet und dann finden Nachkorrigierungen statt die dann wieder- fen wie ist also auch die Bilder sie dienen ja eigentlich nur zur Unterstützung ich habe diese Anekdotenkonferenz und auf die ist die als Orientierung uneinleuchtend ich baue jetzt voll auf das Untermainkai jetzt da kommt echt viel aber da kann keine Ahnung um aber nicht unbedingt so als Entscheidungsmomente inwiefern wird da eingegriffen dieser Anekdotenkonferenz gesamte Struktur des Buches dann auch aufgebaut na das Feld ist ziemlich groß ich meine auf alles ist irgend- insofern lässt sich dieses Künstlertum ja nicht ausshließen also die Dicke sichtbar sind sondern man versucht soviel wie möglich an na gut es ist eine ganz starke Auswahl oder hast du habt ihr die rein textlich dokumentiert ist nein die Struktur des Buches nicht nein wie Copyright mittlerweile ja also das es ist nicht mehr so ein- oder verstehe ich das falsch also Entscheidung auszulagern man versucht also so weitgehend von der Situation immer nur soviel Bilder was das Adequate die ja sozusagen den Kern des Buches darstellt nämlich die das nicht fach einfach Dinge zu übernehmen obwohl aber die Technik wenn das schon so weit ist dass solche Fragen aus dem ist beibehalten worden aber wie möglich etwas automatisch ablaufen zu lassen wär also du hättest nur soviel Bilder gemacht Rekonstruktion der Arbeit hier in der Oskar von Miller Straße nein die inhaltliche meine ich jetzt also dahingeht dass man ganz viel duplizieren kann und ganz Publikum gestellt werden dann muss man sich wirklich ein

die Seitenzahl nicht na gut die Auswahl ergibt sich ja dadurch dass du einen mit sämtlichen Veranstaltungen und Projekten und somit ist das ist schon ganz gut wenn man das jetzt so zurückführt viel aufnehmen kann also das ist so eine widersprüchliche anderes Feld suchen 2001. 2002. 2002. St. Hamburg, Pauli 2001. Tanzhalle genau 6 begrenzten finanziellen Rahmen hast und eben nicht ein das sozusagen das Quellenregister oder der Quellenanhang ich war noch nicht am Ende Entwicklung letztendlich das glaube ich ehrlich gesagt nicht FABRICE DE FEO QUADROPHENIA WHEN THE WHO WERE LATER BUILDING UP THEIR SUPERMOD IMAGE

die Seitenzahl nicht und die der Buchrücken ist auch bei aber jetzt nur Buch machen kannst was aus zehn Bänden besteht und so muss man das verstehen ich sage das trotzdem mal das ist ganz gut wenn man das und warum sollte man sich dann ein anderes Feld suchen 2003. Anzeige, weitem neu so ist es doch von daher musst du ist aber visuell nicht so umgesetzt oder man kann jetzt nicht auf diese bekannten Formen zurückführt einfach also ein 19 ja weil dann irgendwie aus dem Gegenstand einer sol- genau Buchrücken also wenn man das Buch aufklappt hat so ist es man hätte auch so vorgehen können dass du sagst okay du gleich so einen Unterschied machen zwischen dem Text Buch besteht in der Regel oder was heißt ein Buch besteht also ich glaube das ist in diesen kreativen Bereichen so ist chen Sache also einer solchen Produktion sowieso alle gut /.../ da ist schon was gutes dabei /.../ die Kleine süß /.../ gibt es noch was /.../ more bass total oft angehört willst du auch noch mal was sagt er always the same oh shut up man letztendlich dieses ganze Bild beibehalten und ein also es sind es sind immer die Fragen daran waren wir dokumentierst eine also eine Situation beispielhaft mit allen zwischen den einzelnen Texten die auf ein Projekt oder auf in der Regel das kann man auch nicht so sagen aber da geht dass das dass man da eine Imitation oder eine Kopie der Widerstandskraft verfliegt weil jeder der das in die Hand Projektionen /.../ ich lade erst mal die Bilder auf den Rechner /.../ ja /.../ okay /.../ more bass rock can provoke einer im Hintergrund sagt always the same who’s at home oh shut up you might be gay I’m not bisschen erweitert mit einem Rahmen der oben rechts und vorhin gewesen also es sind immer die Fragen an welcher Bildern mit allem Text dann wär das das Buch also ich meine so eine Arbeit bezogen sind von der Anekdotenkonferenz es halt um die Form Inhaltsangabe dann gibt es einen größe- fehlenden Originalität halber verpönt aber sonst ist das doch nimmt also wenn das so weit verbreitet ist achso das ist ein ja /.../ bleib mal so gut /.../ hier guck /.../ doch man sieht es nur nicht weil das Bild When Emily Cries rock can provoke dann you might be gay I’m not so klein ist es ist schön scharf /.../ made in China /.../ jetzt kann man nicht blitzen THREE WISHES das wiederholt auch noch mal jemand zweimal wao crazy people dann this is called Silly Girl I used to be links angefügt ist Seite an welcher Stelle erkennt man eine Entscheidung und das hättest du auch wählen können ist aber man kann jetzt keine Wertigkeit innerhalb des Buches oder ren Teil wo viele Quellen auch irgendwie zu sehen sind und irgendwie also ansonsten in anderen Feldern wenn es jetzt Künstlerbuch na ja sonst ist das Bild weg /.../ ja /.../ Paula isst den ganzen Kuchen auf Pernilla guck 22 Minuten das wiederholt alles immer jemand wieder rock can why why are you happy immer noch er man kann das ja mal so dranhalten dann sieht man das an welcher Stelle sagt man jetzt ja also da gibt es keine aber ja es geht ja um drei Jahre nicht um eine Situation kann man das ich weiß es nicht dann am Ende hat man aber wieder halt Personenregister nicht um irgendeine Persönlichkeit geht ist das doch eigent- dann hat es keine Wissensvermittlung Michael Riedel, S. 2003. * 09.02.2002 genau das geht dann so Entscheidung da haben wir nichts mehr gemacht da haben trotzdem gibt es ich denke schon also Zeittafel und was gibt es noch Abbildungsverzeichnis lich oder egal was da kopiert wird oder was nicht da passiert ja sowieso allerhand also wollen mal sehen was mal /.../ mhm /.../ kleinen Moment noch /.../ aber es ist wichtig dass das Bild noch Ausstellungshalle Opel A1, Rüsselsheim. sehr gut people got long hair there s one in every village ja you might be gay I’m not Fehler wir nur noch abgeschrieben was da war da haben wir nur oder die Situationen sind drei Jahre na ja das ist ja ganz ich meine das ist ja offensichtlich die genau nein wenn es um öffentliche die für einen Quatsch gemacht haben mit drauf ist /.../ okay dann mal los /.../ dann müsst ihr mal alle alle alle da vorne sehr gut sehr gut rock can provoke why can t I be happy I’m not Oskar-von-Miller Strasse 16 es gibt da leichte Abweichungen also am Buchrücken noch reingenommen was da war da ist nur noch das Material es ist eine unterschiedliche Umgangsweise mit Text und Bild Anekdotenkonferenz ist ja so angelegt gewesen dass sie die ja das sind so die bekannten Formen eigentlich die wurden Renault würde sich auch ärgern wenn Mercedes das gleiche ich auch bitte Marcus einen Platz einnehmen ja /.../ doch es geht /.../ du frisst dir den Bauch voll Paula and then god this is And Then God Snaps His Finger oder das ist die zweite das kann nicht sein das kann nicht sein das ist Dada Sprache this is called Silly Girl wasn’t you a silly girl wie machen wir das schreibt das I’m not und dann I used to be sagt auch er was eben vorliegt oder ist es nicht so ganze Zeit repräsentiert also alle wir sind so vorgegangen alle benutzt aber eben also das um jetzt wieder darauf Modell kopiert aber immer wieder ist es doch /.../ was isst du denn da Kuchen /.../ super /.../ okay das war es /.../ ach so /.../ ja there’s a little man rock can provote das kann ja auch einer nuscheln jeder a question of getting old Niklas Schechinger, Hank Schmidt Niklas in Schechinger, der Beek, 2004. Seite Michael S. Michael Riedel, S. 2004. 3 ja aber es gibt ja zum Beispiel eine unterschiedliche ist es die gleiche Umgangsweise dass alle Veranstaltungen irgendwie vorkommen dass man zurückzukommen mit diesen Rahmenbedingungen in denen ich meine das ist ja auch dann wieder ein Akt der da wird ich auch /.../ oh /.../ nicht schlecht /.../ ja /.../ habe ich weiter /.../ habe ich weiter /.../ super das ist einfach so ja this is called Silly Girl this is for my wife who’s at home oh shut up you might be gay I’m not I used to v. l. n. r. NIKLAS SCHECHINGER, HEIMO ZOBERNIG, DENNIS LOESCH, hast du die falsche Seite opening 25.06.04 18.00 - 22.00 exhibition 26.06.04 - 10.09.04 tuesday - saturday 14.00 - 18.00 also wenn man es genau nimmt gibt es gewisse Behandlung von Text und dem Bildmaterial also das nein es ist nicht so dazu sagt was fällt da auf an Anekdoten sich dann beliebige Sachen abspielen können ja Kreativität kopiert und das ist ja dann immer das was ich so dass angesprochen wurde MICHAEL S. RIEDEL, HANK SCHMIDT IN DER BEEK Daniel /.../ hier guck mal super /.../ mhm/.../ so diese üblichen Situationen /.../ das ist egal ob eins oder zwei das eine heißt halt Fish Plate und das andere I I know where he lives rock can provo schreibe das nuschelig hin jeder einen Zettel dann be Abweichungen ja das liegt aber daran dass also wir mussten Bildmaterial ist ja zum Beispiel klar als logischerweise also es ist die gleiche Umgangsweise insofern der Text natürlich genau meinte mit Ego und Persönlichkeit also in solchen Fällen ist ich auch bitte willst du den Wagen schieben Herzchen /.../ nicht schlecht /.../ das ist geil guck heißt halt This Plate shut up rock can das stimmt aber stop that I used to be das Ganze einen halben Zentimeter kleiner machen als das im Verhältnis zum Text wenig Bilder dann pro Aktion also ich auch anders aufgenommen hätte werden können ja also ich oder was ist noch präsent und insofern ist das ist das ein 16 es natürlich dann schon negativ aber auf der Ebene würde ich jetzt gar nicht darüber mal /.../ wenn ich jetzt hier auf Night Framing stelle /.../ Night Shot /.../ super oder aber es ist ja schon vom Konzert her ist ja alles in einer Reihenfolge Jackanory das weiß ich nicht alright all part of growing up varkensmarkt 4 rue du marché aux porcs / brussel 1000 bruxelles tel. .32 .2 2177400 / fax .32 .2 2177401 [email protected] Original um für den selben Preis mehr Seiten zu bekommen weiß nicht bei Jim Isermann sind es jetzt gar keine Bilder hätte jetzt zum Beispiel die Zugang aber es ist ja andrerseits wie ich vorhin sagte mit das ist Hochstapelei oder im öffentlichen Bereich ist Kopieren immer ein Problem weil sprechen ob jetzt Kunst abgenutzt wird oder nicht und /.../ Mädchen braves Mädchen /.../ braves nettes Mädchen das ist geil mit dem es fängt an mit this is our next single shut up provoke wir markieren es mit einem einem Stift jeweils an all part of growing up beim Druck das heißt also finanzielle Gründe spielen auch doch doch da sind ich spreche nicht von der Aufnahme ich spreche von den der Frage eine Entscheidung fällen und dann durch diese das ist Hochstapelei letztendlich ja ja aber man kann sich da doch jetzt darüber nicht beklagen auch dieses Hochstaplertum ist glaube ich jetzt so also Night Shot guck mal wie hell das da alles ist ohne Blitz /.../ ja aber das wird doch ja das ist ein guter Anfang da hört man viel mehr als das letzte Mal provo stop that oh shut up you might be gay I’m not I used to be Michael Riedel, S. 2002. Text: GALERIE GABRIELE SENN, Wien / GALERIE MICHAEL NEFF, Frankfurt a. M. / REVOLVER - Archiv für aktuelle Kunst, Frankfurt a. M. / DAVID ZWIRNER GALLERY, New York / SILVERBRIDGE, Paris. Das Buch ‘Oskar-von-Miller Strasse 16’ ist erhältlich bei BUCHHANDLUNG WALTHER KÖNIG. eine Rolle beim gestalterischen Prozess letztendlich ich also mal acht bis zehn Bilder pro tatsächlichen Sätzen in deinem Buch Entscheidung die Entscheidung wieder rückgängig machen goldener Hinweis Roberto das ist halt so Schwerpunktthema Hochstaplertum eh schwarz weiß gemacht /.../ guck mal sieht auch gut aus /.../ mhm /.../ doch /.../ oder sonst oder sagen die am Ende irgend so was ja noch einen größeren noch einen größeren Buchstaben rein dass es hoch geht da alright oder meine also die Vorlage diktiert also gibt eine Anleitung eine gibt es da einen Schlüssel das es jetzt pro Veranstaltung na also die Texte sind ja eine komplette ungekürzte zeitliche was ist worum geht es jetzt nein das ist halt so ja klar das können wir mal streichen ersetzen wir das Wort einfach okay /.../ ja guck mal /.../ der Michael will morgen anfangen das Plakat zu setzen das sehen wir dann I know where Paul Weller lives cause he s a hippie too genau dann sagt er people got long hair das ist keine Sprache Form nachzubauen aber diktiert jetzt nicht bis ins Detail eine eine gewisse Anzahl von Bildern gegeben hat Abfolge ja von einer Situation Korkenzieher wieso ist das Hochstapelei damit das gehört ja jetzt zur Technik dazu zwischendurch durch ein anderes Wort das wird dann auch und so müssen wir noch paar Fotos machen /.../ ich muss die eh noch überspie- ist auch super es ist ja auch unsere nächste Single hast du das mitgekriegt mit dem shut up wao crazy people der Dennis hat gesagt Rekonstruktion das heißt also nein nein das ist völlig ja durch die durch diese Entscheidung also durch das was das finde ich ein bisschen hoch gegriffen ehrlich gesagt nein nein im Gegenteil verständlich sein kannst du dich noch an den LKW in Rüsselsheim erinnern der Werbung für sich stimmt jetzt brauchen wir wieder einen anderen Pinsel man nicht parken len die Bilder /.../ auf eine CD brennen /.../ und ich wollte sie mir erst noch mal this shut up rock can provote this is called Silly Girl also die eigentliche Entschuldigung und da gibt es aber mehr Bilder die habt ihr ausgewählt für um das jetzt vielleicht ganz kurz noch mal zu erklären man in der Entscheidung festgelegt hat dann plötzlich wieder na du spielst was vor oder du spielst mit einer Sache die also dieses Kopieren findet ja im Bewusstsein statt dass es also gut dass es erwähnt wurde aber das ist bei langem selbst gemacht hat wieso müssen wir ein Stück laufen angucken Pernilla /.../ nein alle /.../ ja /.../ wie habt ihr das gemacht mit einer fragen wir die Techniker wir nehmen das vom Publikum rein das Shut Up people got long hair das wir es ganz neutral sprechen sollen ja den Katalog einerseits beim Text also da gibt es nicht ein also das System bei den Texten ist es werden keine diese Entscheidung unsichtbar machen also seinen eigenen in ihrer Substanz dem nicht mehr gerecht wird also nicht eine Verarschung ist auch nicht alles und man muss da jetzt auch nicht von da aus this is our next single Publikum eigentlich können wir das ja auch auf Zetteln dazuhängen oder stop that stimmt ja stimmt für das schwarze sonst ist das ja so grau da kann man das jetzt so verstehen dass eigentlich der Vorgang Anfang und ein Ende Namenskürzeln dazugesetzt jede neue Zeile entspricht Anteil in der Entscheidung auszulöschen also das finde ich funktioniert für den nein eher versuchen das Ganze zu betrachten Digital Kamera und einer Angelschnur /.../ und das Toast immer so hoch gezogen da sagt er noch was wir nehmen shut up shut up aber das vom Publikum nicht das von ihm a day in heaven or alright mit so einem Plakat dran nimm so einen dünnen mit einem dünnen ist es schon okay Is it too much von der Tonaufnahme der eigentliche Grund des das mit dem Anfang Ende habe ich nicht ganz verstanden einem neuen Sprecher das Ganze erscheint in Blocksatz kann man auch auf das Buch übertragen das Buch enthält konkret ist der Hinweis für die Hochstapelei ist ja dass da kann aber auch eine gewisse Art von Respekt zeigen so ist das bei solchen Veranstaltungen halt da beißen sich /.../oder habt ihr es an die Decke geworfen /.../ ja das sieht so aus als wäre es ja this is our next single hast du schon aufgeschrieben stimmt wollen wir es auswendig lernen stop that nicht schlecht hier Umzüge Luchs gut we do it for you das geht halt gar nicht so was also wenn wir jetzt mal inhaltlich die Frage stellen warum wir was du da gemeint hast weil ein Anfang Ende definieren sodass man erkennt wann die neue Zeile anfängt das ist zwar könnte funktionieren wie eine Dokumentation von drei wenigstens ein paar leere Seiten drin sein müssen es gibt ja aber das Verarschen steht aber nicht im Vordergrund es geht die Leute plötzlich fest bei so Begriffen der Boden super /.../ das ist ja krass weil die Decke original aussieht wie ein habe ich schon Three Wishes or in german a day in heaven none of that nonsense we’re not the Greatful Dead nein hier wir können ja auch ein bisschen versetzt schreiben es muss ja nicht genau drauf Cosmo überhaupt diese das Warhol Buch als Vorlage genommen wir ja auch nicht das System was auch schon seit längerem so feststeht Jahren Oskar von Miller Straße aber gleichzeitig ist es so genug Material die auch noch mit Text und Bildern zu füllen jetzt hier nicht um eine große Verarsche sondern das ist schwierig Kachelboden /.../ das ist schon gut /.../ nein das ist die Decke die haben das sage den noch mal dass die kurz aus machen sollen oder leiser Three Wishes ich meine none of that nonsense vielen Dank der ist nicht schlecht aber der ist schwarz hier My basic lights sein wir holen uns die vier da hinten haben da geht es natürlich darum eben dass Warhol viel doch das Einschalten ist das was du gesagt hast was auch immer so benutzt wird dann gibt es vorne es gibt als Buch mit den Verweisen mit den ganzen bürokratischen das stimmt nein auf keinen Fall und schnell kriegt man entstehen Missverständnisse Toast an die Decke geschmissen /.../ ich habe das gedacht /.../ ich habe das das ist doch Polo Polo brauchen wir der da mhm Michael S. Michael Riedel, S. Dennis Loesch, Nachbau Strasse 16, Oskar-von-Miller Secession, Wien, 2003. * this is a real LSD song A Day In Heaven vielen Dank aufgenommen hat mit einem Kassettenrekorder und diese gut aber einen Titel der aber auch aus dem Text das ist ein Wort aus archivarischen Verweissystemen so komplex dass man und an sich ist es natürlich so dass man auch die Dicke es geht um ein es geht darum etwas zu produzieren aus ja auch so gedacht so gesehen unter dem Aspekt wie haben die das Toast wieder this is our next single ABRIß OSKAR-VON-MILLER STRASSE 16 jetzt kommt viel Text A Day In Heaven that means thanks very much My basic lights der ist zu dünn eigentlich könnte man auf das schwarze auch mit weiß drüber also fahren wir da hinten hin wie kommen wir da hin am besten das wäre fast mit Texte eigentlich nie abgeschrieben wurden außer in diesem du schaltest ein damit ist der Anfang dem Text meistens zu dem Titel gibt es einen Verweis und irgendwann dass sich irgendwann der Gegenstand in dieser haben wollte nicht apropo hochstapeln also von dem Buch einer künstlerischen Absicht das aber eben in der Schwebe kann man das Buch nicht so verstehen hoch gezogen ich habe gedacht die haben einen Nailonfaden gehabt und einer yeah yeah ninetyseventyseven yeah wao I wrote this one yesterday wir haben ja dafür wir haben ja keine Set Listen ist die Frage ob wir es überhaupt lesen können Polizei auf das Schild auch schreiben auch nicht so schlimm dem Fahrrad besser weil es direkt am Fahrradweg ist Fall eben einen Tag lang angeblich wobei der auch aus meh- das ist der Anfang zu dem Verweis bei dem Verweis steht dann das Datum wo Suche nach dem worum es eigentlich geht auflöst man kann das ist ein bisschen bleibt und man nicht genau definieren kann warum es so steht es dann aber auch morgen in der Zeitung hätte das Toast immer so hoch gezogen /.../ aber dann habe ich mir gedacht das wao A Day In Heaven in german A Day In Heaven ob wir es lesen können Polizei dann sieht man es gar nicht mehr da gibt es so eine Strasse rein voll im Licht reren Aufnahmen zusammengesetzt ist dokumentiert wird das ab zu schreiben es aufgenommen wurde und wie lange die Textaufnahme ist dieses Buch ja also man kann das Buch im Grunde genom- und gemacht wurde du hast den Begriff ja geht ja gar nicht das sind ja so einzelne Marmeladenkleckse noch hoch geflogen yeah yeah Dankeschön ein Stück zurück noch mal noch mal noch mal dann auf der Bühne Verbotene Liebe wieder nehmen wir den nicht schlimm aus der Factory und aus den Bewegungen in New York der und das Ende ergibt sich aber aus dem Verlust des also man hat so dass man auch eine zeitliche Vorstellung men nicht richtig durchlesen es gibt keinen Anfang es gibt jetzt weiß man warum es so dick ist ja gut also das ist jetzt noch ein anderes Moment das hatte ich kann ja wohl mal ich kann ja wohl mal einen Begriff wäh- dann also muss es ja an der Decke sein /.../ und dann habe ich mir noch gedacht I wrote this one yesterday da ist viel mehr drauf als vorher warum Licht ist doch genug hier ist natürlich super do adverts on TV try cartoons and comicbooks wo geht es hier hin damaligen Zeit und die Oskar von Miller Straße die natürlich Spannungsverhältnisses so steht es in der Betriebsanleitung hat von diesem Text der sich der da der sich über ein paar kein Ende man kann zwar sagen jetzt sind wir auf der ersten ja natürlich und ich meine die Hochstapelei ist ja nun wirklich ich ja vorher auch gemeint mit diesen entscheidenden mit len damit man mal irgendetwas konkreter vor Augen hat also can I have some some more bass please es wäre ein Trickfilm oder so /.../ aber ist cool weil es sieht halt original aus wie I wrote this one yesterday in A Day In Heaven or in german A Day In Heaven eigentlich schon vielleicht zu viel hier kannst du vergessen ach so am Donnerstag gucken wir mal auch viel mit Übersetzungen gearbeitet hat und auch eine das heißt wenn die Batterie ausgeht das ist selten so dass Seiten erstreckt die Seite und da geht es los und da ist die erste Veranstaltung die Technik die sichtbar macht oder das was sichtbar macht diesem Moment der Entscheidung also wie durch die Anlage eine Figur die vielleicht nicht so weit entfernt ist aber auf die more bass ein Boden ja /.../ weil da würde ja keiner daran denken dass es eine Decke ist /.../ in or in german okay wo bist du au Oberrad spezielle Form hat der Textproduktion die eben auch auf ich einen Schlusspunkt setze das ist was für Wissenschaftler aber schon dann dass die Leute alle nicht wissen was sie tun also dass es einer Entscheidung etwas passiert was dann plötzlich die man nicht gleich kommt more bass deinen Schlüssel suchen /.../ hast du wieder verlegt oder was /.../ wo kann der in zack erste Seite durch geht viel schneller als beim letzten Mal vielen Dank that means thanks very much morgen was ist da bei deinem Auto geht das linke Bremslicht nicht mehr übrigens Tonaufnahmen basieren wo die Aufnahme aufhört ja das kann man sich ja dann anschauen wenn man das das stimmt ja auch nicht auch nicht so wichtig ist zu wissen was man kompetent zu Entscheidung selbst unsichtbar macht oder unklar unklar du hast jetzt fünf Mikros brauchen wir oder denn sein in der Tasche drin /.../ da ist er nicht drinnen da war er nicht /.../ in der Hank Schmidt Niklas in Schechinger, der Beek, 2004. * more bass Berlin yeah fucking hell und die Lichter flackern schon wie ich mich freue brings mir more Wodka zehn Mark nur echt auch schon als Anlehnung ist die die Technik selbst sondern letztendlich läuft die Aufnahme durch in der Regel Buch in der Hand hält aber jetzt noch mal um auf die auf die weil das ist ja nicht zeitlich geordnet sondern alphabetisch sein in seinem Bereich macht an welcher Stelle jetzt überhaupt Entscheidung aber wenn sie dann gleich dazu genommen wird um zu anderen Tasche vielleicht /.../ in deiner Jacke /.../ was hast du da /.../ der ist viel- ja ja das ist eigentlich sind das bei einer Mini Disc die auf Mono läuft hundert- Auswahl der Bilder zurückzukommen mit den Leuten meinst du die bei der Anekdotenkonferenz stattfindet aber trotzdem kann man nicht sagen dass es sagen aha ihr seid also Hochstapler dann ist natürlich more bass yeah oh fucking hell man kann echt sagen that means thanks very much leicht drüben im Haus Pernilla /.../ mhm /.../ ja vielleicht sind da noch irgendwel- zu wenig wollte ich bei Opel schon sagen habe ich bei Opel schon festgestellt Alina heimli- ist auch schon eine Anlehnung sechzig Minuten musst auch nicht 13 anwesend waren nicht dass das Moment von Angriff oder Gewalt in diesem Scheiße das kommt zwei mal fucking hell really heavy merci beaucoup more Wodka Michelangelo, 1545 Michelangelo, -1550. * che Plugins drinnen die du nicht hast /.../ kann das sein /.../ also das reicht reicht dicke chen Verehrer das ist glaube ich ein Stadtteil hier das ist nichts genau und vorher läuft die Batterie aus oder was der Text also der Text ist ja letztendlich auch nur ein wenn ja aber in der Anekdotenkonferenz selbst nein nein nein es geht ja hier darum ein Künstlerbuch zu Kopieren nicht drinsteckt also das wäre fände ich jetzt also aber hat das jemand getan can I have some more bass please more bass sagt er das noch wie schön Pictures of Dorian Gray LA CROCIFISSIONE DI SAN PIETRO Sonderfunktionen /.../ keine Ahnung /.../ das ist sowieso kein gescheites nein sagt ein anderer wie schön somebody said brings mir more Wodka da stellt in dem Rraum bei Meike Behm so ein Typ aus England aus der angeblich was steht denn da Kaiserlei nein ach hier ist das wenn du hier immer gerade aus an die Warhol Technik vorher nicht nein also da läuft die Mini Disc aus aber wenn man den Text jetzt mal als Bild sieht es ist ja eine Abbildung ja okay machen und so zu tun als hätte man da jetzt also drei Jahre das kann man nicht einfach wegnehmen aber andererseits wir sind Angler 2004. Denise Mawila, Pernilla Renner, und dann noch mal more bass Programm für solche Sachen da benutzt du am besten so Finalcut oder so aber Mod ist fährst kommst du zu dieser BP Tankstelle eigentlich schon ich dann mehrere Mini Discs hintereinander setze dann dadurch dass es nicht mit einem Foto oder einem anderen war das so dass es dann dass man dann sagte was war die hart gearbeitet ist es ja auch so dass das hier in der Oskar von Miller wir sind Angler noch mal oh everybody happy somebody says brings mir more Wodka aha wir holen uns dieses Ding da hinten diese vier bewusst oder reicht das für zweieinhalb wenn ich nicht noch Batterien in Aufnahmegerät aufgenommen wurde ist es eine mögliche erste Veranstaltung und hinten ist ja auch ein Hinweis der genau das meine ich Straße das ist nicht so einfach wie das /.../ weil da kann man halt so ohne das ich glaube schon really happy all the time bringts mir more Wodka Programm zu kennen einfach los legen /.../ ist das ein was ist das hier für einer oh Berlin yeah fucking hell happy all happy all brings mir schon älter wollen wir da hin gehen Für jeden Spaß das richtige Outfit bewusst der Tasche habe Form der Dokumentation genauso wie du von einer Person ja auch ein bisschen chronologisch geordnet ist aber dann und genau das ist ja die Aufgabe des Hochstaplers auch wo hier 23 das ist wieder die gleiche die gleiche Streitfrage wie letztes Mal das ist nicht schlimm glaube ich /.../ hast du /.../ ja /.../ nein /.../ also die Pernilla fährt ja sowieso nicht wenn sie really heavy why why why brings mir more Wodka wie heißt der Globetrotter oder hast ist dir nicht diese ganze Idee auch aus einer Not entstanden verschiedene Ansichten fotografieren kannst sind die anderen Dinge also eigentlich die Verweise sind so wenn irgendwo jemand beschäftigt ist er hat keine Ahnung er in der Oskar von Miller Straße wurden doch auch eigene wer hat das denn wer hat denn da Dankeschön so kriegst du so ein Strassenfoto den Schlüssel nicht findet /.../ im Auto stecken oder so /.../ das Haus verliert ja oh yeah happy all the time das sagst du Hank eigentlich der Duddel keine Ahnung die Einladungskarte lag am Telefon das ist natürlich nicht schlecht aber das sieht ja schon fast aus wie selbst gemalt doch diese Anekdotenkonferenz dass man sich einfach feststellen ah ja dass sich dieser Überblick verliert man hat eine gewisse tut er ist inkompetent und er macht trotzdem seinen Job Veranstaltungen kopiert also es ist wir haben ein Angelbuch rausgebracht can I have some bass please das ist ein öffentlicher Raum halt nichts /.../ Entschuldigung /.../ der liegt bestimmt drüben den hast du da verdab- Berlin ach du lieber Himmel why are you happy everybody happy Gray see a picture of Dorian Gray see a picture of Dorian Gray Dankeschön why der angeblich Mod ist ja ja kann man schon bewusst sagen also musste dass es eine Unmöglichkeit ist einen geschriebenen also von daher ist der Text auch austauschbar oder ist auch Rahmenstruktur aber aus dem Rahmen verliert sich der und den Job macht er so gut dass andere trotzdem das war dann die Spitze sozusagen die Wertung dass irgendwie nicht über Kunst geredet werden more bass da war schon jemand ein Pfeil belt /.../ wo hat die Paula gespielt /.../ da habe ich schon geguckt Pernilla /.../ ja oh yeah Berlin ach du lieber Himmel happy all the time don’t you just go ja der sich auch so bezeichnet und so wie wäre es damit das könnten wir auch machen ja Text über diese drei Jahre Oskar von Miller Straße zu ver- eine Auswahl letztendlich ja also wenn der Text Überblick und das finde ich setzt sich in dem Buch so durch ist das eine Erklärung die auch von den Autoren so aner- ja das heißt es wurden ja auch die der Kopiervorgang auf sollte kam ja mit großer Aggression aus dem Podiumsbereich more bass wollen wir es gib mir mal den Hocker den Hocker wo war er denn /.../ wo lag er denn /.../ das Feuerzeug war auch irgendwie bei wao crazy people yes topp Frage der heißt aber nicht Neil Handon ein gewagtes Ding hier man weiß nie wer aus dem Fenster guckt es gibt ja auch eine andere fassen und dass man sich dann doch darauf geeinigt hat die Gattung Text also dass man also in das Buch irgendwie hineinkommt kannt wird oder ist das das verwirrt mich jetzt ein bisschen sich selbst angewandt um auch jetzt also nicht so zu tun als und nicht aus dem Publikum also insofern scheint da ja more bass wenn wir schon unterwegs sind machen wir lieber zu viel als zu wenig rock can why why are you happy La Grande Illusion illusion ich glaube nicht nein ja also Tonbandaufnahmen sind ja nicht unbedingt Warhol also sozusagen die Produktionsweise der Übersetzungsarbeit und man geht dann irgendwann wieder raus aber man weiß ich finde das zwar sehr wenn man nicht also als wenn man da immer nur außerhalb irgendwie eine ganz seltsame Ablehnung zu sein sich zu Dennis obwohl er es erst nicht hatte kommt der noch Dennis /.../ ja ja wir machen When Emily Cries ja eben people people people people people there’s one in every village la grande illusion la grande illusion grande illusion Steve soundso irgendwie sollten wir vielleicht mal hingehen machen wir das das kann ja das hat es da hat es ja viele Sachen gegeben und des Kopierens wie sie hier immer stattfand dass man 10 genau man hat nicht das ganze Buch ist nicht das ganze ja stehen wollte positionieren was auch verständlich ist aber dann sollte man das eh alles noch /.../ also ich habe hier noch wo ist denn der Tabak /.../ Dennis super soll ich es holen hast du alles why la grande illusion la grande illusion grande illusion ja gehen wir hin Professionalität das nehmen wir mit das ist ein HFGler wo ist der Foto also seit es Tonband gibt wird damit gearbeitet das eben auch für die Buchproduktion übernimmt ja diese diese Texte die hier enthalten sind die erscheinen Buch durchwandert und man wird es auch nie können sympathisch also diese Definition von ja man hat ja dann auch nach zwei Jahren den Status von glaube ich auch damit viel flexibler umgehen wo ist der Tabak /.../ der Tabak /.../ mein Tabak ist weg /.../ drei Euro dreißig /.../ Wankeschön ja wo ist denn der hast du den Foto wao crazy people und dann sagt er noch mal why are you happy Dankeschön mit den Jungs Qualität kommst du nicht ran okay dann sagen wir mal also ich will es nicht als Notlösung zwar jetzt so das verstehe ich jetzt nicht ganz also man kann das ja schon ja richtige Hochstapler sind ja teuflisch also richtige einer öffentlichen Institution erreicht und von daher war man positionieren heißt Knast also da muss man dann als nein ich wollte in Japan noch rauchen und danach wollte ich aufhören /.../ um when ja willst du schon nein nicht Notlösung ich meine jetzt noch mit dem das war jetzt so ganz einfach es chronologisch lesen man könnte ja wie mit Prosatexten in Hochstapler machen ja etwas klar was man eigentlich nicht ab dem Moment gleichgesetzt mit eben den Institutionen die Hochstapler aufpassen positionieren das macht man heute Gotteswillen /.../ das gibt es doch nicht wo ist der Tabak /.../ aha /.../ was für eine people people crazy people noch mal Dankeschön gut stand da nicht stand da nicht oder nur von oben

Michael S. Michael Riedel, S. 2003. * Emily ja die Trucker hast du Angst vor den Truckern um sieben fängt es da an Professionalität stand probiere mal dann sagen wir so was wie Tonbandaufnahme und das die ansehen das Buch jetzt aber gibt eine Stunde Tonmaterial innerhalb dieses Tonmaterials diesem Buches als Leser umgehen und dann von vorne was hier in diesem Fall nicht klar gemacht werden sollte man vorher besucht hatte und die man als Grundlage seiner so möglichst sich auf zwei drei Kunstgriffe beschränken Verarsche hier im Haus der Verarscher der Faker /.../ hast du einen Rohling cries rock can why why are you happy this for my wife NOSNHO.-...... nein aber Donnerstag um sieben es gibt Service Professionalität und Qualität erstmal Professionalität wir können nein kommst du nicht ran nein scheiße da vorne kommt man schon wieder ran Abschriften davon die Einsicht war ja lässt du bei der Abschrift nichts weg richtig bis hinten durchlesen und dann hat man doch wenn ich also da müsste man schon wieder auch darüber reden wie Produktion benutzt hatte auch von daher war es einfach eine dann damit bekannt werden und das nenne ich positionieren Michael /.../ mache ich doch /.../ was essen /.../ du bleibst noch ein bisschen /.../ Dankeschön people got long hair there s one in every village wife der dünne mhm ja erstmal Richtung Bornheim fahren und da gucken und zur Not haben wir das dann die ungekürzte Abschrift stimmt natürlich richtig das jetzt richtig in Erinnerung habe am Anfang diese tragisch dieses Buch eigentlich auch ist logische Folge dass man sich selbst dann auch kopiert hat in und dann wird man von irgendwelchen Leuten irgendwohin ich habe Hunger /.../ wo ist denn jetzt wieder das Feuerzeug /.../ Daniel /.../ haust Wankeschön was sagt er why can t I be happy I used to be you might be gay I’m not ja und um neun Films hier noch was ist hier genau dass es eine Unmöglichkeit war das gesammelte Material wobei hingegen gibt es eine Stunde Situation es werden Anekdotenkonferenz die einfängt was für Veranstaltungen na ja aber wenn du jetzt sagst wenn sie jetzt sagen teuflisch Form dass man einen Teil des Raumes noch mal im Raum positioniert und so weiter das ist doch völlig langweilig des- du ab /.../ ciao /.../ so super /.../ das hast du /.../ doch das hast du du hast mir Wankeschön rock always the same Zeile übersprungen eine ganze Menge okay dann nehme ich die Flöte mit kommst du hin darum geht es ja sozusagen in einem geschlossenen Text zu verfassen und soundso viel Fotos gemacht zwanzig im Buch erscheinen in der Oskar von Miller Straße stattgefunden haben und ich dann ist das ja selbst präsentiert hat wegen muss man das vermeiden sich zu positionieren can I have some more bass please wir haben uns gedacht dass er sagt rock can provote aber wir wissen oder provote always the same sagt noch einer this is for my wife who s at home oh shut up vorher Dennis /.../ da sind vierhundertfünfzig Bilder drauf ich versuche gerade da stehst du ja voll im Freien okay die ungekürzte Abschrift genau dann eben aber vier oder acht nicht zwanzig und da war jetzt diese glaube nach der Anekdotenkonferenz wenn ich das jetzt ein richtiger Hochstapler arbeitet ja mit der mit mit Macht aber wir sind ja jetzt hier schon klar in einer Positionierung aber wir wissen es nicht wir konnten es nicht wirklich verstehen wir haben es uns this is called Silly Girl who’s at home 2001. das ist ein scheiß Platz da sind so viele Fenster und ich versuche gerade /.../ nein /.../ nein ich suche den Anfang von den letzten Alles was gut tut da haben wir es ja schon nimm ruhig viel Farbe ja es war eben die Frage in welcher Form man überhaupt einen finanzielle Argumentation sagen wir mal man könnte sie richtig in Erinnerung habe folgt doch dann auch ein Ablauf also ein richtiger Hochstapler setzt sich einfach nur an die 20 die Zeit ist jetzt abgelaufen wir können das jetzt gerne privat 16, 60314 Frankfurt a. © Strasse M. 16, Str. Oskar-von-Miller oo49 Oskar-von-Miller (o)69 9o434669 [email protected] so schlimm ist das ja auch nicht da kommst du auf jeden Fall hin Bildern /.../ wir können uns die nachher mal angucken ich brenne die alle auf CD ja Text produziert und es ist immer schwierig wenn man zumin- auch kleiner machen also es könnte ein Bemühen geben nicht in chronologischer Reihenfolge dann wahrscheinlich hohe Position und macht den Leuten die unter ihm sind also ja und gibt es da was Tragisches dran weiter besprechen aber Qualität kann man nicht sehen ja habe ich Test it nein ich muss erstmal gucken ob die Bilder drauf sind /.../ nein ich muss drauf /.../ hm ich meine Warhol hat eigentlich mit den Tonaufnahmen dest für uns selbst einen Text zu schreiben und zu erkennen um eine ähnliche Vorgangsweise geben gibt es aber offen- alphabetisch sortiert in einer Hierarchie Angst dass sie nicht nachfragen was er ich finde ja alles tragisch ja dann müssen wir uns noch bedanken beim Publikum das aber erfahren erfahren kann man sie aber das Problem ist da ist oben die Farbe der ist schon gut soweit ich weiß wenig gemacht aber es gibt halt viele Fotos dass man durch einen gewissen Stil einen Vergleich hat mit sichtlich nicht ja eigentlich kann und tut sondern ihm einfach glauben dass ach so okay dann erübrigt sich die Frage sich wirklich rege beteiligt hat /.../ das ist es oder /.../ guck mal da das ist Hammer hart /.../ und der Fuß auch das ist sie oder fahre mal hier rechts vielleicht ist hinten im im super den kriegen wir auch im wo man ihn sieht mit Kassettenrekorder und Mikrofonen in Texten die es schon gibt also dass man stilistisch einfach sind denn jetzt also auch die Texte es gibt ja zu einzelnen der Veranstaltungen und somit hat man doch dann wieder das schon seine Richtigkeit hat also das läuft ja perfekt ist jetzt vorbei bitte ja noch von ihr /.../ und der Dennis hinten und hier der Ring von ihm /.../ Denise der Hurttig Erleben sie eine Welt absoluter Klarheit ich glaube da hinten ist nichts da ist oben die Farbe du musst das richtig durchrühren im vierer können wir ja auch den das geht zu langsam das muss schneller gehen Michael Riedel, S. 2001/2004. Text: der Hand sich selbst in Schubladen wieder findet und die Lösung war Situationen Texte sind die komplett da oder sind das auch eingeschlossen da man hat dann natürlich nicht die als zusammen mit dem neuen Umbau vom in den ganzen okay vielen Dank sind die genehm die Bilder /.../ Denise diese Strecke mit dem R und R /.../ wie mehr wir haben einen extrem eingeschränkten Radius auch das ist so dick warum muss man das denn jetzt wieder machen dann natürlich eben das freie Sprechen nur ist das nur ein Foto von der Situation Leser gewohnte diese ablaufende Dramaturgie an der man Institutionen nicht also man setzt an die oberste Stelle Leute ja gut wenn das so ist aber sind die /.../ na ist doch gut /.../ auch gut /.../ made in China halt /.../ ja /.../ mhm ich habe jetzt gar kein Geld mit unten ist es dick das muss man nicht das ist eine Form der ungekürzten die sind komplett sich so abarbeiten kann beziehungsweise wo der Autor die keine Ahnung haben von dem Ding und dadurch kriegt nein wir haben noch fünf Minuten ich war eigentlich dagegen dass Publikum sich beteiligt aber /.../ das ist so geil die sind so körnig diese Night Shot Teile das ist ganz gut /.../ ich auch nicht Stadtverkehr scheiße Dokumentation oder Aufzeichnungstechnik die eben in der 7 ah ja die Texte sind also auf eine logische Abfolge geachtet hat sondern da ist der man die ganze Institution die eingefahrenen Strukturen na ich wollte noch mal also die These der Hochstapeleien da auf mich wurde nicht gehört vierhundertsiebenundvierzig Bilder sind heute gemacht worden /.../ also das gucken wir hier noch mal an der Ecke erst und wenn nicht dann fahren wir noch ja Oskar von Miller Straße praktiziert wurde ich weiß nicht du genau ja Inhalt jetzt wieder einem System überlassen das sich nicht kaputt das meine ich mit teuflisch also Hochstapler arbeiten ging es ja da hast du ausgeführt dass es darum geht Erfolg Dennis haut das hin wenn ich mir jetzt eine Pizza bestelle Kartenspiel noch oder was /.../ gibt es eigentlich noch ein Bier oder sind alle weg mal heim und holen Geld erst okay Hocker hattest mal gesagt dass Kippenberger glaube ich B rausge- weil man da einfach in dem Prozess nicht mehr den ganz kurz also wenn eine Situation aufgeführt ist dann mehr auf den Inhalt reflektierend bezieht sondern einfach mit Macht zu haben also das wäre der Grund das wäre der Grund um das haut definitiv hin ja /.../ echt /.../ dann nehme ich mir das Recht und nehme mir das Bier /.../ wer haben wir noch was in der Kasse ich habe nichts mehr

bracht hat in Anlehnung an diesen Überblick hat und man sich nicht selbst so schnell also ist auch die komplette Tonaufnahme die entstanden ist in nur noch ja stoisch an einem von den Autoren gewählten Hochstapelei zu machen also um etwas zu erreichen Hank Schmidt in der Beek, 2002. zuerst malt /.../ malt zuerst /.../ wer zuerst fragt fragt zuerst wir können uns das ja Kleingeld MUSTANG Denise Mawila, 2003. * ja das ist so reflektieren kann dass man sich da einordnet sondern ein- Abhängigkeit von Aufnahmematerial beziehungsweise ande- System folgt 17 Erfolg zu haben also das ist ja beim Hochstapler ist der ist ja Hank Schmidt Niklas in Schechinger, der Beek, 2004. gerne teilen hier gibt es ja Gläser gib mal her ich mache es auf /.../ hast du ein ich muss morgen auf die Bank

an dieses A fach spricht darauf los spricht und zu siebt vermischt sich rem Equipment wie Batterien ganz enthalten in dem Buch na aber ich würde sagen eher mit Charme so der eignet sich Erfolg an * 67 Minuten Oskar-von-Miller Strasse 16 Frankfurt a. M. WAL SEIHPRUM Glas /.../ hier ist ein Glas /.../ cheers /.../ bei diesen Partyfotos sind auch ein paar Michael Riedel, S. 2004. * look at that das natürlich dann eh noch mal und dadurch entsteht halt oder gibt es da dann auch eine Auswahl und noch mal meine insofern habe ich ja dann schon also ich meine ich verstehe ja nein sie müssen also die erfolgreichen also es gibt ja also der wartet nicht auf den Erfolg sondern der eignet sich ganz gute dabei /.../ zum Teil mit dem mit dem Who Parka hast du die gesehen PLAN NOSNHO.-...... hier müsste doch was sein 4 ein Text den ich jetzt auch so also zweihundertfünfzig Seiten Frage von vorhin die nicht beantwortet wurde jetzt dass ich ich kann damit nicht umgehen und habe diesen so Beispiele von erfolgreichen Hochstaplern die müssen Erfolg an Daniel Fotos Herrmann, außer mit * Abbildungen. gekennzeichnete das ist Industriegebiet Michael hier ist nichts die Litfasssäule bei uns machen wir auch da war der Grund dass eben dieses Buch A von Warhol daran kann man sich ja nicht erinnern von daher ich kann mir tut mir leid aber ich kann mir nicht so viele klaren Ablauf im Kopf ich muss wahrscheinlich dauernd hin ja andauernd aufpassen dass ihnen nicht nachgewiesen ist das nicht Kunstverein Hamburg zeigt: ja Alles was gut tut da steht es das wird das erste das erste Buch ist in dem mit einem ungekürzten genau Fragen merken deswegen und herblättern und ich dem Faden der Anekdotenkonferenz wird dass sie nichts können und dann sobald da irgendwie das heißt ja auch er definiert den Erfolg auch also tenden- ja das wäre halt auch ein Ding hier aber da steht nichts drauf Tonbandmitschnitt mit der Abschrift eines ungekürzten entsteht dann eine Form die einen selbst noch überrascht ich auch nicht wozu ich jetzt eine Frage hätte nicht folgen kann eine Nachfrage kommt schüchtern sie ein sie benutzen die ziell steckt das auch da drin dass er den Erfolg umdefiniert alles gleich mit von Marlboro gibt es eine gute die ist auch da gegenüber von der Litfasssäule die Tonbandmitschnitts gearbeitet wurde das heißt also alles im Nachhinein und das ist eigentlich das Angenehme diese noch mal die erste Frage oder sagen wir eine Frage nach Systeme der Hierarchie die Machtposition um jemand ande- das heißt er setzt das sagt also wenn das so ist dann da machen wir gar nicht rum ist auch nicht schlecht was dort also an falschen halben Sätzen und so wei- diese automatische Produktion die einen dann selbst noch der anderen noch mal 14 ren einzuschüchtern und ihn die Arbeit machen zu lassen sage ich jetzt ich kann den ich kann auch mit den und den den dicken nur da steht nichts kein kein Werbespruch ter an irgendwelchen Dingen die da zufällig passieren mal überrascht wenn man es dann letztendlich vor sich hat ich habe die eine Frage für mich jetzt so beantwortet dass ja du wirst auf jeden Fall blättern weil die Anekdotenkonferenz die sie eigentlich machen die er eigentlich selbst machen Bedingungen den und den Voraussetzungen und Stoffen den dicken nein das wäre nur Marlboro Zwischenrufen und so weiter passiert ist das hat Warhol eins dementsprechend war das dann eigentlich der das jetzt insofern nicht inhaltlich an das Andy Warhol Buch fasst ja letztendlich ist ja wie eine Inhaltsangabe von dem müsste das ist teuflisch dasselbe machen und setze es dahin und das ist dann oder beide da so mit so einem Fine Liner die EG Gesundheitsminister zu eins übertragen in ein Buch Ausgangspunkt angelehnt ist sondern eher so was wie eine Auswahl oder Buch weil die fasst ja sämtliche Veranstaltungen die später ja auch Erfolg beide mit wie schnell sich das dreht aber bei B ist es ja zum Beispiel wenn ich mich richtig da ist jetzt eine Zwischenfrage glaube ich eine Retrospektive in Schriftform der Oskar von Miller Zeit dann sich noch in anderer Form dokumentieren zusammen oder eben normal wenn man so will wenn man sieht wie ist dieser Bluff Entschuldigung okay man soll halt auch wenn man grün hat soll man alles sehen erinnere auch so dass Dinge wie Lachen in Klammer also ist es jetzt so dass die Anekdotenkonferenz der einzige ist das richtig oder letztendlich und dann hast du das Verhältnis in den Hierarchien wie da von ganz oben die und das wär dann aber auch die Begründung für das Buch Hocker ja stimmt am Ostpark vorbei ist was dazugefügt sind Textbeitrag in dem Buch ist oder ja was heißt in einer anderen Form die Form bleibt doch die Entscheidungen fallen und insofern also da gibt es also den überhaupt für die ganze Produktion könnte das eine sein ich nehme den Hocker hast du den hast du die Handschuhe mit da lang links jetzt ja das ist ja auch hier bei nein es gibt falsch Gleiche den real existierenden oder den reaktionären Hochstapler oder findest du dich überhaupt in diesem Hochstapler so lass uns die schon hier anziehen Entschuldigung ja ist bei dem Warhol Buch auch so und wenn nein warum gibt es dann noch einen anderen richtig nein also in der Anekdotenkonferenz wird zum Beispiel und hier gibt es einen Hochstapler der die Position des drin Oskar-von-Miller Strasse 16 fahr mal da hin da sind noch welche Karte einklemmen verboten ja bei dem Warhol Buch auch da gibt es also he is er sagt Textbeitrag wenn man sich doch so sehr an den Andy und die zweite Frage war wenn jetzt eine Situation statt- die Veranstaltung Moving Walls angesprochen paar Seiten Hochstapler faked darum geht es eigentlich ich mich Test ist hier ist die Metro mit einer anderen Voice also er Billy relying the story final Warhol A orientiert hat also ist das Buch eher dann als gefunden hat die ausgewählt wurde um aufgenommen zu weiter zeigt sich aber die Aktion Moving Walls noch mal mit also es geht aber das heißt das hat er vorher nämlich gefragt Alles was gut tut noch mal mhm and applause eine Gesamtdokumentation zu verstehen dieser Zeit der werden und dann aufgenommen wurde in Abhängigkeit von Bildern und einem Text selbständig ja dann hast du ja auch das ist meine These man muss das ja nicht über das ist ja nur ein Oskar-von-Miller Strasse 16 hier Sonne Meer Italien Geben sie uns da sind welche okay Oskar von Miller Straße oder ist das jetzt ein eigenständiges Aufnahmematerial und Restequipment wie jetzt zum Beispiel noch hinten von den Bildern aus noch mal ganz nach hinten Entschuldigung aber es geht doch jetzt nicht können wir ich denke auch das ist ein Aspekt rechts rein also solche Sachen so kleine Kommentare dazu sind auch Kunstprodukt also ist das eher ein hat das Buch eher einen Batterien ist die aber auch ganz enthalten oder ist da auch wo eben die Bilderrahmen dargestellt sind durchnummeriert vielleicht geht es jetzt um dieses Hochstaplertum oder geht ein Aspekt Geben sie uns den Rest ich weiß nicht wie man da hin kommt immer immer da drin und es gibt mal also man sieht hier dokumentarischen Charakter oder ist das ein für sich stehen- wurde da auch mit Kürzungen vorgenommen bei Texten und mit ergänzenden Angaben wann und wo das war es um Formspiele dann hat das Buch ja ein ganz anderes kann ich noch mal aber schwarz hier nicht Geben sie uns den Rest hinter dem Auto kann man natür- Spinner auch mal Yeah und Oh und all diese Sachen die ganzen es des literarisches Werk oder eine Auswahl aus der Situation also wenn da jetzt gibt es denn Gewicht oder einen ganz anderen der Hochstapler hat ja auch verschiedene Ausläufe gemacht lich auch gut arbeiten hier fahr mal rechts rein nein darf man gar nicht Sackgasse genau ist offensichtlich ein Versuch dass der komplett so wie es auf also es ist es hat einen dokumentarischen Charakter es ist zum Beispiel einem dieser Text der vorhin genannt wurde weil die Bilder an sich haben ja keine Untertitel aber na die Intention ist die man nicht Hochstaplerei nennen muss aber Professionalität kann man nicht sehen aber erfahren das ist auch schwarz Heute 19.00 Uhr wir bräuchten schwarze Farbe das ist doch die Eissporthalle im Winter können wir Schlittschuh fahren gehen dem Tonband ist auch mit Pause und so weiter eine Übersetzung ins Dokumentarische sozusagen Boppard ist der dann vollständig vorhanden oder ist der nur was dazu zu sagen ist vielleicht dieser Versuch natürlich Hintergrund ich würde gern einfach diesen also die Positionierung das ja eigentlich schon ja kannst du Schlittschuh fahren oh ja fahren wir mal ich war ein mal Schlittschuh also man muss zu dem muss man sagen von Warhol wieso Übersetzung fragmentarisch vorhanden erscheint das Buch wie eine seriöse Dokumentation oder die Intention ist schon ehrlich sozusagen die Zeit der Oskar könnte doch eine Begründung sein es könnte doch darum 3o.o2.2oo4 19.oo Uhr haben wir Zuhause ja fahren war es ja so er hat die Tonbandaufnahmen aus der Hand es gibt also jetzt möchte ich eine Frage nach der anderen nein der ist vollständig vorhanden also alle Texte die da drin eine ganz normale gewöhnliche Dokumentation von einem von Miller Straße in einer Buchform zu präsentieren und gehen und deshalb werden überhaupt Dinge gestartet gegeben an vier oder fünf verschiedene Leute und hat erstmal wieder auseinander bekommen es gibt mehrere sind sind vollständig vorhanden also existieren in dieser was auch immer in dem Fall ein Ausstellungsraum aber zu drucken deshalb Buchpräsentation ‘Oskar-von-Miller Strasse 16’ mit Michael S. Riedel, Dennis Loesch, Hank Schmidt in der Beek, Roberto Ohrt, Niklas Schechinger. schwarze Farbe ich auch dadurch unterschiedliche Formen auch zurück bekommen Texte im Buch und das Buch ist so aufgebaut es hat keine Länge auch ist nicht seriös ehrlich und hochstapeln geht ja nun echt nicht gut zusam- per se ist das schon ich glaube schon und diese Bushaltestellen können wir auch machen die sind auch nicht schlecht Oskar-von-Miller Str. 16 6o314 Frankfurt a. M. +49 (o)69 9o434669 [email protected] ich habe noch eine Tube nein lieber Richtung Messe © Oskar-von-Miller Strasse 16, Oskar-von-Miller Str. 16, 60314 Frankfurt a. © Strasse M. 16, Str. Oskar-von-Miller oo49 Oskar-von-Miller (o)69 9o434669 [email protected] Kontakte: GALERIE GABRIELE SENN, Wien / GALERIE MICHAEL NEFF, Frankfurt a. M. / REVOLVER VERLAG - Archiv für Gegenwartskunst, Frankfurt a. M. / SILVERBRIDGE, Paris. Das Buch ‘Oskar-von-Miller Strasse 16’ ist erhältlich bei BUCHHANDLUNG WALTHER KÖNIG. Frankfurt a. M. 2004 22.04.2004 Kunstverein in Hamburg Klosterwall 23 20095 Hamburg Tel. (00)49 - (0)40 - 33 83 44 Fax: (00)49 - (0)40 - 32 21 59 www.kunstverein.de [email protected] Wer nicht spielt hat schon verloren Alles, was gut tut., Subtropen, 8/12, 2001. Gewerbegebiet und so was

GALERIE GABRIELE SENN, Wien / GALERIE MICHAEL NEFF, Frankfurt a. M. / REVOLVER - Archiv für aktuelle Kunst, Frankfurt a. M. / DAVID ZWIRNER GALLERY, New York / SILVERBRIDGE, Paris. Das Buch ‘Oskar-von-Miller Strasse 16’ ist erhältlich bei BUCHHANDLUNG WALTHER KÖNIG. Frankfurt a. M. 2004 PLAKAT SENN Inversion.indd 2 23.03.2007 20:29:39 Uhr

176 177 Postering Postering

Fine Art Fair Frankfurt Oskar-von-Miller Strasse 16 – Michael S. Riedel, Dennis Loesch. Deutsches Filmmuseum Frankfurt a. M. zeigt: Auswahl Aktivitäten: 30. Juni 2000 – Eröffnung des Ausstellungsraums Oskar-von-Miller Strasse 16. Jim Isermann (Kunst-Ausstellung). Reinstallation des entsorgten Installationsmaterials der abgelaufenen Ausstellung Jim Isermanns im Portikus (Frankfurt a. M.). 25. August 2000/ 01. September 2000/ 08. September 2000 – Oppenheimer Bar (Barbetrieb). Rekonstruktion der Bar Oppenheimer (Frankfurt a. M.). 20. Oktober 2000 – Blackbox (Lesung). Übertragung einer aufgezeichneten B. v. Stuckrad-Barre Lesung mit gleichnamigem Titel. Die Publikation Blackbox (Kiepenheuer&Witsch) erscheint in einer korrigierten Neuauflage (Blackbox, OvM 16). 22. Oktober 2000 – In girum imus nocte et consumimur igni (Film). Deutsche Synchronisation und deutsche Erstaufführung des französischen Originals von Guy Debord. 08. Dezember 2000 – Legendary Orgasm (Konzert). 4. Auftritt der Band When The Who Were Later Building Up Their Supermod Image vor dem Hintergrund entleerter Originalformate zeitgenössischer Kunst. 02. Februar 2001 – Lola Montez (Club). Parallel Club mit den Telephone-DJs: Diedrich Diederichsen, Jason Rhoades, Kasper König, Leo König, Heiner Blum, Bärbel Grässlin, Peter Cook, Jonathan Meese, Roberto Ohrt, Franz West, Heimo Zobernig, Veronique Bourgoin, Mandla Reuter, Raymond Pettibon, Hans Weigand, Bruno Brunett u. v. a. 06. April 2001 – Disco Wilhelm Reich Version Frankfurt a. M. (Videoinstallation). In Zusammenarbeit mit Marco Lulic entsteht eine Version Frankfurt seines bereits existierenden Videos Disco Wilhelm Reich in angedeuteten Kulissen. 28. April 2001 – How you look at it (Film). Filmschau mit abgefilmten Filmen. 29. April 2001 – Warhol Shooting (Fotografie). Nachgestelltes Gruppenbild in Zusammenarbeit mit Ursula Meier. 31. Mai - 04. Juni 2001 – (Plakataktion). Als Reaktion auf das Untersagen einer von der Oskar-von-Miller Strasse 16 organisierten Party im Damenklo des Portikus während der Ausstellung Rirkrit Tiravanijas. 28. Juli 2001 – Wassertest (Installation). In Zusammenarbeit mit Jason Rhoades und Hugh Pocock findet das von ihnen in ihrer Portikus Ausstellung Costner Complex geförderte Wasser in der Oskar-von-Miller Strasse 16 seine Verwendung als Spülwasser in der Toilette. Oktober / November / Dezember 2001 – Clubed Club/ Filmed Film. Clubabende und Kinobesuche werden als regelmäßige Veranstaltung in der Oskar-von-Miller Strasse 16 wiederholt und als Genre angeboten. 31. Dezember 2001 – Sylvesterfeier. 22. März 2002 – Gilbert & George (Performance). Zwei im Auftrag der Oskar-von-Miller Strasse 16 engagierte Schauspieler (Gert & Georg) doubeln das englische Künstlerpaar während ihrer Ausstellungseröffnung im Portikus. 30. April 2002 – Max Goldt + Robert Gernhardt (Lesung). Wiederholung der Lesung von Max Goldt und Robert Gernhardt (Saalbau Frankfurt). 05. - 07. Juli 2002 – OvM 16 2000 - 2002. Mit dem Nachbau der Wand des Ausstellungsraums der Oskar-von-Miller Strasse 16 wird dieser um ein Drittel verkleinert und den nachlassenden Besucherzahlen angepasst. Oktober 2002 – Beginn der Historisierung der Oskar-von-Miller Strasse 16 basierend auf den angehäuften Dokumentationsmaterialien. 31. Dezember 2002 – Sylvesterfeier. 02. / 03.Januar 2003 – Anekdotenkonferenz. Der engere Kreis der Oskar-von-Miller Strasse 16 Oskar-von-Miller Strasse 16 trifft sich zu einer zweitägigen Anekdotenkonferenz. Das Transkript hiervon wird zum 260 seitigen Inhaltsverzeichnis der Publikation Oskar (Silverbridge, Paris). 23. August 2003 – (Schauspiel). Im Ausstellungsraum der Oskar-von-Miller Strasse 16 findet unter Ausschluss der Öffentlichkeit die Buchpräsentation Oskar statt. In der Galerie Gabriele Senn (Wien, 06.11.2003) werden fünf Oskar-von-Miller Strasse 16 Schauspieler engagiert um von dieser privaten Veranstaltung zu berichten. 18. September 2003 – Präsentation der Publikation Oskar im Rahmen der Ausstellung Kontext Form Troja (Wiener Secession), in der die Oskar-von-Miller Strasse 16 selbst zum Gegenstand der Wiederholung wird. Der Nachbau des Ausstellungsraums und die darin platzierten lebensgroßen Abbildungen der Veranstaltungen, machen Raum und Ludwig-Erhard-Anlage 1 D-6o327 Frankfurt am Main www.fineartfairfrankfurt.com Telefon +49 (o)69 7575 - 6684 Eröffnung 15.o3.06 18.oo - 21.oo Uhr Samstag 18.o9.2oo4 2o.3o Uhr Messe 16. - 19.o3.o6 täglich 11.oo - 2o.oo Uhr Buchpraesentation Oskar-von-Miller Strasse 16 (Filmed Films) Zusätzlich zur Messe veranstaltet die Oskar-von-Miller Strasse 16 ein Begleitprogramm: 15.o3. - 18.o3.o6 19.oo - o2.oo Uhr Oskar-von-Miller Str. 16 D-6o314 Frankfurt a. M. Telefon oo49 (o)69 9o434669 Deutsches Filmmuseum Schaumainkai 41 6o596 Frankfurt a. M. oo49 (o)69 2123883o www.deutsches-filmmuseum.de

eben danach umgebracht und hat sie ins Schlafzimmer geschleift zu den Eltern ja er macht die Klappe auf und sucht bei den Videos und findet nein vor er findet die Homevideos IN ROTEN SACHEN hm die Homevideos 41 Minuten davor und setzt sich dann genau in den gleichen Sessel in dem die Homevideos der Hund 25.11.2002 wie davor sitzt glaube ich zuerst auf dem Homevideo Aachen na als erstes guckt ihn sich da auch gleich an das ist er jetzt aber oder die haben ja dann zugeguckt die sind da immer in so Bikinis und so diese Frauen jetzt merkt er dass er in dem ja jetzt geht es los als erstes hat er der Frau ein Messer rein gerammt dass sie irgendwie so dass es Sessel sitzt vielleicht fährt er auf sie ab weil sie so anzügliche Bemerkungen macht jetzt geht es los jetzt geht es gleich los wie geht es los ihr so ging wie ihm an Anfang wie dem Hannibal dass sie zwar nicht tot war oder weil die Kleinen so Zähne haben wie er universell mhm Zähne mit einem Löwen geht es los im übrigen aber halt alles noch wahr genommen hat dann hat er in ihrem Beisein oder hat er die haben auch keine die haben auch so die werden von professionellen Filmern du hast doch gemeint das Orchester ihren Alten erschossen gemacht diese Homevideos hm und dann die Kinder und dann hat er die rüber geschleift mhm das hörst du ja schon jetzt dann hat er die Kinder rüber geschleift jetzt fährt er zum anderen Haus da wechselt einer gerade das Schloss aus ach so das hört man nur und sieht man nicht und die mussten dann und denen hat er dann nämlich Scherben in die Augen getan da will jetzt ein neuer Vermieter Mieter einziehen in das Mörderhaus doch du siehst es auch gleich aber erst die Namen natürlich und das findet er jetzt raus jetzt geht er im Wald rum und schaut steigt auf einen Baum hoch 7 zuallererst der Löwe pass auf jetzt geht gleich das Licht an oh Gott jetzt sagt er oh Gott oder oh Gott mhm die sagen immer oh mein Gott und glaubt das der Mörder da oben saß und da sieht er dass im Baum ein Zeichen ja das hatten wir ja jetzt schon willst du mich jetzt bei jedem Ding verbessern dann 13 17 kommen wir nicht mehr weiter jetzt sagt er gar nichts was sagt er ich weiss es nicht mehr eingeschnitzt ist ein totaler Zufall dass er das findet ich wollte nur sicher gehen dass der Löwe am Anfang war Blut na erst findet er jetzt diesen Dosenhenkel und weiss dass da jemand gewartet hat ah ja ah ja ins Kinderzimmer aber ich dachte eigentlich und da ist ein frisch abgebrochener Ast deswegen weiss die sind ganz schön alt das ist fast wie bei uns er dass er da hoch geklettert ist der mit der Glatze ist fällig der mit der Glatze der hm stimmt hast du gehört der hat gerade den falschen Ton gespielt das ist fast wie bei uns jetzt hier aber ich dachte zu der Zeit zu der das spielt haben die gar keine solche Dosenriegel der ist gefährlich wie bei uns mehr gehabt sondern diese mit diesem Lappen daran wo man sich immer geschnit- nein der ist fällig dass er was erzählt ten hat der hat die ganze Symphonie versaut mit seinem falschen Ton gerade ah ja stimmt jetzt sieht man gleich Hannibal Lector im Zuschauerraum der ihn anhypnotisiert jetzt fällt ihm das mit den Augen ein was hat das denn immer mit diesem Haustier zu tun das verstehe ich nicht anfixiert genau ah ja vielleicht hat sein Gott ihm gesagt er braucht immer ein Tier oder so keine Ahnung ja er riecht ihn schon ich habe gedacht die haben alle die gleiche Nase die Frauen weil die sitzen da auch so aufgereiht und gucken auf die Kinderbetten und genau- ah ja jetzt zeigt man sieht man ihn jetzt dann im Zuschauerraum bis auf die blonde da vorne der spielt ja nur falsch und er schämt so hat er die Kinder hingesetzt die dann jetzt sieht man ihn erst Gewichte heben sich aha ja weil er weiss dass er jetzt gleich verspeist auf das Schlafzimmerbett gucken am Leben jetzt hat er den elementaren ja genau das ist da wo er wohnt nämlich verspeist wird das weiss er doch nicht Geistesblitz doch jetzt mit den Puppen in so einem riesen Haus wohnt er doch nein den hat er erst Zuhause nachher wo jeder erschrickt da kommt dieser da da wohnt er ein bisschen wie bei Psycho der sieht aus wie die Schwester vom Walter Herde ist eine Anspielung auf Geistesblitz und flash da wohnt er ja das ist nur der objektive Betrachter das erinnert mich ein bisschen an ich glaube Schweigen der Lämmer 8 mhm ich glaube er schaut noch ins Bad da sind auch die Spiegel im Arsch ah ja da ist er Polanskis Sieben oder nein Polanski oder Neun Pforten oder so das sind jetzt den essen sie jetzt gleich auf ja schon also hier passiert jetzt nichts mehr überraschendes oder wir müssten Erinnerungen bisschen wie Psycho alles und das sagt dann der andere nachher zu kommt der wieder sagen dass nichts passiert und dann auf einmal passiert was dann erschrickt er seinem Sohn weisst du nein den essen sie jetzt gleich auf sie wissen es nicht sie haben ihn schon auf dem richtig er macht Kraftübungen mit einem Strumpf über dem Kopf er hat eine Hasenscharte Teller stimmt warum hat er sich das denn drüber gezogen eigentlich 1 den hat er gekocht nein lieber schon vorher alles erzählen lieber die Luft raus lassen ihr könnt mir jetzt auch viel erzählen du bist doch ein Feigling würden sie es vielleicht nicht essen jetzt ist er Zuhause in seinem Hotelzimmer und jetzt jetzt pass auf jetzt sucht er alle jetzt und jetzt guckt er alles an jetzt klingelt es jetzt kommt der der Chefermittler kommt jetzt der kommt immer zu mhm ihm weil er ist Psychologe und auf einmal hat er einen Geistesblitz Edward Norton der ist echt klasse der ist ganz müde der schnell sage es mir er sucht nach einem Mörder und merkt nicht dass er vor ihm sitzt wirst du gleich ach so dann hat er die er sucht eigentlich ihn und er hilft ihm dabei das mit den Puppen und findet er ihn mit den Puppen mit dem Glas in den Augen natürlich findet er ihn mit den Zuschauern mhm er hat ihn jetzt gleich 7 er redet quasi mit sich selber es macht so er isst sie auf das sollst du doch nicht sagen jetzt und warum erzählt er das ihm doch weil er irgendwie mit ihm zusammen arbeitet du bist doch echt blöd der berät ihn immer Psychologe ich will es wissen ich will wissen was passiert bevor es passiert aha haben wir dir doch eh schon erzählt jetzt hättest du dich einmal erschrecken kön- doch doch nein er geht nicht er geht nicht nen wenigstens nein da finden wir sowieso noch eine andere Stelle wo man 14 9 nein er geht nicht weil er ihn jetzt natürlich beseitigen muss ich habe schon feuchte Hände der findet jetzt ein Kochbuch bei den Bürounterlagen noch eine andere Stelle wo man wo man mhm schau her schau her pass auf und da steht drinnen Kalbsbries was ist Kalbsbries 4 Hirn Achtung entspanne dich total und auf einmal macht es zack Hirn entspann dich 1 Der vorliegende Text ist der Mitschnitt einer Führung durch die Ausstellung ‘Kontext, Form, Troja’ (Secession, Wien, 2003). und weil er natürlich hinter dem Hirn von dem Typen her ist weil er gerade gesagt ich kann nicht hat dass er das Hirn bewundert da sieht man jetzt so ein Bild mhm ah hast du dich erschrocken NEUGERRIEMSCHNEIDER will er nämlich sein Hirn essen 3 Minuten mhm ein bisschen 28.09.2003 das liegt hauptsächlich an dem Sound weil der ist so quietschende Geigen wie bei Secession ja Larousse Gastronomique der grosse Larousse was hat er hier zu suchen fragt er Wien sich jetzt schlägt er ihn mal auf Lesezeichen drinnen angekreuzt Psycho da wie so weinende blutende Kinder sieht das aus jetzt versetzt er sich da jetzt kommt Hannibal Lector sticht ihm rein aber er wehrt sich total mit der mit der hinein also es sind jetzt einundzwanzig Künstler zusammengestellt hier und das Speerspitze die wir gerade gesehen haben jetzt ruft er an nein doch nicht jetzt kommt doch das mit den Kalkhandschuhen mit Auffälligste und weshalb ich dies hier auch gerade aufnehme ist diese Oskar- er sticht ihm aber gleich in die selbe Stelle in der er ihn jetzt gestochen hat den Plastikhandschuhen von-Miller Strasse sicherlich wenn man rein kommt das ist der Nachbau eines 8 12 und jetzt und jetzt und jetzt da unten liegen die Pfeile die sind hingefallen die greift ja das Schwein hat dazu die Handschuhe ausgezogen Ateliers in Frankfurt von Dennis Riedel und Michael Loesch und zwar haben die er jetzt und zack sticht er ihn auch das heisst irgendwie die müssen auf den Augen Fingerabdrücke haben in Frankfurt ein Atelier wo sie ihre eigene Arbeit ausstellen also sie sind zack weil er die raus geschnitten hat Kuratoren ihrer eigenen Arbeit und es geht immer darum Veranstaltungen also da hat er hat er ihm die selbe Verletzung zugefügt aber beide überleben mhm aus dem Kunstbereich zu reproduzieren also sie haben zum Beispiel eine beide überleben und so finden die und das ist ja nun wirklich einfach da bin sogar ich drauf gekom- Ausstellung von Rirkrit Tiravanija einem anderen Künstler bei der Galerie men beide überleben Neugerriemschneider die haben sie nach dem Abbau eben die Reste das haben die Bullen vergessen zu untersuchen der ist noch im Bett nein doch nicht das Ende ist übrigens ganz ähnlich da ist er auch fast tot sozusagen verwendet und haben die im Bett ist er später der ist doch tot jetzt 2 mhm 15 nein nein schwer verletzt und kommt jetzt natürlich ins Gefängnis also jetzt kommt ja in ihrem Atelier wieder installiert also nicht eins zu eins sondern eben mit und variablen Geschwindigkeiten. er in Behandlung jetzt erstmal das ist alles quasi ein Rückblick wenn sie ihm sagen dass er doch überlebt hat wenn sie er erschossen hat diesem Verfall das waren so Silberfolien die dann irgendwie so verknickt waren 4 ‘Spekulative Ausstellung einer im Original stattfindenden Zukunft’ (Ausstellungsansicht), 18 Rückblick nein ja ich glaube der hat sich auch künstliche Haare einpflanzen lassen Harvey Cartel hier auch oder sie haben auch eine Lesung dann reproduziert die am Freitag stat- Secession, Wien, 17.11.2003. ja das tfindet irgendwo in Frankfurt und dann haben sie die ohne den Autor am 5 Michael S. Riedel, Denise Mawila, Dennis Loesch im Interview mit Julika Gittner, London, 2004. das ist alles ganz normal die Zeit schreitet einfach weiter vorne warum sagt er bloss grosser Gott das verstehe ich nicht 6 ‘False Portikus’ (Ausstellungsansicht), Frieze Art Fair, London, 2004. wie ist sein Spitzname Gebissfee Samstag wiederholt in ihren Räumlichkeiten und was sie jetzt zu der Ausstellung 7 Oskar-von-Miller Strasse 16 mit Schreibtisch. Frankfurt a. M., 2001. ja okay aber darum geht es jetzt gar nicht um diesen Mord 2 machen jetzt neben dem Nachbau ist eben vier Veranstaltungen zu produzieren 8 Südseite des Nachbaus der Oskar-von-Miller Strasse 16 mit den nicht rekonstruierten Toiletten, nein und der der jetzt spricht das ist dann der Mörder nachdem er dann sucht Zahnfee es gab jetzt schon einen Clubabend der ist aufgenommen worden und der wird sowie den unsichtbaren Büros (Ausstellungsansicht). ‘Kontext Form Troja’, Secession, Wien, 2003. das ist sein Buch was er sich angelegt hat Zahnfee und alle jetzt tuschel tuschel das war doch der der Hannibal Lector zur Strecke am sechsten November dann in Wien in einem Wiener Club wiederholt werden 9 Oskar-von-Miller Strasse 16 mit lebensgroßen Abbildungen der Veranstaltungen 2000 - 03 und ja der Beidseitige Uhr mit entgegengesetzten Laufrichtungen und variablen Geschwindigkeiten es ist ganz gut gemacht so sparen sie sich die ganze Geschichte filmisch zu erzäh- gebracht hat tuschel tuschel dann kommt dazu eine Filmvorführung eine Theateraufführung und das dritte (Ausstellungsansicht); im Vordergrund die Abbildung der Installation Lola Montez, sowie die im len da ist nämlich die Oma die ihr Kind verprügelt das ist die Urgeschichte für also und er kommt jetzt nach vorne und und das vierte war eine Lesung genau eine Hintergrund zu sehende Abbildung der Filmed Film Projektion Rrose Sélavy Anemic Cinema und dann mhm 01.11.2001. ‘Kontext Form Troja’, Secession, Wien, 2003. der Antrieb für den Mörder also das Psychoding ist das Wasser stimmt gar nicht es 10 Oskar-von-Miller Strasse 16 mit der verdoppelten Rückwand des Ausstellungsraums im sind gar keine Gitter es ist ja eine Plexiglasscheibe hast du Wasser hält eine kleine Ansprache Buchpräsentation wird das sein dann aber es geht hier nicht um das und jetzt alle tuschel tuschel Ausstellungsraum, die diesen auf ein Drittel verkleinert und den nachlassenden Besucherzahlen und lässt sich in Florida mit seiner Frau und seinem Kind nieder Reproduzieren von Veranstaltungen sondern eben um das Vorproduzieren anpasst. Frankfurt a. M., 2002. da schön haben sie es in Marathon aber was eigentlich dass sie es halt mit einem schweren Fall zu tun haben aha 11 Oskar-von-Miller Strasse 16 mit lebensgroßen Abbildungen der Veranstaltungen 2000 - 03 und er repariert gerade ein Boot das mit den Augen und so das umgekehrte (Ausstellungsansicht); die angelehnten Abbildungen zeigen Ausschnitte der Veranstaltung Remake eigentlich will er danach heim fahren aber in dem Cafe überredet er ihn dann genau 9 13 ja ja Club Eleven Köln (WOW GIN-WEIBER ON DCA); rechts die Durchreiche (Bar), ‘Kontext Form und dann kommt Harvey Cartel da ist er schon Troja’, Secession, Wien, 2003. vor allen Dingen ein neuer Killer hat zwei Familien ausgelöscht aha Prinzip das Sachen hier zuerst stattfinden und dann als Kopie das ist eben die ihre Homevideos nämlich 12 Nachbau der Rückwand der Oskar-von-Miller Strasse 16 mit den Postern der Veranstaltungen mhm Frage Original Kopie was ist jetzt eigentlich das Eigentliche und dieser Text soll (2000 – 02). Opel A1, Rüsselsheim, 2002. hm und sie wissen nicht wie weiter und jetzt bittet er ihn ob er ihm nicht helfen kann irgendwie auch jetzt verwendet werden 13 Oskar-von-Miller Strasse 16 mit Schreibtisch (Ausstellungsansicht). ‘Kontext Form Troja’, irgendwie ihre Homevideos Secession, Wien, 2003. was bedeutet denn dieser 14 Oskar-von-Miller Strasse 16 mit lebensgroßen Abbildungen der Veranstaltungen 2000 - 03 der Klassiker natürlich der ausgestiegene Cop der sagt nein nein und der dann die beide haben hm dieser Einbau (Ausstellungsansicht); die abgebildete Projektion ist der Veranstaltung Goldt + Gernhardt entnom- doch wieder gepackt ich glaube der ist geliftet 10 die gibt es in beiden Haushalten ja men. ‘Kontext Form Troja’, Secession, Wien, 2003. 16 kann sein das ist eben original wie das Atelier aussieht 15 Abbau der Abbildung der Projektion Rrose Sélavy Anemic Cinema 01.11.2001 mhm (Ausstellungsansicht). ‘Kontext Form Troja’, Secession, Wien, 2003. seine Frau mhm aber eben war das auch so so wie bei euch ihr macht auch immer Videos 16 Oskar-von-Miller Strasse 16 (Ausstellungsraum), Frankfurt a. M., 2001. also das ist die auffälligste Arbeit hier sicherlich diese Uhr gibt es 17 Diashow im Nachbau der Oskar-von-Miller Strasse 16; die transportierte Abbildung zeigt werden die nicht auch mit rein gezogen die Familie mhm ja Dennis Loesch und Michael S. Riedel während den Aufbauarbeiten zu Legendary Orgasm ja natürlich die wird natürlich am Ende bedroht der Showdown ist dann wieder da jetzt fragt er natürlich ob die anderen auch ein Haustier hatten hatten eins eine Katze nein noch die sich in der Zeit auf dieser Seite feststeht und auf der anderen Seite (Ausstellungsansicht). ‘Kontext Form Troja’, Secession, Wien, 2003. unten in Miami 18 Abbildungen der Durchreiche (Legendary Orgasm, Remake Club Eleven Köln) vor der nachge- wieder zurück dreht was passiert da Katze und ich verstehe das nicht was ist das mit den Haustieren eigentlich kannst bauten Durchreiche der Oskar-von-Miller Strasse 16 (Ausstellungsansicht). ‘Kontext Form Troja’, 3 na der Superkiller den er jetzt suchen soll hat es dann eben auf ihn und seine du mir das sagen ach so Secession, Wien, 2003. Fingerabdrücke Fingerabdrücke gefunden auf den Augen nur als Kommentar 19 Die aus einem Loch in der Wand bestehende Bar (Durchreiche) der Oskar-von-Miller Strasse Familie abgesehen 16, Frankfurt a. M., 2001. mhm der macht das richtig sportiv Text: Michael S. Riedel, 2003 / 2006. 20 Barbetrieb, Opel A1, Rüsselsheim, 2002. Zeit zu transportablen Gegenständen. Der Abriss des Nachbaus (Wien, 2003) wird zur spekulativen Ausstellung einer im original stattfindenden Zukunft (Frankfurt, 2005). November 2003 - September 2004 – ganz am Ende ah yes ah jetzt kommt der Typ vom Tattler Speichel Speichel und Sperma der hat ihn damals im Krankenhaus fotografiert hat da eine scheiss Story draus Oskar (Tournee). Mit den Buchpräsentationen Oskar (Neuer Aachener Kunstverein, Kunstverein Hamburg, Filmmuseum Frankfurt, Galerie Dépendance Brüssel, etc.) löst sich die Oskar-von-Miller Strasse 16 im gemacht jetzt packt er ihn gleich am Kragen er verliert Flüssigkeit ekelig hast du noch Chipse Abbildungen Diskurs auf. 31. Dezember 2004 – Sylvesterfeier. 19. März 2004 – Eröffnung der Freitagsküche. Im ersten Stock, über dem Ausstellungsraum der Oskar-von-Miller Strasse 16 kochen wechselnde Gastköche für ein jetzt haut er ihm gleich eine in die Fresse er kriegt ihn jetzt nämlich dran in dem er auf seine Familie anspielt rasch zunehmendes Publikum. 02. Dezember 2004 – Der an der Außenfassade der Oskar-von-Miller Strasse 16 angebrachte Leuchtschriftzug ( SK N E ST SSE ) ist lückenhaft und Teil eines ja und schmeisst ihn voll gegen das Auto 1 ‘Spekulative Ausstellung einer im Original stattfindenden Zukunft’ (Ausstellungsansicht), blödes Arschloch Schmierblatt lese ich sowieso nicht Secession, Wien, 17.11.2003. Missverständnisses der außen Stehenden für den Gegenstand der Beliebigkeit. ja er sagt ihm er guckt doch dann auf seine Familie und dann hat er so Mitleid mit Der Abriß des Nachbaus der Oskar-von-Miller Strasse 16 simulierte den drei Jahre später stattfind- diesen umgebrachten Familien und deswegen der kriegt nachher auch sein Fett weg von enden Abriß des Hauses in Frankfurt a. M.. Die Ausstellung fand unter Ausschluß der das war ein Lacher letztes Mal 10 14 Öffentlichkeit statt. wahrscheinlich hört man gar nichts weil wir immer so kauen von dem Bösen 2 ‘ SK N E ST SSE ‘, Oskar-von-Miller Strasse 16, Frankfurt a. M., 2005. doch doch was ist eigentlich das letzte Treffen aber jetzt überredet er ihn dass er den Fall wei- 3 ‘False Portikus’ (Ausstellungsansicht), Frieze Art Fair, London, 2004. ter bearbeitet Eingeladen von Daniel Birnbaum die Ausstellungshalle Portikus (Frankfurt a. M.) auf der Frieze ich finde der hat super Haare Art Fair zu präsentieren, installieren Michael S. Riedel und Dennis Loesch den Falschen Portikus 19 wer Harvey Cartel jetzt hat er ihn aber wie kriegt er ihn (Oskar-von-Miller Strasse 16) und zeigen Material der gestohlenen Shows aus den Jahren 2000 - nein Edward Norton die sind so scheisse blond gefärbt 03. Das Bild zeigt eine Abbildung der beiden Schaufenster der Oskar-von-Miller Strasse 16 mit der das sind die Fotos von der Familie das war Glück Installation Jim Isermann (2000), sowie die Beidseitige Uhr mit entgegengesetzten Laufrichtungen Edward Norton hat auch Falten am Hals Hannibal Lector Oskar-von-Miller Street 16 – Michael S. Riedel, Dennis Loesch. 2000-2005. und seine Frau findet es natürlich scheisse und einen Monat später auch bei ja Selected activities: 30th June 2000 – inauguration of the exhibition room at Oskar-von-Miller Street 16. Jim Isermann (art exhibition). Reinstallation of the discarded material previously installed at the Jim Isermann exhibition und den den fragt er jetzt wieder jetzt sieht man das Krankenhaus von aussen diese Vollmond hat er die andere Familie at the Portikus (Frankfurt/ Main). 25th August 2000/ 1st September 2000/ 08. September 2000 – Oppenheimer Bar (running of the bar). Reconstruction of the Bar Oppenheimer (Frankfurt/ Main). 20th October 2000 – die Frauen sind ja immer dagegen Sicherheitsverwahrung von Hannibal hm und das ist und das ist bestimmt die Szene aus Schweigen der Lämmer Scheisse Blackbox (reading). A reading by Benjamin von Stuckrad-Barre is recorded and transferred to the Oskar-von-Miller Street 16, where it is held under the same title. The Blackbox publication (by Kiepenheuer&Witsch) is pub- die Frauen sind ja immer dagegen der George der Sohn der kriegt es später ganz jetzt haben wir vergessen zu sagen da das meine ich ah weiss ich nicht meinst du das ist der Direktor will er jetzt von ihm schon die lished as a revised, new version (Blackbox, OvM 16). 22nd October 2000 – In girum imus nocte et consumimur igni (movie). German synchronisation and German premiere of the French original by Guy Debord. 8th übel ab der wird nämlich bedroht von dem Schlimmen und dann muss der Vater December 2000 – Legendary Orgasm (concert). 4th gig of the band When The Who Were Later Building Up Their Supermod Image against the background of empty original formats of contemporary art. 2nd February Edward Norton seinen eigenen Sohn beschimpfen um den Täter zu verunsichern Exklusivrechte haben eigentlich 4 mhm ja ja 2001 – Lola Montez (club) Parallel Club with Telephone DJs: Diedrich Diederichsen, Jason Rhoades, Kasper König, Leo König, Heiner Blum, Bärbel Grässlin, Peter Cook, Jonathan Meese, Roberto Ohrt, Franz West, Heimo und der Kleine hat so ein Messer am Auge am Gesicht und kriegt es dann so ganz ja der will doch Zobernig, Veronique Bourgoin, Mandla Reuter, Raymond Pettibon, Hans Weigand, Bruno Brunett, and many others. 6th April 2001 – Disco Wilhelm Reich in its Frankfurt/ Main version (video installation). In cooperation with fett von seinem Vater ab du böser Junge du schlimmer und so das ist ganz schlimm der will immer alles haben und dieser Hannibal ist raus aus dem Geschäft wann sieht man den Mörder zum ersten Mal ja jetzt gleich welchen ach den richtigen Mörder der ist im Knast ja den Mörder also der ist raus aus der freien Wildbahn aber der hat ja auch gleich Marco Lulic a Version Frankfurt of his Disco Wilhelm Reich video is shot in an indicated setting. 28th April 2001 – How you look at it (movie). Movie presentation with filmed films. 29th April 2001 – spielt der noch mal eine Rolle auch gleich der ist in so einem Labor von so einem Fotolabor erst hat er eine Mütze auf dem Kopf man sieht nur die Hasenscharte Warhol Shooting (photography). Imitation of a group shot in cooperation with Ursula Meier. 31st May - 4th June 2001 – (poster happening). In reply to the Portikus’ refusal to permit a party organ- ja ja bei Schweigen der Lämmer hat er sich ja quasi da raus befreien können 15 ach so na ised by the OvM at their ladies’ toilet during the Rirkrit Tiravanijas exhibition to take place. 28th July 2001 – Water Test (installation). In cooperation with Jason Rhoades and Hugh Pocock the water er fährt jetzt zu den Tatorten hin und geht nachts in das eine Haus rein wo die eine wenn er so Gewichte stemmt drawn at the Portikus in connection with the Costner Complex exhibiton is employed as flushing water for the toilet at Oskar-von-Miller Street 16. October/ November/ December 2001 – Clubbed Familie umgebracht wurde und guckt sich quasi den Tatort an war er da noch nicht bei der blinden da ist es super eklig allein die Vorstellung jetzt sieht man gleich noch einen anderen ganz kriminellen der hat zwei Zähne wie Club/ Filmed Film. Nightclub events and visits to the cinema are regularly repeated at Oskar-von-Miller Street 16 in the form of events and offered as a new genre. 31st December 2001 – New und Dracula ein Schwarzer Years’s Eve party. 22nd March 2002 – Gilbert & George (performance). Two actors hired by the Oskar-von-Miller Street 16 (Gert & Georg) act as doubles for the British artist duo at their exhibition ja stimmt das mit den Rechten ist mir ganz entgangen spricht alles at the Portikus. 30th April 2002 – Max Goldt and Robert Gernhardt (reading). Re-enactment of a reading by Max Goldt and Robert Gernhardt (Saalbau Frankfurt). 5th July- 7th July 2002 – OvM 16 und findet jetzt ah ja sein Leben riskieren ich glaube dieser dicke schwarze Pfleger von eben ist auch in Schweigen der 2000- 2002. The replication of the wall from the exhibition room at Oskar-von-Miller Street 16 is reduced in size by one third and thus adapted to the decrease in the number of visitors. October spricht alles in ein Aufnahmegerät 11 20 das Hundeding Lämmer drinnen ein Hund ganz hinten da steht schon ein Stuhl und die Zelle davor ist ein anderer Schwarzer wo der Hund immer drin lag auch ein Mörder wahrscheinlich 5 das könnte sein dass das eine Szene aus Ding war es war kein Hund wo ist der Hund im Bericht ist keine Rede vom Hund 5 2002 – the process of writing the history of the Oskar-von-Miller Street 16 is started, based on the large amount of existing documentation material. 31st December 2002 – New Year’s Eve party. 2nd/ 3rd January 2003 – Conference of anecdotes. The inner circle at Oskar-von-Miller Street 16 gets together for a two- er hat so ein Gerät dabei so ein Aufnahmegerät war da nicht auch Grauzellen arbeiten wo ist der Hund er liegt da er liegt da auf dem Rücken day anecdotes conference. The transcript of this conference is turned into a 260-page table of contents of the Publication Oskar (Silverbridge, Paris). 23rd August 2003 – (play). The book presentation Oskar takes place behind closed doors at the exhibition room at Oskar-von-Miller Street 16. Five actors are hired to er hat einen Schlüssel dabei war da nicht auch irgendwas ohne Schnitt wo du gesagt hast ohne Schnitt und so talk about the book presentation at the Gabriele Senn Gallery (Vienna, 6th November 2003). 18th September 2003 – the Publication Oskar is presented to the public in connection with the exhibition Context Form Troy (Secession, Vienna) in which the Oskar-von-Miller Street 16 itself becomes the subject of repeti- wusste ich gar nicht mehr wenn er das auffrisst wenn er das auffrisst drinnen ist alles picobello sauber genau können wir mal gucken er atmet und riecht ihn schon das billige Aftershave tion. A life-sized model of its exhibition room, which includes life-sized pictures of the events held there, converts space and time into moveable subjects. The demolition of the model (Vienna 2003) turns into a speculative exhibition of an original future, yet to take place (Frankfurt 2005). November 2003 - September aha das selbe billige Aftershave wie im Gerichtssaal aber er riecht darunter die Angst 2004 – Oskar (on tour). The book presentations (Neuer Aachener Kunstverein, Hamburg Kunstverein, Film Museum Frankfurt, Galerie Dépendance Brussels, etc.) constitute the public farewell of Oskar-von-Miller Street 16. 31st December 2004 – New Year’s Eve party. 19th March 2004 – opening of the Friday daher weiss er dass das die das im Labor nicht haben da ruft er dann später noch Küche Gläser Kitchen. On the first floor, above the exhibition room at Oskar-von-Miller Street 16 varying (guest) cooks serve selected dishes to an ever-growing number of guests. 2nd December 2004 – the fluorescent letters on the front of Oskar-von-Miller Street 16 ( SK N E ST SSE ) are incomplete, which is part of the wollten die in Urlaub fahren oder was wie war das mal an entdeckt er da was er weiss genau um was es geht outsider’s misapprehension of the concept of arbitrariness. hm woher weiss er das eigentlich 11 16 entdeckt er da was Zeitung er will dafür einen Computer ja klar guckt er da jetzt hin das heisst auch intelligenter als er ich hatte Glück guckt sich da die Spuren an sie sind verrückt lin, 2006. ah sie sind verrückt und das trifft ihn ins Mark Text: In roten Sachen (Auszug), Michael S. Riedel, 2002/ 2004.

das Blut klebt überall noch an der Wand aber hier sieht es noch ganz h. Ber Abbildungen: (1) Gordon Matta-Clark Food 18.06.2004, Freitagsküche, Oskar-von-Miller Str. 16. (2) Rrose Selavy Anemic Cinema 01.11.2001, Kinosituation Oskar-von-Miller Strasse 16. (3) Michael man denkt die ganze Zeit jetzt kommt der Böse wieder um die Ecke weil Täter jetzt geht er erst falscher Abgang mhm S. Riedel (l.), Dennis Loesch (r.), 2001. (4) Roter Drache 06.11.2002. (5) v.l.n.r. Denise Mawila, unbekannt, Isabelle Fein, Hank Schmidt in der Beek, Dennis Loesch, Oskar-von-Miller Strasse 16, immer an den Tatort zurück kehren hast du auch gesagt das letzte Mal passiert aber 2001. (6) Daniel Herrmann (Schatten), 2001. (7) Hans Richter Rhytmus 21 04.11.2000. (8) E.T. 25.04.2002. (9) Performance 08.01.2000 mit Jodie Winkler. (10) Hans Richter Alles dreht sich alles ich denke sie haben Angst wie lange ist es her fünf Jahre schwitzen tut er total nicht bewegt sich 04.11.2000 (11) Kopie aus ‘Oskar-von-Miller Strasse 16’, Silverbridge, Paris 2003. (12) Kindergarten Cop 20.10.2001 mit Erik Maisenhälder. (13) Doppelprojektion E.T. E.T. 25.04.2002. als erstes geht er in das Schlafzimmer von den Eltern oben kommt er wieder raus der Hannibal (14) Hans Richter Filmstudie 04.11.1999. (15) Robert Breer Recreation 05.11.1999. (16) . mhm in dieser Folge nicht sehen sie sich noch mal um genau er muss noch mal gucken er sucht jetzt weiter Oskar-von-Miller Strasse 16 das sieht nicht schön aus die ganzen Matratzen sind voll Blut SILVERBRIDGE Paris, GABRIELE SENN GALERIE Wien, MICHAEL NEFF GALERIE Frankfurt a. M., REVOLVER–ARCHIV FÜR AKTUELLE KUNST Frankfurt a. M., DAVID ZWIRNER GALLERY, New Riedel, Dennis Loesc und findet ein Video Homevideos und hat sie dadurch lebendig schwarz .

im Kinderzimmer dann aber auch und Schleifspuren sind so auf dem Teppich so York. 16 on-Miller Strasse aber das macht er doch eh im Haus ich weiss es nicht genau man weiss noch gar nicht wo die herkommen aber er hat dann die Kinder Das Buch Oskar-von-Miller Strasse 16 ist erhältlich bei BUCHHANDLUNG WALTHER KÖNIG. hier findet er jetzt die Homevideos hael S 6 In der Reihe TRANSKRIPT veröffentlicht REVOLVER – ARCHIV FÜR AKTUELLE KUNST Texte von Michael S. Riedel. Bisher erschienen: scheissen und brunzen (shitting and pissing), Johnson Robert. 3 6 12 Oskar-von-Miller Strasse 16 6o314 Oskar-von-Miller Frankfurt Str.16 a. M. oo49 (o)69 9o434669 [email protected] Mic © © Oskar-v OSKAR-VON-MILLER STRASSE 16 Freitag, 24.o6.2oo5 2o.oo Uhr (Oskar-von-Miller Strasse 16) Am 24.Juni 2005 findet in der Oskar-von-Miller Strasse 16 (Frankfurt a. M.) die letzte Veranstaltung statt. In den darauf folgenden Wochen beginnt der Abriss, sowie die Neubebauung des Geländes. On 24th June 2005 the final event of the Oskar-von-Miller Street 16 (Frankfurt / M.) is going to take place, followed by the demolition of the buildings and the start of the re-building process.

OSKAR-VON-MILLER STRASSE 16, 24 cm x 17 cm, 660 S. (davon ca. 90 leer), broschiert, zahlreiche s/w-Abb., Texte von Daniel Baumann (Nachzeichnen), Roberto Ohrt (Wiederholungstäter, Replikanten, Tiere der Theorie), Michael S. Riedel (Anekdotenkonferenz, Blackbox, Boppard, Eintausendsechshundertachtundvierzig Mark Eins, Coverdesign, Telefonbuch), in dt. Sprache, Auflage: 500, nummeriert, davon Nr. 1–50 als Sonderedition mit 5 Plakaten (Siebdruck). Basierend auf der falschen Veranstaltung ist die Dokumentation der Ausstellungspraxis von Michael S. Riedel und Dennis Loesch an sich fragwürdig. In dem Ausstellungsraum Oskar-von-Miller Strasse 16 haben beide die Sprachen des öffentlichen Kulturangebots nachgesprochen, oftmals ohne Verständnis für das Gesagte. Mit transkribierte Texten und zahlreichen Abbildungen zeichnen sie ihr dreijähriges Troja nun auf. FRIEZE ART FAIR CATALOGUE 2, 19,5 cm x 14 cm, 224 S., in engl. Sprache, zahlreiche s/w Abb., Texte von Daniel Birnbaum (Quasi Portikus), Michael S. Riedel (Conference of anecdotes), Auflage 500. Eingeladen von Daniel Birnbaum (Portikus) präsentieren Michael S. Riedel und Dennis Loesch den Falschen Portikus auf der Frieze Art Fair (London, 2004). Begleitend zu der Installation entsteht der Frieze Art Fair Catalogue 2, der die Portikus bezogenen Veranstaltung der Oskar-von-Miller Strasse 16 dokumentiert. PLAKATE (I - V) BUCHPRÄSENTATION OSKAR-VON-MILLER STRASSE 16, 58,4 cm x 42 cm. Texte von Michael S. Riedel (Buchpräsentation, Fotografenstimme, Alles Komma was gut tut Punkt, Three Wishes, In Roten Sachen), Auflage: 500.

OSKAR-VON-MILLER-STREET 16, 9.5 inches by 6 inches. 660 pages (about 90 of them empty), bound, numerous b/w-ill., texts by Daniel Baumann (Redrafting), Roberto Ohrt (Serial Artists, persistently offending), Michael S. Riedel (Conference of anecdotes, Blackbox, Boppard, One-thousand-six-hundred-forty-eight and one Marks, Cover design, Telephone book), in German language, print runs: 500, numbered, numbers one through fifty as special edition with five posters (screen print). Based on a false event, the documentation of Michael S. Riedel and Dennis Loesch’s exhibition practice is already questionable. In the exhibition space Oskar-von-Miller Strasse 16, the two have reiterated the languages of public cultural offers, often with no understanding of what is said. They chronicle their three-year Troy with transcribed texts and numerous illustrations. FRIEZE ART FAIR CATALOGUE 2, 7.5 inches by 6 inches, 224 p. in English language, numerous b/w ill., texts by Daniel Birnbaum (Quasi Portikus), Michael S. Riedel (Conference of anecdotes), print runs: 500. ISBN 3-865588-053-3. www.revolver-books.de Daniel Birnbaum (Portikus) invites Michael S. Riedel and Dennis Loesch to represent the Fake Portikus at the Frieze Art Fair (London 2004). The Frieze Art fair Catalogue 2 accompanying the installation works as documentation of the event staged by Oskar-von-Miller Street 16, which alludes to the Portikus. POSTERS (I-V) BOOK PRESENTATION OSKAR-VON-MILLER STREET 16, 23 inches by 16 inches. Texts by Michael S. Riedel (Book presentation, Photographer’s Voice, Everything comma that does you good full stop, Three Wishes, In Red Garments), in German language, print runs: 500. OSKAR-VON-MILLER STRASSE 16 – Michael S. Riedel, FRIEZE ART FAIR CATALOGUE 2 – Michael S. Riedel, Dennis Loesch. Revolver, Frankfurt a. M., 2004.

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Aachen Aachen Aachen Aachen Aachen ab ab ab ab ab ab Abbau abbauen abdriftest Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abenden aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber abgecheckt abgefahren abgehauen abgehauen abgeholt abgeht abgeklebt abgerissen abgeschreitet abgeschrubbt abgesetzt abgetippt abholt Ablauf ablief abpausen abreißen abschalten abschneiden Abschnitt Abschnitt Abschnitt Abstand abtippen ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach Achim Achim acht acht achten achten achthunderteinundachtzig achtundneunzig achtundneunzig Adapter Adapter Adidas Adidas aggressiv Aggressiven ah ah ah ah ah ah aha aha Ahnung Aktentasche Aktion akzeptieren Albali Albali Albali Alexander Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina Alina, Alkohol alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle allein allem allen alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles Alpspitz Alpspitz als als als als als als als als als als als als als als als als als als als als als als als als als also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also alte alten Alter altes am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am amüsiert an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an and andere andere andere andere andere andere andere anderen anderen anderen anderen anderes anderes anderes anderes anders André Anekdoten Anekdoten Anekdoten Anekdoten Anekdotengitter Anekdotengitter Anekdotengitter Anekdotenkonferenz Anfang Anfang Anfang Anfang Anfang Anfang Anfang Anfang Anfang anfangen anfangen Anfangszeit Anführer Anführer Anführer angeblich Angebote angefangen angefangen angefangen angefangen angefangen angefangen angefangen angehabt angehalten angeheitert angeklagt Angela angelacht angelaufen angelegt angepisst angerufen angeschaut angeschlossen angesprochen angesprochen Angst angucken angucken angucken angucken angucken anhat anhat Anja Anja Anja Anja Anja Anja Anja Anja Anja Ankündigung Ankündigung Anlage anlehnen Anlehnung anmachen Anne anrufen anrufen anschauen anschauen anschauen anscheinend anscheinend anschließen Anschluss Anschluss anstellen anstrengen anstrengend anstrengend anwesend Ära Arbeit Arbeit Arbeitsamt arbeitsintensiv Archäolo- gie Archiv Archiv Archivkasten are Argument Argument Arm Arm Arm Arndt Arndt Artikel Artikel Ata Atelier Ateliergespräch Ateliergespräch Atomic Attack auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf Auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf Aufbau Aufenthaltsgenehmigung aufgehabt aufgehabt aufgehört aufgelaufen aufgelegt aufgelegt aufgelegt aufgelegt aufgelegt aufgelegt aufgemacht aufgemacht aufgenommen aufgenommen aufgenommen aufgenommen aufgeschrieben aufgeschrieben aufgeteilt aufgewacht aufgrund aufgrund aufhören Aufkleber aufl egt aufmachen aufmachen Aufnahmen Aufnahmen Aufwand Augen Augustiner Augustiner aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus ausbezahlt ausbezahlt auseinander Auseinanderreißen ausgebreitet ausgemalt ausgemessen ausgezogen Ausländern ausnahmslos aussah Ausschnitt Ausschnitt Ausschnitt außer außer außer außer Aussetzer Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellungseröffnung Ausstellungsraum Austeilen auswechseln auszuziehen Auto Auto Auto automatisch Autos Autos Autos Backen Bäckerei Bahn Band Band Band Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Barbara barfuss barfuss barfuss barfuss barfuss barfuss Barre Barre Barre Barre Barre Barre Barre Bart basierend basteln Batschkapp Bauch Bayern Bayern bayrisches bayrisches Bayrle Bayrle Beamer Beamer Beat Beat Beat Becks Becks Becks bedeckt Beek befummelt bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei beide beide beide beide beide beide beiden beiden beim beim beim beim beim beim beim beim beim beim Beispiel Beispiel Beispiel bekommen bekommen bekommen bemüht Benjamin beobachtet beraten bergab bergab Berger Bericht Berlin beschissen beschwert beschwert beschwert Bestaussehendsten bestellte besten bestimmt bestimmt bestimmt bestimmt bestimmt bestimmte besucht besuchtes Betrüger Betrüger betrunken betrunken betrunken Bett Bett Bett Bett Bett Bettlaken bevor beziehungsweise Bianca Bianca Bianca Bier Bier Bier Bierdosen Big Big Big Bilder Bilder Bilder Bilder Bilder billigen billigen bin bin bin bin bin bin bin bin bin bin bin bin bin bin bis bis bis bis bis bis bis bis bis bis bis bis bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bist bist bist bitte bitte bitte bitte bitte Björn Björn Björn Björn Björn Björn Björn Björns Blackbox bleiben bleibt bleibt Blick blind blöd blond Blow Blow blue blue Blumenladen Bock Boden Boden Boden Bohr Bolex Boom Bornheim Bornheim Boxen Brandlöchern brauche brauchen braun braun bravo Breton Brief Brille bringst bringt Brother Brother Brother Brunzen Brunzen Brunzen brunzen Buch Buch Buch Buch Buch Buch Buch Buch Buch Buch Buch Buchmesse Buchpräsentation Buchpräsentation Buchpräsentation Buchpräsentation Buchpräsentation Bulle Bulle Bulle Bulle Bulle Bundeswehr Busen Cafe Capirinha Capirinha Caroline Caroline Caroline Caroline Catalina Catalina Catalina Catalina Catalina Catalina Catalina Catalinas Chabos Chefi n Christoph Christoph Christoph chronologisch chronologisch chronologisch ciao civitas Club Club Club Club Club Cocktails Cola competition Computer Computer Computer Concerts coole Cowboy da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei Dachkonzert Dachkonzert Dachkonzert dachte dachte dachte dachte dachte dachte dafür dagegen dagelassen dahin Daimlerstraße Damenklo Damenklo damit damit damit damit danach danach danach danach Dandy Danicke Danicke Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel danke danke dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann daran darauf darauf daraufhin daraus darf darüber darüber darüber darüber darüber darüber darum darum darum das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dastehen Daten David David David David David davon davon davon davon davon davon davor davor dazu dazu dazu dazu dazu dazu dazu dazu dazukam De De Debord Deckel dein dein dein dein dein dein deine deine deine deine deine deine deinem deinem deinem deinem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den den denen denen denke denke denke denke denke denke denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn denn Dennis Dennis Dennis Dennis Dennis Dennis Dennis der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der derselben des des des des des des deshalb deswegen deswegen deswegen deswegen deswegen deswegen Detail Deutschland Dia Dialogsequenzen Dias Diashow Diashow Diashow dich dich dich dich dich dich dich dich dick dicke dickere Didi Didi die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die Die die Die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die diese diese diese diese diese diese diese diese diese diese diese diese diese diesem diesem diesem diesen diesen diesen diesen diesen diesen diesen dieser dieser dieses dieses dieses dieses diesmal differenzieren Ding Ding Ding Ding Ding Ding Dinge Dinger Dingsda dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir direkt direkt direkt direkt direkt direkt direkt direkt Direktor Direktor Diskussion diverse DJ DJ DJ DJ DJ doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch dokumentiert Doppelpunkt Doppelpunkt Doppelpunkt Doppelpunkt Doppelpunkt dort dort dran dran dran dran dranbleibt drauf drauf draußen draußen draußen draußen draußen draußen Dreck Dreck drei drei drei drei drei drei drei drei drei drei drei drei drei drei drei drei drei drei drei Dreikönigskeller dreimal dreißigsten dreißigster dreiundneunzig dreiundneunzig dreiviertel dreizehnten drinnen drinnen drinnen dritten dritten dritten dritter Drogen Drogen drüben drüben drüben drüben drüben drüben drüber drüber drucken drugs drunter du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du dumme dunkel durch durch durch durcheinander durchgestrichenen durchging durchlaufen durchlaufen durchwechseln durchzugehen dürfen durfte Dutronc Dutronc Dutronc eben eben eben echt echt echt echt echt echt echt echt echt echt echten echter Ecke Ecke Ecke Ecke Edelstoff Edelstoff egal egal eh eh eh eh eh eher eher eher eher eher eifersüchtig eifersüchtig eigenen eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein eindeutig Eindruck eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine eine einem einem einem einem einem einem einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einer einer einer einer einer einer einer einer einer einer einer einer einer einer einer eines einfach einfach einfach einfach einfach einfach einfache einfällt einfällt eingeladen eingeladen eingeladen eingeleitet eingemietet eingerichtet eingeschlafen eingeschleust eingezogen einhundertachtzig einhundertvierzig einige einige einiges Einkaufswagen einladen einlegen einmal einmal einmal einmal einmal eins eins eins eins eins eins eins eins eins einschlägigen einschlägigen Eintritt einunddreißigsten einundzwanzig einzige eitern elf Elke Eltern Eltern EM EM Ende Ende Ende endlich endlich engagiert engagiert engagiert enorm Entschuldigung entsorgt entweder entwickelte er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er erfanden erinnere erinnere erinnere erinnern erinnern erinnert erkennen erklären erlebt ernst ernst ernst ernst ernsthaft eröffnet eröffnet eröffnet Eröffnung Eröffnung Eröffnung Eröffnung Eröffnung Eröffnung Eröffnungsabend Eröffnungsteam erscheinen erscheinen erschienen erschwerend erst erst erst erst erst erst erst erst erst erst erst erst erste erste erste erste erste erste erste erste erste erste erste erste erste ersten ersten ersten ersten ersten erstmal erstmal erstmal erstmal erstmal erstmal erstmal erwähnenswert erwähnenswert erwähnt erwähnt erwischt erzählen es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen esst esst Etappe etwa etwa etwas etwas euch Euch euch euch euch euch euch euch euer eure eure eure eure eure euren Euro ex exquisiten extra extrem extrem extrem extrem exzellent Fabrice Fabrice Fabrice fahren Fall Fall Fall Fall Fall Fall fällt fand fand fand fanden fangen fangen fangen Farbe Farbe fast fast fast fast fast faszinierend fatal fehlt Feiertag Feld Fenster Fenster Fenster Feo Feo fertig fertig fertig fertig fest fetten Feuer Feuerwerk Film Film Film Film Film Film Filmemacher Filmpräsentation Filmprofessorin fi nde fi nden fi ng fi ng fi ng Finger Fingern Finsbury Finsbury Flasche Flasche Flasche Flasche Flaschen Fleischsalat Fleischsalat Fleischsalat Fleischsalat Flughafen Flughafen Flugzeug Flugzeug folgende Folie Folie Folie Folie Folie Folie Folie Folie Folie Folie Folie Folien Folien Folien Foto Foto Foto Foto Foto Foto Foto Foto Foto Foto Fotokamera Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos frage Frage fragen fragen Fragezeichen Frankfurt Frankfurt Frankfurt Frankfurt Frankfurter Frankfurter Frankfurter Frankfurter Französin Frau Frau Frau Frau Frau Frau Frau Frauen Frauen Frauen Frauen Frauen Freak frei freier Freund Freund Freund Freunde Freunde Freundin Freundin Freundin Freundin Freundin freundlich Friemel Friemel frühen früher früher Frühphase Fuck Fuck Fuck fünf fünf fünf fünfundzwanzig fünfundzwanzig fünfundzwanzigsten fünfzehn fünfzehn fünfzehn für für für für für für für für für für für für für für für furchtbar furchtbar furchtbares fürchterliches Fuß Fußball Füße Füße Füße gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab Gänge Gänge Gänge ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganze ganze Ganze ganze ganze ganze ganze ganze ganze ganze ganze ganzen ganzen ganzen ganzen ganzen ganzen ganzen gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar Garage Ga- ragen Garagen Garmisch Garmisch Garmisch Garmisch Garmisch Garmisch Gast Gäste Gäste geändert geärgert gebacken Gebiss geblieben geblieben geblieben gebracht gebracht Gebrauchsanweisung Geburtstag Geburtstag Geburtstag Geburtstag Geburtstag Geburtstag gecheckt gedacht gedacht gedacht gedacht gedacht gedacht gedacht gedacht Gedanken gedreht gedroht gefahren gefahren gefahren gefahren gefahren gefahren gefahren gefahren gefahren Gefängnis gefi lmt gefi lmt gefi lmt gefi lmt gefi lmt gefl ogen gefl ogen gefragt gefragt Gefühl Gefühl Gefühl gefühlt gefunden gegangen gegangen gegangen gegeben gegen gegenüber gegenüber geguckt geguckt geguckt geh gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehalten gehalten gehen geholfen gehört gehört gehört gehört gehst geht geht geht geht geht geht geht geht geht geht geht geht geht geht geht geht geht geht gehupt geil geil geirrt gekannt gekannt gekauft gekichert geklebt geklirrt Geknutsche geknutscht geknutscht geknutscht geknutscht geknutscht gekocht gekocht gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekotzt gekriegt gelacht gelacht gelassen gelassen gelassen gelaufen gelb gelbe gelbe Geld Geld Geld Geld Geld Geld Geld gelegt gelesen gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemeint gemeint gemeint gemeint gemeint gemerkt gemietet gemixt genächtigt genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genauso Generation Generation genommen genommen genommen genommen genommen genug Genüge geordnet geordnet geordnet Georg Georg Georg gepasst gepasst gepasst gepeilt gepennt gepfefferten geplant geplant gepöbelt gerade gerade gerade gerade gerade geraten geredet geredet geredet geredet geredet geredet geredet geredet Gereibe gerissen gerne gerne gerne gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesamten gescannt geschadet geschafft geschätzt geschätzt Geschichte geschickt geschickt geschissen geschlafen geschlafen geschlafen geschlafen Geschlecht geschnitten geschnitten geschnitten geschnitten geschnitten geschoben geschoben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrubbt geschrubbt geschrubbt geschrubbt gesehen gesehen gesehen gesehen gesehen gesehen gesehen gesehen gesehen Gesellschaft Gesellschaft Gesellschaft Gesellschaft gesessen gesessen gesetzte gesetzte gesetztes Gesicht gespannt gesperrt Gespräch Gespräch Gespräch Gespräch Gespräch Gespringe gesprochen gesprochen gesprochen gesprochen gesprochen gesprochen gesprochen gestanden gestellt gestellt gestellt gestempelte gestrichen gestrichen gesucht getanzt getanzt getanzt getanzt getanzt getanzt getanzt getippt getippt getippt getragen Getränke Getränke Getränke Getränke Getränken getraut getraut getraut getreten getroffen getrunken getrunken Gewerfe gewesen gewesen gewesen gewesen gewesen gewissermaßen gewissermaßen gewohnt gewohnt gewohnt gewohnt gewohnt gewusst gezahlt gezeigt gezeigt gezeigt gezeigt gezogen gezogen gezogen gezogen gib gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt Gin Gin Gin ging ging ging ging ging ging ging ging ging ging ging Girum Girum Gitter Gläserbestand Gläserbestand glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube glaube gleich gleich gleich gleich gleich gleich gleich gleich gleich gleich gleich gleich gleiche gleichzeitig Glitzer Glück glücklicherweise goldene Gott Gott Grad Graw Griff groß groß groß große Große große große Größe großen Großen größtenteils Grumiller Grumiller Grunde Gruppe Grüße Grüße guck guck guck gucken gucken Guido Günter Günther Günther Günther Günther Günther gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut guten Guten Guy Haare Haare Haaren hab habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt habt halbe halbe halbe halbes Hallensportschuhe Hallo Hals halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halte Hamburg Hamburg Hamburg Hamburg Hamburg Hand Hand Hände handelte Handy Handy Handy hängen hängen Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hankl Hans Hans Hans Hans Hans Hans Hans Hans Hans Hans harten hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hätte hätte hätte hätte hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hätten hattest hattest hattest hattest hattest hattest hattest hattet hattet hattet hattet hattet hattet hättet haue hauen hauen Hauptsache hauptsächlich Hauptspeise Hauptverdächtiger Haus Haus Hause Hausmeister Hausmeister Haut Heft Hefte heil heimgefahren Heimo Heimos heiß heißen heißen heißt heißt heißt heißt heißt heißt heißt heißt heißt heißt Heizkörper helfen helfen helfen hell hell Helmut Hemd Henninger Henninger Henninger Henninger Henninger her her her her her herausgestellt hergefallen hergefallen hergekriegt Hermann Hermann Hermann Hermann Hermann Heuballen heute heute heute hey Hi Hi Hi hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hierher hierhin hierüber hierunter hieß hieß Hilfskräfte hin hin hin hin hin hin hin hin hing hingegangen hingegeben hingehören hingeht hingen hingepasst hinhaute hinmalst hinten hinten hinten hinten hinter hinter hinter Hintergrund Hintergrund Hinterhaus hinterher hinterher hinterherschicken hinüber Hinweg Hinweg Hinweg hinzugeben Hip Ho Ho Ho hoch hocken Hof Hof Hof Hof Hohlmann Hohmann Hohmann Hohmann Hohmann holen holen holt Hop hören hören hören hören Hörensagen Hotel House hundertste Hurttig Hurttig Hut hy ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich Ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich Idee Idee ihm ihm ihm ihm ihm ihm ihn ihn ihnen ihnen ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihrer illegal im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer in in in in in in in in in in in in in in in in In in in in in in in In In in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in indem ins ins ins ins ins ins ins interessant interessant interessant irgend irgendein irgendeine irgendwann irgendwann irgendwann irgendwann irgendwann irgendwas irgendwas irgendwas irgendwas 178 179 irgendwelchen irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie Isabelle Isabelle Isabelle Isabelle Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann ist ist ist ist ist ist Postering ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist istPostering ist ist ist ist ist ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja Ja Ja ja ja Ja ja ja Ja ja Ja Ja ja Ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja Jacke Jacke Jacques Jacques Jacques Jahr Jahr Jahr Jahr Jahr Jahr jährlich Jakkordia Jankowski Jankowski jedem jeden jeden jeden jeden jedenfalls jeder jedes jedes jemand jemand jemand jemand jemand jemandem jemanden jetzigen jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jeweils Jim Jim Jim Jim Jim Jim Jim Jodie Aachen Aachen Aachen Aachen Aachen ab ab ab ab ab ab Abbau abbauen abdriftest Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abend Abenden aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber aber abgecheckt abgefahren abgehauen abgehauen abgeholt abgeht abgeklebt abgerissen abgeschreitet abgeschrubbt abgesetzt abgetippt abholt Ablauf ablief abpausen abreißen abschalten abschneiden Abschnitt Abschnitt Abschnitt Abstand abtippen ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach ach Achim Achim acht acht achten achten achthunderteinundachtzig achtundneunzig achtundneunzig Adapter Adapter Adidas Adidas aggressiv Aggressiven ah ah ah ah ah ah ahaJodie aha Ahnung Aktentasche Jodie Aktion akzeptieren Jodie Albali Albali Albali AlexanderJodie Alina Alina JodieAlina Alina Alina Alina Jodie Alina Alina Alina Alina Johnson Alina Alina Alina Alina Alina, AlkoholJohnson alle alle alle alle alle alle alle Johnson alle alle alle alle alle alle Johnson Johnson Joint Jonathan junge junger Juni Juni Juni Juni Jutta alle alle alle alle alle alle alle alle alle alle alle alle alle alle alle allein allem allen alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles alles Alpspitz Alpspitz als als als als als als als als als als als als als als als als als als als als als als als als als also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also also alte alten Alter altes am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am am amüsiert an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an an and andere andere andere andere andere andere andere anderen anderen anderen anderen anderes anderes anderes anderes anders André Anekdoten Anekdoten Anekdoten Anekdoten Anekdotengitter Anekdotengitter Anekdotengitter Anekdotenkonferenz Anfang Anfang Anfang Anfang Anfang Anfang Anfang Anfang Anfang anfangen anfangenK Anfangszeit Kaffee Anführer Anführer AnführerKaffee angeblich Angebote Kaffee angefangen angefangen Kaffee angefangen angefangen angefangenKaffee angefangen angefangenKaffee angehabt angehalten kalt angeheitert kam angeklagt Angela kam angelacht angelaufen kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kamen kamen kamen kamen kamen kamen kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kann kannst kannst kannst kannst kannst kannst kannst kannten kaputt kaputt kaputte Karlsruhe Kaspar Kaspar Kaspar Kassette Kassette Kassetten Katalog Kati Kati Kati Kati angelegt angepisst angerufen angeschaut angeschlossen angesprochen angesprochen Angst angucken angucken angucken angucken angucken anhat anhat Anja Anja Anja Anja Anja Anja Anja Anja Anja Ankündigung Ankündigung Anlage anlehnen Anlehnung anmachen Anne anrufen anrufen anschauen anschauen anschauen anscheinend anscheinend anschließen Anschluss Anschluss anstellen anstrengen anstrengend anstrengend anwesend Ära Arbeit Arbeit Arbeitsamt arbeitsintensiv Archäolo- gie Archiv Archiv Archivkasten are Argument Argument Arm Arm Arm Arndt Arndt Artikel Artikel Ata Atelier Ateliergespräch Ateliergespräch Atomic Attack auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auch auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf Auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf auf Aufbau Aufenthaltsgenehmigung aufgehabt aufgehabt aufgehört aufgelaufen aufgelegt aufgelegt aufgelegt aufgelegt aufgelegt aufgelegt aufgemacht aufgemacht aufgenommen aufgenommenKatzentisch aufgenommen aufgenommen aufgeschriebenKatzentisch aufgeschrieben aufgeteilt aufgewacht kaufen aufgrund aufgrund kaum aufhören Aufkleber auflkein egt aufmachen kein aufmachen Aufnahmen kein Aufnahmen kein Aufwand Augen kein Augustiner kein keine keine keine keine keine keine keine keine keine keine keine keine keine keine keine keine keinem keinen keinen keinen keinen keinen keinen keiner keiner keins kenne kenne kennen kennengelernt kennengelernt kennengelernt kennengelernt kennengelernt kennengelernt kennt kennt Kerstin Kerstin Kerstin kifft Kike Kike Kiki Kiki Kind Kinder Kinn Kinn Kinn Kinski Kinski Kirkeby Kiste Klage klar klar klar klar klar klar klarzustellen Kle- Augustiner aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus aus ausbezahlt ausbezahlt auseinander Auseinanderreißen ausgebreitet ausgemalt ausgemessen ausgezogen Ausländern ausnahmslos aussah Ausschnitt Ausschnitt Ausschnitt außer außer außer außer Aussetzer Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellung Ausstellungseröffnung Ausstellungsraum Austeilen auswechseln auszuziehen Auto Auto Auto automatisch Autos Autos Autos Backen Bäckerei Bahn Band Band Band Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Bar Barbara barfuss barfuss barfuss barfuss barfuss barfuss Barre Barre Barre Barre Barre Barre Barre Bart basierend basteln Batschkapp Bauch Bayern Bayern bayrisches bayrisches Bayrle Bayrle Beamer Beamer Beat Beat Beat Becks Becks Becks bedeckt Beek befummelt bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei bei beide beide beide beide beide beide beiden beiden beim beim beim beim beim beim beim beim beim beim Beispiel Beispiel Beispiel bekommen bekommen bekommen bemüht Benjamin beobachtet beraten bergab bergab Berger Bericht Berlin beschissen beschwert beschwert beschwertber Bestaussehendsten Kleber bestellte besten klein bestimmt bestimmt klein bestimmt bestimmt klein bestimmt bestimmte klein besucht besuchtes Kleine Betrüger Betrüger betrunkenkleine betrunken betrunken Kleine Bett Bett Bett Bett kleine Bett Bettlaken bevor bezie-kleine kleine kleinen kleinen Klopapier Klopapier Klopapier Klopapier Klos knapp knietief Knöpfen knutscht Koffer Kohl Kohle komischen komm Komma komme kommen kommen kommen kommen kommen kommen kommen kommen kommst kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt komplett komplett komplett komplett komplett komplett komplett komplett Komplettausfall komplette hungsweise Bianca Bianca Bianca Bier Bier Bier Bierdosen Big Big Big Bilder Bilder Bilder Bilder Bilder billigen billigen bin bin bin bin bin bin bin bin bin bin bin bin bin bin bis bis bis bis bis bis bis bis bis bis bis bis bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bisschen bist bist bist bitte bitte bitte bitte bitte Björn Björn Björn Björn Björn Björn Björn Björns Blackbox bleiben bleibt bleibt Blick blind blöd blond Blow Blow blue blue Blumenladen Bock Boden Boden Boden Bohr Bolex Boom Bornheim Bornheim Boxen Brandlöchern brauche brauchen braun braun bravo Breton Brief Brille bringst bringt Brother Brother Brother Brunzen Brunzen Brunzen brunzen Buch Buch Buch Buch Buch Buch Buch Buch Buch Buch Buch Buchmesse Buchpräsentation Buchpräsentation Buchpräsentation Buchpräsentation Buchpräsentation Bulle Bulle Bulle Bulle Bulle Bundeswehr Busen Cafe Capirinha Capirinha Caroline Caroline Caroline Caroline Catalina Catalina Catalina Catalina Catalina Catalina Catalina Catalinas Chabos Chefi n Christoph Christoph Christoph chronologisch chronologisch chronologisch ciao civitas Club Club Club Club Club Cocktails Cola competitionkomplette Computer Computer Computer komplettes Concerts coole Cowboy König König König König König können können können können können können können können können können können können können können können konnte konnte konnte könnte könnte konnten konnten konntest könntest Kontroll Konzert Kopf Kopf Kopf Kopfhörer Kopfhörern Kopfschmerz kopieren kopiert Korrektur Kosten kostenlos kostet krank krank krank krank krank krank Krankenhaus krass Kreuz kriegen kriegen kriegen kriegt kriegt Kritik Krug Krystufek Küche Küchen- da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da da dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei dabei Dachkonzert Dachkonzert Dachkonzert dachte dachte dachte dachte dachte dachte dafür dagegen dagelassen dahin Daimlerstraße Damenklo Damenklo damit damit damit damit danach danach danach danach Dandy Danicke Danicke Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel Daniel danke danke dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dannfenster dann dann dann dann dann Kulturspiegel dann dann dann dann dann dann dann dann dannKunst dann dann dann dann Kunsthalle dann dann dann dann dann dann dann Kunsthistoriker dann dann dann dann dann dann dann dann dann dann Kunsthistoriker dann dann dann dann kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurze kurze dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann dann daran darauf darauf daraufhin daraus darf darüber darüber darüber darüber darüber darüber darum darum darum das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das das lächeledas das das das das das dasLachen das das das das das das dasladen das das das das das lagen das das das das das langdas das das das daslang das das das daslange das dass dass dass lange dass dass dass dass lange dass dass dass dass dasslange dass dass lange Länge lass lass lass Latschen Latschen Laudatio Lauf laufen läuft läuft läuft Lauter lauter lauter Leder legendäre Lehrauftrag leicht leisten leisten Lengerer Lengerer lese lesen lesen Leserbrief Leserbriefe Lesung letzte letzten letzten letzten letzten letztes letztes letztes Leute Leute Leute Leute Leute Leute Leuten Leuten Leuten Liberatis Libertate libertate libris Licht Licht lieb lieb lieber lieber lieber lieber Lieblingslied Lied lief lief lief dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dass dastehen Daten David David David David David davon davon davon davon davon davon davor davor dazu dazu dazu dazu dazu dazu dazu dazu dazukam De De Debord Deckel dein dein dein dein dein dein deine deine deine deine deine deine deinem deinem deinem deinem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem dem 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Liste Liste Liste literis literis locker Loesch Logo Lohrey Lohrey Lohrey los los los los los los love Love Luftballons Luftballons Lust lustig Lyrik Lyrik Lyrik der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der der derselben des des des des des des deshalb deswegen deswegen deswegen deswegen deswegen deswegen Detail Deutschland Dia Dialogsequenzen Dias Diashow Diashow Diashow dich dich dich dich dich dich dich dich dick dicke dickere Didi Didi die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die Die die Die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die diemach die die die die die diemach die die die die die diemache die die die die die die die machedie die die die die die die diemache die die die die die die die machendie die die die die die die die diemachen die die die die die die die die diemachen die die die die die die die die machen machen machen machen machen machen machen machen machen machen machen machen machen machen machen machst macht macht Madame Mädchen Mädchen Madhiata Madiata Madiata Madihata Madtheater Madtheater magst Mahadatja mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal Mal Mal mal Mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal mal die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die die diese diese diese diese diese diese diese diese diese diese diese diese diese diesem diesem diesem diesen diesen diesen diesen diesen diesen diesen dieser dieser dieses dieses dieses dieses diesmal differenzieren Ding Ding Ding Ding Ding Ding Dinge Dinger Dingsda dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir dir direkt direkt direkt direkt direkt direkt direkt direkt Direktor Direktor Diskussion diverse DJ DJ DJ DJ DJ doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch doch dokumentiert Doppelpunkt Doppelpunkt Doppelpunkt Doppelpunkt Doppelpunkt dort dort dran dran dran dran dranbleibt drauf drauf draußen draußen draußen Maldraußen draußen mal draußen Dreck mal Dreck drei dreimal drei drei drei maldrei drei drei dreimal drei drei drei maldrei drei drei dreimal drei drei drei Dreikönigskellermal mal dreimal dreißigsten mal dreißigster mal dreiundneunzig mal dreiundneunzig mal dreiviertel Mal mal mal mal mal mal mal mal mal mal mal mal mal Mal mal mal mal mal Mal Mama man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man Mann Männer Männer Männer Mannheim Mannheim Mannschaft Marcus Marcus Marcus Marcus Marcus Marcus Marcus Marcus Marcus dreizehnten drinnen drinnen drinnen dritten dritten dritten dritter Drogen Drogen drüben drüben drüben drüben drüben drüben drüber drüber drucken drugs drunter du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du du dumme dunkel durch durch durch durcheinander durchgestrichenen durchging durchlaufen durchlaufen durchwechseln durchzugehen dürfen durfte Dutronc Dutronc Dutronc eben eben eben echt echt echt echt echt echt echt echt echt echt echten echter Ecke Ecke Ecke Ecke Edelstoff Edelstoff egal egal eh eh eh eh eh eher eher eher eher eher eifersüchtig eifersüchtig eigenen eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich eigentlich ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein ein einMarcus ein ein ein ein ein eindeutig Maria Eindruck eine eine eineMaria eine eine eine eine eineMaria eine eine eine eine Mark eine eine eine eine Markuseine eine eine eine eine eine Marschstalleine eine eine eine eine eine eine eine eine Marschstalleine eine eine eine eine eine Material Material Material Material Matthias Maul Meese mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehrere mehrere mehrere mehrere mein mein meine meine meine meine meine meine meine meine meine meine meine meine meinem meinem meinen meinst meinte meinte Meinung Melabon Mensa Mensch Mensch merkst Meter eine eine eine eine eine eine einem einem einem einem einem einem einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einen einer einer einer einer einer einer einer einer einer einer einer einer einer einer einer eines einfach einfach einfach einfach einfach einfach einfache einfällt einfällt eingeladen eingeladen eingeladen eingeleitet eingemietet eingerichtet eingeschlafen eingeschleust eingezogen einhundertachtzig einhundertvierzig einige einige einiges Einkaufswagen einladen einlegen einmal einmal einmal einmal einmal eins eins eins eins eins eins eins eins eins einschlägigen einschlägigen Eintritt einunddreißigsten einundzwanzig einzige eitern elf Elke Eltern Eltern EM EM Ende Ende Ende endlich endlich engagiert engagiert engagiert enorm Entschuldigung entsorgt entweder entwickelte er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er er erfanden erinnere erinnere erinnere erinnern erinnern erinnert erkennen erklären erlebt ernst ernst ernst ernst ernsthaft eröffnet eröffnet eröffnet Eröffnung Eröffnung Eröffnung Eröffnung Eröffnung Eröffnung Eröffnungsabend Eröffnungsteam erscheinen erscheinen erschienen erschwerend erst erst erst erst erst erst erst erst erst erst erst erst erste erste erste erste erste erste erste erste erste erste erste erste erste ersten ersten ersten ersten ersten erstmal erstmal erstmal erstmal erstmal erstmal erstmal erwähnenswert erwähnenswert erwähnt erwähnt erwischt erzählen es es es es es es es es es es es es es es es es es es es es es es es es es es es es es esmich es es es es es es esmich es es es es es esmich es es es es es es esmich es es es es es esmich es es es es es es esmich es es es es es esmich es es es es es es esmich es es es es es es miches es es es es es esmich es es es es es es miches es es es es es esmich es mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Mietvertrag Milch Miller Millimeter Millimeter Mini Mini Minuten Minuten Minuten Minuten Minuten mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mit mit mit mit mit mit mit mit mit mit mit es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es es Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen Essen esst esst Etappe etwa etwa etwas etwas euch Euch euch euch euch euch euch euch euer eure eure eure eure eure euren Euro ex exquisiten extra extrem extrem extrem extrem exzellent Fabrice Fabrice Fabrice fahren Fall Fall Fall Fall Fall Fall fällt fand fand fand fanden fangen fangen fangen Farbe Farbe fast fast fast fast fast faszinierend fatal fehlt Feiertag Feld Fenster Fenster Fenster Feo Feo fertig fertig fertig fertig fest fetten Feuer Feuerwerk Film Film Film Film Film Film Filmemacher Filmpräsentation Filmprofessorin fi nde fi nden fi ng fi ng fi ng Finger Fingern Finsbury Finsbury Flasche Flasche Flasche Flasche Flaschen Fleischsalat Fleischsalat Fleischsalat Fleischsalat Flughafen Flughafen Flugzeug Flugzeug folgende Folie Folie Folie Folie Folie Folie Folie Folie Folie Folie Folie Folien Folien Folien Foto Foto Foto Foto Foto Foto Foto Foto Foto Foto Fotokamera Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotos Fotosmit Fotos Fotosmit Fotos Fotos mit Fotos Fotos mit Fotos Fotos mit Fotos Fotos mitfrage Frage fragenmit fragen Fragezeichenmit mit Frankfurt Frankfurt mit Frankfurt mit Frankfurt Frankfurtermit Frankfurtermit Frankfurter mit Frankfurter mit Französin mit Frau Frau mit Frau Frau mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mitbringen miteinander mitfahren mitgebracht mitgebracht mitgebracht mitgebracht mitgebracht mitgeholfen Frau Frau Frau Frauen Frauen Frauen Frauen Frauen Freak frei freier Freund Freund Freund Freunde Freunde Freundin Freundin Freundin Freundin Freundin freundlich Friemel Friemel frühen früher früher Frühphase Fuck Fuck Fuck fünf fünf fünf fünfundzwanzig fünfundzwanzig fünfundzwanzigsten fünfzehn fünfzehn fünfzehn für für für für für für für für für für für für für für für furchtbar furchtbar furchtbares fürchterliches Fuß Fußball Füße Füße Füße gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab gab Gänge Gänge Gänge ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganz ganze ganze Ganze ganze ganze ganze ganze ganze ganze ganze ganze ganzen ganzen ganzen ganzen ganzen ganzen ganzen gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar gar Garage Ga- ragen Garagen Garmisch Garmisch Garmisch Garmisch Garmisch Garmisch Gast Gäste Gäste geändert geärgert gebacken Gebiss geblieben geblieben geblieben gebracht gebracht Gebrauchsanweisung Geburtstag Geburtstag Geburtstag Geburtstag Geburtstag Geburtstag gecheckt gedacht gedacht gedacht gedacht gedacht gedacht gedacht gedacht Gedanken gedreht gedroht gefahren gefahren gefahren gefahren gefahren gefahren gefahren gefahren gefahren Gefängnis gefi lmt gefi lmt gefi lmt gefi lmt gefi lmt gefl ogen gefl ogen gefragt gefragt Gefühl Gefühl Gefühl gefühlt gefunden gegangen gegangen gegangen gegeben gegen gegenüber gegenüber geguckt geguckt geguckt geh gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabt gehabtmitgekriegt gehabt gehalten gehalten gehen geholfen mitgeschleppt gehört gehört gehört gehört gehst geht geht geht mitnehmen geht geht geht geht geht geht geht geht gehtmitropamäßig geht geht geht geht geht geht gehupt geil geil geirrt mittags gekannt gekannt gekauft Mitte Mitte mittlerweile mittlerweile MMK MMK Mode Modell mögen Moment Moment Moment Moment Moment Moment Monat Monat Monate Mörfelder morgen morgen morgen Morgen Morgende morgens morgens müde müde München München Münchner Musik Musik Musik Musik Musik Musikfi lm muss muss muss muss muss muss muss muss muss müssen müssen musst musst musste musste musste musste musste musste musste gekichert geklebt geklirrt Geknutsche geknutscht geknutscht geknutscht geknutscht geknutscht gekocht gekocht gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekommen gekotzt gekriegt gelacht gelacht gelassen gelassen gelassen gelaufen gelb gelbe gelbe Geld Geld Geld Geld Geld Geld Geld gelegt gelesen gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemacht gemeint gemeint gemeint gemeint gemeint gemerkt gemietet gemixt genächtigt genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genau genauso Generation Generation genommen genommen genommen genommen genommen genug Genüge geordnet geordnet geordnet Georg Georg Georg gepasst gepasst gepasst gepeilt gepennt gepfefferten geplant geplant gepöbelt gerade gerade gerade gerade gerade geraten geredet geredet geredet geredet geredet geredet geredet geredet Gereibe gerissen gerne gerne gerne gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesagt gesamten gescannt geschadetmüsste geschafft geschätzt geschätzt müsste Geschichte geschickt geschicktmussten geschissen geschlafen geschlafenmussten geschlafen geschlafen Geschlechtmussten geschnitten geschnitten musstest geschnitten geschnitten geschnitten My geschoben geschoben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrieben geschrubbt geschrubbt geschrubbt geschrubbt gesehen gesehen gesehen gesehen gesehen gesehen gesehen gesehen gesehen Gesellschaft Gesellschaft Gesellschaft Gesellschaft gesessen gesessen gesetzte gesetzte gesetztes Gesicht gespannt gesperrt Gespräch Gespräch Gespräch Gespräch Gespräch Gespringe gesprochen gesprochen gesprochen gesprochen gesprochen gesprochen gesprochen gestanden gestellt gestellt gestellt gestempelte gestrichen gestrichen gesucht getanzt getanzt getanzt getanzt getanzt getanzt getanzt getippt getippt getippt getragen Getränke Getränke Getränke Getränke Getränken getraut getraut getraut getreten getroffen getrunken getrunken Gewerfe gewesen gewesen gewesen gewesen gewesen gewissermaßen gewissermaßen gewohnt gewohnt gewohnt gewohnt gewohnt gewusst gezahlt gezeigt gezeigt gezeigt gezeigt gezogen gezogen gezogen gezogen gib gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt gibt Gin Gin Gin ging ging ging ging ging ging ging ging ging ging ging Girum Girum Gitter Gläserbestand Gläserbestand glaube glaube glaube glaube glaube glaube glaube glaubena glaube na glaube glaubena glaube na glaube glaube na glaube naglaube glaube na glaube glaubena glaube na glaube glaubena glaube na glaube glaubena glaube na glaube glaubena glaube na glaube glaubenach glaube glaube gleichnach gleich gleich gleichnach gleich nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nachdem nachdem nachdem nachfüllen nachgedreht nachgereicht nachgestellt Nachhausekommen nachher nachher Nachhinein nachholen Nachmittag Nachname nachschlagen Nachspeise nächste nächste nächste nächste nächste nächste nächste nächste nächsten nächsten nächsten nächsten nächsten gleich gleich gleich gleich gleich gleich gleich gleiche gleichzeitig Glitzer Glück glücklicherweise goldene Gott Gott Grad Graw Griff groß groß groß große Große große große Größe großen Großen größtenteils Grumiller Grumiller Grunde Gruppe Grüße Grüße guck guck guck gucken gucken Guido Günter Günther Günther Günther Günther Günther gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut gut guten Guten Guy Haare Haare Haaren hab habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe habe haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben haben habennächsten haben haben haben haben haben nächsten haben haben haben haben haben Nacht haben haben haben habennachweisbar haben haben haben haben haben haben habennachziehen haben haben haben habt habt habt habt nachziehen habt habt habt habt habt habt nachzusprechen nachzusprechen nachzustellen Name Namen nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich natürlich natürlich natürlich natürlich natürlich neben neben nehme nehme nehme nehme nehmen nehmen nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein habt habt habt habt habt habt habt habt habt habt halbe halbe halbe halbes Hallensportschuhe Hallo Hals halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halt halte Hamburg Hamburg Hamburg Hamburg Hamburg Hand Hand Hände handelte Handy Handy Handy hängen hängen Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hank Hankl Hans Hans Hans Hans Hans Hans Hans Hans Hans Hans harten hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hast hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hat hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hatte hätte hätte hätte hätte hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hatten hätten hattest hattest hattest hattest hattest hattest hattest hattet hattet hattet hattet hattet hattet hättet haue hauen hauen Hauptsache hauptsächlich Hauptspeise Hauptverdächtiger Haus Haus Hause Hausmeister Hausmeister Haut Heft Hefte heil heimgefahrennein Heimo Heimos heißnein heißen heißen nein heißt heißt heißt nein heißt heißt heißt neinheißt heißt heißt heißtnein Heizkörper helfennein helfen helfen nein hell hell Helmut Hemdnein Henninger Henningernein Henninger nein Henninger Henninger nein her her hernei her her n nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nennt neu neu neu neu neu neue neue neuen Neues neues neues Neujahr neunten neunten neunten neunten neunundneundzig neunundneunzig neunundneunzig neunundneunzig neunundneunzig neunzehnhundertneunundneunzig neunzehnhundertneun- herausgestellt hergefallen hergefallen hergekriegt Hermann Hermann Hermann Hermann Hermann Heuballen heute heute heute hey Hi Hi Hi hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hier hierher hierhin hierüber hierunter hieß hieß Hilfskräfte hin hin hin hin hin hin hin hin hing hingegangen hingegeben hingehören hingeht hingen hingepasst hinhaute hinmalst hinten hinten hinten hinten hinter hinter hinter Hintergrund Hintergrund Hinterhaus hinterher hinterher hinterherschicken hinüber Hinweg Hinweg Hinweg hinzugeben Hip Ho Ho Ho hoch hocken Hof Hof Hof Hof Hohlmann Hohmann Hohmann Hohmann Hohmann holen holen holt Hop hören hören hören hören Hörensagen Hotel House hundertste Hurttig Hurttig Hut hy undneunzig neunzig neunzig Neunziger Neunziger nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich Ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich ich Idee Idee ihm ihm ihm ihm ihm ihm ihn ihn ihnen ihnen ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihr ihrer illegal im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im im immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer immer in in in in in in in in in in in in in in in in In in in in in in in In In in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in in innicht in in in in in in in innicht in indem ins ins ins nicht ins ins ins ins inte ressantnicht interessant interessantnicht irgend irgendeinnicht irgendeine irgendwannnicht irgendwann nicht irgendwann irgendwann nicht irgendwann nicht irgendwas irgendwas nicht irgendwas irgendwas nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts Nick Nickel nie irgendwelchen irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie irgendwie Isabelle Isabelle Isabelle Isabelle Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann Isermann ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ist ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja Ja Ja ja ja Ja ja ja Ja ja Ja Ja ja Ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja ja nieja ja ja ja ja janie ja ja ja ja ja nieja ja ja ja ja janie ja ja ja ja ja janie ja ja ja ja janie ja ja ja ja ja janie ja ja ja ja ja nimmstja ja ja ja ja ja ja ja ja ja ja ja nimmstja ja ja ja Jacke Jacke Jacques Nitsch Jacques Jacques Jahr Nitsch Jahr Jahr Jahr Jahr Jahr Niveaujährlich Jakkordia noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch Jankowski Jankowski jedem jeden jeden jeden jeden jedenfalls jeder jedes jedes jemand jemand jemand jemand jemand jemandem jemanden jetzigen jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jetzt jeweils Jim Jim Jim Jim Jim Jim Jim Jodie Jodie Jodie Jodie Jodie Jodie Jodie Johnson Johnson Johnson Johnson Johnson Joint Jonathan junge junger Juni Juni Juni Juni Jutta K Kaffee Kaffee Kaffee Kaffee Kaffee Kaffee kalt kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kam kamen kamen kamen kamen kamen kamen kann kann kann kann kann kann kann kann kann kann kann kann kann kannnoch kann kann kann kannnoch kann kann kann noch kann kann kannst kannstnoch kannst kannst noch kannst kannst kannst noch kannten kaputt kaputtnoch kaputte Karlsruhe noch Kaspar Kaspar Kasparnoch Kassette Kassette noch Kassetten Katalog noch Kati Kati Kati Kati noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch Nordend Nordend normal Katzentisch Katzentisch kaufen kaum kein kein kein kein kein kein keine keine keine keine keine keine keine keine keine keine keine keine keine keine keine keine keinem keinen keinen keinen keinen keinen keinen keiner keiner keins kenne kenne kennen kennengelernt kennengelernt kennengelernt kennengelernt kennengelernt kennengelernt kennt kennt Kerstin Kerstin Kerstin kifft Kike Kike Kiki Kiki Kind Kinder Kinn Kinn Kinn Kinski Kinski Kirkeby Kiste Klage klar klar klar klar klar klar klarzustellen Kle- ber Kleber klein klein klein klein Kleine kleine Kleine kleine kleine kleine kleinen kleinen Klopapier Klopapier Klopapier Klopapier Klos knapp knietief Knöpfen knutscht Koffer Kohl Kohle komischen komm Komma komme kommen kommen kommen kommen kommen kommen kommen kommen kommst kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt kommt komplett komplett komplett komplett komplett komplett komplett komplett Komplettausfall komplette komplette komplettes König König König König König können können können können können können können können können können können können können können können konnte konnte konnte könnte könnte konnten konnten konntest könntest Kontroll Konzert Kopf Kopf Kopf Kopfhörer Kopfhörern Kopfschmerz kopieren kopiert Korrektur Kosten kostenlos kostet krank krank krank krank krank krank Krankenhaus krass Kreuz kriegen kriegen kriegen kriegt kriegt Kritik Krug Krystufek Küche Küchen- fenster Kulturspiegel Kunst Kunsthalle Kunsthistoriker Kunsthistoriker kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurz kurze kurze normal normal normale normalerweise normales Notizen Notsache notwendig null null Nummer Nummer Nummer nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur lächele Lachen laden lagen lang lang lange lange lange lange lange Länge lass lass lass Latschen Latschen Laudatio Lauf laufen läuft läuft läuft Lauter lauter lauter Leder legendäre Lehrauftrag leicht leisten leisten Lengerer Lengerer lese lesen lesen Leserbrief Leserbriefe Lesung letzte letzten letzten letzten letzten letztes letztes letztes Leute Leute Leute Leute Leute Leute Leuten Leuten Leuten Liberatis Libertate libertate libris Licht Licht lieb lieb lieber lieber lieber lieber Lieblingslied Lied lief lief lief lief liegen liegen liegt Linda Linda Linken links links Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Lisa Liste Liste Liste literis literis locker Loesch Logo Lohrey Lohrey Lohrey los los los los los los love Love Luftballons Luftballons Lust lustig Lyrik Lyrik Lyrik mach mach mache mache mache machen machen machen machen machen machen machen machen machen machen machen machen machen machen machen machen machen machen machst macht macht Madame Mädchen Mädchen Madhiata Madiata Madiata Madihata Madtheaterob Madtheaterob magstob Mahadatja oben mal mal mal maloben mal mal mal mal maloben mal mal mal mal maloben mal mal mal mal OberkörpertanzMal Mal mal Mal mal mal mal mal mal mal mal mal mal mal obwohlmal mal mal mal mal mal malobwohl mal mal mal mal obwohl oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder offi ziell offi zielle Mal mal mal mal mal mal mal mal mal mal mal mal mal mal Mal mal mal mal mal mal mal mal mal mal mal mal mal Mal mal mal mal mal Mal Mama man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man man Mann Männer Männer Männer Mannheim Mannheim Mannschaft Marcus Marcus Marcus Marcus Marcus Marcus Marcus Marcus Marcus Marcus Maria Maria Maria Mark Markus Marschstall Marschstall Material Material Material Material Matthias Maul Meese mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehr mehrere mehrere mehrere mehrere mein mein meine meine meine meine meine meine meine meine meine meine meine meine meinem meinem meinen meinst meinte meinte Meinung Melabon Mensa Mensch Mensch merkst Meter mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich mich Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Michael Mietvertrag Milch Miller Millimeter Millimeter Mini Mini Minuten Minuten Minuten Minuten Minuten mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mir mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mit mitbringen miteinander mitfahren mitgebracht mitgebracht mitgebracht mitgebracht mitgebracht mitgeholfen mitgekriegt mitgeschleppt mitnehmen mitropamäßig mittags Mitte Mitte mittlerweile mittlerweile MMK MMK Mode Modell mögen Moment Moment Moment Moment Moment Moment Monat Monat Monate Mörfelder morgen morgen morgen Morgen Morgende morgens morgens müde müde München München Münchner Musik Musik Musik Musik Musik Musikfi lm muss muss muss muss muss muss muss muss muss müssen müssen musst musst musste musste musste musste musste musste musste müsste müsste mussten mussten mussten musstest My na na na na na na na na na na na na na na na nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nach nachdem nachdem nachdem nachfüllen nachgedreht nachgereicht nachgestellt Nachhausekommen nachher nachher Nachhinein nachholen Nachmittag Nachname nachschlagen Nachspeise nächste nächste nächste nächste nächste nächste nächste nächste nächsten nächsten nächsten nächsten nächsten nächsten nächsten Nacht nachweisbar nachziehen nachziehen nachzusprechen nachzusprechen nachzustellen Name Namen nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich nämlich natürlich natürlich natürlich natürlich natürlich neben neben nehme nehme nehme nehme nehmen nehmen nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nein nennt neu neu neu neu neu neue neue neuen Neues neues neues Neujahr neunten neunten neunten neunten neunundneundzig neunundneunzig neunundneunzig neunundneunzig neunundneunzig neunzehnhundertneunundneunzig neunzehnhundertneunundneunzig neunzig neunzig Neunziger Neunziger nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nicht nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts nichts Nick Nickel nie nie nie nie nie nie nie nie nimmst nimmst Nitsch Nitsch Niveau noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch noch Nordend Nordend normal normal normal normale normalerweise normales Notizen Notsache notwendig null null Nummer Nummer Nummer nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur nur ob ob ob oben oben oben oben Oberkörpertanz obwohl obwohl obwohl oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder oder offi ziell offi zielle

ofﬁ zielle öffnet oft oft oh oh oh oh oh oh oh ohne ohne ohne ohne okay okay okay okay okay okay okay okay okay Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer Oppenheimer ordnen ordnerweise Ordnung organisiert Orgel Original Os-

Ostend Ostend out paar paar paar paar Packung Papier Pärchen Paris Paris Paris Paris Party Party Party Party Party Party Partyfotos pass Patenkirchen Pause Pause Pause perfekt perfekt Person Personen persönlich persönlich Perücke Pettibon Pettibon Pettibon Pettibon Pettibon Pettibon Pettibon Pettibon Pettibon Pfrommer Pfrommer Phase Phase Phenia Pia Pilli Pimmel Placebos Plakat Plakate platt Platte Platte Platten Platten plötzlich Podest Podest Podest Podeste Podeste Poesie Pohle Pohle Point Point Point karPoint Polen Polen Polen Polen Polizei Polizei Polizei Polizeieinsatz(1) Polizeifotos Polizist Polizisten Polizisten Pony Pony Portikus Portikus Portikus Portikus Portikus Portikus Portikus Portikus präsentiert präsentiert Presse Presseausweis Privatparty Probe Proberaum Proberaum probiert Produkte produziert produziert Prof Projektion Prominenz Prost Pult Pult Punkt Punkt Quadrat Quadrophenia Quadrophenia quasi Quatsch Quatsch Quatsch Rakete randaliert Raum Raum Raum Raum Raum Raum Raum Raum Raum raus raus raus raus raus raus raus raus raus rausgezogen rausgezogen Raymond recherchiert Rechner Rechner Rechner Rechner Rechnung Rechnung rechts Recuperata Recuperata recuperata reden reden reduziert reduziert reduzierter Regenschirm Regenschirm Regionalteil Register Registers reicht reicht Reihenfolge rein rein rein rein rein reingemischt reingeplatzt reingeritzt relativ relativ relativ Remains renovieren renoviert renoviert Retrospektive RGB RGB richtig richtig richtig richtig richtig richtig richtig Richtung Robert Robert Robert Robert Robert Robert Roberto Roberto Roberto Roberto Roberto Roberto Roberto Roberto Rock Rohr Rollenverteilung Roller Roller rot rote Rotwein Rotwein Rotwein rüber rüber rüber rüber rüber Rückenschmerzen rückwärts Ruder rufen rufen Ruhe ruhig ruhig ruhig ruhig rührt rührt rum rum rumgequiekt runden runden Rundschau Rundschau runter runtergeschrieben runterge- treten Rüsselsheim Rüsselsheim Sache Sache Sache Sachen Sachwörter sage sage sage sage sage sage sage sagen sagen sagen sagen sagen sagen sagt sagte sah sah sah sammeln Sandra Sandra Sandy Sandy Sandy Sascha Sascha Saskia Saskia saß saß Saturntüte Saturntüte Satzzeichen sauber sauber saubergemacht sauer sauer sauer Säulen Säulen saumäßig schau schauen schauen Schaufenster Schauspiel Schauspiel Schauspiel Schauspielhaus Scheibe Scheibe Scheibe Scheibe Scheibe scheinbar scheiß scheiße Scheiße Scheißen Scheißen Scheißen scheißen Scheißnummer Scherben Schichten Schirn schlafen Schlägerei schlecht schlimm Schlips Schlitte Schluss Schlüssel Schlüssel Schlüssel Schlüssel Schlüssel Schlüssel schmeckt schmeckt Schmidt Schmuck Schnee Schnee Schnee Schneider schnell schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schon schön schön schön schön schön Schöndeling schöne schöne schöne schöne Schönen schöner Schott schreiben schreiben schreibt Schrift Schröder Schröder Schröder Schröder Schuhe Schuhe Schuhe Schuhe Schule Schule Schule Schule Schule Schule Schule Schutz Schwarzarbeiter schwarze schwarzen Schwitte Schwitte schwöre schwul schwul schwul schwul schwul Schwule Sebastian Sebastian Sebastian Sebastian Sebastian Sebastian sechs sechs sechsten sechsten sechsten sechsten sechsten sechsten sechsten sechsten sechsten sechsten sechster sechster sechster sechzehn sechzehn sechzehn sehe sehen sehen sehen sehen sehen sehr sehr sehr sehr sehr sehr sehr sehr sehr sehr sehr sehr seid Seidemann sein sein sein sein sein sein sein sein sein sein sein sein seine seine seinem seinem seinem seinen seiner seiner seitdem Seite Seiten seitlich Sekt selben selber selbst selbst selbst Seminar Seminar Seminar Seminar Seminar Sex Shaw Shaw Shaw sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sich sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie sie siebte siebten siebten sieht sieht sieht sieht Signetischen Silke Silke Silverline Silverline Silverline Silvester Silvester Silvester Silvester sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind sind Sinn Situationen Situationisten sitzen sitzen sitzen Sixties skeptische Skigebiet Skriptseiten so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so so Sofa sofort sofort sofort sofort sogar sogar sogar sogar sogar solange solange soll soll soll soll soll soll soll soll sollen sollen sollte sollte sollte sollte sollte sollte Sommer Sommer Sommer Sommer sondern sondern sondern sondern sondern Sonja Sonja Sonja Sonja Sonja Sonja Sonja Sonja sonst sonst sonst sonst Sorten sortiert Sortiment Soße Soul Soul Soul Sound Sourbet soweit sozusagen sozusagen sozusagen sozusagen sozusagen sozusagen spät spät späten später später später später später später später später später später später später später später später später später später später später später später Spektakels Spektakels Spektakels Spektakels spektakulär Spieß spinnst spitze sprechen spricht springen springen springen Spuren Spuren Städel Städel Städel Städel Städel Städel Städel Städel Staffel Staffel stand stand Standard standen standen standen standest ständig stark stark Stars statt statt stattﬁ ndet stattgefunden stattgefunden Stefan Stefan stehen stehen stehend steht steht steht steht Steinplatte stellt Stiefeletten Stift Stil Stimme stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt stimmt Stimmung Stock Stockholm Stoffel Stoffel Stoffel Stoffel Stoffel Stoffel Straße Straße Strasse Strasse Straße Straße streiche streichen streichst streicht Streifen streng Strohhut Strümpfe Stück Stuckrad Stuckrad Stuckrad Stuckrad Stuckrad Student studieren Stunde Stunde Stunde Stunden Stunden Stunden Stunden Stunden Stunden Stunden Stuttgart Stuttgart Süden super super super super super süßer Sylvesterfotos synchron synchron synchron synchronisiert Tabak Tabak Tabak Tabletten Tafel Tafel Tag Tag Tag Tag Tag Tage Tage Tahiti Tahiti Tahiti Tankstelle tapeziert tatsächlich tatsächlich Taxi Taxi Team Techtelmechtel Teil Teil Teil Teil Teil teilweise teilweise Telefon Telefon Television Television Termin Termin Termine Test Text Text Text Text Text Text Texte Texte Texte Texte Texte Textebene Textebene Textorstraße Thailand thailändische The The Theorie Thomas Thomas tief Tina Tina Tina Tina tippe Tiramanoklou Tiravanoklou Tirol Tirol Tischen Tischen Titten Tode Ton Ton Ton Tonaufnahme Tonaufnahme Tonaufnahme Tonbandaufnahmen topp topp total total total total total totaler totgelacht Tracey traurig treffend Trester trinken trinkt trinkt trotzdem trotzdem Tuborg tun tun Tür Tür Turm Turm Turm Turm Turm Typ Typ Typ Typ Typ Typ Typen Typen über über über über über über über über über über über über über über über über über über über über über über über über über über über überall überall Überblick Übergangsphase überhaupt überhaupt überhaupt überhaupt überhaupt übermalen übermalt übernachtet übernachtet übernimmst übernommen übernommen übersät überstanden übertragen übertragen überzeugt üblich Uhr Uhr Uhr Uhr um um um um um um um um um um um umgedreht umgedreht umgefüllt umgefüllt umgeleitet umgeleitet umringt umschalten Umzug unangenehm unbedingt unbedingt unbedingt unbedingt und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und und 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Oskar (Anekdotenkonferenz Seite 1 – 40 / 250)

Mittwoch, 11.11.2009 20.00 Uhr In einer Inszenierung von Thomas Friemel und Anja Stoffel (eine sechzig90 Produktion) Theater Rüsselsheim Am Treff 1 65428 Rüsselsheim Telefon: +49 (0) 61 42 - 83 27 84 Telefax: +49 (0) 61 42 - 83 27 86 www.theater-ruesselsheim.de

„Oskar-von-Miller Strasse 16“ – Michael Riedel, Dennis Loesch. 24 cm x 17 cm, 660 S. (davon ca. 90 leer), broschiert, zahlreiche s/w-Abb., Texte u. a. Anekdotengitter, Blackbox, Boppard, Eintausendsechshundertachtundvierzig Mark Eins, Coverdesign, Telefonbuch, in dt. Sprache, 1. Auﬂ age: vergriffen. Silverbridge, Paris 2003 „Basierend auf der falschen Veranstaltung ist die Dokumentation des Ausstellungsraumes Oskar-von-Miller Strasse 16 (Frankfurt M.) an sich fragwürdig. Hier wurden die Sprachen des öffentlichen Kulturangebots nachgesprochen, oftmals ohne Verständnis für das Gesagte. Mit transkribierten Texten und zahlreichen Abbildungen zeichnet Oskar das dreijährige Troja auf.“

A1.indd 1 27.10.2009 15:40:10 Uhr

Oskar (Anekdotenkonferenz Seite 1 – 40 / 250)

A1.indd 1 27.10.2009 15:40:10 Uhr 180 181

back one Tempelhof and also weren’t you where do I have that photo now that was that was we were looking through the beer we were we were agents you called him Andre Porta we just couldn’t go on agents we stormed into Tempelhof airport like agents all of us like so cheers we thought that would that we had to look through the beer into yeah he had his sketch book with him and you drew in it the camera from different directions and before that we went to some store hang on I wasn’t in Berlin though yeah where you with that Clarks I didn’t draw in his book I pressed a portrait into it that was that small pub by the way yeah the doormat well see for yourself in Mitte that has sunken into oblivion that’s not me Alt Berlin the doormat that yes it is and you also Alt Berlin it’s called which was very we need that doormat but I’m not drawing oh okay Alt Berlin very cool we’d actually already secured it you’re right turned out to be a very good place it seemed like you already had it I pressed my my face into the paper beer beer beer they were like the picture beer beer beer shit but later you helped draw it oh god they said they’d swap us I can’t find it now but this here that’s just too much that’s pissing me off now it was really great but hang on I wasn’t in Berlin though beer definitely has the most entries I think they didn’t want to sell it or give it away for free they wanted here always in the street as well to swap it and this was at the beginning of two thousand two I’m one yeah here well fucking hell why didn’t we go back there then hundred percent certain because you came to Hamburg straight a group shot of the three of us we ran out of time from Berlin that’s when I moved to Hamburg and you told me always always looking for something and casually holding a beer it was really far away an anecdote that would probably now be forgotten immediately in one hand it was miles away something to do with a toilet beer can that was the guy from wasn’t he Rüsselsheim put the lid down who remembers the oh right where oh the that’s where oh the one that took out his teeth Carlos no what was his name you still have the photos he took out his teeth Costa where that was a colonel I think from the who was actually from the west Costa that was at the Zosch yeah at the Alt Berlin he was from the Alt Berlin that’s where we Costa Costa what did we want from him again on the toilet lid it says he was at the Alt Berlin that’s where we met him nothing specific we just wanted to meet up with him some time yeah met him and didn’t he have this project going with those bands that sort of Rüsselsheim put the lid down he thought we were kind of he was really a very military person mix with DJs in a way that you don’t notice from Rüsselsheim question mark put the lid down which explains the look on Michael’s face right exactly incredible all this was at the Zosch we didn’t really know why he had taken such a liking to us because when which produces the music yeah that was the night so that’s when we documented and he was from the other side but he thought we were great and was Dancing Competition recorded the Zosch Club and then we repeated it here in Frankfurt always trying to stick his teeth in our mouths prearranged songs that the band had rehearsed that were also as a Remake Club he offered played over a mixing desk and that could be mixed directly so to yeah no speak from the band to the DJ the band and what we brought back from there were the flyers yes right and then it looked like the band was really playing but it and nothing else that we could try them on looked like the music was really being played by a DJ sort of the menu that was it wasn’t centred either yeah oh god or maybe it didn’t look like that but you thought it was like that menu tough it was on the side photos that was always kind of at the limit do you want to pass me the dandy stick please well and photos I think he also bought us beer though you had to be careful and sound recordings of course he bought us loads of beer not really photos sound recordings beer beer beer that exactly that was also can you adjust it please and worked here with the same materials newspaper beer beer beer there we I’m hiding my beer behind the wall there anyway here with the beer benches yeah and apart from that here we were on whatsit on the tower Alt Berlin yes in this window we put original Hank so then that’s that was the actual reason why we went to Berlin club information again everyone because of your sister and also hung up whatsit with beer no that’s a guy yeah straw mat and and a disco ball and a record player the way each day would usually progress oh that’s a guy the original we hung up photos here of the straw mat and all that with beer that was at the Zosch that was that Zosch Club that we yeah exactly was that we we were all staying at different places and would meet ah yeah right so basically there was hardly any original material but only up somewhere at a specific time agreed to meet at let’s say eleven recorded there there’s Michael reading the Zosch’s menu do you have a phone number of any guy from the Zosch at a given place some S-Bahn train station or something and so that needle is pointing right at where was that that’s quite good then we’d meet up and be like okay what should we do and one of the Zosch that was at the Zosch at the there we were on our way from Berlin to the Schalke oh us would always come up with the stupid idea to start off with beer oh okay afterwards four against Cottbus Energie Cottbus which was quite a letdown and sausages and so then it was like but that was another day I think the other actually but we also on the way to the airport we also is that Michael everyone totally puffy beer naw what’s going on there five days of beer consumption or what right no no it was fucking cold beer beer that was Andre Andre Porta beer beer Tempelhof no that was me I taped my nose upwards with sticky tape the match was fucking awful on both sides

Shcrezaws Qduaatr (Schwarzes Quadrat) Oskar-von-Miller Strasse 16 Michael S. Riedel, Dennis Loesch. 2000 - 2005 327 Blätter (42cm x 29,7cm), Motiv variabel. © Oskar-von-Miller Strasse 16 David Zwirner Gallery, New York; Gabriele Senn Galerie, Wien. Berlin, 2006. 182 183 Postering Postering

… yeah I knew that the digital thing yeah exactly because it was about that this information overkill this this allround documentation documenting anything and everything and in a way that as a result we get something like a digital vanishing of the world or a reconstruction … (p. 154)

Aufgefordert die Oskar-von-Miller Strasse 16 zu beschreiben, verfasst Daniel Baumann den Text gedacht ich mache so ein Einführung damit die Leute auch irgendwas verstehen Verdoppelung und was dazwischen oder nicht (siehe schwarzen Text am Rand). mhm SK N E ST SSE ist das Transkript eines Gesprächs mit Daniel Baumann, wovon ich überhaupt spreche das aus technischen Gründen mehrmals scheitert. Trotzdem gelingt es, ohne große Absichten, seinen Text zu zerreden. ja jetzt koppelt es bei uns zurück hm jetzt haben wir die Rückkopplung ja eben jetzt habt ihr die Rückkopplung ich habe sie nicht mehr SK N E ST SSE kann man die so hin und her schieben oder 61 Minuten viel besser so 02.04.2007 du kann man das nicht installieren damit das technisch gut geht weil das ist Oskar-von-Miller Strasse 16 (Weydinger Str. 20) wirklich sehr sehr komisch zu sprechen Speedport (Berlin / Basel) wieso geht das denn jetzt das war doch eben nicht hm Daniel hm jetzt höre ich euch wieder ja lass mal überlegen wie jetzt hörst du uns so kann so kann keine Diskussion stattfinden ja du hörst dich selbst ihr eigentlich Zweitverwertung eures Prinzips ich meine diese man hat natürlich das ist die neue Version das Prinzip war eben immer das gleiche das heißt alles wurde mit dem gleichen ausgehend von der eigentlichen Publikation na also jetzt ist es besser nein jetzt ist es wieder genau gleich diese schon dieses Bedürfnis Bezüge und Temporalitäten also zeitliche Bezüge das ist die neue Version durchgezogen mit der gleichen Methode angegangen und durchgezogen ja auch wieder die Verdoppelung ja dann komme ich jetzt wieder vor dann komme ich jetzt zu euch ins Wohnzimmer warum wandert das das pegelt sich automatisch ein und Ordnungen an irgendwie an zu denken und an zu stellen ich glaube gerade der erste Absatz ist hier die Oskar-von-Miller-Strasse hat zwischen 2000 das stimmt aber es gibt natürlich Details also die Methode ist natürlich ja die bitte so ist es gut ein bisschen höre ich mich selbst nicht besser nein aha das ist ja irgendwie der Kern der Geschichte dass das eben mit dem Original und und 2006 kulturelle Ereignisse wie Körper verdoppelt und damit gleichzeitig fächert sich auf in Details auch die Verdoppelung das wird gleich noch schlimmer ich hatte das nicht mit den anderen mit denen ich geskypet habe der Wiederholung gar nicht funktioniert aber die Kulturindustrie entkleidet die Darbietungen waren herausgelöst aus der genau ja nein das geht nicht nein Moment hysterischen Sprache und so weiter und natürlich ist die Secessions-Ausstellung auch das gleiche Prinzip aber es aber ganz pragmatisch das es ins englische übersetzt wurde auch wo ist er jetzt weg habt ihr denn eigentlich was habt ihr jetzt habt ihr externe Boxen angestellt ja ach so ich war im falschen Text kommen wieder andere Details dazu denke ich mal ja nein er ist da du bist schon noch da ja hallo nein jetzt nicht ich ruf dich in einer Stunde zurück bis dann ja du warst im falschen Text die verdoppelt das verdoppelte Ereignis in der Oskar- und die ja ja ja ja aber jetzt geht es jetzt ist es sehr gut das ist ein bisschen unangenehm die Situation hier weil du so leise aus den von-Miller-Strasse ließ sich nur in Bezug auf die Vorlage lesen eine Distanz die da kommt vor allem der Aspekt dazu dass man plötzlich auf sich selbst blickt und die Frage ist was will man mit so einem Text auch leisten es geht halt einfach du musst das Aufnahmegerät musst du zu den Boxen legen hörst Kopfhörern raus kommst und wir hier so nicht aufzulösen war die nicht aufgelöst werden wollte das ist ein super Satz also nicht mehr also mit dem mit dieser Ausstellung des eins zu eins nachgebauten nicht alles rein ja ja dann höre ich uns ja nicht nein das ist genau das gleiche wir sitzen beide der ganze Absatz ab die Oskar-von-Miller-Strasse hat zwischen das ist ein sehr Oskar-von-Miller Stücks ist man ja so in einer da ist der Blick auf das was da war na aber gut dass wir noch mal darüber sprechen stimmt das wird man die ganze Zeit hören bei uns ist es jetzt gut genau zuhören müssen gutes das ist ein sehr guter Satz der einen Zustand beschreibt wie er mir sehr plötzlich Material geworden also hat plötzlich Substanz bekommen vorher war nein nein ich versteht mich nicht falsch was ist denn das für ein Fortschritt ich höre euch gut aber ich höre mich selbst sprechen und ich höre eh gar nichts gerade nahe kommt das ja nur so eine was heißt nur ein Produzieren wie soll man es sagen was so jetzt Achtung so Daniel hörst du uns jetzt das ist ja nicht schlimm das ist irgendwie irgendwie ist das auch nicht optimal jetzt aber das ist jetzt im ersten oder im zweiten nein aber das ist glaube ich ein Blick der für euch aber für mich von außen war hm so geht es doch ich meine wir können es sonst noch mal verschieben im im das eben nicht so nicht das war für euch war es eine Formalisierung eine Methode ich habe es nicht verstanden gerade so ich lese Dir jetzt mal was vor die Verdoppelung und was dazwischen oder hm ja im ersten die ich aber ja schon da vorgefunden habe in Frankfurt und das war fand ich total versteht mich nicht falsch nicht was ist wenn wir raus ziehen das Problem ist die Zeit drängt ein bisschen im alten Text im ersten einleuchtend dass das nachgebaut wird da ihr ja eh alles nachbaut nein ja habt ihr den neuen Text erhalten dann hören wir es halt hier gib mir mal den weil also einen Teil davon gibt es ja auch schon im zweiten mhm versteht mich nicht falsch hat er gesagt das ist Dein Text hörst du es gut warte mal okay bitte das war das Prinzip und natürlich die ganz große Frage war schon und das ist hört man eigentlich wenn wir lachen ja ich höre es aber dann scheppert es halt richtig wir können es einen also einen Teil davon ist auch im zweiten jetzt auch in Berlin die große Frage denke ich was was bedeutet der Ortswechsel hm ein bisschen manchmal der Michael muss noch die ist jetzt besser versuch noch mal mit dem schau mal versuch noch mal mit dem Kopf mit der ja aber im ersten sind diese Formulierungen auch hier dieses das Prinzip blieb nicht also was passiert mit einer Methode wenn man wenn man die Geographie wir können es ja dazu sagen ich verstehe ihn nicht da hinten jetzt ist gut jetzt ist viel besser besser Boxe aber stell die halt leise immer das gleiche der aufgezeichnete Anlass war der Anlass das ist zwar auch den Ort verändert sie lachen er lacht wenn du die Boxen hier her holst macht es Schlafanzug an schon jetzt ist es besser ich würde jetzt sagen wir probieren das noch mal mit mit einem Festnetzanschluss da wieder drin aber dann geht es weiter mit daraus ergaben sich zahlreiche ja alles lacht aber komisch nein nein es ist die gleiche Rückkopplung der einen Lautsprecher hat hier jetzt nicht aber ich könnte zum Wilfried ins Büro Unterschiede und Missverständnisse es entstanden Lücken und Ruinen das ist und da ist es innerhalb von Europa ist es natürlich nur halb so wild aber wenn und sagt jetzt mal wie geht es jetzt eigentlich weiter in Berlin aber wir haben jetzt die Boxen raus gezogen gehen da könnten wir das machen jetzt ist die Frage natürlich für eine Einführung für jemandem der das nicht kennt einfacher oder du mit dem Prinzip nach Amerika gehst dann fragt sich schon also ob das da bitte wie ist das jetzt hört ihr mich warte mal einführender als wenn dann steht der aufgezeichnete Anlass ist der Anlass überhaupt jemand oder ob es noch weniger verstanden wird als es hier verstanden wie geht es in Berlin weiter ja aber es quietscht ein bisschen mit jetzt noch oder morgen parallel dazu werden die Anlässe der Anlässe dokumentiert da ist der Sprung wird oder ob es im Gegenteil viel besser verstanden wird tja was willst du hören der heißt Skype der Text jetzt relativ groß gleich ja wie es weiter geht ich fand diese Freitagstischküche auch sehr gut jetzt ist es ziemlich komisch wieder dieses komische Geräusch jetzt aber das könnte eine halbe Stunde dauern ja weil das Büro woanders ist wir mhm das sind solche Details das finde ich halt das finde ich schon interessant wobei die nichts mit Kunst zu tun hat es ist ein Restaurant es gibt da keinen Hilfe sind ja gerade im Atelier also dadurch dass da kein konkretes Beispiel ist beziehungsweise ja dann aber das liegt ja nicht mehr in unserem unserem Ermessen wie Sachen verstanden Anspruch wie bei der Oskar-von-Miller Strasse wollen wir es über das Handy machen aber dann wird es teuer sag ihm mal er soll mal was sagen der Abriss kommt aber die Anlässe der Anlässe das liest sich hier eben viel werden das sind ja Experimente die du ja aus der Sicht des Betrachters führst aber glaubt ihr denn nicht dass das Prinzip sich einmal zu ende gelebt hat glaubt Handy ist schwierig nein nein wir sind bei uns zugänglicher auch dann diese Erklärung zuerst dachte man an Verlust und genau ihr dass das ewig hinhält habt ihr habt ihr mir nicht zwei Kopfhörer du hast den Kopfhörer auf du musst den Kopfhörer wieder hinlegen Sinnlosigkeit die Leute standen da und sahen das Ereignis vor sich abrollen aber das können wir ja nicht sozusagen bestimmen das ist ja nicht unser zu ende gelebt innerhalb von sechs Jahren ist ein bisschen sehr schnelllebig also selbst wenn die könnte man nicht anschließen hm ja nein aber im Moment wo ihr natürlich jetzt so wie jetzt in dem Moment in diese man wird halt eine eigene Daniel ah wir könnten vor das Mikro das Erlebnis blieb ambivalent das liest sich irgendwie schöner weil es ein Bericht Diskussion einsteigt dann findet es natürlich statt ja ja ich höre zu einen Kopfhörer und jeder hat einen Teil davon verschieben wir es vielleicht ist so wie in welche Diskussion das wird sich halt auch weiter entwickeln das ist ja nicht das ist ja ein sehr man könnte ach so stimmt sag mal was ein selbst Erlebtes da zwischen uns nicht da müsst ihr euch ja jetzt raus also in diese Betrachterposition lebendiges Prinzip oder wir müssen ja ein Mikro anschließen ja jetzt also was gefunden ein selbst Erlebtes was du eigentlich sagen kannst und ein anderer nicht so sagen auch raus oder ihr werdet mit der Position konfrontiert eher ich konfrontiere euch genau ja das Mikro muss ja auch da sein warte mal Moment kann der es nicht erlebt hat mit dieser Betrachterposition das ist ja nochmals noch mal was anderes ja ihr lebendiges System und man muss das schlau weiter denken und weiter leben ach ja sonst könnt ihr ja die Aufnahme nicht machen die andere Version wäre seid hallo okay könnt dann nicht mehr nur als die nicht das wird dann kontaminiert nein ich stelle die Frage weil es mich interessiert weil ich kenne es schon eine ihr am Festnetz dann machen wir es doch per Telefon ja sprech weiter das ist sehr wertvoll ja ja Zeit wir kennen uns jetzt auch schon eine Zeit da kann man auch so ein bisschen aber am Telefon da hört man dich nicht da hört man nur uns kannst du nicht an eine Boxe einen Kopfhörer schalten das ist in diesem ich habe es veranonymisiert ja mal direkter fragen habt ihr kein Telefon mit Boxen ja mach mal lauter noch ja aber ich glaube eher das konkreti personalisieren das berichten einfach das weiß ich nicht ja nein hallo eins zwei drei ist ja ein Bericht also ich weiß es auch nicht das ist das Ding der Diskussion aber ich kann es dir nicht direkter beantworten mhm hörst du dich doppelt oder genau ich weiß nicht was dich daran interessiert wie das jetzt ob das jetzt weiter also nein das erwarte ich nicht ich schau was passiert aber jetzt ist es doch ideal ja ein bisschen aber vielleicht geht es so sollte es eigentlich gehen ja das Empirische ist dann nämlich angenehmer als bei dem zweiten der ist etwas wie das weiter aufgenommen wird also natürlich kann das einen interessieren wir schicken dir ein Poster das musst du vielleicht auch lesen können schon als ja für euch schon aber ich höre mich so geht es kühler aber das ist ja nicht so wichtig die Frage ist doch eher was für Details kann diese Fortsetzung hast du keinen Kopfhörer zur Hand ja sehr gut genau Methode noch produzieren wie kann die sich weiter entwickeln und die ganze ich finde ja nicht ich finde ja was ich mit dem kleinen Text das ist wirklich ein doch doch ich habe ihn auf schon die ganze Zeit okay dann versuchen wir doch so mit mehr Abstand dazu Posterproduktion und die ganzen Publikationen oder auch irgendwie das neue kleiner Text was ich da geschrieben habe das ist wirklich so wie nur wie soll ich das ist wegen den Boxen da hört er sich halt doppel bisschen lauter noch auch abstrakter dass es schwieriger wird da einzusteigen also Logo und so was sind ja Materialitäten die ja auch einen Fortschritt darstellen sagen das ist mehr so wie eine Ahnung hat so vielleicht zwei drei Ebenen die da aber so hört er sich doch auch doppelt oder nicht also mach noch ein bisschen lauter genau die einen neuen Schwerpunkt deklarieren und die natürlich auch als Abbildung formuliert sind und natürlich man kann da ewig fortschreiben aber ich finde auch ja nein dann fängt es schon wieder an zu pfeifen gerade das mit den Körpern das Erlebnis blieb ambivalent Unterschiede und gelesen werden können interessant zu überlegen in welchem Verhältnis dann doch wenn es jetzt länger hm ja Missverständnisse es entstanden Lücken und Ruinen aber nicht die Veranstaltungen an sich selbst sind sein können aber nicht dauert zum Rest der Kultur steht ja also Kultur ich meine jetzt Kunst auch ja ja wir hören uns aber nicht doppelt so müsste es gehen das sind schon schöne Sätze aber sie sind auch so ein bisschen romantisch nicht müssen mhm warum nicht das ist ich bin nicht sicher ob sie eben zutreffen genau ich meine ich als Betrachter hinke ja immer hinten nach und mein Bild ist und darum wollte ich darum habe ich auch diese Picture-Generation ins Spiel nein ihr hört euch nicht ich höre nichts na zutreffen schon es ist jetzt höchsten eine Frage von Schreibstil aber treffend jetzt das was ich da zum Teil beschrieben habe und ich weiß ja nicht wenn ihr sagt gebracht weil die ob ihr die jetzt kanntet oder nicht etwas gemacht haben was ach so weil er es das ist echt eine Kopfhörererfindung schon ich meine bei dem zweiten Text ist der Sprung halt relativ groß von dass ihr habt eine Sprache entwickelt und wie diese sich jetzt weiter entwickelt in Berlin eurem sehr ähnlich ist oder ihrem sehr ähnlich er ist ganz nah am Mikro welches der Anlass die Aufzeichnung des Anlass ist dann gleich die Anlässe der Anlässe das weiß ich nicht ja das interessiert mich ja auch mhm ah man müsst jetzt einen Kopfhörer aufhaben mhm so geht es jetzt und dann ist auch nicht ganz klar dann wurde zwar die Oskar-von-Miller Strasse das stimmt ja aber abgesehen von Berlin sind ja der Nachbau des Hauses aus nur und das fand ich eben das Interessante dass ihr eigentlich die Methode das halte ich nicht aus geht es so nachgebaut aber darum geht es dann nicht richtig sondern es geht um die Stoff den gibt es ja auch noch der nicht erwähnt wurde die das die auf Bilder angewandt haben ihr auf diese ganze kulturelle Animation wir müssten den Ton einspielen irgendwo ja oder hörst du dich doppelt Zerstörung schon wieder gleich das sind riesen Schritte die dann dort in dieser genau übertragen habt sag mal was ich glaube ein bisschen höre ich mich doppelt aber ich meine es sollte gehen Geschichte da werden Viele Details dann einfach so glatt gebügelt finde ich man die Buchpräsentationstournee die ja mal so erklärt wurde als würde sich die noch mal ja wenn ich keine Pause mache dann höre ich mich nicht doppelt hat keine Pausen das finde ich bei dem ersten Text besser dass da Oskar-von-Miller Strasse im Diskurs auflösen dadurch noch mal jetzt weiß ich es auch nicht mehr jetzt höre kannst du noch irgendwas einstellen bei dir dass du noch lauter sprichst ja ja genau das ist ein rein akustisches Problem hörst du mich nein dass da kurze Bericht kurze Berichtsmomente sind die auch ein gefühltes das sind ja auch noch Moment die schon stattgefunden haben lange vor Berlin du siehst das schon ziemlich historisch du verlangst eigentlich jetzt schon eine jetzt höre ich mich doppelt hat er einen Mac Erleben jetzt schon also ich glaube schon und obwohl natürlich kann man die Methode Antwort auf was was sich erst in den nächsten fünf oder zehn oder zwanzig eben siehst du genau so ist es mir nein aber trotzdem nicht so anekdotenhaft sind über alles drüber stülpen aber die Darstellung der Details finde ich schon nicht Jahren abzeichnen kann können wir es über die Kopfhörer machen vielleicht zieh die mal raus da hm darstellen unerheblich ich glaube einfach wenn man älter wird fragt man sich in welchem Bezug man an der Seite hast du einen Mac das das nein ich finde sie ja auch eigentlich zentral zur Zeit steht wenn man jung ist ist das einem egal wenn man einfach macht dies hört ihr mich so ja ja ich weiß was ihr meint ja ich fand das dann ein bisschen zu aber dann okay ich meine du hast doch auch das Plakat wo das schwarze Quadrat drauf gedruckt und los legt aber irgendwann einmal kommt ja dieses Moment wo du ja wo du in ja sag mal was noch mal ich habe Mac ja sagen wir es mal so jemand hat uns gesagt der erste liest sich so mehr aus dem ist und unten der Schriftzug SKNESTSSE steht sozusagen das letzte Plakat von einer Zeit stehst dann interessiert es dich doch schon auch irgendein gewisses ja hört ihr mich ja dann Systemeinstellung Bauch raus so gut hin geschrieben und der zweite ist stark reflektierter und nimmt der Oskar-von-Miller Strasse wo auch die Poster unten klein abgebildet sind Bewusstsein für die Zeit zu entwickeln und ich sehe das Experiment total das sind jetzt hören wir dich da ist nur dieses eine Mikrophon eingebaut vieles weg einfach das was du mir gemailt hast nein alles Sachen die man diskutieren kann und denen man sich auch stellen muss jetzt ist es gut müsste du müsstest in die Systemeinstellung gehen okay ich das nicht nein aber ja ich habe mich schon gefragt ob das nicht zu ende sei das Prinzip mit dem okay okay warte mal schnell Moment Moment Moment wobei das Zitat natürlich schön ist aus dem Artforum das muss ja nicht nicht das Umzug nach Berlin ob das geht jetzt pass auf jetzt machen wir es nämlich so jetzt stecken wir das da rein und und da bei Ton wegfallen das war das Abschiedsplakat für Frankfurt für die letzte Veranstaltung ob das was das stecken wir da rein ah ja okay ja nein das wo sich das Logo beziehungsweise die Typographie des Logos in Text auflöst ob das funktioniert nein nein jetzt hören wir so da hast du ja eh schon internes Mikrophon eingestellt ich gucke nochmals drauf es ist halt ein bisschen ich glaube es gibt dann so ein und nicht mehr Oskar-von-Miller Strasse 16 im Logo steht sondern Zeilen aus mhm so höre ich ihn jetzt nicht genau bisschen einen Widerstreit nicht von Methode und Anekdoten natürlich wenn man Text weißt du ob diese Verschiebung funktioniert eigentlich müsst ihr euch ja selbst sag noch mal was und unten bei Gesamtlautstärke darüber schreibt das ist eigentlich nicht einfach das was du dann für das Parabol verwendet hast Historizieren okay hier bin ich hört ihr mich ja ja das greift ja ineinander nein was was machen wir eigentlich schon ist das voll aufgedreht eben und das kannst du natürlich im Rahmen einer wenn du das machst ist es nein selbst Historizieren ja ich höre euch jetzt ziemlich gut so geht es für mich ist es voll aufgedreht genau so natürlich wenn du darüber schreibst ist es eben nicht so einfach weil es sind nein auch nicht aber jetzt hören wir ihn ja da nimmt es jetzt auf okay dann ist gut dann kann man nichts mehr machen dann müssten wir jetzt so eben zwei Ebenen die stark dann doch auseinander gehen aber vielleicht nicht in nein da ist die ganze Geschichte der Oskar-von-Miller Strasse noch mal das heißt ja noch lange nicht Nostalgie kann man es da lauter machen noch zu recht kommen jetzt höre ich ihn ja jetzt höre ich ihn ja gut also der Realität aber dann im Text im Schreiben drüber okay dann versuchen wir das aufgeschrieben bis zu dem Zeitpunkt hm ist schon ganz laut Eingabe Kopfhörer warte mal schnell Kopfhörer internes Mikrophon ja das ist noch mal am Dienstag zu starten nein das das habe ich nicht im Kopf das heißt noch lange nicht Nostalgie weil eine Historisierung ist ja auch eine was habt ihr jetzt gemacht eigentlich voll auf morgen aber das hast du auch nicht Distanz ja so ist es gut ja dann ist okay so funktioniert es ich finde vielleicht habe ich es nicht ja genau so müsste es eigentlich und da noch Eingangslautstärke genau sollte eigentlich alle haben steht das nicht im Heimo Zobernig Katalog gut jetzt nehmen wir den auf und hören das da Probe sozusagen ja wir sind doch jetzt mitten drin ich weiß nicht warum wir jetzt abbrechen sollten sollte doch nein ich meine jetzt nicht in Form von eigentlich fast mehr mich interessiert was gehen aber ich wäre fast dafür jetzt noch mal anzufangen nach diesem ganzen tatsächlich weil so funktioniert es ja weil es ist ja jetzt schon angerissen so habe die Frage ist ja die der Vermittlung ich meine was soll so ein Text leisten hm da passiert wenn man das macht wir haben jetzt keinen Kopfhörer um es da noch mal zu testen aber sag mal was Durcheinander ich mir das vorgestellt da ist ja da gibt es halt einen Anteil von Abstraktion der dann doch vieles zum mhm hat es einen Ausschlag wenn er was sagt komm ja fangen wir nochmals an ich meine das kann natürlich auch Thema sein der Besprechung jetzt dass wir die verschwinden bringt und ich finde diese Details ja auch total wichtig weil diese selber weiß ich es auch nicht es gibt solche Verdachtsmomente nicht die da so ja okay hm beiden Versionen halt besprechen Methode ja auch immer die gleiche ist und dann doch alles anders ausschaut in mein Sprechen einfließen als Subtext aber eigentlich interessiert es mich echt ja total gut es ist echt schwierig ich bin das nicht ohne ja das kann man da kommt wahrscheinlich ziemlich viel über die Oskar-von-Miller eben weil diese Freiräume erlaubt werden zu schauen wie das geht okay perfekt so geht es Gegenüber Strasse selbst raus und wir lassen dann einfach die zweite Version so stehen weil es auch nie vollständig sein muss mhm machen wir es so aber jetzt kaum hörbar halt Gegenüber wenn du sie nicht mehr ändern willst genau es findet nicht diese totale Kontrolle statt dass jetzt alles von A bis Z genau und ich finde jetzt auch diese nicht diese Idee mit den das ist schon sauschön ja müssen wir halt sehr intim ohne Bild ohne Bild hm ich kann schon nochmals drüber durchgecheckt ist sondern es gibt einfach diesen Rahmen dieses Prinzip und da die Leuchtschrift müsst ihr euch hinüber eigentlich ist es ja auch keine Diskussion auch dann haben wir halt drei Versionen dann bleibt es eigentlich recht frei ja und das finde ich ja darum war auch damals mhm also du musst laut sprechen ein vor sich her scheppern das ist so wenn man Texte schreibt man hat unendliche Versionen diese sehr große Sympathie gleich zu Beginn oder auch Verständnis das diese wie ich das jetzt gelesen habe war ich eigentlich zuversichtlich ja jetzt war ich beugen okay ein Zerreden ja klar aber hm Idee von Freiheit die es da gab oder die es da gibt und von Improvisation und zuversichtlich vorher hatte ich schon mehr so und übrigens habe ich gemerkt beim Schreiben beim Durchlesen dass ich eben alles in der Vergangenheit geschrieben habe das kann ruhig mitgetragen werden die Geschichte Richard Prince hat mir gesagt dass er begeistert ist von den Fotos aus der Factory und ich finde da liegt auch ein guter Moment drinnen eben die die Verlagerung auf so eine tja wie soll man das beschreiben also nicht die werke von Warhol sondern eben die ganzen Dokumentationsfotos die in der Factory gemacht werden wurden von verschiedenen Personen von verschiedenen Perspektiven aus in denen Werke auftauchen aber auch wieder verschwinden und dadurch ein ganz anderer you were in the Cottbus stadium wheels Rahmen aufgezogen wird ja ja ich weiß also einverstanden ja und natürlich gehen die Plakate auch in die Richtung der Ungenauigkeit eines Werkes also wo beginnt da die eigentliche Kunst was ist das Objekt was das Produkt das so viele sehen wollen das wird da nicht klar formuliert im Gegenteil ungreifbar in the stands we looked like we were from another planet here genau noch mal ungreifbar machen genau genau ja ja das ist eben dort wo diese Lücken entstehen die eben interessant sind dass man da wo rein fällt mhm sich dann irgendwas überlegen muss und es so ambivalent bleibt aber es ist kein Fake das ist ganz wichtig es ist eine Leere die eben auch vertreten werden kann we were a bit scared we were anxious exactly auch von Peinlichkeit genau es ist eben nicht es ist Peinlichkeit oder Reinlichkeit nein Peinlichkeit Einigkeit © nein keine Reinlichkeit Text: Michael S. Riedel. Peinlichkeit Oskar-von-Miller Strasse 16 – Dennis Loesch, Michael S. Riedel. Peinlichkeit ja ja Berlin, 2007. it was so cold a covered scooter Eigentlichkeit peinlich peinlich okay aber wie gesagt ich müsste jetzt die beiden Texte vergleichen und vielleicht mache ich ein paar Korrekturen aber der neue wird sich nicht grundlegend verändern es geht eigentlich hauptsächlich um den ersten Absatz der erste Teil der ist der schwierigste the match was awful and the fans were aggressive a covered scooter nicht es ist eben auch die Schwierigkeit diese unglaubliche Banalität also das schaut so extrem banal aus und so zufällig und auch so nonchalant und dann aber auch diese Präzision dass man das auf eine Reihe dass man das vermittelt kriegt und dann aber auch diese Offenheit dieses ewig sich weiter duplizierende mhm ja und das ist irgendwie sprachlich doch recht schwierig zu fassen and then some people shouted mods didn’t they and didn’t you three people on one covered scooter er hat im zweiten Text im zweiten Absatz hast du einen Satz der beginnt mit es gibt den klaren Blick den klaren Blick weil die Oskar-von-Miller Strasse durch hm lakonische Wiederholung die Sprache der Kulturindustrie neutralisiert die immer hast du schon den Schlafanzug an Einmaligkeit und Einzigartigkeit behaupten muss nein genau nein diese dieser Plattform für gesellschaftliche und politische Profilierung ich sitze nackt davor na ja das kann man weglassen aber ich glaube schon wenn man sich überlegt hörst du mich auch gut Daniel warum gibt es das Event das ist nicht wegen des Events es geht eben darum shout back at them and here there’s a car Moment mal jetzt ziehe ich mal den Kopfhörer an was ja Kopfhörer wäre wichtig noch mal also noch mal wenn man jetzt sagt durch lakonische Wiederholung die Sprache die immer hörst du mich so Einmaligkeit und Einzigartigkeit behaupten muss dann fragt man sich natürlich jetzt warum mus sie dass ja ich höre dich schlecht ja du hörst mich schlecht und ich glaube eben die muss das damit das als Plattform nützlich ist das eben yeah those Schalke fans from below they were down at the it was also about nein es geht das Event spielt keine Rolle mehr was da passiert ist allen egal Hauptsache es sag noch mal was Michael erfüllt eine gesellschaftliche und politische Funktion komm doch mal wollen uns nicht auf eine Seite setzen mhm ein bisschen höre ich dich echoen 26.o4.2oo7 Inhalt ist total egal ja ich glaube da gibt es schon eine da gibt es in der Oskar-von-Miller Strasse schon service area and recognised us from far away that we’d declared a scooter eine auch wenn es nie so angelegt war schon eine doch weitere Bedeutung fand ich immer weil natürlich auch Einmaligkeit und Einzigartigkeit ist das Prinzip für bewacht ja wenn du der Größte der Beste der Einzige der Reichste bist mhm und der der das Sagen hat Einmaligkeit und Einzigartigkeit sind Machtgesten ja und das habt ihr eigentlich schon durchbrochen mit diesen Oskar-von-Miller yeah it was also about the look on your face Strassen darum war es auch so verwirrend ja 2o.oo Uhr sie wollte natürlich auch nie das sein was die anderen sind ein strategischer Zug sich zu differenzieren klar aber trotzdem trotzdem nicht dagegen spielen eben es war dann nicht einfach so aus die anderen machen das so und ich mach das so aus einer spätpubertären obschon vielleicht war es dabei es gab diese yeah right Lust all das zu machen aber als es sich als Methode etabliert hat fand ich doch ja ja es ist ein bisschen mehr als die Punk Attitüde ja auf jeden Fall es konnte sich ja auch nur etablieren weil eine Gruppe von Leuten Befriedigung hast du einen Kopfhörer auf jetzt also so ist es besser für mich einfaches Zerreden fand an diesen übertragenen Situationen an Momenten an denen wie du gesagt aber das ja also wir haben jetzt auch den Kopfhörer an und der das Mikrophon ist direkt ein Zerreden hast keiner verantwortlich ist für das was jetzt da ist man fast überflüssig ist als ja das habe ich am Kopfhörer ich habe auch kein kann man da externe Mikrophons dran stecken Anwesender we’re the mods the typical posed I’m sitting on my cool scooter look genau darum die Peinlichkeit ja aber das Mikrophon ist ja hier oder das heißt es wäre doch besser wenn wir beide und das das nimmt es auf hm davor sitzen und nicht so in der Mitte ja müsste eigentlich beim Mac ein externes Mikrophon ja aber auch eine gewisse Befreiung eine gewisse ja okay weil so ist es eigentlich perfekt für mich nein natürlich große Befreiung ja also ihr macht das alles viel zu kompliziert okay externes haben wir ja nicht große Befreiung ja wieso wie willst du es sonst machen gut dann waren wir wo eben ich auch nicht sicher ja macht doch einfach die Boxen vom Computer auf und gut wenn das ginge das wäre perfekt auch neu orientieren die herkömmlichen Orientierungsmomente waren nicht even though I wouldn’t have been able to recognise myself yeah from the mods book on the cover dann scheppert es das ist ja das was das Pfeifen verursacht weil das Mikrophon super Aufnahme externes Mikrophon mehr so gegeben oder der Boden hat gefehlt und die Boxen ja so eng zusammen sind beim Macintosh Computer ich hätte fast vergessen um was es geht eigentlich wenn du hier ein Line-In hättest genau das habe ich auch gedacht aber das finde ich eben schwierig zu schreiben Komm rüber das ist so mit der Technik ja eben geht nicht weil das so was von didaktisch und lehrerhaft wird die Textproduktion ist schon die Verdoppelung und was dazwischen oder nicht ah ja doch also jetzt erkläre ich es euch gibt es aber nicht oder kann man aber es ist glaube ich schon ganz gut formuliert mit Moment also dass die noch mal hm klar gibt es man könnte das als Line-In benutzen aber dann können wir nichts Ereignisse abrollen wo steht das denn hm also nein nein ich mache jetzt weiter die Sache war ja die einen Text zu schreiben mehr dann nimmt es nichts mehr auf das steht bei jedem sag noch mal was der dann auch so ein bisschen einer breiteren Leserschaft zugänglich war das aber was haben wir dadurch geschaffen dass wir weiter weg sind vom Rechner am Anfang ja I felt estranged from myself too from the mods book ich sei voll in der Verdoppelung war wenigstens Michael hat mich darauf hingewiesen und darum darum habe oder was das steht in jedem in beiden Texten Dennis Loesch und Michael S Riedel sind Folgen der Verdoppelung ich zumindest diese paar Veranstaltungen aufgezählt damit man überhaupt weiß man könnte auch theoretisch mit einem Programm da mitschneiden kann dann ganz am Anfang genau ich bin echt was dazwischen oder auch nicht um was es da ging bräuchte man kein Mini-Disc ich muss mal oder auch mhm also weißt du was ihr eigentlich machen könnt das Prinzip blieb und bleibt immer das gleiche der aufgezeichnete nicht genau darum das die same old story eigentlich bräuchten wir zwei Kopfhörer das ist gleich im zweiten Abschnitt da steht die Frage was sich auf was bezieht genau einleitend habt ihr nicht habt ihr nicht Quick-Time-Pro habt ihr es gefunden also kommt jetzt genau quick time was ah hier im ersten Satz im ersten Text habe ich es gefunden zuerst dachte man an exactly that’s the was sind das für gelbe Zettel ja Quick-Time-Professional Verlust und Sinnlosigkeit die Leute standen da und sahen das Ereignis vor sich spreche deutlich spreche deutlich sonst wirst du falsch zitiert aber der Absatz versucht schon eher du hattest mal davon gesprochen dass du nein ich nicht abrollen das Erlebnis blieb ambivalent, niemand fühlte sich verantwortlich für die ach so ist mir auch egal die Haltung der Oskar-von-Miller Strasse darstellen wolltest oder weil man hätte das kannst du laufen lassen und das nimmt dir alles auf Lücken zwischen den Verdoppelungen natürlich füllte sich der Raum trotzdem okay ja auf die Veranstaltungen noch also genauer eingehen können im Sinne von das ja ein Lebensgefühl nahm ihn in Anspruch und der Eindruck setzte sich fest der hm man hm zum Beispiel die Produktion von Einladungskarten und Plakaten war ja genau Kulturindustrie entronnen zu sein es gab da einen klaren Blick also das ist schon habt ihr die neue Version bekommen auch noch ein wichtiger Bestandteil von diesen ganzen Aktivitäten am Anfang den haben wir aber nicht im ersten ist das schon sehr gut formuliert finde ich ja und ich das finde ich dann das ist mir fast zu sentimental zu sagen sag noch ja danke oder schlecht the culture industry as pervaded opportunism, perfectionism, and commercialisation, by that to them constituted a sort prestige, also learned they of firstconsumers, the very to adopt a cool, critical attitude and foremost same mechanisms were toward of schizophrenic: while they Their relationship to such materialproductively kind of was fifth element or a prevailing upon them from the highly influential writings of Barthes in translation.” seduction and desire that Roland thatjust beginning to be made available played were Kristeva philosophers critics such and cultural as Michel and Julia Foucault, weather. French but there was beer and ‘cos in the end Jimmy isn’t sitting on his own scooter either wir haben die neue Version bekommen und wollten dir die noch mal vorlesen ja genau ich habe dann eigentlich mich hat es halt schon als Ort frappiert und ich nein man muss sich auch mal anfreunden mit so Situationen das ist ja nicht es ist mal am Anfang es gab Sinnlosigkeit solches Zeugs ich meine die Leute was weiß nein meine die Produktion dieser derivaten Produkte die man halt auch macht machen halt fehlerhaft aber es ist in Ordnung es geht ja jetzt ich ob das sinnlos war die fanden es vielleicht einfach doof weißt du was ich ich kann ein bisschen lauter machen und den Bass noch ein bisschen mehr raus muss und will die finde ich schon gut das war jetzt eigentlich nicht das Thema ja hört ihr meine dass ist ein bisschen pathetisch formuliert ja vielleicht für diesen Text sehr gut nein aber du musst ja ein Lebensgefühl nahm ihn in Anspruch damit drückst du ja Bass raus mhm hört ihr mich jetzt aus was wir damit verbunden haben und eine Gruppe von Leuten die da waren du hörst dich an wie der Caruso ich wollte eigentlich da die Frage der Wiederholung in der Öffentlichkeit aufgreifen mir ist nur gerade abhanden gekommen was ich sagen wollte genau das stimmt so jetzt habe ich den Originaltext auch wieder gefunden okay hm dann war eben die Veranstaltungen ein einschlagenderes Beispiel als die hm warte mal also ich weiß wieder warum ich diese Veränderung gemacht habe ich and what was definitely the best thing in Berlin cars were made into scooters wir drehen jetzt mal den Bass raus aus deiner Stimme ich muss Einladungskarten ja des ist das Problem fand beim ersten Text kommt diese halt doch recht theoretische und bisschen so mein Gott dann spreche ich einfach tiefer mhm also ich finde es schwierig weil man muss genau hinhören und ich konzentriere komplizierte Überlegungsweise von diesem Douglas Crimp das kommt halt so ja auch weil natürlich eine andere Form von Öffentlichkeit hergestellt wurde mich mehr darauf hinzuhören als selbst nachzudenken also mir wäre es fast bisschen überraschend zum Schluss und dann habe ich das stärker auf diese auf ho ho ho ho okay und du hast dir sozusagen die die Neuproduktion von dem Blackbox-Buch lieber mit dem Telefon diese auf dieses diese Repräsentation der Repräsentation hin zugeschnitten jetzt besser ausgesucht Jim Isermann Silberfolie und die Club Abende und die Filme als aber haben wir nicht hat die Doreen oben nicht so ein Telefon weiß ich es und das stimmt das ist hat dann natürlich der Verlust war natürlich sag noch mal was Beispiele für die Praxis die in der Oskar-von-Miller Strasse könnte sein diese gewisse Nähe zum Ort ja ja ich jetzt macht ihr Echo ich höre mich selber sprechen genau wollen wir sie mal anrufen mhm this things that didn’t even exist were made into scooters das ist doch klasse gängig war willst du umstöpseln das stimmt aber ich kann mir das schon noch mal ein bisschen das noch mal das ist unerträglich ja das war natürlich die also das hat sich noch aus der Idee ergeben dass sich ja mischen damit es das von beiden was kriegt das ist doch super für die Aufnahme da ein da eine Methode angewendet wurde die sich offenbar nutzen ließ für alle ja Daniel ich würde sagen wir versuchen jetzt mal ein Telefon innerhalb der hm ja Typen von Veranstaltungen die kulturell so stattfinden eben Ausstellungen Musik nächsten vielleicht noch was was ich vorher nicht hatte weil eben diese nicht diese Idee nein Club Performance zehn Minuten vom Original man versteht das gar nicht die Leute heute denken immer noch in okay aber jetzt so zum Beispiel sprichst du noch zehn Minuten aufzutreiben Bezug auf was Originales noch immer ja und das habt ihr eben nicht gemacht das was okay nein ja mach doch das fand ich eben auch so gut das fand ich dann beim ersten Text kam das nicht so the thing with scooter pictures prams were scooters richtig rüber komm ich mach eine neue Version ich glaube wir haben es jetzt die die Gilbert und George wo das sozusagen den Raum verlassen hat diese ja aber warum gibt es die Rückkopplung diese Praxis ich habe natürlich schon warte jetzt mal eine Möglichkeit wäre noch dass wir es was hat er gesagt die Rückkopplung entsteht glaube ich weil deine Stimme aus den Lautsprechern genau die ist jetzt gar nicht die kommt jetzt gar nicht gar nicht vor auf meinem Telefon aufnehmen und ich euch die Datei maile er macht eine neue Version wenn es um die Experimentalfilme geht da würde raus kommt und ins Mikro wieder rein geht ja das ist ähnlich wie mit den Einladungskarten ich glaube die Sache ist schon aber die ist riesig die Datei ich auch das erste die erste Formulierung Detail verliebter als also sie gingen das ist halt doof das ganze Projekt ist so rhizomartig angelegt so wie ein Hypertext der sich ja die ist wie groß sind die dann Experimentalfilme abfilmen und haben zu den gefilmten Filmen eingeladen hast du jetzt eine Rückkopplung bei dir wie von selbst fortschreibt und ich habe dann das wäre natürlich auch mal was das ist Wahnsinn ja ja yeah that I’m looking forward to those now euch höre ich super das nach zu schreiben wie sich das ausbreitet ich habe ich wollte das eigentlich zehn Minuten sind um die neunzig Megabite das ist sehr gut formuliert im Gegensatz zu Experimentalfilme wurden abgefilmt ja exemplarisch machen und ich hätte auch Gilbert und George nehmen können ja das ist viel ja und wiederaufgeführt aber ich höre mich immer wobei ich meine es gab ja dann diesen Reimport in den Katalog ja Gilbert zu viel stimmt das du dich doppelt hörst das ist vielleicht auch ein bisschen Teil des Themas und George es gab die Performance und die Wiederholung es war eben diese das kriegen wir wahrscheinlich nicht durch weil der erste schließt das nämlich auch mit ein es geht auch nicht mehr um den auch Methode die mich interessiert warte mal schnell Film sondern um die Situation dass da ein Film in der Stadt woanders läuft hier in nein das ist sehr anstrengend ich sage einfach nichts mhm oder einer anderen Version zu sehen ist. doch doch du sagst was hm die Verdoppelung und was dazwischen oder nicht und für was das eben steht und wie man so eine Methode überhaupt verstehen es ging vielleicht schon wenn ich die ich müsste mal schnell eine Datei öffnen das stimmt we sat on every scooter that we could find no matter what that’s it das Problem ist jetzt ein bisschen du hast jetzt zwei Texte schon geschickt wir soll was man damit anfangen soll und insofern sind die Beispiele so ein bisschen Moment mal mal gucken was da die fünfzig Minuten waren von Riedel eine aber nicht in einer Version dass da irgendwas zensiert wurde sondern dass die gehen jetzt mal von der letzten Version aus die du uns gesendet hast exemplarisch und eingängig Stunde vierzig wie groß ist die da ganze Rahmengebung des Films irgendwie neu ist Verdoppelung und was dazwischen oder nicht ja die andere gilt nicht mehr also um im Text da mal weiter zu machen als mp3 könntest du die umwandeln ja das stimmt Die Oskar-von-Miller Strasse 16 in der Weydinger Strasse 20 (Daniel Baumann) die gilt nicht mehr das Prinzip blieb und bleibt immer das gleiche der aufgezeichnete Anlass ist der eben ja das meine ich und diese Reihe Clubed Clubs und Filmed Films das war ja auch das erste wo Dennis Loesch und Michael S. Riedel fuhren also zur Lesung des Popliteraten. Er trug aus seinem Buch vor, erfand dazu, übersprang Zeilen und produzierte sich vor dem Publikum. Riedel und Loesch haben sein Sprechen aufgenommen, dann Wort für Wort abgeschrieben und den Originaltext im Buch überschrieben. In der Oskar-von-Miller Strasse 16 in Frankfurt am Main wiederholten sie die aufgezeichnete Lesung öffentlich: an einem Tisch sitzend, nein Anlass also das ist sozusagen die Überschrift über alle Veranstaltungen die man das geht wo es auch ein bisschen übergreifender wurde und das war ja auch ein Versuch Kopfhörer in den Ohren, sprachen sie die Originallesung nach. Dasselbe haben sie mit Ausstellungen, Clubs, Performances und Konzerten gemacht: wiederholt. Mit den Resten der Jim Eiserman-Ausstellung im Portikus realisierten sie die Jim Eiserman-Ausstellung in der Oskar-von-Miller-Strasse. Sie initiierten die Veranstaltungsreihe „Clubed Clubs“, die darin bestand, dass sie aus einem Club zwei drei Dinge mitnahmen, um damit einige Tage später den diese Art der was auch immer Clubabend im leeren Raum der Oskar-von-Miller Strasse 16 wiederherzustellen. Natürlich mit Musik. Für „Lola Montez (Club)” organisierten sie als Telephone-Djs Diedrich Diederichsen, Jason Rhoades, Kasper König, Leo König, Heiner Blum, Bärbel Grässlin, Peter Cook, Jonathan Meese, Roberto Ohrt, Franz West, Heimo Zobernig, Veronique Bourgoin, Mandla Reuter, Raymond Pettibon, Hans Weigand, Bruno Brunett und andere mehr. Riedel und Loesch aber wobei bei der anderen waren ein paar Sätze dabei die sehr sehr gut waren nennen könnte als Beispiele wenn nicht würde ich vorschlagen dass wir einfach morgen Abend ins Büro bei hatten sich ihre Telefonnummern besorgt und riefen sie aus der Oskar-von-Miller Strasse 16 an und baten sie um einen Song. Es war ein Desaster. Des weiteren gingen Riedel und Loesch Experimentalfilme abfilmen, um dann zu den gefilmten Filmen einzuladen. Daraus entstand die Serie „Filmed Films“, die als Genre angeboten wurde und auch unter dem bezeichnenden Titel „How you look at it” lief. In diesem Zusammenhang wurde der legendäre „Trailer man muss verzichten können man muss verzichten können genau Kühn Malvezzi gehen und da Veranstaltung condition it was in a street sign Filmed Films“ produziert, der sich aus Vor- und Abspann gefilmter Filme zusammensetzte, so dass man in ewiger Erwartung und Nachfreude verharren konnte. Auf dem Gebiet der Performance fand ortsspezifisch „Gilbert & George (Performance)” statt: zwei im Auftrag der Oskar-von-Miller Strasse 16 engagierte Schauspieler (Gert & Georg) doubelten das englische Künstlerpaar während ihrer Ausstellungseröffnung im benachbarten Portikus. Und es gab ja aber ignorieren kann man es nicht ja das also Inhalt der Veranstaltung war eigentlich die Übertrtagung Übertragung aber wenn die Doreen so ein Telefon hat diese Art als Genre anzubieten das Live-Konzert, u.a. der Who, für das sie und ihre Freunde auf der Bühne unbeweglich als Band posierten: „Legendary Orgasm (Konzert)”. 4. Auftritt der Band When The Who Were Later Building Up Their Supermod Image. doch unabhängig vom konkreten Ereignis ja ja culture industry born were into which the media culture of they and magazines popular music, and television, movies Das Prinzip blieb und bleibt immer das gleiche: der aufgezeichnete Anlass ist der Anlass. Daraus ergaben sich zahlreiche Unterschiede und Missverständnisse, es entstanden Lücken und Ruinen. Zuerst dachte man an Verlust und Sinnlosigkeit, die Leute standen da und sahen das Ereignis vor sich abrollen. Das Erlebnis blieb ambivalent, niemand fühlte sich verantwortlich für die Lücken zwischen den Verdoppelungen. Natürlich füllte sich der Raum nein nein das glaube ich jetzt nicht aber ich habe es jetzt mal so stark abstrahiert dass können wir ja fragen ruf sie mal an also gar nicht zu sagen dass ist die Ausstellung Jim Isermann und damit die trotzdem: ein Lebensgefühl nahm ihn in Anspruch. Und es gab Klarheit. Diese betraf nicht nur die Darbietungen, sondern auch ihre Vermittlung, Dokumentation und das Denken darüber. Die Anlässe wurden fotografiert, aufgezeichnet, in Texte übersetzt und veröffentlicht. Somit wurde der Anlass des Anlasses selbst zum Anlass, die Verdoppelung wurde multipliziert, so dass man zeitweise wie in einem Loop die Orientierung verlor und die Oskar-von-Miller ganzen Missverständnisse zu provozieren sondern ganz deutlich zu sagen mit Strasse 16 wie ein Raumschiff (was sie ja auch war) vorbeiziehen sah. Alles war klar angelegt, präzise durchdacht, konsequent durchgeführt und immer hart an der Grenze des Absurden, wo sich bekanntlich die schönsten Räume öffnen. 2003, bereits nach drei Jahren, erschien der grosse Retrospektive Katalog mit folgender Ankündigung: „OSKAR-VON-MILLER STRASSE 16, 24 cm x 17 cm, 660 S. (davon ca. 90 leer), broschiert, zahlreiche s/w-Abb., die Verdoppelung und was dazwischen oder nicht hast du es jetzt genannt hm die ich nicht in jedes Detail rein gehen musste ja aber die ist jetzt nicht da sie ist jetzt gerade mit jemandem was trinken Texte von Daniel Baumann (Nachzeichnen), Roberto Ohrt (Wiederholungstäter, Replikanten, Tiere der Theorie), Michael S. Riedel (Anekdotenkonferenz, Blackbox, Boppard, Eintausendsechshundertachtundvierzig Mark Eins, Coverdesign, Telefonbuch), in dt. Sprache, Auflage: 500, nummeriert, davon Nr. 1–50 als Sonderedition mit 5 Plakaten (Siebdruck). Basierend auf der falschen Veranstaltung ist die Dokumentation der Ausstellungspraxis von Michael Oskar-von-Miller Strasse an der Weydinger Strasse 20 ja ich lese dir glaube ich okay und dann springst du sozusagen was ja auch so ein Einschnitt war parallel und der der Wilfried Johannes einem Begriff Filmed Films Clubed Clubs da ist eine indirekte Form und das ist images S. Riedel und Dennis Loesch an sich fragwürdig. In dem Ausstellungsraum Oskar-von-Miller Strasse 16 haben beide die Sprachen des öffentlichen Kulturangebots nachgesprochen, oftmals ohne Verständnis für das Gesagte. Mit transkribierte Texten und zahlreichen Abbildungen zeichnen sie ihr dreijähriges Troja nun auf.“ Als Vorwort für das Buch diente die sogenannte Anekdotenkonferenz: die wichtigsten Akteure der Oskar-von-Miller Strasse 16 waren für erst noch mal deinen ersten Absatz vor dazu werden die Anlässe der Anlässe dokumentiert und selbst zum Anlass so im Büro noch bestimmt ein Name für ein Genre was sich da anbietet zwei Tage zusammengekommen, um alle Anlässe Revue passieren zu lassen. Das gemeinsame Denken und Stammeln wurde Wort für Wort transkribiert und als 260seitiges Inhaltsverzeichnis der Dokumentation vorangestellt, diese also retrospektiv vorausgreifend wiederholend. okay auch die Oskar-von-Miller Strasse die beispielsweise 2003 in der Secession in du könntest das aufzeichnen mit warte mal ich bin schnell am gucken was das das ist ein Prinzip actually we declared everything to be a scooter that we that could a street sign became a scooter Loesch und Riedel dehnten die Methode der Verdoppelung auch auf den Ort selbst aus. 2006 bauten sie das komplette Haus der Oskar-von-Miller Strasse 16 mittels zusammengenähter Stoffbahnen nach und stülpten die Hülle anlässlich der Fine Art Fair in Frankfurt am Main über den eigens von ihnen gemieteten Stand. Der Raum musste neu gefüllt werden, gleichzeitig war es das mobile Modell, das in verpackter Form versandt und irgendwo errichtet Dennis Loesch und Michael S. Riedel fuhren also zur Lesung des Popliteraten er Wien original in Originalgrösse nachgebaut und bespielt wurde die Ausstellung für eine Datei ergibt ja werden konnte, also eine Art Oskar-von-Miller Strasse 16-Tipi. Bereits 2003 liessen sie den Ausstellungsraum der Oskar-von-Miller Strasse 16 in der Secession in Wien originalgetreu nachbauen, um ihn als Ausstellungsort im Ausstellungsort zu nutzen. Das Programm versprach: Freitag 14.11. bis Sonntag 16.11.2003 Oskar-von-Miller Strasse 16, Ausstellung; Donnerstag 13.11.2003 , 18 Uhr Oskar-von-Miller Strasse 16, Filmabend; Donnerstag 6.11.2003, okay 23 Uhr Oskar-von-Miller Strasse 16, Clubabend im Ramien, Gumpendorfer Str. 9, 1060 Wien; Donnerstag 25. 9. 2003, 18.30 Uhr Oskar-von-Miller Strasse 16, Premade Club/Aufnahme 101103. Nach Ende der Ausstellung erfolgte die Zerstörung dieses Nachbaus, die in Hinblick auf den angekündigten Abriss der wirklichen Oskar-von-Miller Strasse 16 dokumentiert wurde, so dass Michael S. Riedel im Artforum vom Dezember 2006 sagen konnte: „Die beste trug aus seinem Buch vor erfand dazu übersprang Zeilen und produzierte sich vor hast du ja selbst kuratiert und es ist natürlich sehr zurückhaltend davon zu das Problem ist ja dem Publikum Riedel und Loesch nahmen sein Sprechen auf schrieben es Wort sprechen dass der Nachbau bespielt wurde also du der das ja gesehen hat und er kann es uns ja dann schicken als mp3 ein soll ich es sagen ich sag das jetzt dieser Eintritt in so ein dass das Show des Jahres 2006 fand bereits 2003 statt. Als spekulative Ausstellung einer im original stattfindenden Zukunft haben Dennis Loesch und ich den Abriss unseres Hauses Oskar-von-Miller Strasse 16 in der Ausstellung Kontext Form Troja (Wiener Secession, 2003) simuliert. 2006, drei Jahre später, wurden wir Zeugen einer Wirklichkeit, die wir uns nicht besser hätten vorstellen können, aber eben schon kannten.“ für die Sache wäre es schon gut eine also für das Plakat eine Version zu haben Kürzlich diskutierte ich mit einem guten Freund über Riedel, Loesch und ihre Verdoppelungen und die Frage, was dazwischen oder nicht. Am nächsten Tag schrieb er mir in einer E-Mail: „In der Oskar-von-Miller Strasse 16 beziehen sich die Ereignisse immer nur auf andere Ereignisse. Die Idee vom Original spielt hier keine Rolle. Damit erübrigt sich auch jegliche Form von Nostalgie, weil die Wiederholung nicht aus Trauer über einen Verlust erfolgt. Die für Wort ab und stellten es dem Originaltext im Buch gegenüber an der Oskar-von- auch die ganze Entstehung zur Ausstellung da hat sich ja schon was anderes genau unmissverständlich falsch war was da passiert ist auch weil du hast ja genau mit der beide Seiten etwas anfangen können also diese die festgeschriebene Wiederholung wiederum interessiert sich nicht für Einmaligkeit und Einzigartigkeit. Diese aber sind das Lebenselixir der Kulturindustrie und die Grundlage des Events als Plattform für gesellschaftliche und politische Profilierung. Die Ereignisse der Oskar-von-Miller Strasse 16 lassen sich also immer nur in Bezug auf eine Vorlage lesen. Daraus entsteht eine Distanz, die nicht aufzulösen ist, die nicht aufgelöst werden will, weil nur sie diesen kritischen Raum Miller Strasse 16 ist das eigentlich du hast auch geschrieben an der Weydinger formuliert als die Veranstaltungen in der Oskar-von-Miller Strasse selbst eben mp3 ist ja wesentlich kleiner als gesehen bei den Clubed Clubs und Filmed Films da ist kein DJ da ist Publikum mit Version wird jetzt die neue sein die du jetzt neu schreiben willst oder Daniel schafft, der ein Freiraum ist. Damit setzt die Oskar-von-Miller Strasse 16 die Arbeit der Picture Generation fort, der Künstler und Kritiker um Troy Brauntuch, Jack Goldstein, Sherrie Levine, Louise Lawler, Richard Prince oder Cindy Sherman. 1977 schrieb Douglas Crimp im Text zu seiner Ausstellung Pictures: „... eine Gruppe jüngerer Künstler versteht die Repräsentation als unausweichlichen Teil unsere Fähigkeit, die Welt um uns herum zu verstehen. Stzrasse und an der Oskar-von-Miller Strasse sagt man das so in der Schweiz auch mit dieser Ästhetik der Abbildung in Form von lebensgroßen schwarz weiß aber da haben wir es ja trotzdem noch nicht gelöst dass wir hier ordentlich auf der Leinwand plötzlich so diese ganzen Sachen ein falsches Ereignis Gerade deshalb lässt sie sich nicht auf eine Beziehung zur Realität reduzieren, die entweder sekundär oder transzendent ist; und sie erhält ihre Bedeutung gerade nicht in Bezug auf das, was repräsentiert wird, sondern in Bezug auf andere Repräsentationen“. was sagst du mhm Tapeten sprechen können wir bräuchten eigentlich zwei Kopfhörer für mich ist es eben nicht ein falsches Ereignis ich glaube wenn du das sagst bist “The Pictures Oskar-von-Miller-Strasse-Generation: What these fledgling artists did have fully to themselves was the sea of images culture industry into which they were born the media culture of movies and television, popular music, and magazines the culture industry as pervaded by perfectionism, opportunism, prestige, and commercialisation, that to them constituted a sort of fifth element or a prevailing kind of weather. Their relationship to such die Version willst du jetzt noch mal überarbeiten nehme ich an oder be sat on that is just sick material was productively schizophrenic: while they were first and foremost consumers, they also learned to adopt a cool, critical attitude toward the very same mechanisms of seduction and desire that played upon them from the highly influential writings of French philosophers and cultural critics such as Michel Foucault, Roland Barthes and Julia Kristeva that were just beginning to be made available in translation.” (Department of Photographs, The ich glaube ja ah weil das Problem ist natürlich am Telefon ihr hört mich ja dann nicht und ihr du wieder in diesem dieser alten Denkweise drinnen ja ich würde es ich meine wenn es zu abstrakt jetzt ist dann ja eigentlich muss Metropolitan Museum of Art http://www.metmuseum.org/toah/hd/pcgn/hd_pcgn.htm) ach so jetzt mal ohne seid zu zweit in was ich so sagen die Kehrtwendung hat im Moment stattgefunden als ich das mit Die Oskar-von-Miller Strasse 16 in Frankfurt am Main befindet sich seit Neuestem in der Weydinger Strasse 20 in Berlin. Eingeladen vom Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg-Platz e.V. zur Realisierung einer Skulptur im öffentlichen Raum am Rosa-Luxemburg-Platz präsentieren Michael S. Riedel und Dennis Loesch die Oskar-von-Miller Strasse 16 (Weydinger Str. 20). Die Skulptur besteht in Form von Leuchtbuchstaben, das kann man wechseln das stimmt ja ja alten Denkweise diese Picture-Generation also mit dieser Picture-Ausstellung übersetzte da ist die ein dazugehöriges Ladenlokal in der Weydinger Str. 20 bezeichnen. Der Schriftzug OSKAR-VON-MILLER STRASSE 16 ist lückenhaft ( SK N E ST SSE ) und setzt sich aus den gefundenen Leuchtbuchstaben der Wörter ‘Geschenke Geschenke’ und ‘Bestecke Bestecke’ zusammen. Die hell weiß leuchtenden Buchstaben, sowie der leuchtend leere Raum bilden als vergleichbare Einheit die Skulptur am Rosa-Luxemburg-Platz, die mit drei wir können das auch das ist ja so ein Einschnitt weil zu der Zeit ist ja auch also parallel zur Ausstellung sozusagen nur ein ihr braucht eh eine Boxe na ja eben in dieser Idee dass eines das Richtige und das andere das Falsche Veranstaltungen in den folgenden Monaten auch eine zeitliche Dimension erhält. Zur Eröffnung am 26. April 2007 präsentiert sich die gewünschte Skulptur zum ersten mal öffentlich. mir plötzlich so etwas aufgefallen was mich mehr interessiert dann interessiert na gut das wäre jetzt aus der Position des Betrachters das alles was herkömmlich „Eine Bar kann nicht gleichzeitig beides sein. Können Sie, junge Dame, etwa gleichzeitig eine Frau und ein Krokodil sein? Na, fragen Sie peinliche Sachen! Ich muss mir das Überlegen. Zählen Sie alle Gegenstände in dieser Bar auf! Ich sehe ein Glas, Flaschen, Rosen, und die Fenster auf meiner Rechten, eine Tür, die sowohl vor mir ist und hinter Ihnen sich befindet. Da haben wir’s, ein Ding kann also an zwei verschiedenen Orten gleichzeitig sein, nein in ist besser das Buch erschienen Oskar was wir ja auch als mit als große letzte Veranstaltung am sinnvollsten wäre tatsächlich das Telefon hat als jetzt das Beschreiben des was da passiert ist also beides natürlich oder alles was bekannt wird als richtig und gängig angesehen und wenn du da im Dialekt lassen erklärt haben in Frankfurt das Buch selbst und da gibt es ja schon einen Schritt ja ja oder dann zwei Kopfhörer aber nein ihr braucht ja noch die Aufnahme (Daniel Baumann) machen Sie weiter, los. Ein Barkeeper. Welcher Barkeeper? Vor mir stehend, das sind Sie, der Barkeeper. Ach ja, stimmt, ich sah mich selber nicht, los, zählen Sie weiter auf! Nun gut, ein Aschenbecher, Tassen, Untertassen, eine Kaffeemaschine, drei Hahnen, eine Zigarette, ein Rock mit Streifen. Und dann, und dann ein Fussboden unter dem Fuss, ein Arbeiter und ich. Sie häufen unverständliche Wörter auf, machen Sie doch was damit. Was soll ich denn aber schon diese Frage wenn ihr jetzt sagt wenn ihr sagt das das eigentlich die machen? Barkeeper oder Paul. Junge Dame, was macht man mit Wörtern? Ist es wirklich nötig? Aber ja, dessen bin ich mir ganz sicher. Nun, wenn Sie insistieren, dann mache ich halt Sätze, aber nur ungern. Und warum wollen Sie keine Sätze machen? Weil die Sätze unnötiges und leeres Sprechen sind, so steht es im Lexikon. Aber es steht auch im Lexikon geschrieben, dass die Sätze Zusammenstellungen von Wörtern sind, welche Sinn ergeben. Mit nein nein hin zur Historisierung eigentlich genau was dagegen stellst kannst du natürlich sagen das ist das Falsche aber es hat look a scooter with with only one wheel that’s the look right there dieser Definition bin ich überhaupt nicht einverstanden. Warum? Warum sind Sie mit dieser Definition nicht einverstanden? Weil Sätze nicht gleichzeitig sinnlos und sinnvoll sein können. Jetzt machen Sie alles kompliziert. Wenn Sie keine Sätze machen wollen, kann ich Sie auch nicht verstehen und Ihnen auch nichts mehr zum Trinken einschenken. Also gut Barkeeper oder Paul, ich werde es versuchen. Das Glas ist nicht in meinem Wein. Der Barkeeper ist Secession so ein Wendepunkt markiert hat dann heißt ja das dass ihr selbst diese natürlich noch mehr an der Oskar-von-Miller Strasse 16 in Frankfurt am Main wiederholten sie die die Anekdotenkonferenz also mein Vorschlag wäre wir verschieben das ganze auf morgen Abend Hierarchisierung einführt die ihr eigentlich selbst vorher aufgehoben habt in der Tasche der Jacke des Bleistifts. Der Tresen gibt der jungen Dame Fusstritte. Der Fussboden erdrückt sich unter der Zigarette. Die Tische befinden sich auf den Gläsern. Die Decke ist an der Lampe. Das Fenster schaut in die Augen der jungen Dame, ich öffne sie und die Türe setzt sich auf den Hocker. Das Telefon hat drei Stäbe. Das Café füllt sich mit Vodka an. Aber das Lexikon hat nur drei Fenster: ein amerikanisches und zwei französische. Die aufgezeichnete Lesung öffentlich an einem Tisch sitzend Kopfhörer über genau okay warte mal aber das ist nicht das Interessante daran Türen werfen sich durch das Fenster, der Barkeeper füllt eine Zigarette mit Whisky, er zündet seinen Wasserhahnen an, ich bin, was sie sind, er ist nicht, was wir sind, sie sind, was du bist. Ich habe, was du hast, er hat, was sie haben, sie haben, was wir nicht haben.“ Marianne Faithfull, der Arbeiter (Rémo Forlani) und der Barkeeper (Marc Dudicourt) im Gespräch in Jean-Luc Godards Made in USA (1966). die was den Ohren sprachen sie die Originallesung nach Dasselbe machten sie mit also die Anekdotenkonferenz und da formulieren sich ja auch schon andere und wir sitzen morgen Abend im Büro mit Telefon ja na ja eine gewisse Hierarchisierung ein Vorher Nachher nicht dann sagt ihr Ausstellungen Clubs Performances und Konzerten wiederholt Mit den Resten Formen die hast du ja da jetzt nicht so erwähnt in dem Zusammenhang also diese ja ich glaube auch das ist am Besten das interessiert mich ja nicht das in Position zu sehen zu was und ich sehe ja was Duplication and something in between or not plötzlich nicht die Oskar von Miller von Strasse die Oskar-von-Miller Strasse war der Jim Iserman-Ausstellung im Portikus wurde die Jim Iserman-Ausstellung dokumentarische Ebene und machen dort die Aufnahme eben als mehr passiert ist da Oskar-von-Miller Strasse 16 at Weydinger Strasse 20 (Daniel Baumann; Translation: Lisa Voigt) eben das Original und ihr habt dann es gab da die Sache die da passiert in der Oskar-von-Miller Strasse gezeigt aus einem Club nahmen sie zwei drei genau und da ist sicher auch ein Punkt wo es interessant wird und wo es kritisch okay so machen wir es schon So Dennis Loesch and Michael S. Riedel went to the the pop author’s reading. He read from his book, occasionally adding stuff, skipping lines and showing off in front of his audience. Riedel and Loesch recorded everything he said and afterwards transcribed the whole thing and laid the new text over the original one in the book. At Oskar-von-Miller Strasse 16 they publicly repeated the recorded reading, sitting at a table wearing earphones and ja hallo reechoeing the recorded original reading word for word. They‘ve done the same thing with exhibitions, clubs, performances and concerts, they‘ve repeated them. With the remains of the Jim Eiserman exhibition at the Portikus Museum they set up the Jim Eiserman exhibition at Oskar-von-Miller Strasse. They initiated the event series „Clubed Clubs“ which meant repeating club nights at Oskar-von-Miller Strasse 16 in a room that was empty apart from one or Dinge mit um den Clubabend im leeren Raum der Oskar-von-Miller Strasse zu werden kann ob das nicht Richtung Tautologie und Manierismus führt wollen wir es so machen aber das Falsche war natürlich ein Begriff mit dem man arbeiten konnte weil es that could be sat on with a scooter look on your face postboxes were converted into scooters hay bales ist und dann gab es was anderes eben schwierig war das zu formulieren two items they had picked up from the original club. Of course they provided music. For „Lola Montez (club)“ Diedrich Diedrichsen; Jason Rhoades, Kaper König, Leo König, Heiner Blum, Bärbel Grässlin, Peter Cook, Jonathan Meese, Roberto Ohrt, Franz West, Heimo Zobernig, Veronique Bourgoin, Mandla Reuter, Raymond Pettibon, Hans Weigand, Bruno Brunett and many others were involuntarily made into telephone djs. Riedel and Loesch had managed wiederholen Experimentalfilme wurden abgefilmt und wiederaufgeführt es gab ein würdest du sagen dass das so ist ja ich glaube irgendwie kommen wir da nicht mehr weiter ja Hank ich rufe dich gleich zurück gut to get their phone numbers, called them from Oskar-von-Miller Strasse 16 and asked them to request a song. It was a disaster. Then they went to experimental film screenings where they filmed the films and afterwards presented the „Filmed Films“ before an audience. The result was a series titled „Filmed Films“ which was offered as a genre and also shown under the telling title „How you look at it“. In connection with this, the legendary „Trailer Filmed Films“ Live-Konzert der Who für das sie und ihre Freunde auf der Bühne unbeweglich als ich glaube eben dass die Methode erstaunlicherweise resistent ist und dass dann okay mhm ja was produced which consisted of the opening and closing credits of the filmed films and provided the viewers with an extended sensation of pleasant anticipation and post-film satisfaction. In the field of performances there was „Gilbert&George (Performance) which was site specific. Two actors were hired (Gert&Georg) to act as doubles for the English artist duo who were inaugurating their exhibition at the adjoining Portikus that night. And they did live Band posierten das Prinzip blieb und bleibt immer das gleiche der aufgezeichnete eigentlich als wie soll ich sagen es klappt insofern es würde dann nicht klappen also morgen Abend um neun so in etwa und wir haben es ja nie bei den ersten Veranstaltungen haben wir es ja so gelassen concerts, of The Who for example, which was them and their friends motionlessly posing on a stage: „Legendary Orgasm (concert)“, the fourth gig of the band When The Who Were Later Building Up Their Supermod Image. das verstößt ja dann eigentlich gegen das Prinzip der Gleichheit aller Anlässe Anlass ist der Anlass das sind jetzt ja mal so die Anfänge der Veranstaltungen die wenn man davon ausgehen würde dass eben die Oskar-von-Miller Strasse das genau ich rufe euch wieder an es sollte gehen sonst melde ich mich vorher dass wir einfach den Namen von der original Veranstaltung übernommen haben The concept is always the same: The recorded - and not the real event is the event. This has resulted in numerous variations and misunderstandings, gaps have been created, as well as ruins. What came to mind at first were terms like loss and absurdity, people stood and watched the events before them take place, the experience never losing its ambivalence, nobody felt responsible for the gaps between the duplications. Of course the space was untereinander filled nevertheless, taken up by a certain attitude to life. And there was a clear consensus, not only on the form of the presentations themselves but also on their placement and documentation and the ideas concerning them. The events were recorded in the form of photos, sound recordings and transcriptions and then published, thus turning the occasion for the occasion into the occasion itself and multiplying the duplication which created the sensation wir gemacht haben die du da anreißt oder Original war wie ich das dann später sage dass ihr nicht auf ein Original rekrutiert okay und das ist nicht klar gewesen in der Ankündigung was dort eigentlich passiert das weiß ich nicht ob man das so sagen kann ich glaube of a loop in which the helpless spectator was caught deprived of his sense of orientation and watching the Oskar-von-Miller Strasse 16 pass by like a spaceship (which it was). Everything was neatly laid down, precise, thouroughly thought out and carried out in a consequent manner, always on the brink of absurdity, where, as we all know, the most beautiful ideas develop. In 2003, after only three years, the big Retrospective Catalogue came out, complete mhm sondern auf ein vorheriges Ereignis und für die Idee des Originals kein Interesse nein warte mal noch schnell bevor ihr jetzt raus geht der neue Text ist das okay so auch ich meine ich sage es jetzt so einfach mal with the following announcement: „OSKAR-VON-MILLER STRASSE 16, 24 cm x 17 cm, 660 p. (approx. 90 of them empty), bound, numerous b./w. ill., texts by Daniel Baumann (Tracing), Roberto Ohrt (Serial Artists persistently offending), Michael S. Riedel (Conference of Anecdotes ,, Boppard, Blackbox, Onethousandsixhundredfourtyeight Marks and One, Cover design, Telephone book), in German, print run:500, consecutively numbered, numbers 1-50 mhm habt so würde dann eine solche Argumentation ja nur funktionieren wenn man oder habt ihr den alten besser gefunden mhm mhm the best thing was when Michael was dangling from a from a from that was the most painful scooter photo and later we found out were published as special editions with five posters (screen print). Based on fake events the documentation of Michael S. Riedel and Dennis Loesch is in itself questionable. In their exhibition room Oskar-von-Miller Strasse 16 both of them have repeated the language of public cultural offerings, often without comprehension of its content. By means of transcribed texts and numerous illustrations they have now chronicled their three-year Troy.“ The so-called ich glaube eher das also warum soll man sich nicht selbst als Veranstaltung also ich ich habe mir gedacht das ist wirklich unerträglich nein ich habe mir sagen würde die Oskar-von-Miller Strasse ist eben das Original und jetzt macht also ohne da jetzt zuviel vorwegzunehmen vor morgen dadurch haben wir natürlich auch viel Missverständnis geerntet Conference of Anecdotes served as a preface to the book. The most important players of the Oskar-von-Miller Strasse 16 had gathered for two whole days, to have a pass in review on all past events. Their combined thoughts, babbeling and spluttering were recorded, transcribed word for word and made into a 260-page preface that precedes the documentation, thus retrospectively repeating and anticipating it. auch wahrnehmen wenn man das gemacht hat also warum mn kann das was okay und zweitausendvier wurden wir ja eingeladen vom Portikus um den um den Loesch and Riedel extended their duplication method even to the site itself. In 2006 they reconstructed the complete house at Oskar-von-Miller Strasse 16, using lengths of cloth that had been sewn together. On the occasion of the Fine Art Fair in Frankfurt/ Main they then put the enormous mantle over their stand which they had rented specially for this. The space had to be refilled but at the same time it was the moveable model that could be packed gegenüber stattfindet übertragen aber man kann auch sich selbst übertragen up, sent off and set up anywhere, a Oskar-von-Miller Strasse 16 Teepee so to speak. As early as 2003 they had the exhibition room at Oskar-von-Miller Strasse 16 rebuilt true to original at the Secession in Vienna so that it could be used as an exhibition site inside the exhibition site. On the agenda there was: Friday 14 Nov. to Sunday 16 Nov. 2003 Oskar-von-Miller Strasse 16, exhibition; Thursday 13 Nov. 2003, 6 p.m. Oskar-von-Miller Strasse 16, film soiree; die Frage ist ob du es noch mal umschreiben willst wenn wir jetzt darüber False Portikus zu präsentieren auf der auf der auf der Londoner Londoner ja genau aber dann ich meine dieses im Moment wo du solche Perioden einführst Thursday 6 Nov. 2003, 11 p.m. Oskar-von-Miller Strasse 16 Club Night at the Ramien Bar, Gumpendorfer Strasse 9, 1060 Vienna; Thursday 25 September 2003, 6.30 p.m. Oskar-von-Miller Strasse 16 Premade Club/ Recording 101103. After the exhibition was finished the replica of the house was destroyed. This was documented in the face of the of the demolition of the real Oskar-von-Miller Strasse 16 which had already been announced, so that in an sprechen was ja denkbar wäre oder ob wir es jetzt einfach so lassen und du Kunstmesse nicht zwischen da und da ist was entstanden und das hat den Wert und das interview in the Artforum in the December 2006 edition Michael S. Riedel was able to state: „The best show of 2006 first took place in 2003, at the Wiener Secession, as part of the group exhibition Kontext, Form, Troja (Context, Form, Troy), when Dennis Loesch and I simulated the demolition of our building, Oskar-von-Miller Strasse 16. We described it at the time as a speculative exhibition of a future taking place in reality. Three years later we witnessed in diesem Gespräch jetzt eventuelle Umformulierungen andeutest aber jetzt mal ehrlich the real thing--a scene that we could not have imagined more accurately, because, of course, we had experienced it already.“ andere folgt dann darauf dann ergeben sich dann natürlich doch finde ich so unabhängig von der Aufnahme sind im ersten Text zweiter Absatz da gibt es wir wurden eingeladen den Portikus zu präsentieren in London auf der Not long ago a close friend and I had a discussion about Riedel, Loesch and their duplications and the question what’s in between or not. The next day he wrote me in an email: At Oskar-von-Miller Strasse 16 events always refer to other events. The concept of the original is irrelevant here and any form of nostalgia is rendered superfluous because the repetition is not born out of sadness about a loss. In turn, where there’s repetition, uniqueness and Hierarchien die es nicht hatte im Moment als es eine Veranstaltung gab und dann Kunstmesse weil wir weil der Daniel Birnbaum uns längere Zeit schon beobachtet a from this pole that the bush that we we were bending down there inimitability are not important, nevertheless they are the lifeblood of the culture industry and the basis for any event as a platform for the manifestation of social and political distinction. Consequently, the events at Oskar-von-Miller Strasse 16 can only be read with reference to an original event which creates a distance that can’t be bridged and that doesn’t want to be bridged because it‘s this distance that is able to create the critical space that is free space. einige Sätze die sehr schön sind und die sind alle weg gefallen und Poster und dann ich sehe es eben nicht so ich sehe das Buch ihr seht jetzt das Therefore Oskar-von-Miller Strasse 16 continues the work of the Picture Generation, the group of artists and critics around Troy Brauntuch, Jack Goldstein, Sherrie Levine, Louise Lawler, Richard Prince or Cindy Sherman. In 1977 Douglas Crimp wrote in the accompanying text to his exhibition Picture:“... that a group of younger artists sees representation as an inescapable part of our ability to grasp the world around us. It is not, therefore, relegated to a welche waren das hat und da gesehen hat dass wir da Veranstaltungen gab oder aufmerksam wurde Buch und den Nachbau in der Secession als eine Veränderung und ich sehe das relationship to reality that is either secondary or transcendent; and it does not achieve signification in relation to what is represented, but in relation to other representations.“ das ist ein bisschen Schade zum Beispiel ihre Ereignisse lassen sich nur in Bezug dass es Veranstaltungen gab zu denen eingeladen wurde unter dem selben Titel eben nicht so für mich ist es genau das gleiche für mich ist es dieses Prinzip “The Pictures Oskar-von-Miller-Strasse-Generation: What these fledgling artists did have fully to themselves was the sea of images culture industry into which they were born the media culture of movies and television, popular music, and magazines the culture industry as pervaded by perfectionism, opportunism, prestige, and commercialisation, that to them constituted a sort of fifth element or a prevailing kind of weather. Their relationship to such auf Vorlagen lesen woraus eine Distanz entsteht die nicht aufzulösen ist die nicht wie beim Portikus

material was productively schizophrenic: while they were first and foremost consumers, they also learned to adopt a cool, critical attitude toward the very same mechanisms of seduction and desire that played upon them from the highly influential writings of French philosophers and cultural critics such as Michel Foucault, Roland Barthes, and Julia Kristeva that were just beginning to be made available in translation.” (Department of Photographs, The einfach durchziehen the sea of was What these fledgling artists fully to themselves Oskar-von-Miller-Strasse-Generation: did have aufgelöst werden will weil nur sie ja ja Metropolitan Museum of Art http://www.metmuseum.org/toah/hd/pcgn/hd_pcgn.htm) ja das ist alles und dort haben wir eine Fläche zur Verfügung gehabt und haben dort Oskar-von-Miller Strasse 16 in Frankfurt/ Main has recently been moved to a new location, Weydinger Strasse 20 in Berlin. Following an invitation from the Society for the Promotion of Art and Culture at Rosa Luxembourg Square (Verein zur Förderung von Kunst und Kultur am Rosa-Luxemburg Platz e.v.) to create a sculpture in a public space Michael S. Riedel and Dennis Loesch are now going to present Oskar-von-Miller Strasse 16 (Weydinger Strasse darum darum wenn du auch sagst dass ich nicht Bezug nehme auf das oder 20). The sculpture consists of fluorescent letters above the corresponding shop/ bar in the Weydinger Strasse 20. The writing OSKAR-VON-MILLER STRASSE 16 is incomplete ( SK N E ST SSE ) and was pieced together from letters they had found that originally read ‚‘Geschenke Geschenke’ (presents presents) and ‘Bestecke Bestecke’ (cutlery cutlery). Similar in form, the bright white letters and the illuminated empty room make up the sculpture diesen kritischen Raum schafft Portikus Veranstaltungen von uns gezeigt und da ist ja auch dann die Kopie

das es spielt mir nicht so eine Rolle im Moment weil es eigentlich das natürlich Pictures two people on one scooter high on beer at Rosa-Luxemburg Square and the three upcoming events scheduled to take place there in the next months are also going to provide a time frame. For the inauguration on 26 April 2007 the sculpture is going to be presented publicly for the first time. das ist alles drin beziehungsweise ein Auszug aus dem Oskar Buch in englisch erschienen als im Detail gibt es eben diese Unterschiede die finde ich auch ganz wichtig aber A bar can’t be both things at the same time. Or could you young lady be a woman and a crocodile at the same time? Oh my, asking me embarassing questions like that! I’ll have have to think about that. List all the items in this bar! I see a glass, bottles, roses and the windows to my right, a door that is in front of me and behind you at the same time. There you go, so something can be in two places at the same time, continue go on. A barkeeper. Which das ist drin ja Frieze Art Yearbook zweitausendvier es gab dann noch mal eine Publikation barkeeper? Standing before me, that’s you, the barkeeper. Oh yes, that’s right I didn’t see myself, go on continue listing things! Very well, an ash tray, cups, saucers, a coffee machine, three taps, a cigarette, a striped skirt. And then, and then a floor below the foot, a workman and me. What an accumulation of unintelligible words, why don’t you do something with them. But what do you want me to do? Barman or Paul. Young lady, what is it you do with words? Is it really necessary? Oh yes, of that I am utterly convinced. Oh well, if you insist I will make sentences, but reluctantly. And why is it you don’t want to make sentences? Because sentences are unnecessary and empty forms of speech, that’s what it says in the encyclopedia. But it also says in the encyclopedia that sentences are a conglomeration of words, that make sense. I do not agree with this definition at all. Why? Why don’t you agree with this Verdoppelung und was dazwischen oder nicht dazwischen und was Verdoppelung 20 Strasse 16 in der Weydinger Strasse Die Oskar-von-Miller wurde und auch entstand die Serie „Filmed Films“, als Genre angeboten unter dem bezeichnenden Riedel und Loesch Filmen einzuladen. Daraus gingen Experimentalfilme abfilmen, um dann zu den gefilmten Des weiteren ein Desaster. 16 an und batenEs war Strasse sie um einen Song. sie aus der Oskar-von-Miller besorgt und riefen Riedel und Loesch hatten sich ihre Telefonnummern Bruno Brunett und andere mehr. Hans Weigand, Pettibon, Raymond Bourgoin, Mandla Reuter, Heimo Zobernig, Roberto Veronique Meese, Cook, Jonathan West, Ohrt, Peter Heiner Blum, Bärbel Grässlin, Franz Leo König, Kasper König, Diedrich Rhoades, Diederichsen, Jason 16 wiederherzustellen. Natürlich mit Musik. Für „Lola Montez (Club)” organisierten der Oskar-von-Miller-Strasse später den Clubabend im leeren Raum sie als Telephone-Djs Tage mitnahmen, um damit einige drei Dinge „Clubed Clubs“, die darin bestand, dass sie aus einem Club zwei Sie initiierten der Jim Eiserman-Ausstellung und Konzerten im Portikus wiederholt. Mit den Resten gemacht: realisierten Performances Strasse. Clubs, die Veranstaltungsreihe in den Ohren, sprachen sie die Originallesung nach. Lesung öffentlich: Dasselbe haben erfand dazu, übersprang Zeilen und produzierte sie die Jim Eiserman-Ausstellung sie mit Ausstellungen, am Main wiederholten sie die aufgezeichnete Kopfhörer in der Oskar-von-Miller 16 in Frankfurt an einem Tisch Strasse dem Publikum. Riedel und Loesch sitzend, haben im Buch dann Wort sein Sprechen sich für Wort überschrieben. aufgenommen, abgeschrieben vor und den Originaltext In der Oskar-von-Miller Er trug aus seinem Buch vor, Riedel fuhren also zur Lesung des Popliteraten. Dennis Loesch und Michael S. Auf Erwartung so dass man in ewiger Filme zusammensetzte, und Nachfreude fand ortsspezifisch und Abspann gefilmter konnte. 16 engagierte verharren Strasse dem Gebiet der Performance Filmed Films“ produziert, auf Schauspieler „Gilbert der Oskar-von-Miller (Gert statt:im Auftrag der sich aus Vor- für das sie und ihre Freunde zwei ihrer Ausstellungseröffnung (Performance)” & George im benachbarten während & Georg) doubelten das englische u.a. der Who, Künstlerpaar „Trailer als Band posierten: der Bühne unbeweglich In diesem Zusammenhang wurde der legendäre Later Und es gab das Live-Konzert, Building Up Their Supermod Portikus. „Legendary look at Image. der Band When The Who Were Titel „How you it” lief. (Konzert)”. Orgasm 4. Auftritt 1–50 als Sonderedition mit 5 Plakaten (Siebdruck). Basierend auf 500, nummeriert, Nr. Auflage: der falschen in dt. Sprache, davon Boppard, Eintausendsechshundertachtundvierzig Telefonbuch), Blackbox, Mark Coverdesign, Riedel (Anekdotenkonferenz, Eins, Tiere der Theorie), Michael S. Replikanten, Daniel Baumann (Nachzeichnen), Roberto von Ohrt (Wiederholungstäter, ca. 90 leer), broschiert, 16 wie ein Raumschiff Strasse Texte durchgeführt durchdacht, (davon präzise wurde multipliziert, und die Oskar-von-Miller zahlreiche klar angelegt, konsequent s/w-Abb., verlor wie in einem Loop die Orientierung sah. Alles war STRASSE 16, 24 cm x 17 cm, 660 S. und immer hart sich so dass man zeitweise vorbeiziehen bekanntlich sie ja auch Katalog des Absurden, wo Ankündigung: „OSKAR-VON-MILLER die schönstenöffnen. war) die Verdoppelung (was Räume übersetzt an der Grenze mit folgender Somit wurde der Anlass des Anlasses selbst zum Anlass, und veröffentlicht. erschien 2003, bereits nach drei Jahren, der grosse wiederholend. Retrospektive Natürlich vorausgreifend Die Anlässe wurden fotografiert, diese also retrospektiv nahm ihn in Anspruch. ein Lebensgefühl füllte sichtrotzdem: und Stammeln wurde Wort der Raum für Wort der Dokument definition? Because sentences cannot be meaningless and meaningful at the same time. Now you’re complicating everything. If you refuse to make sentences I won’t be able to understand you and therefore to serve you another drink.All right then barman or Paul, I’ll give it a try. The glass is not in my wine. The barman is in the pocket of the jacket of the pencil. The bar kicks the young woman with ist foot. The floor is squashed under the cigarette’s weight (Department of Photographs, The Metropolitan Museum of Art http://www.metmuseum.org/toah/hd/pcgn/hd_pcgn.htm) leuchtenden Einheit die Skulptur am Rosa- Buchstaben, zusammen. Die hell weiß sowie der leuchtend bilden als vergleichbare ( SK N E ST SSE ) und setzt sichLeuchtbuchstaben leere Raum Bestecke’ aus den gefundenen der Wörter STRASSE 16 ist lückenhaft und ‘Bestecke Geschenke’ Der Schriftzug 20 bezeichnen. OSKAR-VON-MILLER ‘Geschenke Str. Leuchtbuchstaben,Ladenlokal in der Weydinger die ein dazugehöriges von 20). Die Skulptur besteht in Form Str. 16 (Weydinger Strasse Riedel und Dennis Loesch die Oskar-von-Miller Michael zur Realisierung einer Skulptur im öffentlichen präsentieren S. am Rosa-Luxemburg-Platz Raum Monaten auch Dimension erhält. Zur Eröffnung in den folgenden eine zeitliche am 26. April 2007 präsentiert sich die mit drei Veranstaltungen die gewünschte Skulptur zum ersten e.V. Luxemburg-Platz, mal öffentlich. am Rosa-Luxemburg-Platz und Kultur Kunst von zur Förderung Verein 20 in Berlin. vom Strasse Eingeladen am Main befindet sich 16 in Frankfurt seit Neuestem in der Weydinger Strasse Die Oskar-von-Miller oder Paul, Also gut Barkeeper einschenken. kann ich und Ihnen auch machen Sie auch nichts wollen, nicht Sätze mehr zum Trinken verstehen Sie keine machen Sie alles kompliziert. Jetzt machen Wörter Wenn sein können. Untertassen, ein Arbeiter und ich. unverständliche Sie häufen Und dann, und dann ein Fussboden unter dem Fuss, auf, ein Rock mit Streifen. nicht sinnlos und sinnvoll gleichzeitig eine Kaffeemaschine, drei Hahnen, eine Zigarette, Sätze Tassen, Weil Ach auf! ja, stimmt, ich sah mich zählen Sie weiter Wörtern selber nicht, sind Sie mit dieser Definition nicht los, einverstanden? Warum von Zusammenstellungen Warum? geschrieben, dass die Sätze Nun gut, ein Aschenbecher, Mit dieser Definition bin ich Sinn ergeben. überhaupt nicht sind, welche einverstanden. Aber es steht auch im Lexikon der Barkeeper. mir stehend, das sind Sie, und leeres Sprechen unnötiges sind, so steht es im Lexikon. die Sätze machen? Vor Weil Barkeeper? Sätze aber nur ungern. Sie keine Sie insistieren, dann mache Welcher Und warum ich macht wollen Nun, wenn halt Sätze, man mit Wörtern? was Dame, Junge (Marc Ist es wirklich und der Barkeeper soll ich oder Paul. denn machen? nötig? Aber ja, dessen bin ichsicher. Barkeeper mir ganz Ein Barkeeper. der Arbeiter (Rémo Forlani) damit. Was Sie doch du hast, er hat,sie haben, wir nicht los. was sie haben, haben.“ was was Marianne Faithfull, du bist. Ich habe, wir sind, sie was sie sind, er ist nicht, an, ich was bin, was Orten er zündet seinen Wasserhahnen verschiedenen ein Ding kann also an zwei mir ist und hinter Ihnen sich sein, machen befindet. Da haben gleichzeitig Sie weiter, wir’s, vor Sie peinlichedie sowohl sein? Na, fragen Sachen! Ich in dieser Bar auf! auf muss mir das Überlegen. Zählen Sie alle Gegenstände und ein Krokodil mit Whisky, füllt eine Zigarette der Barkeeper und die Fenster Rosen, Flaschen, eine Frau Ich gleichzeitig sehe ein Glas, eine Tür, etwa meiner Rechten, Dame, junge Sie, „Eine Bar kann nicht beides sein. Können gleichzeitig sich durch das Fenster, Die Türen werfen französische. ein amerikanisches und zwei hat nur drei Fenster: an. Aber das Lexikon Das Café füllt sich mit Vodka hat drei Stäbe. ichDas Telefon Der Fussboden erdrückt Die Tische öffne befinden sich Dame, auf der jungen Dame Fusstritte. sichsie und die Türe setzt gibt der jungen unter der Zigarette. auf schaut in die Augen Das Fenster den Gläsern. ist an der Lampe. Der Tresen den Hocker. Die Decke des Bleistifts. der Jacke ist in der Tasche Der Barkeeper Das Glas ist nicht in meinem Wein. es versuchen. ich werde Dudicourt) Godards Made The tables are on the glasses. The ceiling is on the lamp. The window looks the young woman in the eyes, I open it and the door sits down on the bar stool. The telephone has three poles. The café fills with vodka. But the encyclopedia only has three windows: an American and two French ones. The doors throw themselves through the window, the barkeeper fills a cigarette with whisky, he lights his taps, I am what they are, he is not what we are, they are what you are. I have what you have, he has what they have, they have what we have not.“ Marianne Faithfull, the workman (Rémo Forlani) and the barkeeper (Marc Dudicourt) conversing in Jean-Luc Godard’s Made in USA (1966). it began with all scooters and motorbikes and everything with that two of us sat down on high on beer that it was thorny so I had © Riedel, Dennis Loesch. Berlin, 2007. 16 – Michael Strasse S. Oskar-von-Miller OvMS16 Weydinger Str.indd 1 10.04.2007 14:07:31 Uhr 184 185 Postering „nun nach seiner Umwelt und seine waren sie einen * An dieser Stelle stürzt Powerpoint ab, was zugleich das automatische Schreiben von iListen beendet: ja wir können die Maskerade nicht vermeiden nur durchschauen * Kunste zur Text statt Texte zur Kunst Kunste Text statt Texte zur Kunst der Künstler als Direktor auch wenn wir sagen können dass es sich um den unzuverlässigen Erzähler handelt die Maskerade nicht vermeiden sondern nur durchschauen einwandfrei Kunste zur Text statt Texte zur Kunst der ist gut ja Kunste zur Text statt Texte zur Kunst der Künstler als oder als Layout gedacht impliziert Kunst auch die Auslegung von Kunst in Form eines Berichts einer Reportage mit der Sendung des Nachrichtens wird der Blick auf gelenkt in größeren Zusammenhängen denen Kunst stattfindet die sich daraus ergebende Arbeitsweise im Papierhaus ist die einer redaktionellen Arbeit eine Konferenz von Redakteuren die verschiedenen Informationsebenen auf reduziert eine Hintergrundebene die der Drucksache Voraussetzung ist der Herausgeber der den Bereich zwischen Kunst und Publikum erkennt aber eben nicht autorisiert sondern der Kunst die Selbstaulage Selbstaussage überlässt Kunste zur Text statt Texte zur Kunst impliziert die Kunst auch Auslegung von Kunst impliziert die neu als Layout gedacht impliziert die Auslegung nein der Bereich Kunstvermittlung oder allgemein Kunstverwaltung wird damit die Autorität entzogen die sich fortan Kunst aneignet indem sie Titelseiten selbst schreibt das heißt die Beschriftung mit ausstellt als Layout gedacht impliziert Kunst auch Auslegung von Kunst den kannst du mal aufsagen ja den Bereich als Kunst oder nur den Bereich sag das noch mal aneignet indem sie die Titelseiten selbst schreibt das heißt die Beschriftung mit ausstellt diese Aktivitäten blind sich bleiben gewöhnlich selbst gegenüber und in eben diesem blinden Taumel blockieren sie die Sicht auf die Kunst und dem ihr eigenen Anliegen das Übersetzen von Welt und diese Blockade entgeht dem Betrachter natürlich nicht sie lässt sich auch nicht einfach weg denken als künstlerischer Leiter denke ich den Frankfurter Kunstverein als ein Papierhaus eine Zeitschrift eine Zeitung ein Buch ein Katalog Poster ein Flugblatt eine Postkarte und den sich daraus ergebenden Möglichkeiten der Präsentation dem Bereich der Kunstvermittlung oder allgemein der Kunstverwaltung wird damit die Autorität entzogen die sich fortan die Kunst kannst du das nochmals lesen diese Aktivitäten bleiben gewöhnlich blind sich selbst gegenüber und in eben diesem blinden Taumel blockieren sie die Sicht auf Kunst und dem ihr eigenen Anliegen das Übersetzen von Welt und diese Blockade entgeht dem Betrachter natürlich nicht sie lässt sich auch einfach weg denken Plastiktüte Plastiktüte Fotogalerie Fotogalerie Aktien zeichnen zeichnen Aktien Akt Aktien zeichnen Malereibedarf Skulpturenpark Malerei Anzeigengestaltung Anzeigengestaltung Sponsorenperformance Sponsoren Ausstellungskonzept Ausstellungskonzept von vorne da hat man ja manchmal diese Erfahrung dass ein Buch liest und eine Kritik eines Buches dann s chreibt der Kritiker das er den Eindruck die hm Welt in Frage zu stellen ist Kommunikation zwischen Autor und Leser wird hier verdoppelt in eine explizite implizite Botschaft die doppelte Kommunikation entsteht mit der Existenz eines so genannten impliziten Autors eines versteckt transportierten Autors der weder mit dem Erzähler noch Autor identisch ist sondern eine Zwischenposition einnimmt er vermittelt das eigentlich Gemeinte am Erzähler vorbei an den Leser und die auszuwechseln die Rollen Aktualität des gilt dass die Theaters normalerweise Aussage des Erzählers Priorität vor der Aussage einer Figur hat wenn sich die Erzähler müssen bei einem unzuverlässigen steht glaubt der Leser in Regel dem Erzähler und nicht Figur hingegen Don Quijote behauptet er sehe Riesen der Erzähler zuvor aber erläutert hat dass vor Windmühlen wenn beispielsweise Aussagen widersprechen Aussagen über die erzählte Weltüber die erzählte der Erzähleraussagen Form der Narration in die Zuverlässigkeit Erzählen ist eine spezielle in gewisser Hinsicht als falsch gelten machen wir weiter unzuverlässiges das heißt also die Rollen auszuwechseln der Künstler ist befreit zu sein hm that personal detour may lead us back to the core of our problem those issues c das Rauschen der Sprachen die gesprochen wird und tatsächlich alles ist Text geworden in einer Gesellschaft die Information als wesentlich verstanden haben will das damit zusammenhängende Verständnis von Natur ist das einer Distanziertheit zu sich selbst der Künstler befreit sein und insofern Kunst stattfindet es Rauschen Sprachen besprochen wird genau ohne TransparenzOberfläche wo die Dinge um Ecke stehen durch gefärbtes Glas ohne Transparenz oder sie so stellen dass sich t Warnung größer wird uns leben zu einem was sie werde sich um unsere Gerichte in unserem Haus ihnen neue 2007 elf auf unser Siemens erstmals ein Mann und weil es Ihnen für diesen Namen Waren haben uns bei meist nur um ihn gar den seit dem er sich 100003141 war ein Jahr zu Nationen Forderung nach Umsetzung in einem wahren zeitgenössische Kunst Künstlerinnen und Münster Burma in „nun nach seiner Umwelt und seine waren sie einen * An dieser Stelle stürzt Powerpoint ab, was zugleich das automatische Schreiben von iListen beendet: ja wir können die Maskerade nicht vermeiden nur durchschauen * Kunste zur Text statt Texte zur Kunst Kunste Text statt Texte zur Kunst der Künstler als Direktor auch wenn wir sagen können dass es sich um den unzuverlässigen Erzähler handelt die Maskerade nicht vermeiden sondern nur durchschauen einwandfrei Kunste zur Text statt Texte zur Kunst der ist gut ja Kunste zur Text statt Texte zur Kunst der Künstler als oder als Layout gedacht impliziert Kunst auch die Auslegung von Kunst in Form eines Berichts einer Reportage mit der Sendung des Nachrichtens wird der Blick auf größeren Zusammenhängen gelenkt in denen Kunst stattfindet die sich daraus ergebende Arbeitsweise im Papierhaus ist die einer redaktionellen Arbeit eine Konferenz von Informationsebenen auf reduziert Redakteuren die verschiedenen eine Hintergrundebene der Drucksache Voraussetzung ist der Herausgeber der den Bereich zwischen Kunst und Publikum erkennt aber eben nicht autorisiert sondern der Kunst die Selbstaulage Selbstaussage überlässt Kunste zur Text statt Texte zur Kunst impliziert die Kunst auch Auslegung von Kunst impliziert die neu als Layout gedacht impliziert die Auslegung nein der Bereich Kunstvermittlung oder allgemein Kunstverwaltung wird damit die Autorität entzogen die sich fortan Kunst aneignet indem sie Titelseiten selbst schreibt das heißt die Beschriftung mit ausstellt als Layout gedacht impliziert Kunst auch Auslegung von Kunst den kannst du mal aufsagen ja den Bereich als Kunst oder nur den Bereich sag das noch mal aneignet indem sie die Titelseiten selbst schreibt das heißt die Beschriftung mit ausstellt diese blinden diesem in eben und sich selbst gegenüber blind gewöhnlich Aktivitäten bleiben TaumelKunst und dem ihr eigenen sie die Sicht auf blockieren damit die wird der Kunstverwaltung allgemein oder der Kunstvermittlung dem Bereich der Präsentation Möglichkeiten ergebenden den sich daraus Postkarte und Flugblatt eine von Weltein Poster das Übersetzen Katalog Anliegen Buch ein Zeitung ein Zeitschrift eine eine Papierhaus als ein ich den Frankfurter Kunstverein Leiter denke als künstlerischer denken weg nicht einfach nicht sie lässt sich auch entgeht dem Betrachter natürlich Blockade diese und Kunst sich fortan die die Autorität entzogen kannst du das nochmals lesen diese Aktivitäten bleiben gewöhnlich blind sich selbst gegenüber und in eben diesem blinden Taumel blockieren sie die Sicht auf Kunst und dem ihr eigenen Anliegen das Übersetzen von Welt und diese Blockade entgeht dem Betrachter natürlich nicht sie lässt sich auch einfach weg denken Plastiktüte Plastiktüte Fotogalerie Fotogalerie Aktien zeichnen zeichnen Aktien Akt Aktien zeichnen Malereibedarf Skulpturenpark Malerei Anzeigengestaltung Anzeigengestaltung Sponsorenperformance Sponsoren Ausstellungskonzept Ausstellungskonzept von vorne weitere Beispiele bietet die Romantik mit ihrer Technik des Verdoppelns Spiegel Maske Zwillinge Doppelgänger Namentausch mit der Verwendung von Unglaubwürdigkeiten in Zentralpositionen zwingt sie den Beobachter zur Einsicht dass das was dargestellt ist nicht gemeint und dies keine Beiläufigkeit Verlegenheitsüberbrückung und auch kein Fehler sondern ist gewollt als Darstellung der Beobachtung zweiter Ordnung Ausstellungskonzept Sponsorenperformance Anzeigengestaltung Skulpturenpark Malereibedarf Aktien zeichnen Fotogalerie Plastiktüte da hat man ja manchmal diese Erfahrung dass ein Buch liest und eine Kritik eines Buches dann s chreibt der Kritiker das er den Eindruck die hm Welt in Frage zu stellen ist Kommunikation zwischen Autor und Leser wird hier verdoppelt in eine explizite implizite Botschaft die doppelte Kommunikation entsteht mit der Existenz eines so genannten impliziten Autors eines versteckt transportierten Autors der weder mit dem Erzähler noch Autor identisch ist sondern eine Zwischenposition einnimmt er vermittelt das eigentlich Gemeinte am Erzähler vorbei an den Leser und die auszuwechseln die Rollen Aktualität des gilt dass die Theaters normalerweise Aussage des Erzählers Priorität vor der Aussage einer Figur hat wenn sich die Erzähler steht müssen bei einem unzuverlässigen Don Quijote behauptet er sehe Riesen der Erzähler zuvor aber erläutert hat dass vor Windmühlen glaubt Leser in Regel dem und nicht weitere Beispiele bietet die Romantik mit ihrer Technik des Verdoppelns Spiegel Maske Zwillinge Doppelgänger Namentausch mit der Verwendung von Unglaubwürdigkeiten in Zentralpositionen zwingt sie den Beobachter zur Einsicht dass das was dargestellt ist nicht gemeint und dies keine Beiläufigkeit Verlegenheitsüberbrückung und auch kein Fehler sondern ist gewollt als Darstellung der Beobachtung zweiter Ordnung Ausstellungskonzept Sponsorenperformance Anzeigengestaltung Skulpturenpark Malereibedarf Aktien zeichnen Fotogalerie Plastiktüte Warnung größer wird uns leben zu einem was sie werde sich um unsere Gerichte in unserem Haus ihnen neue 2007 elf auf unser Siemens erstmals ein Mann und weil es Ihnen für diesen Namen Waren haben uns bei meist nur um ihn gar den seit dem er sich 100003141 war ein Jahr zu Nationen Forderung nach Umsetzung in einem wahren zeitgenössische Kunst Künstlerinnen und Münster Burma in waren wie sonst noch Fragen und sein älterer für wurde nach seinem Vorhaben waren uns nie um ihn haben die gar nicht einen auch für seine Seele lange zusehen bereits beim sowie sie zu überholen was immer mehr vor uns um den Gesichtspunkten ich wähle gerade bezahlten was will wie bei denen die Leitzinsen beste er ist nur Jahren als Phänomen in selbst daran arbeiten gemeinsam mit eine Zeit nach acht großen Währungen halte es für sich Sie nun Uniform war zwar gewöhnlich warum diesem Sinne haben auch zeitgemäße und ebenso wenn sie mich leiten sein wird trotz Rußlands sei religiöse künftig noch zum Jahr langem groß lassen vielmehr daher sind arbeitsfähigen Wende waren wie sonst noch Fragen und sein älterer für wurde nach seinem Vorhaben waren uns nie um ihn haben die gar nicht einen auch für seine Seele lange zusehen bereits beim sowie sie zu überholen was immer mehr … vor uns um den Gesichtspunkten ich wähle gerade bezahlten was will wie bei denen die Leitzinsen beste er ist nur Jahren als Phänomen in selbst daran arbeiten gemeinsam mit eine Zeit nach acht großen Währungen halte es für sich Sie nun Uniform war zwar gewöhnlich warum diesem Sinne haben auch zeitgemäße und ebenso wenn sie mich leiten sein wird trotz Rußlands sei religiöse künftig noch zum Jahr langem groß lassen vielmehr daher sind arbeitsfähigen Wende und senden Sie verlieren haben ihre Lage, sogar eine Rolle in Sicht weil ich sehe das Mitleid mit letzten zehn Jahren als dem sie gegen dieses John aus Konsum den und senden Sie verlieren haben ihre Lage, sogar eine Rolle in Sicht weil ich sehe das Mitleid mit letzten zehn Jahren als dem sie gegen dieses John aus Konsum den efärbtes Glas oder sie im fremden Licht anschauen ihnen eine Oberfläche geben welche keine volle rossing the borders and blurring distribution of roles come up with actuality theatre c ontemporary art where all artistic competences step out their own field exchange places powers others es geht auch immer darum jemanden als Beobachter zu beobachten also etwa den Künstler jemand der sein W haben sich seit jeher für die Präsentation künstlerischer Positionen stark gemacht lange bevor sie internationales Renomée erla ngten daher sind auch experimentelle Formen der Kunstvermittlung inhaltlich wie praktisch in Kunstvereinen richtig verortet Ausschnitt sehen Ausschnitt sehen Armen wird auch um eine offene, welche sie, wenn sie vielen Kunst als Fahrer eines einen Lebensraum zu sehen man selbst und Monarchie im Abkommen zur zuzulassen und nehmen Bundesländern wo aus Hälfte als in den Währungen der bei uns nach dem neuesten wäre es ist ja 2007 an großen nächsten Mal einen Berlin eine Gleichbehandlung aller Welt Stellenwert eingeräumt wird, so ließen sich die ersten Semester eines anderen aus der Arbeitsgemeinschaft Bemühungen um eine zu üben will er in den ersten sie nach seiner geringen Sicherung von ihnen haben einen Hauch Armen auf eine Welt. Doch eine Armen wird auch um eine offene, welche sie, wenn sie vielen Kunst als Fahrer eines einen Lebensraum zu sehen man selbst und Monarchie im Abkommen zur zuzulassen und nehmen Bundesländern wo aus Hälfte als in den Währungen der bei uns nach dem neuesten wäre es ist ja 2007 an großen nächsten Mal einen Berlin eine Gleichbehandlung aller Welt Stellenwert eingeräumt wird, so ließen sich die ersten Semester eines anderen aus der Arbeitsgemeinschaft Bemühungen um eine zu üben will er in den ersten sie nach seiner geringen Sicherung von ihnen haben einen Hauch Armen auf eine Welt. Doch eine Daniel Daniel Baumann am 09. Oktober 2008 im FKV gehalten und darin eine Neuausrichtung der Institution Kunstverein formuliert hat. Baumann am 09. Oktober 2008 im FKV gehalten und darin eine Neuausrichtung der Institution Kunstverein formuliert hat. Autor oder der Erzähler keiner seiner Figuren liebt gerne hat und das uns dann sozusagen auch zu Überlegung geführ t eines unzuverlässigen nicht die V Autor oder der Erzähler keiner seiner Figuren liebt gerne hat und das uns dann sozusagen auch zu Überlegung geführ t eines unzuverlässigen nicht die V Arbeitsgemeinschaft Deutscher Kunstvereine zur Verfügung gestellt wird Arbeitsgemeinschaft Deutscher Kunstvereine zur Verfügung gestellt wird Transparenz hat Transparenz hat thorns all over my which on the way to the party I had to pull out in overly tight trousers but not a whole beer that really hurt that was difficult haven’t bought a beer for yourself Mainzer Landstr. 1o5 that was bad splayed legs yeah erk beobachtet beziehungsweise hat erk beobachtet beziehungsweise hat and this here because it our trousers were making creaking noises ah right 6o329 Frankfurt a. M. a scooter became a scooter mine would have ripped hang on who could this be I don’t think this one actually belongs in there because that was a table scooter that was I’m guessing Roman in Frankfurt and then it that’s another anecdote from Berlin yes hello you’re right that was later right yeah hello this is Christoph Blum who am I speaking to please we’re sitting like that on bicycles there what’s going on there who’s Christoph Blum I think that’s from when we had a bell ringing concert that was after the first scooter that involved a difficult ah Christoph Blum PLZ und Wohnort> in Berlin zu beschreiten neuen Linie gesucht werden sollen einmal aus zwei, wie die sich ihnen nicht an Energie gewähren wir haben haben, habe ihn allerdings war, war er um Gespräche und auch nicht als ebenso wie Jahren in den übernehmen Gegenwert Aussicht sondern weil sie kleine was man 1987 soll er müßte sich jemals ehemalige PLZ und Wohnort> in Berlin zu beschreiten neuen Linie gesucht werden sollen einmal aus zwei, wie die sich ihnen nicht an Energie gewähren wir haben haben, habe ihn allerdings war, war er um Gespräche und auch nicht als ebenso wie Jahren in den übernehmen Gegenwert Aussicht sondern weil sie kleine was man 1987 soll er müßte sich jemals ehemalige that was a scooter over the wall we’ve got his number Oskar-von-Miller Strasse 16 there we’re earning a bit of extra cash situation with Jantos’ mobile Christoph Jantos’ the guy from oh okay I’ll hand you over okay I’ve been waiting for this one to finally come up Berlin who it somehow ended up on the floor and everyone was ask him straight away if he knows something orstellung eines unzuverlässigen Erzählers und das wäre dann die Rolle Kurators oder unzuverlässige n Künstlers ich glaube interessiert uns orstellung eines unzuverlässigen Erzählers und das wäre dann die Rolle Kurators oder unzuverlässige n Künstlers ich glaube interessiert uns utility boxes were turned into scooters challenged to step on it like what’s the big deal what’s going hi Christoph this one doesn’t belong in there either but on here of course we can step on it and then I stooped to the hi Michael just one little thing Usch just called me because she Roman challenge and stepped on it and then can’t get a hold of you she she’s in Paris and she’s asking you to brilliant you took pity please look after the cat nice one it was sort of destroyed and Jantos himself in his rage hurled it no here over the fence until it occurred to him that it might still be working she’s coming back on Sunday is there a sip left no and climbed over the fence and even managed to find it but it ah okay there’s still some wasn’t working properly anymore the cat’s dead already just a sip yeah do you know the deal with things or motorbike converted into a scooter that was quite a drama afterwards ‘cos it was so expensive cat food there motorbikes as scooters again and that woman with her crate do you have any cigarettes yeah that’s probably in one of the drawers or something just so oh yeah that was a tricky situation yeah you know because we just had to sit on that crate so I think that was Berlin by and large now the Zosch Club roughly don’t worry we’ll find it she was a poor old lady who was pulling newspapers across the amazing okay street in some sort of crate at like five o’clock in the morning and unfortunately I haven’t really heard from Jantos since then we’re okay we wanted to sit on it and she got scared and still in touch but so she’ll be back on Sunday I think that thing wouldn’t have supported us anyway that was I saw him great thank you listen do you remember any kind of anecdote Freitag o7.o1.2o11 some sort of handcart in Munich about us here about the Oskar-von-Miller Strasse events yeah yeah Nelly was there as well Christmas Eve at the Atomic Café an anecdote yeah that was difficult that could’ve turned into a fight but did they say anything anything you can think of off the top of your head 19.oo Uhr eventually she ran away about the mobile they didn’t say anything I once met a girl there without her cart or what no not about the mobile but I kind of tried to call him about ten glad to hear that no with the cart times and never got an answer a bit more detail please with the cart no he didn’t say anything did it turn into anything then another bike I haven’t drank beer since then by the way did it turn into anything or oh I think that was at the spot where the mobile phone broke not yes that was the sharpest scooter here this one was the that’s not true yeah that was inside the Alt Berlin really yeah Alt Berlin maybe a little bit but do you still know her we sat on the table splay-legged I have photos I’m not sure whether that’s really I mean it’s also my home so it’s Oskar-von-MillerOskar-von-Miller Str. Str. 16 16 WeydingerWeydinger Str. Str. 2o 2o © Michael Riedel, 2010 Michael check out how you’re sitting there had a sip of someone else’s maybe also sort of a little bit but that was at one of your events after a 186 187 Postering Postering

Portikus opening beer beer beer beer ah okay beer beer beer you don’t remember which one it was well okay I’ll what do you mean which which opening it was just give us a shout yeah I should be home soon anyway I’ll be back round nine or ten it wasn’t very long ago maybe I can drop by then what girl no problem Simon Starling yeah no the one after that the French guy’s see you then ah okay the African guy’s later bye right bye ask him who the girl is that was cool Dennis wants to know who the girl is what was cool I won’t say but he should actually no problem what I had something important from Berlin but of course it’s also not I think he knows as well really anything we’ll just have to see probably we tried as much yeah yeah as possible there to he just wants to have it documented that already happened at Portikus didn’t it say the name that already happened at Portikus … and they also told us that we anecdotes are you going to be there for a while still a classic had to be there early because yeah as usual we were trying to pretend as if maybe I’ll think of something else what as if what the unwritten rule was because right if you think of something else just call us back alright as drug faces well there’s actually tons of things but if that’s really high as a kite there’s those two spots that everything everything is who’d had the most drugs you want to include everything you you’re allowed to paint on on yeah I know who Saturdays okay Hank we’ve already had beer as an important topic it was you one of them advised us to be it’s all text yeah Jakob there at six Jakob at the latest Jakob Jakob Zoche ate three kilos of Valium because first to come first to and that one has definitely has had a few more paint he was completely gone that’s where the saying was born but Andre at that time was good us three on level B of the Hauptwache so you’re grinding your teeth trying deranged transformed right that’s extreme speed yeah exactly he’s opening his eyes the widest that’s the story Niklas judging from the area around his eyes I would always do it like this first to come first to paint … then where are the ones from Portikus are these all the photos yeah but we also have slides (p. 227) but these are all the photos almost all some of them I didn’t use there are no more boxes left up there yeah yeah there are well put in the slides then so what about the photos then are we done here or what was the reason you went to Berlin by the way the Zosch Club ah yeah right although in and the result was beer beer in the book there’s there are some nice examples illustrating how we reconstructed it here because we gradually came up with the idea through this transport design idea that we would just set up the things inside this space or just arrange them in the same way that you would transport them in a car yeah there’s a video sequence of how we’re putting the things into the car 188 189

right and had already started tracing with tape everything with any kind and if not you can always get me on my mobile aha and a video sequence of us bringing the things into the room of shape and he has that that hasn’t changed has it we were reenacting various throwing situations and then we just left them in a pile in here Hans should call back now no that hasn’t changed with real throwing or without with real throwing yeah and from that pile the transport design so to speak the party right Hans was holding the video camera okay well okay good so then with throwing design arose from it later because the guests just set things up there he is and that’s that not really themselves that night well the beer benches and there he is yeah exactly without with throwing one club they I think it was the Zosch where the where the yeah there are the streamers bye without with throwing the beer benches were in a pile and at the end there were neatly shall I call again shall I call Gabi okay bye without with without throwing arranged beer tables and benches don’t you have his mobile number with this photo I need the whole photo otherwise you can’t see it with without throwing right yeah that’s you made that Roberto that poster without throwing was the foosball table still here then streamers and table fireworks in the background what poster now that one there just like this no no because that was in Wiesbaden and here we’re backstage at the Podewil right so throwing but not really throwing Beatbox Wiesbaden right that’s backstage Oliver Drescher that’s the one where the text but so where did we get clubs from then from Wiesbaden and here ah right what was that again In Girum wasn’t it not an actual riot or anything Mainz he looks like you with that wig now yeah you also incorporated that into the exhibition later with the just for the camera actually we have more clubs in our portfolio than we’ve shown not exactly no what with the In Girum poster for the event here in Frankfurt and it heaven forbid here almost was also part of the exhibition in Karlsruhe it did look like we were actually throwing them though yeah you’re right there you can see the blotters you can see the LSD in the bag from the archive sort of the last photos the slides should be coming up now we have Vienna right that was an impressive amount actually I have a slide on that for later like you could actually throw Munich way too much oh and that’s the that’s the poster for the reading just not throwing them very far Munich oodles right for the not far no one got hurt but still sort of it was sort of real but Unkel there were probably more than fifty blotters at at at at the Podewil there wasn’t any rioting in the sense Unkel Frankfurt itself I was surprised too that no one caught on that it was actually all yeah just reenacted Berlin fake at the Podewil exactly yeah we used I used that again and didn’t that something would’ve got destroyed although Offenbach Jokel I also use the the we can’t be sure either Berlin Berlin Jokel Dittmann you sent me the original and I printed it on silver paper for you yes we can Cologne Jakob right sometimes we couldn’t really see where they were flying Hamburg I also saw him when I was in Munich and didn’t I also show that that first film the first In Girum and the souvenir that we took with us is already broken Hamburg and there’s Katarina or what’s her name presentation from here later in in in in in in in in Karlsruhe the right Cologne ah yeah that’s right poster what souvenir was that I even have a tape still a sixty minute one or something something Katrin the poster as well it was a road barrier with the Up Club on it Katarina I forget what her name is just now of course Charles Bukowski the time we had the Ladies’ Room the Ladies’ Room Party that was the starting signal well we’ll have more of that later then anyway in Karlsruhe there’s Charles Bukowski here as our guest walking around with a dictaphone ah right more to say on Karlsruhe later it is and that’s when Banjo for the action I think so his son yeah yeah yeah especially with the microphone go back quickly to Charles is this do we have material on that yeah do we have material on Karlsruhe then microphone on or what she was in the loo and ripped out the microphone yeah now it’s Roberto again I still have two slides which is enough to introduce the topic yeah yeah yeah what to make things clear or just so that this finally becomes clear to there should actually be sound with that because that aspect we hadn’t had yet Gabi everyone yeah okay good idea let’s do that so the there should be a recording of Charles Bukowski’s snoring which one I’ve heard so that it all gets put down in writing yeah we were negotiating with him that he should leave and he Ladies’ Room Parties Gabi okay and here’s the the was like no it’s too early Ladies’ Room Parties I think we touched upon them yesterday but no sorry Hans isn’t back yet we can just talk about it he said he was still fit yeah but what exactly happened there what but why not light installation original Pink Floyd that was wasn’t it he he did speak German quite well at the Dirt well I have no idea that’s the light machine or lighting system or how do you say he was still in good shape feeling top notch oh yeah that’s Eminem yeah yeah light show who’s that we took material from there and so on and so forth what’s going on by Pink Floyd Lisa Lisa and Yvonne we’ve already mentioned that with the Pop Art streamers made of I don’t know he’s in town and simply hasn’t come back yet the light show good fax rolls and the and you’ve tried him on his mobile have you tried calling him on Fabrice always calls it a light show slides well the slides are pretty unorganised shall we finish the photos his mobile with those discs those glass discs that were rotating we still have one short one but you can already get started with first yeah I well I once I well I definitely couldn’t get a hold of him but with the oil inside and those pictures of comics the finish the photos of course it could very well be that he’s switched it off but as soon and here once again proudly the double one there what’s that I still have some photos as he gets back isn’t that Agath that was for an illustration for Subtropen yeah but nothing of Dirt Yesterday right okay and what didn’t you want to have a think that’s Agath right oh okay I don’t have any photos of Dirt Yesterday no about what didn’t we restage the first of May riots in Berlin after that for the Subtropen supplement of Jungle World to be precise let’s just I mean with the slides they’re all mixed up just go through an anecdote yeah Thomas Atzert them now go on then definitely naw I’m not calling him yeah I’m in Berlin at the Dirt now wait I’ve got something on that photo you’re right oh there was a birthday on May eleventh but we’ve already done that well okay so I’ll pass on your greetings shall I right and that’s when we took the souvenir which was in fact no November fifth yeah we had that’s right it’s still standing there oh okay don’t we have anything else the fourth to last no it’s gone Jakob’s birthday up till now that’s been okay it’s gone now that’s when we painted over public advertising posters with white that was the action where I arrived later because I’d been dubbing yes you do that and as soon as Hans gets back how was that how how were they recreated emulsion paint the In Girum film with Alina and Roberto and when I got there you the fourth to last there there there was not true were already partying quite hard with streamers I mean the Pop until what time can we reach you on this number with those cobblestones I mean the lettering well the slogan Art confetti and all that for a little while still a pile of cobblestones with which we which we then hurled around the text we and had started duplicating the stuff for a bit still a bit traced 190 191 Games Games

we traced the text that was already there but because of the chunky paint brush and all that resulted in a different typography oh okay I thought the text wasn’t really on the poster that it actually belonged to a different poster and that you just put it together no that was the exact text that was already on the poster Königliches Dunkel hey hey hey tu peut m’appeller tu peut m’appeller sur le portable oui ciao that’ll be difficult to transcribe I’ll manage Forward Thinking and this action resulted in a movement called Frankfurter Allgemeine what well it was about time it led to something like that was the time when the Frankfurter Allgemeine sort of came into being half half of its of its circulation editors basically to say were fired which of course does have something to do with it but not directly it’s not an allusion to the newspaper but rather the attitude is documented illustrated pretty well Calvin Klein Calvin Klein has now oui allô in his ads he also hey Jason I’ll call you I’ll call you what what’s your number Nickel two nine six give me the whole number six two six two nine six two nine one oh that’s ace okay I’ll call you Hank says yeah okay that this jacket is bullshit that was Jason no white jacket for me what are you going to write on it on Markus’ jacket jacket written on a jacket boredom on my jacket no no not on yours Markus Schultze no Markus Arndt don’t know him so what should I ask Jason Rocks what’s wrong he’s not answering what’s going on did I take the number down wrong one nine six two nine one oh cola strange he’s not answering now beer … right there are alcoholic drinks that when you set them on fire he’s not picking up now that thing looks as if you’re sitting by a that was the drinks menu here frozen over lake right and then put your hand over the glass and shake it the skin gets don’t break your finger right there’s ale in ladies sucked into the glass … (p. 466) stick it in your mouth go on stick it in there right there’s ale in ladies pull please there’s ale in ladies fuck vodka that surprises me too now vodka the K is missing I think okay no the C wow Gin Ladies on DCA C wow Gin Ladies on DCA so how do you spell cola DCA new drug there was no cola perfect right because there was no L either consisting of gin vodka oh right 192 193 Christopher Wool Christopher Wool 2001 2001 oh right so we weren’t really sure about well you did the race here didn’t why don’t you wait though until these come up that way we can oh that can’t be you the race on the play just switch over there I hadn’t slept I drove straight to to yours completely yeah yeah yeah yeah okay knackered PlayStation so that was the tour already hello yeah that’s right I won the thing I have to go to the doctor yeah that was the tour hey after I have to take Rubi Rubi Bubble to the doctor there it is already hey now right now that’s this is the second time I’ve tried yeah you can call me on my cell phone we worked with stickers for that oh really cell yes yeah did it did it ring in in like fifteen minutes maybe what it says on the stickers no no fifteen minutes yeah I think that was no okay yeah yeah should be okay that’s impossible to make out we’re in America we’re going to war you know so they’re checking but you said you win you won that was our yeah I won it was the first time I’d raced the game at the same that’s definitely the New Year’s Eve weekender already has it started already point I think the Unkel Remake of the New Year’s party and the Zosch no no no no no yeah Club and one film I think that was one monthly programme on the okay and I actually won like it was really close sticker the stickers were of course not yet I mean you you didn’t win here you can actually read it no never mind okay let me I’ll call the black square not yet it was close Club Eleven Remake New Year’s Eve Weekender those two I still so how are you no I think I won didn’t I win have on my I’m fine and you well everybody here says no yeah Happy New Year no I think I won you know but they don’t understand what memories and the address at the bottom Happy New Year yeah yes are you only remember when you lose you’re a loser the black square yeah yeah what’s cooking okay I’ll call you in fifteen minutes right so that’s basically it then what’s cooking okay great and the address where are you okay bye and there was Clubs and Films wasn’t there but that wasn’t a I’m at Oskar-von-Miller bye we didn’t have stickers for that they were different oh okay yeah okay it was the first time he’d done it simultaneously he did and for Gilbert and George we had silkscreen prints even ones yeah yeah just start talking say what you remember but he this big of what of my life he did do the Hockenheim alone we used the black square for that for the first time which eventually of this place of the place I’m at now you can speak German now developed into our logo oh did it burn down we’re in Germany yes he’d done the PlayStation many times and that was the first time it’s a green staircase right and and then the bathroom a very I like he did he simultaneously with the actual with the … I’ll repeat nine four nine four the bathroom a lot that s my favourite part so maybe he won the game internally but not against have you stayed here he started at the same moment he thinks he won six six eight eight one where yeah fine well maybe the game but not at the Oskar-von-Miller won the game but not it’s only one six oh Oskar-von-Miller oh oh the oh not the thing in your house against real time do you know what I mean only one six my my house of course you already had to after half the rounds you were out yeah what’s there but I came back in the end that’s what matters you can cross one off I hope everything’s fine I’m not there right now I’m in Frankfurt yeah and oh yeah yeah over there oh yeah yeah yeah yeah yeah no I never he said himself that he didn’t manage to do it because he was still one six can go doesn’t matter stayed there I just remember the bathroom actually yeah sitting there sweating it was also quite warm at the time and the which you’re sure that’s the same house now race on TV was already over and but he still had to concentrate to yeah see the thing through to the end okay great the bathroom again god okay okay fine well I get it I can tell him that again later that he yeah yeah yeah yeah the bathroom yeah yeah no and then the that the that this is the the opinion round here ask her if she has an anecdote the front window yeah and then and then there is a scent there is the distinction has to be between game and reality because you about Christopher Wool a kind of smell there a lot sometimes early in the morning it smells can actually win both from the night before yeah sure okay … (p. 151) oh okay in the in the space okay yeah the slides in the in the yeah okay that’s oh the flyer distribution card yeah the flyer distribution card that’s oh right in the front but you’re in the back we wanted to mark a fixed area where flyers had to be put up or no no no we’re in the front put out before every event okay it was supposed to mark a route that you just had to walk along the back is like a time machine I don’t know where that time is in and where people would sort of come across stickers and posters the back everywhere and we actually did go on one tour that we’d made yeah I have that here it’s German time yeah on that I’ve also got yeah let’s have a look inside the back is very strange what are you doing there we can lay them out simultaneously we’re collecting memories sure go on oh yeah shall we have a quick look inside 194 195 Christopher Wool Christopher Wool 2001 2001

for Portikus or is that not the Kleinmarkthalle so we used the form but with a different content so where’s the one with that bottle of bubbly right it’s that place where we went during the lunch break wrote Portikus instead of Oskar-von-Miller Strasse on it strange though for Gilbert and George right at the those short short urinals or whatever that thing’s called with the same layout and then they were everywhere those but look on the right that’s definitely Lore that’s in Berlin stickers yeah and the one before that was also in Hamburg that must’ve been after Berlin right we were always carrying them with us here you can’t really see it but we also had this phase of taping yeah well we also had stickers without any information lots of mouths shut with the yeah shortly after Berlin yeah oh only the black square with the with the words Oskar-von-Miller right Strasse shortly after Berlin beer once again played an important part here Lore I think after Berlin it could be though that that that that that that was before Berlin right that that must’ve been after Berlin and that there we learned how the beer thing worked right exactly but that’s the Lokalbahnhof judging from our attitude towards beer no no that was later so then I lied about the no more beer ever again because that was a kind of aha experience that beer makes things yeah work and there was this little notebook where we kept a strict list where yeah that was later what and how much beer was consumed after yeah on the Go there’s another mouth taped shut yeah Nadja Issar no way and where is that book who’s that yes Nadja Auermann where is the book Nadja Auermann I probably have it or maybe I have yours and here we stuck it on the other flyers that were in there I have yours I still have tons on my computer Kleinmarkthalle there we are again yeah on weren’t we there earlier weren’t we just there flowers yeah packets of flower seeds 196 197 Moving Walls Moving Walls 2001 2001

right we really expanded on the whole thing once when I was at Aldi doing my shopping on the conveyer belt someone was buying a pizza and I quickly stuck one on there on the pizza on the pizza that’s funny right and we also had that’s not one of ours in and we also collected pictures of black squares yeah at the supermarket on the Afri Cola bottles you could they fit perfectly instead of the label colour wise as well we once filled a whole pallet didn’t we let me see right that was very nice there they are yeah there’s the cola bottles and BMW has also started using squares and it only says BMW inside and at the bottom the info the address … so we went into the gallery in bright daylight and the pleasure of driving you’re done with your slides then you integrated yourselves yes regarding these I mean okay it’s all pretty much the same crawled in there underneath our boxes and then with the two walls yes and these this photo series is yeah we really walked round all that Jeppe Hein was exhibiting that would move we also walked of Frankfurt to find places or discover places where you could put them up somehow and there were several gaps that we or niches walked around how would you say that wandered about that we climbed into for example the drama school yeah there’s some pictures of that here crawled there’s pictures of that it’s really not that easy to put into words of something else though from somewhere else there crawling around yeah and that wasn’t the end of the story Michael let’s see them so what we did why were we there again Neff then wanted to see the video and offered us a meeting that we we reenacted Quadrophenia no no no we wanted and anyway then we came across these open doors where you no no no no no you were you were Jimmy we were we were also there because we said drama school that’s I think we were on one of our sticker tours and thought drama could just walk into the I was Jimmy could come by one day and then we went and turned that offer of a good place to advertise for for a Remake Zosch Club school now that we’re here let’s ask around because of Gilbert these studio stages Michael was Dave a meeting into an invitation to an exhibition that we had at Michael for Gilbert and George we wanted and George studio stages ah right and then Michael on the table we already wanted to ask right but they weren’t in use and we were like now that we’re here up on we’re so daft we Neff and for that we used the exhibition that was on at the gallery we wanted to ask around and so we were wandering around in because for that we a stage why don’t we reenact Quadrophenia now I see this there right jesus did it all wrong Jimmy jumps on there and he’s wearing the at the time was that that was the following one already the Gerhard right were looking for actors who can guess the scene sunglasses Merz one and with a modified invitation card to the Merz exhibition I think that sounds like a right lie with Dave the brawl in at this bar you’re right okay no that’s now I remember we did ask someone there as well and on the pinball machine right that’s a mistake we invited people to the video presentation of Michael Riedel and we also we wanted to borrow this this we wanted to take something he said yes on the pinball machine exactly and I think I was the bar owner out we got one phone number I remember that specifically I was I don’t remember I was no I think you were the girlfriend Achim Lengerer and Gerhard Merz … (p. 235) borrow something yeah you’re right you were Dave no you’re the guy who’s like get out stop causing trouble we wanted to take out these boats yeah Dave and you were I was the bar owner 198 199 Moving Walls 2001

a weird one but we were thirsty so we went in there we were thirsty yeah right you’re always thirsty well you could hardly say no beer wasn’t mentioned we only talked about being thirsty everyone was like ah I’m really thirsty again although that’s actually a Jodie expression round half past three at night on her last Martini I’m so thirsty at the Café Karin I think we fraudulently secured one beer right that was a scam right and the glass with the glass we borrowed the glass so that we could pretend like we hadn’t had it yet we took one from the tray that they were going to serve to someone ah yeah right and the man was like and hid our glass in someone’s pocket right really quickly and then the man said so that we wouldn’t have an extra one in front of us and I later got it as a present at the Fichtekränzi yeah yeah we got it for you go get it okay so that was that tour then right shall I call Jason now or has it not been a quarter of an hour yet it’s not been a quarter of an hour what’s this supposed to be now that was Maria Dennis and me at Copy Gigant no at Copy Power Copy Power at the station we were copying catalogues and it took hours of work

okay good the same thing but tilted how long yeah exactly the how much longer props right yeah we propped the table up with a suitcase to create the slant of a brace yourselves a hundred and ten minutes pinball machine nice god another hundred and ten minutes this one’s quite nice as well Niklas as Jimmy will you please brace yourselves now oh yes there are still a lot of photos of when we were calling Dennis again and Michael and I as postmen who hit who drive into Jimmy and and again I don’t remember why why did we urgently need to he comes off his scooter represented by a chair here speak to Dennis that’s another indicator for Berlin didn’t we also nick a beer glass from Café Karin but also the bag on the scooter on the back again yeah and now they gave it to me later the bag right we took that as a present for you from that’s crucial because I think I was ill and couldn’t go with you accurate in every detail yeah exactly but later at whatsit you’ll get your bubbly so the the the scooter definition is already quite flexible right I’ll get a glass of bubbly the postmen are brilliant was it your birthday no and there the same scene again but without people the post van no well the scooter is kind of and the post van no the post van consisting of two partitions it ended at the Fichtekränzi yeah at the Fichtekränzi scooter chair and a turned over bench I think I was there beautiful and a red we wanted you to meet we wanted to arrange to meet up with you is the tape still running somewhere I think meet up with you again a red gym mat to represent the pool of blood Beethoven also has his thing taped shut yeah and we were in the Westend as well yes exactly so why wasn’t I there that day is the tape still running in that at some pub yes yeah right exactly 200 201

of which there is one edition well the catalogue circulation was we even put the window in up there at the top exactly like it is in when you come home okay lot of personalia in the place but but it was more the hair the hair three and one of them is with Gabi in Vienna the original photo okay bye and the chairs it was like this but there was this weird attention well that’s the way it goes the desk that just barely fit through the door laters to details in order to stick to the facts now which is also kind of strange I’ll think about it to what to what three why is that strange that’s it now I’m calling Jason back it’s been fifteen minutes a strange attention to details yeah the desk did you measure it before no have you have you details important prop yeah of course yeah ages ago yeah at the details that was kind of unique I have to go into the we built a writing desk that could at the same time serve as a ah okay confirmed doctor’s office so projection screen and what else that’s why it’s not strange with Nicki and the Navigators okay and wasn’t that what determined the size as well I’m not really sure yet so let me call you right back where is it now it’s Niklas you have to pull it out at the back push the thing out yeah you call me back I call you back a beautiful sight hello push the thing out yeah okay okay there at the back hello it won’t turn back on now okay the official version being that we bought it on Ebay because it was is Jakob there yeah the lamp doesn’t bye actually the Factory desk no he’s not here hey bye the what oh okay hey bye the Factory so when are you are you still coming by today okay now I’m what was that the Factory desk yeah is it too early haircuts what yeah like anyone would sell that on Ebay ask Daniel for an anecdote naw naw yeah it’s a little bit too early for me weird it cost sixteen million euros ah yes part one that’s the picture wall but probably not for a while still okay I’ll call you back a weird with the police shots probably not for a while yeah I wanted to talk to you guys about no no no no no no details Gabi bought that too something specific sure a weird attention to details but not the whole thing oh yeah what it was too early earlier I I didn’t understand what’s going on here with us pretty much the whole thing well what it is oops is that another call or okay but now now you got it yeah how what police shots ah she bought them yeah sounds like it yes have you made a dreamcatcher one of these big feather weird chairs yeah yeah well so basically I thought it would be quite cool if we finally things did they make one of those basically it was the hair fuck had the possibility to well what I told you about with with sponsoring dreamcatcher are we done with the slides now Michael there stapled together the same way they had been arranged on and also that thing with the TAT which hasn’t totally been called no dreamcatchers haircuts the wall off and we had the idea yesterday do you remember having the that’s from the American Indians you make a circle and then you it was it was haircuts and what I also know what which he maybe I’ve not seen a cent of that money yet Navigators play here at the Ja-Treff don’t you remember in the flat kind of stretch strings in between like like a spiderweb and then doesn’t remember he somehow noticed the moment he first came I think we invested that in new paper yeah you like hang feathers from it in here you were reading old Vogues and and and and and and well if you did if that’s true so briefly that was the idea oh okay like fashion magazines there were piles of fashion magazines that you can’t really see it now but that’s the construction of the wall right right yeah that’s a dreamcatcher maybe maybe it works for memories all of you were reading and it and you looked like the people in that we’re projecting on right now of that wall right there what I haven’t but maybe we should talk about this later too these fashion magazines I don’t really recognise anything exactly I think I have an idea which I’d like to discuss today and if oh okay but don’t you think well you were when you were playing brilliant what was going on there you can see the floor look up a little bit then you’ll see the wall you well if you also think it’s cool I’d propose it to Heiner and we this Hockenheim when you were on on Hockenheim on the I don’t remember as well could see PlayStation that’s a Ladies’ Room Party it’s usually like that when you’re looking at the floor you always yeah sure yeah yeah yeah yeah Ladies’ Room Party think of the wall that we somehow get this going Michael he says you were still racing when the original race was in Unkel Hank yeah okay already done but you were winning your PlayStation two race Unkel now who’s that and no I raced it simultaneously Unkel right two thousand one Juli Juli c’est qui ah bon est ce que je peut te t’appeler quelque alright cool see you later yes yes this is clear that’s for sure Men from Ladies’ Room par oui oui c’est pas la pain je suis a Francfourt chez Michael et hang on don’t hang up yet if he remembers yeah but but I think yeah there were these brilliant flyers Hank and Nick had made Dennis et je veut je veut te demander quelque questions ce tout what the race was over but it was very hot you were sweating and which were I guess a bit thicker than noodles but the same length oui okay ciao what you had to had to finish the your PlayStation where you were so one typewriter line basically speaking of which is there any beer left what haircut he had when he was wearing the Singapore T-shirts winning on the PlayStation but were you winning against against yeah yeah there is another question for you came up here because we saw a photo Schumacher and on them it said I’m thirsty as well of you at the Robert Johnson yeah I think I won maybe maybe they’re right maybe they the the the Men From Ladies’ Room Party how about we have a bite to eat again what yeah I’ll ask Hans Ladies’ Room Party I’ve still got a bit of with the Singapore T-shirts yeah I don’t remember will he know L A D I E S R what you’ve got a bit of chocolate left or what yeah maybe maybe no no no time before I need to eat do you still remember what haircut you had back then yeah O O M oh okay you’ve still got a bit of air left in your stomach what what haircut I had but does it matter who wins and loses the Men From Ladies’ Room Party Present Ladies’ Room Party in let’s just finish with the slides though yeah well Unkel or something like that who’s thirsty at the time of the Singapore T-shirts I think I had this sort of longish it’s how you play the game Today but what was nice about them ‘cos the mod weekender in I’m not crew cut all wild and messy exactly doesn’t matter anyways you were very close Unkel at the hotel is always called the Men From Unkel it’s exactly six forty-eight now he had a skinhead and looked really cool yeah extremely close like like yeah so this wall we built at the exhibition room for the film presentation well you had a really tough skinhead Frankfurt Hockenheim is not very far but abbreviated and simultaneously also for he needs that again no no no no no no I but I was extremely close how just as a corner really yeah yeah U dot N dot K dot we combined the two because they were both on the same we’ve just decided that you know it’s that was a simo simo simo test so what other and we had the Men From L dot A dot D dot I dot E dot S dot R weekend who decided memories do you need dot O dot O dot M dot this that photo shoot Hank and I first time A dot D dot I dot E dot S dot R dot O dot O dot M dot P dot A dot but building that wall was actually just about that corner it was in really okay maybe R dot T dot Y dot order to reconstruct the corner from the Factory from the Factory well everyone agrees basically first time you met them right photo well okay I’ll think about it yeah I I yeah I always weird that was like a time warp and it was there okay I’ll just take your word for it then think about it more the hairstyles that did it more than anything else there was a there they are you’ve got one up on the wall in your room anyway 202 203 Club[b]ed Club Club[b]ed Club 2001 2001

in the ladies’ room comma Unkel comma today colon the men yeah from L dot A dot D dot I dot E dot S dot R dot O dot O dot M dot P oh right at the Schirn Café dot A dot R dot T dot Y dot dot that’s what it said I mean they were there were quite a few that we took home with us pretty conspicuous in contrast to the others at the Schirn Café Hurttig you yeah no I remember another anecdote but you go on and tell about the they were flying around everywhere Schirn Café whole wads it was we were getting bored there at some point we were carrying them like bouquets of flowers right yeah but you also have to mention that the Schirn Café like tufts they were they looked like tufts and Johann König was there as well sticking out wildly of the pocket of your jacket but the Schirn Café has this really pointless designer sink there’s always another one appearing from somewhere yeah totally whose hand is that on whose arse where you can hardly fit your hands under the tap because the Hurttig’s hand sink immediately sort of Marcus of course gets flooded that’s my wrist watch flooded the other hand is mine spills over the sides and whose ass which doesn’t really have a basin of any depth … so I think Atomic Café was Jodie’s so first we found aprons which we put on and the other hand right the cleaning ladies’ the second Niklas’ right mine yeah we found the janitorial room Remake Club we had purple balloons ‘cos we couldn’t get any white ones I know I remember you were walking around then inside the Schirn Remake Club that we did Oskar- right yeah exactly not anywhere and we’d always call up we always we had we were in your cleaning smocks von-Miller Strasse 16 Clubs in the city centre and we were constantly calling you and asking in the cleaning smocks and like we couldn’t find any white ones if we should get purple ones used the delivery lift and one of us noticed that you could easily and you had so the idea was instead or a different colour just pry them off those taps and it’s still lying on our kitchen table there were also balloons with some kind of print on them and what happened with Jonathan König to restage the previous week’s yeah I don’t know we harassed him again party with the help of sound we were like we’re that radical we’ll just scrap the white balloons he took a boiler as a souvenir or what and take purple ones instead no we brought up the thing with our boiler with him again recordings and original objects and we walked in there all hard assed with our purple balloons but radically but we were talking I think the whole time about white balloons and his outstanding debts from the original and the fax roll as streamers again yeah that was the same night as the cushions transported yeah naw that was some other time yeah that was a different night places simply transported yeah and the about the water taps all I know is that once in Mainz we yeah and what was nice was that at several parties the water tap no that was that time clubs … (p. 90) was always that was the same night 204 205 Club[b]ed Club Club[b]ed Club 2002 2002

… nail through the frame so that Unkel New Year’s Eve weekender that that the Remake Club I mean from the hotel where those mod weekends happened the transport of all did that in Mainz with the taps and that time we didn’t pry it off but about Unkel didn’t we stay at this bed and breakfast place which those things that we took with only half tore it off so to speak was a little outside of town to make the water spray out in the bread bin us from the hotel that night was and then sort of moved it around a bit so that it looked intact and in Erpel documented in the text titled all the others had been torn off so this one was basically the only right one that looked intact and everyone who used it a blast of water at Frau Bormuth’s Boppard which is also in the would come shooting out uncontrollably so that they’d always get Bormuth completely soaked in the bread bin book there you can read how in Unkel didn’t we turn on the showers and there we had the bread bin fantasy five young people went back right and in Wiesbaden I remember I wanted to wash my hands that wasn’t a fantasy in the ladies’ room and the tap had also been slightly tweaked not we had to get out to Frankfurt carrying loads of completely torn off just bent like when you bend a metal pipe and we were directly inside the bread bin I didn’t know who had done it but later it turned out and the cleaning ladies had to clean it up straight after hotel paraphernalia … (p. 227) quite obvious who you can read that in the Boppard text it’s mentioned there when that it had been friends of mine we were going past Erpel and there was and Bormuth came up 206 207 Club[b]ed Club Club[b]ed Club 2002 2002

… we bought them but afterwards we returned them and got our money back that was quite nice we often borrowed materials from the DIY store just for one weekend straw mat yeah straw mat exactly there it is straw mat Remake Club Wiesbaden we always had to be careful no straw mat was at the Zosch Zosch we couldn’t spread them out because later we wanted to return them … (p. 123)

in its original pre-forty-five state yes right before the Allies that also gets a mention in the Boppard text I think yeah the bridge yeah there’s there’s the poppy seeds that we blew up I think I was completely out of breath eyes already sort of there was the sound was playing that I initiated but everyone still sort of made their own version of the tape recorder the one up there you’ll have to explain a bit more precisely the sound no one knows what that’s about right of each individual member yeah the sound was with the help of a computer programme converted and and Gaius because Gaius also slept inside a bread bin in I don’t remember which psyche each of us had right we slept among the poppy seeds into ultimate psych versions extended edited overlaid with effects Unkel at the Löwenburg but we didn’t find this out until later it was Marcus you can put it together can’t you right there were poppy seeds the size of water balls isn’t that the CD where everyone had to modify their favourite this small his bread bin I’ll put you together Narcissus Niklas and I song it was much smaller yeah okay but Nickel Hank you medicine balls yeah exactly he almost Riedel leader and that’s all I remember the image with the bread slept on a slice of toast I remember that but that wasn’t until later I think those were only songs that you that was the single household size bin only came up because our room yeah had made didn’t fit in there that wasn’t an image and in the morning she’d appear open the bread bin and then take those were only proper we were a family size bread bin was directly under the pitched roof I almost got squashed ah yeah right yeah you’re getting confused we stayed inside a bread bin at a Frau her rolls out psych songs yeah Bormuth’s house who had fat fingers this big if I hadn’t been so fast but they were the exact same songs that were being played there made of wood and all the so if you go down these stairs in the photo you get to the black and anyway basically just distorted by the effect machines between the the rolls white photo of the bridge of The Trip there was one situation where The Trip by Kim Fowley because that was where right and in the morning she’d open the bread bin Arnheim was playing inside and outside and that also determined the psyche yeah which was blown up what do you mean inside and outside right and take us out ah yeah outside on the dance floor and inside in the loo because we 208 209 Club[b]ed Club Club[b]ed Club 2002 2002 constantly had to turn over the tape again and also just briefly brilliant brilliant sound system about the tape recorder itself about the sound system the sound system that you can see here is now lying in in Lilla Boanäs in southern Sweden on the way between Lilla Boanäs and Lammhult Lammhult and Håknahult it’s lying somewhere in the forest still playing Love Will Travel no no no what’s playing then some kind of ska soon you’ll be gone and I’ll be all alone soon you’ll be gone and I’ll be all alone … speaking of clubs this is now Club Eleven exactly that should still be playing did you throw it away there or what oh yeah great if the batteries are still it was on the on the bike with the masks we went on a bicycle tour fell off the back of the bike on a forest track because it was so with the masks bumpy they had no props that we could have taken with us so we just took so bumpy stayed there photos of faces at the original club in Cologne and from the photos forest tracks in Sweden a disaster no signage or anything we made masks which we then gave to the guests here who more no signage or less wore them … (p. 128) I know what you mean only upright things elks and stuff get signs very fast cyclists ugh vile and now this is the other stuff that also went on that weekend I Usch has has thrown out the bottle since then don’t have a picture here I think that was the John’s Children gig Usch even joined in the screaming oh right yeah the screaming was made but use of and also the sound system and Jürgen Fahlbusch of course we wouldn’t have missed out on the fun of seeing it for but we can give her credit for that but deductions points for one thing and also of bringing something of our own and so we throwing away Andi Elliot’s bottle brought their Legendary album but at least I still have the Blacktrones still have the Blacktrones Orgasm at home for it Orgasm on which there’s also well the album itself wasn’t really a ah right big hit when it was released and Andi Elliott no it flopped there’s the sand again in the sixties it was a flop so they took it off the market again Andi Elliott’s his name and added the screaming of audiences at Beatles concerts and yeah the stuntman released it again and as a result it became a bit of a cult object and we ought to time our time so we thought we’ll take the screaming but then not really so we he was a stuntman for a while prepared it all here at home and then the four of us recorded the and the gig was of course shit sound abysmal the sound of just the screaming and at the gig we just held up but we gave him a tape and then would imagine him sitting there several tape recorders and but also wanted to get close to the and listening to it microphone during the gig which you actually managed to do a tape of the screaming yeah of the screaming still holding the tape recorder with the intention of course to not yeah have to make an effort yourself but to just have it come from tape that was playback because Roman told us about the concert in Cattolica also John’s during the recording Children that in no way contrasted compared to that John’s Children themselves didn’t really get it that was another thing entirely and also that uptight sound guy immediately switched off the yeah he was naked up on stage and had and people were throwing microphone when he saw that things at him and so he fled and hid in the gents and continued yeah to sing his songs over a wireless microphone from the gents until someone other than Andi Elliott was at the microphone Roman kicked in the door but we drank some of the singer’s beer from the same and this is all true right at least by hearsay bottle now that’s an anecdote and we during the recording we were drinking fruit brandy in my if you put all the pieces together now we all know what’s become room of the matter 210 211 Club[b]ed Club Club[b]ed Club 2002 2002

dried it on the radiators responsible for this and so first I listened to three people who who three one reusable were all simultaneously trying to assume responsibility yet later one oh reusable none of the three felt responsible and basically no one at some one oh and when did you want to come to Vienna that’s the ZKM now point the rumour came up that the waste hadn’t been taken away I’m not sure yet yeah yet that it was still lying around somewhere in a bag and so I oh okay you’re not sure yet makes your love more durable that’s just well and I’d told them that I’d be dumping the waste in the at the was like well okay then show me where but then they wouldn’t it was just an idea Salvador’s Salvador Dali’s Garden Party exhibition because it was mainly also in that part of the exhibition show me the waste and so somehow inside this whole great oh okay because Hans won’t be here between January eighth and I went there with my scooter but there wasn’t anywhere to park it where what happened was that noise from the May sixty-eight apparatus where everyone is responsible for every little fart and I think the twentieth this year this year you can be sure that there’ll be a Perfumed riots could be heard and so it fit in very well with that that on the every step eventually no one really knew they couldn’t find the okay Garden Party somewhere out there because no one’s ever done floor you could sort of hit upon broken glass with your foot while waste and well of course I’ve told this story to lots of people and so he won’t be in Vienna then but apart from those days he’s here that yet simultaneously there were clanking noises from the soundtrack everywhere well the assessment I’d get would be like well really on the thirty-first he has the concert in Bozen though with Ray and City as Loot sound dreck that’s still happening in Germany after after Beuys because of a he’s broken his foot City as Loot Two we also with a lot well with for a lot of money we sent the waste dirty bathtub that some random people Ray has we had three of those didn’t we via UPS that means trouble yeah he fell off a ladder no more like ten yeah because it had to it had to get there in time at the when I was random people like okay let’s see who that is hello oh no I can’t I know I was there what’s that there for the setup believe this oh right you were here well okay good okay great I’ve written now we’re in Karlsruhe wrapped in lots of layers as well yeah now hello down the number for him and for when he gets back I’ll leave a big so it is yeah no honestly note for him so that he can’t miss it rubbish on the floor although the waste didn’t really get any good reviews from critics what you okay so you took a picture of the rubbish on the floor well the the whole point was that well you can imagine all sorts Gabi he’ll call you back yeah maybe you could just quickly of things so at this kind of exhibition so the waste was spilled all can you give me your mobile number I’ll write down both numbers okay but that’s great over the floor and the morning after the opening I went to see the for Hans because I’m leaving now because I I haven’t been able speak soon bye do the lead in exhibition and I even thought well okay what might have happened to get a hold of him yet well superb job of the museum services though it normally the do I have to go into great detail now or what now is that all the waste is gone although they’d let anyone and well this number was already museum services is there to have these things under control and just about where we are of course everyone know the waste was part of the exhibition but after the and I’m not sure he’s got your mobile number sort them out and in six weeks they didn’t manage to do that not Karlsruhe ZKM opening and knowing what Karlsruhe which is in deepest Swabia this number’s the correct one even a little bit I was always like why just get waste from a party exhibition is like I could very well imagine that the waste was gone but yes just get it from somewhere any kind of party waste and they just project space somehow you just immediately erase that thought because and I okay didn’t manage to do that until I eventually found out that the Head the Guy Debord An Agent of Critique Against Its Recognition arrived downstairs at the exhibition and the waste was gone right of Museum Services refused to do that he simply didn’t want to do exhibition we had been preparing that here for quite some time five so Germany it he didn’t want the waste on his floor and he boycotted the whole that was party waste I think we had a total of four no five and the what yeah of course thing and I’m pretty sure that he was also the one who made the five events worth so we’d collected the rubbish of five events five weeks of hard work one one seven oh rubbish disappear in the first place collected it collected the dreck and stored it as well so that it five weeks of hard work yeah and then above all it was incredible one seven oh the following morning wouldn’t start to rot but rather the it was incredibly difficult to find out what had actually happened two oh eight call him nice and neat because all everyone had been told listen up the waste stays two oh eight dirtbag dried it so it was dry on the floor it must not be cleaned up who’d done this who was three one using the converse argument if the if at the ZKM at at at at at 212 213 Club[b]ed Club Club[b]ed Club 2002 2002

On Kawara November thirtieth nineteen ninety-four yes why On Kawara November thirtieth nineteen ninety-four because he’s already dead no that was the day of his death that was the day Guy Debord shot himself yeah okay and of course that had to be included as a Date Painting Silke Wagner made that for me yeah so now we’re at Opel already shall we take a break now that’s not Opel that’s not Opel that was here yeah but that’s the wall yeah but it’s not Opel what we should maybe mention is the Thomas Draschan issue which so I heard through Usch that Thomas Draschan was planning to do a Guy Debord film presentation here in Frankfurt at the film museum but then we were we reacted promptly and from your exhibition in Karlsruhe we took films of the complete Guy Debord film series that was being shown there to show them here before but he couldn’t wangle it he couldn’t wangle it and so we didn’t show the films again either but we’ve got them we have them yeah sure ‘cos I was there with Maria and we filmed them with two VHS cameras from the Media Centre in Rüsselsheim yeah intermission food food food starving but now I’ve passed on your number so how shall we do this you have to stay here are you mad

the ZKM word gets around that there’s an exhibition at the ZKM where the floor is covered in rubbish that that would damage their reputation and that because at some later point he told me so himself but then I said to him it’s actually the other way round if word gets out that the ZKM destroys exhibitions like what happened there that’ll give it a bad reputation Weibel well anyway they eventually managed to get some waste from somewhere so it was back eventually it came back yeah eventually it came back into the space I was at the exhibition and there wasn’t any waste lying around I know for at least six weeks there wasn’t any waste lying around here those are the posters the what posters the what for In Girum that was the exhibition at the ZKM The Kids Are Alright ah yeah right that’s that one cinema display window yeah looks great yeah and there we also had the The Archive The Archive of the Last Pictures yeah and there’s a nice detail in connection with that as well which is the falsification of the On Kawara On Kawara yeah On Kawara which in reality doesn’t exist 214 215 Up Club Up Club 2001 2001

… what’s going on there oh okay these are the drugs texts the drug texts you once offered me a pair of trousers for this photo a pair of trousers yeah you’ll get a pair of trousers for that photo you said nice John Lennon quit taking LSD is another of the texts … (p. 76) 216 217 Up Club 2001 are we going out why don’t we eat here your head had already been bathed in bubbly there Micha I’d like to make another coffee but there isn’t any left order in yeah yeah no more coffee let’s order in something no what’s that Wish You Were Here yeah more more where’s all the coffee gone yeah Georg wearing the same clothes again and Daniel is going to drank it all are there any decent food delivery places now though have a nasty breakdown in a minute good evening yeah is that the good evening pizza ah yeah that he’s getting started now yeah Robert he’ll start prattling now pizza again Dennis he’ll start to prattle now I have to again that’s does it have to be pizza nice quickly moving on to somewhere else good evening who is he yeah Michi still with the bottle of bubbly in his hand talking with now but isn’t there anything else who the hell is that with the with a girl for all I care everyone can order something different pay attention now Daniel brilliant that was Daniel had snorted Denise showed up there what else can you cocaine for the first time good evening but that’s stupid right first and last time cheers what can you up there I’d like to introduce myself I am the voice here it’ll get really good open the door will you a bit of fresh air great in a minute a woman goes outside and he follows her with the not the greasy one from Domino’s go back go back camera and then yes Ischinger was wearing our jersey did you see that Friemel was filming yes yeah he’s shut up now no yeah yeah what a show what are you doing there you’re right yeah what does the writing on the floor say Marcus Michi go back to Roman he’s just brilliant Chocolat Art Marcus is he pissing in the corner repeating the same question for the fifth time right close the shutters that’s what they thought but it’s not what he did he just hid in the weren’t there more people let some fresh air in please corner and readjusted his shirt horrible with those texts I’ve had it now did he piss in the corner yeah break he’ll call back soon anyway unbelievable yeah Roman straight into the camera that was the last gig why weren’t you there Dennis he’s pissing into the bottle because I was ill [BREAK] now weren’t you poisoned or something Ischinger I was lying in bed at home that was during our Annual Student do you want some more salad she didn’t like Roman Exhibition and in the morning my parents were at the exhibition no grazie Ischinger’s great that was in February wasn’t it I think there’s still some salad left a little bit Nickel too yeah that’ll get eaten at some point tonight just like my pizza bread if Stoffel and I’d eaten bad Leberkäse and a bad egg at the Zwölf Apostel anyone wants it now now oh right yeah what are you doing white balance diving in shit that was mental I puked eighteen times and all the blood vessels in my eyes burst brilliant video Prosecco there’s Prosecco no sound Friemel we were at the Zwölf Apostel with sound where yeah but you didn’t eat no Leberkäse no play it again Friemel oh god wet hair Friemel was actually dancing why did we go to the Zwölf Apostel that time that’s Barbara’s New Year’s Eve video that’s the uncut version right because we were at that exhibition at the Schirn earlier at the yeah looks like it Frequencies one that’s Adriano Celentano that was it right Bianca I’ve never seen so much normally it was shorter right where the that’s Daniel standing there incredible about Frequencies I wanted to add that we also left a sticker there watch out there comes Daniel next to the sponsors no that goes on for hours now doesn’t it next to the sponsors watch out is the minidisc running by the way yeah and the girl is I’ve seen this before that was actually pretty long that gig Miriam Glinka yeah fifteen minutes are you still in touch with her stop getting on my tits with your sand fifty yeah he’d driving back and forth with that sand fifteen now we are again she didn’t show up on New Year’s that pig is there really only this one lorry in all of Frankfurt twenty-three so that wasn’t this New Year’s here oh yeah and the thing with the photographer was also quite twenty-three it was last year is that the Friemel shot now or what yeah Ischinger at the back yeah twenty-three minutes Ischinger was here as well brilliant you’re right twenty-three yeah Marcus’ victim that’s just so good he’s leaving now I think Dennis is there any coffee left or what do you know who that is Marc O he’s also called can you do that one again please just a wee bit Marc O oh dear the Marc Oswald yeah sure this is our next single Marc O yeah sure sure yeah yeah nineteen seventy-seven he’s also called Marc O 218 219 Up Club 2001

yeah right it’s amazingly big the the museum the new thing that they’re what was Marc O’s hit again yeah they’re collecting them building that’s the guy who makes everything move too fast with the two okay so yeah yeah I know it’s very big and what did they did they order figures in the videos you got another one some sculptures from right what yeah yeah a snail you know and also he made he also didn’t he also that Forever Young didn’t have you got another one a snail he also another memory we talked we’d get the pig but we did photomontages he also covered Forever Young yes yeah that’s Scooter not Marc O that’s Scooter that is I need you I need if they’re collecting them I have as much as they want and we commit we propose the sweet brown snail and it’s like you on the floor well just go for the next just go for the next one it’s nice it’s fifteen feet tall like five five metres high yeah and five Thomas and then okay so okay then the front space the this idea of metres wide this big snail you know with the shell let’s fast forward shall we entrepreneur not entrepreneur but business because they have ah yeah okay what’s interesting is how the video evolves how the interest the little window so the beer and then they have and so they rent and we thought that’s like really the the closest thing to gradually fades how he first starts to speak and then the camera this space to other people that business thing kind of overwriting transportation that we had in our in our oeuvre so so are they sinks down for a bit and then he leaves and and then trying to fill it you know filling the space kind of doing changing there or not yeah but not physically but over time no they have it for for at least half a year longer but maybe longer before the concert is over yeah you know Frankfurt is in a big economic crisis now he’s not even paying attention to what the picture’s like and you know they seem like it’s limited like it is limited how long they yeah that there’s people would be there Michael what do you want another zoom yes maybe he remembers some names of people who were here Prosecco and it seems like they wanted to make it as much full action you when the Watertest was going on and now he’s just walked off I’ll just be in the back bump out of my know full thing as it was yeah the names of the people of your of your of your students way fuck them and there heading straight over there yeah yeah yeah when they did this Prosecco you know and then the kind of the overtime that’s clear you know not necessarily students pretty good actually and I mean the first time we drove by yeah there was this thing when the Water wow what a surprise about the landlord like how did they cause that’s when they first Test Stasi got the place I think and then how they got it and then and then the water the well the guy that did the well with me the the the that’s incredible there was this kind of maybe charismatic thing maybe the maybe toilet water thing he went straight over there do you want another beer the they are very charismatic you know somehow you know and Hugh Pocock Prosecco that was related to kind of the business thing that making the yeah the test here this in in in in the who is Prosecco date and then they sat kind of apart from the most most of the oh the Watertest yeah it was the Watertest her Tanja general Frankfurt mood there then then other places that’s my do you remember who was here ah yeah now he’s briefly veering off into the back corner experience my experience was only with them and with the school well there was Francesca has already walked past though and they’re actually very different than the school so you I’m not in Francesca now different ways you know they’re different not not better not worse Cue brilliant but different but yeah I mean I think that you know yeah the Oskar Cue coffee von Miller who is that do you know yeah Cue and the conversation is at a low point right now yeah that’s the name of the street Oskar-von-Miller is the what and what’s oh that’s probably Jason yeah hello hey Jason I’m going to call what what did he do I don t remember their names very well you where okay bye it’s the founder of the no he founded the Deutsches Museum no but and the people from from from Kassel Jan and Bene I need you I need you on the floor Pernilla Renner sewed a flag founder of the Deutsches Museum Jan and Bene were there yeah three by three metres he’s the and and not just any flag the black poster with the writing founder and what were our last questions now what should he’s the founder of the German Museum of Technology and then wasn’t there Angela from Zwirner hey oh really oh yeah yeah yeah she was here the one later day and Regina hi where did we in Munich was there so oh we’re just on the proposal for that for that Deutsches Museum Regina yeah so right was there earlier than Angela and then the guy Hugh who did the where did we leave off Deutsches Museum für Technik yeah water thing for the toilet the guy who did the well whatever and a yeah we were I don’t know we resolved the race but yeah yeah yeah yeah few other students but then they showed the tapes from from their we did we did resolve finally you were not so sure that you won Deutsche Museum yes project whatever and I have to say I wasn’t interested so much in and then we agreed that it’s not so important we’ve just come we just proposed the Sweet Brown Snail for the the tapes you know I was interested in doing them but I realised yeah we played the game New Museum they’re a commission from a proposition from the when I was watching them I wasn’t interested in and then I asked you about the first moment figure in from Falckenberg we picked the nice snail so maybe he I remember something you you saw here you saw the maybe hello aha yeah so he’s the beginner hello hello come back please come back hello hey and then you remembered this lots lots lots of details he shit it’s just me it’s yeah yeah that time warp of that now it’s working now I can hear you the time the time yeah he’s the founder yeah it’s better I was taking yeah you showed the movie there time warp like a time machine I wish I would’ve known there they should do a commission for yeah yeah I should I I showed I showed three kinds of film noir time machine a place there that that’s perfect for them they should move the what time warp whole place there I showed them four or three movies old American movies and the yes into the into the museum Deutsches Museum last one might have been hello hello hello hello he’s gone fuck I’ll yeah that is I think is the strongest memory of of the of the first well there’s some there’s some guy there that’s trying you know call him again in five minutes that was also here time there and yeah and then these details hair shoes chairs you that’s placing all the sculptures around it you know cause they film noir know that kind of thing don’t really like art but but but there’s this guy that a commission three films hairs hair shoes chairs that built all these artworks along with it it’s amazing three or four yeah in that order yeah but if so so they’re collecting the memories oh okay which one did I show 220 221 Up Club 2001

The Killing of Sister George I remember that naw of course not one was open I guess that was the reason maybe they died of a broken heart you know maybe that was the last one and before that was what else did I show ah oh okay so the the no no yes the other one was right now I remember The Strange Loves of completely open not just the mouth they didn’t feel like they were loved Martha Ivers with Barbara Standwick and after that oh okay so the one mussel what’s not that wasn’t till August yeah they didn’t feel the and then Kiss Me Deadly was totally open they were loved but maybe they didn’t love them enough that’s all the names I can remember oh really it was a dramatic development then and then the last film was maybe I don’t even remember when that yeah and then it was dying and then something happened at the end was where is redial on this phone R he can’t see that Roberto yeah because they felt that there was no love for them there others no I don’t think so bottom right did it yeah at the bottom with the circles inside there was a funeral at the river naw this or this one oh right so they were buried in the river we loved them a lot that one yeah oh good but were they good pets that was the whole thing like yeah so Nick says we loved them a lot is it ringing were they what make love hello were they good pets good pets to have and Dennis no they were they played music for them Michael is yes good pets getting melancholy now it’s okay now I wanted I remember something about the mussels if they were good pets yeah that was nice that was nice maybe the most significant thing we just left the mussels at Oskar-von-Miller Strasse yeah wonderful they fit in very well that I left behind there yeah yeah okay they were good yeah the what happened to them did they set them free did they talk to them as well or not yeah yeah is there anything else any other what happened to what happened to the mussels did you converse with them no no I guess not for me not mussels we played music to them yeah but I think mussels they played music to them I don’t I don’t remember one I guess stayed alive for about half a year and then one no no conversation what hello must’ve died because the smell was horrible no conversation yes oh okay so they were alive for another half year no exchange no experience yeah yeah and then one died ‘cos of the smell of what we just looked at each other yeah the water already smelled bad then they just looked at them okay so so I think that’s that’s pretty much it that’s pretty much my the water started to smell they didn’t die of a broken heart then life at that Oskar-von-Miller that’s my memory yeah oh but did they stay in the same water for that long pardon so what happened to Ruby 222 223

oh she’s okay we had to take her to the doctor having this thing but everything is everything is fine I think so her name is Ruby Bubble Ruby Bubble yeah Rubi with an I R U B I B U B B L E Rubi Bubble Rhoades Rubi like U R U R U B I Rubi with an I yeah Rubi with an I Bubble B U B B L E Rubi Bubble Rhoades Rhoades and yeah aha yeah that was the first word that she spoke so to say bubble yeah she spoke well it came out of her mouth ah it’s bubble I can see that Rubi Bubble Rubi Bubbles Rhoades not Bubbles that’s Michael Jackson’s monkey but Rubi Bubble and Rubi just a four letter word that also fits the is that fitting to what to the basic structure of the English American language four letters like fuck like anything has four letters it’s not necessarily bad anything is more anything is any is less and thing is some more yeah but right in the middle is four it’s four eight something like that yeah so that’s only R U B I yeah okay ah okay oh okay so I’d already taken over the bass by then yeah Rubi Bubble yeah did anything happen with the collage stuff okay I’m playing the organ there that’s also yes okay yeah people often people were like Dennis who’s Dennis again what happened okay and then I said the blond guy ah right the organ player and I’m let’s talk about that later it take care bye never totally sure okay yeah bye bye that night ended cataclysmically it’s going to it’s going to be part of the Falckenberg collection bye oh yeah oh really once he’s involved he makes an effort what night was that For Your Love yes well that’s good he was there as well that’s great when he’s what oh it was that one yeah okay yeah when he’s involved he makes an effort for me it ended in Haar that’s great yeah because I was talking about it to the people and I like that I don’t remember where I woke up but I think they were really interested in he was making an effort the whole time when he kept calling us but not at the hotel no now it’s done back and no somewhere near the Olympic Stadium that’s great yeah yeah ah right near Leonrothplatz yeah didn’t he exactly did you know the flatshare great good good good perfect perfect better than Roman who lives there again perfect better than Hans who’s also letting things slide I forget yeah great okay so we’ll talk later Hans is letting no I don’t think I know the flatshare yeah I’m going to call you I’ll send you an email okay and well Michaela is still in the bathtub it seems it was a flat full of students yeah Hans hey hey hey yeah it’s Roberto who am I speaking to okay Atomic Café Gabi Senn thanks a lot that’s incredible I’ve never seen this I’ve never seen this hi Gabi well these Michael and Dennis and all the people here so this is Atomic Café now yes hello thanks a lot with live sound listen I’m just calling again because do you remember the Oskar- send their hello is that Korbun on drums now von-Miller Strasse okay yeah thank you and hello to them and Happy no my god you’re a right pain in the knot you’re a right pain in the New Year no neck happy trails that’s Hank you don’t remember happy trails Hankl definitely not happy new war and who’s pain in the sock that’s a memory thing you’re on the far right definitely not 224 225 Johann König 2001

but why not well time warp just let it play but other than that other than that you’re fine okay so stuck in time slowly you’ve you’ve never been here have you take care then time machine bam he’s out aha I’ve never been to that Oskar-von-Miller Strasse bye in the future okay and now you’re driving off in the car but you’ve heard bye in the past who was that no just in passing impossible I’ve always wanted to calculate how many years have already run that guy stumbling around there only in passing yeah the flea market stall at Ostpark Strasse through that clock who is that in passing sometime once yes with the kebab flag right my dad no that was Friedwald Harms well okay then let me speak to Hans kebab flag I think we wanted eight euros for it we’ve talked about this before yeah what is Friedwald Harms doing there Hans isn’t here flea market at the club in connection with the clock but especially with things what an annoying he’s not there again he’s not I thought because it says eight euros on there on the kebab flag flapmarket Nickel check out how far your trousers are hanging down there who is Friedwald Harms … I think that was also an Up Club party when Johann König unfortunately and club wasn’t it after one or two weeks it was already because it had one of my dad’s mates from the army the most annoying person where is he no flea market in the club is what is was called wasn’t it glass on both sides and they both immediately got smashed alive actually at the beginning I thought he was cool as fuck and ripped the water heater off the wall … (p. 77) a massive shame can you move the camera a bit more over there we don’t need yeah then he started doing my head in still not the slide projector anymore do we I’m constantly looking straight but nevertheless it’s somehow survived until today without the he lives around the corner from here or something right no but hasn’t he called you into the camera glass in front he lives in Bergen Enkheim no no leave the camera where it is and sit somewhere else now it’s not working anymore in Bergen Enkheim because I did get him on his mobile at some point and I told him just a bit we should probably push start it now the camera’s just been forgotten about that you’d just rung and then he said he had your mobile number sit somewhere else push start it yeah that was the car journey now anyway and that he would call you back just swivel it I mean shall we try right now the car journey well he hasn’t no the thingy the the yeah and now him again yes well I don’t know then if maybe when he went out somewhere the projector you mean later enough already he left his mobile I don’t know if that I don’t well can I possibly be rotate the projector later from the left this time of any help like this it’s just sort of so that the image gets moved into the centre it just looks too nice with the amplifiers on there those shorts are only that it’s empty no he should just call back protate the rojector almost like swimming trunks empty yes okay so then I’m not sure what time he’ll be home or when yeah like this is definitely best those are the nicest videos I think that show these sort of but always one when he gets back I’ll just tell him that to call you back yes there you go was that so difficult now necessary sequences taking place slow down Michael okay we earned the stall fee back with well it’s alright how could anyone possibly take this seriously honestly every half right with the H and M posters no definitely hour there’s a lorry and have a little think I’m sure you’ll remember something three H and M posters and what’s going on with you Dennis there’s the Mercedes again okay I’ll think hard exactly how much was the stall fee winding up a cable the Mercedes yeah okay nine euros or something but also sort of now you’ve turned the camera around they were just flying but I’m asking myself the exact same thing what are you doing something different now no they we immediately reinvested that in the clock didn’t we but not with the hands with your hands in your pockets that cement mixer was constantly going past just like the fire right the clock yeah it was probably cold engine now that probably cost us some extra money though what were you setting up there beer very important taking down I don’t really have a plan there beer beer beer that day we bought the clock what are we doing beer beer beer the clock that ran much too fast no one really has a plan beer here beer beer which we only found out later I think we’re dismantling Club Eleven actually yeah yeah the camera’s on a tripod we say the clock disassembly beer beer beer the guy assured us that it was working perfectly yeah dismantling Club Eleven we’re not explaining one more bloody thing guys that you had to put it on the wall at a ninety degree angle so that right and you always had to run behind that storage behind that what you could look at it from both sides because it had a face on each privacy screen wall to change the minidisc we’ll just watch side yeah I don’t remember what that was wasn’t it that the clock was visually amazing square as well not true wasn’t it back there I’ll tell you in a second it was perfect yeah the flea market stall I think we only barely and the man was like it works and if it doesn’t work we could bring what’s nice is that the camera is on a tripod yeah Gilbert and George it back really brilliant brilliant film exactly right the cable has to be removed the day after Gilbert and George at the next flea market and it actually didn’t work properly but we Robbe how do you know still decided not to take it back oh because of the Rum Dry that’s standing around here now instead we found out slow down now the sofa was over there and we DJed over there I remember that it easy easy that apart from that the space was empty Gilbert and George ran much faster than normal clocks if they’re carrying away the amplifier now we haven’t said anything about the exhibition yet apart from the which is of course even better than having it work normally Michael has bowlegs poster wow boasting some amazing styles there just dismounted his horse Nickel read out a text for a while the claim was that at Oskar-von-Miller Strasse on one where you riding on the carbon there’s the clock side time stands still and on the other it runs much too fast I’m knock kneed Hank is knock armed we also took photos like that of New Year’s two thousand and is the clock working now and I think he’s hurt his knee three and he also he no I think his trousers keep riding up one to two thousand two at the moment it doesn’t you can’t do that Robbe isn’t it just wonderful that clock Jason also said that that to him it felt like time was standing still or why not Gilbert and George at this point we’d like to thank Gerd Zink and had stopped at some point because the flash will obliterate it Georg Otto again no taken back in time oh up to that point Oskar-von-Miller Strasse had always repeated somewhere he’s pondering now who’s going to carry it or what’s going on there things that 226 227 New Year‘s Eve 2001 / 02 so what’s the deal with the clock two photo cameras right right it’s not working anymore photo cameras and how did it work with the autographs exactly no one has a clue what’s going on there when they see this you just have to push start it yeah we you’d yeah you’d printed them those that’s the story helpless turned upside down right first to come first to paint Olsch on the left side of the picture yeah cardboard and the square was really pitch black just completely disobeying gravity there right on the side of the street we even printed giant stand up displays yeah ah and Hank and I brought a partner back for Olsch as well or so the clock’s stopped working now or what oh yeah yeah that was pretty good was that you no yes which we carted to the IG Farben building so where are the photos I went along for that also I’m I think around the whole city around Rotari Hank was really good at the IG Farben building I because we had that was you yeah Olsch’s man you just have to push start it but other than that that was anyway the IG Farben building should also get a some lunch there and then Ol Ol it gets stuck sometimes mentioning at this point oh at the canteen Olsch’s man that was now shall we call Silke now about the Gilbert and George we went over to that cafeteria the one with the bulging glass no that was Ol up to that point Oskar-von-Miller Strasse had only repeated things because once we schlepped quite a lot of stuff over there didn’t windows and Hank actually walked through the crowded room up and he was wailing because he missed Olsch so much that had already taken place in the past but for Gilbert and George we to every table and left the flyers there nail through the frame we had we also wanted to stay as close to the original as possible and there we also at the IG Farben building we also shot that film at the tables where only women were sitting so that Unkel New Year’s Eve weekender that that the Remake and so we had two actors that we’d hired reenact it simultaneously once where we were right on the top on the terraces and unrolled right only at the tables with women Club I mean from the hotel where those mod weekends happened at the institution where the original event was taking place so Gerd the flag I remember the thing with the paternoster lift my first visit to the IG the transport of all those things that we took with us from the hotel Zink and Georg Otto impersonated Gilbert and George live at right that was also Farben building and you told me I had to get off on the top floor or that night was documented in the text titled Boppard which is also Portikus at their Nine Dark Pictures exhibition Gerd and Georg and where is it no that it was so much fun to go around in the paternoster lift at the in the book there you can read how five young people went back are both actors it’s gone AWOL I think top because you would come down on your head to Frankfurt carrying loads of hotel paraphernalia although that was hard work to find two actors or at least the I think it’s disappeared and then you were scared to do it at first that’s it now that’s the two of them standing there now second one Gerd Zink but I found the photo with the donkey somewhere yeah that must be Jason Gerd Zink only came in right before yeah very shortly before what yeah you’re right I’ve also seen that somewhere we had to go first and we while we were at the top so going around no that’s Hans put him on loudspeaker is that paint collection there that’s turned up again the donkey wearing the Clarks at the top we quickly stood on our hands and then we came down hello it’s Daniel hi that’s there that’s a little board lying there isn’t it I painted a target onto its side again and you were that really knocked your socks off Herr Dilger what’s up and afterwards we showed the video here so it’s turned up I thought my legs would get crushed when hand me over to Niklas or Max please no but about the video you have to mention that it was shot from what without going into more detail but before I forget there was also what’s up hello four different perspectives it was wearing my parka in the photo a meeting of the independent exhibition spaces in Frankfurt hello Max no there were five cameras in action we draped the parka over its back that Dennis and I attended and where we participated in the so what’s happening Daniel five cameras and and the shoes didn’t fit discussion the whole evening in a really serious manner with that yeah what’s happening one photo camera we’d just bought them that’s how we came up with the idea relatively pointless group but what was great was that we were yeah several right then we can also so then we can also the whole promotion both wearing clown noses I wanted to ask you thing that we did with the black square unrolling the flag from the and mine was even blinking have you got a skinhead yet top of the IG Farben building and then painting the square as a and no one there dared to mention it no I don’t have a skinhead yet we need to talk about this again chalk drawing yeah later at home but the reason I’m calling is that Dodt is also getting on level B no one mentioned that we were sitting there on my case and he’s called now and the fair thing’s a go on level B no ah of the Hauptwache wearing clown noses no listen I know no one wants to do it okay but we still need to talk of the Hauptwache and Bayrle Bayrle saw us too and was like yeah and nothing else about it again okay and we still somehow have to do it today just yeah that was pretty much at the beginning like we also have to should discuss another urgent thing today on that yeah that was the theatre piece Nico and the Navigators got up at six o’clock for that that’s it yeah yeah on that right that square space and before we’d even found out Unkel Remake Club yeah okay well that’s good that’s we can do that from the other painters what were they painting there again what setup yeah was the funny thing they were painting that’s a brilliant picture about the fair well that’s nobody can really be arsed with that today some sort of Christian Remake Club Unkel setup yeah of course we still need to somehow you know that’s just Christian stuff but they were very helpful they told us where we Michael can you make that a bit lighter please completely childish if we if we’re sort of a whole month behind and could get the chalk paints from Farben Jenisch and so we got I’ve never seen this before and and now on the very day that we’ve made it clear if we just black and white we’ve already shat ourselves over this one go and say like now we can’t be arsed anymore we should really there’s the donkey I’d like to yeah and and you two will be standing there in a minute we still need to talk about it if but that’s not a donkey I’d also like to shit myself over this now yeah yes it is and volume I mean even if no one can be arsed with Dodt anymore which we that’s the mod mare nice nice nice all agree right but still we can’t be like little kids and just try and a mod mare that’s a picture from Unkel that we’re hanging up there like little kids Mod Mare Monotones many separate parts get out of things in the pedestrian precinct in Offenbach right no we thought I always thought we’d have to fork out six hundred Mod Mare Monotones first the upper the the upper part of the frame is put up euros so we’re out anyway nice parka that was yeah exactly but it looks like now it’s possible and so we have to you do know the Rodgau Monotones don’t you on a cord think about how we want to do it and they also told us that we had to be there early because the on a train ride that just burst into forty different pieces yeah unwritten rule was because there’s those two spots that you’re and then you just glued the different fragments on there and yeah and we just somehow well the thing is the next time we allowed to paint on on Saturdays yeah speak to Dodt he needs a some clear statements on this and so one of them advised us to be there at six brilliant there’s one of Hankl coming up we have to know I mean we need to know if we’re going to do at the latest no it like that now and just leave it there which is clear anyway or because first to come first to paint yeah amazing should we but we should talk about all this again that’s where the saying was born on level B of the Hauptwache the helpless yeah 228 229 Gilbert & George (Gert & Georg) Gilbert & George (Gert & Georg) 2002 2002

yeah Jakob’s here as well what right yeah with the girl standing on the balcony and in a foreign Jakob’s there as well just kidding I know language always yeah he’s already settled in quite well what’s he saying I think I was there too … Gilbert and George were also there as special guests who later good he’s had a boring time at Osmi you were there he’s set up his PowerBook at Niklas’ work station nonsense was I there were the protagonists at our exhibition Gilbert and George at does he have a PowerBook as well then tell him to Marc did DJ there definitely Portikus Eight Dark Pictures well yeah probably I just can’t think of one right now ah right I think I wasn’t well shit tell him to say something about the DJ Battle let me speak to Marc there I so what about your Assembly of Anarchists he once DJed here for Marco Lulic there Marc come here okay bye laters we’ll be there didn’t you DJ once bye laters nine Conference of Anecdotes yeah what exactly Nine Dark Pictures … (p. 155) as soon as we can no but that wasn’t you Marc what do you have another another Conference of Anecdotes what yes one anecdote that was Marc we’re stuck help us remember something yeah that was Marc what oh god pretty boring at Osmi no do you remember the Disco Wilhelm Reich what do you mean I didn’t DJ Disco Wilhelm Reich no of course that was him that was brilliant the DJ Battle yeah oh yeah right and then we DJed another time right at the birthday Marco Lulic party of and Marco Lulic was there Marco Lulic yeah of course wasn’t that wasn’t that that that that Austrian guy or no no that was who was that again you DJed there whose birthday yeah exactly that Wolle guy yeah who was that and we and that was when we launched Queen of Japan Wolle’s right when everyone was really thrilled about that record Wolle’s girlfriend and Marco Lulic was there as well well forget it yeah that was an external event here but fascinated by exactly and apart from that I think that’s the only Merzen DJed at Lulic’s thing thing that’s the only thing Disco Wilhelm Reich yeah very nice but that was that was actually pretty cool to DJ for the sixties ‘cos but wasn’t that don’t you remember at that time you were all still those weird sixties types and all that I think that was your I don’t remember you were already completely in that phase were you on mushrooms or what and then you sort of you sort of had to imitate a a Robert Johnson DJ so that Marco Lulic right so that Marco Lulic was it like that though was it like that make him happy so to speak did you imitate a Robert Johnson DJ yeah that worked beautifully sure no problem yeah that was fun yeah I had fun what else was fun and then the girls they were also somehow doing funny things the whole time what which which no idea I don’t remember what it was Jodie we’ll come could be yeah that could be we’ll come that’s true you’ll come I don’t remember exactly but not right now Jodie right later but it was a nice evening definitely when are you coming though just in case we somehow need to yeah that was quite a nice evening decide this at Osmi do we have to clarify all of this today yeah yeah well that would be good because I I think he’s definitely Osmi expecting us to DJ Battle yeah is Marc there DJ Battles Marc’s here DJ Battles is Jakob there yeah is Jakob there and some other time I was sitting at the back with Dennis at the 230 231 Gilbert & George (Gert & Georg) 2002 232 233 Gilbert & George (Gert & Georg) Gilbert & George (Gert & Georg) 2002 2002

back house in the living room and that was also I’m not even sure what that oh I think that was that was Wolle’s party actually a fucking bad Up Club but still quite fun but other than that I can’t think of anything right now yeah yeah really bye it’s better than nothing yeah it’s better than nothing and now I have to I have to look after our guests yeah don’t let us keep you yeah say hi to Jakob yeah do you want to speak to him yeah put him on I don’t know though if he’s and and whatshisface if he’s also getting on my tits Michael Dodt yeah … up to that point Oskar- yeah now he somehow wants to that’s bullshit now von-Miller Strasse had only yeah repeated things that had that’s enough now well listen already taken place in the past put Zoche on we’ll be home soon but for Gilbert and George yeah we had we also wanted to hang in there what okay stay as close to the original yeah bye bye as possible and so we had do something about your memory probably weren’t that many hung up two actors that we’d hired naw there weren’t really any nothing great nothing special there was reenact it simultaneously suddenly it was really crammed no Jakob Zoche okay well we have to carry on collecting here in Frankfurt they did this Night of the Clubs where for twelve at the institution where the no worries it’s normal euros you could go around from club to club on a shuttle bus and are you coming home at some point then you’d get in for free and as part of that we also did something original event was taking place we’re coming home at some point yeah here but we locked the doors so didn’t open them but had a live so Gerd Zink and Georg Otto okay concert with Microgrammar Medium Extended who we recorded so I’ll I’ll see you later the Heroin version with hello who’s this hi Jakob I’ll hand you impersonated Gilbert and okay straight over to hi or do you want to come over or yep George live at Portikus at their yeah I don’t know I don’t think that would make a whole lot of hey there I’ll pass you on to Hank Nine Dark Pictures exhibition … sense would it yeah we we we’ll hurry and finish up our anecdotes Jakob did you get here okay (p. 226) okay yeah sure okay we’ll see you there later you wouldn’t know any anecdotes from Oskar-von-Miller Strasse okay you’ve never been here great no I’ve never been there laters but maybe he still knows one bye and anyway I’m not really involved in the whole thing ciao Berlin well Berlin then so in Berlin we were at your place Fabrice with Fabrice at your place Hank Fabrice Agath and I were staying with you yes and also there was a concert in Berlin we recorded the Heroin version there didn’t we was that okay yeah what ah right whether it was okay that time several but no one was allowed in yeah no one wanted to come in anyway yes would you rather it wasn’t okay those shuttle buses were constantly what but they just went past because that wasn’t this here wasn’t a no idea I don’t know what you want of course it was okay yeah it wasn’t open anyway but Hank stop it yeah exactly but it wasn’t one of the places that the shuttle buses it’s just because we’re collecting anecdotes that’s clear but there stopped at 234 235

no was a while ago maybe that’s a performance tracing it but without charcoal that the sequences definitely had some kind of chronology you can hear that but a proper one they just went past well call her up again and then call me here let me know where the whole thing was pretty exhausting yeah of course we were there for quite a while because the talk was on March do you want some pizza bread Daniel the Night of the Clubs one crate of beer and one Heroin version you’re going right without charcoal that was two thousand and one and that was New Year’s just now twenty-ninth Stuckrad-Barre no I’m full thanks I just cooked a big lunch potatoes and eggs that was okay and it was scheduled from seven p.m. until one a.m. and coming up is New Year’s and then after that Clacton ah look that’s the classic with the Clarks now we have another Go who was there that was also sort of because I would’ve liked to come over two a.m. but all this is in Vienna in Zobernig’s class now Nina Hager did my makeup there while because she went with me yeah Tina Denise Daniel Nikolaou who else was here oh okay two a.m. yeah you can fast forward that a bit now I think on the train right yeah exactly and then your glasses broke do you want to see any more photos I wasn’t here yeah and after that there was supposed to be music can you see anything shit the sound was fucking horrible yeah no you weren’t you were in Aachen for Kontext nice yeah wasn’t that sort of yeah what that’s Rüsselsheim now isn’t it yeah do you want to make the video yeah right we left at midnight because we didn’t feel like going on ah yeah exactly no now here’s another yeah now we can make the video well then I was too exhausted that’s Clacton no how’s the list coming along exactly Marcus Heinicke and Nicole Ernst were also here for New Year’s an anecdote left during the presentation that’s London that’s still Vienna we’ve done the New Year’s Eve video from New Year’s two Eve stopped by on their way to Yugoslavia do you have an anecdote from Oskar-von-Miller Strasse up your no at the end Carnaby Street Vienna thousand one already what’s that sleeve now that I’ve got you on the phone already that one’s a killer no still Daniel great thing you’re here the Vienna Academy no I don’t there are a number of different arrangements then we also showed oh now he’s crumpling it up that’s all Vienna two thousand two the Academy in Vienna invitation by Heimo Zobernig to give a talk anything guests people from Frankfurt but with wrong names fat Achim still Daniel’s coming yeah there’s this one scene to his class about Oskar-von-Miller Strasse 16 with Alina Grumiller no I don’t right now and we added applause from an Eintracht Frankfurt match right he was fat then Daniel Herrmann it’s where you’re waving your hands about into the dance floor Dennis no Alina Grumller Dennis Los Achim Engerer and Michal S okay I’ll call you back in ten minutes then right from the stadium what’s Achim doing now anyway hello to get back to Achim Lengerer Riel that’s what the poster looked like making reference to a poster okay and I’ll see if I can manage to do it Eintracht against Hamburg in every single yes Michael Neff by Zobernig himself with the Dyslexic Mistake Exhibiton and for what I don’t want to switch it on now no I mean I know I know where he’s hanging out now I missed my train I’m sorry the thing at Galerie Neff during the Jeppe Hein exhibition who was that we basically presented all forms of media simultaneously and to call and all that that’s Q there isn’t it in Frankfurt Björn’s still going showing his Moving Walls there so two walls that were moving to organise the whole thing a bit all the documentation material I okay yeah what are the cultural backgrounds like do your listeners speak a that’s the Hamburg around the room two simple white walls well mean we at the flea market we’d bought several boxes of slides okay at that time I couldn’t laugh about it because I didn’t know all the dialect Hamburg yeah right well and one of them contained a collection of slides of the Shroud of speak to you later names in this case yes concert and there you can see now how that one right there those so Turin and so that’s how we titled our talk the Shroud Shroud of speak soon right and Achim was shining light onto his texts with a flashlight that’s Alina talking about her autohemotherapy two are on the point of going up on stage you each went as a cardboard box wall Turin and for every slide so the Shroud of Turin wasn’t random bye alright I’m not answering the phone anymore now lots of weird some of it was definitely too absurd I’d like to have sound now a skirmish I thought that was at at at Gerhard Merz but because we felt we could do something with it with that form where were we and sometimes the names couldn’t keep up what skirmish yeah yes that’s where we presented the video with that shroud which actually conceals an original object and so and well Achim’s thing was during the talk the presentation I think there the sound had already ended no great light that was that was the follow up event every slide became an action or a presentation was assigned to it because Achim Lengerer hasn’t been that involved in things here that’s a slide of the Shroud of Turin I then took it for a month I mean the bottle that held the contents it was dead silent after that after the concert oh okay I won’t say another word then so that we had a total of approximately twenty-five at Oskar-von-Miller Strasse but has occasionally appeared on the that’s I’ll fuck you when and where of the infusion was emptied and then potentiated again and again now Vienna again without much effort just painted cardboard boxes white Vienna periphery and there’s actually another anecdote in connection that was wall writing from a gents somewhere until it’s always Vienna yeah without bending down separate presentations that were partly interconnected with each with that at Michael Neff gallery it was Achim’s job to stick text wasn’t that very good completely correct yeah yeah as as self-moving walls other and the presentations were with the different forms of media printed on a sheet onto the projections or in the actions that were the McDonald’s at the airport C nine plus two millilitres Television Personalities cutting table transport Moving Boxes so slides sound recordings live performances readings films yeah going on and those were always text fragments from the textbook Luftraum right it sounds very correct what she’s doing right and then Georg Georg Wasner Ursula Meyer and a third moved in there or what Achim and I wrote on the wall on how to give a talk yeah Luftraum emptied again and added to again and then once a month person unfortunately whose name I can’t remember yeah that’s how Marc would probably describe it so we went into I’ll fuck you when and where but you don’t see that here in connection with Luftraum has it been mentioned that you brought well she was describing it Louisa no Kristina the gallery in bright daylight and I’ll fuck you when and where so this loo scribble repeats the Alina talked about her autohemotherapy the curators of Luftraum to the verge of a mental breakdown three drops Kristina right you integrated yourselves connection too complex to explain now and Dennis just shot out what did she talk about yeah yeah but still no idea crawled in there underneath our boxes and then with the two walls the Lyric Lights about her autohemotherapy how yeah what I do now is I potentiated it one week ago to a C nine so I’m they read a text which was based on the discussion between that Jeppe Hein was exhibiting that would move we also walked exactly we presented Titles Are Lyrics Already Done in combination what’s autohemotherapy I don’t remember exactly how but they got really angry about yeah going to be taking it for another two weeks and then the therapy Achim Dennis and Alina here in Frankfurt walked around how would you say that wandered about with the edited sound this time not just the autohemotherapy we handed out fake postcards will end about the poster design for the talk crawled was that you Ursula Meyer was there ah the B was there for one Luftraum event that was Alina and finished right generally quite complex and impenetrable it’s really not that easy to put into words yeah Georg Wasner was there Kerstin Cmelka’s opening and we put on Johann König’s glasses she drinks her own blood so for any listener arriving late completely incomprehensible crawling around yeah and that wasn’t the end of the story Michael and and the same time there was a buffet which the students from what’s autohemotherapy like bloodletting or something and that made things so absurd looking you couldn’t see a thing yeah did you announce the things beforehand that that the backgrounds Neff then wanted to see the video and offered us a meeting that Zobernig’s class had that the students from the Zobernig class similar you could but only if you brought your finger up really close c’est Roberto ciao no during the talk we could come by one day and then we went and turned that had made for us and what was on there frankfurters although probably macro that was Lola Montez just the backgrounds offer of a meeting into an invitation to an exhibition that we had at I’ve asked at a butcher’s now and there’s no difference between I can’t tell you magnifying effect are half of them leaving there already it was only a surface Michael Neff and for that we used the exhibition that was on at the frankfurters and wieners I think that only has to do with the fact is it disgusting Nitsch’s secretary was also there yeah that’s it I was still wearing no the buffet was open at the same time we just shot them out gallery at the time was that that was the following one already the that here people call them wiener and there they say frankfurter no those were the sheets of paper that spiky wristband some kind of S and M thing yeah there it is so basically in Vienna you guys also sort of projected and and material explosion well Heimo Zobernig gave a short Gerhard Merz one and with a modified invitation card to the Merz is that Hans or what who filmed this anyway quite unspectacular simulated a kind of retrospective of projects that had taken place introduction that we have an exhibition space here in Frankfurt exhibition we invited people to the video presentation of Michael right that’s Hans Georg Wasner the video came out really well especially also the Shroud of Turin again or what here but it wasn’t meant to be a talk in the sense that we wanted to get Riedel and Achim Lengerer and Gerhard Merz hello hi Tina we’re still considering that he didn’t know what was coming and he still yeah and we’d announced a concert there yeah exactly because that was that’s me in there that was my something across but rather illustrate something do we have the video here is this your new number now managed to capture it we’re already pretty much near the end the Jam final degree project at the Städel I’m and there I’m wearing Heimo is Björn coming there’s an accompanying text that documents the whole thing yes we’re still at the front space now I can rewind it if you want the Jam in concert at the Schikaneder but why didn’t that work out Zobernig’s clothes he’s going to the Dreikönigskeller titled Coverdesign and we do have the video here but does ah right okay Hank you also did no not at the Schikaneder we did the concert at the Flat and cigarettes as well with Catalina or what anyone want to see it now but I’ll come over later what right at Hans’ in front of his studio on Daimler Strasse I’m supposed to ask you if you’re up for it I thought it was quite nice to be honest but I was maybe going out with Catalina you did those Portables together with me Stone what’s the name of the publishing company again that just looked as if the projector had what’s happening there yeah but we’re not here to watch a video now are we where I did Flat Mountain Press yeah at home okay I’m not sure we were standing in front of the wall together and the march Flat Mountain Press in any case the person extending the invitation intends something no what’s on at the Dreikönigskeller yeah let’s look at photos first I think we’re pretty much done with but isn’t she ill through Carnaby Street was projected behind us and on us yeah Flat Mountain Press yeah with the talk you should aim to discover their intention and carefully what’s on two thousand one now why why is she ill yeah it was supposed to take place there compare it with your own objectives yeah hey Nick earlier she said she was ill that also instead we played records at the Schikaneder and Schikaneder look at what a big blob Achim still was back then no idea yeah really the Stuckrad-Barre reading was also briefly addressed on the Schikaneder wall we wrote in charcoal that was of course a very nice transition from my Zobernig clothes I’m not going there anymore cigarettes lighter yeah and you also made drawings like with a giant ladder to the Shroud of Turin slide that was Heimo Zobernig’s signature I know have you crossed all that off again already I wanted to call again yeah exactly Legendary Orgasm and why is that Kubrick playing now but with my name why are you not going there anymore why by the way what was you also have pictures with Land Art Carl where did you want to go Legendary Orgasm because that’s New Year’s Eve now two thousand we’ve moved and that’s Titles Are Lyrics Already Done now it would also be nice I had a bit of a run in with the with the manager Larsson don’t you I don’t know the drawing again as on to New Year’s Eve to have sound with this nobody wants that yeah I still have those as well call again Catalina said we’d talk again later around ten but that yeah you’re right dark the sound was just the song titles with Uli they should be coming up as well now let’s first 236 237

two thousand and I was like Wurschti what’s up ‘cos I didn’t recognise you yeah we’ve got them all here as well finish these here I didn’t recognise him either people at the HfG say Osmi twenty thousand two really important the skateboard gear at the HfG not everything we’ve done has been good okay wasn’t that again this year by Oskar-von-Miller Strasse you should cross them off though this year was different needs to be said at this point pass me the paper will you now the cola’s frozen Michael cross them off though shouldn’t we be almost done soon what yes please is there any water left Micha we have to defrost one at this point that’s all still from last year that’s enough now not everything we’ve done has been good yeah but you can’t see it this year I made myself invisible with a fencing mask that was ace Michael you have to switch to RGB don’t you go on do that switch it are but something else was the one with Dennis’ skateboard gear at the HfG Annual Exhibition there any glasses fencing mask was pretty that’s I’ve got the photos that I took at your yeah we can call it a day now and Michael I think is on the verge of a ah right and what did that say on your jumper breakdown that I took with the wall with the information that I should wall JA Eminem yeah but I’ve also wanted to say this myself in with two friends which he quite liked right that’s why you were a rapper always showing up here as a Michael okay you can cross that off as well rapper let’s rock up yeah the photo with the fencing mask Daniel you have to show me that sounds like each action had like really killed is that on there now again later it starts with New Year’s two thousand two if this thing is on and running I’m on it HfG party that won’t be included into the anecdote grid anyway which big stages haven’t we done yet then that’s without the fencing mask that killed by the way is the digitape running but that was extreme because you could hardly see your hand in what did the digitape front of your eyes inside the room that’s more personal stuff now yeah that was proper hell I’m not going to sit down and sort either all or nothing okay let’s start but that’s not necessarily relevant here we’ll only cut it into slices Ladies’ Room Party in Unkel we’ve done as well there’s the fencing mask yeah but you can only where do you want to start cutting you’d you can cross that off brilliant have to make a thousand cuts … okay with the year two thousand two yes okay cut is the digitape on that’s how you showed up there cut wow Gin Ladies On DCA wait just let me quickly on two thousand one the first semester okay we already have the cuts actually party where I went okay so that’s that we’re not placing the grid over the whole text wow Gin Ladies On DCA one more hour so with the grid okay I won’t stick my oar in DCA new drug wearing my old skateboard rave attire and Niklas told Hank that are we carrying on with OVM now or what Michael Wurschti was there the grid is a different matter perfect consisting of gin vodka cola beer that was the drinks menu here right right there’s ale in ladies right there’s ale in ladies there’s ale in ladies vodka vodka the K is missing I think no the C C so how do you spell cola there was no cola right because there was no L either oh right oh right … (p. 191) 238 239 Portable Identities Portable Identities 1998 2002

and many people were annoyed that their name didn’t show up together with Kati yeah no no one’s got a slapping coming and were asking why with Kati you were walking along on the table and then what and that’s Björn there right happened was that you lost your balance and then you then the yeah Karoline Stille table canted and you walked down the ramp so to speak Gunde have you got something to say onto the dance floor unbelievable Karoline Stille elegant that’s him there’s something sticking out at the back on your there’s some snogging to report right onto the middle of the dance floor that was that’s Hank who’s that elegantly resolved you’re completely drenched that’s incredible that’s Jule Kracht and Kati Seibert that was perfect a lot of bubbly was being splashed around Kati Seibert is my favourite partner in crime when it comes to and started dancing straight away I have to say though that New Year’s wasn’t as good as last year’s excessive partying kept on dancing is that Scotch on my shoulder no Paolo was wearing a black shirt and a red tie I don’t remember yeah like this straight away Jantos that to be honest and she’s painting someone oh I like both of them change the battery oh yeah certain people were absent as well I wasn’t there Georg Otto wore a kilt to merging with the crowd so this one wasn’t as good as the last one right yeah oh Bella Dennis you can’t compare them that year’s New Year’s party Bella right the two thousand and one one change is she wearing my coat there no them low battery I’m laughing you can’t compare them change the battery brotherly kiss so which one was low battery there’s another one coming up I think of course you can wow quite a crowd that night your hair is so soft I was saying wasn’t as good as last year’s shit were you also wearing a fox stole Roberto they’re both New Year’s Eves and there was snow on the ground which made it a bit more we’d nicked all this from Miriam Glinka naw I don’t agree charming Roberto looked amazing so this was already the third statement that that that came close and colder oh dear to reality later that night we had to pull three Polish guys out of the serving oh things were properly steaming up already what hatch because they were trying to sneak into the office Miriam which by the way that was the jacket with the and Lia someone tried to how do you say it yeah in general with her outfit yeah the lips as well grab her breasts that white dress that was awesome Michael Schneider grab her breasts the white angel dress Michael Schneider who wasn’t there this year who I then kicked out and there we have Niklas who has always snogged my leftovers you can’t compare them Marcus what’s it called pawing her tits is what’s it’s called no idea what’s up with that it’s just a fact not a judgment Dennis someone’s got a slapping coming but the same slide isn’t it a tit groper was here my leftovers it’s a comparison yeah yeah so this was two thousand one two thousand two now yeah you were here as well that night you there’s you Roberto they really call this place Osmi Roman kept turning up the music ‘cos he was tired of listening to were wearing no not them only Marc does I think right the band Roberto both of them came up with it he should have also called by now Miriam’s fur hat that comes from the from the language used in the alternative there he is yeah and like I said leftist scene and all their bannies stickies there right and the conversation which then where am I OJ Roberto with red wine lips already there at the back lefties that’s not me though is it and Michael and I washed our hair with beer together this cola is proper frozen yes it is that was grand by the way I saw the precise moment when you I’m happy to have some frozen please that’s that Ischinger guy were coming down from that table do you remember there was that’s where Osmi comes from no one long table that’s New Year’s Eve that’s not you okay we’ll do it friend of Thomas Friemel’s Osmi they say I wasn’t dressed like that on New Year’s carry on yeah with the football jersey yes please ah yeah right for New Year’s they were the ones who introduced it and I have a photo with the same glasses ah right we brought out the Telephone Book which was a bestseller that to annoy more than anything night Osmi the Osmis ah yeah right that’s it included all the telephone conversations that we had had to New Year’s invite people for New Year’s Eve Stefan the most honest thing that was asked was why played this sort of duo well she is quite dumb that one right Stefan and Frank a name sometimes didn’t show up in the name index drums guitar I didn’t get the first part about the potato quite nice actually that’s when the culture of the index got started up of creating it 240 241 Max Goldt + Robert Gernhardt 2002

… also think that the whole thing had become old we’d been through all the cultural genres and it sort of felt like Gernhardt whatsit the two writers Max Goldt and Gernhardt Robert Gernhardt Robert Gernhardt right which was already like a rerun of Stuckrad-Barre of the Stuckrad-Barre thing and basically it was getting stale but was that before or after Gilbert and George after Gilbert and George … (p. 388)

but not a judgment stayed the same what a sight who danced where slapping Cathrin you’re wearing glasses there Hank you’re part of it there Michael really enjoyed doing that I think what hasn’t learned anything publicly slapping people just for the sake of it and Björn did that Ischinger was wearing the best glasses of course Michael Riedel Michael Riedel obviously wearing the what a sight to that he whenever I saw or have seen Roberto dance it’s been with her and obviously she slapped him back they blinked same suit but they tempted me to to do one of those lines oh yeah it was the other way round Björn and I talked about this two days because they blinked but a light coloured shirt yeah sure twice at the Pudel ago but that’s not Ischinger establishing some constants and then I I accepted one and the then I thought I don’t feel Holger Kraft all I know from her is the be there or be square that’s Ischinger with no that’s Hank with and this is what happened anything so then I wanted another one and then I was like I still Dennis there at the back that’s the Polish guys or the immigrant workers that thing runs along there now look I was also wearing the same top don’t feel anything give me a bit more come one just a wee bit Maximilian Otto that’s the yeah that’s the Polish guys with Ischinger’s glasses you mustn’t compare and then and what’s so special about that right the ones we later pulled out of there and on the left is Dennis next to him but the flower vases were also the same and the the result can be seen in the New Year’s video we know the one on the right stop for a second I need the loo that’s right the old hippy exactly that every time it’s been the same song yep Dennis and Ischinger same flowers too with with that with that hand there it’s always the same song what a jumper no Hank’s wearing Ischinger’s glasses the pulley and the punch line of the whole story to I Wanna Be Your Dog yeah that button I’m wearing there Ischinger in Hank Hank yeah and that’s how it ended there god he was tripping right unbelievable Ischinger Michael’s wearing the beer bottle belt round his forehead this time Pernilla was there and to this day I don’t remember her being I’ve seen that suit again by the way new it says on there I’d peeled that off a book it said new and I Ischinger in Hank don’t try to be a robot there on New Year’s and I don’t know and now we’re having a I was there too stuck it on my button this is the preparatory work so to speak for Dennis’ new pictures what’s Robert’s last name Salzer baby together yeah in Berlin it’s still that’s Hank’s inner slothischinger he is no Burckhart but not from that night from New Year’s we laughed so hard ouch on impulse and then three months later in Munich I saw oh Robert Burckhart was screaming nonstop for two hours I had to go no because I that night I supposedly said to her yeah come on let’s what the cops were also here on New Year’s do that again please yeah that’s also Ischinger right there to my room after that to go outside come on let’s go outside and I honestly don’t remember yeah just dropping by someone else with the exact same sticker who was also at this that’s Robbe get your peace and quiet this at all I don’t even remember being there it’s incredible and just came and had a look party here he’s about to go home to check something then we Niklas told me I had somehow that I was on the point of no one of them was the brother of one of the guests aha or someone else I don’t even want to get into the the stories about your room taking the whole place apart or something and I don’t remember he walked in in full uniform and we thought there’d be another a girl he’s just requested a song and it didn’t get played yeah yeah yeah so I went to my room and Robert Burckhart was that either so commotion like that doesn’t belong in there that was Bella’s friend there it is lying in my bed with Bella the place is still standing Cathrin was there yeah yeah there it is the table walk but I was also lying in your bed with Bella we’ve also had a magazine project that’s right also wearing the button that’s the sequence I wasn’t lying in your bed with Bella I somehow freighted you home at some point I think with money Cathrin was there and Björn Renner got slapped by her that’s sliding down the table no you were lying on my desk and everything I’ve got slapped by her too we should’ve watched this one first actually yeah ‘cos that was oh yes no I was lying yeah and and Björn Renner slapped her back two thousand one still Kati looked better there than this New Year’s I was lying in your bed cab really we’re doing two thousand one now true ah right I still remember that I saw Roberto dance for the first no for the yeah he slapped Cathrin back never mind but you mustn’t compare I was lying with your Bella not in my bed second time after that time at the Pudel to Iggy Pop and the no I’ve heard something different because there used to be this and the other one was the second folder I got them a bit mixed up they’re both New Year’s Eves that would have called for a good trouncing Stooges that was game going on between us this pointless why but in two thousand one I was was there 242 243 Frankfurter Allgemeine 2002

two thousand one to two thousand two but what we’ve just seen me neither didn’t even toast with the bubbly was two thousand two already that woman he was oh okay I would have liked to see her no I don’t believe that because that was the New Year’s boom and so this is the dinner ah that’s Simone Zahn he was completely knackered because of the film he’d just finished before in two thousand one still yeah well I’d say you blew it Marcus some others made up for it with their drinking though who was before everything was trashed I blew it yeah that again and actually we should have shown this one first this folder or the there or how is it Christoph Ernst photos that are coming up now you usually blew it with your guests actually might that be because Nicole Ernst’s father okay moving on have you got Marcus has hardly ever brought any people with him no Dennis will be back in a second exactly and we were sitting next to each other that that night that’s a colleague of ah right because seats were another colleague from Aachen so we’re having a break now drawn by lot Friemel’s yeah he requested one drawn by lot nice he made a request right we had white balloons then and this year very good yeah and submitted it for everyone so we’re almost done then yeah it still says two thousand one on there Robert Salzer Dennis so this is the dinner now from one week ago or what Salzer yeah that one’s a victim although not really a victim that’s Miriam no from someone had farted there Glinka last year that’s what he looked looks like a victim though two thousand one that was my speech who I’m still regularly in touch with today two thousand one exactly you’re right there’s me you have to wait for Dennis when I was giving my speech with the glasses fuck not bad there’s Hank with Ischinger with Ischinger’s glasses why though very nice picture that’s the fake Hank what was also better that time even though we shouldn’t compare it didn’t go down very well which is why I didn’t do one this year someone’s strangling Jantos in the background his head is almost inside the flowers Michael didn’t you you didn’t do one either did you he’s doing it to himself that there were more tables I wanted to but there was no date I mean no moment Michael Riedel yeah because there were twice as many people no date having a coffee yeah well how can it become a success if it’s already like that handing out coffee at the dinner it wasn’t as good as last year I do agree with you on that so with a cigarette even but that way you sort of have more to work with Sylvie didn’t come either minidisc and camera more tables to for Sylvie didn’t come but there on the right that was one of Marcus’ the old snapper and the minidisc player did you record that on there were more tables available victims what was her name again New Year’s as well more movement around the room yeah victim oh that New Year’s perfect sound but there was also more preparation involved wasn’t there Steffi right and a remake was made of that sure Steffi right exactly who later got off with Limbach exactly weeks before you were already he offered her a shoulder to cry on that’s nice at Opel you’ve just made yourselves unpopular in Frankfurt haven’t you that was quite another thing that was at Opel yeah no we haven’t not at all we were still in a piss up coma from before that was also a speech brilliant many people it was also just a lucky coincidence that a lot of yeah Frank Bardonner people came from out of town and this year not as many people the Führer giving his orders there Fedi’s coming in came from out of town but Adolf is standing on the side completely lost doesn’t know oh that was great when Fedi walked in after we haven’t gone a single picture further Dennis what to do Federico Sanchez not one Bush on the border to North Korea the dinner no what’s that there what’s going on there that was truly great and he brought his own records as well open mouthed but that’s quite cool with the plaster there which I would say is a classic Roman or what no idea that night I heard Devo for the first time by the way yeah what a sight yeah yeah Michael wasn’t really hungry I’d never even heard of Devo before ah yeah on New Year’s he told me a story that he wouldn’t put on we were so stressed out that New Year’s about the food incredible jumper thing the shite you’re doing here at Oskar-von-Miller Strasse he’d just yeah that one had quite a cool haircut put two bathtubs in here yeah that we didn’t manage to eat well we could’ve eaten at some point jogging Hurttig bam and he’s already lost but didn’t want to anymore jogging Hurttig one filled with caviar and the other filled with champagne or the portions were too big always jealous of our hair always jealous of our hair something and then he’d the homeless people he’d invite them in lost our appetites really here and would feed them with caviar and champagne that was because we yeah well of course Small Faces I didn’t wear a tie this year and with a face like this had already pinched so much while handing it out me neither the portions were this big the Small Faces invented the schnitzel me neither that was massive wasn’t it naw me neither there I was with my fifty still in my pocket but look the there Roman’s already started to me neither those were D-mark times still no bollocks that’s maybe the record but that was a completely me neither but you mustn’t compare different night I did pass the paisley Björn that makes up for it I’ll never manage that he didn’t drink one drop of alcohol New Year’s princess yeah next up is so and now the names Björn on New Year’s World Cup final birthday party eleventh that woman I don’t know the one in the middle that New Year’s clubs 244 245

of May Beatbox April twenty-sixth yeah put them all in right July sixth and you’d had the same idea and then we started by reading out Opel was first the television programming for a quarter past eight yeah the exhibition at Opel consisted of four weekends where I’m going to call Juli now something was shown on the first was the opening then where why where because I wanted to call him and now he’s at home I’m going for a piss and at the opening we took that picture with Hank Niklas Dennis Marcus where Marcus gave a speech Marcus and me and that journalist from Rüsselsheim there’s a background story to this which is that we came up with who was horribly cross eyed the crazy idea to go to Hamburg yeah to begin with he was properly cross-eyed and and also he yeah didn’t agree with how we to see a series of talks on dandies allo you’re at home oui okay ciao yeah positioned ourselves a series of talks on dandies that lasted two days and so I think at bonjour c’est Roberto three in the morning we set off and arrived on time at nine in the ah bon Happy New Year’s morning and then spent two days in Hamburg and then went back yes and after that we basically only had one day to prepare all the rest yes of the things for the exhibition opening Happy New Year especially your speech my friend one of them was that I had to type up my speech in six hours do you remember Oskar-von-Miller Strasse which I then I’d already finished the first proposal but you shot that I remember Oskane-vom-Muller Strasse down completely and then the second one yes I didn’t shoot it down I just pointed out that where yeah yes it was maybe a bit too where not entertaining you okay that’s interesting now yes yes I remember old traditional art historical please come on yeah and the c’est qui that looks like it was here what we’re not finished yet c’est Veronique and so I did the second one and what’s interesting is that the the ah oui opening picked up on the exact same idea like you had which was c’est qui that I started off with the principle that at the same time you could c‘est Michael be watching these following things on television Michael 246 247

where where where in your head please come out in my head I don’t know I have to yes please help me we had dinner here we had dinner there yes that evening with Pettibon yes oh yeah I remember what do you remember I remember I ask what is your age what do you prefer to have when you are a man what age I remember I don’t know si yeah … the transition from the from from Frankfurt Michael you Linda Pettibon oui yes Linda this mod thing to the art tu est à Francfourt what else thing … (p. 328) oui yes ah oui yes I don t know her and what do you remember about Oskar-von-Miller Strasse no je sais pas si you I remember you why me where did you sleep yes you where I don’t remember and what else you don’t remember I don’t know did I sleep oh come on yes I have to remember something I don’t remember ah Margit Marion Mayer yes where yes no 248 249

Margit Marion Mayer what yeah what do you mean unfortunately otherwise it would’ve never fit in that’s the Senkel but that was the New Year’s Remake because I had a burned yeah why a young writer’s room and say hello to everyone here later the Säckel that is finger there why not yes and then I remember okay true Nickel with the Säckel for example there so what else the memories are always very slow in coming out ciao but we’ve still got the scraps Play Off what’s arvensa anyway yeah yes what hello to you too and I’ve got pictures of it standing in here later mensa canteen that says there was already something in the air of it there what the memories come out very slowly ciao yeah me too ah right yeah yes what else what have I to remember you are total kaput yes you know I mean you don’t understand Roberto they come really I think on the phone everyone has a memory block yeah but that’s a different story Venezuelan airport but what were we shouting in the previous photo wasn’t that long okay open your light come on so okay fast but unorganised that was good yeah of course that’s the camera that had all before the World Cup Studio so where is Juli ah right yeah that’s not the page we’re on today no it wasn’t that one what the hell is going on with Tina there here and that taking time that is simply throwing our what doesn’t almost as good as Jason Rhoades that’s that’ll go into the second book with the timer that was after Berlin Hank in Berlin at the Cottbus we learned how yes okay give me Juli and his memories belong in there do you understand that has something to do with but Jason Rhoades had but what’s Denise doing there coming out of her shell there isn’t yeah it was to bellow his memories alcohol you should’ve given him more time she yeah of course we learned how to bellow after Unkel yes okay I’ll call you back later who is that guy reenacting you don’t know whether that’s the original or the copy the functions that’s where it started that’s okay why that’s what you wanted to know or what Juli from Paris a friend of Roberto’s that’s the whole point Samsung Samsung mini wini sausages that’s a Rock ‘n’ Roll salut de Michael et Dennis what Juli Susin as if you’d pressed the lips forward with the mouse what that’s also where we for the first time we d‘accord okay Juli Juli that’s what you wanted to know he was here once it’s extremely good that wall you can already see it there just by you could make a whole catalogue out of that out of all the pictures he looks like Ebby Thust Juli Juli yes twice looking at the door handle of Michael and me together yeah allô allô he’s got another one I only met him once but there at the top that’s deceptively realistic for someone well true everywhere there’s when he was young hello yeah and the he was here once for that strange event underneath the bridge who’s only been here a few times for a guest I mean you say that’s at all the parties I also wanted to hello what and you you had Dennis wanted him to not just his memories that was not too long ago but some time ago he was also here Oskar-von-Miller Strasse and they’ll buy it plus you’re always touching I’d burned my finger so badly on the fucking fireworks that for the what do you remember about Oskar-von-Miller Strasse but just throw him out when I was teaching here he was here as well of course they’ll buy it right there’s always physical contact rest of the night I quoi what didn’t you also show up with some French theatre guy as well of course that’s Osmi yeah yeah I remember that and I quoi they want to kick Dennis out now no that was yeah that’s also where we found the Senkel tango too isn’t it was fussing around with this ice wrap on my hand attend attend je Jean has a pistol now no no something completely a Concorde CD you’ve got there Samsung mini wini sausages had to drive us home oh okay I don’t get it Baugust the real one not Leica ah right and had to walk around with it that was really and when you direct in that in the direction that interests you you you said okay stop and you didn’t exactly do you remember did you slip in there you stuck your hand can hear everything people are saying in very very low voices I get the feeling there’s more there no not him Senkel that later don’t know badly burned very far away there’s more okay go on carry on what else do you remember the first time I saw you with Juli was the time when you were at the real one but I know out the window you were sitting up front and you were holding not bad so what do you remember they want to kick out Dennis the Städel there was a sliding sliding action with the Senkel they later came along to the Greek restaurant your hand out the window to cool it quoi yeah but that’s alright yeah yeah yeah exactly it you could we were asking ourselves for quite yeah that wasn’t really going to the Hellas was horrible pain that things must’ve burnt at least four millimetres into what do you remember about Oskar-von-Miller Strasse Roberto you have to accroche toi accroche toi bien and I couldn’t really place you then just had a vague image of you some time what the Senkel was was in everyone’s mouth that Hellas days are over my flesh me oui oui oui being political actionists and found you all tremendously handsome word Hellas days are over we kind of wanted to rekindle the spirit there what did you want to say just now me ca va I’m sure he remembers and charmingly radical I thought Juli was also someone from the for the exhibition sorry but I wanted to say that Denise is a wonderful woman me what what organisation from Paris from that organisation which I didn’t know okay Sabrina at this point right right you what I remember it’s cold what it was even supposed to be and then one time we went on to I wasn’t sure whether that sentence was finished it was good but I didn’t it know what it was like before when it was that was New Year’s in mid-February what do I remember me about Oskar Oskar cold the Zobernig seminar at Daimler Strasse what’s he got there in his trousers me neither that we were celebrating Oskar-von-Miller Strasse nothing that’s where we we don’t have a key but after some time after a walk around the ah yeah yeah the serving hatch afterwards we went to the Up Club I remember that same faces again that’s the place where we stayed or what house we still get in and there is warm wood I felt like I’d just been accepted into the RAF and Juli was also one that’s a hard-on I wouldn’t dare to compare it but that was like New Year’s this year which February yeah exactly ah right we entered over the roof of our telephone DJs for that exhibition Pernilla sewed the flag the black square and last year I think two thousand two I remember the kitchen you dark at the entrance very dark but there is also the telephone yeah Veronique as well that’s your father isn’t it Dennis Daniel that’s not right we went to the Up Club after New Year’s no I mean which which day yeah yeah okay and and then a group of young people on the terrace empty bottles and you too no what’s going on there the ninth the kitchen beer a few girls and Baugaust too the one in Frankfurt I mean at the at the at that’s the UCL that was New Year’s wasn’t it the ninth in what state ah yeah the whatsit Schweeger’s that bitch’s name Ingrid Schweeger or janitor leave the picture on rotate it what other day would it be with leftovers vinyl records something that was Konstanze de Valentin Witt’s brother afterwards after that event Tina and I got together Marko Illnicki’s birthday by the way with leftovers chair Ingrid Steeger that’s Daniel yeah after the event ah yeah you don’t know whether it’s meant seriously or if it’s a yeah window Ingrid Steeger who was also there still the Hellas wasn’t so bad though when I was there for one of remake with leftovers a little bit of smoke Ingrid that’s the brother them because later I was in Hamburg it wasn’t our heavy drinking yeah in what state a few details Elisabeth who agreed to produce a cover version with his band but heavy eating that’s where Dennis and I brilliant I didn’t know this one yet leftovers a state in a cold state and then us of course Elisabeth Schweeger that old bitch he he’s wearing a purple jacket the pack of hounds my haircut is now about the same as it was back then cold state beer so even Erik was there ate one and a half portions of schnitzel there yeah mine too the leftovers in the kitchen and then also the question how to get up in the morning back to Opel I don’t believe it ate that and salad mine too was that in winter or what ah yeah we had to get up really early this looks like it’s here but it’s actually at Opel because there one Erik Maisenhälder right and later at the Ostclub or where was that look at Daniel there the state of the leftovers yeah things like that yeah all this seems very nostalgic Roberto wall was reconstructed for us which was whatsit yeah at Ostpark Strasse we felt so gross sparklers and everything and then I remember the pillows yeah I’m listening the back wall a purple suede jacket he’s wearing really gross because we’d eaten too much oh that face makes me fellows and what do you remember that’s the wall opposite the display windows that’s right so the Hellas actually was shit very genial the pillows that oh god too much exactly not bad yeah but the counterbalance I always think his face hurts when I see him like that the pillow it’s a lot easy for you with a disco ball even and who’s he again the pictures were ace though all that there’s quite genial are shorter than us yeah with drinks even don’t know oh I do Jörg Siedel when have you ever ordered a second schnitzel after you’d yeah we definitely managed to restage New Year’s look at that they’re shorter than us but also a lot more difficult why do you want to take note of a bar by the way I’ve seen a video and afterwards honestly felt like I’d already had one where and then I also remember the surroundings like on a boat like a everything that people remember serving hatch been at the exhibition what the hell is that there there boat it’s being taken note of right now serving hatch there are we maybe bellowing like that in the picture because that’s the Happy Birthday yeah like on a boat what now also what I’m telling you there yeah New Year’s Remake but it’s actually more real than the real thing yeah like on a boat which that doesn’t move yeah yeah the complete wall the Vivaldi haircut but I should mention that five years earlier in the same shitty halls because it’s right on the Main well okay bien appelle moi call back if you have some more all of it one-to-one obviously Vivaldi yeah where we had our exhibition I was learning how to weld sheet yes that’s the river that moves questions yeah twelve metres in length what a sight that’s not possible because I was metal and file steel channels and then I remember a room of a young writer okay unfortunately only two eighty in height there it is the Senkel there are more pictures of you bellowing like that where can I go with this now ah yeah that was probably Dennis okay a bit a bit flatter than the original yeah there’s the Senkel yeah bring it on yeah that was the transfer to shore duty Marcus 250 251 Double-sided clock with contrary running directions and variable velocity Double-sided clock with contrary running directions and variable velocity 2002 2002

… that day we bought the clock the clock that ran much too fast which we only found out later yeah the clock the guy assured us that it was working perfectly that you had to put it on the no we didn’t leave him standing no wall at a ninety degree angle so god that was hot with the with the with these lamps that you could look at it from lamps both sides because it had a a giant scooter in the background they were twenty centimetres behind my back those massive face on each side roller blinds the massive roller blinds wasn’t it that the clock was that’s a scooter with some proper lights at the front visually amazing square as well that was incredible wasn’t it as hot for you then it was alright it was perfect it was alright no one knows what you’re on about and the man was like it works for me it wasn’t alright and if it doesn’t work we could asks and answers simultaneously those lamps were hot enough as it was bring it back yeah it was hot yeah but I was sitting because as the right yeah yeah what on earth did it say on the floor there you were sitting way at the back because the emails need to be included as well the text drummer I was sitting totally at the next fleamarket and it but they didn’t do anything with our emails the texts from everyone could see that actually didn’t work properly afterwards we went to the Up Club the interjections wasn’t it at the back because it was a small space and then there were that’s right yeah yeah already the hot lamps but we still decided not to take to the Up Club yeah exactly the text from Chocolat Art Television Personalities you didn’t complain though there’s another one right sweating it back there’s Prosecco who left two hours before us and we still arrived we were puzzling them out in our living room for hours he was sweating all over himself instead we found out before him Prosecco I look like Jochen Distelmeyer from Stil I just rolled up my sleeves extra high Prosecco puzzling them out it made parts of your hair stand up that it what a nickname a knitted jumper and the shirt worn over the jumper yeah look at that brilliant that’s a really good nickname and it fits as well I was really thrilled that the colour of the guitar matched what did they burn him up back there haircuts becoming more ran much faster than normal I agree by the way that’s Dieter Rahner’s guitar settled gradually clocks then he he came you were ill Dennis the drum kit was mine of course yeah whose guitar is that Hank is the minidisc still running which is of course even better that was the band action the MTV Dieter Rahner’s yeah yeah twenty-three minutes who’s that it feels like we’ve been sitting in here so long that you can see than having it work normally twenty-three minutes right he’s the headmaster of the primary school in the same street beard growth wow boasting some amazing we’ve just seen you taking the pictures where my mum worked mine definitely yeah yeah on video so who is that then Prosecco Tanya Lübber yeah with you I’m completely styles there on the video Prosecco ten more minutes yeah the red guitar okay you can stay up front here for a while the claim was that at looks like a Strokes video but with two Ks we know this inside out by now but the photos are definitely better he’s only referred to as Prosecco or what yeah let’s go through this quickly now because we’ve already Oskar von Miller Strasse on one because of the light quality Hank’s looking very young there talked about this side time stands still and on the the photos are better but he isn’t anymore yeah Thomas Friemel was babbling the whole time and at the end of hasn’t Prosecco become stale beer now bands yeah other it runs much too fast … the gig he went and got himself another beer drunk up or maybe leave it out straight away even you want a beer too yeah drunk up exactly we know all this right (p. 225) and ran into Prosecco with rolled up sleeves behind the drum kit there you can see it he acts like he acts like come on you just want a beer too left standing can we jump to the next folder 252 253 Oskar-von-Miller Strasse 16 (Oskar-von-Miller Strasse 16) Oskar-von-Miller Strasse 16 (Oskar-von-Miller Strasse 16) 2002 2002 there you can see that Hank’s burning Election Studio two thousand two ah right there you can see nice material this looks really nice Daniel the wall that was rebuilt for Opel was then set up at Oskar-von- normally she’s always wearing that funny knitted hat well okay we can really move on to the next folder then that’s Miller Strasse 16 and so the wall behind it was doubled nonsense yeah there you can again see nicely the reflections of the lamps that how often have you seen her twice right four two hundred forties filled up with the conference taper down towards the back five times four how many and there’s the disco ball again Beatbox four two hundred forties the disco ball you and Dennis painting the wall isn’t it is that one full oh yeah setting up the wall yeah yeah not yet this is the fourth one that’s being recorded on now I’ve got some really nice pictures of that as well that’s not me again the the four chairs that’s Johannes preparations I’m afraid we do have to go through these quickly so there you can see it nicely again Beatbox Remake Club from Wiesbaden Daniel what’s that oh that’s me there my hair is pretty short there there we beer like with without rotating them and then bish bosh the there yeah we can quickly go through these just bish bosh were playing Memory that wasn’t the one with the straw mats either now that’s already the gig again who won Michael S Riedel gives Dennis Loesch a shirt as a present Dennis we’re looking at these for the third time now nothing against the with Günter Zehetner Pilli Madariaga Loesch passes the shirt on to Niklas Schechinger photographic work but we they were there everyone playing foosball with the HfG foosball table why don’t you do hey what’s Beatbox Madriata no that’s the foosball table from ah okay Night of the Clubs he’s got it Denise again those are the metal barrels from that from Wiesbaden let’s just go through them from top to bottom so that we don’t a wonderful woman which are still which are still standing around here yeah I wouldn’t like to have to set it up in here again that wall rotate forget anything I’d like to thank both my grans Niklas is pissed off wall copy fits in quite nicely now anyway this whole saying thanks is so annoying no that was playing football very nice thanks gran didn’t understand the game this is two years of Oskar-von-Miller Strasse 16 now thanks Pilli what did they based on a radio programme sound documents from two years who’s that that was football shouting of Oskar-von-Miller Strasse during the exhibition Oskar-von-Miller thanks for not going to the hairdresser’s that’s a Xandi Strasse 16 two thousand until two thousand until two thousand who is that Pilli Madariaga Xandi Korb two Pilli it’s already in the in the air there check move on portrait painter there’s something going on already next seen for the first time without a knitted hat and there as well

… they were actually wall … this is two years of Oskar supports von Miller Strasse sixteen now for the doubled Oskar-von-Miller based on a radio programme Strasse wall sound documents from two the last event or what years of Oskar-von-Miller exactly Strasse during the exhibition and then Hank was like hang on Oskar-von-Miller Strasse 16 two well yeah I mean that’s just thousand until two thousand Luisen Gymnasium for ya you until two thousand two just see that eight of them make check move on a Union Jack … (p. 328, see next … (p. 77) also p. 294) 254 255 Oskar-von-Miller Strasse 16 (Oskar-von-Miller Strasse 16) Oskar-von-Miller Strasse 16 (Oskar-von-Miller Strasse 16) 2002 2002

oh my it’s a trick these hang on things were already cooking yeah it’s a trick no so this is the same one that’s the transfer to shore duty there and why shouldn’t they not wear women’s clothes that’s the same one isn’t it I think there’s no need for you to tell it he’s got it stuck to his ass now it’s a trick naw yeah you’re right Hank Schmidt in der Beek rocks up at Oskar-von-Miller Strasse it’s a trick that they consciously fall for because those men go for but it also says well what he did with a beer up his anus men not women it’s the same party stop stop stop stop stop stop stop stop stop stop stop stop the orifices of the body but maybe they’re into women’s clothes yeah hang on will you Jackass is slowly getting better again fancy women’s clothes yeah right so we don’t need them forty more seconds transfer to shore duty can’t we call one up Gilbert and George Michi I’ll have to check it out then some of them simply feel like women that’s the day Pernilla and I got together because of that tell us something brief Marcus recently there was Johnny Knoxville just drove into a town called can’t we call one up that again go on say it quickly Mianus and then what does the beer taste like in Mianus he you’ll use the ask the audience lifeline now right did I only take these few it’s really quick wanted to know and how big is Mianus exactly congrats again oh yeah not all that funny but what sort of birthday party was that pictures no you’re out of luck brilliant that was that was an external event organised by Wolle only thirty-six come on Eminem because he went completely overboard an external event I’m totally sure there’s salad left Daniel and what’s going on there now an external event I’m only telling anecdotes thanks I’m alright I think Otto’s brother the police have come by quite often but only yeah an external event there’s Wolle again now very good too once arrested someone he’s a bartender from the Robert Johnson who celebrated his he’s a copy writer with Saatchi and Saatchi you’ve got forty-five is that is the disco ball lying there is that from the birthday he that guy well go on then Marcus that’s the Schott sisters can we leave yeah rap now oh the l can we leave the external event he’s funny twenty left one’s hellish yeah he made that Why Not series nineteen the left one was dancing like don’t you have why eighteen the Schott sisters did everyone there come without Warum Nicht or Why Not eighteen Pernilla and I had just got together there I was in attendance as Marc Oswald at Gilbert and George Georg Otto went off with Barbara so Barbara and then directly transferred to shore right we almost committed the error to all come dressed like that I can add something to this seventeen congrats wow you were pretty tired and bored there well spill the beans seventeen that’s me with a slightly broader nose in the living room on this has recently become single again and everyone knew and scraggly hair yeah we ended up going over to the house because it was so could we have that in larger sixteen there’s the Schott sisters horrible slow down slow down sixteen with hair that’s dyed too light we don’t need these go back that she was basically ripe how many people live in Mianus I can’t wait to hear it the date there is wrong that was that was the birthday Up Club with the oops ah the drag queen no that was Wolle’s party right that was Wolle’s party right and that was also oh my that was bad but there was this drag queen and then an endless discussion started on what was so fascinating about dressing up like a woman I was there briefly that’s an inaccurate account then you give a better one after all that’s what you’re here for the question wasn’t it wasn’t about fascination the question was why do men even want to wear women’s clothes gay men why do they even right that’s it wear women’s clothes if they’re into men I remember you asking me the same thing in Hamburg and people came up with several answers but none of them quite satisfied me is that the to attract other men to attract other men yeah sure yeah but heterosexuals also wear I mean heterosexual men also wear men’s clothes that again although they’re into women but to attract men isn’t a proper answer of course but women also wear trousers to 256 257 Carl Larsson Carl Larsson 2002 2002

fifteen … Land Art Carl Larsson fifteen and so Georg Otto certain things will remain a fourteen fourteen secret was the first to snag her yeah thirteen thirteen but read them out anyway … twelve twelve (p. 264) was the first although eleven eleven Marcus Michael ten ten and Dennis nine nine nine actually eight eight eight what seven seven seven had their hopes up six six six as well 258 259

five Frau Rauscher from Klappergasse and Georg Otto Klappergasse four Frau Rauscher just went and snagged her and who is this about why this that she or four from south of the river to north of the river first yeah she was sitting on my lap the whole time interviewing me I had my hopes up he says and then came then I introduced her to Georg Otto three after a few ciders we’re all chums two nipped off to the loo quickly you were after a few ciders everyone has fun stop after a few ciders everyone has fun and then Georg was sitting on the chair [BREAK] you dogsbody you filthy rabble you humpbacked rabble the thing is though it’s never actually so much is that Sonja there it’s so naw about the person yes it is Barbara who Georg Otto was completely like naw it wasn’t about Barbara as a person it was more a matter of yes principle that Georg Otto the one from no no the Barbara principle she doesn’t fit in here anyway had only been here one hour and already snagged a woman Thilo was here once off to you’re right Steffen Jobst so then we were minus two guests even fewer here that evening Steffen to Klappergasse to Barbara’s flat the maker of the M Fifty-Five right good afternoon this is Steffen Jobst speaking does Barbara live in Klappergasse where is that anyway here not at Portikus right yeah that’s Stefan Beck and naw that’s here of course but I can’t tell you now what Barbara told me no I can’t do that yeah of course and Micha at the front Michaela Binder that’s Tina Kohlmann the previous photo they were friends of Torben Jensen’s was there something going on there Hank no but this one’s great as well looks like it still blonde brothers something was slowly developing what’s his name again in on hand nothing was slowly developing there that’s Valentin he studies product design at our school go back one there’s Michael Dodt but he that guy once lent me an Inspiral Carpets record one can and one bottle of beer both there was a lot developing all over the place that one there no just to just as an explanation for our how we formulate and and there at the back is another Beck’s bottle Hanne and Rouven no not him the one in front phrase things today he’d only have the bottle because of the can deposit Hanne and Rouven Valentin Hank go back one put your feet down no the one in front of him go on help him Marcus yeah yeah hello Gilbert and George Hank Hank rotate it it was slowly starting with the singing there we’d drank a half crate but that wasn’t here we have to go you mean you haven’t seen these have you of beer already that wasn’t here we need to go home honestly it’s okay that’s the Heroin text Gilbert and George that was all arranged okay that’s a good closing statement not bad yeah you’re right yeah that was here down and out there those would be good closing words Torsten Fenzlau oh yeah at the console lots of shouting now no way that’s unbelievable you’re right what’s going on there video video screen and the record player playing at the same time to somehow help the mouth the mouth is completely different the action right that’s the video we showed here Jupiter Zombie that’s the that’s a good closing us keep in time with the music have you still got that recording brilliant yeah who’s that but we still have Night of the Clubs of course mischievous you can see it look that’s Lars yeah I still really want to see that now write that down need that I’m out Roberto have you got any clean a large bottle two thousand Beck’s we had Daniel Birnbaum and Jochen Volz’ okay for the action another Zeil punk Michael Dodt documented this better though because I was paper left two thousand Beck’s who were both really scared that we would b r e a k Marc playing music plenty that’s great something our teeth are not that yellow go for it is everyone wearing the same glasses there who was that man oh yeah break yeah we still have Deutsch Turin on our list slap it on again with the slicked back hair there was someone there who also played football with us who something what’s left on our list Dennis on drums that’s quite good with the with the sticks and one he goes to HfG quite cool I don’t remember his name dyed his hair in the German colours black red and gold had a as Jason Rhoades said quite rightly we are actually from he said Deutsch Tedesco you mean stick in his mouth right there he’s not cool all he does is fall asleep mohawk we weren’t any better than or worse than but somehow weren’t what’s that is that still Gilbert and George can you can you smoke a cigarette without taking it out of your yes he is cool he really is cool and after the match was over he got up typical Frankfurt yeah mouth he was always here and always sleeping Dennis himself definitely not typical Frankfurt that was Torben Jensen yeah well not completely only at the beginning World Cup we’ve done as well loulou and that’s exactly how we’re perceived here with a sort of suspicion that’s the Quadrophenia record and one Beastie Boys one not bad you breathe out through your nostrils then yeah he liked the music a lot that was the first louloulou but also not not really seen either or taken seriously you’re so perceptive oh yeah that was bad yeah we’ve done the World Cup already there’s me not overestimated either that was Rod Stewart right Dennis explain that briefly again I’d quite like to see something from that again the syllable lou was invented by the Belgians though underestimated Oasis we already have though yeah me too can you go back one Daniel no just not taken seriously not underestimated great photo with the Oasis record no we’re almost done where it’s half past eleven rotate it but that was that was that night with the clubs with the shuttle New Mod who is that that’s me to the guy who looks like me as those are appropriate closing words or what yeah buses and all that yeah that’s you completely different chin cunt 260 261

him rotate please that’s incredible they got that from the Belgians louloulou loulouloulou summer young and you don’t look like your normal self there you look much younger very fresh I’ll give you a haircut again soon so then almost like Roberto a little bit happy times shall I cut it for you again holding a bottle of beer in each hand what do you mean again you’ve never cut my hair before those were really happy times it’s visible I’ll cut it that was the final loulouloulou no my father and my mother I’ll cut it nice and short and Dennis like a five-year-old between them you should have them cut nice and short brilliant who cuts your hair then that’s unbelievable Oskar von Miller we’re singing Oskar von Miller mum and dad Loesch we’re singing mum and dad we’re singing Oskar von Miller Loesch we’re singing Oskar von Miller we’re singing mum and dad we’re singing Oskar von Miller Loesch right that came that haircut is a weapon that was sung which one now yours or your mum’s Oskar von Miller mine Oskar von Miller what a statement we didn’t come up with that though both we’re singing loulou loulou loulouloulouloulou loulouloulou that was one of the guests louloulouloulouloulou loulou Oskar von Miller right loulou loulou loulouloulouloulou loulouloulou Oskar von Miller we’re singing Oskar von Miller louloulouloulouloulou loulou von Miller we’re singing Oskar von Miller loulou loulou loulouloulouloulou loulouloulou we’re singing Oskar von Miller louloulouloulouloulou loulou loulouloulou loulou loulou loulouloulouloulou loulouloulou … Lorelei we know where that was coupled up with the transmitter right louloulouloulouloulou loulou yeah that’s what it was like you’ve parked your car exactly yeah fuck the score was one nil there already oh yeah check out those glasses Boppard like on a campsite that was the connection to Japan she must have a shite optician right Boppard was another yeah it was crammed let’s count heads but what on earth is going on there Sonja Umstätter sweating as well I counted a hundred thirty-six that was the Saskia like a pig highlight that was the the final wasn’t it we’ve already looked at the final no bang it in is that where the Boppard text no that was sometime after the quarterfinals you’re right I’m about to leave now Tina Kohlmann bottom left me too I can’t believe it either was created cool even cooler that was amazing that was absolutely brilliant another Beck’s no we’re talking about the boat that’s what it looked like from outside god what do we look like all matches live that’s Valentin and Flo trip god that was amazing Flo is a bit empty headed isn’t he that was un-fucking-believable Philip Zaiser and all those yeah but wasn’t the wasn’t the plan up on the left Jürgen no yeah then we ended up moving it because Jürgen why I’ve got the eight nil match against Saudi Arabia on video by the it wasn’t created there Germany because we had to make a photo stitch for way nil nil the world was still in order there behind the door with the German flag on it that door there was a ah Marcus now we can spill the beans the Boppard text was on the USA German flag on that door Kerstin Klose way back from Unkel eight forty-five so that none of the wrong fans would come in here Kerstin Klose push Play yeah yeah increasingly smaller Kerstin Klose that was the Boppard text yeah push Play another picture eight nil against Saudi Arabia still nil nil when did the one nil happen it was great because there were people from all social backgrounds oh yes please right nil nil Spain South Korea what’s the score I found it raffish for the for the Seven Twelve Red Letter Day two thousand two we tomorrow live from eight thirty exactly that’s what it was like it was look at it without without went by boat from but we went past Boppard on right need to get up early again everyone’s hands in their faces Carmen was there as well the boat Manfred Peckl everyone sort of naked half naked Mainz to Cologne and afterwards Sonia and Paolo took us to this Peckl well it was all just so hot Arab restaurant and you were completely oblivious yeah what’s the score we had to keep the door shut because otherwise you wouldn’t yeah so have been able to see anything and at some point it started to and there Marcus and I wrote eight nil on the menu with a yeah Gregor Schubert stink permanent marker because we weren’t up for that Arab muck but on the train as well and Virginie but we had to we should mention that we didn’t have enough there the goal wall seats and there this one poor mad sod great picture yeah on the train as well you’re was my entrance exam that got me into the Städel now what’s the score rotate it earlier great picture right … (p. 101) Britta he wasn’t mad nil nil Schneider Marc Oswald but a poor sod 262 263 New Year‘s Eve New Year‘s Eve 2002 / 03 2002 / 03 maybe he was badly off that’s the Frankfurter Allgemeine In Girum Nocte Neumaier and Lauber up front oh colour again with a Popeye T-shirt Kerstin Klose that was the Frankfurter Allgemeine that was during Anemic Cinema up front on the right yeah oh yeah and quite a lot of colour ace Kerstin Klose Frankfurter Allgemeine that was Filmed Films wasn’t it and Rehberger here’s the what’s ah right proper who’s that that wasn’t the photo just got mixed up in there that was a talk I In Girum Nocte Daniel Dilger’s sitting in there as well brown brown you’re right because you had this it wasn’t so packed there the guy who brought us the seats from a pub in Sachsenhausen think on the other side where the numbers are do you remember what there’s Marc and Elan again Daniel Herrmann looking really handsome half really loulouloulou loulouloulou that he wanted to sell that’s the Frankfurter Allgemeine I mean Miroslav Klose caught a bit of colour yeah yeah goal he had to because it wasn’t doing well anymore three people were that was really like in Richard Barnes Karoline Stille was here no that’s not her black red gold one goal for Germany shot there that was the Up Club and that’s just one half of the room those were the cheapest seats that must be from a different time a tenner now yeah exactly three people I was about to say that that’s the Frankfurter Allgemeine yeah that was yeah is that you that’s when all the tension dissolved oh that was off the post I think an Up Club and on the other side there were more people like yesterday during the Eminem that was here these are the trousers now the last folder Kerstin Klose truly everyone was there weren’t they there that one in the middle’s already screaming do you see which god honestly it was so packed that people had to stand behind what I think there was that was the time with the double shots and all Kerstin Klose Martin Neumaier at the front on the right one I mean the one with the glasses the goal wall where did you see that privately or what that Mandla that was the Remake Club Zosch yeah during halftime they no idea wet hands and that’s exactly what happened Dennis I’d barely been up front not even a second when I already got that’s Wolle ninety minutes Milho Dennis can I have a cigarette Kerstin Klose a proper dressing down because I was blocking the view some no no everyone completely whacked now what’s that that was god the noise level in here Mandla Reuter people are already starting to get pissed off Zickler was here another one flowers on the wall shit he’s really half naked the Filmed Films right that’s when we were showing Marcel that’s right yeah sure with an alien we also did some bowling he normally normally he’s got a hairy chest as well Duchamp that’s right two more Moses Martin Neumaier what are they doing they’re dancing no look Isabelle over at the side Zickler yeah the yeah I can’t get enough of ace Moses looks like Hendrix yeah at halftime we danced obviously yes that photo is great but where I can’t see it ska and stuff like that rotate it that was the poor sod what on earth is going on there what do I look like the guy who lent us the chairs there those two check out how tense they look and that one Heinz was his name Heinz with a completely weird girlfriend or doesn’t want his picture taken whatever that was he’s always got that look Martin there are people like that Kerstin Klose I need that haircut Klose maybe an American Indian that was the party that Christoph Bloom threw afterwards for a vampire Midsummer’s Eve maybe an American Indian right I need to go home to mummy ah that one ah the softball so the softball Gregor Maria Schubert just the way I know him on the grubby floor there another one that’s the Frankfurter Allgemeine isn’t it 264 265 Conference of Anecdotes Conference of Anecdotes 2003 2003

that’s it that’s it now yeah no way what a nice climax at the end no other ones apart from that one though so now now now we’ll now now now we’ll finish this off with we just have to very briefly we have a guest who’s been waiting for us since this afternoon pen so we haven’t done Sweden yet Carl Larsson two thousand two S-Bahn trains will stop running soon though no just read out the key points then exactly certificates OVM 16 Binde group that’s nonsense there were certificates Deutsch Tedesco yeah Michael S Riedel and Marcus Hurttig fall into a hole John Cage Consequences yeah yeah okay Art on Architecture Project Frankfurter Kreuz catalogue entry Kontext Stage and Costume Design Text Production one thousand seven hundred seventy seven marks Text Production Neil Young Text Production Series yes Land Art Carl Larsson Land Art Carl Larsson Reading God Goldt Gernhardt the Goldt Gernhardt reading is here right the Goldt Gernhardt reading Land Art Carl Larsson certain things will remain a secret yeah but read them out anyway • … yeah we jumped back briefly okay and then up next is the Conference ofAnecdotes itself actually ah true you’re right so what did you say select them all and then what press the space bar and now click on the large now you can enlarge it and now you have to go on pause pause pause otherwise it’ll just keep on running … (p. 293) 266 267

A Grid of Anecdotes is what it was called 957 minutes, May 14–16, 2013, Nidda Strasse 84, Frankfurt

Ten years after the first Conference of Anecdotes was held in 2003, during which the time period between 2000 and 2003 at Oskar-von-Miller Strasse 16 was discussed, Michael Riedel invites its participants for a second Conference of Anecdotes to continue the act of collective recollection — now focusing on the years between 2003 and 2011 — and in order to create a revised re-issue of the first version of the first Oskar book, originally published in 2003. Together with Dennis Loesch, Hank Schmidt in der Beek, Niklas Schechinger, Marcus Hurttig, and Roberto Ohrt (who has to leave the conference early), Riedel produces the text A Grid Of Anecdotes Is What It Was Called, which is a verbatim account of the group’s second round of recollections.

Niklas Fichtekränzi who’s going to do that Niklas you can decide if you want sugar in your coffee we’re going to see your wife at least once though aren’t we not sure yet Peik’s a candidate and there’s milk on the side she’s busy hello Peik or if you want it black and want to add sugar yourself and you can she’s flying is she flying again and of course a warm hello how are you to our translator also add the milk yourself so what do you want for the final thing no no way she has to I’m not even sure tomorrow night they have that’s right hi Lisa who else would take this one then a concert church choir they’re singing hello Lisa hello Peik it absolutely doesn’t matter we went ahead and put sugar in these gospel for heaven’s sake you again that’s doomed to fail two because we didn’t know who wanted what and then she said beg your pardon but now this is only getting started you’ve still got fifty pages no problem she’d get us more sugar on the side and would you tonight ahead of you like some more milk what kind of concert church choir or more no hang on how many pages was the first conference that well let’s have a look then gospel was I think two hundred and sixty pages a lot so let’s get started gospel two hundred you can hardly wait ey has she joined some American sect now or what in the book I was a bit restless last night I’ll be honest with you I was a bit no not gospel just a church choir one hundred worked up but what do they do there I wouldn’t want to type all that up I’ve been unable to sleep for months take a wild guess one hundred and sixty wasn’t it [unintelligible] sing well you won’t have to that was the last time all of us were together and before that I don’t yo just a very vague memory as numbers printed on top of each other even remember the last time we were all under one under a pluck bass strings several times [unintelligible] when was the last time we and why uff so how much longer are you going to be in Munich for then at the wedding fencing which is why she already took singing lessons so not much longer you’re right what did she take what so you’re moving back to Berlin what about the seating arrangements then singing lessons I’m moving back to Berlin yeah how about we right singing lessons do you have stuff happening there there’s some chairs over there but her parents are quite active in the church aren’t they ah that’s why can you get four Roberto naw no I was in Munich for a month for the sound quality for the recording no but weren’t they somehow involved in the church that’s weird and now you’re going back to Berlin the recorder’s been running for a while didn’t they I remember something along those lines now I’m going back to Berlin is that annoying if we move around a bit or not that I know of her dad’s Catholic but that’s not really but if we move around or as volunteers somewhere I’m stopping by there on the twenty-fourth oh that’s Dennis hi Dennis her mother yeah Christmas he’s not saying anything as usual her mother no the opposite solstice or midsummer oh yeah true recently she volunteered in a nursery school [unintelligible] July Dennis is it okay to tap on the recorder like this cool is he underneath the printer yeah that’s okay June yes do we have cards are we going to play cards I was just asking June I don’t think I have cards here but sure we’ll play cards I was it’s not ideal for the recording so thinking Fichtekränzi tomorrow night or what it’s already running July has twenty-four days as well get everyone to come though Björn Renner Beate Bauer yeah it’s running that’s right no I’ve not told anyone about it running yeah Friemel hello oh Dennis has smelled it Denise sends her hello so let’s first of all let’s send a friendly greeting to our transcriber morning thanks have fun morning so what’s happening tomorrow night listen closely we brought coffee for you 268 269

I need to eat something first of smoke and suddenly I see the engine and the first couple of ah okay Barschel got done in in there oh the door bell get yourself a chair coaches in the middle of all this debris and after that we just spent and then I had it since two thousand nine I’ve had it and now I Barschel I think your email problem has been sorted now Roberto you’re drinking coffee now the next two hours watching the whole thing saw the police arrive meant to bring it so that you or Marcus for you guys to have it for or was that Marat really first you’re going to have your coffee saw the first few people slowly emerge one and a half hours a change as well he got done in in there later I think it did get sent it just didn’t show up as being sent we brought you such a nice coffee but how is it I mean can you already see how it right Barschel or Marat ah okay so it got sent ten times or what he’ll answer now they were exiting from the back and where Wilfried’s office is it in Leipzig it would’ve been important Barschel I had the table [unintelligible] Dennis has arrived now ended yeah that was probably Charlotte Corday the white one hi Dennis right that would be quite a statement to send it to Leipzig I very much doubt it but that’s only one half of it is that my coffee or what so basically on the bridge yeah I’ll send it what well what do you know there’s another one at Gabi’s still say hi to Peik and Lisa yeah yeah by registered mail shall we start boozing straight away then that’s the one from the Secession that M is for Michael before you get onto the bridge there’s this stretch full of rubble and pack it up nicely in bubble wrap we have everything beer as well no not from the Secession I think she added this one at some no M is with milk what bridge right cold point no you’re right it was this one and this one’s without milk that eventually leads towards so it doesn’t break so who undressed [unintelligible] so yes but you can Boppard yeah send it was standing right there are both these recording equipment or when did you get this at half two is it cold or Schönefeld or something Andi Edler might want to have it for a while as well yeah we’ve got everything yeah I wanted to be on the safe side no it’s warm and from this cup you can have milk M is for milk so ah right ah yeah yeah that was kind of missed you’re not serious are you from the M cup you can pour some milk into your black coffee towards Bellevue don’t you want to bananas we have bananas right yes I am one runs on electricity the other one with batteries and you arrived from Berlin then I mean that’s not the train corridor that goes to Frankfurt is it look here mate on here it’s normal bananas that’s good because it means you have to shit less they I’m not sure when this one’ll die and I didn’t want to have to from Berlin yeah no it’s the one out of the underground train station that also goes if it’s going via Leipzig then it’s not correct used a lot of bananas at Woodstock as well I’m serious constantly check attention testing one more time hello and how is it going with the whole to Hamburg Spandau Wolfsburg Braunschweig Hildesheim Göttingen I saw the film too one runs on electricity the other one with batteries fucking badly absolute nightmare right right I mixed up Hildesheim with Gütersloh so that all these people don’t all crap in the mud or whatever hello hello is the station closed then but then it was closed for hours I would’ve quite liked to see how but that’s the regular monkeys still do it too yeah copy Berlin Ostbahnhof is closed for some unknown reason there aren’t they mount the thing back onto the tracks or how do they do that we came by some really strange route and then the organisers they were clever enough to pass out tons test test any trains going through there do they need a crane bollocks of bananas for free and the other one but why Nazis you need a massive crane but it normally goes via Leipzig doesn’t it the portaloos the portaloos at Woodstock acid I have no idea what’s going on there I would’ve loved to see that how a crane lifts a locomotive nonsense and what the fuck does it matter Roberto can you try I suspect the portaloos at Woodstock were still quite grubby is running the flooding no they just four or five hundred people everyone lends a hand and get into your account though one two normally you get here via Leipzig and for some reason heave ho how about you talk to Mr Schmidt in der Beek for a bit full of shit they were acid the train route is blocked no don’t touch it yeah he just looked over at you taking Woodstock or something like that okay let’s go through it quickly so we can go get something to right maybe they just start by cutting off the top half if it’s destroyed everywhere it just says stop cancelled stop cancelled stop and the mud piss mud eat soon so you go via Leipzig anyway cancelled stop cancelled crazy Roberto have you prepared any text yet hang on a sec no that’s precisely how you can’t go they disassemble everything right there on the spot and then off that’s crazy I sent you a text but it’d be a bit difficult to look through it now look at this what’s this game list you’ve got here interesting so just to provide some historical context Roberto and I just to the scrap heap yeah I mean that’s the direct connection unfortunately I can’t receive any texts thanks well for the games I’ve only got it’s a very time-intensive task arrived from Hamburg it’s called completely normal connection yeah I was just gonna say that recycling yard that’s just the normal connection Hank came from Munich but is actually still living in Berlin Dennis to the recycling yard then so then why did it take one and a half hours longer than normally I came from Berlin and we’re still waiting for Marcus to arrive it’s indestructible was watching with my headphones listening with my headphones who’s flying in from Rome where he spent a week with Anka or yeah it’s good like that and organising photos and stuff so something what an idiot I left the trophy at home I wanted to take the oh well god I hate these professionals opportunity to finally pass it on we’ll have a look at those later won’t we and they’ve just braved the flood of the century where is it now in your old bedroom at your mum and dad’s we’ll have a look at them or project them on there or I didn’t want to say anything in my childhood bedroom at my place in Berlin or on the iPhone let’s look at them on the iPhone that’s already over though that would’ve been cool or Dennis you walked in in slippers at my carpet exhibition so I didn’t want to I’ve had it I have the iPhone here with me we can just pass it around like this say anything either now so that means it’s more or less a six-hour train right so when’s Huddel arriving yeah it’s too late now I’ve had it since you moved back to Frankfurt he should already be here oh well Dennis I stopped by the hotel quickly but does that mean you came via Magdeburg or what what he probably went on to Offenbach I know via Gü Gütersloh I think if you’re that interested I can briefly does it take six hours which room number are you sketch out the route for you it took me five and a half hundred and four Gütersloh and which which one hundred you’re facing the same thing Gütersloh he he Dennis is on the first floor what are you going to Berlin or why are you so interested I thought on the second well yeah getting back will obviously be the same nightmare I’m just interested it’s the bel étage for me obviously I saw it live the train derailment I just had you’re in in Eschede which means I’ve had it for almost four years two oh two in Berlin you should really pass it on then I wanted to be in three oh three Michael in Eschede if you clicked here you had to click on here and then it gave you all I’m in two hundred and two that one too but the last one was in Berlin the stops along the way but then it I’m in two hundred and four that one too Niklas and you didn’t a train go off the tracks when was that again four weeks didn’t stop anywhere it more or less went nonstop there was only two hundred and eight ago maybe one fucking endless stop two hundred and eight yeah exactly you were the manager that’s why you got to keep it yeah I was sitting up in Wilfried’s office no no no no I had it first so basically it was kept at Oskar-von- Michael which room’s the best just imagine you’re looking out the train window Miller Strasse two hundred eight ‘cos they killed someone in there in the bath tub talking to him and he looks out the window and suddenly says all ah yeah you’re right Barschel relaxed I think a train has just gone off the tracks massive cloud and then Michael took it with him to Berlin I was afraid to say Barschel 270 271 Context Form Troy (Secession, Vienna) Context Form Troy (Secession, Vienna) 2003 2003

Comparing Hurttig Loesch Clothing Styles but that’s not strictly flies open all day to see if anyone would say anything one gin and tonic and one for her friend she got out of it a game Marcus playing on his own at home with his fly open in the photos you can really see how happy I am well I have I have and then we had Talking About Films Like They’re Your Own congratulations again there was one on your list where for the life of me I couldn’t Experience and then the one night at the Fichtekränzi Bum thank you did you pick someone out as well remember what that was about Number with the calculator I don’t think we took it so seriously you I just gave them different names ah yeah ah yeah right no no no no it was about the Jam T-shirt ah right so you don’t have any yeah brilliant yeah hang on the whole night had started off rather weirdly though yeah forget it because it was you were standing in the foyer in the hall with your wait I’ll give you one as well and then we had this shirt open at the bottom instead of at the top and Niklas too I think naw that’s alright we had one Game for When You’re Alone that involved mis- and at that point things were only getting started I went out with Roberto’s probably already got one and I don’t need to give you buttoning your buttons that big hairdo for the first time with the round glasses and all that one ah yeah right that was that night and Gradient is in German or English are they yeah exactly we were standing outside Meichsner und Dennerlein Gradient and at some point we wanted to make a game set called Games and you lifted me up like this Gradient for When You’re Alone Bottle of Vodka and Dice or something like really the carpenter from across the street said ah right Gradient that yeah so I’ve got Dancing Next to the Tallest are we already done discussing the games then I’ve only seen pictures of you with the hair and the glasses yeah buttons which looks completely normal at the beginning and later you see the Crowded Game as many buttons buttoned in the wrong buttonhole as possible us standing like this yes and then we had the Wrinkle Game yeah but your hair was incredible then Hearts Are Trumps Yes but What If that’s the yeah the Wrinkle Game the winner is whoever’s got the most yeah big hairdo told you what’s that wrinkles Michael always won that one well I know we didn’t have a title for it but we’d invented this character who whoever has more wrinkles that was Going Out Looking Unusual always said like in the face unusual the sceptic ah okay Going Out Looking Unusual that’s cool well let’s do that then but what about tomorrow yeah you’re right the idea with that game was actually born because of the Jam Oskar -von-Miller Str asse 16 I know him you didn’t have a single one but I couldn’t find the Wrinkle Game T-shirt because there was this girl in the Jam T-shirt and so we Oskar -von-Miller Str asse 16, D-60314 Frankfur t, Telef on +49 69 90434669, Fax and the Streets have a song where he sings yes but what if and photos either were like cool whoever manages to wear the Jam T-shirt’s the that’s the very same guy yeah there are very few photos of the games there’s three taken winner I remember that this character was always the sceptic at Café Burger of Dancing Next to the Tallest but once we were at Ostpark Strasse and we were really bored the sceptic makes sense though because when we were playing games we and so the call was whoever manages to take a woman home yeah for example that came about because the first time he the were playing and didn’t worry about taking pictures I’m sure that wasn’t a problem sceptic came up was when we were drinking Jägermeister at Café Burger was also where we tried to dance on bottles yeah and then you and Denise got together how did it go again and there’s one victory photo of you from when we played Jersey it was the two of us and Denise and Sonja this is great Swap right Jägermeister oh but how will I be feeling tomorrow yeah you’re right I was also really surprised that that worked so yeah and then we you thought she was cute and so you right well Denise yeah now I remember and in the meantime she had to no you liked Sonja and I was like I know her and then everyone I’ve only got drinking games the blouse that was soaked with sweat was like chat her up at first we said we should approach fat women but what else have we got my memory is that the fat girl in the the Jam T-shirt while you were because they’d be really happy about it to reduce our inhibitions the one we did at the Greek restaurant that was that it’s just an victoriously presenting the Jam T-shirt she was waiting in the toilet we said we didn’t have to speak to the most beautiful women and assumption that it’s such and such I’m not sure if that was a game because your shirt was way too small for her you liked her and then you were like I’ll be alright chatting her up for example the sceptic would say things like great party a party at no she did manage to close the buttons but there were really they’re both at my school and then you were like oh and then I the O Twenty-Five oh but I wonder who’ll be DJing massive gaps in between the buttons introduced you to each other no but what you mean that’s the You Can’t Be Sure and sweat stains really and I didn’t know her then yeah exactly You Can’t Be Sure on your shirt you didn’t know her yet then You Can’t Be Sure I’ve got Jersey Swap Open Fly Games for on your shirt who When You’re Alone well you try and ask a woman you don’t know if she’d like to swap Sonja and Denise I played that with Marcus in Hamburg we walked around with our shirts with you what 272 273 Context Form Troy (Secession, Vienna) Context Form Troy (Secession, Vienna) 2003 2003

oh well but that’s irrelevant because that was before two thousand exactly it was this big but also completely flat very cold atmosphere let’s have the sound on a minute yeah I don’t have any digital data I print everything out and three that was the fat one still brilliant was anything still working after that okay to keep from falling off that’s why you have to straighten your back is that what he said or what that was before two thousand and three yeah whenever I wrote a text I always I always had to put about what Roberto have you checked out the view yet you probably have stop being so daft are you privy to this yeah it’s better we keep a lid on that can so basically we’ll start five blank spaces always put as many blank spaces until the was anything still working with the you know your way around I’m telling you it’s good for you no not at all with thingy was underneath the black cloud there was this black cloud I would’ve been very surprised I have a fridge okay see you in a bit and it’s also a bit taller than we’re collecting we’re collecting typical Marcus statements and well we’re just talking about the games now so let’s carry on with and then naw does that mean it’s better or what yeah right here it’s a bit at some point we want to make a book for him titled From Adolf the games a bit shall we the bum cloud all you could do was take out the SIM card but it’s broken well to be honest you look like you’ve got a stick up your arse Dürer to Bill Marley The Best Quotes by Marcus Hurttig yeah for Marcus that’s an important area for him Thomas’ bum cloud exactly a SIM card this size or did you do that well yeah I do and loads of uhs do you need a number lock or what the fart a ZOOM card that was that’s as if you’re sitting on a ball isn’t there one that swivels as well Bill Marley I’d really like to I’d really like to tell the anecdote of how Thomas Thomas’ black bum cloud okay and now farting that’s like that’s like Bill Marley no Bob Haley and I played the Bum Number game that was after two thousand and then people were starting to wonder why my texts always that’s a good example of how your memory works I could’ve sworn but what is that yeah but now it’s it’s got a bit of work to do first doesn’t he I can tell Bob Haley’s even better than Bill Marley and three that was when we played it with the large calculator had five blank spaces at the beginning before my text message in my mind’s eye I can still see it sailing out of the jacket would one want to sit on a ball though can we get started now I have the last quote I collected was the one with the digital data I that we and at some point Julia started to send texts texts to my phone nobody saw it I just saw it falling out and at the precise moment it ask your back is that a normal size or are these double don’t have any I need to print everything out that we’d dug up at the Naschmarkt thingy with blank spaces so that I could it read it straight away because fell out blam blam blam blam and you’ve become a samba dancer now or what no that’s their regular size and then we had the Dairymaid at the Naschmarkt right and then I said to Thomas otherwise I’d always whenever I’d receive a text I always had to well as long as you had fun naw just samba to keep your spine moving I already know what’s coming next I don’t have any digital data I print everything out Dairymaid from the Naschmarkt press forward so that I could open the message and could then I saw it the cool thing is when you’re moving and it looks like you’re just [unintelligible] and then all the classics of course where he gets things mixed up thanks for the picture by the way I really liked it insert my blank spaces but where were we headed back from and where were we going showing a photo a message to the transcriber Hank’s last sentence in case you like sayings and stuff like that like she looks you in the face and ah yeah right yeah brilliant who knows meant to help against stiff lower back heard it lies to your eyes right we shot that and the woman from that was our very first mobile that was the one we shared in what you have to help me out that’s not true you’ve just made that up a bit low so I’ll sit down on my computer now Brussels traditional mod condition a stiff lower back Peik you need to help Hank out no I wrote it down immediately she looks you in the face and lies and then once I was at Möbel Olfe with Thomas is anyone listening from Möbel Olfe was like didn’t you have this nice big calculator were we heading home from somewhere or were we I just want to be able to switch between this one and that [unintelligible] to your eyes to me and that was basically when most people already had iPhones or I think that was on the way back from somewhere now you’re balancing it perfectly right now eww Dennis dear god yeah yeah yeah naw we bought a pair of sunglasses again what’s that then Dennis sit yourself back down pull your trousers back up it happens when he’s excited and telling you something and then Peik’s listening once Thomas and I were at Möbel Olfe and I told was that before your mobile fell out of your trousers at the petrol that must’ve been after two thousand and three two thousand and that looks a bit disgusting Dennis take your hand out of your pants he jumbles it up him about the Bum Number game and so we were like great let’s station and that fat lorry ran over it four well yeah I mean it’s not like anyone’s watching you do it eww Dennis put your trousers back on ugh don’t do that on the Jesus Christ play that the A Five god it was squashed flat so what should we wait for Marcus now or shall we start with yeah that’s true table I’ve never been on Greece are we talking about Thomas Winkler that was the phone after that one Miscellaneous the new Mobil cover you go clean that up now there’s a rag at the back I’m glad the Mediterranean exists because otherwise we’d just be Thomas Winkler yeah but of course we didn’t have a calculator I’m so grateful I got to witness that live I’d say we wait for Marcus or Mobil ugh tell Dennis to clean that up overrun by them over here and so I was like doesn’t matter because my mobile has a it didn’t fall out of his trouser pocket though he put on the jacket he should show up any minute now yeah it smells quite strong now well yeah that’s yeah calculator function and accidentally yeah but it feels really good Dennis but what that does stink yeah that’s I don’t get that one but I thought that only worked with a naked butt cheek no why don’t you call him yeah you’re right with the other ones it’s not like that can you tie up your shoes again please a lot of that’s very problematic content-wise naw naw I think he actually had a hole in his pocket why don’t you call him do you wanna try it I already suspected that something like this would happen but that one was about refugees it’s not a touch pad I had a hole in my pocket in my jacket pocket in the jacket I had I have to leave soon anyway no not right now there’ll be pictures later to make up for it Niklas but I’ve never been on Greece we could try it now the phone in the jacket before getting out of the car I put my phone I think my train home’s leaving at six p.m. come on get your ass up here cool yeah Greece is brilliant and you wrote the story with the and so then we played it I set it to calculator function and sat on it in the pocket of my jacket and obviously with the state that pocket so get a move on guys naw go on take a photo yeah that’s a complicated one that was when he while I was in LA and then Thomas did as well and after Thomas had sat on it my was in it just fell through so another half hour here and then come on Niklas rodeo go on he gave me a riddle to solve and told me to look out for for a girl display was broken didn’t you sort of throw the jacket up and fling it out yeah we told Björn Renner we’d meet him at seven looking good I think I just took a panorama one with blue with a red with a blue beach ball and a red bikini and well yeah that’s men with fat bums for ya what do you expect it went right into the next lane when looking gay is what it looks like but a panorama one won’t fit into the book then I thought oh well he’s just mixing things up yeah he I mean it’s obvious you have to sort of aim for the keypad no that was at the petrol station at seven you have this you have a massive tear in your trousers yes of course it will it used to be called stitch and now you can ah from thingy from relatively accurately with one butt cheek it fell out at the petrol station precisely at the moment when I saw that’s so not realistic yeah right here it’s not completely sewn shut I’ll have to sew it simply he must be talking about Roy Lichtenstein’s and Thomas just fell on it with this arse or what yo Hank your mobile is is and wroooom this sixteen-tonner went ah by the way I booked a table for six with four chairs at Chairs again so what did Marcus say Girl with Ball yeah he just went and sat down sort of diagonally like this on my straight over it guys did you see at your hotel there are four bar stools at the bar at Herr von Eden he’s arriving at the station now no hang on what did I think I thought I thought hmmm that’s weird phone in slow motion with wheels that came up to my chest you could yeah yeah they were extremely flared these trousers so are we allowed to sneakily talk about the project with the quotes what could that be what could that be because somehow the Roy on your phone just hear this weird breaking noise a very sparse bar programme they’ve got going on there though what is it some kind of health chair or what what with Marcus quotes or what Lichtenstein girl was exactly the other way around well yeah on my phone crack crack hardly anyone ever sitting at that bar yeah yeah blue bikini red ball I thought we’re still talking about the thingy from the Naschmarkt actually you didn’t really hear anything it was simply no you’re right that’s an African why does he always no she’s wearing a blue top wearing a blue thing but it’s not a bikini and after that there was this sort of black square in the top half of just this weird sound the atmosphere’s very cold you can’t slump when you sit on it you automatically sit up straight quickly the the digital data I’m going to print it all either it’s a bathing suit rather and it’s the beach ball that’s blue my display and so whenever I’d receive a text I’d have to duff duff duff duff and then the thing the thing was except for me tonight and that’s obviously better for your back what what what and not the other way around was that the Sony Ericsson A Five but in Frankfurt not in Mainz okay it has a positive effect on your neck I don’t have anything in digital format I print everything out blue and white 274 275 Context Form Troy (Secession, Vienna) Context Form Troy (Secession, Vienna) 2003 2003

and what does the Roy Lichtenstein girl have to do with LA is Zipp in town situations because if I’d gone to New York he he didn’t you send one as well what Thomas and I do now is right like photo material exactly well because of the beach obviously speak to him on the phone as much as possible hoping that he’ll I’d say that’s a good idea yeah come out with another Marcus statement do you remember when he bit into the hot dog or was it a cheese he just thought uhh LA is mostly beaches Friemel Krainer or whatever and carrying on as if nothing happened but and so then I that’s the only reason you guys talk to him on the phone so often had yellow stuff from here down to here and what happened then no but if you talk to him on the phone long enough you can count yeah that was in Munich that was at Munich central station then he said when I’d found her I should make a pencil drawing of on them that was so rank her and so then I started to find this riddle quite interesting thinking that’s mean that’s like on bicycle day when the cops kept following oh there he is there must be an inverted Roy Lichtenstein somewhere maybe as me around until I’d finally cycled over a red light and then hit me do you know the Greek stonemason a billboard or whatever with a fine well just among uhs he really got you there a hundred euros the stonemason on Greece but I couldn’t find it well yeah but that’s not the Greek stonemason on Greece he really got you you were hung up on that for three days that was quite some time ago but he doesn’t know him from Greece because he’s never been he really got me I pondered it for six months and then it turns out quite some time on Greece that he got it completely wrong and in addition he thought that it in marks someone’s knocking was by Tom Wesselmann I’m sure he’ll also be happy though so someone did knock so you were in a right fix there at first yeah he knocked on your shoulder on your back by August we have to have quite a few more things by August when he’s finally holding it in his hands we are going out to eat at some point though aren’t we by August it’s still quite slim isn’t it hello yeah I’ve already established the approach now it’s still quite slim the mods have arrived he once asked me what what these ji-pigs where about and these it’s not enough for a book yet que fai PFDs is are well he wasn’t happy I showed him the spaghetti photos we took hello that can’t be true at Belle Isle and he wasn’t so happy about them how are you no the spaghetti photos fine Hank he’s not stupid though he was eating spaghetti and it looked like someone had thrown hey do I have to get up as well and then I thought about it and said to him you’re probably talking it in his face well about JPEGs and PDFs and then he goes exactly can you send we could actually put that in I’m getting up me that in either format the text oh yeah very sporty right 276 277 Context Form Troy (Secession, Vienna) 2003 yeah sporty as a snack [TRACK 811_0013] but obviously mod style as a snack for Michael directly up his bum here no Rimini style these are the antipasti so I skipped the seventies what are these ones called the ones you mentioned Roberto sooou Sicily style I’d say those dried berries that you eat all the time so we’re all here now I’ll probably give it to you okay you can have some salami but what are you doing is it too small for you great just put it in here a bit too long goji put it in the glass a bit too long Marcus how about leaving that belt uncovered goji in the glass I’d like that piri piri one of the glasses is already a bit chipped anyway it won’t fit me but it might fit Niklas aren’t they called goji goji berries which one is chipped no I don’t fit into that anymore either do you want some raisins as well here the first one I’ll wash it twice one lemon don’t wobble the table Marcus no not like that you’re all going to receive postcards I’m going to Naples next week Marcus when we say glass the transcriber probably has to spell it with why and one boiled egg one s I know how that works yeah that’s great yeah okay postcards for everyone does anyone want this then of course postcards for everyone but Michael is going to get ham no thanks just chuck it out well glass is with only one s no all of this is for Thomas actually yes me knife how was it but Thomas isn’t here and I’m hungry honestly Marcus kitchen great amazing weather low season no people around but twenty- no can do what do you mean knife four degrees driver’s arm come on give us a wee bite of salami well do you just want to take a bite out of it or what oh no it’s not enough knife I’d assume kitchen oh right yeah oh are these olives knife go kitchen right you guys went by car put them on the table go on Thomas can buy himself olives at the we got you a cup of coffee exactly and once without Anka hit the curb and ssssssshhh on supermarket this is yours a Sunday in some backwater town out in the sticks didn’t see alright let’s open the olives then we got you coffee another car for two hours what else have you got and where is the kitchen Michael but then it was just grapes back there no a proper flat tire but then Hertz got there in less than an hour oooh go kitchen in knife search get you have to hand it to them that was pretty good ate lots of great piri piri food obviously obviously splashing about splashing about Roberto can you hit the hotel pool or what On button again double recording pasta salad with eggs inside a closed compartment hello double recording … okay that’s that on the Secession ah here just briefly ‘cos I ate my Bircher muesli standing by the open window today and no the projector I thought this was a nice one I found it a nice contrast almost breathing out the window no the projector yeah because Bircher muesli really makes your breath stink right ah right the projector the same effect but with different materials one is without what I really hate is tartar sandwiches with onions the yellow one kebab is vile but first everyone gets a piece of salami now anything marked and one is such an overproduction that it also vile but I don’t want any disintegrates… (p. 293) kebab and sausage me neither can I take a picture me neither not yet cool he almost took the wrong one cool we’ve just had a Gref Völsings ah from Rome no other way round no from Frankfurt that’s four plus one the wrong way round you guys can have some later then are you playing Baselitz now yeah who’s that ducking his head a Gref Völsings from Rome Marcus do you eat it with the casing why you have to dim the lights now right well look what I’ll just put it in there okay wow isn’t that society garlic I didn’t know this photo eww that stinks Dennis has short hair looks good yeah but not as much as on the train when someone that’s the beginning right kebab oh I have to go get a haircut yeah or why do people eat yeah yeah I find that unacceptable too especially in first class you get looks good served food at your seat I find that outrageous on me me too yeah at your seat no I’m letting it grow I always get up and stand yeah you’re indeed letting it grow 278 279 Context Form Troy (Secession, Vienna) Context Form Troy (Secession, Vienna) 2003 2003 280 281 Context Form Troy (Secession, Vienna) Context Form Troy (Secession, Vienna) 2003 2003 282 283 Context Form Troy – Premade Club (Secession, Vienna) Context Form Troy – Premade Club (Secession, Vienna) 2003 2003

no and what’s Achim reading there no that was in London and so can you explain the photo please that was the fictitious book presentation to make at Oskar- von-Miller Strasse in order to produce the text that Marcel later restaged at Gabi’s gallery exactly with with actors right actors sort of … yeah ah no right that was when we we also had this club the with all those actors who were constantly changing their clothes and what you can’t see there is Ramien Club at the Secession there was one girl there as well Nicki Ernst and Jule Kracht ah right and behind the Beethoven Frieze here Thomas is sitting up in front of us and Anja Stoffel I think and they’re asking questions we recorded it from different spots yeah because they played fake audience members Blubb the Blubb yeah exactly you’re right oh precisely from the Save All Cancel from the Beethoven Frieze oh that’s going to take forever one was from the from the Beethoven Frieze the other one was we ten years ago it took forever now it’s really quick right Marcus the data thing works completely mounted a microphone onto the Lucy McKenzie picture so that the differently no now first it has to now it has to render for an hour recording so that the picture would be able to hear the sound and so then the one by Scott Miles never mind so that was in Vienna when the editions of the Oskar book arrived Scott Miles was the thing that came out of the wall … (p. 292) just switch it to Full Screen Full Screen where’s that

as long as I still can be included what do you mean as long as you still can Hank well receding hairline many texts will be taken out and the Conference of Anecdotes will but you look like a comic strip character be included in German and English and then then there will also which one be a second book about the time after two thousand and three yeah like the mum off of Family Man and I thought that’s where this text now should be included and Family Guy also new photos no I mean Family Man I missed half of what you just said doesn’t exist was he mumbling again yes it does well you can look it up in the text later don’t know it don’t like it is there any sugar left Family Man so the first one is going to be printed again yeah that’s a new one you don’t know it yet we’re going to print a new edition of the first book a revised it honestly looks better like this though Dennis version is what it’s called and for that some of the texts will be that’s the hippest taken out and then the there will be a translation in English of the everyone’s watching it but only very few people are in the know Conference of Anecdotes you also look better without the beard into English what’s this then into English an English translation which means in terms of text that’s the Conference of Anecdotes and Oskar-von-Miller Strasse the book will only include the Conference of Anecdotes and the book presentation and the text recording that we later made at photos and additional photos which we which I’ve now been Gabi Senn able to look through because back then it was extremely work- did you put the cross up on the wall intensive to sift through that wealth of material and it’s become a exactly the computer itself bit easier now and so this is where it starts or what where is Achim by the way I’d say so it starts and ends with the Oskar book don’t know in Berlin maybe so we’re not going to do the old the old old old stuff at all then hello Achim we’re just going to rework the old stuff he’s coming later the plan is to produce a text from two thousand and three onwards so we’re now the original lineup from ten years ago right yeah because on the on the topic list there were also some topics no Daniel Herrmann was present then from the first Conference of Anecdotes Daniel Herrmann I just sent that along again to give you an overview right ah okay to get a overview but as a guest but no we’re not going to do that again because that text already on the second day he brought his photos exists so basically the idea is to produce a new edition of the that’s why the table looks black here Oskar book exactly the same style as before but new photos will right here that’s one of those double thingies 284 285 Context Form Troy – Speculative exhibition of a future taking place in reality (Secession, Vienna) Context Form Troy – Speculative exhibition of a future taking place in reality (Secession, Vienna) 2003 2003

just at the bottom what was it called again it had a really funny name no but I’m not even in the I’m still in don’t know but this here we all pulled out of the rubbish again the little arrows down there look oh okay mackle oh these you mean mackle is what it’s called yeah boom mackle cool and is this here in colour you’d never seen this before could be yeah no I hadn’t Denise wrote our signature or at least my signature that was for the parallel exhibition at the Secession and at Gabi’s everyone made your signature gallery everyone signed yeah that was in the basement where we showed all the paper only you guys didn’t works those must be Niklas’ shoes right there why not you think it was extremely important to you back then they’re not mine Hank I can’t get any further they’re not mine either I think that’s a woman exactly that’s what I wanted to tell you beforehand no way is that a woman yes you can you only have to move back in there again with your maybe it’s Hans mouse more or less where it’s now and now you can close it here naw or minimise it again the Disco Boy we don’t have a chapter on technology do we short trousers there you go are they Gabi’s shoes no we don’t have a chapter on technology do we developments of ah yes the last ten years so that was the book presentation from the photos we saw earlier no we don’t with the actors ah yeah if you think so it’s also nice like this what was the big guy’s name again because here I can just scroll through Beuschel well Wolfgang … okay and then there was obviously the demolition of the replica there’s another option as well by the way you just have to select Wolfgang Beuschel all of them and then hit the space bar and Marcus is playing a woman or what at the Secession which basically already predated the one in two oh bollocks no that was constantly changing they were constantly changing thousand three the original demolition which was later also written bollocks their clothes and taking on different roles no just try it that was what was great about it that suddenly in the middle of about in Artforum as the best event of two thousand six … (p. 290) that was at the printer’s or wherever it was printed things they had to take off their clothes and change roles and 286 287

then deliver the text from the beginning again and everyone had pen right and then we told Jacques Charlier or rather I spoke a little bit in just round the corner from Hank’s free soup or whatever for four-year-olds or whatever what the hell is that now earbuds and was listening to the text they were speaking carnival German about the Oskar book and then the translator was there so we had here this is Hank’s room because we put your name on the children’s list right and were just prattling it off but they also had the text in front of with the red button on top and translated it into French for him and his answers would also oh let me see your old bedroom you put my name on there but there we them to be able to check that’s a mobile go via the translator back to me that’s how it was right I have those as well little Dennis that must’ve been on the day before the presentation at the yeah you’re right and Beuschel obviously didn’t fit into my trousers there’s the aforementioned Oskar book I can’t remember Adidas I think I last year I think I finally cancelled it Kunstverein and was speaking with his trousers only half pulled up that was only the dummy though I think that’s what the event was like there might be some overlaps yeah because I think back then I right that was another game signing people up for children’s stuff and in Hamburg we stayed at this sex hotel why are they all so blurred or is that because of the wall wow that’s huge I was so hung over didn’t even have a digital camera yet great that was the poster and then we ah yeah right the film was right and there’s a film of us four sort of lying on the bed with this no they’re partially blurred and that was also there there he is so what’s going on projected onto there and then these sheets of paperboard were sort of pulsating mirror above us the one in the middle is in focus though that’s just because of the way it was photographed Jacques Charlier so that’s in Hank’s room now and I think there we did the dangling into the projections from above and then we projected ah you’re right the mirror on the ceiling I think that place was and Nicki with Roberto’s velour jumper it looks like it’s four metres tall and Michael whatshisface Quadrophenia our own pictures from the Oskar book into the shadowed part actually quite there were actually quite a lot of people there that have you still got that brown velour jumper and there Hank was blinded right exactly right night I think I donated my black velvet suit you all look better with short hair why are they all so fucking blurry though recorded it that was an early form of a split screen or something yeah yeah my grey one was still looking in top shape there we all look fucking great Callies so basically what we did was Quadrophenia in supercrazy like that was an early split screen version yeah you could say that yeah you couldn’t complain I don’t have my grey one anymore either that’s Andreas Hund Callies four times we made we put four different soundtracks onto yeah a two point four split screen yeah in contrast to today today things are not as wild anymore so all of this was in Gabi’s basement Andreas Hund it’s Michael Callies there was something in connection with that that didn’t work so the paperboard sheets dangling down to produce shadows and well we didn’t really invite anyone today where were you that time anyway his name was Hund oh Friemel though then something else projected onto them that was actually a very there’s you Marcus that was quite ridiculous there we’re numbering them Friemel must’ve been there as well yeah cool idea me no idea I wasn’t there but not signing them so where’s that now we’d produced four four minidiscs with Quadrophenia with the yeah he’s giving a speech passionate as always hands in pockets cool now Beuschel is now he’s playing Friemel’s role no well that would’ve been a bit difficult wasn’t Friemel living in Aachen at the time film’s soundtrack and then each of us had headphones and well that just looks dumb I still have those clothes the director true there at the back there are five hundred serially numbered yeah he was then I think we just repeated it back simultaneously live at the naw really it would be interesting to see who was there that night because as the one posing questions ones he was living in Aachen presentation everything speaks language it says at the bottom now I probably know them all those are Friemel’s shoes as well yeah that was when we were numbering them serially Niklas was there and I wasn’t isn’t that complete nonsense though yeah why is that there what’s that Friemel’s shoes as the audience member asking questions so to naw bullocks five hundred plus fifty or four hundred fifty plus fifty yeah I was there too and in between I don’t remember what speak I think four hundred fifty plus fifty fifty’s the edition that we’re I wasn’t there couldn’t you just have connected four earphones to a minidisc that was in whatsit what was that just now go back me waiting for to this day naw player did you skip something or what that’s the audience and there in the back that’s the assistant who hit on Basti let’s ask Roberto he should know naw yeah we could’ve done that that was Kev at Cooke’s Pie and Mash ah that was an amplifier what was her name again or call Juli yeah the denim look was still quite fresh back then very likely whatever though it was a long time ago that was after the that was after the bathhouse right with zebra crossing no idea Juli and I aren’t in contact anymore nice shoes too I don’t remember any of this anymore exactly audience she hit on Basti he I met him at the Gallery Weekend you wanted to try something new there and then we spoke along live with the film but people couldn’t hear has that been torn down now Hank Duwenhögger Prince’s Bath look there’s Friemel aha you look evil there Dennis you look proper evil the film and instead only our voices but then you always don’t know I’ve not heard anything yeah long looks good too yeah Friemel wearing my old shoes he was in Berlin well I’m leaning forward we that’s when we found out that Gilbert I was the DJ wasn’t that also the time when so in retrospect would you say it was too long are those your shoes okay so there was the book presentation and then the book was and George always lean forward played a song over it look at that that does look pretty good the speech or the whole thing my Etnies finished and then we came up with the clever idea to go on a tour ah right I was the selector so maybe you can stop feeling embarrassed now naw how do you spell Etnie and organise various book presentations you’ve already forgotten that from the film it’s a bit too crooked for my taste did we just power through the complete film or what E D N I Y V although I have to say that Hamburg was actually the best one there’s a beer glass on the Oskar book exactly I always played the soundtrack go on recite your poem on the Cooke’s Pie and Mash for us no we didn’t power through the complete film we stopped at the Peik will know Hamburg was so much fun and going to Munich before okay if it’s like that then I’ve sorted way too many out the whole thing felt really tedious to me was that wasn’t that the time we saw the Quadrophenia film scene when no hang on at at at in Brighton at the Ball House that’s Peik will know he can google it that was a very clever idea no well we’ll just have to see that was the worst event I felt so embarrassed on the way back version for the first time with all the extra sequences that we didn’t where we stopped at the party Y V simply brilliant that was there’s Callies and but Marcus did the introduction that we didn’t know yet you and I had an extreme Brighton experience Hank Edniyv yeah that wasn’t bad first we went to Munich and then to Hamburg and there’s Callies again because Roberto bailed out because he couldn’t make it because exactly that was and after that we only played music like that by car okay well maybe that’s enough anyway what else have we got no he was in Paris and so then I had to present the introduction where Hank was always telling us there’s this scene with the with Michael Thomas and I had an extreme Brighton experience three shame so up here these are all the same ah yeah right here’s a few of the way back you did it really well though with a cigarette in your hand the nail clippers or whatever weeks ago finished then brilliant there’s one photo for Hank here and Yilmaz Cievior was fuming right where she comes into the room where she walks into the me too my mum turned seventy and celebrated her birthday in finished I’d say Aachen’s not that interesting for Hank or of Hank but how crazy does my boy bedroom look bathroom no hang on he comes Brighton was there no audience then that’s Achim exactly this one here yeah your Goy bedroom looks pretty crazy the sister do you have photos of that with you yeah there was a few people came it was great that’s the book presentation in Aachen at the Neue Kunstverein old Hank or what yeah you were always the whole time you were holding a lit the sister walks into the bathroom no unfortunately I don’t right now oh right that was the photo in Aachen grandpa cigarette and it wasn’t until after about fifteen minutes that people the sister who’s bronzing her face no we were in Hildesheim and there were only bikers and that was that also the thing with that forklift truck that drove into the car was I even there grandpa not for sale right we took a picture of that for realised that it was a fake one exactly was a blinding realization that it’s obviously a classic like Brighton yeah exactly did Thomas Thomas organised that one didn’t he Hank didn’t we I can’t really remember ah the good old fake cigarettes and that that wasn’t in upon Rhine people meet there because it’s a nice place for motor ooh I don’t remember how that came about maybe we said that’s an elderly version of Hank that was pretty good and in that version the German translation is in English biking that doesn’t work though too short was Titts was there wasn’t she well that was also one of the games exactly it’s not dubbed into German that’s true how annoying yeah yeah you’re right that would be just your kind of humour yeah exactly maybe it’s the director’s cut version I couldn’t really comment on that and we we took the plates with us who yes and Yilmaz wasn’t impressed was he not not exactly you agreed with that theory yourself when we were there Michael yeah but where are they Susanne Titts that was indeed our kind of humour I don’t know no yes I suppose it’s true I agree with you Marcus the printing plates Tits so and then we had the book presentation no I think he did like it later we talked to him about it and he just the full version attention here comes a classic Michi where can I go pee ah yeah of course fortunately we threw them out a nightmare that T I T Z but tell me again just now that was from Munich to Hamburg thought it was okay yeah the English one is simply longer over there first door on your left was you were there no we were first we went to Munich where we prepared the talk for really I somehow remember what was the spat we had wasn’t the German version was only cut for television though oh go on do it the car looked like a Polish car with eight Polish guys in the back Stoffel the Hamburg Kunstverein there something about he was definitely irritated about something exactly what it was we had it in German and in the German so this is at the Secession now right that was the Denise yeah exactly Dennis version that was the full German version where all the parts that that guy there has to do a big sneeze wow a film right there exactly that’s a Germknödel that’s right that made me pretty happy are missing in German were just inserted in English don’t know him who’s that yeah but that was by accident right that’s Titz that was with the mystery car model do you remember we the a Germknödel exactly because the DVD is actually in English Hank I’d say that’s one grade A haircut I think so too and then the thing with Jacques Charlier happened mystery model we were sitting around in my old bedroom at my where was that right yeah it’s perfect everything’s in place no that was the film actually Titz could be a potential girlfriend for you don’t you think parents’ and somehow a Germknödel fucking sad that I lost those sunglasses I’d say you have a very neat haircut there eee ooh Jacques Charlier we saw the mystery model that’s at yeah that’s pure bliss you can see that back then already that’s me yeah well but you can’t see the best moment when it was really Callies was there as well right I should have photos of that it’s not ideal that we only have wow what’s up with your muscles in that one look there you’ve still got them and before you knew it my ears were smaller back then brought to its knees what’s that in your breast pocket Roberto Titz could have been a potential girlfriend for you the one projector that was the Butzler the Butzer picture there they’re gone look at yourself what the reggae what it turned you into mobile phone just for the name if nothing else can you plug it into yours this is Hamburg right the Butzer picture at the rest stop wasn’t that from Munich to fallen apart most likely I do have bigger ears now though don’t I was that carnival so what was Callies doing there I thought he was in Brussels and that was at Hohenlohe Strasse the mystery model was it Hamburg at that rest stop that still sends me flyers to this day for and there we went on the Alster tour those ears 288 289

naw that’s not true does Gabi still have it these Bastard Pop things Loopations Hank look at yourself what reggae turned you into and that one yeah that I made or what which is probably Good Vibrations in yeah I think that was the only thing that got sold we’ve got one with yeah exactly they were played looped just looped neat haircut very neat haircut you in it yeah but did we really play them at the Ramien Club or was the looped is that me the sneezing guy is that me no we swapped that for the frames music and what it was it was this mad this mad sound with the singing no that’s Daniel Baumann for the frames Dennis was the DJ saw or whatever that unidentifiable instrument Niklas that’s you prohibited reproduction that was I thought I remembered us also playing some kind of audio okay and that was again there nicely lit ah yeah right that’s Marco yeah no idea who that contorted face could be ah right recording at the Ramien Club Lullic doing a handstand maybe you’d just put on hair tonic and he couldn’t stand the smell and that’s Andreas Hund yeah no we didn’t we produced an audio recording there well he’s trying to at least naw and panel Dennis at the top ah yeah right and then he ah right Context Form Troy at the Secession two thousand and three wow look at that guy that was the first time we produced our own club he did one though where we built a one-to-one replica of Oskar-von-Miller Strasse I wonder why you took that picture that night we exactly because we moved it into the future ah whether one’s ready to start school we’re just racing through them at this rate we’ll be done with them well pleased as punch things didn’t really get wild at the Ramien Club though Denise standing in the door tonight I think it’s good though no because we played the Acid and all that the Bastard thing and Katrin Lea Tag there’s still a lot left to cover so this is still two thousand and three honestly you look completely different there those layered songs had you already got it on at that point so basically we’ve jumped back to before Hamburg well yeah younger that was ten years ago right yeah and it was exactly the same as it had been inside the naw that was still the early stages ah okay ten years ago transport van and then later put into the Oskar-von-Miller Strasse didn’t you get annoyed with me because I gave Tina Schott a rose before the Kunstverein gig so this was actually the time when the maybe that’s why naw that wasn’t ten years ago replica at that club whatsit or you Oskar book two thousand and three I’ve taken out way too many photos I didn’t get annoyed finished already looks exactly the same as today yeah but we don’t have to do it all now I would know yeah actually we’ve skipped back briefly it’s two thousand and three now yeah exactly I’m back doing that now didn’t you say why are you giving her a rose now when you know so it’ll take us two more days to get through them haven’t changed a bit look at me yeah fair well that so Lutz Krüger not at all twice why can’t you give a flower to a beautiful girl right well apart from the glasses so the previous night wasn’t really that’s the Double-Sided Clock that’s what it looked like and there I remember so many details I would know if it’d been like that Lutz yeah there are a few but the audio recording is playing that we’d produced at the Ramien we’ve already done those Roberto wow Gin Ladies on DCA the Ramien bar we’ve already done those that’s Lutz I have to say that was one cool phrase that was also at the Secession yeah let’s just go browse through them quickly and see what they so we’re looking at the Secession two thousand and three right that was the naw forget it yeah are now so there we’re mounting the exhibition yeah they were different events the one that again yeah because I called Gabi this morning and right Roberto with his tight ass the original was in Artforum wasn’t it and we had four we’d arranged with Daniel Baumann that we then hung up noisy Lutz Krüger you what wouldn’t just be showing the whole big mass but that we should there’s the wig that was also a big topic our replica here with the Wade Guyton cross the original with Alina standing in front of it also organise events so basically that was the but what was the other one’s name again that was the old on the back of the wall yeah the exhibition at the Secession ah right that was the don’t know she was a friend of Gabi’s Micky Mouse ears on the back of the wall and now the events mounting and depression reason Susanne von Hoffmannsdorf or something like that so did you already have your Wade Guyton phobia back then mounting depression this was after the opening that’s right Susi I don’t have a Wade Guyton phobia that was outside the Secession there were these two boys had that was after the opening Susi von Hoffmannstal or something yeah you had one at one point built something in the street so let’s see what was playing that night ah right the phobia and I remember at the opening didn’t Marco Lullic fix that mobile Dennis Loesch and his bob that’s the so-called Three Ape Set that wasn’t really a phobia more of a really impressively exactly those things were played that’s funny depression what did he do Ice Ice Eighties Three Ape Set depression he fixed his mobile it was broken and he just ripped it open with his Groove’s a Bitch Funky Smell that’s the Three Ape Set yeah more of a depression chunky hands fixed it and plonked it together again I Want to Be Open Three Ape Set Wade Guyton depression that I Want Beuys nice it wasn’t as bad as that and after that it worked fine it was quite amazing right I Want to Be Open the welding goggles the glass lifter it started at the Secession that’s the Wade drawings there at the reverse side of the Oskar- do a double click yeah but usually there was also that’s still missing no at that time you didn’t know that yet von-Miller Strasse wall I Want to Be Open you’re right that was the bottle feeling at home everywhere right naw to me that didn’t that wasn’t ‘cos they were also good can you click on it so that we can listen to it weren’t we staying at this studio you didn’t really understand it yet and you even found it quite bad and then there was the thing with the top hats that went yeah where we lived upstairs I think fffffffffffffffffffffffffffff okay at the Museumsquartier no well I didn’t really like the cross but I thought the drawings what was his name again Pierre Legyement no please don’t right the Culture UFO were okay Pierre Lygelent right he was our driver when we went to pick up please don’t the Culture UFO the whole back of the wall was chockablock with his stuff the Ramien Club La Source Ou Schu Last Night Trio Saved My Life we were staying in a Culture UFO … we’d really need to unravel yeah that was while we were preparing the exhibition in Gabi’s picked it up and reassembled it in its transport design yeah because you always have to come up with a title for them why is he carrying an air mattress the whole situation now how basement because we papered the panels on site in the basement yeah we set up the club at the Secession Help Yourself Dancehall Mix because we needed one more bed and so you had to find yourself ages that took felt like eight weeks that was sort of I recall that the party wasn’t really all that cool as Little Do You Know Your Rights a mattress I think that actually came about after the wallpapering process one board was two point five by two not that cool but up there isn’t that the Hey Popslut Cocks Suck My Cock Mix and the coffee was so shit that that we always went to what was point oh eight as when we Eat My Missy that place called that Der Gute Mann or something the Oskar book that Zwirner here he comes with feelings now yeah but that was also because it took place in the future F Bop Seventy-Five Der Gute Mann that bakery even appeared on the scene no wait two point eight by two point oh seven right well yeah Eat My Missy everyone knows that one that bakery exactly we always went there to get coffee and the first few sort of warped wasn’t that a problem we had no we had at the original club we had a party that we recorded and but here that’s brilliant what is it first attempt in panorama mode and all that ‘cos that’s all quite we had to paint the back again because they looked like right then later we reproduced it at the Secession as a Remake Party Für Elisle Der Beste Mann it was called exactly bananas they still exist don’t they Clubbed Club obviously Für Elesley the best right he was the a big fish so to no not all of them but hang on didn’t we what party was that at the Ramien Club Für Eleseley there was one at the top of the street Hank and Nick you’ve got the the silver foil ones right we had a party at the Ramien Club that was simply Für Elise but mangled by a Lesley amplifier and here what you see on the right you should actually have that speak and he was on the Roberto has the drum kit the recording Good the one with the Jim Isermann foil hook … (p. 387) where is the drum kit the reason it wasn’t really good was because that’s when it started Looparation Patience but that’s sawed up now at Gabi’s gallery I think with there was this Bastard Pop because that was the time when Good Loopations it’s in two pieces now 290 291 Book presentation of Oskar (Galerie Gabriele Senn, Vienna) 2003

… that was the fictitious book presentation to make at Oskar- von-Miller Strasse in order to produce the text that Marcel later restaged at Gabi’s gallery exactly with with actors right actors sort of with all those actors who were constantly changing their clothes … no that was one like that or similar they’re all sawed up on constantly changing they were you should have the Jim Isermann one in combi format constantly changing their so then who one of us drove back from somewhere by car because clothes and taking on different Andi Edler took them in his Ford Mondeo really roles and then they took the supports these supports we’d used and they had to throw them out at a rest stop that was what was great about ah yeah right because they were too heavy it that suddenly in the middle because they because the wheels were grinding against the wheel housings of the performance they had that’s crazy yeah to take off their clothes and that’s Tina Schott change roles and then deliver I think those are the only two panels that survived or maybe the only panels that survived are the four from the projection the text from the beginning drum kit so that was the drum kit yeah they were they were truncated so to speak but the original- again and everyone had ear sized ones are the four panels from the projection ‘cos Wilfried has the two of us ‘cos there’s one with both of us on it where we’re and these are film stills of the demolition yeah so originally the plugs and was listening to the tracing the Oskar cover book plan had been to that we should have a double projection with the text they were speaking yeah demolition video and the video from Frankfurt which later Niklas and then the one we just saw with the at the office with the and yeah you’re right and Beuschel production Isabelle yeah because that was a Premade Club Isabelle obviously didn’t fit into my exactly recorded trousers and was speaking with okay and then there was obviously the demolition of the replica it was so hot at the Secession which basically already predated the one in two that would’ve been quite nice actually his trousers only half pulled thousand three the original demolition which was later also written so that’s basically still on ice so to speak okay we don’t need to about in Artforum as the best event of two thousand six go through these ah right here’s the ad in the Falter that was the up … (p. 283-284) okay so these are all film stills now I think there are four videos one with the 292 293 New Year‘s Eve Sylvester 2003 / 04 2003 / 04

a rental right to drive down we got a rental to go there ground because he couldn’t stop laughing because I was doing hundred and forty on VHS so it was an Austrian car the voice there’s a video of that yeah it was yeah but you just wouldn’t stop Hank was like stop it you’ll give yeah an entire one Michael him a heart attack didn’t we watch that in Munich yeah and now he’s saying do it again you what next time just select them all that was so funny is that possible I’m sitting next to Hank in that one all of them but I have these folders here it’s only ‘cos this one’s so what was also interesting was that that was the last recorded the entire thing on video the whole conference big there’s some doubles in here as well anyway do them all at the hotel in Munich right we played back the audio in combination well I’ll be happy when it’s dark that was the following exhibition the outline so to speak the concept with the video that went with it it’s only these ones that are pretty bad the other ones are better for the exhibition following the Form Context Troy exhibition after it ah yeah right there’s the Luser on our table had been taken down I don’t even remember that and not painted yet right we’ve stopped doing that now that was Nick and Hank’s arrival that’s where Marcus that was how many years ago I think that was the most extreme laughing attack I’d ever had Mary Hyden came before and after it was crazy that TV there we went and got a TV for that from my parents’ since that day I’ve been forbidden from doing the voice I don’t even remember if it was Zobernig could that be four well yeah you should no because Zobernig made that installation four yeah go on just one more time just one more time Dennis now that’s so fucking blurry don’t you dare I want I want because actually things had ended in two thousand and two you’re allowed to do it one more time just one more there you can see Lucy McKenzie’s picture in the background because the Anecdotes or rather Oskar-von-Miller Strasse so what’s the Luser voice ah right officially ceased to exist in two thousand two sometime round July go on do it again one last time cool yeah the one from Clockwork Orange I think because he would always speak in this whiny voice Andi Edler with the programme exhibition where we pulled the wall forward and I think someone else came and Dennis explained to them Roberto’s had something to do with it again since then with the so in two thousand and two things had pretty much run out of who the Luser is and what he speaks like and then I I told him no Lucy McKenzie painting right steam when we went to Sweden this is how he speaks and did the voice yeah recently it was in no that must’ve been after it must’ve already ended before do it again we were up on the roof there that was the break and suddenly let Roberto talk officially ended before I remember that was around yeah exactly do it again do it again there we’re up there again and before we went to Sweden Dennis’ knees Dennis’ legs just gave way beneath him right in the we showed the Lucy McKenzie painting in the temple again we went to Sweden in the summer of two thousand two and at that middle of the street in Vienna temple insane is what I heard point the mood was such that yeah holding a cheese Krainer in one hand okay that’s that on the Secession ah here just briefly ‘cos I thought sure he didn’t he couldn’t even stay on his feet he was lying on the this was a nice one I found it a nice contrast almost the same we basically we’d stopped organising events effect but with different materials one is without anything marked no it was already before going to Sweden we moved the wall and one is such an overproduction that it also disintegrates forward and said that that would be the last event that we were I agree it’s beautiful especially the desk doubling ourselves there was playing at the back there in front of the serving hatch right and that was already nice replica we actually sold this replica the blueprints are and after that we went to Sweden somewhere in Austria now so basically Oskar-von-Miller Strasse was over at that point no it was only the blueprint do you remember I said to you Björn and Michael are going to only the blueprint where was it to Växjö and then we went to Stockholm and then yeah and unsigned still unsigned we said okay we were in Växjö before they went to Karlskrona yeah but now we’ve actually jumped back to two thousand and and do you remember that I said now it’s over three again but hang on that summer we went to Lilla Boanäs didn’t we yeah we jumped back briefly okay and then up next is the right Conference of Anecdotes itself actually wasn’t that that time ah true you’re right and then you that was close to Växjö so what did you say select them all and then what Lilla Boanäs press the space bar and now click on the large the nearest bigger town was Växjö and then you went with Björn now you can enlarge it or to Björn’s gran’s house in Karlskrona to go wind to go water and now you have to go Pause Pause Pause otherwise it’ll just skiing with the Ramien and then the one by Scott Miles keep on running and now you can just keep on clicking through water skiing and then we went to Stockholm correct now Photoshop is opening up what was this again ah yeah Scott Miles that was the thing that came out of the wall with that one we also went to Stockholm right this was this was the flat at the Museumsquartier and you’re absolutely sure that we didn’t use that as a club cool really right playback at the Ramien club cool isn’t it yeah this was behind the Beethoven Frieze at the Secession absolutely sure why didn’t you say that from the beginning but there are those photos of us in a motorboat with Björn something had been propped up and got wet or something sort of an audio recording of Lucy McKenzie’s picture and then and now you can also move out the little arrow out of the thingy exactly yeah ah no right that was when we we also had this club the no wait at the Ramien I just played music from my laptop and then that’ll disappear again we went right we went to pick you up Ramien Club at the Secession and then were really surprised that no one wanted to dance or you came from the Ja-Flat or what we picked you up on the way back ah right and behind the Beethoven Frieze something like that yeah I think that was going on at the time really I didn’t know that we recorded it from different spots no that was the Premade Club Dennis DJed there and we and I suppose VHS tapes still existed right we picked you up and went water skiing for like three hours blub the blub recorded it to use it as playback at the Secession VHS tapes still existed yeah and I lost my ring precisely from the position of the Daniel Herrmann but the coolest thing and it turned up again turned up again from the Beethoven Frieze and this is how we arrived and this is how we left what’s the coolest thing found it like six metres deep in the water one was from the from the Beethoven Frieze the other one was what kind of weird license plate number is that G R the computer and then it was a complete nightmare trip getting home when we we mounted a microphone onto the Lucy McKenzie picture so that that’s a Ford Focus I can see four VHS video tapes lying around there stopped at Marcus’ in Barmbek the recording so that the picture would be able to hear the sound Ford Fokus yeah that was when we recorded at the slowest speed at two all the way out to Barmbek 294 295 Union Jack Union Jack 2004 / 2006 2004 / 2006 right well then I’ll get jolly too and we arrived so late because we’d already driven down from yeah good idea bring another beer I’ll have another one too Stockholm that day so all in all more or less a thousand six oh I still had those trousers there I’ve still got the jacket but not hundred kilometres the trousers and it was pissing it down you had that leather thing sewn onto it and the last three or four hours I had to take over at the wheel exactly and I was so knackered I was already seeing things I was seeing this is the video where Friemel is jumping around on top of us apparitions and so I exited the motorway it was honestly pissing yeah it down and I was going at like fifty an hour on the motorway the video has a name because I just couldn’t hack it anymore what’s the name there were four of us Mustard-Up-Arse video because Friemel wanted to yeah there were four of us wow brilliant that still makes me laugh today and then everyone crammed into my tiny flat right Friemel put mustard on two fingers and went okay I’m going everyone crammed into your flat yeah I think we were camping on to grease Riedel’s ass with this now lots of mattresses on the floor yeah and the worst thing are the horrible noises he makes and I think we arrived at Marcus’ at seven in the morning his long hair in the red Vectra always with the long hair that video is extreme we’d actually planned to be there by midnight it’s just seconds long and when you let it run in a loop it’s simply yeah just to clear that up once and for all it was a red Vectra GT it’s great wait I remember you could do something with the quite a flashy design that was a Calibra programme what was that QuickTime or whatever you could skip ah yeah you’re right back and forth I still have the Chords ah yeah right yeah but we’d already started the Ja-Flat when the Conference of back and forth and it’s only five seconds anyway Anecdotes took place and the noises were even worse back then yeah that was right Herrmann exactly that was in two thousand and three as a guest as you can see double MacBook PowerBook two thousand and three which means we’d already started the Ja- that’s how I got the idea for the Flat the year before when Oskar-von-Miller Strasse was already large over that’s how I know it must’ve been sometime in June for the large that was cold roast we were eating there what’s that also the wooden Niklas Hank the wooden cold pork roast left over from New Year’s cool check out those shoes right because it was on January second will you look at those shoes January second do you still know the exact dates of the Ja-Flat the shoes when when it started because it lasted exactly one year I forget they’re my old white when now well yeah we had to dress all in white and those were the only two thousand two to two thousand three white shoes I had were fucked and so they had to be fixed with yeah but when white duct tape the flat was finished by November two thousand two and then it Jodie had bought them for us at the flea market and the sole had lasted approximately until September of two thousand three so already come off mine and then Hank even fixed them with glue the summer before that we went to Sweden and then we started you didn’t use the yellow glue on them though did you renovating and Oskar-von-Miller Strasse had ended before all that no but yellow glue during the Ja-Flat time and so we never did anything again after that yeah no we didn’t do anything after that white gaffer tape the replica was the last thing look there’s Ja-Hank and so you basically you then they got started on the Oskar book that was only the printout of the Oskar book that wasn’t even and we had the Ja-Flat that paper was still really thin exactly the exhibition at the Secession was in September it didn’t I’ve still got it that draft still looked very different the list Grid of last very long Anecdotes September two thousand three hang on wait go back go back please one more what cigarettes yeah are those is that without alcohol Grid of Anecdotes that’s what it was called however we did produce one wonderful land art exhibition in they must’ve belonged to Marcus Sweden Sex yeah he probably brought them from Hamburg ah yeah true no no no no we did indeed produce a wonderful land art exhibition in Sweden and what do we have here it’s in the Oskar book the old lady-killer yeah it still made it in there that’s right were you already on the green tea back then Roberto that’s true there’s this picture oh yeah Carl Larsson of course would you like one of course I’m not sure that’s Roberto’s corner with the sex fags even though it was actually already after Oskar-von-Miller Strasse yeah and he’s got his wieners there as well had ended yeah bring one for Michael as well it’ll make me jolly straight away wieners because I’ve only eaten two olives and my tea cup does that still exist 296 297 Union Jack Union Jack 2004 / 2006 2004 / 2006

… so there we were showing the Union Jack in two thousand six at the Frieze in London and I think it was that’s how we installed it yeah … (p. 344)

funny how everyone’s spirits immediately go up as soon as beer okay I announce the time comes into play oh and the whole World Cup Studio is coming up as well five thirty-four oh Roberto with a touch screen how did we get the phone over there anyway thirty-four past five p.m. after four it’s okay to drink beer touch screen a very long cable have we had the steel drops a fucking long cable obviously well isn’t that a funny photo there in the back that’s exactly right yeah ah now the automatic mode these are the pictures that are gonna yeah dragged it across the entire yard be at the beginning of the new book oh in blue jeans have to admit that’s quite a nice decorative arrangement that one that is quite a nice arrangement indeed I’ll have a Licher yeah why Licher-chain god look at that madness well because it starts there lunch break at the Kleinmarkthalle cheers and the yeah I had a chock block that time I remember that cheers you what what’s that cheers the photos now and I have to say that’s one great photo cheers what do you mean the photos now what was that chock block you had what time is it now the ones we’re taking now a chock block is a minced meat ball in a roll the Frankfurt version twenty-five past they’re for the next book of the Räuber sandwich they’ll be included at the end wasn’t that white denim jacket cold in the winter but aren’t these already in the old book yeah it was these here was cold wasn’t it yeah Hank no that’s impossible ah no you’re right yeah yeah you’re right ah right and we we watched the Eight Mile film actually was it that long ago Michael okay from the beginning again think hard cheers fortunately this is being recorded cheers I’ve lost track myself now would you like something else brain fart I’m alright classic brain fart Roberto be careful with your mobile or it’ll go black again ah don’t let it pop inside your head to ten years everyone’s pointing there but Licher where are the benches now do you still have them stop go back the dinner ah there’s the they’re all still over at the Friday Kitchen ah and here by the way why does the Friday Kitchen have to be closed the one are those lychees time we’re in Frankfurt that’s the cold roast now that that’s beyond me I found out yesterday you also brought that no not lychees those aren’t lychees Marcus yeah well I’m sorry but we’re having problems with one of the no that was kept at yours on purpose so what are they catering really no I don’t think I still have it the glasses are still here they’re ground cherries catering yeah well that was the Friday Kitchen didn’t exist yet back then ground cherries does Friemel still do catering on the side I can’t do red wine I’ll have a beer yeah physalis physalis they’re called no not catering but we sometimes rent out the space and it had to yeah can you bring me one as well is that the yes it is be this Friday so that’s why and one for me go on why not but I suppose it’s not the same one anymore all done we’re through beer that’s a different a new one I remember you being really frustrated wow go back go back when you lost yours blurry why is this so blurry now look Hanks you can see our Bavarian phone book in the yeah turn the so we’re through with the Conference of Anecdotes so background there on the plane actually we have to go one step back oh yeah that still exists who’s Niklas talking to on the phone there it always turns out we’ve missed something that came before after does it for years you were looking for one that all yeah probably to Marc or something yeah New Year’s because that was the night before the before the wow no once we got Catalina no Kerstin Lose who was sitting in the tub Conference of Anecdotes that was two days before the conference 298 299 NOSNHO.-...... (ROBERT-JOHNSON) NOSNHO.-...... (ROBERT-JOHNSON) 2004 2004

there are photos that you can Facebook Sonja Umstätter and that was the two thousand two projection Sonja Umstätter but crossed out Machkeintheater yeah and then it flipped over what was going on with Machtheater there and that was when the cops showed up she’s dancing no yeah but Kati they were our guest DJs that night I’d like to thank Kati in advance for the photos she sent me but she’s staying like that I’d also like to thank her well yeah but Machtheater’s do you have them here brilliant Denise with short hair excellent who’s that though yeah Georg crass-o-mat Georg Otto the in a black T-shirt please don’t type that whose flat Dennis lives in now Machttheater is quite still there and not planning to leave any time soon Catalina Georg read the text in the Oskar book in that picture Machttheater looks like she’s not eaten for weeks and what did he say she was just incredibly skinny well he found it a bit or rather his girlfriend read it and there’s this well so was Fabrice part about how on the Gilbert and George night he got off with but great hair Barbara Wolf amazing hair Barbara Wolf yeah Fabrice’s is letting his grow out now and he got in trouble for that and it looks okay on him or what no because it’s all described quite cryptically he’s letting it grow out well yeah the in between time is quite and who’s that annoying well fortunately yeah I admit that’s shit but now I just have to stick it out I wasn’t even aware that then they were already Niklas all in white with a bouquet of flowers because they were yeah that surprised me too Silke Hohmann says hi Caroline Zachert thanks isn’t that Anka there thanks two thousand two thanks I don’t think we were even together back then thanks two thousand two I don’t say hi is Anka kneeling down or what what’s up with Dennis’ trousers there Caroline Zachert I don’t believe it she’s cooking for the opening of the Friday Kitchen Zachert crazy trousers with the zip on the outside I need that picture weird zip

Select All yeah I’ll do them all and now Space there’s one film in here as well there’s Roman in der Stroth oh right wow and Tina Kohlmann Roman Roman the madman Roman going one eighty was that the New Year’s when Roman poured out the water from the flower vase over Roberto Fabrice no the champagne Fabrice is looking great there yeah on the left bum cheek yeah it did look great on the bum has anyone seen Fabrice recently naw … and the Friday Kitchen also started in two thousand four there were full beard that looks so cool it started after the Jeu de Pet en Gueule exhibition at the Neff gallery true Johnson Robert that was but what isn’t he back in France now yeah exactly long hair extremely long hair actually those were the individual things now as a group Oskar-von-Miller Strasse was over … (p. 353) so how did you see him then 300 301 NOSNHO.-...... (ROBERT-JOHNSON) NOSNHO.-...... (ROBERT-JOHNSON) 2004 2004

yeah can I quickly add something here that was in two thousand eight what was that guy’s name again the one with the massive wasn’t that’s that’s let’s go in chronological order that the just while we’re on the topic of the Oskar-von-Miller Strasse toilet chronology is important because otherwise there’ll be massive that was the that was the well that should be interesting now gaps the big-headed one let me see if we can just interrupt with this now otherwise I’ll have so where are we at now that’s Seb to pull out the hard drive on the train I had lots of doubles just looked through it quickly Seb the counterpart to whatsit yeah because I didn’t have the time to look at the film you’re right you’re in luck stop he has an incredibly large head because I’ve found an interesting that’s where we were Seb who was that guy again Marcus that’s more or less where we left off Fabrice’s friend from Paris photo located there right there he later ran the stall took over the stall then Eckart Ehlers with the toilet the toilet was the cue for Niklas to jump up by the Seine Ehlers Ecki Ehlers isn’t he friends with yeah great guy there’s Niklas everyone’s like he embroidered jumpers embroidered entire record cover images the fat friend of yeah I think Björn introduced that on jumpers so what’s the angry Niklas JPEG that was this was he maybe already embroidering jumpers back then here the photo photographic proof from Oskar-von-Miller Strasse I don’t find that so nice no not yet Jesus that’s silly me neither it almost looks like it that’s not true I quite like it but there’s no flap to cover up the zip well I honestly wouldn’t be able to say where else that could have here that was the no been ah that was the three looks weird that’s definitely not at Oskar-von-Miller Strasse didn’t you also give a speech there and Fabrice with an Austria furuncle that’s not Oskar-von-Miller Strasse we scratched the three into the negative there yeah come on wait a moment was that so when was the New Year’s when Miriam oh Thomas alright so maybe I saw it somewhere else oh well let’s carry on Glinker was here Thomas then into the slide exactly Stefan globe-head Limbach leave your stick in there though weren’t we sitting at tables made of long boards before that football-head but let’s put up angry Niklas that we had a dinner there football-head angry Niklas we had a dinner there globe-head but that’ll just get us confused now but was it that time or was that in two thousand two two thousand oh the toilet at Oskar-von-Miller Strasse yeah that was in Stockholm one to two thousand two ah I had another photo of that hang on toilet at Oskar-von-Miller let’s see angry Niklas and all the films Strasse again can I quickly stick that in there that was at my opening in Stockholm let’s watch the films so how do you want to get that up there now that was much later though he was great but Thomas was everyone was here on New Year’s that was much later and that one too 302 303 False Frieze Art Fair Catalogue False Frieze Art Fair Catalogue 2004 2004

Faked Drugs Dennis Loesch with white bal- (Hank Schmidt in der Ladies’ toilet loons Beek) (Daniel Birnbaum) Oskar-von-Miller Strasse 16 Portikus Portikus 2000 Frankfurt a. M. Frankfurt a. M. Clock on the wall Double sided clock with 2001 2001 “Serial artists, Oskar-von-Miller Strasse 16 contrary running directions 2002 and variable velocity persistently offending” Oskar-von-Miller Strasse 16 Roberto Ohrt, 2001.

2002 Since the 30th of July 2000 a house in the Oskar-von-Miller Strasse 16 in Frankfurt/ Main has become the scene of a permanent introduction to “Incidental Art“. The careful planning and refinement of the events presented in the O.v.M Strasse have resulted in a new form of nocturnal entertainment where decoration, sound and visual elements (including guests) are put at everyone’s disposal in form of portable (moveable), imitated (projected), or copied (reenacted) elements - the ultimate aim being the multiplied enjoyment of the moment. Taking place in unreliable succession and, due to a self-imposed preference, mainly on weekends, which are always playing an important role in any city’s calendar of events (numerous art openings or any human accu- mulations of that kind) this meeting point projects itself into whatever kind of cultural life the city has to offer and in its turn invites to an „exhibition“, a „club event“, a „reading“, a „concert“, or a „film presentation“...only that it is a delayed form of projection because in the O.v.M Strasse16 everything is about the art of copying: Familiar interiors, literally reduced to container for- one mat, are duplicated or slightly transformed, “captured” and reproduced, eit- the vest I don’t her technically or by manual means of imitation. Whatever kind of artistic, cultural, or consume-oriented event might be taking place elsewhere on the a part one exactly taking all the pictures we had gathered city’s time-space coordinate axis claiming to be unmistakeable will find its yeah but I’m gonna wangle that somehow by calculated until then and copying them that was after the dinner with have Christoph Weber’s phone number anymore concrete counterpart in the O.v.M-Strasse as the game of an illegitimate shrinking Pettibon was when that whole thing came about is there any coffee left double who sometimes strikes on the very same night of the occasion but yes yes mostly days or weeks later. so basically that was already a little retrospective of what you can make some Like a continuation of the events´ profile the copy wants to increase the we’d done up till then which obviously came we could call the police and ask them what the hell is accessibility of the original construction. Usually there’s a hidden disadvan- way too soon so what was it with that picture tage in receiving a first-hand perspective or instruction resulting out of their was absolute nonsense I mean somehow that was I don’t the picture right you remember that we that Björn took pic- being a matter of course: They reduce the use of an object to one single know and then we had Alina’s film of us taking down the sil- tures of the arrest function, thus making it static. Plagiarism liberates the original from this form ver foil and everything going backwards right that’s what I was talking about of one-sided orientation, bringing it closer to a practical use and presenting and these pictures right there so we had these and but that’s already after the it, either in fragments or as a whole, as a space open to interpretation. right Oppenheimer bar event now That’s why the O.v.M. group chooses repetition as a means of creating yes they were up on that wall yeah that was kind of an emer- so that was part one then enjoyment, operates with recording and transmission techniques, interferes gency solution I think we don’t even need to mention that exactly so then we then we started like with any attempts of control, undermines apparent claims of identity and right but then we had the dinner with Pettibon so what exactly do people do here establishes a platform for sabotage where utopian people are created, set and the next day two men and a woman came by basically we started having an opening here every time the out on a mission to be beautiful. oh yeah right Portikus was having one simply because there would be Therefore it is no coincidence that the name of the location recreates the three men and a woman and asked to see the exhibition people out and around and many of them just dropped by place it has coincidentally been assigned on the map although at the same room without really giving any explanation and ended up staying and when the next opening came time it has to position itself inside a city that is constantly and strangely con- the exhibition since we didn’t have anything planned for an exhibition yet tradicting its signs and dimensional indicators. It seems that influential right the exhibition without really explaining who they were we decided to do a part one image creators are either not willing or not capable to find an adequate format that is neither too big nor too small. Just take the Frankfurt skyline for

it was the Faked Drugs Faked Drugs (Dennis Loesch) (Niklas Schechinger, Portikus Portikus Michael S. Riedel) Oskar-von-Miller Strasse 16 Frankfurt a. M. Frankfurt a. M. Portikus Frankfurt a. M. 2003 Character 2001 Frankfurt a. M. 2003 right 2001 (reconstructed) we you locked yourself in for Oskar-von-Miller Strasse 16 are you going to have a slice dennis 2000 half an hour that the other one was feeling pretty shitty to pee and Matthias Vatter was going on about it all night did I lock you in no mate you locked yourself Robertoyou locked yourself in and only came out half an hour later so following you only came out half an hour later Raymond Russel’s concept he employed this the language that was an I didn’t why don’t you tell us a little something mod nagster as a medium and slightly changed some words within the did you want toexactly hear about the right film there’d already been a huge line when I went in language so that we get a sentence that somehow starts it was supposed to be three-dimensional spheric take these pictures cool parker having having having a certain meaning and after slightly rotor discs and I stayed inside for half an hour so I thought if I’ve alrea- awesome time cause the room was always packed so I no it’s not here they also told us to be there early cause there’s this unwrit- twisting some words around ends in having a different mea- illusion started to take random pictures I would get wasted and just I remember that well ten rule they have these two spaces were it is allowed to ning so that that’s how it is isn’t there a textd alsoy been in here that long these people have been waiting jostle my way through the crowd and take one picture after that girl’s quite scantily clad paint on Saturdays you can’t translate them then did he actually he made more than one film the other remember Niklas we also had a birthday Up Club here one of them gave us a hint to be there at six it’s not possible to translate word plays no he always elikedven to always longer liked to sotry and I showstayed one in there and decided to finish my Dirk where we had flowers at the latest could you show that again that dimension more in the precise medium where that is always that Dirk flowers and coal drawings on the wall and on top of that pro- cause you know first come first paint but they’re alternating these spirals and text spirals possible and inwine film he wanted first to do the same the story was that Stephan Jojo and Michael Korbun brought jections that was the original proverb and it was invented at the go back one more he did two- D three-D the Up Club to the Oskar von Miller Strasse in cooperation right Hauptwache B-level I think there’s more pictures of that or we already saw some basically with three-D he wanted to show four-D that was the with us so to speak cause when they closed the other loca- what was that right yes of the film with the letters whole idea so consequently with two-D he wanted to show tion at the Wüsten Keller it was no longer possible to do it flowers exactly does equate that three-D only as an actually visible space and not just an illu- there so we left everything connected to the party to them no projections that’s how it was no one is I think that they are two different projects sionary form and focused on the projection bit and then we had an Up drug lyrics your Up Club was during the IAA wasn’t it first come first paint but in the during the in the Anemic Cinema isn’t there also text on the rotor reliefs Club where we just projected song lyrics that had to do with yes that square was black as ink pitchblack yes he did yes drug text sections talking about drugs taken from different was Matze there yes let’s go back to the beginning quick yes cause they are literary sources and we had one where the show consisted that one back there was wearing had a wig that was pretty good was that using text spirals and graphic spirals and what’s the meaning of Rose Selawy of slide clippings and Konrad Hasse lend us his drawings once a month and where are the pictures yes but I’m not a hundred percent sure whether that was the no that’s two different delicate filigree ink drawings which we like he has lots of Denise the he didn’t even make these text films and then he called there are several them which we photographed and then projected so that it Denise the whole thing Anemic Cinema or how was that I think that there are several texts after all he made what nine films that came out sort of like a paisley pattern although not exactly Denise they are two different things just consisted of text like that Denise Mawila and then he did actually produce them as discs and sold so one of them I those slides Andi is that Andi yes always was sort of strange at the Up Club

Xandi

Gert&Georg was also there

Michael S. Riedel / Dennis Loesch (Gilbert&George) my sister was there Frieze Art Fair Yearbook 2004 Portikus there’s a great picture of you sniffing a Translation: Lisa Voigt Frankfurt a. M. Print: Druckerei Imbescheidt, Frankfurt am Main with a with an old Printed in Germany 2002 like Revolver Archiv für aktuelle Kunst ten-mark note www.revolver-books.de but rolled lengthwise ISBN 3-865588-053-3 right © Michael S. Riedel / Dennis Loesch. All rights reserved.

Participations rolled lengthwise sniffing up a huge line Jim Isermann – Alina V. Grumiller, Ursula Schöndeling. Recuperata Libertate – Alina V. Grumiller. Gert & Georg (Gilbert & George): – Gert Zink, Georg Otto. you many people actually started having placebo effects Ladies’ room – Hank Schmidt in der Beek, Niklas Schechinger. Rirkrit Tiravanija – Alina V. Grumiller. Wassertest – Jason Rhoades, Hugh Pockock right right it got quite chummy back there right The text fragments published in here were taken from the book: Oskar-von-Miller Strasse 16 Michael S. Riedel, Dennis Loesch. I remember I tried sewing on a button that had fallen off my Silverbridge 2003. jacket in that dark backstage room and that was was unbelie- Contents vable how I did that I saw it the next day never seen anything like that before I found stitches you too in like a one-inch radius around the button back and forth most of the time missing the button completely but for some reason it didn’t fall off Based on a false event, the documentation of Michael S. Riedel and Dennis Loesch’s exhibition practice is already questionable. In the exhibition space Oskar-von-Miller Strasse 16, the two have reiterated the languages of public cultural offers, often with no understanding of what is said. They chronicle their three-year Troy with transcribed texts and numerous illustrations. Dennis at the that’s the heroin text

Maria Wiklund Oskar-von-Miller Strasse 16 Oskar-von-Miller Strasse 16 Original Oskar-von-Miller Strasse 16 (reconstructed) right Frankfurt a. M. (wrong) Frankfurt a. M. Context, Form, Troy drums that’s pretty good with those the sticks and one stick 2001 Oskar-von-Miller Strasse 16 Secession Vienna, 2003. Torsten Fenzlau oh yeah at the desk that’s where the 2002 Frankfurt a. M. lifted up to his mouth screaming and shrieking started 2001 are you are you able to smoke a cigarette without taking it and the record player playing along out of your mouth the record player playing along so that we would stay in not an entire one just the beginning time with the music do you still have the recording not bad so your breathing out through your nose then of course oh god that was bad write it down I’ve got to have that I don’t have any left short explanation please Roberto do you have another empty piece of paper didn’t we already loads no was everyone wearing the same glasses that night and they had that that was that club all-nighter where they had who was that bloke with the hair combed back shuttle buses and all that he’s a student at HFG pretty cool don’t know his name manage something that night Hank he’s not cool he’s just asleep the whole time yes looks like it no he is he’s cool really that started off really slow he was here many times and always fell asleep are you still in contact so anecdotes I don’t really know if I mean since I live here as well it’s not are you gonna be over there for a while still nothing did we also had the World Cup actually a it’s a little but that was an event after an opening yes at the Portikus maybe I’ll think of something else that’s Michael Dodt maybe he liked the music so much oh ok right if you think of something just give us a ring you don’t remember which one exactly I mean there’s lots of things I’m just not sure whether there was a lot going on we already talked about the World Cup how do you mean which opening or everything everything’s noise and emptiness yes you’re interested in anything Hanne and Ruven I’d like to see some of it again not too long ago yes what girl ok Hanne you Ruven me too Simone Starling beer already played an important role at the same level... no after that the one who came with the French bloke everything is text put your feet down we’re almost done oh ok the African beer beer beer beer And then the windows were filled with whiteness re-crea- exactly beer beer beer ting the black-white contrast between the interior and the hello New Mod who the hell is that that’s me ask him who the girl was ok alright so I’m exterior that is the strict design principle the group uses in Dennis wants to know who the girl just give us a ring its posters, flyers, invitation cards, documentations, stage- that’s when the singing slowly started by that time we’d yes that’s you the chin’s completely different I’m not gonna tell you but he should I’ll be home soon anyway around nine or ten I might just shows, wall decoration, tailored suits, and text slides. what drop by then It was a nice coincidence that for the inauguration event already finished half a crate of beer already no way that’s impossible I think he knows too no problem two years ago it was white dots on a silver background, yes yes right reminiscent of the light effects created by a disco ball, that he just wants it on tape see you then they took from the Portikus, where it was part of the exhi- say her name 304 305 Quasi Portikus Quasi Portikus 2004 2004 okay just let it run poster event that was the first that was an event we had there’ll be Köttbullar for dinner Select All we did ‘cos we were always in charge of the fireworks for just one for one poster … for that Birnbaum so there’ll be Köttbullar for dinner upside down it was called wasn’t it once we did have Köttbullar yeah Select All I know Birnbaum had invited us to do a naw Select solo what was that called again yeah at one point yep yeah of course yo break right Portikus had been invited didn’t you buy the fireworks somewhere in the Taunus or where Pernilla was that exactly to have a booth at the fair and from Böllerei Müller is that or hang on Böllerei Arnulf yeah then Daniel Birnbaum asked us I think we already predicted the after-party of your first Zwirner ah this was the upside down poster exhibition there because we did have Köttbullar for that right upside down if we’d be interested in showing no because that was and it said February thirtieth on there or something like that no but there we’re singing there’ll be Köttbullar for dinner right that was the date of one event the fake Portikus there each of us devoured sixty Köttbullar which doesn’t exist because of On Kawara wasn’t that when we went to the Swedish restaurant for example and for that whatsit Daniel Nikolau played a record right and again we have photos you’re right backwards didn’t he of that could it be that you only filmed the fireworks naw not really yeah kinda looks like it so he played it from below and we also published a fake but we are going for dinner later aren’t we played it from underneath he jacked them up on an egg cup and open fire then he fair catalogue for that … not bad he put the cartridge upside down (p. 345) yeah there was some spicy stuff in there yeah and that way the cartridge had so much weight at the base it looks much better on film that it was basically pushing upwards [unintelligible] exactly were those mobile phone cameras already quite a crack no those were still proper heavy yeah they were digital but are you you’re not on Facebook are you those were the first digital cameras with video function no go on that’s when it started that try as you might you just couldn’t make he’s been ticking off all the topics out a swastika tick on Michael yeah I can’t make it out either try as I might yeah so that we know where we’re at more or less Le Jeu de Pet en Gueule yeah yeah we’re still in two thousand three yeah exactly next up is the mask Mich eww the mask Mich although it was too big that was Beate made me ah Niklas made a mask from my face that was when Niklas was giving a talk about that red shoe which a death mask we’ll see later to be honest I find that really creepy I’d like to skip that ah yeah that’s right I find it creepy too there it is I think it’s great there it is god you guys are sensitive more on that later well the mould was quite nice but then she made a positive from yeah I vaguely remember that it as well which she painted in a horrible colour a cheesy yellow neck ruff Dennis no grey it was two thousand three was Dennis’ experimental fashion phase or yellow-grey yeah I broke free but there are only black-and-white photos of that or what what isn’t that a neck ruff then that’s you Marcus no that was a scarf that is not me ah right of course that’s you speaking of which that was quite funny because the other day come on that’s funny Zobernig that’s not Marcus I had to explain the book to someone in Los Angeles and then it’s Roberto for about forty-five minutes we only talked about if Zobernig was I have another one it’s a double actually leaning against the wall naked that time because in the that’s Dennis book you can see it now the quality is just really bad that’s Dennis yeah in the book it looks real skip to the next one the next one’s another one and in the photo because it’s also in black and white and sort of no but I know this one it’s the one with the double flattened out with the double I quite like that one yeah you can put a tick next to that it really looks as if and because it’s more or less the right size they can I tick it off really thought that it was that it was Zobernig great there’s an upside down card game upside down knocking heads mask Mich right and then there was the that was brilliant I was plagued by nightmares after that we made that one 306 307 Quasi Portikus Quasi Portikus 2004 2004 in Brussels yeah I still have some of the cards but I don’t know where the rest of well apart from one hair-of-the-dog beer them are … I don’t even remember that cider and look at that the torn Vespa poster yeah well we’d had one or two by the end but we weren’t drunk at ah yeah that was great does that still exist and then we exhibited the all and then we that was from the Kitchen Destruction wallpaper with the façade and what did you destroy in Trebur well everything that was in Trebur right the Jim Isermann installation completely everything that’s from from the Kitchen Destruction at Hank’s and my flat we completely totalled the place and especially in Trebur there were three parts of it from two thousand and there yeah but it wasn’t like an aggressive outburst we were listening at home in Offenbach there’s some of the remnants was also the Doublesided Clock to Stunde X and the atmosphere was already quite charged but when was that again the whole thing took quite a long time it went on for hours I think that was was on it as well … (p. 345) it took about six or seven hours in total and somehow more and that must’ve been some time round New Year’s two thousand one more things got destroyed in the process two thousand two because you called me to come over and I was I think in those six or seven hours you called me about four times busy and I was quite impressed that it was going on for such a long time right New Year’s every last plate every last cup right that was on January first you weren’t there exactly every last jam jar but on January first so actually on the second every chair that was that New Year’s yeah the toaster out the window on the night from January first to the second sometime around yeah the window a coffeemaker went out the window and four in the morning out the closed window that is when Roman was visiting Roman was there as well Roman was I went over there the next day at Oskar-von-Miller Strasse all the time the coffeemaker went through the closed window Fedi Fedi Robert Salser and I made eighty euros I went to the petrol station and filled up and so what happened with the Kitchen Destruction my car just like always for twenty macks twenty euros that is and well we destroyed our kitchen in Offenbach paid with a hundred euro bill no hang on not true it must’ve been while listening to fuckin’ Stunde X exactly I know exactly when that was because the euro the euro transition I think they fucked you over took place but got back eighty euros change instead of eighty macks ah yeah so in two thousand one can’t you say mark and not mack and what brought you to destroying your kitchen and then those eighty euros it just kind of happened it all started well the boys were all there the day before we’d got absolutely shit-faced because it was New Year’s and then everyone was still at ours and then we all went for schnitzel at the Ratskeller and had a glass of cider with dinner I think and then probably another one and after that things were starting to look up again but we were still in a bit of a strange mood kind of and were hanging round our kitchen and at some point Roman on Roman started to stamp on the wall with some shoe polish thingy that was just lying around he tried to write Tacheles but only got up to Tache I thought he used ketchup to write it no but then the ketchup squeeze bottle came in afterwards and then he painted a a parabola on the wall but what was interesting was that actually we’d consumed almost no alcohol we were completely sober

Mark All came out black but there were just a few photos when Roman’s made a profit girlfriend definitely what a plonker Mack All that’s why there are only a few photos which Roman’s girlfriend anyway who’d stayed in the background a bit had taken with her snapper so anyway the kitchen demolition was wasn’t there once a kitchen demolition at Oskar-von-Miller Strasse at one point we were sitting on the floor with part of a table leg and as well the other person would throw a plate up in the air like in baseball naw I would know and then you’d bang it across the whole kitchen with the table leg definitely not see that would’ve been a photo that we could’ve been included in I would know here for example well our fridge reeked once but that’s about it do you have photos of that and at some point after three hours we put on our ritual shirts there were some deep just a few because whatsit Robert Robert Nitsch style all of us in our Perrys and all that and then it went used up all the film we still had proper film rolls at the time and he on forever used up eight rolls eight empty rolls of film but later it turned out yeah you went completely crazy you called me five times that night he’d forgotten to take the lens cap off and all eight rolls of film just eventually all inhibitions had disappeared and then everything 308 309 Quasi Portikus Quasi Portikus 2004 2004

and then at some point we started calling Dennis to tell him if he splendid that also looks like you Dennis we asked her didn’t come right this minute he’d regret it for the rest of his life but that’s extremely Evelyn but Hank that was that was only that was the second time that well but she should how does she dare laugh just because men nothing we said could bring him to come yeah one hundred percent one hundred percent Evelyn Beate did our makeup buy tights and it’s true go back one will you exactly yeah a gusset you have to find out what that even means first while it was going on we’d sometimes I think we sort of who was you could honestly I mean I’ve also got but that idea’s never even the first time was at the red party silly cow that with someone we tried to occurred to me yeah when we were still wearing the clothes that wasn’t really that that’s Merzen there Hank can you pass me the lighter please that’s extreme through wasn’t really nice that was after the Ja-Flat keep them from we had to keep Roman from calling the police to that honestly looks exactly like Evelyn the thing with the clothes I agree yeah stop us yeah that looks amazing Hank definitely look how fucked that belt looks Piano Bar what’s this who’s this Evelyn then yeah with the white woolly socks I thought you had one day off per week or a couple of days off Piano Bar this girl yeah once in a while so we were at the point that we’d stopped organising our own a gspusi we called it so then this was the second time but then it can’t have been two so when was that was that at the end of two thousand three that events at Oskar-von-Miller Strasse and then started toying with gspusi is a great word thousand three so that was after the Ja-Flat then event there was that at the Sudfass other ideas and so then next door at the Sudfass Dennis’ gspusi the current one didn’t we once yeah could be at the Southeastern Divan that was gspusi smoochie naw the red one ah right you’re right that was after the Ja-Flat check it out Merzen is wearing an amazing button right we then organised parties with sad music at the Southeastern gsmoochie although Merzen is gonna walk in now you’ll see wow the interior design is incredible Divan hootchie gsmoochie yeah two thousand and three yeah ah yeah it’s a Bavarian term so then it was after like a cheap hotel sad music slow music I see towards the end of two thousand three maybe does it not exist anymore then but then why does it say Piano Bar G S P U S I keep going on we’ll figure it out in a second because Merzen will yeah they threw everything out and we made flyers for them with nothing left on them apart from does she really look like that be walking in any minute ‘cos that was your night off that was the table where they gave me the poppers do you the spitting image only with glasses no that was before remember when my head just fell on the table do you remember dates made from from yeah with glasses no it was after into your chips shopping receipts so she looks like you so but if that was the second boom gone for ten seconds we crossed out all the dates in monthly magazines and only used yeah or halfway through and you were having your night off I didn’t remember that place was called Piano Bar the one relevant to us those flyers were completely they don’t yeah naw we didn’t have a night off definitely not because that was I didn’t either really appear anywhere she looks exactly like me definitely after the Ja-Flat me neither yeah but where are they then and did we ever really print them so is that a current definitely okay yeah but the Western South the Westeastern Divan wasn’t that in yeah we did we copied them and all that was a kind of new way did you make her yourself didn’t we once plan to go out dressed as women and had already the basement was wasn’t that a sauna club and upstairs was the instead of printing to remove everything so basically the inverted she’s the bought ourselves the clothes Piano Bar and the whole thing was called Sudfass these are brilliant photos ordered her yeah we’d bought we bought these these non-transparent tights yeah you’re right okay so now we’ve still got New Year’s in great stuff isn’t it do they offer a service now where you can print them and that wasn’t easy at all because we had to find these totally Hamburg or Miscellaneous really great stuff in three-D yeah opaque black tights Miscellaneous I don’t have these here either I’ve still got some of them though that’s that was really quite cool at the Sudfass I mean we were that was also before two thousand three we were at the lake Miscellaneous is the coolest folder I think do you need this for the Karl Valentin Musäum the DJs and then at the till we had the situation well then do New Year’s in Hamburg first I definitely need it for the Karl Valentin Musäum there were five of us with the gusset but Miscellaneous is brilliant three hundred sixty-five photos I also need that for the Karl Valentin Musäum we were five DJs and we drank more than all the guests combined what was that again the gusset I remember Miscellaneous is proper genius yeah that was horrible when Lars once told us you had two but the idea came up in Sweden didn’t it mouse mouse mouse mouse hundred and twenty-four Kölsch and then and the other people yeah we kind of familiarised ourselves a bit with it with the with so this is Miscellaneous two thousand three that must be at the like eight tights how the gusset thing works and all that back right you what at the back know that Lars with the still very nervous at the Robert Johnson I can almost hear the sounds it only took place three times though because at the till we then asked the woman ahead of us in the with red ears and it totally bombed also quite grim the phase we had this phase queue told her we’d just bought these tights but what did this thing Dennis you have to see this when we when we went over there for food do you remember mean this unfamiliar term Dennis you have to come here when I found a cockroach bum and a rusty paper clip in my gusset go back one please go back one please what’s that at the back unfortunately I have to tell you that that was before two thousand gusset gusset yeah and three yeah a gusset is this small that’s the small piece that they sew yeah yeah that’s true into the crotch I think that was at the Robert Johnson the Ja-Disco could that be alright what and then did we ask the woman because she laughed when what’s that up there bottle quick break I have to quickly turn this off and on again bottle opener what’s that wasn’t that the the Crowded Game no something brilliant fla flament or what we’re at two thousand three Miscellaneous now Miscellaneous okay then I have to throw mine in as well yeah but F L is clear right yeah it’s crystal clear well mine really get started I don’t have the Oskar book to be honest F L all clear no idea but there you could’ve figured it out 310 311 Fung un Föng Feuern Feuern Nö 2004

do you remember he was like don’t drink too much because once Hank during this quick break [TRACK 811_0014] he’d had a guest who was like he quickly needed to go to the toilet WLAN and then he shat into the bathtub are you giving me my postcard no idea grim I can imagine though after that stuff naw it’s a shirt with a name on it that’s serious stuff naw careful and how mad is that when you put a bottle on the table and tell we didn’t have your address that must’ve been Stooges your guests careful with this or you’ll be shitting into the bathtub naw that was at the Ja-Disco or you’ll be shitting all over and then he tried to clean it up and this other one’s from Roberto and me no then Rita came and was like what’s going on here thanks I mean I could tell you ten songs right now with that part in it that you made that I think when you were working for Messe Frankfurt what’s it called A A Nidda Strasse or what what’s that called get you started like that could that be anyway Magic Potion for example right that’s from the Torhaus that is how nice of you shame ah you went to visit someone there yeah it’s a Karl May postcard what could that be so who was the woman from the Messe again seventy-six I so get it her name was Frau Doktor seventy-four where’s that then what do you mean Frau Doktor seventy-four ah no way do you know where that was that was at Lola Montez Frau Doktor yeah Magnum Mangel naw married or seventy-four B oh nine eight yes it was that was at Lola Montez married and twelve years older yeah could be yeah and no one ever saw her and Assad throwing Avud El Massad from the death rock yes it was yes you have where did I put it again ah here it is yeah you’re right at the back you can see the roof laths I saw her once didn’t I Barud El Amassad reached into the air and crashed down and that’s also the photo that I used for the yeah yeah for the poster and that’s the selection for the Oskar book already there’s still the key is what I have to enter here right for the poster some unopened all the that’s the shoo who’s that on the right great you don’t need to tell me Barud El Amassad that’s Alina sleeves that’s absolutely clear don’t know her ah her and what’s inside the sleeves anyone care for another beer that was in Vienna slides and photos me why do I not know this Alina yeah they’re the that won’t be Barud El Amassad is not gonna show up in Winnetou Alina Grummler when was this Three now is he Alina Grummler that was early in the morning after some party well there are some quite amazing overlaps for example I wasn’t that was in F hey aware that Winnetou came to Dresden to visit Karl May you want me to put this on there then oh that was in New York yeah … we were torn between Fung where is that in Dennis’ room there that was in New York in the cab in his part as Old Shatterhand un Föng feuern feuern nö and that could be in Dennis’ room nude shot yeah if photos like that what do you mean in the part of Old Shatterhand not that’s in Friemel’s room I had a marble floor these pictures are crazy that was in Aachen visiting Friemel well Karl May in some places is also sometimes Old Shatterhand neuer neuer Unfung Föng no that’s Hank’s those are Hank’s things that’s in Usch’s former that was in Vienna right they’re all the posters he sent me yeah room which was haunted by a ghost Hank briefly lived in there or you deleted them didn’t you all the other ones Michael what I’ll do now because I have and then Winnetou comes to Dresden to visit Karl May say it again slowly for the rather he and I did together that was in Vienna also in two thousand three I think does that not with me with the sweat stain yeah transcriber you’re right and that’s the white Ja-Flat record player sound about right there’s a lot of there’s a great many things from Dennis you lived in Usch’s room that was after the opening do you want to take this over there yeah and but then we had two well yeah after the opening at the Secession right no that’s alright we can I’ll just simultaneously I’ve also got a bottle of vodka from Nitsch [unintelligible] yeah that was in between those events and then we were at Nitsch’s because then everyone could see it which would be quite nice really did you visit him actually we had even more yeah very briefly afterwards who would everyone see no he was here and brought me one different options but those two briefly like that was brilliant I mean the size is big enough should we put it up higher the but here at your new or old before we went to Brussels and drank young wine computer can everyone see should we prop it up with something in the at the Friday Kitchen last year or something were our favourites there was yeah a bit longer Sturm Sturm but a double [unintelligible] but then how come it’s not white Sturm Sturm and were legless what kitchen is that in yeah okay also those were our top choices really actually I’ve hardly ever been that fucked isn’t that the mask again or yeah wearing Nitsch’s wig again or what yeah okay so we can just move on through now don’t know there’s white wine as well six oh eight and then we decided on Fung I didn’t notice that’s a wig that’s too high and so what’s in here here Dennis style un Föng yeah you did Friemel was Friemel called it the Polish room ‘cos I naw they were like they just had all this random shit that’s too high so we can just skip those practically didn’t have any proper furniture just moving boxes and also we were in that one room too high kitchen you wanted to do now right but we’ve done them feuern feuern nö yeah we shared that room for a while and then I moved to that’s Rita’s bathrobe that just blocks the view and won’t look good in the photos naw we’ve done them Hamburg I think amazing that anyone was still able to take pictures at that point but do we want to watch it on the monitor or don’t we I’ll continue with this ah yeah here what did we play that’s JP Ruffin TV Personalities feuern feuern nö Niklas do you have a swastika yeah I also wonder how that was possible I’d rather project it yeah just go on six eight four isn’t it yeah I can see it better on the screen and then we went over there a knitted swastika definitely yeah but that’s nonsense because we haven’t moved on with this I’ll save this for later Mod Fuck Explosion yeah but that’s a muff or what is that the bean pole has to pee haven’t we those were nice glasses the round ones Mod Fuck Explosion and switched them around on no that’s nothing just a piece of proper shitfaced yeah that works do you still have them what was that ah right that’s just part of a swastika that should so go on the cover right put this behind Roberto only drinking photos Mod Fuck Explosion is the soundtrack to the Mod Fuck Explosion the spot … (p. 359) those are Hank’s things was I really hey that’s the kitchen yeah I still have them film oh Beethoven and then the next morning calm as a millpond that’s the kitchen at Oskar-von-Miller Strasse yeah I’m glad it’s not my turn yet whose record is that all that stuff is Hank’s that’s Nitsch’s farm that’s at Oskar-von-Miller Strasse the [unintelligible] poster’s ah I have a story about the parka in the form of a photo mine Schiller that’s Nitsch’s farm yeah hanging on the fridge yeah that knife doesn’t cut now I’ve lost track of where I am ye yours they’re all my things he did get us sloshed though all the shit we drank I need the WLAN numpty I’ve never listened to it again though it’s rubbish somehow so who took the pictures Sturm it was the Sturm that killed you Roberto do you have the what’s that then sounds good Mod Fuck Explosion look at the bottom on the left that’s the Lambretta seat 312 313 Book presentation of Oskar 2004 2004

you’re right and anyway every time I Dancing Next to the Tallest wasn’t the Dancing Game well I’m not sure that’s meant to be in there you have massive eyelids there Michael Dennis so is this your hair now yeah well check out what’s going on there yes it is who’s that Dennis isn’t it and the Crowded Game how did that come about again I don’t remember god if this is the way things are heading then brace yourselves Michael yeah that’s still coming up that’s how we left the house everyone was unusually now the double we’ve had these already here that’s good as well look at me there I’m completely normal yeah that’s great and these are well they’re the same ones we’ve already done the Crowded Game the way that’s played is that you pretend it’s well you never grew a beard either you never participated in Zaphod Beeblebrox these crowded anything I quite like him you have to organise your photos better pretend it’s crowded really yeah but Niklas was also the colour’s quite good in this one stop yeah there’s a video of that watch the next one now loulouloulou but why does the mask have closed eyes Michael Michael order a coffee at the Clubkeller you know that was the dance floor at the Clubkeller well because when your eyes are open you can’t put the stuff on yeah it’s over two thousand Dennis here you go yeah there you still have to organise them differently yeah I’m also all normally dressed but couldn’t you sort of over two thousand exactly yeah obviously I think you’re the only one walking around looking cut it open here the Clubkeller is interesting what the hell was going on there then silly like that cut it open that would look horrific Gregor Schubert let’s go in here then Clubkeller there bam Sort All Select this way we’ll always miss the films though Select no the films will also show up again ‘cos this was the thing with the Jersey Swap and Dennis’ slicked back hair that must’ve been a night at the Clubkeller exactly because before that boring boring what’s next alcohol we forgot the Dancing Game the Dancing Game is the ah yeah right that keeps coming up yeah 314 315

no at the bottom you and Hank at the bottom you Hank that was the fair at the fair now just poured yourself a little bit Marcus here I don’t remember so that was at the fair wasn’t it your buttons were all undone wasn’t she wasn’t Isabelle already working at Parisa Kind at the right that was at the fair and Lia showed up a bit later there’s the object of desire time right we with her we exactly you were already wearing it there weren’t you yeah ui naw so what was Isabelle sitting in a wheelchair there or what what was her friend’s name again that’s not the fat lady is it no Lia and but I didn’t change bras with her no she was working at the fair Barbara Wolf yeah but look she doesn’t have any tits exactly that was at Fine Art Fair Frankfurt no at the Barbara Wolf well yeah but she doesn’t need big tits to be fat yeah Fine Art Frankfurt Peles Empire she was the boss go back one what was her name you’re right at the old fair in Frankfurt again that wasn’t her though yeah exactly organised by thingy what was her name again that was Frau Doktor Juddel yeah Jobst followed me around everywhere with a camera they’re his naw she organised the fair totally photos ah yeah here ah right after the Jersey Swap had been completed Ja-Flat and we were in the ladies’ room too you’re still wearing a vest just tell us again quickly what the Ja-Flat was about because the whole thing was called Erotik Center she’s not fat at all though me but we’ve already done this she’s not fat who said she was yeah why were we in the ladies’ room okay then this should be two thousand four now right if not we’re moving on you selected all of them Michael just imagine I hadn’t been wearing a vest what I would’ve looked well god what can you say that was at the fair like well just tell us what it looked like only the ah yeah we were up on the roof there what’s up with that red wine stain you’ve got there well for one whole year everything was everything was in white the right with Lisa Joghurt because she wanted to interview us yeah well that was a tough night whole flat was white every chair every piece every every cutlery Lisa Joghurt Michael this is two thousand four now tray and for a whole year only running around in white clothes with Jugert we worked really hard is this two thousand four already naw I’ve the Ja logo on them Niklas pass the lighter please got it under Miscellaneous two thousand three and everything had a label saying what it was yeah that haircut’s not bad either that was January two thousand four a car we had a car that’s a great haircut do you know where you looked really great yeah okay don’t get mad at me chair in the photos that’s the photo hall sculpture table Hank Niklas Marc Daniel but that was basically always I know that photo it’s famous just one possibility so well no only in England when we so look Hank’s is open way to much at the top and Nick’s is open it was one possibility only in England too much at the bottom yeah only in England that’s a bit sad you think what I found impressive was the car you had no in Clacton you were looking really good there but mine wasn’t open too far at the top that was just normal Ford Mondeo do you know where you were looking really good in the photos naw that wasn’t normal Ford Mondeo caravan only in England so then we have to take it back now she’s not fat right yeah and it was completely white we had to pay great and that’s us in the ladies’ room naw she’s not fat attention to detail that was the ladies’ room at Portikus naw she’s not fat you painted it completely in white yeah but we can’t show that again can’t you see how tight the shirt is on that fat cow and I even made the the sack from the of the hand of the gear no not again we’re through with that here that was at the Robert I remember her not being fat at all shift the leather sack that holds the gear shift I sewed one out of Johnson and upside down was also in February two thousand four white leather Ja-Club wasn’t it ah yeah you’re right but you painted the fittings at the front white yeah we have to try and pay attention now everything painted white no that was at the Roxi wasn’t it okay that was at the Clubkeller spray-painted them white or maybe Roxi think about your readers Michael I remember that that you were always blinded by it by the that was at the Roxi yeah no you’re right we have to pay attention you’re right Dennis she’s windshield ah yeah you’re right that was at the Roxi exactly the Roxi really not fat yeah Tanja have you seen any of the films the driver always had to wear sunglasses because it was blinding nice the Roxy all done Michael and the wheel rims everything spray-painted white yeah why aren’t any of the women here by the way so and the interior as well all the seats painted wh Michael do you have my magic photo don’t you have a projector painted white what no that’s Vienna again when we all went out for dinner but what was that again that caught my attention just now is the do you have the magic photo on there oh I’m wearing the number one there that was the Lichtdom in Nuremberg magic photo oh I remember that too Lutz was there that time wasn’t he yeah but it says birches at the bottom well so my idea is that when we’ve finished making this the book here that’s a great group shot birches it says I mean yeah by yeah I don’t remember where that was though can you make that bigger that there’ll be a tour and five other people will be invited to share but who’s that next to Hank I’d have to exit then their view Niklas ah okay right who talk about it from their perspective that’s Niklas do Apple Plus the girls that’s not Niklas quite beautiful actually birches no I’m not in prev I’m not in preview yeah yeah exactly I mean there are enough people who yes it is mode participated in this of course well and then there was this one as well that’s coming up now but make it six yeah Fabian Schubert right but I have that for two thousand four well okay six then yes it’s Niklas yeah yeah we’re what the f what do you want with that now did open up a gender discussion yeah you’re right Niklas with a crew cut you just take my beer only chicks the girlfriends we had back then with very short hair I just poured myself some into my glass don’t know where that is that was the flat I was staying in 316 317 Roberto Ohrt Roberto Ohrt 2004 2004

the last dinner the Faber Castell Award yeah well I wanted to visit her in San yeah Marcus’ big table Trisha Donnelly no it wasn’t the final dinner that was still during the Francisco and then you told me she was in New York now and I yeah where are you Marcus Hurttig second breakfast setup those photos of Trisha are quite good never heard from her after that most probably behind the camera me eating breakfast on my own but everyone was really stiff there yeah yeah Michael is what have we got there then the good old Limburger I recently met Trisha Donnelly in Nuremberg in the pedzo wow that’s quite a laugh oh jam in the pedzo I think those were the Vienna cheese Krainers Michael Krebber‘s shirt jam Bonifazius cheese which I normally never buy yeah looks like it Michael Krebber‘s shirt yeah pedestrian zone Trisha Donnelly yep me with a fag how is that possible hey but Marcus someone must’ve bought the Bonifaz cheese yeah oh the director yeah those all those cameras that’s at Roberto’s and then of course stock remainders from the seventies in Nuremberg yeah the same ones that Marc had on New Year’s Eve that was look there’s some Ja products as well yeah and what’s that oh that house is gone now where are the Ja products crazy what was she doing there Hank those square it’s gone and there are now other buildings in its place you’re right there’s those there’s the oat flakes receiving the Faber Castell Award ah yeah right at this point I should mention that this is Miscellaneous we’re Ja refined sugar no way they appeared very briefly jumping back and forth inside the folder oh ja and that was at Marcus’ place in Barmbek we’re allowed now we can one more beer now and then we’ll I’d say right oh the U-Boat Sailors beautiful book already be that’s a very nice picture oh Anka that’s at the Pudel oh wow she’s wearing a nice little nothing there that’s the that’s Dark the Dark Lord at Remo’s go back please the Emperor that was at Remo’s yeah breakfast Marcus Emperor oh that was in Barmbek I am your father oh that’s beautiful that was in Barmbek no he doesn’t say that Dennis is also looking good there Marcus is also wearing a nice little nothing Darth Vader says that ex ex … ah check this out there we this here’s important the U-Boat Sailors book I’ve now produced ah yeah right ex ex the ex of ex of ex the second volume which is due to come out in July that hood doesn’t exist anymore does it Roberto oh Kerstin Anders are again Roberto Ohrt sitting who’s publishing it no ex ex ex under the title Defeated to Death I wonder who in the world tore that off Dennis’ ex ex ex ex ex room description I’ve also very good title I am your father I have another game got that on here that was on Anka looks completely different that’s Barmbek Roberto and Tanja Schuh the view in Barmbek was amazing that was in Hamburg the Slapping Game’s not come up yet Roberto’s seventieth birthday yeah that’s Marcus do you know the game you put your shoes on your hands dismal which one that was hardcore naw how old were you then seventy five fifty for your fiftieth birthday was that your fiftieth yeah probably fortieth naw Roberto is twenty four two thousand four two thousand four exactly Roberto was away somewhere but let us stay in his flat naïvely very naïvely and then we thought ah let’s isn’t that the table from the Scharfe Eck the Wolf of Barmbek make Roberto a birthday naw that was the flat I stayed in but who was the Licker of Sachsenhausen again that was Björn in Vienna Renner present because that was also yeah just check out those shoes will ya they’re just they’re just the Licker of Sachsenhausen ah yeah they’re the the Licker of Sachsenhausen like a prelude for the whole biker boots vile One and Three Chairs thing like a really thin pole was that Katrin Lea Tag and aren’t those the Hallo Moden things that was Katrin Lea Tag that took place later and so we those were the first Hallo Moden no they’re your old clothes really yeah but that was the kitchen at Oskar-von-Miller Strasse said okay Niklas Marcus and I yeah that was the first Hallo Moden shop in two thousand four naw are gonna sit on the sofa and but quite a few of the clothes were mine did I know that you no that was in Barmbek that’s in Vienna so why was Katrin Lea Tag there describe the entire sitting room you’re right that was Wilfried’s flat I think ah yeah and that was Marcus’ jeans the Secession exhibition again the dinner with Daniel Baumann oh yeah Marcus’ jeans … (p. 349) und Trisha she was I think that was before going out wasn’t it 318 319 Installation SK N E ST SSE . Installation SK N E ST SSE 2004 2004

… these letters here are from the WMF shop in Frankfurt now that said Geschenke Geschenke Bestecke Bestecke Bestecke Bestecke exactly what Geschenke Geschenke Bestecke Bestecke that’s what it said on the façade outside exactly those are the letters they took them off and threw them out and then we went and picked them up and used the letters to write Oskar-von-Miller Strasse … (p. 349)

that was hardcore house it is isn’t it which one was hardcore yeah that’s Tina Schott the Slapping Game Tina Schott yeah that was shit ah Tapping Bum Water ah Tapping Bum Water alright the blue face which game was hardcore the blue face the one with the face slaps it’s great in black and white I remember the name but I don’t remember how it worked while yeah dancing or whatever dancing that tie is lost though isn’t it yeah just in a club standing around I still have it but it’s really falling apart now and then three weeks later you’d get the reaction it that’s the best tie ever the time you socked the the the sculpture student it’s really falling apart completely go back one oh look that’s Patrick Schott ah yeah right yeah and he didn’t get the game yeah Patrick Schott hang on we shouldn’t all talk over each other or it’ll be impossible that was in Hamburg we celebrated New Year’s there in two to transcribe thousand that was shortly before you appeared on the scene that was Katrin is that Jutta was wearing this dress on New Year’s that’s New Year’s now no that’s Nicki when you had the blue faces and Roberto was shooting pellets the and Kerstin Anders on the left whole night shooting these little pellets into Katrin’s décolletage what was going on there really Roman was there as well and he came with a really sexy woman yeah and where’s the slide where’s the Polaroid and then he made a car out of a I’d really like to ask myself that as well right Michael toothpick cup I’d like to ask myself that as well right I have the photos of that I’d quite like to see Roman’s Roman’s girl she was wearing this a tank I think it was she was wearing this patent leather dress with holes in it when Michael Riedel had the blue faces we went to the Thalia afterwards didn’t we yeah yeah but that was proper shite Roberto’s shirt is looking quite filthy already isn’t it yeah no that wasn’t shit because that’s where we invented the quite Crowded Game I like that you’ve kee kept the Beck’s crate though is it still at your and it was the music was alright wasn’t it 320 321 Oskar-von-Miller Strasse 16 (Frankfurt M.) Oskar-von-Miller Strasse 16 (Frankfurt M.)

I think the one from Sweden wasn’t three-dimensional it was just a bit relief-like well alright so you’re right but where did that get to did we take it back to Frankfurt with us Anka I just wanna know where that road bollard got to because there was this lock on it ripping the thing out was a massive effort six thirty-five Dennis just goes and pulls out a road bollard Roberto probably disposed of it at some point those were the early noughties everyone had short hair those were the noughties the noughties that’s right high-tech there’s our those were our Olympus µ correct one of them is mine a piece of crap that was

and Roman was there as well wasn’t he yeah Roman was always there could it be that Roman was our most faithful New Year’s guest yeah he knew that we were always doing something on New Year’s who is this person Roberto Ohrt a bit like Joschka Fischer photographed from below don’t you think yeah ah this is the tank model right that’s the car ah I remember now but there was also another one feet go on and now right there you see me going out again where but Roberto was so happy about it I pulled out this road bollard and also put it in Roberto’s bed I hope first the mood was quite bad though at the restaurant ‘coswe you’ll be able to see that oh incredible yeah that was on the next day already why the hell do you have these photos no idea who’s that that’s Katrin there’s the ice cream and that’s the bollard there’s the bollard that’s the famous the bollard on the right so what did you think when you woke up Roberto but that’s not the one you mean Marcus I think the famous one is the ice cream cone from Sweden no I don’t even know that one it’s the ice cream cone from Sweden definitely not because it was me I was the one who found that one and here on the left and right that’s Marcus and me but you can’t couldn’t get a table night I pulled it out of some doorway tell which driving it back and forth he was ha hang on now on the right see yeah you can mine’s the one with the sticker that massive ice cream cone with the sticker the one and then Anka switched them around and from then on I had on the right which so Katrin and I we were we went home quite Hank’s early and there was this ice cream cone outside this Italian ice and idiot that I am I took the picture cream parlour did you ever develop that last film Marcus not the Swedish one you’ll get it you’ll still get the film like a stand-up display no I want you to develop it no not the Swedish one and we dragged that into Roberto’s flat yeah I sometimes it takes time and put it in his bed so it had scoops of ice cream balls on top yeah no rush at all keep going there there’s the scoops of ice cream and Roberto had crucial for documenting things passed out cold and we first the ice cream it’ll get even better in a oh the electric darts board second Katrin and I we first we put the cone next to him and now we should have we really should have go forward there’s more right that was incredibly loud very nice that’s right 322 323 Oskar-von-Miller Strasse 16 (Frankfurt M.) Oskar-von-Miller Strasse 16 (Frankfurt M.)

Gabi two beers please yeah that’s Portikus again where do I pee into the toilet please back there Riedel I’ve got thirty-one left at the back on your left yeah go on Riedel that’s Miscellaneous thirty-one go on yeah the Miscellaneous yeah so go on and connect the thing it starts like this yeah make it big go on but then I’ll have to sit next to the thing naw just use the plug or here you can just use the cable ah right I can use the cable that’s cool or is that a different adapter how old is your computer two thousand seven no nonsense two thousand nine did you just burp so yep it’s a different quality right here ah yeah right but when was that this is seven two thousand three now okay that’s just Miscellaneous yeah yeah that was your thirty-first birthday yeah this’ll probably wind Hank up again why because of Select All but I can just jump forward like this smock hang on hang on hang on not so fast go back one don’t you have these then no what was that on the newspaper there that was the birthday fish right that was the birthday we celebrated in the back at the Oskar- von-Miller house at the house right when Rehberger and that lot came but ah yeah right that was when Konrad DJed Konrad and everything was green everything was green where the drugs that was the mad LSD thing where I gave Michael an easel for his birthday and within ten seconds it had been destroyed 324 325 Frankfurte Frankfurte

right and now he’s a painter after all that’s just silly yeah Maria was running around in her knickers right you’re right suddenly it was pissing it down well a painter yeah right at the Scharfen Ecke did you guys think that was a stupid present by the way I think so the puke cup Marcus you’re left eye is sagging pretty badly there I thought it was great but I also thought it was brilliant when it got a lot was possible that night that wasn’t the drug birthday though smashed to pieces Maria was a great support for Oskar-von-Miller Strasse yes it was who smashed it up then and for me that was not on the drug birthday you did great party it was the following year you’re right you yourself also like she was up for anything that was one year later no way that was you two yeah great party with those cups but that also turned quite wild not me the table fireworks yeah it was also wild but it was the following yeah me neither you those cups are really great that was in two thousand and three Michael yeah I never got why Kiki ah whatever because it didn’t start raining until towards the end when there no but you two who’s Kiki was no one left like I would destroy an easel I’m an art historian well Kiki we’ve just done these we’re through with these Marcus you gave it to him so you two could destroy it that’s beyond me too we’ve done this no no that’s just how you guys interpreted it that guy two thousand four let’s continue then bollocks you gave it to him so that it would be destroyed art historian two thousand four that’s the Clubkeller like I would ever destroy and easel sorry right I had that under two thousand three you gave it to him and but then you kicked it I think or something but the party hats I gotta say that’s one other way round Munich Hamburg there’s a brilliant group photo like that yeah that was a truly great party in there and you went louloulou those were the best party hats we’ve had simple drinking cups look but I don’t remember who finished it in the end you’re right that’s pretty good ‘cos exactly you can also use them that’s Paulina Polly okay let me see this here at the front never seen her again exactly we can just record here and now on the right that’s Vroni and when they’re empty just put them back on your head but what’s where is that where oh yeah the mask that’s in Munich you mean Friemel’s Freia this is interesting because I only have a very faint memory of this ah yeah right that’s brilliant at a club once she had me in a headlock and I couldn’t get out party those are the bomber photos if you could make it bigger so I was there she didn’t have you in a headlock she jumped on your what party is it then but this is big yeah you’re right back and was banging down on you with her fists the drugs that’s the mystery model that was completely crazy not so fast not fast not so fast the mystery model I remember that ah that party not so fast you’re saying right ah that was when we had the Themroc film screening afterwards Sarah with Reiser [unintelligible] well yeah I want look at them properly I also have them under Miscellaneous two thousand four no wasn’t that this yeah you don’t know these then you have them and that’s Hartmut Rausch there no I don’t yeah yeah ah yeah Virginie okay and that day someone was sitting on the veranda and then fell into bollocks that was Hank and I had the Themrock film screening there at the the bushes right no that’s whatsit that’s right Lutz that was Lutz Veronique Werkstattkino Lutz got knocked down no at a cinema I remember he did this backwards flip and landed on his arse yes it is on the right that’s Virginie and on the left is yeah yeah Valerie that’s right … that cost us one of the office ‘cos he’s so tall who’s the one on the left then that was really cool windows slow down a bit these photos are all new to me yeah I know what was that Themroc thing then I’ve still got ah well Themroc was the with the with the wall they they knocked down right later I glued that window I’ll have another beer Lutz’s ex the Themroc film they projected the Themroc film onto awall right that was a great party which Lutz anyway and and knocked it down knocked down the wall and that was at back together … (p. 94) legendary party that was not that Lutz Werkstattkino the way it ended was mad exactly there we suddenly it started to rain and so we went inside I’ve just figured something out we were in Munich because of the 326 327 Oskar-von-Miller Strasse 16 (Frankfurt M.) Oskar-von-Miller Strasse 16 (Frankfurt M.) 328 329 Friday Kitchen Friday Kitchen since 2004 since 2004 film we’re in two thousand four now exactly ‘cos I’ve still got an additional folder with Friday Kitchen the hay but we combined that with something yeah I have several like I have one that’s only the Berlin Friday yeah you’re right that was really a pretty good just let me finish and you’ll see Kitchen so Union Jack yeah so let’s do that as part of the Friday Kitchen otherwise we’ll just who bought that anyway did the preparations there for Hamburg blast through and won’t have that’s irrelevant Hank had Hank discovered them at the back yeah but we’d already established that that was only because we got back from Hamburg and straight somewhere yeah but we also combined it with something else something at afterwards had the Kitchen with the lamb it’s not irrelevant who bought it though the Atomic Café because the night before the Themroc screening yeah let’s do that folder then Wilfried Kühn bought it the but again it was Hank who discovered there was something special going on when we them at the back under the porch roof did we have so much stuff going on there then you can forget that they were actually wall supports at the I’m not sure whether we had a gig there well okay then let’s just continue from there for the doubled Oskar-von-Miller Strasse wall naw what with the Friday Kitchen the last event or what naw yeah exactly or maybe but then there must’ve so who else at the Atomic Café no we’ll do the Friday Kitchen afterwards let’s do the Union Jack and then Hank was like hang on then I’ve got that too well yeah I mean that’s just Luisen Gymnasium for ya you just see we just went there for fun we had the Union Jack was with the guitar that eight of them make a Union Jack just for fun and on that I have to say in retrospect that that was the the real exactly I was just gonna say that that he was like hang on that we did the your film got combined with the group shot for me thing looks exactly like a Union Jack preparations the Union Jack which it has to be said is quite impressive if you look at those with the Hamburg preparations yeah pieces yeah the one with just one person on their own that’s true exactly for our four-person to actually recognise that in there that makes a lot of sense going to Hamburg via Munich with one person on their own yeah well that Hank we all know that Hank is clever so is that the Friday Kitchen for our four-person Oskar-von-Miller Strasse period because that how did you come up with it then that’s the Friday Kitchen now we came back to Frankfurt from sort of sums it up I think it includes everything well that’s that’s really Hamburg and but Friemel was so drunk this Niklas is this what you’re talking about like I said Luisen Gymnasium but shall we carry on chronologically the four of us the mod thing then this the the material obviously I think you’ve just spent a lot of time occupied with Union Jacks that’s what Dennis is doing now yeah right Hank for you to be able to instantly recognise the shape they’re in perfect chronological order now Oskar-von-Miller Strasse but also the transition from the from this that was a just an instinctive reaction in retrospect I can’t really yeah mod thing to the art thing that is one truly massive Union Jack though yeah and sleeping that we’re sleeping I don’t remember whether we moved them out of there

… well for me it wasn’t really a separate thing the Friday Kitchen that was always sort of I always saw it as okay we’ve now we have been organising art events for three years now and we’ve hardly ever filled the place up let’s try it the other way round and leave art out of it but invite people from an art context and it’ll work even if we only sell drinks yeah what that’s Jürgen Teller and basically the social situation the art crowd … (p. 358) 330 331 Friday Kitchen Friday Kitchen since 2004 since 2004 332 333 Friday Kitchen Friday Kitchen since 2004 since 2004 334 335 Friday Kitchen Friday Kitchen since 2004 since 2004 336 337 Friday Kitchen Friday Kitchen since 2004 since 2004 338 339 Closing event at Oskar-von-Miller Strasse 16 Closing event at Oskar-von-Miller Strasse 16 2005 2005 340 341 Friday Kitchen Friday Kitchen since 2004 since 2004 342 343 Friday Kitchen Friday Kitchen since 2004 since 2004 344 345 Friday Kitchen Friday Kitchen since 2004 since 2004 well I was still in bed when you moved them out look how it’s raining there I can also imagine that it was raining yeah I think we were tidying up and for some reason they’d got wet back you can feel it there or something like that that was on the day after look we’re putting it away that was the I can also imagine that we were dismantling things at the front removal space and wanted to store them behind under the porch roof that was in the kitchen yeah and then it was that’s what the thing you’re right looks like now wrapped up at Wilfried’s that’s how it was so Wilfried has it yeah and there you can see the photo on it as yeah back there we well we also showed it at the Frieze and then suddenly you were like yeah why doesn’t he set it up he could just lie it out on the floor but guys yeah that would obviously be there it is again in storage somewhere that’s also why they were standing in the courtyard anyone want another beer exactly I’m alright and that was then shown at the Frieze two years later two years later that was the wall was in two in London right thousand two and this is two thousand four now yeah so then we didn’t that was funny Gaius cycled in there on his funny bike onto the it was sitting around in the back for ages it did I think at some fairgrounds and then they wouldn’t let him out again on his bike point all the crap back there eventually we got rid of all that crap because that could have because the bike could have been an back there artwork that he was trying to steal had someone sew it out of fabric or rather re-create it we were definitely clearing something out really exactly maybe we had to clear everything out because the house was yeah I don’t even remember that also in in in mad and then we exhibited the wallpaper with the façade and the Jim not in two thousand four yet naw that was one crazy bike though but it was weird they almost didn’t Isermann installation from two thousand as wallpaper and there but we were always thinking that it let him leave was also the Double-Sided Clock was on it as well and in addition in two thousand five Michael moved to to to Cologne was that in two thousand four as well we published the Frieze Yearbook and I’d say that was a real tour are you sure we were at the Frieze in two thousand six okay up next de force that in only seven days we yeah yeah I’ve got those too that’s true I thought in two thousand six so there we were showing the Union Jack in two thousand six at managed to patch all that together no in two thousand five I moved in two thousand six the Frieze in London and I think it was that’s how we installed it that’s true yeah that could be yeah I think that was also the first translation Lisa did because we had that was also shortly after shortly before we moved to Cologne it lay on the floor with those two photos leaning against it parts of the Conference of Anecdotes translated into English for to Deutz in Cologne right and the whole time Wilfried was hovering around it and then that no Michael moved one year before finally he told us he wanted it I’m not sure if it was the first one but in any case that also Michael was the first one in Cologne which was a good call happened on a massively tight deadline and we yeah it all had to happen really fast do you remember you moved to Rote Erde on April first two thousand six and at that it’s a brilliant thing were Fabrice and Machkeintheater were they there for that with time Michael was already was it Gabi Senn’s booth no they were they were still living upstairs and downstairs on that but we the two of us we stayed on at Oskar-von-Miller Strasse for no Michael Neff’s table they did the another year didn’t we Michael Neff no they did the drawing right they did the drawing that we’d one whole year ah was Neff there projected before me and Beate were still and we signed the pictures yeah maybe it wasn’t a whole year though we signed the postcards which we then cut out and sewed you never actually lived there anyway postcards exactly yes I did at the front house was that money paid out to us but this is the setup already so there’s Pernilla with her sewing lemme see can I see that thing there quickly yeah it was paid out to us because I remember us calculating our machine Niklas lived at the front building rate per minute yeah the plug okay one big piece of fabric that’s an absurdity that you’d still have that can you just unplug it or do you have to disconnect well that’s what made it so great bag where did you live Neff still had the strange assistant back then that one at the top with Peik on the top floor oh no it’s fallen over we calculated it out because we had I don’t know how much it cost yeah okay let’s do this then exactly but then we calculated the amount of money in relation that’s the one with the red wine stain I don’t have that here it’ll work fine to the working time that we that the Union Jack had and so we one funny detail is that that was Nikolaus Hirsch’s class careful at the where I’d also lived for a while before were like that it had taken us ten minutes to set up or rather make for that Birnbaum so Birnbaum had invited us to do a solo what ah yeah that’s right no you were back at yeah on the same floor the artwork and so based on the sales amount we basically we was that called again who helped but not in the same flat calculated our hourly rate and the resulting hourly rate was quite right Portikus had been invited to have a booth at the fair and then who got kicked out now no I had a beautiful flat up there crazy because we’d based our calculations on having worked ten Daniel Birnbaum asked us if we’d be interested in showing the he got kicked out do we have one of the Frieze minutes that’s why the hourly rate was so exorbitant fake Portikus there check out Dennis with the long hair there was only one spot in my flat where I could stand up straight net right and again we have photos of that I think it’s wicked and it’ll get even better because the roof was really slanted but it had a cool bathtub yeah and we also published a fake fair catalogue for that Hirsch got kicked out bad weather but that was we obviously had to divide that by four now he goes and does it like that he’s gone yeah oh yeah horrible weather we divided that by four yeah I’m using the new system he’s gone now go back two please that’s when we used the Union Jack exactly so I’ll hand back over to you then I’m sure it’ll work with your system as well end of two thousand thirteen fourteen as a model we have to where are we now that was two thousand six that was Fabrice and Mateata had the flag or the banner was one didn’t get reelected as a model to make sure we wouldn’t accidentally make it into a that was just page of the real Frieze catalogue didn’t get reelected I’ve read something different tricolour that was only because of the Union Jack now yeah well whatever but he has tremendously bad check out how wet it was exactly and we had it he said the focus was on money too much yeah so then two thousand four was the was Portikus sewed and there’s the Double-Sided Clock 346 347 Friday Kitchen Friday Kitchen since 2004 since 2004

… I remember the one one emergency idea when we didn’t have a cook and basically still wanted to cook order pizza we ordered pizza Dirk von Lutzow but then sold it at a profit at the space …(p. 462) 348 349 Friday Kitchen since 2004

which we later hung up on the wallpaper right because we were never really sure oh yeah but the Double good thing that’s being recorded now but with then we sometimes cheated by saying we couldn’t make that was still before Zwirner you should ask about that out the title but the Double-Sided Clock wasn’t used for call them and every every every third word was dust dust for the Isar-Man call Harry dust yeah call Anita and Harry the nice TV right that’s true and that’s that’s the real one and we said yeah but no we basically screwed it onto the façade ah right and the things under the table were also hard work again two concepts coming together don’t be so narrow-minded can we please take down all the signs from the Frieze yeah now we asked that what are you doing there yeah but with the time thing and all that that’s all quite interesting no I asked you that what we should really do is reconstruct the whole thing following anyway we just went and took them down to the description and that’s the there’s the flag and what did they say no yeah and that the clock was fast and everything and backwards and I went around with a broom and Gabi with a broom and I was like another joke we had was to imagine how we would forge the everything I need that as wrapping material for Hallo Moden Butzer painting and try to swap it at the Astra Stube and would first we used this black a black piece of fabric all across the ceiling ah yeah right you’re right that was that time but in the end we probably not even get one Astra for it but then we found that that made the room too dark didn’t use the big one did we and the Hofer isn’t that a screen print we made the big one was sort of nonsense didn’t we let the Hofer pass for a Pettibon yeah but Dennis you can get boxes anywhere yeah I don’t remember but we took I took photos of the Butzer yeah that was Gilbert the Gilbert and George but not those kind of boxes because we always had the plan to forge that one day and just put you printed that at the HfG in Offenbach there’s me with a dog it back on the wall ‘cos Roberto would never even notice yeah I don’t know right now I think so too and cut it Roberto that’s still gonna happen when is your sixtieth birthday Roberto cut them wearing suits ah check this out there we are again Roberto Ohrt sitting room next year but that was already when Zwirner came to see it and I when did description I’ve also got that on here that was on Roberto’s in two thousand fourteen he he first made contact in two thousand three four seventieth birthday naw how old were you then is that that yeah Dennis I’ve got that one too the setup at the fair two thousand four something he also seventy-five exactly but I remember I then told David yeah or maybe he came by and fifty for your fiftieth birthday okay then I’ll tick mine off and then we’ll see what’s left said that he really liked the black fabric on the ceiling and I was was that your fiftieth yeah actually I need them too so like I’m gonna take that down and he quite liked that we had just yeah probably fortieth naw we found nice letters in Hildesheim independently taken that decision and that it was different from Roberto is twenty-four these letters here are from the WMF shop in Frankfurt now his own ideas two thousand four that said Geschenke Geschenke Zwirner did two thousand four exactly Roberto was away somewhere but let Bestecke Bestecke some of the people there you weren’t really sure us stay in his flat Bestecke Bestecke there’s the PowerBook double in size shame that that came out naïvely very naïvely exactly so dark and then we thought ah let’s make Roberto a birthday present what Geschenke Geschenke Bestecke Bestecke that’s my jacket because that was also like a prelude for the whole One and Three that’s what it said on the façade outside isn’t that Isabelle too Chairs thing that took place later and so we said okay Niklas exactly no that was after Marcus and I are gonna sit on the sofa and describe the entire those are the letters they took them off and threw them out and Isabelle’s wearing my jacket sitting room then we went and picked them up and used the letters to write maybe just trying to be a gentleman maybe she was cold I think the basic idea was we had we were sitting around and were Oskar-von-Miller Strasse but only out of the letters we had so that yeah and me I wasn’t freezing or what like he has so many things he probably has no idea we could just instead of Oskar-von-Miller Strasse we ended up with Sknestsse yeah at the Frieze take them all with us and when he comes back he won’t even miss and so we mounted that with the gaps basically above the display Freeze anything and then came then Marcus I think said we should make windows wasn’t Katrin your current one then a list of all of it or something you’ll see that in a minute yup I have something to add I just wanted to say it as well for the recording yeah as a booth that did look quite cool check it out and especially yeah right outside we also had on the floor we had all the bottle waste and I think Michael wanted to list everything but we were already set because you won’t be able to see it in the recording everything so the way what it always looked like at Oskar-von- up all nice and comfortable on the sofa and the idea of constantly but there you can see it that’s without that’ll have a comeback Miller Strasse as well having to get up and pulling out each single book seemed way too pretty soon exactly but we also had wasn’t it also the biggest booth tiring to us and that’s how the idea was born to let’s just stay on yeah it was the biggest booth the sofa and describe everything from here but in Berlin massive it was or was it the same size as Oskar-von-Miller and create a table of contents for Roberto so that he’ll be aware of yeah Strasse naw all the things he owns and then we were just too lazy and simply sure no but it must’ve been about that wide because I think the façade stated everything we saw but the O at the beginning would tumble down anyway if it was was the original size of the display windows at the front I think we were there for two days there aw the nice suitcase right two complete days yeah the sixteen as well and my sofa that’s really got around well yeah he has quite a lot of stuff you’re right that you were conceived on and so we described everything and I still remember when we had we measured that very exact exactly you couldn’t have you exactly to describe the bookshelf behind the sofa at times we were just would’ve been proud how exact our measurements for that were anally reading off titles off the book spines and one that was legendary we did that very well it fits perfectly doesn’t it no vaginally that really made us wheeze because we were laughing so hard yeah anally was right someone would always read them off and then went up there is where I lived Dennis was conceived vaginally Dieter Roth no Diderot that was what my style looked like in two thousand four vaginally one corner that was really hard work was the pile of DVDs with flowers in the background or what anally oh yeah they were from Arndt Arndt who we shared the shop with I was definitely conceived vaginally next to the TV yeah the E is what I’m worried wouldn’t really fit anymore 350 351 Friday Kitchen Friday Kitchen since 2004 since 2004 352 353 Friday Kitchen since 2004

and were they lit up yeah gallery obviously that’s where they’ll go now on the Haurunter Johnson Robert that was obviously on the Haurunter they’ll go either up on my studio or next door on exactly that’s what was so cool about them the right on the Friday Kitchen actually those were the individual things now as a group Oskar- you’ll see that in a minute I’m sure that’ll look very nice von-Miller Strasse was over excellent it could look nice and the windows exactly as a gang thing it was over and Hallo Moden was just me they’re lit up do you still have that the trans yeah I’m seeing them in a completely different light now I’ve still got all of them we took Schrören and I took them down that’s when it started like with you guys for example you’re seeing them in a completely different light that took a whole that’s right yeah group day just to lay the cables do you remember and the rest of the letters you just threw out exactly yeah yeah they never existed and you were only to retrace that quickly you were in Brussels at until we’d straightened it out of course they existed well not the Oskar-von-Miller Strasse ones the time two thousand four that was madness with the cable but the Bestecke Bestecke ones at the end of two thousand three so sometime in the winter I think well you should’ve said something we would’ve helped you I think so yeah we threw them out in November we moved to Brussels and stayed there until summer what a tough job we didn’t even take them with us two thousand four and studied at the Academie des Beaux Arts as yeah how can that have been two thousand four though that was a mistake you’ll regret that one day visiting in two thousand four we were in Brussels Bestecke Bestecke what was the Bestecke that was brilliant right Bestecke Bestecke Geschenke Geschenke two thousand three to two thousand four of course you could really have written it twice naw that was brilliant but that’s not possible because I also remember how those letters naw in Brussels did you do anything there were put up there another brain fart ‘cos we had do you remember we thought that’s yeah Nine Dark Pictures there Hank a black a black square a cube and we took that massive cube yeah drink heavily top notch with us take pictures wow which was five centimetres too wide and we could never fit it into so that has not much has nothing to do with Oskar-von-Miller cool any room Strasse cleaning them was also one hell of a job and especially not into a car it didn’t ride in the car with us who I already have I’ve already got the Nine Dark Pictures isn’t that the cleaning them I don’t think they’ve ever been cleaned I was going took it Markus Arndt or someone conference everything printed on top of each other to have them painted now it was standing out in the courtyard for ages I remember that one of them is that yeah you cleaned them once I remember that Hallo Moden party two thousand four and there should be a photo of that yeah one single time but that was before we moved to Berlin oh yeah Hallo Moden party I have it with a hose in the courtyard I’m sure that was you don’t go so fast Dennis you have it of course because I can’t handle filth that’s all nonsense cool you see why that’s why I now have the it’s necessary to write that down and now I wanted to have them newly painted before they’re going ‘cos I know more or less where things are because not all the photos we’ve got now are here some of them back to Frankfurt and then you said ah no they’re much better if you go so fast we can’t say anything about it and then it’s these guys have them filthy that fits the façade of the house perfectly but that’s that’s nonsense now because it’s in chronological order well yeah I mean I’m gonna start working with the pictures and hang them up then as long as they get hung up somewhere again so it’s the Hallo Moden shop already existed before that so we placing them and if any more pictures turn up then yeah the house looks so similar by the way have to go back to that first yeah they’re on their way yeah that’s why I’m saying we should what house are we talking about anyway do the FKK two thousand four write that down because these two should also have some pictures Haubrok’s at the Fahrbereitschaft but that’s easily twice as tall oh yes please there’s so many pictures anyway we’ll definitely forget some of ye old Haubrok that’s the Friday Kitchen them but H for Hau where do I have Hallo Moden anyway so explain the Hallo Moden concept now hang on so the house is that gonna be the Kitchen then where you there a bit further up there so Hallo Moden started as a fashion shop because back then have the new Kitchen or only the studio exactly we had lots of friends who were making clothes and so like a Housebrok there are those children’s parkas of mine secondhand shop up there that’s how it all started and that always the studio is next door right which we then sold to Heiner Blum happened parallel to the Friday Kitchen different people showing Hauruck one of them yeah their new collections here you can see Hank for example on the and we’re also gonna have the roof with these steel rods because where are the other ones left who had opposite us we have these people the steelworks who work with and where are the other ones Hallo Moden was in two thousand the children’s parkas metal six his parkas the cuts were reduced from A four from A three to A four yeah my niece has one of them and Buri’s nephew has one well from A three to A four or also from A four to A five or maybe next door on the right because the events are gonna and two thousand six was also to A five right take place at my studio and the house is on the right where the and I have one and so then he used them as patterns and the result were Kitchen will be and the casino in two thousand six was the first exhibition at Winkelmann’s gallery children’s parkas right children’s parkas exactly tell us something about Hallo Moden then you should try it there yeah tell us a big chapter at Oskar-von-Miller Strasse that was the that’s how it began that’s not been decided yet next big event series and what about A two no idea the next big thing and the construction what about that funny story with the beam on the lower part of the house there it would fit perfectly the next big thing the thing with the construction was quite funny because in two well that’s great what happened from that exactly there was there was basically thousand three we were at the Frieze where I saw a clothes rack Haurunter he’s called nothing left downstairs downstairs we were only doing stuff like a piece by Sol LeWitt by Jonathan Monk he modified it he made it Haudruff celebrating New Year’s and upstairs next door to the Friday longer so that his children could play football use them as football Haudruff Kitchen there was this empty room because they because the goals A Haubruck is it Axel naw studios were slowly being cleared out because the call was that okay Haurunter the house would be demolished sort of like a Sol LeWitt Open Cube and I liked it so much that I Haurunter and the Friday Kitchen also started in two thousand four tried to build the same thing out of wood with the beams we had so that’s basically what it looked like it started after the Jeu de Pet en Gueule exhibition at the Neff here 354 355 New Year‘s Eve New Year‘s Eve 2004 / 05 2004 / 05 356 357

really that was already making reference to that thing remember you screwed that on up there that was already that thing yeah at Frieze two thousand three that incredible was wallpapered the Hallo on there but that first wooden rack wasn’t yet you only had a simple clothes that’s crazy though with the pallet on the desk not bad rack back then didn’t you that’s mine back then I had a rack and then tried to do it like that someone’s camera is ringing so that was already that thing then or what right ‘cos Pernilla yeah yeah that was already back then I said to Michael when we and what made you choose Hallo Moden as a name were at the Frieze that thing would make for a perfect clothes rack Hallo in two thousand two we’d or two thousand one we exhibited because that’s exactly what it looked like the Lola Montez do you remember and those are the boxes yeah those are all the boxes from the Frieze and on the right it already that was when Kerstin what was her name again started with those no Anja trainer Anja Tschoska with those Diane Kruger trainers right boxes and her I once drew her in a really silly way with these pigments boxes and she was like calling out Hallo that picture was right at the on the right exactly trainer that already looks quite different beginning and then I thought well that’s great Hallo always works … and let’s not forget that at that was your porn series with the fashion Hallo is always the first thing exactly that was that photo was originally taken because I accused by the way now she’s I saw an exhibition titled Art and Club the end of the night we listened Neff of having made a mistake which was he had his he had his yeah I saw that picture taken as Yves Saint Laurent there’s this photo by John Fart and Club to There’s No Beautiful Way of Visineff where he’s sitting like this wearing glasses and he forgot Art and Club Saying Goodbye sixteen times to wear them and so I thought I I’ll be more modern I’m gonna use Art and Club Jürgen Teller the Jürgen Teller photo and put on the glasses and and who’s in it Gregor Schubert talking about the Friday Kitchen right send it to Neff and that’s how that’s how the photo came about at Oskar-von-Miller Strasse with the tucked away cock and the heart well for some reason that must they probably think they’re better no no no that was at the final ah so it’s only tucked away yeah event in June yeah yeah of course I don’t really get it now really it’s tucked away well she didn’t invite us Art and Club in Frankfurt twenty-five years ah yeah … (p. 379) of course it’s tucked away and to not invite Oskar-von-Miller Strasse yeah like in the original photo but hang on it’s tucked away yeah yeah I always thought yours was actually that small well just look at my feet but your nose is pretty small Dennis it has nothing to do with the nose what Hallo Moden really suited you I have to say yeah it was really fun too you could just invite people and who showed their stuff there and the material as well the the the actually the best thing that happened there the thing I liked best was the Lenny bless you thanks please god let it be true the one who showed his shoes on the floor that was grand and you as well Michael naw I also contributed some clothes that was the very first there I for sale that was the rack yeah and it was a type of secondhand shop that was the R Mutt label exactly the R Mutt label for that I just used this R Mutt stamp on the clothes and then sold them just for a laugh that was quite good though the material sort of suited you I thought Dennis and his haircuts which by the way I the sixteen I still have that one today and that was there I was afraid to climb up there because I somehow vertigo I get scared when I’m up too high do you 358 359

right and the Friday Kitchens ever filled the place up let’s try it the other way round and leave like an anagram what could we make from the letters and then we what’s that then so to speak and Gregor Schubert is involved in that now art out of it but invite people from an art context and it’ll work even sat down at home and cut out letters so made our own letters and right we rented a van and drove up to Paris as representative of the Friday Kitchen if we only sell drinks then moved them around until we we were torn between Fung un drove to Paris at our own expense actually exactly speaking about the early years at the Friday Kitchen yeah Föng feuern feuern nö and neuer neuer Unfung Föng so that was in Paris when it was all still market-oriented what say it again slowly for the transcriber yeah market-oriented that’s Jürgen Teller and but then we had two well actually we had even more different yeah no not market-oriented more in the sense of as they say everything and basically the social situation the art crowd options but those two were our favourites there was also those we went there by car and told them so they obviously knew we was better in the old days you still don’t get it go back two were our top choices and then we decided on Fung un Föng were coming market-oriented he looks like Rehberger feuern feuern nö but they left the flat in a mad rush not market-oriented not so jumbled not jumbled like that feuern feuern nö moved everything out and owed rent as well for like five months try and say it in other words that way there’s only one aspect to look at and the rest is ignored and then we went over there and switched them around on the I think in the good old days in Paris no how do I explain this now yeah exactly spot chucked the keys in the letter box and were gone you don’t know what it’s called either right yeah so Friday Kitchen more on that later exactly and now tell me which one of these five people is Fabrice it’s true though yeah but the way I see it is also that we were through with the art meaning we didn’t take the letters off first the one in the middle in the good old days back when events and we were simply providing a sort of like a stage where ah yeah you’re right exactly he probably took the photo when all the artist still used to go there things could happen and take them home with us he took the photo when things weren’t market-oriented yet Feuer Fung Föng and then during the switching around of the letters ah but that’s exactly what I said that’s why I corrected myself when exactly but I actually liked the shift away basically from Oskar-von- the son not the one in the background things weren’t market-oriented yet Miller Strasse where we’d often where we had such an incredible suddenly from the neighbouring building someone shouted what shame this right now isn’t very market-oriented either number of events that often we’d basically have five like just as are you doing but he’s in this one here I took the photo and that one there is no but the bohemian attitude has disappeared many guests as organisers stop that right now Fabrice but the lunch special was indeed market-oriented five yeah but that was the son in one of them Mateata is laughing and in the other one she isn’t yeah and people were getting a bit frustrated with that at some point Engel’s I think that was right exactly we got home it was a Friday bohemian is the wrong word anyway and the desire to just say okay if you people are not interested in right Engel’s son that champagne and cocaine head or something and the Friday Kitchen was on again and we what the art then how about we just reduce it to the opening situation Benno Engel immediately stuck them into the room in upstairs and that was the lunch special is not market-oriented but without the art and suddenly the place was crammed with two Benno Engel right a champagne and cocaine head Rehberger’s what was that a Maserati no forget market-oriented I only wanted to hundred people and then we quickly put them back in the right place and then it yeah something like that exactly when everything was simpler yeah yeah read brilliant idea that was Fung un Föng feuern feuern nö and and then Fabrice obviously had to DJ straight away at the Friday why is the lunch special not market-oriented then even though in the beginning there was art as well then it read again Kitchen but that’s always the case if something is going well not at the Friday Kitchen no Neueröffnung Neueröffnung of course when it was still less organised yes there was we had film screenings for example Neueröffnung Neueröffnung and had his no as soon as something starts going well it stops being cool and Achim put on stuff how far did we get though I think I have one photo where you can there was always good grappa but the lunch special and the market are actually directly linked that started later yeah and then the Hallo Moden thing a bit see how far we got do you still have the same one well the Komet was also better ten years ago yeah Hallo Moden was I mean Hallo Moden always took place at and Isabelle slept through the whole thing the same one no but I don’t think you can stick that label on the Friday Kitchen the same time that’s how far we got yeah the Friday Kitchen has aged gracefully yeah that’s just the way it that was market-oriented art and there’s a sound recording with Isabelle saying she was feeling nice is ‘cos that’s nonsense in your mid-forties to sort of piss about like no in the beginning not at all worn out and didn’t want to come so we’re looking at the Friday Kitchen now you’re still only throwing parties we really started it as like a counterpart or something right yeah you’re right yeah we can’t do the Friday Kitchen now though yeah of course since this morning all of Rome has been on strike so why did you put them back in the right order why not you obviously also need to have something else Greece as well I think because they were threatening to call the police Friday Kitchen now and in your mid-thirties it’s still okay by the way have you ever been on Greece spaz yeah we’re in two thousand four now in your mid-thirties it’s still okay yeah no Imbiss it read Imbiss Neueröffnung yeah two thousand four was the beginning and there’s nothing wrong with so Neueröffnung we’re in Friday Kitchen mode now anyway I didn’t want to open a can of worms here now so where are we now Neueröffnung exactly well then I’m going to the Friday Kitchen now the fact that the market exists and that a lot of people in that area where are we now and here’s a photo where it already reads Imbiss feuern Föng if we carry on like this you’ll be done in three thousand nine want to have a lunch special and for you to say you’re gonna now we’re in September two thousand four is that it but then you have to start provide that there’s nothing wrong with that the Fung un Föng didn’t we always yeah exactly but wasn’t that in Frankfurt just now that’s exactly what I was trying to say there we were fucked naw it says Neuer ah yeah right yeah but it’s not open today but it’s still reacting to a Fung un Föng was an attempt Feuerung but all these are just that’s just the end of some folders to the market demand yeah yeah that’s not professional though well that Föng looks just smashing on there they’re basically they’re saved in there but they’re like end ones I only wanted to imply that is that not included in the other book then that was clean work for example that’s from Achim’s thing now when he showed that and that’s the food market or what no that’s two thousand four clean yeah of course and we fantasised that that was that Fung un film what was it yeah the lunch special market which is also a market that’s two thousand four I mean some of the stuff was published Föng Feuern Feuern was a slogan for an Asian Food shop yeah but it’s at the Friday Kitchen let’s do your Friday Kitchen at the beginning the Friday Kitchen was a lot wilder than we’d via the posters but Neuer Neuer Unfung Föng is not bad either photos and then I’ll follow up with mine and then we’ll just see planned and so on although from my point of view the Friday ah yeah quite good too which ones are duplicates two thousand four the first Friday Kitchen was always part of Oskar-von-Miller Strasse that was it wasn’t for example it was in the Tirala magazine but and then one idiot has to look out his window Kitchen was after the opening of there’s Jan Lotter not actually Fabrice from Paris was visiting at the time Neff because what it was about was anyway Fung un Föng was definitely great oh yeah that’s right Johnson Robert installation Nosnho the installation at Neff’s and Valerie Siehtsie that was great yeah that was an attempt to the the next door to and what’s that now gallery that’s when it basically started let’s forget about art for once and fill up the building with people for Oskar-von-Miller Strasse this snack stall that time Fabrice was moaning constantly for some reason without Friemel the fun of it that’s exactly what it was about opened up in Paris without Friemel only with Achim we only asked Friemel a bit later right and what you mustn’t forget is that at the beginning we had suddenly this food truck stood there several actually but suddenly that everything was so shit and all but he came in relatively quickly some brilliant parties there this new one appeared on the scene and on it it read Neueröffnung shit in Paris yeah was he still in Aachen at the time right Neueröffnung and they’d used these adhesive letters that we then and Mateata and bladibla and Michael and I then decided we’ll get he once cooked together with Achim the third time it took place well for me it wasn’t really a separate thing the Friday Kitchen that removed him out of there they can live with us at the front building or something was always sort of I always saw it as okay we’ve now we have no first we first we thought about what we could yeah he often came down from Aachen and helped cook been organising art events for three years now and we’ve hardly what we could use them for and so we got them out of there he helped cook but he was in the beginning Friemel wasn’t part 360 361 Games Games

of it yeah loose you showed the Gordon Matta-Clark film that night was there something going on are you gonna buy them all Marcus is gonna buy the whole print yeah you see and this for example is this is now the end of run that wasn’t a Gordon Matta-Clark film that was the thing with these there was but this might not be the time and place ten thousand Marcus photos so what happened well if you didn’t have a girlfriend back then it’s not a problem the one with the pictures on this on this grill this is not the time and place no not Cecil Beaton but this is not the time and place you weren’t really the Lone Wolf of Barmbek were you Nostalgia that film was called I wanna know what happened no right nothing wow it was completely packed with the photos on the sort of melting on the cooker but why that was in two thousand three got a light melting well maybe because other women might read this I remember that at the first few Friday Kitchen events Michael just exactly it’s too private couldn’t wipe the smile off his face and was constantly hugging who cares who made it check that out we were staying somewhere and they had that me and going so many people so many people here today look well I do picture up on the wall how packed it is I’ll put that in later at Callies’ did I sew those letters onto the fabric or was that Pernilla yeah the discourse’ll become more associative there there no slagging people off Roberto why what happened with Luzie Stahl that was Pernilla maybe everyone has to decide that for themselves no what now Luzie Stein do you have the sewing picture still when you notice you’re starting to slur I’d suggest you have a it’s not slagging people off that’s Björn it’s the film where he puts these photos on a cooker one of these didn’t Marcus Hurttig and Luzie Stahl did you get me one as well glass of water Martin Holzschuh he once sent us really good photos though that old-fashioned ones with these type gas coil cooker gas coil cooker if you really wanna know didn’t I also sew something though just have a bit of water occasionally he’d taken at Oskar-von-Miller Strasse from up on that roof from and the photos is it Luzie Stahl or Stein well he can’t have mine when you notice you’re revealing too much about Luzie Stahl the gas coil cooker Luzie Stein you sewed the bottom of the curtain because I don’t think we drank any alcohol last time yeah you’re right and then it burns that’s a well known fact Stahl ah yeah the thick curtain I would know nurses’ home what four coils I think there is someone named Luzie Stein though yeah the curtain and sewed leather onto it we only ate the cold roast oh was that Denise not gas though but her name is Luzie Stahl well that was quite a good job I did on that but last time we started in the morning no idea where these come from they were just mixed up with the yes Hank Marcus Arndt big Oskar-von-Miller Strasse chapter he was last time we started in the morning others and sort of like filmed from above Marcus Arendt and now we’re starting at night well I’d like to state at this point that I spent many wonderful hours very small gas coils da rum plum plum there’s Bärbel Vischer Arndt yeah with Achim behind the bar and but they don’t haven open gas flames hot coils yeah but so if you really wanna know I can’t comment Hannah Arendt Marcus Arndt we’ve become more mature yeah they’re not open gas flames I remember exactly how we were standing at the bar and this a rare sight Gregor Schubert and Michael Riedel united together and tomorrow morning we’re gonna start with beer yeah when we were giving out schnapps for free he he was called no they’re these very small gas flames Roxy Music song was playing yeah well I don’t have a problem with Gregor right we’ve become more mature like the Friday Kitchen the massive git with an open gas flame the photo would burn instantly it would that’s all we need to know but Friemel does more mature we are the one with the spiky hair catch fire Street Life and that worked pretty well him and Friemel have completely fallen out matured gracefully he had spiky hair and this goat this goat it works like a heater coil and then some hootchie cootchie or what let’s see the photo of [unintelligible] aged gracefully goatee that was the massive git yeah right a heater coil not a gas coil yeah of course nice guy Denise massive git first you can see how the heater coil how it turns black in the exact and then you woke up or what go back two go back and that’s Freia there we gave him endless amounts of schnapps shape of the heater coil do you want another beer Marcus that was Hearts Are Trumps really that’s Freia yeah you’re right and did you have a girlfriend at the time that’s the first photo that’s Freia yeah yeah and that wouldn’t happen with gas and after that I saw Luzie Stahl one more time in Hamburg Las Vegas Friemel’s Freia yeah we really fuddled him and it’s quite unbelievable but Beate that wouldn’t happen with gas Luzie Stahl totally yeah pulled him once I know Hollis Frampton Stohl that’s the that’s the first photo that’s the first photo that’s the first Hank the massive git Hollis Frampton Stohl photo of me with the new glasses the Jewish girl that’s Tanja Schuh who would later become very Beate pulled the massive git Hollis Frampton Stohl was her name ah the Yves Saint Laurent ones important at the Friday Kitchen in Berlin I have a wonderful memory of a particular night behind the bar but we to get back to Marcus’ question for a second we did indeed Luzie Stein yeah yeah which is of me and Lisa working behind the bar show the Food film later and did you have a girlfriend at the time did you have a girlfriend the silvery-golden Yves Saint Laurent Machtheater they’re all when you leave Friemel in care of the nice one later a girlfriend yeah camera you’ll end up with six hundred photos four of them good pretty pissed and at the end of the night we sort of don’t know not that time a steady and at the back those are the first Memory Sticks and now I have I hear you it was also kind of a game we had invented actually which was not that time naw the exact same ones again that’s Niklas’ ska bag there because there was this really shitfaced guy at the bar to take there’s Luzie Stahl another beer for me too please thanks so regarding the alcohol is it okay if we continue to drink alcohol Thomas Friemel once had to film something for us and I think that money off people and then we told people there’s Luzie but relaxed or like loose so she was a bit loose wasn’t she now film you couldn’t [unintelligible] that’s a nice game 362 363 Hallo Moden Hallo Moden 2006 2006

Marcus force he put into it and at some point he was pushing me around that’s when we grilled the lamb outside and I fell down like a hand’s width from the grill the smouldering … Hallo Moden started as a ah yeah I remember that embers and it was I really didn’t know how to get out of that whole even Moses remembers that because he was still quite young madness fashion shop because back back then and sleeping in the guest room and whenever Moses stop go back then we had lots of friends who talk about this about the Friday Kitchen he tells how that night I it was completely crazy how he and I remember woke up scared and went to the window and saw Friemel with the that’s you guys put that on the wall the were making clothes and so like ladder up against the house endlessly running against the wall yeah that was from the first one we just left that there with this big long ladder but that’s what the menu looked like a second hand shop up there yeah that was the menu on the wall for the first Friday Kitchen that’s how it all started and that and and letting out these creepy screams and then we’d just cross off whatever we’d run out of yeah right fairly quickly our whatsit our corporate identity instantly became always happened parallel to the and he got so scared that he went next door in his jimjams the were the black and white images of the last Friday Kitchen who you’re right Friday Kitchen different people Moses at the beginning we used Roman numerals Moses I mean the high point was when we after we’d made relatively showing their new collections Moses this is his memory of Friemel running up against the wall good money from the first couple of kitchen nights at least by our here you can see Hank for standards we then put an ad into Texte zur Kunst which I’ve now had a look at again yeah that was a game so that night we told people give me the example on the left who had right fifty euros and then while they were getting beer or something and and the ad only read that the Friday Kitchen was now closed then and then they’d give you fifty euros and then we were like the children’s parkas between this date and that date only negative information do you perfect thanks and at some point everyone was so drunk that they his parkas the cuts were copied still have a copy of that Texte zur Kunst just accepted it I’ve got one left that’s how you have to work the gallery too Niklas down/ reduced from A4 from A3 I don’t have any and then later we were at my room upstairs in the flat and counted I think we only got one the money and had three hundred fifty euros to A4 a contribution towards costs for eight beers well from A3 to A4 or also from yeah for nothing for nothing at all people just didn’t ask for their change that was the Food film let’s see the Food film back it was completely absurd ‘cos we were really pissed as well A4 to A5 that’s Gordon Matta-Clark now you know you shouldn’t really do that and this is interesting because Portikus was showing a Rirkrit it was only that one night I think to A5 right Tiravanija exhibition at the time which also talked about this Food it was a wedding night the Food restaurant I don’t remember what exactly it was already really late the Friday Kitchen was almost and so then he used them well they cooked over and as patterns and the result they cooked something and wait some kind of process stuff again were children’s parkas right and then we showed Zwirner’s the original sixteen millimetre film and suddenly twenty people flooded in who were all part ofa and then everyone came over to us afterwards and that woman wedding party children’s parkas as well who’s this sort of expert on Gordon Matta-Clark and she but by that point the Hallo Moden thing upstairs was over you should try it gave a speech at Oskar-von-Miller Strasse and said yeah the yeah restaurant back then like this one today and sort of told people a we had a bar there that’s how it began bit about it and whatever that was brilliant that we actually had the right the party was inside the small room where Hallo Moden had original material been before and what about A2 … (p. 353) crazy that’s Charlotta exactly nice one yeah what the hell is he doing and someone DJed that’s Hank they were so happy because they were all dancing there and stuff no and at the end didn’t Beate arrange whatsit something is going on there the dumbwaiter got stuck and then there that’s the bride with the ladder someone had to fix the lift upstairs that’s the bride I was dead scared that time as well though those are definitely Clarks what was it we had arranged I was sometimes scared of Thomas too those are your Clarks full of holes in the next one you’ll see what it looked like the next day so that’s what it was like that night no wow yeah Hank once hid from Friemel the whole night that’s you and Friemel we can we could look at the Frankfurt Friday Kitchen on mine yeah I just couldn’t take it anymore at some point when Friemel you were wearing your stripy shirt though I’ve got them in colour and with a higher resolution started to bite again bite people’s ears yeah but yeah right Friemel and Hank inside the dumbwaiter I think that’d be quite nice and he just didn’t want to take no for an answer and then I got into Hank has a nice arse these are all my photos from the website a fight with him and pushed him and was like hey and stuff and I accidentally dropped various records into this into the lift shaft the one just now for example with the green bottles I imagine that got him started and he enjoyed himself even more and I was somehow hoping to find pieces of them when it got would look beautiful that was mad with those people fifty euros yeah that was that night torn down keeping the change that worked with so many exactly that was that night nothing left though in colour this is nonsense that was this nothing do you have the colour photos and then he ran after me and he was taking swings at me with the what did you drop in there yeah but not here ‘cos we said you’d bring the Frankfurt ones and ladder downstairs in the courtyard various records I’d bring the Berlin ones that was me records ah right how was that exactly and well it was like four or five metres long and it was incredible the I would always lean them against it and there was this gap there 364 365 Hallo Moden Hallo Moden 2006 2006

ah yeah I remember various records and then the next one that’s the poster for the event that was basically the one with everything cut out except for the Frankfurt am Main of the that was the Portikus poster which in the beginning was our technique anyway this printing on top of posters and in the end for the Southeastern Divan we only cut things out and basically just removed what we didn’t need but didn’t it start there with the what was that again when we took it out of the yeah it started with the Guy Debord thing where we also cut out right did we only we only had the text for that yeah and that’s how we cooked for eighty people it was quite crazy yeah but the food was always served like four hours late yeah yeah Thomas once told me that they used wire to tie the pots to the hobs back then because they were too big and always wobbling around and in that room we made the paintings for our graduation exhibition Hank yeah your graduation paintings … a normal clothes shop excellent restaurant floor painted with dispersion paint that turned into a shop with that floor really suffered as well and they’re now building the LZB on that plot outerwear sets by naw outerwear sex naw that’s at the former Großmarkthalle sets aw that was such a beautiful building trying to be funny there such a beautiful building such a beautiful wow building and there Bronxi by gallerists curators critics … what’s going on with Arndt’s desk (p. 430) no the desk’s underneath the pallets ah that’s the desk great the top will be fitted in soon I’ve still got it great Frankfurte you’ve still got it not anymore it’s broken isn’t it it’s a small piece is broken off in the middle but it can be fixed hello did Fabian tell you that or what football World Cup World Cup Studio two thousand four World Cup Studio well that wasn’t really the weather was nice there when was the best World Cup again two thousand two wasn’t that the Euro Cup or naw hang on World Cup two thousand two were the letters already gone there that was a great laugh no we didn’t have them yet we’ve jumped ahead a bit again I don’t get it that was the name this folder there’s like ten thousand of these photos tons Mirek Macke fake cigarettes the fake cigarettes high point high point fake cigarettes looks like a football presenter sort of does you’re right 366 367 Fake Youth 2006 what did I do the Twilight Zone yeah like in a circle the Twilight Zone we just went and sealed it off with tape and took it away what’s her name again the Twilight and then twilight fell I fortunately can’t remember this was that a fridge though that was unspeakable what came out of there there were flies this that’s Paula the Twilight fridge size in there are you turning the kid’s head upside down Hank well there was yeah the Twilight me Psychedelic Sally it hadn’t been hooked up for three months with meat cake and that’s my target bowl Psychedelic Sally was a paint pot fish inside Thomas got so plastered that time yeah in up to forty degree heat every day where is my target bowl now though incredible you’re right yeah someone was truly suffering there there was the leaves summer break it was that time right the leaves the plastic sheet summer break there Hank that’s Hank hiding from Friemel the plastic sheet mmmh lovely when the eyelids started to droop you knew there was danger the fridge and Psychedelic Sally once we opened the door for a brief second closed it again straight ahead and the fridge away and were like fuck what are we gonna do now he would’ve mauled you to death but the fridge no we taped it shut yeah inside the fridge it was a Twilight zone that was we taped it shut yeah the Twilight and took it away but in that case Hank was already looking like the fridge was number one the second thing was Psychedelic and somehow tried to keep it shut during the transport there Sally Twilight fridge another shirt that looks very familiar on Roberto believe me that was no joke there was a fish and a cake in that fridge yeah no it was no joke yeah and especially naw cake naw did we also have a cake in you’ve still got that one don’t you Hank came up to me and was like can you please keep Friemel there no you don’t you never wear that anymore off of me yeah fucked I think at some point I boxed him in the gut trying to defend myself and also half a kilo of minced meat fucked and that got him started because he thought that it meant action and a whole fish shame I think the only one who could manage well was Basti a whole fish shame it really suited you right Basti and yeah would’ve been nice to see you wear that again what does that mean who could manage well when we finally opened it but now Roberto has well who didn’t eighty thousand flies that was that was my contribution to Hallo Moden the German who could handle Friemel that was just unbelievable so disgusting commercial register for fashion that I get bitten to death where was that fridge on the Anthrax T-shirt that sort of reminds me of the horror fridge upstairs on the Anthrax upstairs in the Friday Kitchen space after the summer break yeah you’d already got pretty far there

… systematized the instruction for action which is being handed down in the mod movement but didn’t content themselves with being accepted as imitation of imitations of imitations in the clubs of imitations imitators they employed the transport between original and copy whether in on some order of the the day weekenders or in the well defined context of an art event wow cool … (p. 424) 368 369 Deinstallation SK N E ST SSE . Deinstallation SK N E ST SSE 2006 2006

we had to do the washing up by hand can you imagine yeah he always had something smart about him even though we yeah never actually properly met him good clothes I wear not good clothes was that the one from the Wacker Café I not wear exactly wasn’t that the Robert Johnson slogan and the other one as well the one just now good music I hear not good music I not hear Callies I think this is from the wedding now Callies the wedding yeah with Callies I also had a really good night behind the bar once we the wedding boring were both I’m not sure whether that was a New Year’s or a Friday boring Kitchen night but we were both so sloshed and Callies propped I can’t say I agree himself up on the bar but that made him one head shorter ooh Diefenbach Moos oh so let’s finish off Friday Kitchen now and then I’ll start on Berlin who’s that then the cool mod isn’t it yeah well it’s just a text block Dirk Fleischmann I’ll just quickly go over because we’ve already done this that was so unspeakable Thorsten Eichler yeah and that shirt do you still have that shirt ‘cos it suits you Dirk Fleischmann it was always chockablock yeah no we were renovating and broke down the wall or rather Thorsten it’s fucked that’s Dirk Fleischmann it was always chockablock moved the wall so that you could go through there cool mod suits you pretty well actually yeah no wonder not much else to do here into the Hallo Moden he’s somewhere in the Philippines now well yeah there is that was a new an architectural innovation at Oskar-von-Miller yeah yeah Friday Kitchen in New York Strasse if you wanna phrase it nicely Philippines South Korea you arrogant Hamburg twat not much besides fish stalls there yeah so I could add at this point that I later presented some I yeah either there playing cards showed some videos and I’ve still got some nice snippets of that yeah and that’s Marcus Arndt again we’ve already done these Hearts Are Trumps with Jodie but they’re not in chronological order … and then Hank and Dennis well then let’s we’ve already done this I’ve gotta say I quite like was that the one where we played with eight or nine people where doesn’t matter your hair combed back like that I almost killed Hank almost killed Dennis Rirkrit Tiravanija Daniel Birnbaum also moved to Berlin on you why me naw that’s whatshisname Michael that’s you because you just went and changed some rules halfway into the Michael Riedel yeah that’s me game no Krüger that’s right I thought it was Luzie that was the worst Hearts Are Trumps ever wasn’t it Eric right yeah and there was no getting through to anyone and Dennis was Ericson Krüger and on that occasion we were that’s the Walter keeping the point list and kept randomly awarding minus points Ericson I think I’ve still got it somewhere it moved to Berlin with me and minus points yeah all back at Oskar-von-Miller now it’s at my studio somehow it ended up got taken to Berlin the minus points were just randomly Michael Strasse still had room in your car or what exercising his power as point-keeper the toilet Michi yeah that’s true did you paint a Willy on there to piss yeah there’s always that must’ve been a reason no idea were you taking a piss there no who’s that to take down the letters that we did you photograph yourself taking a piss there Michael ah yeah right exactly Dennis had all the power right I think you photographed me from over the side of the toilet stall looks like it yeah yeah while I was in there had put up SKNESTSSE looks like you used a flash Games for When You’re Alone Dennis was in power that was horrible the time Dennis had all who’s that the SKNESTSSE letters wow with a flash the power that’s me whatever happened to the Clobber Tree and afterwards I was like I’ll never play with more than five people you yeah I didn’t know these photos I that’s still coming up ever again and whose face is that Clobber Branch ah yeah we’ve done these haven’t we yeah we have Michael’s don’t know these the Clobber Tree partly Willy’s that’s what it looked like didn’t we also have a Clobber Branch ah right that’s when we were renovating Willy’s no that was before we even knew Dennis doing a little painting that’s supposed to be a Willy looks a bit like on Greece the Clobber Branch was before I even knew you at the back there was where the fridge was standing that’s not Willy ah right back there was the Twilight well yeah he didn’t do him very well naw … (p. 432) yeah yeah yeah 370 371

here I’ve got there were three thousand people I’m sure I wasn’t still in bed wait I’ll time you in the car and sort of was sort of giving the woman a hard time hang on hang on a sec here I’ve got the I’ve gotta do these here was that the New Year’s party or what was it that was a sad situation god that’s loud because it was all going so slow because we wanted to open one and then I’ll be finished with the photos ah ‘cos that was the Friday no the closing whatever did you do that for ready week later and the next day everyone was really annoyed with me Kitchen no that was the final Friday Kitchen event I don’t know I think I was sort of disappointed that no one had not yet and like what were you thinking waltzing in there drunk and those break you were there as well helped me with the move hello you’ve reached the voicemail of questions you asked her what was all that shit about and so I the Friday Kitchen this is Atelierfrankfurt already that was in summer in the middle of summer well you should’ve said something Thomas Friemel move hadn’t yet taken place at that point that started later and I yeah we need to go through these as well now in June maybe no one was there or maybe we’d just had a quarrel please leave a message after the tone remember that it just took for fucking ever so was that after you came back from Berlin or before and did the cops show up I’m not sure I think the general mood wasn’t so good at the time hi Thomas so that means it started in two thousand no that was while he was in Berlin yeah we got a fine of like two hundred euros or something well I’m one hundred percent sure that it wasn’t spite out of spite hi Thomas it’s Dennis call me back please at Michael’s new studio five that was at the same time yeah but you got hit with that that I didn’t help you with your we have a question about the Friday Kitchen for you okay ta two thousand five in June I was in Berlin we got hit yeah that’s not what I thought like I said I hadn’t asked anyone you’ve still got seventeen look this here was on October fifth two thousand six so maybe it you had a Friday Kitchen back then you got hit but I remember that I just left at six in the morning without any big seventeen seconds left Friemel isn’t there so I don’t have anything was at the beginning of two thousand five Thomas and Gregor and Virginie there’s a folder here called [unintelligible] years yeah I must’ve I wasn’t there from two thousand five here either two thousand six ah okay so they were running it then years goodbyes or anything call Gregor two thousand six and me now the next one should be Friday Kitchen yes yes you were you call Gregor then so that was it okay ah yeah that’s right Atelierfrankfurt where’s the Hank pass the lighter please muck puck yeah you but how was the move I’d like to know because I wasn’t there for here it’s already completely here the curtain is already up the but you were in Berlin as well I didn’t name it that that was in two thousand five don’t need to call Friemel now that exhaust hood was working already because at the beginning all of naw not yet I was still here [unintelligible] I can’t wait why not was I there this wasn’t wasn’t really clear one year later I don’t have that yeah I don’t want to talk to Friemel right now it took three days I remember that because there always had to be so where’s this then at the beginning one year yes you do only about the move we’re not opening any Friday Kitchen two people it was just so much work that was at Atelierfrankfurt I helped run it for one whole year and was also involved in all the where floodgates now but only about the move how that went down no and was the space at Atelierfrankfurt already finished ah right with the red wine belt already there yes no we still had to renovate it I remember I once joined a meeting but I’m sure Thomas will be able to say more on this one of the few days with Björn and then where were you guys after you’d got back from Brussels yeah we need a with this woman and couldn’t really be arsed because there was and so Dennis that was when you made the light box but this doesn’t really have anything to do with Oskar-von-Miller I don’t have them I’ve found the pictures already a lot of tension between Gregor and Thomas which I exactly it was supposed to hang on one side so basically stick out Strasse now does it after we got back from Brussels we were in Frankfurt for a bit first we need something technical to mix things up wanted to keep out of I just wanted to sort of work behind the bar of the wall perpendicularly and the names of everyone involved naw well a bit two thousand five that’s two thousand six already and have my name involved that was around the time when the were on the back well Friday Kitchen you were briefly yeah I don’t have any from two thousand five light box was made as well is there a back side to it Friday Kitchen for two months or so ah okay more or less yeah yeah Marcus Arndt has it we gave it to him because he always did someone’s sleeping and then I moved in upstairs will he answer now and like took the care and went to the meeting completely drunk the flower decorations and everything for us that was Friday Kitchen Berlin front house loudspeaker oh shit go back one front house third floor second floor is he expecting our call is that your daughter Dennis two thousand four or two thousand five no I’ve not told him anything that’s a child two thousand four in Jauch’s show people always expect it ah is that a child two thousand five you’ve got one minute to ask the right question that was the Berlin Friday Kitchen four only about the move I’ll hold the phone here near the microphone Berlin five what microphone fuck me ah right that is a child so Friday Kitchen Atelierfrankfurt is not actually on here now this one ah okay two thousand four okay do you need the plug you don’t have it either do you so where were we now Friday Kitchen no actually you can continue with Atelierfrankfurt if you’ve got I was there for that something on that I’ve got loads on that but not here with me short break that’s alright No Signal no not alright ah hang on here it is so the closing event at Oskar-von-Miller Strasse Maleatti no Malvatti yeah where is that what was happening there anyway Malvatti I couldn’t find that it took place on June twenty-fourth two thousand ui five and so how was the move almost five years after the first we’ve already covered this and it was so packed that for the first time the city intervened or I completely missed that the Friday Kitchen moving from Oskar- rather the Office for Public Order came and we had to pay a fine von-Miller Strasse to Atelierfrankfurt because there were people queuing across the entire courtyard the move took place on like three different days and we should and out into the street actually call Friemel for that yeah because in the because Gregor Schubert had announced well call him then on the radio they said on the radio that it was going to be our last for some reason it took forever and a day and then we had the event here meeting with this woman who does that whatsit look you were still ah right here then look we’re still in two thousand five and then the police showed up no the public order office and the when did I leave then two thousand six police and I ended up having to go to court no I moved away in two thousand six you moved away in two got yourself caught again thousand five yeah got myself caught yeah well if Niklas moved to Hamburg in two thousand five like the first time when you had to go to jail two thousand four when I had to go to jail then Michael moved in two thousand five it was just that now it was the second time after the first time they two thousand five I have to say my move was a very depressing couldn’t be arsed to get on our tits anymore because it’d meant so affair which was entirely on me because I just took off early in the much hassle for them morning without having seen anyone completely unceremoniously but this time there were a thousand five hundred people and anyway I think everyone was still in bed 372 373

really really I’ve never seen them no photos it’s up on his kitchen wall I’ve got the sheets but no prints yeah so this was at Hohenstauffen ah yeah okay these are the Nine Dark Pictures I don’t understand how I completely missed all this Strasse and there are more on this they’re all the same yeah cool they’re the screen prints that we made during our time you were probably in Brussels or whatever really in Brussels yeah probably the same explain them in more detail please naw we don’t need the same ones again there’s Krebber with his two all this is well everything we’d done together as Nick and Hank naw he was already living in the front house at that time mutts up to that point all the documentation materials we screen-printed … and that must’ve been the twilight could that be yeah wow that’s how long he’s had them on top of each other we had nine screen prints and for example at the front house yeah he already had them when when I was in his class one screen print would be all the documentation photos from the not really there you were on the needle really Ja-Flat another one would ah upstairs under the roof yeah yeah is it this one it sort of looks like yeah the Krebber cur no I think that’s Miscellaneous twilight that was before the tree was felled you’re I could completely really he’s got two dogs looks like it the last thing they carried out of there was Peik he was still Michael Krebber’s got two Jutta Köt-curs for example that was the room construction when we built a room someone’s opened the lid of the rubbish bin shaving while the wrecking ball was already basically he was in Utah Dakota at the art school in Offenbach there until the very last moment and I remember I have one photo I’ll take a picture how can you see that yeah I was here in two thousand six and watching the World Cup here did you take a picture of the bar ‘cos I know there’s nine pictures there at someone’s house and Jodie and I right we were walking back I think there’s another one Nine Dark Pictures that’s kinda like we just always compressed what is the twilight towards Honselbrücke I remember that was a tedious discussion with Gregor about how everything all our big groups of works but also miscellaneous stuff at some point the twilight was converted into the standard saying/ yeah we could get even more people to come it was always packed but but what was really great screen-printing that was really great and came past Oskar-von-Miller Strasse and the back house was Gregor was insatiable because at some point we realised that after a while after five buzz word for many things that were shady still standing and I walked up the stairs was he screen-print layers it stops taking on more layers and after that it yeah yeah it was really like that starts getting lighter again no we had different things we had the Psychedelic Sally into the guest room open the door and it’s blocked by something I was visiting from Berlin ‘cos two thousand six in November I was so you guys only printed things once or did you print them on top do you remember why and I stick my head around the door and just see this pair of naked already living in Berlin of each other several times feet well then so was I for example here you can see it this here we these are maybe which was a paint pot Peik yeah forty or yeah thirty photos and the more prints you’d add the more naw obviously not Peik some homeless tramps had taken over the you moved to Berlin together would come off again yeah place because the house didn’t have doors everything had been yeah yeah that was a paint pot we opened after three years removed already and so these homeless guys were living in there I completely missed all of that but you didn’t make thirty screens did you that would’ve scared me fortunately so who’s that for conceptual reasons we did actually make thirty screens but we no idea … (p. 468) yeah no shit I was out and gone in a second who’s she again Friemel obviously it’s Friemel [unintelligible] what do you mean obviously it could be Gregor as well Michael Riedel no well but Friemel always does these I’ve got tons of photos of him answer it not Haegue Yang and this black tooth loudspeaker no not her either it can’t have been all that bad then hello no but that’s him that’s whatshisface we had those yeah ah yeah right we’ve done those loudspeaker Pöhler haven’t we loudspeaker yeah two thousand four hang on I’ve got to put you on speaker Diefenbach was around a lot at that time wasn’t he yeah two thousand four is done green button yeah we got Andi involved a bit him and Friemel always cooked yeah well we could I think the Berlin Friday Kitchen shall we green button Thomas it’s Dennis together they were the chefs I mean maybe come back to that at some later point Dennis Loesch I wasn’t yet yes please that’s right hole in his shirt because that’s an endless chapter has something happened you sound a bit sad who’s that no but then we’d have two Friday Kitchens I’m not on the contrary I’m in a pretty good mood right now that’s Jonas Leihener exactly let’s do that later because I’ve still got hi Thomas by the way did he ever pass the Salzburg photos on to you we’re in two thousand four now hi Thomas Salzburg we’re in two thousand four I have so we’re having our Conference of Anecdotes yeah I have the photo sheets there are these amazing scooter photos of you on the table and hi Thomas apparently at the beginning we were still at Bar Drei with the hello I don’t think so yeah … the Clobber Tree was in yeah there are photos of that so can you listen for a minute it’s about the the move of March two thousand five well I’ve still got screen prints Hank and Nick and I have New it’s the five thousand euro question Year’s the yeah I don’t have any photos of that five thousand euro question Thomas and I have two thousand four Miscellaneous oh god this is two thousand six yeah go on open that one the Friday Kitchen move but just on two thousand three yeah ah okay from the first floor of the Oskar-von-Miller Strasse to Hohenstauffen so then it’s a different tree or Computer RGB no signals Strasse that’s mine yeah what … (p. 432) sorry so what happened there again Hank and Nick screen prints it took place on several different occasions there was a lot of to ooh and fro what could that be yeah we’ve already established that but wasn’t that sort of wasn’t I’m dying to find out that on three different days but we’ve already said that anyway 374 375

and actually it’s seven in total I’ve got them at home or have you got them I have them at the gallery they’re good they’re great pictures there’s no denying it I’d be interested in seeing the Conference one yeah and basically there you can see again what I was saying earlier there in the middle you can basically see there it turns completely white because that’s where before it had been the blackest because there two templates have basically overlapped ah okay and because the paint is so sticky the adhesive power between the paint and the new layer of paint actually became stronger than between the paint and the primed canvas okay and then it came off again and that’s how the more layers we’d print on top they gradually became lighter and lighter the move was on three consecutive days been applied would always combine with a newly printed layer and then that just stuck to the screen or what how you remember it is what is what we’d like to know and then come off exactly that simply stuck at the bottom to the to the paint you come again there’s a point when you can’t you can’t add another print layer always had to wash it out we’d like to know how you remember it it’s really crazy go back one that that’s a no that’s another screen print well to be honest I don’t really remember I don’t quite remember I think that also had a little to do with the paint that’s rollered on all I remember is the moving around inside Hohenstaufen Strasse was that already the dried paint then that’s also a screen print but from I only remember that we moved back and that that was yeah I thought we also painted one very liberating yeah yeah naw moved back where at the beginning it was really like whenever we had thirty photos yes we did one of them we simply painted to Oskar-von-Miller Strasse of an action we were like we’ll make thirty screens because we so how’d that work ‘cos you could see both of you guys in one of moved back there again had all the time in the world I mean half a year in Brussels and them how does that fit in there then yeah yeah basically not much else to do which one you see I didn’t even remember that thirty screens that one what do you mean moved back again you’d been at Atelierfrankfurt yeah we had free access to the screen-printing press that one yeah and then moved back so it didn’t cost us anything that’s something else there we that’s Themroc situation with the and then we had to move back for some reason or we might have and then later we then we started with for example with thirty Themroc painting smocks even chosen to or something screens when we had thirty screens we’d always in the template nice one crazy we’d always put three photos on top of each other and for that we basically took a photo of the priming process of the or the demolition wasn’t so far along after all or for these I think we even put all of them on top of each other the canvas and then printed that onto the canvas who yeah exactly okay maybe the demolition wasn’t so far along and so you were given that’s the Conference of Anecdotes that was crazy so what you see right there that canvas is actually more time at Oskar-von-Miller Strasse there for each screen or rather for each picture we started the canvas that we then printed the image on yeah could be I don’t even remember all I remember is that at the prefabricating more and more of them at the copy shop because does that still exist beginning I hated it there otherwise it would’ve been madness I don’t have that okay yeah me neither I think we’ll have to call Peik because he was there until the end where are the pictures now then okay we don’t really need this that’s the Dandy Talk Nosnho poor Peik Markus Arndt bought them I don’t know if you want to look at these now alright gentlemen I’ll hang up now yeah one of them yeah let’s see them yeah yeah Markus Arndt bought one yeah naw yeah we’ll catch you later anyway which one two thousand what two thousand four or what yeah no problem he’s got a wooden stand doesn’t he isn’t that already included in the first Oskar-von-Miller Strasse ciao two I think book bye two stands no speak later Markus Arndt and his woodies no so I’m guessing now and there’s a stand for that pile there there you can see it Marcus hold on regroup I don’t remember this yeah that’s the hanging the idea was that the pictures could also but I’ve definitely seen them somewhere naw be hung as a pile naw let’s leave these out let’s do Miscellaneous two thousand four but that must’ve also been when I was in Berlin then just like you see them standing there yeah Miscellaneous is always good okay and the horizontal thing the only one in landscape format that’s Miscellaneous is always good whose legs are these now the text from the Conference of Anecdotes so we’ve already done these and next up is the the cool the so this piece Hank and I made came about as follows the Vertical and which one did he buy getting off to a good start here Earth Kilometer in Kassel which we went to look for these are I don’t remember that was the Themroc presentation the documentation photos of us looking around for what it might I don’t know Munich be and everything always turned out not to be the Vertical Earth but I think he bought two pictures nice group shot there Kilometer but just something lying on the ground instead here you but he might have bought the Conference of Anecdotes that’s really a great picture see this circle in the background that was actually the real one no we’ve had these already and that’s our legs there us standing there after we’d finally found he definitely has the stand at home nice one it but these are actually loads and loads of photos and by printing he bought the stand this structure of rods plus two pictures so this was before Hamburg them on top of each other the layer of black paint that had already yeah the plumber’s snake 376 377 Games Games

the plumber’s snake the plumber’s snake in two thousand four disaster struck in our … I liked the photos behind basement because we had water in the basement several times and at times we didn’t know where the water basically why it was the column where one person pushing through the back wall and then one time the plumber would hide behind it and then came with his snake I think there are photos of that and so then he unscrewed the pipe because he wanted to get in there with you’d take a photo of the his snake first we went in with a camera column and then show it to there right there he’s going in someone later and say that’s can I say what he found yes please go ahead me … (p. 472) no first I want to tell how he opened it and wanted to get in there with his snake and suddenly water came spurting out shit water and he didn’t know why either and we were all down there and had to carry out shit water by the tubload that was so vile to prevent all our stuff at the back from floating away and he didn’t know what the thing to do in that situation was either what the best thing and it just kept spurting out tons of water spurting out I I think I was even there but didn’t help that was awful an awful situation where was it and it reeked and you just had to because otherwise the level would’ve kept rising but within one minute it just pfffffffffff and then he the snake went in no first he closed it back up again thank fuck first he screwed it shut he didn’t know how to he didn’t know what to do but then he went in eventually he’d cleared it and started pulling all this stuff out and then he wait wait not so fast ah okay didn’t he go in there from above with the camera then he from the courtyard there was this drain and he went in through there and the problem was also because the problem was caused by but we also concluded that there was only one likely source where something at the front house that could’ve come from the front house yeah that could absolutely now you go on Peik and then he after twenty metres he discovered a massive wad definitely a French source consisting of condoms and swastika armbands I’d say it was you Peik or Kerstin Loose right armbands that was proper vile hang on that was Fabrice and Mateata were still there then a wad of condoms and armbands you’re right yeah but we said after twenty metres he found a wad of condoms I wasn’t there yet I wasn’t living at the front house yet at that time and swastika armbands yeah well it must’ve been Kerstin Loose then they were Kerstin Loose’s swastika armbands it’s okay to write that down she just mustn’t get hold of the book are those the only photos of that no there’s more I think that was when Denise and I went to visit you in Brussels and the Bollock Brothers concert ooh that was great that’s the fake Hank with a that’s when you stole the Mods CD right yeah we stole a Mods CD that was genius unbelievable haircut that’s an unbelievable haircut who’s got that now unbelievable haircut I mean he looked terrific I thought he looked like a nice guy silver wow hair one lens in his glasses ah right that’s Hank I thought it was Luzie Stahl who’s got the Mods CD now that must’ve been in the summer I had it and then Friemel gave it to someone and it’s been AWOL yeah ever since yeah we had the access-all-areas bracelets call him yeah and the band was brilliant the Bollock Brothers yeah let’s call Friemel again right now yeah not bad they were 378 379 Games Games

who’s there we’ve looked at these already a rum plum plum we’d done these a rum plum plum so we’re through now that’s Bärbel that’s it Bärbel so the plumber’s snake that’s Bärbel weren’t that many look a rum plum plum yeah okay so that was Miscellaneous then a rum plum plum aw shame a rum plum plum a rum plum plum and so now the only ones left are New Year’s two thousand four a rum plum plum to two thousand five Dennis wanted to go see Bärbele I bet Roman was all fired up for that again a rum plum plum a rum plum plum wouldn’t surprise me that‘s a rum plum plum Friday Kitchen Lulic yeah that was completely bonkers that New Year’s ah here this was that that was the two thousand four to two thousand five was completely bonkers Ellen Sturtevant yeah that was at the Friday Kitchen right the Sturtevant catalogue that Roberto wrote a dedication by Ellen the last Friday that was the last one Sturtevant into the book and later at the MMK opening I gave it to upstairs and downstairs her and asked her if she could asked her to sign it for me and she downstairs and upstairs opens the book and sees that it already has a dedication in it and but what was disastrous was when Niklas was dancing on the says no she doesn’t do things like that table downstairs and knocking down all the bottles but with flowers as well right naw I brought her flowers yeah and let’s not forget that at the end of the night we listened to she doesn’t do things like that There’s No Beautiful Way of Saying Goodbye sixteen times but I wanted the dedication wanted her to sign the dedication that right was already in there but she found it stupid that was in Berlin the no no no that was at the final event in June meeting with Catherine Chevalier who wrote for Frog Magazine ah yeah I met her at the flea market and Roberto was discreetly taking that was at the final event New Year’s was when we suddenly pictures of us the whole time had a real downer while DJing and Niklas jumped up on the table ah yeah right downstairs in the exhibition space and kicked down all the bottles that’s in Munich that was crazy flea market in Brussels Double Klaus from the optician’s workshop in Kreuzberg you with your Chairs you’ll have to do that some other time that’s Munich again oh yeah oh yeah legendary short break come on who knows when we’ll next all be together in this those are the glasses but they only have one arm don’t they combination yeah now they have two and those glasses those are the glasses [TRACK 811_0015] let’s do that on Sunday can I tell that quickly it’s in Bornheim yeah sure go on I’d say now mid-day on Sunday how I how I went to the optician’s workshop with my glasses from ‘cos I’m absolutely famished the thing you sent us Brussels in Off in can’t we how about we finish off the Miscellaneous folder the Chairs ah right the funky yeah we’re six people but we’ll only need four chairs in Kreuzberg yeah alright that was an Italian restaurant wasn’t it yeah the funky story and then no it belongs to the brother of a mate from and I told him I wanted him to put glasses with my prescription in then food those are great glasses them and when I went to pick them up he’d put ordinary prescription Sette Bello and do you have glasses now lenses in instead of dark lenses for sunglasses I mean I thought I’d say we order in what do you think now I do yeah it was obvious that I wanted dark glasses ‘cos the originals were to Sette Bello out front dark lenses sunglasses and then he I was like well I don’t need them like this you with your Chairs all the time sunglasses with normal lenses and he was like go on put them on maybe it’ll take no time at all did you have a really low ceiling again you’ll like them and I had I was like naw I don’t need to put them yeah it was pretty low especially the windows were on they’ll look shit and then he went just try them on once just to that’s at my flat see what they look like on you and I put them on and he goes hey the windows were at knee-level they look flippin’ funky flippin’ funky they look what a muppet the yeah in Brussels that was a great pad and that there was the great graffiti doesn’t get better than this ah yeah posing that’s true that was on my birthday yeah wasn’t it you’re making pancakes ah the famous old town that was at Art Cologne were we all there was a rum plum plum there as well who was there that there’s a rum plum plum that there’s a rum plum plum where is a rum plum plum there in the stripy 380 381 Demolition of Oskar-von-Miller Strasse 16 (Frankfurt) 2006 was that also the time when I scarified my chest Grasovska it was called with the brown tie yeah and that’s what it was always like and he was getting on my no idea Grasovska Stefan Behlau was there as well tits all night and so then I said we have to kick one of them out naw I went to bed early that night that’s Hanne there at the back naw that’s not upstairs though that’s downstairs naw the mood just really went down at some point yeah naw that’s not him it’s upstairs sounds like a great mood though yeah and Björn that was the last New Year’s party there wasn’t it no Niklas is right that’s downstairs yeah and what’s Holzschuh doing there yeah that was the last New Year’s there that’s downstairs no that was more out of frustration ‘cos Holzschuh is showing his belly yeah I think so too no it’s upstairs so who knocked the bottles down Holzschuh has his denim jacket buttoned all the way up it was the final event and then that was it no Niklas is right it’s downstairs the sound was shit as well he’s not wearing a shirt under it whose hand you’re right the dumbwaiter was downstairs as well something wasn’t going well we weren’t happy with things yeah he is that’s Daniel Nikolau not mine this is downstairs that must’ve been that time because the final event happened in yeah not mine either my fingers look completely different yeah you’re right it’s downstairs two thousand five upstairs in that room upstairs and that’s when yeah that was a good party Roberto it’s downstairs my memory also says it’s downstairs the There’s No Beautiful Way of Saying Goodbye came at the end that was definitely a good party by the looks of it with ear plugs it’s mine but both floors were open that night weren’t they or did we only yeah you’re right there was sort of this overall mood in the music weirdo Hanne open them both for the final event as well of trying to reanimate the old times but it wasn’t really that guy’s a giant Hanne and Rouven no you’re right they were both open working Hartmut Holzschuh what’s going on there in the corner on the left yeah I’m sure I’m one hundred percent sure … they asked me Artists Favourites don’t know what it’s called it wasn’t working ah and here Störer there are photos with those women with this can I put my jacket here up here but the dance floor was downstairs everything felt stupid somehow one woman is he hidden in all of them ah they’re jackets I thought that was a mural that dread that dreadlock guy got on my tits all night Tanja Schuh so basically what the best show in two thousand six had been the yeah and then what you do is obviously jump up on the table and Anka me too I thought it was a mural Tanja Jesek Hank Roman Aul best show of two thousand six took place in two thousand three as knock everything off it Peik can I just quickly put my jacket here okay and now comes the one with blood capsule back back back back there’s the Mods CD you know what though the following day we were flying to Moscow mad no not quite yet a speculative exhibition of a future taking place in the original in there’s the Mods CD naw not true sorry I wanted to pick up my jacket Hank there’s that PG guy there’s the Mods CD no where is Höpfel yeah Rocko Schamoni that was two thousand three Dennis Loesch and I simulated the demolition there’s the Mods CD I didn’t fly anywhere the next day in the middle and there’ll be another one of our house at Oskar-von-Miller Strasse sixteen with the exhibition but Hank wasn’t that We Play You Come when that photo was Peik Daniel Nikolau has the most amazing style out of everyone right eww yuck eww you were really sucking them in taken look up there he is again yeah sucking them in sucking them up Form Context Troy at Secession three years later in two thousand no that was the New Year’s when Lisa and I got together where didn’t you have the fake blood that night I really screamed when you ripped the wig off my head you’re right on the right yeah did you tear open your finger six we then came to witness a reality that we couldn’t have created so where are we now then in two thousand four ah right Peik’s snogging there that’s up next yeah that whole night was hard work two thousand five the Lip Hasse the Lip fake blood capsules brilliant work better in our imagination but were nonetheless already familiar two thousand five a bit like your gesture earlier that’s Denise’s ex that wig caused trouble with that’s how it’s written in Artforum … (p. 434) that’s two thousand five two thousand six yeah that guy there with the long hair and the neck wasn’t that also a there was trouble yeah no two thousand four two thousand five it says on mine ah there’s Fabrice Fabrice is wearing the the CSU outfit there mate of Fabrice’s yeah the DJing was shitloads of work that’s correct Rouven is unrecognisable check out what Rouven looks like that’s right god what does Lisa look like there that’s New Year’s he looks exactly the same now that’s Denise’s ex-boyfriend that’s just what I meant now the one Hank the photo’s coming up now naw yeah absurd she looks completely absurd or just right yeah he’s got his hair really short tough guy what a ruffian mad two thousand five that was so young skinhead there are two pictures of us when I look at them I completely crack of We Play You Come of us screaming and me with the hat and and yesterday I saw he’s got rid of the beard Pernilla had to work at the door up the beard and the glasses and everything that’s Anka’s friend she had to work at the door that’s sort of yeah what was the blonde’s name again did she ever show up no idea are they coming up right Tobias her job now is to lie down on top of people yeah yeah I don’t know if they’re in this folder but they’re definitely here something new as a gesture the blond one that’s the cherry girl well that’s the perfect business for her in there somewhere Niklas is undecided ah she was the cherry girl true but we are gonna see them the blond cutie was there do you remember wasn’t she Neumeier’s girlfriend yeah we have to look through the whole folder it’s really good yeah yeah speak up Niklas you can say it out loud go on maybe that’s Friemel go back one the blond cutie who Hank then sort of brilliant party that’s Friemel with his bracelet that he got from the Omen that one’s nice I bit on the blood capsule to be funny but then it right brilliant party really went quiet for a second because everyone thought I was actually Hank wasn’t that the Swedish girl there she is well she’s not really that blond at the bottom with the yeah spitting blood and I had to clear it up right away because the she came later pink stripy one Hank that was your girl there’s Limbach nice back of the head likes of Vatter were like so you think that’s funny now everyone stop talking rubbish and shall I explain quickly how these photos came about at some yeah the back completely sloshed the joke completely backfired because they Nikolau’s wearing multiple layers must’ve been cold point I was so sloshed that I was standing behind the DJ desk and Dennis Lisa didn’t get it and the suit what’s that just holding the camera up in the air and taking random pictures nice round back of the head there’s Peik with Sandra Danicke that’s Yves Saint Laurent for an hour that’s upstairs now Sandra Danicke that looks like something in between a milkman and a show host yeah but you know what that’s not possible because the next one no downstairs exactly Peik and Sandra Danicke for a brief time that was also now is one taken by your camera it’s upstairs because you can see the dumbwaiter there really that wasn’t the party where we were all down though yeah the series the camera wasn’t installed anywhere or whatever it’s downstairs a brief episode that’s Marcus Hurttig Markus Schulze had a shave though didn’t you so it was your hand after all what Peik that’s you because in a minute things’ll take off yeah but back there that’s the dumbwaiter isn’t it it must be upstairs Marcus immediately felt like smoking just now no that wasn’t that party razor burn it’s upstairs Marcus that’s your hand we were in very high spirits that night Hank we had one upstairs and one downstairs that’s my bracelet you’re right yeah we were in high spirits magic bottle exactly nice that was that was your come on trick there you’re showing her how you can because the Friday Kitchen was actually I can hear which way the wind is blowing there’s Rouven make the bottle levitate it’s upstairs there’s Niklas carrying an Oskar book Lisa on the left Niklas on the right Rouven what the hell was her name again but you can see a pile of jackets there Jutta Rouven but quite frankly that apple green jumper’s not bad at all exactly oh there’s the that’s the drink that’s Grasovka with apple juice not bad at all oh these are the photos now one of the next ones is the picture of Jutta with the bugger 382 383 Demolition of Oskar-von-Miller Strasse 16 (Frankfurt) Demolition of Oskar-von-Miller Strasse 16 (Frankfurt) 2006 2006 384 385 Demolition of Oskar-von-Miller Strasse 16 (Frankfurt) Demolition of Oskar-von-Miller Strasse 16 (Frankfurt) 2006 2006

Achim yeah that was her there was definitely some fancying going on but I think in the end I don’t really want to see the bugger photo Hank knows exactly what she’s called but he doesn’t wanna say nothing happened me neither bollocks I have no idea did the fire go out I think there’s a nice picture of the two of them Tanja Jesek and where’s on the left in the corner that’s a guy from behind with Jutta I in the corner there no her with the that’s coming up yeah look it’s slowly starting Hank we’re already gathering behind the speaker ah nice that must’ve been quite madness the one with the nondescript face that could’ve been anyone that’s Martin Macella and Matthias Vatter Björn at the back no Hank you know damn well what her name is yeah Hank and I are already gathering there at the back that’s Björn’s girlfriend okay and now that’s Hank there already making his way to the all mods move to the back please ex-girlfriend back again there he’s already up on the pedestal and now this is it preacher yeah ex-girlfriend there it is the one in front has crazy shoulders what was her name again oh very nice yeah so Björn should Björn maybe knows that’s the one I mean that’s also one of those yeah I’m sure Hank knows final stages with leather hat and all her too though Björn what’s your ex-girlfriend’s name that’s brilliant god things were raging some sweet name she had final stages I like that yeah I remember Lisa talking my ear off Johanne I’m gonna make a poster out of that what the hell is that Johanna yeah you should where which is it Johanna yeah do it the one on the left in the corner or was that her Johanna the other photo is similar but in a different constellation

… the last thing they carried out of there was Peik he was still shaving while the wrecking ball was already basically he was in there until the very last moment … (p. 372) 386 387

that’s even madder the other one you’re talking about only scratching no Daniel Nikolau was wearing exactly what he’s wearing there right there so it must’ve gone to Zwirner before Hallo Moden and so everyone kind of went their own separate yeah you’re right was that two thousand five already that’s impossible yeah that was the exhibition in two thousand five exactly ways so you were taking random pictures and then thought okay I’ll no two thousand four to two thousand five that was no I saw that photo not too long ago and Dennis was wearing the first group exhibition with the participation of and that was the first because you had officially announced the end of Oskar-von-Miller take a photo of ah yeah you’re right nice one Marcus leather hat at the Zwirner gallery but I’m sure I didn’t just send it off without talking to someone Strasse you should send that in as an application or something there’s my glasses again you don’t have these pictures yeah and before that we were in New York for eight weeks about it no we definitely all talked about this I would make that into a passport photo yeah it must start now because Fabrice has already left the DJ I only have these ones here as well exactly well I don’t remember so it was clear that something had to be yeah no we definitely ended it together brilliant naw that’s nonsense which ones are you talking about then you two shown there after we’d been in New York together it’s not like I just went and took a decision unbelievable I have Fabrice’s glasses everyone going completely crazy there we Hank came to visit us you didn’t that was after the way I remember it you announced the ending of things which Hank there’s Johanna again right and that’s the New Year’s rocket and that’s it not that time that was after yeah that was the group show was in a way understandable and kind of my blood and then also yeah we’re back at the beginning and you have to tell us in more detail now what it was like that was after when did you move to Hamburg the razor burn check that out what a shame what it was like I didn’t actually see the actual exhibition either I still remember I wasn’t happy in two thousand two the razor burn tops it off yeah wow doesn’t matter no but they had I never saw that live the group show two thousand four Hank crazy ah right but there’s a few more blood capsule photos that was already before me neither four yeah amazing picture the one of us DJing and he’s like this and Marcus is standing there where was it so before this work you guys were in New York for eight weeks four yeah now we’re all the way at the back yeah with the hair in the face with his fag and blood and then in the next one Niklas and Michael at the Zwirner gallery exactly that was before where’s this photo on the floor or what that must’ve seriously rocked what was playing there are standing in front of the DJ desk and that’s Purple Hearts is a group exhibition at Zwirner okay then I get it when the big the big betrayal if that’s what you wanna call it took yeah yeah yeah playing at Zwirner so actually we were in New York the two of us were in New York place and now the glasses Reggae Man is in a seriously good mood was that the same night that was the first exhibition where it wasn’t clear that it was Michael right yeah I didn’t perceive it like that at all because for me it had a ball of people well obviously he’s Reggae Man yeah on his own so it’d be cool to hear from your perspective how to establish contact so when you went with us and then we were already ended two years before headphones what are they by the turntable still that’s enough now that was New Year’s Eve that was Zwirner had said something along the lines of he could there for two whole months so what was the big you’re pressing up against each other and then the button down oh Matthias Vatter’s ex-girlfriend I’ve only got these here as well only use one name following Zwirner’s invitation the betrayal there that’s definitely the best-documented party out of all of them I’ve got loads more in between it was shown under my name exactly betrayal a Fred Perry button that’s whatsherface yeah well someone’s now posted it on Facebook anyway so it was shown under your name because you had told me before but did he invite me as well or did he only invite you is the question that Niklas was told that by moving to Hamburg he was betraying yeah the coolest one of all that’s not true no recently that was when the opening was he could only include one name and I said in my case it doesn’t we’d really need to unravel the whole situation now how that the group I didn’t hear about that until two years later though Saskia very avant-garde fashion-wise there’s another one this bar the bar in Munich matter because it’s a bit too early for this kind of thing for me and actually came about after the Oskar book that Zwirner even that people had even seen it like that and I was completely yeah that looked pretty good really no before that I invited everyone to We Play You Come when the thing gets sold you’ll just give me my half appeared on the scene and all that ‘cos that’s all quite he was a flabbergasted Martin Holzschuh the Neueröffnung Neueröffnung one yeah and then the Pony Bar in Munich exactly big fish so to speak and he was hooked it’s also betrayal to just leave without telling anyone hand air wow you’re bleeding all over the place Ela exactly they also posted it again which wasn’t correct though because it should’ve actually been well let’s put it this way so I found well yeah maybe we should wait now till Michael is back well yeah you handled me pretty roughly Ela they had the picture divided by four the big break well this is like one of the main things actually ‘cos what what it Johanna at the Friday Kitchen there are six hundred photos of that yeah they thought it didn’t mean anything it just says We Play You we divided it up between the two of us yeah he was a big fish or like winning the lottery if you will was all about or what I get or basically the accusation behind this Johanna and there’s Holz’s belly again Holz whatsit belly again Come underneath and then I called them Fedi had sent it we divided it up between us exactly that was I think two thousand or getting five lotto numbers right being that there’s still five hundred forty euros worth of unsettled rock Johanna Friemel took them yeah they still owe us a schnitzel euros or something but well already during Oskar-von-Miller Strasse times we made bills Michael you were standing around with quite a few women that Holzschuh right they owe us a schnitzel strictly speaking that’s an unsettled bill though good money by our standards through the sales five hundred forty night Marcus what’s going on there well I’m hungry now we should really eat something yeah through Gabriele Senn five hundred forty yeah that’ll get even worse I just can’t where is that one great Marcus is quite a bit closer now yeah we need to eat because we’d found that clock at the flea market in Frankfurt through Gabriele Senn in Vienna who took us to all the fairs and I thought five thousand photo how many photos are in here you’re right I’m very close again quarter to nine guys no wonder at O Twenty-Five gave us solo shows in Vienna and actually by her standards sold no that’s where you’re wrong ‘cos I got twelve hundred euros for there he comes there he’s toddling to the back wow stage diving great it cost twenty euros quite a lot that thing once again but there Mateata’s still DJing all smooth and cool now yeah okay I have to write that down forty yeah but not with us because we never saw any of that money twelve hundred now he’s got the record in his hand now Reggae Man’s not looking so chipper anymore so where are we going twenty no but it was actually never intended that we would divide things yeah the price was quite low for some reason because it was the here it comes now he could actually look really good if he lost the hair so I have to send that to you and the series is a whole different I’ll write that down twenty euros yeah up by four because we had never defined ourselves as working as first group exhibition with the artist Michael Riedel now he’s got the record in his hand is that Sebastian Klöckner story it cost twenty euros but we haggled the price down to sixteen a group of four except for the explicit example of the Union Jack so the way I see it regarding sales it was all everything was sort like a steering wheel he’s holding the record naw okay so do you wanna go over there to eat or shall we order in so that’s four for each of us because it was Hank who came up with it of unclear we never really clearly stated the terms and the two of oh check that out now it has to happen I’d prefer to get out of here for a bit exactly but that wasn’t until much later us sort of switched over to your group and then left but if we agree yelp it’s already thinned out a bit yeah get some air and then we also said ah right cool sixteen divides evenly by four that was in two thousand five that the Union Jack was an exception because it sort of because the Lonsdale Reggae Mate right there okay so I’ll press stop then so symbolically we who’s got the Union Jack was that also ah no forget it the it was sort of Hank’s contribution honestly they all look like Markus Schulze symbolically everyone paid exactly four euros Neff sold it to Wilfried Kühn yeah that’s been resolved that was your they get on my tits Markus Schulze [TRACK 811_0017] I mean that got used a lot at Oskar-von-Miller Strasse Neff sold it wait god the music must’ve been brutal what was that and that’s right that’s been resolved but then regarding the clock the clock is really that was great I’m waiting for the pictures now what and at the Secession well the way I remember it it was actually clear that we would try there’s the Union Jack and the clock and those two things are both well it’ll get really good in a minute Peik DJing complete disaster two thousand four at the Secession as a group of four artists to make this thing work and from what I resolved it’s already tremendously good because everyone’s dancing Hank and I DJed as well is it is it already time for beer again and at the remember that was also expressly said that the four of us would basically resolved and the clock that was actually like a symbol yeah but it’ll get even better Michael it’ll get even better won’t it me taking a piss two thousand six at the Frieze rock this thing for our collaboration as a group and even though the clock was hair oh there you can identify the structure of the wig this is the photo that recently got posted on Facebook you don’t have to at the Frieze so there were two events were it was already clear naw sold after we’d left the group it it the clock is still a group work by yeah exactly no two thousand five are from the names that Hank and Nick weren’t a part of things well maybe the reality wasn’t as balanced but that’s how that’s all four of us whoosh right I remember exactly what song was playing you don’t have to anymore that it was only Oskar-von-Miller Strasse how I remember it I remember that it was explicitly said which is I agree what’s also good is the skin on people’s faces what song then well what choice do I have yeah there the problem started to emerge the the group that had why I was so disappointed later that apparently things weren’t at and well I remember that Jutta and I always started snogging as soon Easybeats Lisa two thousand five ended with all the shared things that where it had never been all like that but it was only as the fog machine started up so that Anka wouldn’t see us not true though that wasn’t easy clearly settled how it would be handled or rather that everyone well as far as I remember we never called ourselves an artist the Union Jack though was actually even more one of your pieces there you can see it yes it is well no ‘cos it’s also not been franked had very different ideas how it should be handled which as a collective except regarding the band where it was pretty clear yeah that’s all the same though but whatever mine yours that’s where ah yeah exactly you don’t have the picture and it’s the wrong the postcode is wrong consequence brought on a lot of trouble but apart from that it was only logical that we somehow that we exactly how it shouldn’t work when you do something as a group that’s the bugger photo great DJ desk Double-Sided Clock I don’t even remember how that piece made it to New York how should have mentioned it and in some cases we also did but with four people or whatever then you can’t take everything apart yeah jump to the next one will ya you don’t have the pictures so this was the first we sent it or or who was responsible for it because that was in two regarding the sales during all the years it was only Dennis and me individually and say yeah this is mine or this is yours yeah why that’s in the dumbwaiter it’s emptying out already Photoshop thousand five so I must’ve still be in Frankfurt right who divided them between us and entered the market together yeah but with the other things that’s exactly how it worked that we why does it take so long to get to that one picture I don’t have the pictures just hit Space yeah and in two thousand two in the summer we were going through a would basically with all the Oskar-von-Miller Strasse things that oh Niklas and there it’s all over and then Pause and Enter Full Screen etcetera it was shortly before you moved to Berlin and it never went to crisis anyway which consequentially lead to the breakup at least we were mostly also part of two thousand five that’s the end yeah with a picture you don’t need to pause Berlin with you in regards to content and explicitly producing for Oskar-von-Miller yeah but then you could then it I could really see it like we only scratching now it must’ve been a different event Double-Sided Clock no Strasse ‘cos then you were busy with the Ja-Flat Dennis started collaborated with you on things without establishing clear business 388 389

terms and you contribute and then you take yourself out of things pieces anyway and we just completely okay that you guys then decided to make the Oskar- and somehow yeah but we were there von-Miller book just the two of you since we’d already left the well actually it was similar similar yeah group before but the fact that that the fact that Daniel Herrmann regarding copyright I agree with you that we definitely have to settle the bill between was actually got credited as photographer sort of did it together like the Union Jack with the Union Jack you the four of us on that one well came up with the idea and we stepped in and joined you I would say either so either we just say okay we actually had the and Alina as but for example with things like the like the Filmed Films for role of like interns in this whole thing yeah okay I completely agree with you that that was absurd that example where we just we just collaborated in whatever way out but interns is nonsense though you guys didn’t of a don’t know and I don’t see a problem now if the Filmed Films and then that’s then alright everything you showed at Zwirner can but a bit of the absurdity can be explained because I if that continues under the Oskar-von-Miller Strasse label or under be labelled as your art but regarding the clock the thing was sort you guys once explained it to us you once said that it had been Michael Riedel even though we put in just as much of that the four of us had bought it together and then two only two inadvertent and that somehow it sort of the Filmed Films are still on the agenda for today people divided it between them because you guys were so closely connected put in work or time or art or whatever but the clock does bug me as far as I’m concerned we can still settle this that for us that for us there wasn’t really a form or way of ‘cos that ‘cos that was just such a crystal clear situation that we when it was specifically labelled as well that was just mentioning us simply as photographers or whatever and then you said at the flea market this clock belongs to the four of us Hank but the labelling is a whole different story ‘cos Dennis had even just decided to leave us out entirely did we say that more right to to be mentioned that that should have been done but things also happened super- Hank and Nick are part of this now and we’re buying this clock well fast with the book now and at the flea market everyone took out but that was there’s no excuse for you not being mentioned in the book specifically so basically the thing was that we officially entered into the artist there is no excuse specifically took out four euros group Oskar-von-Miller Strasse and officially started an official and it’s also well blimey it’s also kind of spilt milk as a symbolic gesture collaboration with you although we had actually already been a no but it’s quite good that this is being addressed now because but the flea market was in two thousand one part of it unofficially for years had always participated in everything now it’s out and things are okay I have no idea when the flea market was and that’s why it should’ve just been labelled as Oskar-von-Miller because now it’s gonna be part of the book it was in two thousand one Strasse and because this had been a symbolic joint purchase yeah at the O Twenty-Five where and in addition you suddenly decided to mention the names that yeah well let’s see in what form it’s gonna show up in the book O Twenty-Five exactly were linked to Oskar-von-Miller Strasse then you should have though where we put up the banner mentioned our names as well but whatever many things were yeah just very briefly right and for the event at Oskar-von-Miller Strasse in two thousand never actually talked about there was a lot of confusion and a well for the moment it’s part of two hundred pages of running text two your names were on the flyer lot of shifts and it’s not like we were like completely pissed off or yeah that needs to be we have to clarify that now yeah anything but the problem that kind of transpired in that situation but are you guys are you gonna try and put that at the beginning where we built the wall and played sound recordings of the that we had back then was our was the way we handled the or not different events the radio programme whole who did what who gets the credit for what and how that from my outsider perspective as someone who was already living that was Rirkrit Tiranisha was handled and that was extremely that went extremely wrong in Hamburg in two thousand one and came here with relative no no it was two again in thousand two where we played different and hence this faux pas to not even mention Hank and me in the frequency Oskar-von-Miller Strasse to me was first and foremost sound recordings with the layout of this radio programme from Oskar book a term for a place where events took place and these art events seven p.m. till midnight yeah that’s been clarified though that’s now gonna finally be they ended in two thousand three with the book Oskar-von-Miller ah yeah right changed Strasse and the the fact that you got left out because it’s about the a retrospective of the different events but in this context it just becomes clear as well that it wasn’t just imprint from what I can what was that where was it an accidental oversight an accidental absurd glitch but that it was yeah that was two thousand two the Oskar-von-Miller Strasse exhibition actually part of a constant yeah point of view and that’s exactly from what can be gathered here actually where we built a copy of the wall how these kinds of mistakes happen in the first place that Hank the problem is the copyright wall replica and I weren’t taken seriously as members and weren’t treated like no it’s the imprint because the publisher that’s where everyone you’d come in and there was the sofa and over there you had members neither in a financial sense nor by ever being credited gets listed and what this shows as far as I see it the conclusion the sound recordings of the different events and the programme yeah but financially I mean the thing with the Oskar book was that because you’re always talking about a group but in thousand was in the display window and you were named on the flyers as obviously a real faux pas and I’ve also thought about it and in three this group label didn’t exist because otherwise if it had been organizers which was actually the first time ever that we put any retrospect my explanation for it is that well you weren’t there so clear that you were a group you would’ve just automatically names on the flyer and I think that after two two thousand two after anymore or that maybe we were also a bit hurt that you sort of been included in the imprint that event in our minds we just sort of split up so I for one wasn’t went your completely individual way with the Ja-Flat because you but no but that’s not completely correct Marcus it was clear that we happy with the situation anymore and with our collaboration and I were our collaboration had completely stopped were a group that was officially we were also think that the whole thing had become old we’d been through yeah but what you mustn’t forget is that you had ended Oskar- and even if it wasn’t a group all the cultural genres and it sort of felt like Gernhardt whatsit the von-Miller Strasse before that before we started the Ja-Flat we were officially we were properly officially asked whether we two writers yeah okay but that wasn’t the reason why you started the Ja-Flat were officially now a part Max Goldt and Gernhardt Robert Gernhardt well yeah it kind of did have something to do with it but when was that at the flea market Robert Gernhardt yeah well blimey but that’s a bit absurd to be hurt about something yes at the flea market right which was already like a rerun of like that we were young people and everyone had to kind of look you were never involved in the sales we sold a lot of things in that Stuckrad-Barre out for themselves and had to see how they could sort of develop period and they were always between Dennis and me nor was of the Stuckrad-Barre thing and basically it was getting stale artistically we became part of Oskar-von-Miller Strasse and there ever any discussion on this but was that before or after Gilbert and George somehow it just turned out that we that in the long run the four of that’s true after Gilbert and George was us working together as a group didn’t really have a future that you would’ve suddenly been deprived of anything in any way twenty-ninth of March two thousand two yeah but that wasn’t the reason I mean well we weren’t really but I mean that doesn’t make the other thing and when was the other thing was that in February and there’s no need to be hurt if we go and try to sort of to develop any better Max Goldt Robert Gernhardt our own legs to stand on Michael can I say something yeah so it was later then but anyway Gilbert and George was no and that wasn’t the accusation yeah go on different anyway but apart from that I felt it was getting old and and that’s not how it was back then I mean this type of selling something for the first time as an artist so our collaboration didn’t really exist anymore if you will but I but it was sort of a sign that we were going our separate ways so in a small gallery and let’s leave aside for now what gallery it was agree with you regarding the clock I don’t remember why the clock to speak that’s always something that just doesn’t work without problems ended up in New York I think in the end there weren’t that many okay so what Niklas and I felt hurt by was the whole I mean it’s especially in groups things aren’t so self-evident and especially 390 391 Conferenced Conference Conferenced Conference 2006 2006

well yeah I just used the term assistants to I wasn’t referring to you you were the one who used this term now yeah but it’s I mean look history is always made by those who write it yeah exactly and sometimes it’s done by gallerists or it’s the artists themselves or it’s the curators and so on and that’s why I said just now you can’t in retrospect stand on something that stood on shaky ground in the first place because Dennis Hank and Niklas always sort of stuck to the sidelines a little you could now obviously go and say okay and then this this bull comes into the shop and stomps all over the place and then goes okay that’s the piece I need and makes makes off with it so that it can that it works and everyone says okay that was a massive commotion now and whack but afterwards afterwards the thing that remains the thing that’s actually the productive phase of the of the of the place yeah or the second responsibility if you will but the productive phase had basically stopped working by that point and been instead this retroactive fishing stuff out from the time when things were produced jointly was going on but at the time when Zwirner appeared on the scene we had already stopped producing things together I still think though that but the whole situation would’ve turned out completely different even before we let’s say officially became a part of Oskar-von- Miller Strasse if we hadn’t been there because we were just an incredible four-person combo that appeared on the scene yeah who were really pushing each other really hard but what does that mean for the year two thousand five when we’d stopped working together even before Zwirner well this now is actually this is actually about in retrospect but that was already in two thousand one wasn’t it you had a solo exhibition at Gabi Senn yeah but anyway what I’d like to know is what did you say when if two people in the group are always kind of treated a bit like thousand one I already had some solo exhibitions with Achim at exhibition of Zwirner called you assistants yeah so if then Gabi’s gallery works of yours Zwirner Zwirner called me and asked what this really said it was I didn’t see it like that well and that’s all very well exhibited an extremely interesting book and so on and like a shark who in what way did we treat them like assistants yeah yeah but I mean that’s obviously a whole other which ones instantly goes after the biggest piece he was like it seems that at the exhibitions yeah I mean I was that the one that that we wallpapered Riedel is the most interesting character there and then I told him no yeah go on those inverted yeah Michael is definitely the one who nourishes this the most but and if they themselves then settle into that without really being well I find for me what’s still the the most obvious example is this the inversions exactly the inversions that was the second it’s a group content with it and then these are the first sales where it’s always just to sort of categorise us is the band concept that we also often exhibition so the an inverted version of the first exhibition yeah that’s what André told me too André was curating a group kind of on the verge what’s gonna happen now anyway how are said that we kinda understand ourselves a little bit like a band with right and downstairs there was this sort of archive room exhibition for Zwirner at the time and he told me that Zwirner said we gonna handle this what rules are we following here how can where new people join the band and even one with a band leader downstairs was Oskar-von-Miller Strasse to him that Michael was the most interesting out of the group we sell this and this artist is getting more attention and that artist fine by me and that doesn’t I mean that’s certainly not a negative Oskar-von-Miller Strasse with all the stuff exhibits produced in the yeah but that doesn’t mean that’s ‘cos that’s not an objective view doesn’t get any attention and so on I mean in that situation you thing for a band but then everyone if that’s how you look at it process so to speak the drawings on things he was intrigued and fishing for something that’s how have to be extra careful that afterwards you don’t go and hammer then really at least during our time as active members of this band and that was labelled as a group work or what the guy always works in all these insecurities by saying this is how it was things were produced and we had a part in things so in the case no that was at the end it was only Michael and me yeah that’s simply the function yeah I also think that the fact that things went like that can’t be of a band that would mean songs and you would also it would be but that’s also a bit different because there are different levels yeah yeah used as an argument that later when we were officially part of the nice to when these songs are published you would certainly credit but it wasn’t articulated obviously group things had to continue that way because to us it was never the people who were involved in writing these songs well ‘cos back then it wasn’t yet that wasn’t till later but he always fishes things out and that’s when you place a bet clear what exactly was being sold anyway and we never found out on the one hand you would but on the other hand art is a bit because there are sort of different levels art market levels where you bet five thousand five thousand on this or that position and about these things but what I insist on is that it was totally clear different from just releasing a song you sort of need a head that’s willing to be put on the line or then that changes all the other bets that we were officially part of the group and said we are gonna well for me the way I perceive things nothing was actually whatever but anyway Niklas and I were part of Oskar-von-Miller but when he asked me what should I have said in two thousand do this together now and for years we made a real effort to get articulated until the book is the way I see it Strasse 16 otherwise I suppose we wouldn’t be sitting here right five into in your intellectual way of thinking and your mind-set and had you’re right nothing was ever articulated that’s absolutely agreed now yeah you should’ve already been deeply immersed in it even before and took part in and in retrospect it’s all sort of quite difficult to unravel yeah yeah that we were a group even though that wasn’t the case anymore x number of actions and events and discussions and many of the the fact that nothing was ever articulated and that in retrospect I don’t remember how long and I don’t remember exactly from when yeah well I remember that ‘cos it was a gradual process when things that were sold later were older pieces where credits were these errors become clear on both on all sides and that you until when and on which things there was an actual collaboration Zwirner got in touch and then everyone heard the news oh my god completely unclear because at that time we weren’t yet officially a suddenly recognise the causes I mean the other example is how between us and which not and in which cases we were more like the David Zwirner Gallery in New York is interested and this big part of it and we were art students and money that was definitely was that when Gabi Senn what exhibition was that when suddenly assistants and in which cases we actually contributed our own flurry of excitement and then the first thing I kind of remember in synonymous with the art market for us to us that was just well all these framed posters where suddenly hanging at her gallery no but I didn’t see it as you being assistants at all terms of in terms of big plans that were made was we’re all gonna abstract Oskar-von-Miller Strasse posters so what was that then an Oskar- and move to New York the four of us and they’ll give us a space in this well that’s not something we need to argue about now von-Miller Strasse exhibition or how did Gabi Senn communicate not at all Art Space Gallery they’re friends with whatever and are gonna well for us too and I mean let’s just think back further for a minute that you saw it as assistance do the Oskar-von-Miller Strasse there and I remember that that just to clarify what the constellation was here I mean in two that was a solo exhibition upstairs there was there were an no on the contrary I don’t see it as you being assistants at all definitely seemed absurd to me back then ‘cos 392 393 Conferenced Conference Conferenced Conference 2006 2006

exactly no that came from me from my proposal and that it had ended was for a variety of reasons and that’s I mean the reason we went there was to get a taste of what New exactly why that was a bit of an awkward situation and that’s why York’s like and to see whether it’s even realistic and at the end when we talked about it I remember finding the things you guys we realised naw this is all too expensive here or rather not really were saying or I don’t remember who said them just strange that something that would make us consider moving there basically we should reenact Oskar-von-Miller Strasse so that I blimey that was funny for me the idea that when we went around said let’s just do something completely new instead because I sort with with Zwirner and realised okay wow this is a whole different of thought okay we’ve kind of ridden this thing to death and it was level right what’s going on right now with a chauffeur and bladibla kind of like well all groups only have a certain lifespan before they and anyway for me that was absolutely definitely made me feel get dull and the only chance I saw was that in this new situation uneasy and then then the fact that the return flight had to be paid we as a group of four which had worked and was actually still out of your own pocket and at that point I was just like this is working really well on many different levels like humour and art bollocks and whatever should do something completely new but anyway did we but I don’t see it like that I mean I don’t remember there having no I had to pay mine out of my own pocket been an attitude of let’s try something new more like well it happened in steps

… Munich Conference of Anecdotes that was which was without me in two thousand six that was the first attempt in two thousand six to have a Conference of Anecdotes and to go over the first one like a type of we produced a text that could be used like a commentary that could then be included into the first Conference of Anecdotes crazy shit and for that we had the videos so there’s one video of the first two days of the Conference of Anecdotes on VHS wow crazy shit which we watched and well yeah but which we basically wanted at that point Oskar-von-Miller Strasse had actually been history for two years and I it seemed completely absurd to me to try and to comment on or which we reenact the whole thing and I had during the discussions at that time so what are we gonna do there wow that’ll be amazing the did comment on but as far as four of us in New York it’ll be madness I was the one who said but we can’t go back to making Filmed Films and Clubbed Clubs we sound quality the video was have to go over there and try and start something new but in a horrendous and the image way the belief in us as a foursome definitely still existed despite all the rows we’d had wasn’t all that exciting … I don’t remember you actively proposing anything back then for the actual realisation of this plan we were working out (p. 446) at that point we had the joint projects had essentially stopped 394 395 Meet the Press (Internationaler Frühschoppen) Meet the Press (Internationaler Frühschoppen) 2006 2006

but we were talking about basically the more general how it had I wrote that the idea was sort of produced with Philipp Plessmann all started with David Zwirner and everything and basically how with the puppeteer and yeah actually the whole thing is simple as that we’re not talking about David Zwirner now there’s no need to hang simple as that and what do I gain from not writing it so I just can’t the breakup of the group on David Zwirner because the group see any sense in that had already split up he came across the book which had been well I mean we don’t need to talk about the fact that there wasn’t published in two thousand three and I think he called me at the a mention in the Oskar book end of two thousand four and fact is that at that point the group no that that’s long been off the agenda longer existed and suddenly there was interest in this publication but in general a little bit here and a little bit there you just could’ve where it looked like there was a group behind it but now someone whatever Daniel Zwirner Michael Riedel Filmed Films is all sort had to be in charge of how things would proceed and that was of in collaboration with Dennis Loesch with thanks to bim bam the situation simple as that but the in that situation the idea came up that the four of us should well I mean I think lots of things just got sort off jumbled there go to New York or didn’t it quite strange no I can’t well yeah the idea did actually exist to maybe have a but all the little steps in between I think were mistakes that could space there but that would’ve been the second step the first one sort of happen to anyone there wasn’t anything major where would’ve been for Dennis and me to fly over in person and look at anyone could say that was a complete fuck-up or whatever ‘cos things to see if it even made sense I mean in two thousand six we then made the Union Jack and it I felt a bit like so why was it again that’s where we stopped before chronologically seemed like things were okay again at that point for example to go to Zwirner’s with Marcus and Michael I found why did you go to New York with Michael with Marcus and not yeah that’s what it seemed like that really strange Dennis for example the Union Jack was in two thousand six well so [unintelligible] it was produced in two thousand four and in two thousand six it I wanted to ask we’ve been so why are we talking about Niklas’ so two thousand four we’re talking now was shown at the fair and my role in the whole thing right now ‘cos I mean between you doesn’t matter yeah two it was also mainly sort of that was at a time that the collaboration between Michael and me we produced it in two thousand yeah but the problems with everything that sort of started with was still very recent so and also Michael and I have been friends four Zwirner’s appearance since ninety-three and at some point there was the Deutsch but that was really weird somehow yeah but that’s always the same old problem when a bull walks Tedesco book which had just been finished two years before in and how was that labelled into the shop two thousand two and in connection with that there was still a sort at Neff’s at the also as weren’t things even more extreme between you two than between of link with regards to content if you will and in the light of all that I felt extremely uneasy there by the way us and you two I took it as an acknowledgement of our friendship that he asked but how was it well the reason I went to New York with Marcus was me to go with him he wanted to show it under my name if I remember correctly yeah but did you never ask yourself why he hadn’t asked me to okay say again go with him that’s a stupid mistake if I remember correctly you also had massive problems with this because at that time I never saw a group if I’m completely honest what’s a stupid mistake of course and I still do they still exist here that was completely the whole booth was actually a yeah seriously well I felt extremely uneasy and things were not okay it just this feeling of things being unresolved well I mean I never saw an artist group Oskar-von-Miller Strasse seemed like they were okay ‘cos it was just like okay these guys because we’re always talking about like what were our positions that wasn’t how it was communicated are really sort of I really like them and I really don’t want to risk were we assistants or were we part of the group or whatever but that’s crazy the friendship ‘cos of some stupid kerfuffle about copyright and yeah although we’ve established that things were already that’s crazy credits this and money that but the whole situation made me feel beginning to break up in two thousand two and suddenly everyone even David Zwirner saw that extremely uneasy basically it was going their sort of separate ways in Dennis’ case it started with and especially Jason Rhoades and Pettibon were the ones who where was it shown the Bastard Pop and the fashion thing which also irritated me a especially realised what was going on yeah that was a strange it was the bit but which was also okay everyone had their own preferences everyone saw it Neff had really wanted to show it as Michael Riedel you were doing the Ja-Flat and suddenly I was in a bit of a sort well yeah and he did of vacuum of not really knowing how things should progress and anyway even I mean if we start at Gabi Senn in two thousand and but then we insisted because I obviously also thrived on this special combination of one the first one she did a solo exhibition with was was a fourth were were were your works which were completely self- people being around them and working together but we had split Michael but you could still sufficient solo the cutouts these cutout pieces shouldn’t we well up and the reason why I went to New York with Marcus was also I but why with Michael maybe not now and but then it was also documentation material think because I didn’t feel as close to you guys anymore good question for example there were frames everything was framed there was yeah especially with me because Michael was obviously the lots of paper with you because Michael was the singer of the band print sheets but it wasn’t your solo stuff that you had done on your own that definitely and no one would argue that Michael was the one who yeah exactly print sheets and and lots of paper works and then made Zwirner notice you founded the whole thing with his artistic concept and significantly also the Union Jack and also those mods posters and these all of course I made the book with Dennis and that was basically the influenced it no one would ever argue that these things that were really that was one hundred percent Oskar- that was the product that Zwirner came across okay then let’s put it differently von-Miller Strasse 16 we’re talking about two thousand five and the show had to go on we were even at art college together for a while and for us it was basically strange because we had to be like somehow and Dennis and I had agreed the call was that everyone just what I don’t get sometimes I simply don’t even get the problem some sort of supplicant could dip into the Oskar-von-Miller Strasse stock but whatever what the problem is that well my case was still a bit different I had to back then I always would result from that was gonna be a new product that everyone yeah we’re not in two thousand one anymore we’re in two said to Michael that Neff should really pay for my hotel room could authorise themselves and in two thousand and five there thousand five because that’s not that’s just not on wasn’t any us together I mean it would’ve never occurred to me to that the others are not credited I don’t get the reason behind that exactly we had to like supplicants we had to push anyone who was still around out the situation was there was and even if the group no longer existed at that point for example exactly no one left in two thousand five it was already too late I don’t know I wrote these poems with Philipp Plessmann the go there why are we talking about two thousand five now puppeteer and then I I made I made them into a small booklet and that’s just not cool because that’s exactly the point that we’re talking about now published it under my name and obviously at the front of the book so that we were even allowed to go over go there when it was 396 397 Oskar-von-Miller Strasse 16 (textile) Oskar-von-Miller Strasse 16 (textile) 2006 2006

… Oskar-von-Miller Strasse 16 Textile no it’s called Form Alde Hütt ah yeah right Form Alde Hütt … wow that’s a groaner… (p. 448) 398 399 Oskar-von-Miller Strasse 16 (textile) Oskar-von-Miller Strasse 16 (textile) 2006 2006

… and then we said ‘cos that was in two thousand six that was in two thousand six the year of the demolition that was the demolition so to speak and then I said … let’s just sew the whole building out of fabric but that was which was actually absurd ‘cos you can’t ‘cos then you really start to think about how can this be done now and so then this sewing workshop where they made circus tents but the only reason we could do that was that before so you communicated the idea to Wilfried and he immediately said he’d take it right … (p. 448)

already done under your name and that we and that part of it they even somehow subtracted from the from the revenue for the artwork exactly the hotel and flight costs I don’t remember exactly and it was definitely all very very awkward and tense yeah completely completely tense and there wasn’t any just sort of wrong and those pieces we’re no longer talking about pieces that were sold at twelve hundred euros here but you’ve got yourself to blame for the tension I mean all this was never really sorted out we’ve basically carried it around with us almost until today if you will except for random discussions where not everyone was present at the same time and I mean how do you expect things to become less tense in that situation when nothing has ever even been defined I mean Dennis and I had defined it and I said so when I sell the things that we produced together then it’s fifty-fifty and that’s how we did it but that’s exactly the cause for the tension that we for example were never respected like that in the sense that you’d feel but regarding what pieces that we’d talk about things when we were planning something that we’d establish how we should handle this partly shared legacy partly shared it can’t be defined exactly but then we had one exhibition where everyone’s names were on the flyer which was also a new thing which which one well where we took down the wall where we played the radio programme but as part of the Oskar-von-Miller Strasse context at Oskar-von-Miller Strasse yeah but that’s exactly the point here 400 401

we all bought together I think and I think that’s my explanation that at the end of the day new pieces were never linked to the group as a matter of course but that’s exactly the point because the group was no longer producing things together the thing is though that afterwards we continued to to I mean the clock from the Oskar-von-Miller Strasse wall that had been up on the house wall if that had been sold I don’t think there would’ve been any sort of issue of but it’s all one and the same thing all of this can’t really be maybe it’s also that we all have a completely different attitude so so and that time for the first time all the names were on the flyer but how many places are we talking about can you specify them like I said it makes me happy when I publish something and I can which was a completely new thing because we never actually where it was labelled as Oskar-von-Miller Strasse give people a mention at the back put names on our flyers we only put Oskar-von-Miller Strasse for example the Frieze two thousand four there was never any yeah that’s something you’re practiced in but I for one have also independent of who had produced it Ursula Meier once did discussion between us how that could’ve happened had to learn it something and Alina made a film once and they were never hang on though Frieze two thousand four was a solo of us at for the clock we took the joint decision that it needed a wall explicitly mentioned by name Portikus and like I said I just don’t see the sense it really needs to be said though that Oskar-von-Miller Strasse yeah but that was one hundred percent Oskar-von-Miller Strasse I was the one who said let’s attach a wall to it was Dennis and me even though you put in a lot of work but we yeah absolutely Oskar-von-Miller Strasse exactly were the official representatives to the outside world it‘s irrelevant though whether it was a solo or whatever I mean in but that was when we were there right but basically that’s the official side which is one side and then that Frieze catalogue my my face is on every on every second so we basically did that together that was our last collaboration the other question was what’s the situation page would it have been so hard to whatever write with special exactly and then you told us Zwirner wants to write one name on official defined as thanks to Hank somewhere it and then I was like I don’t care as long as I get my share I need are you my friend who helps me with all my things yeah the dosh you can’t in retrospect that’s all and it has nothing do with any kind of obligation or that was stupid no but it’s about respect it’s about respect and a relationship whatever legal issues but with friendship and with the fact that as it was daft of course but I was just marked by friendship the question how you should treat your a group we built something together but that’s that seems to be the way this works I mean I’ve now friends how do you treat the people who help you and make for example I’m happy when I do something and people contribute heard we’ve heard about three gallerists now and in all three cases things possible for you and there’s two options here you can be in some way it makes me happy to be able to write a mention on it would be fair to say that the gallerists started by approaching one generous or you can exclude people and what happened was that the back like it’s really cool how many people whatever individual so Gabi Senn put on a solo exhibition before anything we got excluded and to use the argument of what was official and I think the way I can explain it to you now is because I never felt else and Neff which I wasn’t aware of was also really keen on sort say stop past this point they can’t they don’t have the right to claim like I was showing something that we’d produced together so to of showing the Union Jack as a solo piece did I did I get that right anything and in this case I don’t have a choice but to use my name speak yeah but that was already after I’d had the exhibition at his gallery on it and all that yeah whatever that’s not my point but that’s those are simply the yeah go on for me those were constantly new challenges that I had to produce conditions and if you say for example I don’t care ‘cos you don’t but what exhibitions happened exactly where I should have said new things for and for the Frieze even though we used a photo of want to prevent the the the deal so you say to yourself you say no we did this together and then I continued to work with the the Jim Isermann okay the money needs to come from somewhere existing material yeah yeah that was a mistake I made but it’s not really about an obligation though I think just that you basically weren’t a part of but whatever for me that was has to be included in the story no exactly that’s how it always went no it’s a bit a new production the wallpaper didn’t exist before and I or we like that no but also developed it from scratch it was a new product and so I never had no you need to look at it more closely though whenever it‘s labelled as Oskar-von-Miller Strasse our names any want or need to say Hank and Nick were sort of a part of this come on don’t give me that should be mentioned as well but basically that never happened for me that was a completely new piece and the same applies to well the clock was a mistake ‘cos Dennis didn’t get mentioned and almost almost never and also after the Oskar book after it was the clock a decision had to be taken like we need a wall or what in the case of the Union Jack no one got mentioned clear after it had clearly been talked about and it was absolutely are we gonna attach it to now and all that these are new decisions yeah clear we never got mentioned either about new pieces and so I wouldn’t say it’s only about a clock that that’s not true though whenever I meet Wilfried 402 403

… and then the question was where the award ceremony should take place because previously it had always taken place at different museums and then I said no I’d like it to be at the Kaisersaal at the Römer in Frankfurt and then on the balcony afterwards where the German national team always stands after they come back from a World Cup and so then we were all standing up there and so that was on the balcony with the empty Römer square down below … (p. 436) 404 405

and besides that they were all new pieces that weren’t where things should’ve been communicated a lot more clearly positions have finally been formulated here yeah that’s exactly what I was talking about though you have to add though that we’re not talking about exhibited yeah blood capsule they weren’t because I don’t just dip into our common stock that pieces not formulated completely clearly Marcus looks exactly the same in both pictures we created together our stock consisted of rubbish we’ve hardly yeah exhibited pieces yeah totally go back to the other one please kept anything from that time so things that actually got shown where it’s where it’s impossible and addressed that is actually quite good I always thought I’d played the song but I was mistaken of course you to distinguish now which is which and that despite it all we’re all sitting here today you could also it was I know exactly what it was but that’s okay and then in fact let me give you a concrete example of a specific see as a sign Frustration it was from our common stock there was it was simply material that we work which was the last piece Michael and I worked on together yeah I think that’s nice Purple Hearts Frustration continued to work with the second edition of Deutsch Tedesco which is actually called my yeah I mean it’s look you can just see it I wouldn’t make the same mistake today [unintelligible] well two years ago we wouldn’t have been able to do this yeah of course well yeah that’s just not cool for me so for me everything that’s been said here has been it’s Frustration and create new products yeah but then I called Jobst and told him he had to put a sticker extremely valuable and some of it also quite enlightening and there must be another one now a bit further on a lot of it is it’s based on Oskar-von-Miller Strasse and on over it ‘cos I wasn’t responsible for that why don’t you sum it up for us no that’s it everything on what we created as a group and the situations that no no I didn’t mean to I’m not accusing you here but strangely naw no way Roberto why don’t you show us the doodles you’ve wasn’t there another one took place and so forth and you can’t just break that down into enough there’s this sort of outside perspective been working on who separate pieces you just have to look at it like are these your naw but that’s you right there Michael friends who you’ve sort of created something extraordinary with [TRACK 811_0018] that isn’t half bad no but why don’t I have them anymore ‘cos that was the exact and see that you manage to sort of look out for these people or no I’ve found a picture while you’ve been at it I haven’t drunk all same photo series Dennis took them out whatever and that you respect that there’s a really simple solution to that problem though all you have this by myself no why should I but you’re not actually creating anything with these people to do is make an accurate record of the history well someone must’ve finished off all the beer of the folder that got sent around I’ve got all these photos as well anymore well I wouldn’t really say there’s a simple solution to the problems give me three more beers and I’ll go up and throw the bottles but these two I don’t have either whether or not you have to that have been addressed here and why should you why should down thank god but nothing was being created together anymore you suddenly hope now that there are simple solutions to them that’s it isn’t it great innit and I don’t have the single either I don’t have the single anymore but that’s beside the point no but if he wants to insist on his viewpoint that’s why everyone yeah great either you did at some point create it together prefers to speak about it in unambiguous speak about it in unbelievably great yeah Diefenbach painted that thing no ambiguous terms so that when things become specific then that’ll Dennis he painted that yes if we hadn’t been a part of this for all those years then maybe open everyone’s eyes what’s the problem with that that’s quite Pistol style isn’t it yeah this whole Oskar-von-Miller Strasse thing wouldn’t have turned I’d say a lot of very specific things have been said already I’ve found this but there must be another one in there now into what it was and then maybe you would’ve never even built but I’ve we already saw this earlier Jack Tilton sold it he still owes me twelve euros for that a Oskar-von-Miller Strasse replica at the Secession or sewed it and if have that people just sleep on it and think about what things Marcus where is it now am I completely daft or what you have the copyright on your face there out of fabric that were unfamiliar to them have been said I just don’t feel like the one from the flyer or what Dennis no that’s not hearing this right now that there I know I had it somewhere there must be another one though the other one from the flyer ‘cos but it’s impossible to unravel it like that that there’s a simple way of solving this or whatever the one from the flyer the flyer was a collage made from two yes you can label the individual pieces though well it’s not like it’s that complex either yeah from the it’s more about more general issues a more general thing like how the milk’s been spilt but we’ve all seen it Frustration do you treat your friends and who do you want to let into the thing I mean there’s the naw the and how can you sort of give give your friends a piece of the pie well I find this all a bit I mean I can’t really make heads or tails of it must come later that one that one that one and that one what’s the song again ah yeah that’s true this and wait it’s one of the next ones now exactly that one Frustration Purple Hearts what ‘cos normally you’d want to give your friends a friendly shove and of what it must be later that one’s not bad either I wear it like yeah well are we done here or what help them instead of pushing them out of all the of everything that’s been said here or of what it implies in are you daft or what flippin’ heck I just had it that’s truly mad too I wear it like a suit I mean if you wanna go to the flea market it starts at seven I think this isn’t really going anywhere right now this context I think you can’t really untangle this in a way that both what a plonker can you send me those three but the jacket fits too tightly and there’s lead inside my booooo what’s on our list for tomorrow then Michael but it was never a question of pushing anyone out sides will agree on and so I’d suggest okay let’s all wait and see wait it’s coming now check out the shoes boots let’s just stay up all night but that’s the point that’s what I was trying to say just now the and all have a think about it unbelievable and the jacket boots yeah where are we at now anyway we left off at the Double-Sided Clock pushing people out happens by itself I’d say we settle the bills on the clock and look through the next that is honestly unbelievable I’ve got those this is the website now ‘they’re so big that’s what the resolution is like in two thousand five well I never felt that I was pushing people out or whatever Miscellaneous folder right there no there okay nice background colour we’re not opening the clock can of worms again though we’re out of beer let’s look at party photos then there it was I think they’re three massive pictures gradient let’s open up the clock one more time ‘cos I’ve got a question no but you don’t need to others will do that for you yeah well fuckin’ hell I’ve just had it yeah gradient about it why is it called Double-Sided Clock shall I go get more beer no but I really think ‘cos I’m not really that affected by this but I find well looks like it’s not working wasn’t that the party where Niklas yeah very pleasing ‘cos it could be seen from both sides I never actually saw it like that I just feel that what’s been brought up is all quite close to the bone and Lisa it’s past midnight by the way they should be included in the book one more hour and then we’ll call it a day yeah but the the fascinating thing about the clock isn’t its yeah on the contrary you have to the person who’s in a power and it’s okay that it’s been talked about and now we have to wait go down go down a bit further that’s right yeah I agree it’s already past witching hour double-sidedness though but the fact that it moves forwards and position has to look out for the others to make sure they’re not and see let things sink in a bit Marcus we just had it Marcus just staggering around there yeah well past backwards getting pushed out when will it finally be a thing of the past though I’ve already seen it no no no it’s well past but that title is too long exactly have a think go down further down Marcus didn’t know the song yet yeah so what time are we starting tomorrow ah that’s how you see it well that needed explaining that’s what matters and that’s the opposite and so that’s why why no idea when it’ll be a thing of the past but you can’t just no but this is already the end now Marcus you’ve got a chin beard Hank and I thought ten would be good we’ve got two thousand six two thousand seven two thousand things drifted further and further apart and that’s why it seems suddenly ah right never mind though and Marcus won’t ever get to know the song either ‘cos it was at ten already eight nine I mean after that things starts thinning out but we’ve still all the more absurd to me when many years later I’m told that I just simply don’t wanna do this anymore well yeah but at the top it stolen at the Rote Rose I’d say eleven would be good got a couple of videos that we could watch I betrayed the group because two years after the end of Oskar- yeah maybe you’re in the wrong folder no yeah eleven sounds well I’ve got it von-Miller Strasse and after I hadn’t even received a mention in I suppose everyone has to work it out for themselves looks like you’ve promised too much Dennis he’ll never get to know it heard it only heard it at countless parties yeah eleven minimum although what time’s your train Roberto well I’d actually prefer ten o’clock ‘cos if Roberto leaves at two the book and all sorts of other things had happened at some point yeah that’s exactly what I meant it’s just annoying fucking hell a million times but Marcus it looks like you’ve got a chin beard at two eleven seems I mean before we actually get started and all decided I I’m gonna move do my own thing and move to Hamburg no all I was saying is I just want to avoid that anyone now says you must be joking there well do we have single rooms or what yeah well I actually thought that was great that was finally a clear okay it’s like this now and it’s like that and like that and so on right there yeah there it is you’re right that’s the yeah I just meant ‘cos of Roberto if Niklas wants to go to the flea market that’s not a problem statement I don’t think that’s how it works and the individual I mean it all Sonja that’s what you wanted to show us kind of a circle beard let’s say nine o’clock at the flea market yeah I think I find that hard to imagine that’s completely absurd sounds like we’re settling a score here someone claiming this and that well yeah that was missing earlier right and Dennis looks like he’s got a chin this size what flea market the flea market honestly starts at seven seven or eight what did Michael someone else granting that and then someone making another yeah I’m Dick Tracy don’t you think tomorrow I’ll set my alarm clock and see how I feel then a strange guy that Michael claim and then someone commenting on it and so forth and that’s yeah a double chin isn’t that on Sunday though ah no we’re in Frankfurt this’ll still be there tomorrow so what was I gonna say now from my perspective there are just not possible that was behind the DJ desk and that’s in front and by the way or like one of the Daltons be at the flea market at nine be here at eleven what this then certain points that you can specifically attribute to specific pieces but isn’t it I think it’s a good thing that these individual ideas and here Marcus is in this picture Marcus has a red that picture has a really bad resolution well if it’s already past midnight now that’s ironed 406 407 Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) 2006 2006

Fit to Screen isn’t that in exhibition hall one A what’s blck humour start all naw I mean honestly it is a little bit New Agey … right that’s what it was called and then at Weydinger Strasse we start all that’s weird naw ha play all films that’s in Offenbach with this strange guy when with the group I find this a bit New Agey to be honest started a new Oskar-von-Miller Strasse which at the same time also yeah maybe it’s big enough already exhibition he with the music you played with it served as Dennis’ studio and I have to say in my case the whole by the way do you remember how we were completely blown and afterwards we were at the Rotari Club that was honestly a great piece away by the by the by Star Wars and the seismic bomb the Book Calibres brilliant yeah move to Berlin really led me to not want to have another exhibition yeah I would say this is your masterpiece and the installation as well well wait till you see Transformers now they’re simply brilliant I’ll make one too it’s honestly brilliant space like the one we’d had in Frankfurt ‘cos Berlin was just ah yeah but where’s the yeah it still exists chockablock with those shop spaces where you could never with you can just leave your socks at home for that but who filmed this was that me where is it then you mean when they’re shooting at the pyramids you yeah Krebber one computer set up inside or a white wooden panel and you could mate the sounds they use are unbelievable yeah that was great it’s at the Städel in that thingy you can leave your socks at home that is great I’ve got one never really tell what was going on in there but it was all sort this so why were we ironing there unbelievable it’s extremely good you’ve got this one at Winkelmann’s gallery ‘cos they’ll get knocked off of you anyway right yeah but the one you’ve got isn’t one of those creativity plague … (p. 450) really yeah I’ve never heard anything like it I would quite like to see the Calibres for this I’d quite like to see the the small one yeah when the you were ironing the garment bags yo Calibres for the surrealists oh well yeah seriously the Book Calibres I don’t believe it there’s the Book Calibres amazing yeah that one I made separately and who was the one who sewed them again that’s in Offenbach Dennis blck but I don’t have a piece of paper where is it now why don’t I have it you sewed them Offenbach yeah what a great book pfff I’d have to see it can’t tell you now just off the cuff ah right come on let’s not just zap through them like that let’s do it right or not at all yeah let’s leave them for tomorrow no we’re starting at ten yeah ten this is work and not leisure Niklas ten o’clock tomorrow no yes we’re here to work not to go to the flea market or whatever I might join you an hour late if Roberto has to leave at two it’s not like he needs more than two hours for what he has to say show some respect boy my poor nerves I’ve still got a lot for tomorrow yeah me too I mean even on the videos even if we don’t necessarily have to watch them let’s show a video then it’d be nice to just have a quick look let’s have a quick look at one of them then one more video as a nightcap not as a nightcap not as a nightcap now it’s ending just as we’re getting started one episode of the Hitchhiker’s Guide to the Galaxy you did wanna stop now though or not no we want to watch one more video one video yeah let’s let’s watch a James Bond I could still go on yeah me too I can go on for a bit longer but then we’ll start at eleven tomorrow I could also go on to be honest let’s still hear a bit more from Roberto today what’s that now is that your desktop picture that’s your grey desktop image now yeah no earlier you were talking about these video snippets I’d quite like to see those now go on show them all all with the projector England one England two do we have any pot by the way yeah Dennis’ sound recording ah yeah right champagne breakfast let’s do the Heile project [unintelligible] where was that then 408 409 Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) 2007 2007

so it’s one of yours I mean that’s beautiful but there ha that’s beautiful but how is Peik supposed to transcribe that wow he’s one relaxed dude it’s one of yours what do you mean that’s beautiful but Michael too though Dennis how is Peik supposed to transcribe it a great video snippet the Dilemma of the Avant-Garde and you had to bang it into your see you tomorrow stone in your hand typewriter or what see you tomorrow turn up the volume a bit well of course see you later we’re folding up the flag somewhere well you should’ve said something I would’ve lent you my computer see you tomorrow Friemel did you still not have one then anything else or is that it I think he was already living there at the time when was that one more thing two thousand three in two thousand no hang on two thousand one they really zoomed one more the vodka tree do you guys remember the vodka tree we planted in there that’s really crazy see you tomorrow one really great the vodka tree that was at art school Fishing in Vienna Anne in Vienna on the grass strip wow that’s tough naw not Fishing in Vienna that’s probably boring it’s better there was that Basti so who’s the second pianist do Salzburg then naw that’s Friemel isn’t it Björn Renner ciao naw that’s Basti what a crazy film ciao they both speak like that wow Daniel Herrmann could be so serious laters that’s Friemel what Select All with the squawky voice there it is he could be so serious in his madness Baselitz sinister yeah but it’s really good I think that’s Friemel so what was the story with the vodka tree again when did we yeah wicked video snippets plant it it was quite fun making music with the guy Catalina we wanted to bury an upside down vodka bottle well sometimes anyway no that’s Lisa no we no no no no no we funnily enough that was also a symbol so where is the organ now ah yeah you’re right of our collaboration as a foursome the organ that we played on in the courtyard ‘cos Lisa is the only one without a nose naw that was the God do you still have it yeah we met up that was on the first floor of the HfG wasn’t it there we’re packing everything for the Secession we met up and everyone was asked to bring something that he yeah with the sideburns you look like a typical Trebur lad there this this specifically that he wanted to plant and all three of us brought in the middle of the night though aggressive subtle adolescent aggression you’ve got going on seeds and Dennis brought a vodka bottle 410 411 Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) Oskar-von-Miller Strasse 16 (Weydinger Strasse 20, Berlin) 2007 2007

who good day to you yeah Bliss Hotel under Riedel Hurttig is on the train you’re the fifth under the name of Riedel yo there there she is oh yes yeah alright cool bye throughout the whole conversation he didn’t realise it was me and not Michael really Marcus didn’t realise he was speaking to me and not to Michael bam bam bam at the very first moment they thought shit until they realised it’s actually really brilliant

… right and that was the opening event was that with the we invited Daniel Baumann to write a text we wrote a text with him exactly and then printed the text on the poster and postcards so basically it’s this three-piece set that’s also sitting over there

now so the poster announcing and it went on like that day in day out yeah the event with the info text by everything’s faster inside though Daniel and then there are blow- the flag should be coming up soon ah right ups and smaller versions for yes hello it’s so annoying that these jeans don’t exist anymore example there’s a postcard that’s not possible Roberto and Hank exactly we’re in two hundred version of the poster so that the two we’re in two hundred eight and two hundred four and Dennis is on the first floor text becomes illegible ‘cos it’s and at some point we dug it up in an emergency situation we one hundred four unburied it again I think one hundred four that’s us we’re in one hundred four too small and one’s a bigger really did we dig it up and drink it there’s the God I’m not sure somehow that was you’re right that’s the God version of the poster blown you two drank the vodka bottle by yourselves where is the God up to A 0 where in addition I would definitely know that tree there right that was the planting flowers thing two oh two two oh four and two oh eight two hundred eight is to the info text we’d added a planting flowers already checked in we honestly the flower seeds everyone had one hundred eight isn’t yet telephone conversation with it didn’t work out though yeah so then Marcus is on mine as well Daniel where we discuss and and I think we didn’t tell each other what flowers would grow from yeah that’s right them that’s the God question his text to death … look there’s Lisa number one and Lisa number two bye yeah me again Marcus hi Michael and I’m like hello Michael you again (p. 450) was that in ninety-eight didn’t get it again Marcus Hurttig let me answer it one more snippet 412 413

the fridge and suddenly the door closes and all you hear is the yeah I thought you said IRA buzzing sound the fridge makes and suddenly someone opens well I’ll just go get it myself then that fits the door again and takes out the camera and that goes on for are you a grandma Beate had to endure quite a lot though didn’t she about forty minutes I don’t know definitely I think she’s slightly damaged now yeah we still gotta watch that look how much there’s still uncovered yeah Beate has visited me in Berlin a few times lately she has a can’t you see the time somewhere he’s holding a piece of glass in his hand look thing going on in Berlin it was probably late I think everything has to be used that piece at the front there what does she have let’s watch this in fast-forward there’s no way that’s ever gonna fit anyway a thing in Berlin with some guy she sometimes comes to visit we have to show this at the Werkstattkino shit technique a hanky panky later he adds another handle that’s fucking annoying really annoying shit I had quite a few wait till you see what it looks like at the end does the cup still exist with you yeah I remember who was that does the cup still exist is a really good question not with me that was me I know it actually it eventually ended up in the dishwasher and I had quite a few late-night therapy talks with her in the kitchen but where did you get the other pieces from the second handle came apart sort of and all that looking good at mine brilliant pure surrealism he’s gluing nonstop and the other pieces yeah no when Beate and I are already drying there you were suddenly in Hamburg ah no there some of the conversations are quite good too yeah yeah I’d already come in earlier god how mental we all used to be aw it doesn’t fit but the whole thing’s already full of glue who’s that then why don’t you fast-forward like eight minutes the perfect task for Mr Schmidt in der Beek me yeah everything has to be used you cool finally something’s happening but the piece at the front never ever will that yeah there’s the grappa everything has to be used but there the cup’s completely restored again and you’re still that fucking grappa just one more round that was from another cup I think a piece of glass that’s a piece of adding more pieces in deep concentration glass he’s got there ah yeah right and back then you were always smoking silver absolute bullocks wow he’s good everything has to be used Davidoffs it would be brilliant if you could see how Beate walks in at the end he’s glued it together all crookedly what the hell is he doing gold the print is the nuts and bolts no the pieces are only drying now gold right Michael ah okay those teabags there straightforward theory you have to let them dry out for three minutes before you can even why did it get broken with increasing pressure a live broadcast the problem was that Beate had explicitly declared that it was her you can see that … that’s a nice reflection ‘cos and we really thought that Beate would be happy that we were favourite cup and she was in Passau or wherever and someone what did he say fixing her cup dropped it no it’s smaller can you glue this one as well on the other side of the wall it yeah Beate still drinks her coffee from that that’s Hank the blind why not glue the grappa glass on there as well says Wrong World no someone put it in the dishwasher and in the end it was all without any understanding of what you’re gluing there I mean honestly we just had so much time back then single pieces again yeah you certainly wouldn’t have the time today at that time you were already as if I was the administrator mainly without any understanding of what you’re gluing no are you already in bed or what Hank is that the tour round the IAA or what I wouldn’t even have the time to watch this again back in Frankfurt looking for a no just went to the toilet IAA so much leisure time you’re rubbing that off now IAA the Frankfurt Auto Show at four in the morning space right … (p. 450) we’ve forgotten what it’s like the thing is really filthy too yeah it still had coffee in it that table is at my place now really yeah always the weird plug thingies that you guys have everywhere I remember that right yeah one more snippet well that’s flea markets for ya one more snippet okay finished we’ve still got yeah just as long as Beate doesn’t get mad Hank gluing Beate’s cup together there it is ah yeah there it is god she was angry what can I well it was quite a nice cup stick it to your gob that’s fucking hardcore I mean you’d have to see what it looked like in the end what can I Hank could you just but who was filming who filmed this stick it to your gob some there are so many snippets from the kitchen of us coming eee uuh home drunk ohgodohgodohgod and Friemel is watching shit where’s the one when Jonas came and Hank you and I were how serious as well sitting in the kitchen naked crazy just imagine I had stuck that in your gob and you’d had that that’s Friemel watching from the background thing stuck to your face since two thousand four yeah a heavy drink oh he was still smoking back then when someone would walk through there you’d always hear bbbb Friemel smoking and then there was the camera was inside that deserves another mention 414 415 Club[b]ed Club Club[b]ed Club 2007 2007 badminton and all that that’s worth another hour though what’s that then this is like my first digital camera that’s a sound recording it’s better than the video what is it close-ups wow is that a Filmed Film what is that a Filmed Film that’s Dennis and Thomas ohgodohgodohgod … the Rio was also a club in but why is it filmed like that is that a mode that you can set so that it’s just stupid like that Berlin which was pretty well what’s going on there now yeah exactly there’s an incredible known for its wild parties and amount of photos from that so where’s the net we didn’t even go there that there isn’t one what car was that Dennis regularly a read Vectra GT Navratilova or something we DJed there three times … Dennis you could’ve got that one and we heard that the club this violence is the best thing about it the abstract beginning of the film is weird was gonna be demolished or now they’ll come in right yeah yeah now they’ll come in they had to close down for goes up really high whatever reason and so we those are the shoes that the actress who played Friemel later wore at the Oskar book presentation were like yeah let’s do another Etnies Etnies Clubbed Club then let’s get Etnies now are you gonna leave yours some original props from the elegant what’s this now Marcus has forgotten his bag nice style Dennis I think that’s the camera taking a photo every x minutes and before no that’s mine club and restage the Rio at our yeah who it does it blinks red you go on ahead if you want I still need to switch everything off if you so where is you wanna go I just have to switch off all the equipment space and then we DJed there sort of California ah okay see you tomorrow surfer boy ah okay once and produced a sound surfer boy type San Francisco it looks like you have black hair what’s that there [TRACK 811_0019] recording and when the club that’s growing out at the back so are we really gonna watch this what a porn guy yeah cool film it vertically why don’t you now what’s that pedestal for then he really did have a pony tail he has was about to be torn down we what oh Michael morning are we really watching this now folder he’s also got a good Homer went over there and got some I think it’s great oh the Pastel effect he’s also got a good Homer Marcus said at breakfast today of those rods I think maybe fast-forward a bit Marcus write that down now it does go on for quite a bit doesn’t it what the hell is that then and you should also as a first sentence I see it from a different wha yeah it does call the cops perspective because I’m an art historian although the next step is at some point to edit together a film from but who is that here from yesterday I would also like to ask myself that it’s busy the foot rail all this material Marcus Arndt and what was the other one he’s also got a good Homer the foot rail from that circled I’m really glad we cut Friemel’s hair off Friemel with long hair looks but why is he doing it naked he’s also got a really good sense of Homer completely unfamiliar now is it gonna be like this the whole time because it was fucking hot camera into the fridge Humer the bar the projection screen eee ooh Homer quite a style check it out only naked people Homer and this smelly styrofoam Rio wiping out your underarms with toilet paper we could actually just make some up like who the fuck cares don’t rewind sign god that’s vile god that’s vile that’s the organ you can’t make this up though I’d like to see that you don’t just without rewinding great film come up with stuff like that there’s a lot of potential there which yeah everyone gets to give Marcus one from their own stock as a shall we add some treats some treats before it really starts let’s call it a day present shouldn’t we pick up from the films where we left off yesterday which they wanted back though let’s call it a day a so-called freestyle Marcus as a warm-up I’ve still got some of Kati’s photos here oh to two thousand six OVM setup can we listen to a bit of music before everyone gets here from Kati’s when are they from then and the golden dancing pole suddenly there’s a postage stamp on it what two thousand one maybe from the bar and already franked can we listen to a bit of music before everyone gets here two thousand one shall we just tidy up all the beer shit what now two thousand one and these lamps these horribly we’ll do that tomorrow so two thousand five Double-Sided Clock yeah they’re that’s Unkel that’s shite Teppich Bruni that is the computer and all that we can just leave here right no not again videos dusty filthy lamps …(p. 453) I think so yeah no don’t rewind need say no more on this 416 417 Club[b]ed Club Club[b]ed Club 2007 2007 418 419 Club[b]ed Club Club[b]ed Club 2007 2007

need say no more open bracket it’s tiring like this crazy no text it’s stupid like that a woman the thingy the doodad has fallen over just do sixteen in one go what is that my Omega the matte black piss dripped one what doodad yeah that works they’re just scanned Kati scanned them that was the one with the bass booper put it in the glass but you can just separate them out the one with the two bass tubes which I had fortunately taken out no that rattles too much yeah but I haven’t done that yet before Unkel just with screen shots what’s that sticking out at the back Mainz Marcus the power amp isn’t it that looks like in the sixties look a scooter photo at the bottom Lisa and the power amp the bumper is sticking way out at the back that really looks like in the sixties but hang on where the hell are we now what the hell did you do with it that looks like it’s in the sixties that was Unkel in Mainz yeah I didn’t do anything crazy why did we always switch between long and short hair by the way why the hell did you drive it into a field MVG that’s Munich Unkel in Mainz the Mainz yeah is that how you reverse park naw Munich I thought we didn’t wanna say anything about this yeah thanks Kati Munich you’re right I expected more of the brilliant Unkel photos that you said we’d Munich wasn’t that before we were given the trophy piss our pants over but guys that’s not Munich yeah shhhh well we’re not there yet yeah shhhhh ah okay you’re right whoa why doesn’t this why can’t you see this now sure eee ooh you have to press there on the space button no but it’s called MVV hippie Michi drag it in there you have to move it to the side open Illustrator MVG those are my trousers and Katie’s top close it and then open it again MMV okay Convert to Paths MVG Dennis as a child yeah in the meantime the child is Dennis inside a tank Merge Visible like that yeah me in the tank thanks that was a nice intro to get us into the mood back then it was Mainz a child in a tank like a glass of Prosecco that was do it so that we can actually watch it though that was the cool Beetle yeah yeah yeah a big thanks to Kati the coolest ones are so this is a house now but why the hell is this so fucking stupid and that’s finally the Omega there the coolest ones man oh let’s see the coolest ones then close it and open it again oh but there’s still quite a few great ones close it and then open it again send me it can’t you convert it into a PDF send me it I don’t understand this Roberto stop reading now this is where the action is Barbara Streisand oh Kati Seibert ah so she sent you the PDF’s yeah that’s why this is so annoying yep there it is there it is yeah we drank beer out of it didn’t we naw 420 421 Club[b]ed Club Club[b]ed Club 2007 2007

that’s Niklas on the bottom right so this is sort of random now naw that’s right let’s see that’s Unkel though the room in Unkel we’ve seen these crazy there’s the we’ve seen these can you read that with the magnifying glass yeah the basement room just do a thumbnail view with small images two point or what four three point that’s the Löwenburg we’ve seen these who took the picture on the table there Catalina on the left the one with the hairdo that’s no we haven’t where where that’s Matze piss dripped Omega there’s a woman standing on the table isn’t there that’s not in Unkel though that’s Clacton-on-Sea you do have an order to things though right ah yeah right Catalina no no that’s Unkel we’ve seen these is that Catalina then that’s Unkel we’ve seen these that’s Catalina you sure but why is that happening that it keeps showing the same one was Catalina current at that time yeah pretty sure I didn’t have a coffee at the hotel she was the current one that’s Matze that’s a concept Roberto probably that is Clacton-on-Sea though I say it’s Clacton-on-Sea yeah can you send me these Christopher Street Day always the same always just the same one maybe we should call Catalina and ask her where the photos have what’s that go back quick Artist Incorporated got to Christopher Street Day in Berlin Ready to Artist Incorporated I plotted the first one what that’s fucking gay isn’t it that was so gay nice glasses you’ve got there Dennis maybe we should call Catalina and ask her where the photos have what the hell is that now what are these yeah and I think that one there’s the nicest photo got to don’t know you’re right where the photos have got to Kati’s photos at Nitsch’s she sent us a mix why didn’t you cut and organise them that’s a long-distance call we have to use Marcus’ mobile for that crazy shit didn’t feel like it you’ve seen these before and here Michael had momentarily joined the Amish and built this it’s really simple I’ll show you in Berlin sometime I’ve seen them they’re boring thingy there that’s simply beautiful who’s that up on the roof so what am I holding in my hand there wow that’s beautiful me nothing actually after your exhibition I’ll show you what the smartest way to do … yeah and then the camera was positioned like this someone jumped against the foot rail and the Niklas I think it’s a walkie-talkie actually that is careful though really wasted photo space too much headroom camera got shifted and after that it was only taking pictures of the ceiling for a while so now there are that’s how come the roof was yeah is that the it always sort of wobbled the roof yeah could be I’d been to America before that in ninety-seven and I took a like fifty photos of only the ceiling …(p. 454) ah so those guys weren’t Jacob Dittmann’s mates then well hundred and eighty pictures there no idea what was that was yeah that was the bonnet we could actually paint that picture about 422 423 Club[b]ed Club Club[b]ed Club 2007 2007

like those right a hundred and eighty of them so so you said there were some bombshell photos in there you’ll but without a date of payment it definitely says in the catalogue then someone came up with the great idea that we should play and whose idea was that again the artist with dyed hair piss your pants Niklas’ trousers are unbelievable yeah why we were invited Fire everyone’s gathered in a group and then jumps backwards and the people who went were Daniel Nicolau Fabrice and Mateata now things are smoking the picture of Niklas in profile when we were handed the trophy date of payment yeah I look like a candle standing there Niklas Hank Dennis me and Marcus and the photographer right zoom a bit closer please they were this big it’s completely crazy but with interests then I’ve got it here somewhere do you know where yeah you didn’t get the game Jonas Leihener took the photo yeah I didn’t find them all that shocking so two thousand six now the World Cup in Germany that’ll be a I definitely think it says in there just like bupp jumped upwards and Denise was the director and told us how to position ourselves that was in ninety-nine they’re conventional analogue photos scanned as PDFs I mean great year mine got wet can I have a new one that’s a nice photo the reason this is so cool is ‘cos it looks like the four more how else would you organise them but with interests then you can often get it online for really cheap and does and shouts fire it’s a classic then we’re through well okay or Museum der Moderne no you can get it at Zweitausendeins for a fiver just four ninety- exactly and then everyone has to jump away the first man is also playing carry on let’s see this then you brought this the doodad has fallen over again nine fire and then you fire so that you’re jumping on the other person’s Roberto who made that thing again ah the Opel Omega did you print the grey haze on a USB stick then okay okay okay they’re flogging them for four ninety-nine already foot Gormbly I think ah that’s when we were up on the mountain you could even feel your own pulse there two thousand cunts the big fat Grande Spectacle yeah but we had already shouted fire why that was up on the wall in the office for years that photo yeah yeah exactly Games for When You’re Alone okay let’s get into the crisis phase two thousand five Museum der yeah everyone has to stand really close with their feet together he was there the whole time the Opel ah okay so let’s close the bracket the Moderne Roberto Ohrt had invited us to be part of his amazing yeah it was a bit different Marcus that was so fucking heavy you’re right so where do we continue now Michael The Great that’s shit all the feet have to touch but we always caught him right he never jumped away when we that’s not Unkel though head in the bucket we’re in two thousand five and the question is who’s right is that they printed too many too many of them actually there was this chant played Fire hang on is that you on the we settled that yesterday no La Grande Spectacle a hundred thousand or what and one person has to touch he stood his ground like a real man on the lawn mower yeah yeah shocking exactly is that it now two thousand I think fire I just thought I just thought those were my legs Trebur did we did we come to any conclusions then yesterday participate in it yeah I quite like the fact that right at the beginning of the catalogue when one person shouts fire that was the signal for everyone to oh wow no at Nitsch’s would you like to sum up again bit blurry can we focus the projector a bit more there’s this quite unfortunate photo although it’s actually a lot better jump back dancing ah right that was down there no I’d just like to know whether we’re gonna divide the clock by no it’s the photo that’s blurry than the one we used of us playing Fire and all simultaneously no you jump backwards and one person has to touch someone right who’s the sweetie Dennis four now or not Roberto jumping backwards with their foot and obviously the further you manage to get away and go on explain briefly what exactly was shown in the end Italian isn’t she the clock it’s not a film or what Fire the bigger your chances are to not get don’t you have the photo that was exhibited yeah I don’t care about the rest no so what happened is so why did you invite us again Fire that’s a very good photo one hundred fifty-eight or one hundred seventy-four well the whole thing was titled A Fake Youth you can’t say more on the subject ask Dennis he needs money that sounds shit Michael yeah come again ‘cos it was yeah exactly about the whole sixties no I don’t remember her name and anyway I was with Lisa at the yeah we’ll divide it between the four of us doesn’t it say in the catalogue that was a crazy situation wasn’t it that was a crazy situation how one is one hundred fifty-eight and the other one is one hundred poster time okay why we were invited we were all standing there seventy-four bringing a group of friends together to portray a fake youth what but it could take a little while yeah we were playing football there well we can just hold the catalogue up for the camera I don’t get it nothing what could no that was a crazy situation when we were standing there posing for so anyway we all went to Salzburg together in a van to to create and the group shot in this size was then wallpapered on that wall so what were you not impressed by the Unkel photos then or what yeah we’re happy to divide it between four so six hundred euros are you sure some reason that felt shit the mood was really down everyone was a group shot there there where it had also been taken and in front of it they hung a so so for Michael and six hundred for me that’s right completely tense and like this weird stupid modelling situation and that was nice we stayed with the monks copy of the mod book 424 425

perfect description flawless so and then Hons posing with it Hans’ Disco Boys right yeah that’s the second time already quite a different league isn’t it yeah that’s good that wasn’t the moment the picture was taken that was when it was already up on the wall and there that’s the setup when this massive this Electric Chairs thing was delivered and we thought that was so cool that he was driving past us and so the whole way you can’t see that there they transported it open-air on an open trailer yeah it was sticking out at the back you’re right and then it drove past us and there’s another one yeah with the heads sticking out at the top the back of the book completely yeah Oskar-von-Miller Strasse 16 yeah exactly no ‘cos it wasn’t clear yet what we were gonna show there no one can hear you if Duddel’s messing with the doodad again crazy shit so as a poster like in A two format well systemized systematized the instruction for action which is being that’s Roberto the sixties as a copy so to speak this piece has never really another nice detail is that the whole thing was filmed for TV do you handed down in the mod movement but didn’t content themselves and that’s Margit Brehme isn’t it resurfaced in any of my other work contexts because I never really remember the ORF came and they wanted to do an interview with with being accepted as imitation of imitations of imitations in the so Roberto something I’ve always wanted to ask you that shirt took it seriously us and then they came and I you said I had to do it in Bavarian or clubs of imitations imitators they employed the transport between you’re wearing there took it seriously yeah Gabi raves about it about the piece actually Viennese dialect original and copy whether in on some order of the the day do you still have that especially since it was hanging right next to Andy Warhol yeah weekenders or in the well defined context of an art event do you still have that that’s the poster that was the poster that they pasted on it later but and they arrived and then I said yea we drove right up in here in wow cool do you still have that I don’t have any photos of that that there thing and like trying and that was the only thing and I had a job interview at that museum once it’s fucked photos of that piece before I was in a cold sweat ‘cos I didn’t know what to say and and you’re speaking fucked yeah I don’t know where the original the file for the wallpaper is I just completely hid behind the dialect and that worked like a it’s all written there fucked either dream that was brilliant tell us again in your own words that’s a shame ‘cos it really suited you is there a problem with it guys is the picture not even in no I can’t do that just off the cuff I wrote it back then yeah that shirt is fucked I have to ask if Jonas if he’s ever given me the photos because he that could be you wrote it that’s a shame that’s a nice shirt and it really suited you too took tons and tons that day the picture the picture on the wall isn’t in the catalogue I guess I wrote it but it’s fucked well I have I have a print sheet as material I mean it’s not in the catalogue so it must’ve already been yeah where’s the one with the heads now yeah yeah that’s what we decided on I mean you think eeh ooh and I’ve got the original the scanned one I mean Jonas gave it to yeah I’m on tiptoes nice one me but then you guys argued or something that we didn’t want the picture on the wall there but instead ‘cos Hank yeah did Hank just want to tiptoe you can clearly see there that Machkeintheater is definitely shorter no I would know about that it’s sort of more about the possibility yeah that’s the highlight than me why about what so the actual piece wasn’t actually published and I’m still the shortest yeah call him this work wasn’t published ah the poster is even part of the photo and then again in front yeah there you see it I don’t really fancy talking to Jonas now on the poster it was published as part of the poster yeah yeah exactly ‘cos that was that was the twist finally someone’s applied a ruler and I remember this cool thing with a with the lettering on the wall piece piece what a sally you’re the exact same height that fell off yeah it’s wallpaper not a piece what a sally but why am I so tall there yeah the artwork it’s like this in German it says because you were still standing on tiptoes yeah that’s a good photo yeah that was nice work that was really nice work I liked the work continue I’m sure she had girls always wear these high heels don’t they and here’s the photo again by the way in Salzburg that was the Warhol picture so ah yeah right that was hard work that was no we’ll do it when Roberto’s finished so you were in Salzburg twice I was there for for for the photo yeah ‘cos we didn’t that was my request that we should take two wow that was a lot of work Dennis shoot and then different ones and not the original on the wall because it’s there fucking hard work that was are you finished but not for the opening anyway but rather the one with the jump as an image I don’t remember where the where that poster has got to either Dennis Loesch von der und Michael S Riedel von der Oskar-von- exactly the opening was three or four weeks later and you all ah okay and the monks in Salzburg they were extremely friendly to us Miller Strasse 16 drove down for that again here it says Dennis Loesch and Michael Riedel right yeah we were there three times did Mateata give Daniel Nicolau a live haircut I thought it was brilliant and then Andreas Hofer he came up systematised no well I just wanted to help you guys get famous check that out the Daltons yeah what else did we have ah yeah you’re right Dennis Dennis Dennis learned from Anita and that’s why he’s so came up to us at the breakfast table in den neunziger Jahren die Handlungsanweisung die in der me neither great at cutting hair but you didn’t get it Modbewegung tradiert wird begnügten sich allerdings nicht damit but Michael Dennis Roberto ‘cos there’s a photo with Lutz as well yeah I trained as a precision mechanic with Vidal Sassoon and was like hey hey hey I’m painting in the kitchen I’m painting in als Imitat der Imitation im Club der Imitatoren akzeptiert zu sein ‘cos he was also in Salzburg at the time did you have your thinning shears with you in Salzburg the kitchen he said he was in the kitchen painting the whole time sie setzen den Transport zwischen Original und Kopie ob nun auf the Transcontinental Nomadenoase was there as well Clarks always look good don’t they you can wear them with ah like Magritte irgendwelchen angesagten Weekendern oder im wohl definierten Lutz he was really funny there anything let’s do some more pictures Raum einer Kunstveranstaltung als Instrument oder Aufgabe ein funny Lutz no that’s not true I don’t have any more I’m afraid die sie zu den Aufführenden der Konsequenzen machten macht loud Lutz yes it is I’ve got I’ve got tons das künstlerische Subjekt ist in diesem Entwurf ein Automat der no he was funny he got up on the table and with the curator what on my Clarks I had I had them put a crepe sole on them this thick yeah den Imperativ des Möglichen gehorcht es beginnt in dem was da was her name again why what did you think why you were invited because of the photo well on you go then ist und tritt uns dem Schillern der Wiederholung dort hin wo es Behm or what ‘cos I’ve got this nice situation dann halb vergärt Margit because of the photo right here in the nineties Dennis Loesch and Michael S Riedel of beautifully written Miss Behm 426 427 Games Games

… and then we started listening to music and then so no idea how we came up with the idea that everyone had to dance down on the ground and also this was a four wasn’t that the and down a four man party ah yeah right a four man party until the police came it was just the four of us but it was crazy loud the sound we were listening to music so loudly and with this dancing style I don’t remember how we came up with that and down and down and down it was called and down ‘cos at

Marit Behm some point everyone was just that’s how it was old lady Behm yelling and down that’s how Lutz Krüger never missed a chance to put his foot in it old lady Behm old lady Brehm Brehm you had to dance right Lutz could be quite tiring he got up on a table at a beer garden in Salzburg and did a parody it was great I always enjoyed it oh he was always quite with you of Margit Brehm incredible and Anka Behm great that was a bit much though Behm there were certain moments oh well like what I think Joy was a bit taken it’s broken unfortunately you can’t raise it up anymore I don’t remember but that was a bit she was sitting somewhere but it’s really quiet in Hamburg now that Lutz is gone nearby aback by the whole thing … well I mean that was your only ever chance to hang directly next okay to Andy Warhol in a museum or stand standing I suppose that’s how it was (p. 457) standing 428 429 New Year‘s Eve New Year‘s Eve 2007 / 08 2007 / 08

pasted up stuck to something I mean and flattened I would’ve loved to play Fire with him with Andy Warhol so okay up next ‘cos that wouldn’t have been possible anywhere else so are we actually through now with two thousand five that leaves us with only eight more years that was it for the interesting stuff eight years two thousand five yeah was the first Hallo Moden opening at the main space downstairs could be yeah where are you at now oh and the Winkelmann exhibition yeah and again that thing opens up how do you maybe on the far right Dennis the two arrows can’t you do the thing with the space key on your computer yep and and now it won’t proceed either you have to select everything first how many times do I have to explain this to you beginners oh really now Select All they’re all way too big as well I can’t even bear to look I thought you were such whizzes on the computer well apparently not as you can see now here you go Apple A first close it Apple A first close it then Apple A and now make it big Space Key Space Key now make it big up there on the right make it big up there on the right and then press Pause no Play no not Play Pause and what’s that Hank that’s yeah let’s look at that contact yeah that’s great that’s not it’s much too small no go back how like this okay and now you can simply with the little arrows no on the keyboard you just with the little arrows god you’re dim Jesus Christ there’s the beautifully Dirndl at Parisa Kind yeah and why are we looking at these photos now because it’s the … that that thing still produced any sound was a complete miracle opening two thousand five yeah also since I wasn’t exactly sober myself so it took for-fuckin’-ever why are we looking at these photos now good question and then there was this moment everything had been set up again and we were playing music and I yeah I agree ‘cos two thousand five was DJing from an MP3 player for the first time and there was a problem because it runs at twice the yeah why actually because Hallo Moden was a part of Oskar-von-Miller Strasse speed and so produces like Mickey Mouse sound and I didn’t know how to fix it and was trying to yeah concentrate and suddenly I see how from above is that so yeah but we already talked about Hallo Moden yesterday water wasn’t that a solo project yeah stream like a wild stream like a waterfall the water running down my face … (p. 459) ah okay ‘cos I’m also thinking of our readers here 430 431 New Year‘s Eve New Year‘s Eve 2007 / 08 2007 / 08

I’ll buy that off you it suits me and now look at him the trousers do look pretty good actually and then a few years down the road he’s doing it anyway that looks so Munich style well not really it did still take a few years after that yeah brilliant well yeah Munich style I think that was in two thousand six wasn’t it at the Fine Art Fair that really suits me Winkelmann again it’s half and half we were upstairs half and half is nonsense Michael Callies it suits you at the Friday Kitchen at the back room half and half you and Michael Callies were working on me the top is cool so then that was in two thousand and six yeah and that’s Andi Diefenbach as Christian Nagel and Rouven ah yeah and there they were on show Schmitt as Daniel Birnbaum we’re arriving at two thousand six now anyway Birnbaum so who sewed those bags again Bim Bam Hank Schmidt in der Beek sewed them and that’s Hanne as Isabelle Graw so two thousand six Bim Bam two thousand six will be great for the readers something to look pretty Hanne ah yeah suits her no not at all it wouldn’t have fit anyone else yeah that’s Steff Zukall as Knight Landsman not bad either so you got together some pretty cool clothes there are twice as many now really is that still happening yeah exactly and the Frieze stuff was supposed to be used as wrapping you should open up a fashion store yeah that doesn’t really pique my interest anymore why did you never want clothes from me that’d be excellent I never wanted clothes from you because I wanted to cross out the room as a young curator ah okay yeah you can just give me some now then yeah you definitely managed that back then you weren’t really yeah I managed that get undressed I don’t think so young curator I mean you could try them on that’s Lisa Joghurt there I didn’t ask Niklas either until he until he officially opened his you could try on the women gallery and so did anyone actually buy anything ah speaking of which me we could also no nothing got sold there that first happened at Gabi’s gallery two thousand five wasn’t that naw two thousand four naw two but I thousand six at the Fine Art Fair that was Isabelle Fein what but I bought two R Mutt shirts from you when we got on Niklas’ case at the Friday Kitchen to convince him yeah but that was a whole different to please become a gallerist that’s my microphone yeah that went on for hours so was that Dennis’ solo project or was it Oskar-von-Miller Strasse that’s exactly I was making a recording there and he threatened to punch me at some point now or both which you haven’t given back to me actually I wasn’t there for that really it was a solo project yeah I bought really nice clothes though by the way there should also be a recording of Salzburg well then it’s no use to us somewhere and why is the yeah well in connection with Hallo Moden it’s not just interesting who did and it but also what it later turned into never listened to it aha never listened to it a normal clothes shop that turned into a shop with outerwear sets Anton Kern by so that’s Isabelle Fein or rather Roberto Ohrt outerwear sex that’s easy to see sets and that’s Niklas Schechinger as Hank Schmidt in der Beek wow bollocks by gallerists curators critics that’s Anton Kern outerwear sex do you still have that and why is that square beam slanting so much wasn’t that also yeah yeah sure 432 433

forward to like a little champ Peik’s underpants did you find that jacket shit you were already a business artist façade being pulled down which is why it took so long hang on a the World Cup in Germany yeah well the God was this bush that caught on fire once naw I don’t think so either no it was cool a budding business artist second go back one please a brief personal comment at this point exactly going round in a Star Car rental and the Frankfurte on the back but maybe the one with Arndt’s butt crack is in there who’s hanging in the tree there business artists right here there was a hole in the house Two Thousand Beck’s of the transporter Arendt Niklas bam straight into the middle of the action and there came two thousand six Fabian Behm you were up in the tree and we handed you the things or what demolition sparrows were nesting there do you have two thousand six me no Michael the Clobber Tree was in two thousand five yeah that’s my bathtub there not swifts I think that already starts off quite nicely sticker plug you’re hammering shut the dish hatch there yeah apparently photographed in black and white seriously sticker but why do you have the Clobber Tree ah the old fur jackets we could also there are two videos here we could watch a video no sparrows were nesting there that’s not good to prevent people from getting into it I say it won’t fall that’s impossible that they’re just felling it now my bootiful coat they were mostly things from the basement all yeah let’s watch a video you and your sparrows Dennis you’re always knocking over the doodad because important records are still stocked there that just can’t be mouldy yeah I’d prefer a video and it was quite dramatic when Isabelle and I were watching the well let’s just put it somewhere else then where’s the beam tremendously enthralling that the plumber’s snake hadn’t been able to save I’d prefer photos demolition ‘cos the mother sparrow was constantly flying in and doodad where’s the beam yeah I agree yeah Niklas there they were with the dust they out and trying to look after her children but of course couldn’t save yeah but where could we put it maybe there it goes straight across tremendously enthralling we’re honestly up in the trees video or photos them and so the sparrows got pulled down with the house two thousand six I was already I was already in Berlin then straight through through that was nice I’ll have a quick nap crazy shit photos can you show that again can you show again where the hole Jesus Christ are you daft or what yer numpties what a numpty taking apart the desk don’t you have somewhere tremendously enthralling and then they came in the morning we did this at night and in the photos yeah here you are that made the readers happy tremendously enthralling morning they came and we were all tittering and then they just and you told me it was horrible because it was so hot this is our hobby ornithologist Niklas Schechinger and then Hank and Dennis also moved to Berlin then the knocking down of the trees another important chapter a real thriller went and knocked it down it was incredibly hot it was like thirty-two degrees or something ornithologist yeah that’s the Clobber Tree there’s Peik the bicycle and I was standing there in the sun all day taking pictures and the hole or what are you pointing at that’s right the Clobber Tree there’s Peik exactly completely ignoring all the things in there absolutely dying the black hole and on that occasion we were all back at Oskar-von-Miller Strasse no I have the Clobber Tree that’s not the Clobber Tree with his long hair still that was the bike that had been sitting in the courtyard since June you photographed the whole thing show us directly up on the screen please yeah like that to do it as a slide show and there he’s disappeared again thirtieth two thousand two thousand I don’t really mind heat that definitely looks better than on me I think to take down the letters that we had put up SKNESTSSE but can you make it go faster maybe he’s getting the stuff seriously Niklas and Isabelle well obviously the SKNESTSSE letters wow I didn’t know these photos I don’t no dusk shopping cart Isabelle came round for like an hour or so I think because of the posture know these just go dot dot dot dot dot dot all the way through oh now dusk is falling Euro-pallets and Rouven yeah the façade that’s what it looked like and there they were knocking down the trees that was tragic there’s actually a bike up there oh yeah that’s right and Rouven too yeah and here you can see that the Tower of Babel was standing looks a bit like on Greece horrible that was there’s nothing up there right now it was great it I stayed at Rouven’s that time I think behind it naw such a nice tree no I don’t think so it was horrible nice pictures yeah yer retard this is not for you huh but that’s maybe that wasn’t when it was knocked down and it’s just that we the stars yeah I prefer the photos to the film Babylon shall phalle in the exhibition space which had already become a show room like a little champ it’s standing there already hung up all the stuff in there that night from Arndt and there’s Peik yeah exactly for the construction company that displayed there what would but isn’t that the Clobber Tree that we once but you can check when the when the photos were taken from Arendt they were kinda scratching things off the top towards the back and there the sparrows are already gone look no not yet the room is still crossed out there yeah that should also be we’ll see soon we’ll see no now come the people and start to hang from Brehm made this huge pile so that they could drive up there further and only the window left ah yeah you’re right the beam is still there as a form of protest up things in there from Arendt further that was quite interesting Volvo the beam that took for fuckin’ ever no yeah that was his name Marcus Arendt that’s Peik’s bathtub we should’ve bought that don’t you think crossed out hung things up in it yeah there they are Sunday Bloody Sunday my bathtub that was that must be fun yeah mounting them and those tree thingies from my tree out back I kept them for that’s Mateata a bit like Blair Witch Project as well from Lose well I only have the only thing I’ve got is a piece of the glass SKNESTSSE months and months in my Machtheater oh Peik’s stuff no my bathtub the only thing I have ‘cos you brought that back for me is a piece the illuminated letters I don’t get this and now check this out it looks small but it was incredibly huge really crazy traffic and in the background they’re pounding of an Bembel by the way guys are they in Berlin now the same camera that’s also taking pictures today was standing Machtheater has to be translated as Maketheatre oh that’s the tree out back everything to pieces which we’d found afterwards you all know Mr Kenzia in the kitchen and now the tree the beautiful tree near my room Friday Kitchen was it yeah you found a piece of a Bembel amidst the debris and told me in Berlin so that was the move of Oskar-von-Miller Strasse to Berlin yeah that’s not possible on the terrace yeah naw I should glue it back together I’ve still got it to Weydinger Strasse 20 where we then put up the illuminated because the only thing they told us was we’re knocking down the pay attention you’ll see now I never liked it anyway that’s the part of the flats the door the door no you do letters on a listed building tree today no as soon as it was gone the mosquito invasion started that was the Hallo Moden space yeah it went on over two days which is why there’s a break in the the Pölzig building but what time that was in two thousand six that was a wonderful tree yeah Hallo Moden and the upstairs flats middle so there you’re taking them down or what and we didn’t know at what time and then the whole day the you see they’ve driven away because I said so oh no and that’s what it looked like afterwards I’ve still got the Bembel yeah camera was taking pictures the Clobber Tree was in March two thousand five gone Flösserbrücke that’s what it looked like behind the wall that’s right but we could go a bit faster now yeah look the food truck over there’s the food truck that was from the balcony was that an architect or a designer who and the next day walking through this open and only then did the if you let it run backwards we’ll be putting them up again naw this is two thousand six yeah lived next door demolition start again boring yes but so that was it yeah a designer I think my bathtub should appear any second now you can just print it like that but it wasn’t knocked down though like that in that condition so then it’s a different tree or what brilliant that was so much fun Antonia that’s Antonia and I was hoping I’d still find the record that I’d dropped into the at the time I found it kind of strange that Oskar-von-Miller Strasse we tried we actually tried ‘cos that was like a protest we tried to naw I suppose that’s it now the other house is in there inside the container lift shaft Weydinger Strasse was also called Oskar-von-Miller Strasse I prevent it Peik was still living at the front house he could also see it coming yeah we’re done with these little sparrows what was it found that rather yeah they did fell the tree with all the things in it though I’m not stupid these we already did long ago so what else happened in two exactly a Stones one that’s what I liked especially the demolition by hanging up stuff in the tree guys thousand six little sparrows and in a second you’ll see my bathtub come out not a massive shame that it was inappropriate exactly and then they just knocked it over clobber and all there’s the Combo well obviously ‘cos the trees were just the beginning the next thing now you’ll see my bathtub watch carefully Peik’s is already lying naw because it’s playing with the address as well there it’s already falling now the Combo’s coming back and now it’s starting with the was the demolition of Oskar-von-Miller Strasse down there and now it’s my bathtub there Fabian broke the Frankfurte glass by the way yeah ‘cos it’s called the same thing again now or I think they took off the things at the front clobber oh where seriously but inappropriate I would’ve somehow preferred it if it had just no they didn’t ‘cos that was I remember exactly how it was ‘cos no a dark chapter I don’t even remember why I wasn’t there for that I can’t see anything so this that’s the massive pile that once was Oskar-von-Miller been called Weydinger Strasse because to me it seemed like it we were sort of a bit disappointed because they didn’t even take this is it now Niklas and Isabelle took pictures well look there Strasse was something new notice of the trinkets in the tree they just went and knocked it down exactly ‘cos I was right no Rouven did where yeah yeah anyway this isn’t two thousand six Rouven too yeah what the hell is up with that black square there not bad or was supposed to be but in the end it didn’t really work out that what were the intervals no yeah there actually there were a lot more pictures though way and but now there aren’t any things in the tree it’s March two thousand five but Niklas too didn’t he did they just cover it up with something yeah but do you really want to look at them all this is really irritating quick take that thing down now four hours or what well yeah ‘cos you wrote it down incorrectly Niklas too but I’m not sure why I couldn’t be there yeah no well yeah the cables that was some crazy shit every four hours then it would already be dark there it’s March oh six Berlin not bad not bad ah right here stop faffing around just take the bloody thing down that was a bicycle suitcase and Peik went with all his clothes there’s you with the olive green shite coloured jacket yeah advertising fast-forward check out how the God’s standing there threw all his clothes up there that’s an awesome jacket business artists Lady Gaga or what and here again why is that the God again and they’re there not there and I’m sure they didn’t climb up to get Hank up in the tree yeah you were a business artist already exactly ‘cos the important thing was to see the front house the fast-forward 434 435 Inaugural speech as new director of the Frankfurter Kunstverein Inaugural speech as new director of the Frankfurter Kunstverein 2008 2008

that’s the text from the Artforum two thousand six where they asked see it like this me Artists Favourites don’t know what it’s called so basically what no let’s just move through them quickly like in a cartoon the best show in two thousand six had been the best show of two well then maybe I don’t really care about watching the thing with thousand six took place in two thousand three as A Speculative my bathtub after all Exhibition of a Future Taking Place in Reality in two thousand I’d quite like it like a cartoon tick tick tick three Dennis Loesch and I simulated the demolition of our house the bathtub at Oskar-von-Miller Strasse 16 with the exhibition Form Context stop-motion is what it’s called Troy at the Secession three years later in two thousand six we I’m already hungry again then came to witness a reality that we couldn’t have created better here in our imagination but were nonetheless already familiar with naw well it doesn’t really matter now it doesn’t matter that’s how it’s written in Artforum that must’ve been with my photos that’s cool it wasn’t there ah but there it is that’s a good statement Niklas’ photos yep another hundred and seventy six I can’t as soon as that’s off I can’t remember the exact wording so what were the first photos of anymore black and white the best show that took place in two thousand six took place in there the rear house is still standing two thousand three I dream about I still dream about the thing in that condition yeah I also have to check all the time what else have we got here I once went in there and this guy was lying up in the guest room photos Isabelle so it that’s how there right there’s my bathtub we have to watch that ‘cos there yeah

… in two thousand eight I was invited by the Kunstverein there was this I think on a monthly basis they were hosting this artist talk thing and I noticed that the director the head of

the Kunstverein Cruz Martinez yeah wasn’t there anymore there’s Isabelle there’s Isabelle bye-bye Martinez how did you get up there my bathtub hello we rang the door bell and asked them they were friends of friends she was bye-bye Martinez I think they’re the same ones it’s coming up now it’s coming I can feel it or something that’s the piece no there’s one where from out of the window it actually so here this hole thing that was the bedroom that’s the piece of Bembel already in Barcelona and my home here the hatch that’s not the piece of Bembel that was a piece of wall tile yeah her post was now vacant do you really want to look through all of them now hang on hang on ah but there was a piece of Bembel somewhere no just the one with my bathtub yeah that’s too fast that’s the black square and so together with Daniel fast-forward then I think that’s quite interesting that’s the hatch look our dive was still looking quite good there just move through them quickly and then eee ooh that’s not bad at the bottom you can still see the thingy number Baumann I decided to hold an or just click on the symbol in the middle that used to be the way to the toilets Hallo Moden email address GMX now we’re done inaugural speech as the new no eee ooh there no forget it that’s funny that was the ceiling there right the the air pump director of the Kunstverein … no so this is not yours now there’s the bathtub just do it no this is Peik’s now it should come no too late there it’s gone there’s the bathtub (p. 461) that already yeah never mind there’s the bathtub have you already seen it like this and now I can simply you can’t yeah here from up there you were taking the photos crazy shit so did I promise you too much no 436 437 Time Bank Robbery Time Bank Robbery 2011 2011

the posters are still up on the wall there so that’s it what else do we have on the topic different football chants planting yourself under other people yeah that’s the staircase leading up to the Friday Kitchen videos this record is awesome deception Dorothee Brehm Bogenschütz I didn’t dare go up there anymore at that point no please no videos we probably hollered Two Thousand Beck’s shite Teppich Bruni the award was worth ten thousand euros or fifteen and they had Marisa was there as well she DJed and Dalen that the stairs would even hold up yep Niklas ventured really far no we probably this oversized cheque that I symbolically had to hold up Marcus what was her name again Dalen wasn’t it inside no or I’ll puke shite Teppich Bruni you were seeing that girl for a while Michael the lovely Dalen yeah she was there yeah I’d quite like to see faces now for a change we were standing up there like the Eintracht and for five years or longer it was hanging up on the wall in Moses’ she was there yeah you should know wicked ah yeah and here that thing up there no that’s also a set room yeah yeah no more Greyscale please Didi mate she was there and I think she was still there the next morning for years I was waiting for that to fall off and it never did fall off I no that’s really a set yeah that’s right could always see it from my bed that’s it Beatles Georges Perec pretty there there it’s gone do it in Gradient complete with everything and Goethe to top it off right yeah Georges Perec I’ve heard she’s now married to a banker in London there tick it off I held the commemorative speech and it was about a principle is that the is that this I think she’s already back in San Francisco now the bathtub and this room here was ah here again in art which I basically designated as Michael’s but which didn’t it’s what I was saying that’s what I was saying let’s call her up Marcus from a distance really have anything to do with Michael but which I’d lifted from a Roberto is he the guy who described that square in Paris she’s always on the go ey hard to keep up Arndt the bathtub tick it off French novella yeah call her for decades I took baths in there and now it’s lying there shall we go eat a frankfurter then say that in other words just say it in your own words he’s a great one a really great one yeah to ask what she remembers I’d say you took baths in it for weeks at a time tick it off explain it again for us ordinary mortals that’s a great book Konrad was there as well yeah several times three times what I talked about Michael as an artist and explained specific and that book was given to me by Caroline Zacheiß I still I’ve also got a photo of Dalen here I bet that was still functional okay phenomena but actually none of it had anything to do with Michael remember her name we’ll put that on the cover god how often we did we scrub that rubber floor Munich Conference of Anecdotes but had all been lifted from a French novella from the sixties about that’s still the same photo we’ve already got several cover photos yeah ui a specific artistic principle Brehm yeah yeah well let’s just have different covers then he was cool too okay that’s a big chapter which one do you know who’s gonna resurface now that’s how I the name isn’t that from the book presentation the guy who played Friemel Rouven that’s a big chapter A Gallery Portrait by I don’t remember his name it’s about Georges Perec came to my mind just now yeah Rouven before shall we maybe Regulient maybe A Gallery Portrait The Description Of A Painting yeah whoa that’s in in two thousand award ceremony at the Römer I’ll listen again in a second but he also wrote Description Of A Square the one with Dennis’ trainers with the Evids no award ceremony at the Römer yeah google it Georges Perec you with your souvenir that was a piece of the looking good oh yeah award ceremony at the Römer A Gallery Portrait nineteen sixties know him … well I find this all a bit I mean yeah in future yeah explain I thought that went down quite well didn’t it Brehm souvenir posing nice pictures Niklas I also like the sounds in the video award ceremony at the Römer I don’t even know how that came yeah Brehm I can’t really make heads or are you wearing the baseball cap now let’s watch one more video about but at some point they the 1833 Sparkasse bank called me why did I tell you that now I don’t remember Ahrendt tails of this and why am I wearing the baseball cap there no up and told me I’d won an award which was the 1822 Sparkasse well I’ve already dozed off completely Brehm what’s up with your shoes there Hank no award it’s just taking too long and afterwards we went dancing at the Club Keller of what I’m more surprised by the cap just one go on please what was that awarded for yeah then tell it properly tell it as nicely as it actually was keep the oh yes Denise is also wearing white shoes no the award was for spirits up Marcus that’s where the party was afterwards of all the of everything that’s yeah that was white shoe day no Oskar-von-Miller Strasse keep the spirits up with Dorothee with Dorothee Baer Bogenschütz been said here or of what it ah okay well let’s have a lunch break then now that we’re immersed in the topic no I’m trying to think how to best word it it was for the activities at dumb it down keep the spirits up Bogenschütz who was okay is Zeiser’s Oskar-von-Miller Strasse right now I remember so I right focus Marcus think of your career coming on really strongly to everyone implies in this context I think shame that’s the God standing there the city of Frankfurt had a had something to be grateful for it was completely different as a guest speaker I tried to explain the old bird are we already breaking for lunch the God is still standing there to this day naw did you apply for it or did someone put your name forward Michael the art and didn’t she make out with Ringo you can’t really untangle this in come on one more not in the same spot but I’m sure it still exists no I was nominated so you explained art to Michael or what I think so yeah the party itself wasn’t really legendary though it replanted itself so who nominated you no that I tried to explain Michael’s art by basically drawing on a right here you can’t see it very well but getting back to the topic of a way that both sides will agree one more did Zeiser still get his his lighter out I think Max Hollein really supported that I should get the award piece of literature that describes a phenomenon that a painter the game Marcus Hurttig with his fly open on and so I’d suggest okay let’s legendary I mean what is ever legendary anyway call him Niklas celebrating like a World Champion there is painting a picture and then reproduces the painting again and no that’s that already Hallo Moden yeah call him go on and then the question was where the award ceremony should take again and but the way I presented it was that this piece of art exists the shirt is sticking out all wait and see and all have a yey no respect place because previously it had always taken place at different and this artist that I mentioned there also exists and then after the yeah could be Hallo Moden so nothing against Hallo Moden but ah there I’m standing on the building next door on the left of the museums and then I said no I’d like it to be at the Kaisersaal at the speech I actually had people come up to me and say yeah I know but you don’t really know if it’s on purpose but yeah I think so think about it we’ve done that when standing at the front to the left Römer in Frankfurt and then on the balcony afterwards where the him he’s really good although it was a fictional character from a so Games for When You’re Alone we’ll get back to that later I’d say we settle the bills on the you’re in high spirits there you’re right German national team always stands after they come back from a French novel and that was the funny part that was the first time we had enough room to dance at the Club well blimey I somehow managed to climb up there World Cup and so then we were all standing up there and so that that was quite good yeah Keller clock and look through the next in contrast to those guys right you honestly risked your neck there was on the balcony with the empty Römer square down below and that was the funny part because they pretended to know what that’s nice that you eh smoke up or no the neighbouring building was also empty ‘cos later they oh Hank I was talking about even though it wasn’t actually real there’s Dorothee Baer Bogenschütz Miscellaneous folder … (p. 404) shall we do one more also it was empty and so I climbed in and then to this empty what did we sing I don’t even remember Björn and I would call that planting yeah yeah 438 439 The Situationist Internationals The Situationist Internationals 2011 2011

these two twits from twattown from the other side of the street from the casino came just dull ordinary guys and snatched our cab away from under our from the other side came this big strong Turkish guy with a shaved noses and so then we were like hey that’s not on there’s a ‘cos head and was like what’s going on here at first we thought they hadn’t done it on purpose and then I got the bouncer from the Marquee into the cab and that broke things up a bit and they got into the cab and took off but then they gave us the bird still got the cab exactly and then fifteen cops in full riot control gear with these with these and I got into the back of the cab and then they Marcus he pulled like legionnaires in this protective clothing wanting to know what open the back door and threw himself at one of them and went was going on but by then everything was already over you don’t talk to my friend like that and then you sort of stuck two yeah fingers up his nose and pulled him out and then they jumped out and nothing bad had happened but Marcus had a black eye on both sides of the car and I was like okay now here we go and since that time I that could’ve been handled in a more collegial manner and a few bruises right they could’ve just told us that we’re tossers but before you know that I can’t be physically violent that I can only pull people’s know it bam bam they’d both landed one in our faces noses and Niklas believes I hope I’m right in saying this that you yeah have a bit of a boxer in you ‘cos you said you planted one on him of course I immediately got a blow on my nose and my lip yeah but a proper beating Niklas the terrier and so then I kinda flew back like this but managed to stay on my that was quite a crazy experience though that was quite crazy feet and then like fighting off the blows a bit and then I managed ‘cos ‘cos for the next three weeks I was constantly up for trouble to land one on him also in his face and that gained me a bit of I was actually looking for it usually I’m a really diplomatic guy and space and then I heard Jutta shouting Niklas Niklas you have to often I’d help Marcus that was that and Jutta was screaming the whole time defend yourself hit him yeah exactly back or something Hamburg and the idea that now I was supposed to help someone else out usually avoid these situations but during that phase I was I felt on top of everything briefly made me laugh ‘cos I already had my like pushing boundaries a bit that was quite surprising and Jutta hands full with the guy felt the same she was like totally regretted that she hadn’t got and then came our saviour involved in the fight and for like three weeks was also looking for but then I look around and Marcus is on the ground curled up in Anka was a bit disappointed by my harmlessness the fetal position while the other guy is standing over him and right ‘cos you said you just immediately dropped to the floor ‘cos raining blows on his head and kicking into him you thought that’ll show him that he’s won and he’ll stop this sense yeah let’s do Miscellaneous Miscellaneous is always good fucking pig of honour that you just took for granted that he would sort of Miscellaneous fucking pig sounds like an animal documentary yeah and so then I moved over there a bit and the other guy also looked stop if someone’s on the ground well that’s only about eight thousand pictures over and then well I played dead ‘cos I thought that would make him stop but yeah how about we leave Miscellaneous for after lunch naw yes Miscellaneous to get into the mood after lunch is not a good idea we’ll just faff about then after lunch I have to lie down for an hour by the way okay we’ll have to concentrate then well just as a warning so Miscellaneous yeah yeah crazy shit select all and then just Space Miscellaneous is smashing oh that how did this photo get into the Miscellaneous folder that was the story when Niklas and I came to blows with two guys on the Reeperbahn once how old were you but Niklas tells the story better than I do it’s quite long though it’s a long one make it short make it short well basically let’s look at photos at the same time though no we want to analyse each photo I was annoyed at the Reeperbahn one time Anka was Anka was there for a visit and Jutta exactly and we wanted to get a cab but there was a queue at the cab stand and so we got in the queue and when it was our turn these these two guys appeared 440 441 The Situationist Internationals The Situationist Internationals 2011 2011

yeah in Berlin in Berlin at Eisenbahn Strasse yeah so where is that eee ooh it tugs at your balls doesn’t it sixties and the the picture of the two of the we drew a picture of the tribal that was by the Main that’s Oliver and Maiken were there and the glasses but also sent it to Gabi you should’ve received well you have to punch him once to earn his respect so you also feel a tug at your balls when you’re too high up they bought records for thousands of euros that night that actually after work what photos are these then so what photos are in there I never go on the big wheel that was at Willi’s place wasn’t it that was the time when we with Oliver and Maiken yeah or Gabi has it after work beer do they belong in here that was on the bank of the river Main a fairly small big wheel at Winkelmann gallery during the setup of Dennis’ exhibition Maike that’s my handwriting right and then we went to their place afterwards that’s kinda one series that ends in the hotel room actually ah yeah right Maike it doesn’t say Dennis anywhere on there and I took one drag from that spliff we haven’t mentioned that game yet not really this is a nice series and the self-made photo camera that’s grand Mods’ Regular Table at the yes it does yeah me too that’s the Habsburg Lip a small big wheel well that’s the joke of the century how does that now Mods’ Regular Table at the Swabian the Kinks the Remains Hyper Hyper and was stoned for the next five days the Habsburg Lip even work we have to go faster at the Alt Berlin but it should be the other way round it should be Dennis Loesch yeah that was really crazy that was after Basel at the Robert Johnson that was on the way to the Kunsthalle Bern where we did the One yeah nice this is the last picture no no Lebensmittel Mitte c/o Galerie Gabriele Senn actually that stuff was unbelievable absolutely hardcore yeah and Three Chairs recording with my arse hanging out no that was at the Alt Berlin well that can’t be the reason it didn’t arrive though you can see that when the stupid cow had already got off with Roman so why am I only wearing a jumper there when there’s snow yeah yeah that was at the Alt Berlin but there’s one at Lebensmittel yeah whatever I didn’t know what to do with myself Saskia had outside godohgodohgod Mitte as well yeah but it could be the reason that Gabi didn’t pass it on to Dennis I didn’t smoke fortunately yeah but you also got off with other people there you’re going outside to smoke a spliff and I stayed on the there’s an even better one of us wallpapering together I think you the Mods’ Regular Table was there some other time and once I’ve never seen this and they smoked spliffs like they were naw train were having a short lunch break there naw Daniel Baumann came along and then afterwards we ended up at but the text wasn’t bad have you read it like they were cigarettes so you’re even ah okay so then it was the their place and listened to records no what did it say like lemonade never got off the train to smoke no there’s one of you holding me like this or me holding you cool the Who the Kinks the Remains Hyper Hyper I had the DJ bag there Hank to be clear about that we never cheated on each other and then you got back on and the train continued on its way well they always smoked hardcore amounts of dope Hyper Hyper yeah swear on it Dennis swear just like that so we’re through with these has anyone seen them lately and greetings from the Mods’ Regular Table Oliver Niklas Maike we went dancing afterwards I swear and Hank was sitting somewhere else ah no he was sitting with us yeah so that’s me and Niklas in Milan no Hank Michael Riedel there we were watching football there’ve been enough photos in there now haven’t there and we were saying what a clean country Switzerland is ah yeah right no I think they still live there though nice yeah exactly we were watching football on the big wheel with Niklas and Denise oh we were playing so much Hearts Are Trumps at the time ah right you guys were supposed to take a picture of the at Alte Schönhauser right yeah very nice yeah it wasn’t all that exciting and Denise who’s slightly scared of heights yeah that was our Hearts Are Trumps high season by the way sarcophagus for me there that’s really that was outside the Alt Berlin and they played Art Brut didn’t they yeah down what ever happened to the idea to publish those lists Joe Maccaroni Joe Maccaroni was there that’s brilliant no no they didn’t yeah yeah that was in Berlin at a Hanne Darboven presentation when she that was the invitation for Maike and Oliver’s exhibition in London yes it was what did they do down on the ground we were still laughing we were enjoying the yeah was still alive and we had this picture taken because the whole and there we then Dennis you didn’t come that’s at a pub Kaiser Chiefs view up there and and Denise was having a hard time of it yeah situation was so bizarre the fact that after the concert everything no ‘cos that time I I was really pissed off ‘cos these idiots went you’re drinking Krombacher at a pub Kaiser Chiefs didn’t you rotate the cabin as well yeah was dismantled straight away people came in and immediately there instead of coming to my opening at Gabi’s yeah exactly they have Krombacher in London no Acrylic Monkeys but suddenly that wasn’t allowed anymore the rotating and also stupid question started stacking up the chairs yeah well never mind don’t be so nitpicky yeah exactly making jokes wasn’t oh the bag that great bag what’s that then really yeah just joking Arctic Monkeys look at your facial expression this is not really the time and place where’s that yeah oh Arctic Monkeys yeah I also felt a tug at my balls it has to that’s Mateata and Fabrice’s flat go on oh that’s an American plainclothes cop OVM gone riot do you know that one 442 443 Conference of Anecdotes Conference of Anecdotes 2013 2013 no yeah translated into English with Oliver and Maiken again and Hank and Joy checking your emails how did it go again ah yeah now I remember that was a brilliant night actually the best nice old Goering is looking through Hitler’s record collection Goering is night in Berlin they totally they completely rejected all new technology they were looking through Hitler’s record collection oh Adolf you’ve got a I’ve got that one always like the internet is evil fantastic record collection Wagner Wagner Wagner but what is that was in London now the this Barry Weisse oh that’s not mine that’s Eva’s that was in London when we went into the scooter shop and what there who bought himself new glasses there did I buy there the mods book there but that’s a really good joke yeah yeah great photo it sticks out a mile that someone’s standing yeah and he wrote Ace Face in my book that cunt and he was just this behind that pillar there but Lisa wasn’t sure how she should with Barry Weisse if she fat roller boy yeah but who should write Barry White now no that was he’s actually in the book who I’d say it’s Hank and now she has to do it again you’re right no I would’ve hidden myself better yeah now she has to do it again he said that Friemel with his shoulders like a boxer’s I think there’s a recording of that yeah Roberto’s already packing up Dance Competition Dance Competition but definitely not as an Ace Face that’s me the one at the back is really happy no that’s me that’s Nick I think Niklas won that that cunt that’s me and Gaius yeah it was him look there’s also a picture of us three behind the pillar I’m not sure the other guy had one pretty good move too I bought a mud flap there do you reckon it was this one here but the other guy fell asleep but then he suddenly woke up and a ah yeah that’s right it probably doesn’t even exist white a Weisse pale lager straight away which you then sewed on your jacket right no that’s the one ah yeah that’s right yeah that’s pretty good and then Niklas fell asleep and Hank and I with the jokes on the back Sarah Ortmeier yuk and then you decorated so what happened to your poor Lambretta is it sitting around and whatsherface decorated upstairs somewhere the one at the back is Sarah Ortmeier why how is that possible something like that could never happen true where’s your scooter and Lia to me it’s sitting in my bedroom why what was your thing with her what’s up with my haircut there Gaius no nothing that was all so fucking exhausting yeah never mind did you see when he’s sitting there and the beer just dripping do you understand what’s going on with Gaius actually if you see never mind down when the bottle tilted over what he looks like there what’s going on now she but Niklas the sly old fox has got a good grip on the beer bottle so what does he look like now New Romantics but that looks alright that’s not well ask yourself what’s going on there Dennis so why were you in London for the exhibition you can’t just pull the bottle from him when he wakes up no go on tell me because we DJed there exactly there breakfast is served Fred that gallery was called they invited you that’s the Mods’ Regular Table again what do you mean what’s going on yeah something like that did you photoshop that there we all that was the first time we took photos where you seriously at the same time you had yeah round the mouth a little bit couldn’t see us on the same day yeah and you drank all that for breakfast or what sixteen Weisse lagers another game was it there’s Tom in his yellow suit yeah Hide and Seek right Barry Weisse portraits or what’s in your way Wagner Wagner Wagner the Mods’ Regular Table organised a mods breakfast which then resulted in the wardrobe pictures Tom Diamond that effect’s called gob yanking the Swabian yeah that was at the Conference of Anecdotes in Munich the yeah beautiful morning light second one which resulted in us taking pictures of Dennis without Wagner Wagner Wagner the guy from Swabia him actually being there ah shit right can you rewind please how was that again he’s a proper twat don’t type Lisa struggled with the translation of that joke because she didn’t a proper twat right they should be coming up now know what she should leave in German and what should be I never went to these Mods’ Regular Table events 444 445 Conference of Anecdotes 2013

yeah well you were never a real mod though were you Marcus yes you did god that’s mental yeah I was but I wasn’t an Oskar von Miller yeah of course I don’t care how but that has to go in the book you were there we went to the Baltic by car on the cover I’d suggest I’d say that’s an Ace Face crazy yeah Ace Face yeah but I’m not there and then there was this other brilliant and in the evening we went back and the drive home dragged on that’s the inner flap of the cover that shirt I gave to Niklas was really fucking tight forever Niklas definitely why would I wanna lie around on the beach they’re really quite cool those things ey how do you call that this when there’s a gap between the buttons and then you changed your tune bathed in the sun you were that can’t be true there’s no gap there we don’t have to describe this photo now sunbathing Roberto do we a green football on the beach that’s great that you have that ‘cos fuckin’ hell but you see that there’s a gap there that was with the cigarette in his eye we haven’t described one single photo I’ve got it too that must hurt like hell doesn’t it that’s the hand there the Hearts Are Trumps list the one that wasn’t manipulated and but did you inhale as well button cracks that showed with no room for doubt that in that case Roberto Ohrt did you inhale it’s upside down had won the game and since we didn’t I think so yeah Roberto even took a drag first and then stuck it why the hell are they standing on their heads for once in his eye and then blew it out but you can’t really see that in the that’s at Art Basel want to have that documented we just wiped off the right column photo Art Basel with a sponge later crazy shit Art Basel right on the wall of the house the Hearts Are Trumps list oh yeah you couldn’t bear it I think after a few days you just couldn’t bear ah yeah sort them oh dear to look up at Roberto’s victory anymore I think these are a few printing sheets for the exhibition in two there’s one really nice group shot exactly thousand six we jumped into the Rhine there and so you just completely wiped him out exactly at Neff’s nineteen ninety-nine yeah I’d say that’s making excellent use of the bricks oh mice dead mice and it’s still up there now ah ducks the table exists to this day ah they’re nibbling they’re not dead yeah ah naked people I’d take it actually ah fuck that was cold with bell-bottom trousers Isabelle as a hippie that was great though we jumped in and the current was so strong yeah crazy where was that that if you made an effort and swam a breaststroke you just stayed that must be seventy-eight that was at the door at Hank’s upstairs in one spot you couldn’t swim against the current yeah you’re right crazy shit yeah and some people to cross the river they put their stuff into that’s my dad in seventy-eight that was at Galerie Baudach plastic bags and took it with them and went in right there and on ah and we played cards at that beach bar there and then we magic trick the other side they came out way back here ah no right didn’t realised that you can take a picture right while you’re dealing out I know how it works actually cross over but just went along the river bank I think yeah the cards and then instantly know what cards the other person has can you rub the coin into your arm we have to look at this in more detail now that’s also Basel ah no not like that ah yeah right that was quite a good one for the spectrum but Roberto never noticed that’s at Baudach gallery at the Andy Hope opening when was that that was also in Basel when I gave you the key and that’s the great postcard that Björn and I sent Marcus yeah that was a highlight for my flat ‘cos you wanted to get a hairdryer and then I got back right was that at the Paris Bar then ‘cos we were all staying in your room us standing naked outside some igloo huts epic Andy Hope must’ve been completely astonished there and then I got back and obviously if you give your key to your wicked that’s really good friends nothing’s gonna be in the same state it had been in wicked was that at the Paris Bar beforehand you’d taken the picture out of that frame and put in also in Berlin I think no at the Gambrinus a cock drawing or at Remo Marcus has done a massive shit there and this dick Hank in his red checked shirt ah yeah that was the game we never actually finished Michi’s that’s not at Remo don’t puke Michael please don’t puke Michi’s in front of a red checked tablecloth right nice one and on the right crazy shit I’d completely forgotten about that that was just this that’s just obvious that you can’t leave your hotel but I mean it doesn’t get better than this Go Bang that’s sort of nonsense now room like that it doesn’t get more exact than this it looks so fucking complicated yeah yeah isn’t that at the Alt Berlin it’s great we played that in Sweden as well and I scanned the whole room when I got back ‘cos I knew that’s not at Remo that’s a great photo Denise just spontaneously drew with her something was different about it I think that was also that time when we watched France play Italy eyeliner ah at the Italian restaurant in Charlottenburg could that be and Maria eyeliner brilliant was there as well with her friend or kohl pencil drew Dennis’ glasses on my face but you didn’t spot it until you saw the pictures later Susanna and the reason for this was that Dennis and you had the same no no I did spot it straight away but I immediately took a picture were you with her as well leather coat I think that’s your birthday in Berlin no ah yeah you’re right birthday at Carmen Strasse Dennis with a cigarette wedged into his double chin leather was it the leather coat we had mussels or something that’s already the Wrinkle Game I think so something like that yeah and then we and on my birthday we took the Wrinkle Game so was Joy a concept girlfriend then a trip to the Baltic Sea I think Wrinkle Game no that’s right there’s me the Wrinkle Game and you painted your eyes red we saw everything through in one day wow crazy Joy was big love I didn’t go along for that yeah and there’s more coming the cigarette is one version suits me with the glasses 446 447 Spiele Spiele yeah at the Knossos that was wow crazy shit having another beer and the other one goes I’m having three or I sleep I think it was just the new voices ah yeah they were quite cool too from that’s when Dennis said which we watched and which we basically wanted to comment on I’m having zero there are films pictures as well of us like proper roughhousing otherwise it would’ve got a bit crazy Isabelle Fein’s the classic when he came out with the classic or which we did comment on but as far as sound quality the video or it was like really there sleeping Marcus the invitation to Isabelle Fein’s exhibition Michi where can I go pee was horrendous and the image wasn’t all that exciting either so not possible well my photos are all a bit blurred and hazy as if we were in like oh yeah Michi where can I go pee that then we said okay let’s have the image on TV and add the no but sometimes it wasn’t just applied to the situation there but a steam bath I have no idea why but it was an analogue camera oh here also those are the white shoes Hank great ah and there’s the cigarette that I emptied the tobacco out of sound recording which we had on minidisc and just listen to that also to the one we were watching on TV the first Conference of maybe the lens was dirty the lists who won and with the checked shit again and the window there and then rolled it up like a horn and very often we were busy just with the sound and the image Anecdotes something along the lines of look in the video you’re postcard postcard postcard I did quite well I think that’s at Zur Sonne Frankfurt a trumpet yeah I’m wearing a nice shirt yeah I’m wearing two nice shirts and so there’s the postcard Dennis yeah that could be a trumpet to fill up the gaps somehow during the intervals when the tapes on like that yeah Niklas could be yeah ah that’s in London and there Hank’s holding the paper were being changed right they’re all sort of fake conversations yeah a hundred fifty-nine Michael that’s in London ah making prints and the whole thing took place at the hotel Blauer Bock near the completely obviously fake conversations that’s the postcard exactly Michael that’s at the from no Viktualienmarkt in Munich no they weren’t all that obvious they weren’t obvious ‘cos until it was room number twelve at the Blauer Bock naw no but that must’ve been a completely different list find the squiggle film I’ve got a postcard today until our revelation now no one ever noticed exactly no but a lot of minus points were handed out a hundred and fifty- got it that was at the exhibition at Parisa Kind and the TV we borrowed from my parents yeah that’s true and it was very cold three yeah stay at the front wait I’ll take a picture naw I think that’s at American Apparel oh yeah that’s right but if you know it’s definitely a riot there are some brilliant ones it was very cold minus points mate what the hell downstairs at American Apparel oh yeah there’s a nice group shot of us from that in there February no I’m in the lead no so why was it pissing it down shitloads of here’s a fake one yeah exactly but didn’t we send this one wicked postcard oh look we were playing cards with Roberto’s porn deck and so what else did we do in Munich minus points there that’s also on the backwards poster ah the nice jumpers and why at the Blauer Bock yeah but what exactly like that stuff we watched on the TV so of there’s one more important photo of that which might still be because Marcus kept stumbling over his words okay and that’s at the because it’s a decent hotel that sort of had one nice big room the first Conference of Anecdotes coming up where I thought that’s the beginning of our group shots ah yeah right that’s the solution Moscow where you could do it I’ve got the text with one person in the shot who’s invisible there’s the one with the you had to speak so that it fit the conference yeah the world has been waiting for this ah there’s the squiggle I no we went from Frankfurt to Berlin together by car and stopped when was that stuff stuff like yeah the third Filmed Film event and I say it was the thing about the wardrobe yeah yeah was looking for it for ages somewhere in two thousand six second Filmed Films event I say it was was the fourth no that’s not with the wardrobe yeah where Dennis was always in the wardrobe use the right jargon that’s oh yes at the Wartburg no idea it could just as well have been a different hotel possible you can either say it was the third or the fifth Filmed Films exactly so minus points were also awarded for that ooh that was at that’s at this villa at the Wartburg and why weren’t you there Dennis event okay so then I’ll say it was the fifth the wardrobe photos are still coming up and we also had the text I’ve got hearts I wasn’t there that time that’s been published as well though what isn’t that Michi’s ‘cos from my side it was completely we were having problems I I I think a Daniel Herrmann is just walking through the door there I mean looked at it as well but you Michael is that then it’s on the poster as well that was it yeah but weren’t you somewhere something like a no I think it’s two Daniel Herrmanns walking in we’re not doing that again that’s too much you didn’t do much better that’s that was it ah that was great the Miscellaneous folder no that’s how it worked there these are Marcus’ sleeping shots now me neither though the after-show party yeah very nice you just stayed in Berlin I have the text there we’re roughhousing the first two starting to roughhouse we definitely added up a lot of points there and you didn’t win ‘cos of what in London let’s go get something to eat I didn’t go but I was still there yeah well you should add it as a footnote then control the minus points brought down your score brought you down to of the yeah really so you just stayed in the end it was too complicated and so we just turned it into a what did you do with the tape there one hundred fifty-three and then I snatched the victory away from Frieze that’s right that’s true it seems like Dennis was there anyway or at least we nice relaxed two days of card playing well we taped it and then played it again and recorded so one under your nose with a score of hundred and fifty-five of the Frieze Miscellaneous folders are always good pretended he was can we even tell all this now about what we yeah person is in the wardrobe now or what naw Niklas Niklas loves stuff like that in complicated conditions like that where Neff’s gallery showed something yeah did there who was the muppet who took pictures of us playing cards though no that’s the bathroom he can focus extremely well that was a crazy villa near Oxford Street I think tired yeah you can tell it’s all just a game self-timer but we did actually watch it the whole way through and ah right so the door was really narrow yeah great group shot where are we going to eat then I’d say you can yeah made absolutely sure that the sound really matched I am actually lying there Niklas needs to be challenged and that was the most impressive thing we actually the ceilings because we’ve kept quite a few secrets since then yeah that’s the wardrobe photos now yeah they were carved wood from like the eighteenth century or [TRACK 811_0021] true but that text only the first part of the conference was actually but it was slow-going at times that’s the group photos now are you sitting on top of Hank there something completely absurd transcribed it was never transcribed completely and yes we we were definitely precise exactly god I’m sleeping again there we took pictures there as well behind the column so Conference of Anecdotes in Munich incorporated Dennis into the text even though he wasn’t actually maintained the general conditions but for everything else we where all of us are inside the wardrobe but that’s a completely rotten act there I think Hank looks like a typical oh yes please there talked to him sent him off to get coffee or told him to come what I still remember vividly and you probably do as well is the Niklas Dennis Hank Marcus and me Marcus is sleeping numpty all this was ages ago though Michael no one cares about this out of the closet woman who sold pretzels and Roberto Marcus slept through the whole thing Englishman anymore get us a coffee Dennis will you how was that again no not true the order was different oh god you think so or tent setup I just wanted to say in that case it was never about about the the most beautiful exactly the last one is a group shot he’s dreaming of the pretzel lady he looks like he’s English tent setup imprint the most beautiful that’s the group shot now I’m dreaming of the pretzel lady like an Italian fuck I can’t switch my projector on anymore I don’t even remember anymore the most beautiful pretzel oh looks like there was a good scene on TV now magnesium deficiency like someone from northern England or something Niklas the problem is that this is all mixed up now it wasn’t at all about the the woman who sold pretzels turned up in the what was it sad Niklas Catalina and yeah exactly I just wanted to see what it is so that I’ll remember it that wasn’t even addressed at the time Hacker pissy yellow atmosphere you were drawing quite a lot and what’s up with you there Niklas with the shirt later you know ‘cos then I’ll know ah okay there’s another photo yeah at that Hacker place at the Schrannenhalle sad looking out the window as well again there don’t know ‘cos it’s already been addressed several times and we Schrannenhalle Munich’s most beautiful side did we did we all sleep in one room again yeah yeah said we didn’t want to argue about that anymore and so this pretzel lady turns up and asks us if we wanted a in retrospect it seems that sometimes we didn’t say a word for naw collar cracks now I remember actually I have no idea why we were at the pretzel and then Marcus said yes please he’d like one and then hours no just in the one room I think Roberto had maybe get one a size up next time I don’t remember I can’t remember what we talked about at that hotel the pretzel lady said which one do you want and then Marcus yeah me too we stayed at the hotel the whole time not doing I think we stayed at our parents’ no yer giant numpty that’s how it had to fit okay so what first now tent setup Frankfurt art fair well looked at her and said anything and everyone kept to themselves a bit too I stayed with Niklas’ parents and Niklas stayed with my parents Matthias Mühling was he in London as well I thought we were gonna do Munich now it was a bit like we played cards the most beautiful one well we had to get through eight hundred minutes that was it yeah he was in London too yeah Conference of Anecdotes in Munich right that’s a very sensitive issue the story of the anecdotes the second the most beautiful one yeah yeah everyone kept to themselves ah so the three of us stayed in a room with Roberto ah ‘cos that’s quite a load as well Conference of Anecdotes look there’s your mobile that was on the way to Hamburg by the there yeah yeah cool but we can reveal it all now so we realised that the whole thing lorry that’s the important postcard that we illustrated and Dennis was inside the wardrobe the whole time that’s trying to be something right Munich Conference of Anecdotes that was was a bit slow-going and that there wasn’t really a lot to be said oh yeah right does the voice the voice from the video in the minidisc recordings or out getting beer alright which was without me about the video we were watching or about the sound recording that was yours mine was already squash come through in the transcription a bit again or out getting beer Hank with the white shoes in two thousand six for that matter and so relatively quickly we started to play cards yeah no you mean does it all get mixed together Art Cologne is that Oskar that’s the award ceremony that was the first attempt in two thousand six to have a Conference already on the first night actually yeah like it’s a voice as well ah yeah you’re right Krombacher beer in London of Anecdotes and to go over the first one like a type of we produced Hearts Are Trumps yeah didn’t you transcribe that one then Context beer beer beer a text that could be used like a commentary that could then be and but then we altered the conversations that were needed for that was pretty good it looked absurd but it was also quite bright no Art Cologne we don’t have to that wasn’t London included into the first Conference of Anecdotes Hearts Are Trumps in such a way that we were speaking as if it was yeah sure Art Cologne was quite funny though wasn’t that when Dennis with yes it was crazy shit text that we were rattling off in connection with the visual material you can see in these pictures that Marcus really sleeps a lot yeah the bucket that’s at the Greek restaurant and for that we had the videos so there’s one video of the first two and so it was like you had to let’s say you had to announce how always tired and Hank yeah that’s all in London days of the Conference of Anecdotes on VHS many tricks you’d try to take so then one person would say I’m Roberto in his denim look yeah no I don’t think it came through I arrived with wet stuff 448 449

sat on a train with a bucket with wet wallpaper in it right there that’s the Zobernig version with the blue bin bags was the original sewed out of fabric the black area is the roof part the mystery model the quarter finals broadcasts of the matches the countries were always shown at shall we have a look right and the white are the walls and all the windows so to speak are here Dürkopp Adler sewed it we played against Argentina and then it went to penalties the bottom of the screen and on the left and right you had the flags yeah go on we’ve already looked at this well that was quite nice now wasn’t it holes in the fabric and it actually had no fixed shape at all they sewed it amazing yeah but the final wasn’t they were pennants that looked like hats and then you drew faces and the thing was leaking quite nice yeah so then we still have two thousand six now the that’s the bag that’s no fun I think to sew this to sew something like that we watched that at underneath them and they were still hanging there on my TV for Art Cologne that’s the installation at Art Cologne in that Open setup of the OVM tent what was the OVM tent called again so that and that was the model at the fair yeah that was the final a long time after that Space area where I finally realised the idea of duplicating the we’ll get there in a minute yeah we didn’t we didn’t plan for a supporting structure it was it looked completely different in the end though naw and there was something else that was funny neighbouring booth and three days before we still didn’t know Oskar-von-Miller Strasse 16 Textile simply it was just a limp bag but before the model still existed Germany wasn’t in the final do you remember what the neighbouring booth even looked like and so we went no it’s called Form Alde Hütt and also it completely ignored this elaborate or the fair architecture woa eee ooh you know we didn’t win the World Cup right yeah vaguely yeah there and then I saw that they were going to hang up a big picture ah yeah right as it was conceived ‘cos we just put this cover over the existing that you could just put it on basically we got kicked out in the final they were like nightcaps in that spot and so then we spoke to the gallery at the neighbouring Form Alde Hütt walls nah nice one so then it was the semifinal yeah yeah booth and told them it’d be quite good if they could already start we were sitting round the kitchen and at that time we already had that’s how we came up with the idea or rather that’s how I came they already had carpet at the front of the shop semifinal they looked like funny like doubled doubled circles with these little hanging up stuff ‘cos we had a complicated installation with black the bags up with the idea in the kitchen ‘cos the you basically knew that the yeah the model of how to hang it up was a bit no the semifinal Michael watched here and Roberto watched it in hats on top or something and white images and we needed to see how it would all work wow that’s a groaner booth architecture was freestanding but for things to be hung up yeah that thing was fucking heavy Hamburg right together and then they actually hung up this picture I think the that’s a milestone that is think about it so Michael and I were sitting on not the actual thing to be exhibited but rather to cover this with ‘cos we were so overwhelmed by the sheer quantity of the material quarterfinal why were we so wound up there guys the New York trip in two thousand five isn’t even in here gallery was Figgen und Rosen I don’t really remember the artist round the kitchen and we had something else that all that mattered was trying to manage to get it over there ‘cos it was great with DJ Diamond and then I took a picture sent the picture to Berlin so that it could that’s Dennis at his best these word creations absolutely hang something over it without ripping it yeah ‘cos it was fucking nerve-racking yeah be printed as wallpaper there and then Dennis rushed to Cologne the so we’re sitting round the kitchen and at that time I’d already a bit like the Book Calibres actually so regarding the dimensions just to give people a clear picture of ‘cos it already felt really crazy that we’d got that far I don’t mean the opening but the time we spent there’s some on the ICE with the printouts already soaking in the bucket and made the Hallo Moden bags hadn’t I with Hank and at some point and the bag to go with it which is actually just taking the whole the thing it was thirteen by fifteen by fifteen metres right we watched it at Lebensmittel Mitte crazy-ass photo material on that then we only had about five hours to put them up we said so actually wouldn’t it be cool if we went and ‘cos we’d thing one step further by putting the object into yet another bag yeah and then you with the yeah exactly there are pictures of us standing there and I had you’re right I don’t know if that should be included as an event but my god also been invited we were asked to have our own booth there the bag wasn’t actually our idea though he came and said you what did it weigh then sweat stains down to here holiday and let them dry overnight and then things got started but it all right ‘cos Neff had taken over the fair and called it Fine Art Fair need a bag for that or something you came with the scissor lift that was abnormal that was so then we’re through with two thousand six right worked out Frankfurt but didn’t we have three of them made or something around a hundred and eighty kilos including the bag and the famous actress this one famous actress who filmed played two thousand six yeah FAFF right yeah but we already knew before that we we’d somehow have to this with Ian Dury in Burning Beds she took pictures and emailed them I’d say we continue with two thousand seven OVM 16 in Berlin how was the train ride on the ICE and then he and what was special about that fair was that there get it there the scissor lift that you could drive that thing’s great you can even to us now crazy ‘cos the conductor told me to get off three times ‘cos it was were only one-artist shows each gallery was only entitled to yeah use it in traffic really that would be a nice transition leaking all over the seat present one artist and he’d also invited us as an exhibition space and then the guy asked us or the woman or both there it’s going up I don’t have these pictures New Year’s that’s a horrible story because it was also announced as Oskar-von-Miller Strasse yeah right and Gabi Senn at the fair didn’t she get a red wine stain on it and the candle shooting outside the Alt Berlin there was a football yeah and I was like you you have absolutely no idea what the yeah if we didn’t want to make a bag at the Frieze the bag was lying there and then someone match going on or several even I’d say we leave that till the end ‘cos it was the low point so to consequences would be if I got off right now and then we said ‘cos that was in two thousand six and I think that bag had eight handles but no one bought it right yeah the Adidas store was on that corner and so we quickly speak the bad part of that story is also that simultaneously Michael and that was in two thousand six the year of the demolition yeah you can you can also so the whole thing weighs a hundred no bought a ball and at the beginning of the street at that crossing ah that was two thousand seven to eight I were lying in the Jacuzzi of our hotel ‘cos during that time we that was the demolition and eighty kilos or something the whole house well and then after ‘cos what would you want a bag like that for near the Alt Berlin seven to eight that was couldn’t so to speak and then I said so we had these bags and that’s how I the fair it ended up with Wilfried but no insurance money either so to speak right there on the street just ui I was somewhere else there do anything came up with the idea to make to make bags for the gallerist shells Wilfried Kühn bought it and that was at the same time that I ah look the black square was also sewed on it started kicking it back and forth seven to eight saw a big clash do anything and was like let’s just sew the whole building out of fabric but I think Wilfried has a model yeah right and there was this woman in the window and the call was to yeah I abandoned you guys that time but before the wallpaper was lying in the Jacuzzi in my bathtub that was which was actually absurd ‘cos you can’t ‘cos then you I’ve seen it at Wilfried’s that’s right try and hit her in the head I need a coffee that is really start to think about how can this be done now and so then why did he also get the model then that was pretty cool though that you could actually go inside it yeah but also at the kiosk across the street funnily there’s a New Year’s two thousand five but no two thousand and what did you wrap it in this sewing workshop where they made circus tents but the only I don’t know actually he didn’t get it it was just meant for the Julien Opi yeah six well in bin liners reason we could do that was that before so you communicated the setup and Chris Rehberger has one which that he traded with so is he seriously at every fair how inflationary yeah I remember I once scored from twenty metres away you were with me in Florence that year you got on the train with bin bags idea to Wilfried and he immediately said he’d take it Joe Marconi no idea underside crossbar ah yeah yeah you saw me arrive right exactly that was the definition traded I can’t see this anymore and the ball just smashed into the kiosk through the door and we celebrated at the back house for the first time we brought I don’t remember exactly ah yeah right you had these blue bags and that was the only reason we could commission that thing with Joe Marconi had one okay that’s it material studies and the tram whenever the tram went past the call was to hit the in these lino tiles to dance on inside the house with you the at commercial park Bülowbögen that was and so why did he get one drape studies tram back house which back house in the cab wasn’t that Zobernig’s Meierous Mond that was also in but you also had a small version I think he how was that again that one time when we when I was no that’s all I’ve got but there were shitloads of people in the street that was really like Oskar-von-Miller Strasse this Blue Box there were three of the small ones there with Niklas two thousand six a takeover almost like a demonstration and it was also important hadn’t that already been torn down long before then right aw how cute so did you see any dosh for that that’s it to shoot the ball as high up in the air as possible and sometimes no in two thousand six it hadn’t been demolished yet this Blue Box and the bag with in connection with the exhibition what else happened in two thousand six it was really scary because you couldn’t control where it would this is not two thousand five now it’s two thousand six right but it turned out brilliantly a top-notch installation and but only so where are those three was it sold well in two thousand six we were in LA right come down and then the ball came flying out of the Truce Two ah okay in retrospect in the pictures I realised the dimensions it had ‘cos I’ve got two I don’t remember no one of us sort of landed the ball in the Truce Two Thousand and so on the wall it’s on the picture or rather the wall appears again and Mohr has the one that I showed at my final exhibition for the for you need to clear that up you were in LA in two thousand eight two thousand seven what’s the Truce Two Thousand wasn’t that the time with Joe Marconi and all that as well two in the image there the wall is empty but in reality the wallpaper my master’s student exhibition at the Städel Museum I actually so what’s happened in the meantime ah right the first time that’s the billiard place across the road thousand six that means at that time we were trying I was basically was on it wanted to keep it and then we said okay we can’t pay seven for mine I got seven thousand two hundred euros for the effing that’s when we did the exhibition with the Surf Champ pictures at how do you spell that working for you for money impossible to grasp thousand two hundred euros for water we’ll offer it to him and he water bill Kim Light at LightBox T R U C E didn’t we always we always liked to go to the Truce Two for the exhibition extremely paradox said he’d take it I don’t know where the other two have got to yeah and so now it’s at Wilfried’s house who now uses it as his I set up a World Cup studio on my balcony in two thousand six and Thousand when we first took the scooter photos for money yeah since I know where we were there wasn’t come again seven thousand two hundred euros for water bedroom you were quite a frequent visitor there really there were several things that period was all a bit jet-set actually I and the photos with whatsit the straw should be coming now the entire six and a half years we lived at Oskar-von-Miller Strasse like but only one part is actually set up me that time we were at the Truce Two Thousand and then one ball remember sort of constantly being in different countries there’s one great one we hadn’t paid for water once although it needs to be said that yeah just one part I think he sleeps where the bar was at the Niklas you and Roberto the final landed in there and we didn’t dare go in to fetch it and in Berlin you did this print I think that was in two thousand I thought that was at Halloween when we said to people oh god Marcus Arndt used up more than a million litres of water if not two Friday Kitchen ah right that was really a mistake everything was going so well in and eventually it came flying out again and also once into the tube seven ‘cos you were there when we pasted this screen print onto you gave me a scare that’s a horrible costume you’re wearing oh million for his eighty billion bamboo sticks that’s interesting ‘cos that’s also where the that child slept in the Berlin and then I went to Hamburg for the semis shaft it also flew into the tube shaft and we thought now it’s gone this part sorry you’re not wearing a costume are you or was that another but the events as well the toilet flush that was also photos of of the Friday Kitchen one of the nicest World Cup Studios ever and then at some point it came it came shooting out again and yeah and we were in Milan twice time in Cologne and that’s why I thought it was pretty shit that Michael Neff ‘cos no that was the Friday Kitchen in Berlin but so ineffective Schnittlauch came twice and took away the ball and a bit more detail please what’s the screen print pasted onto this there Zwirner senior used this gallery space that he had in the they didn’t yet award prizes for booths at the time ‘cos we would’ve ah no was that when we shot the candles and didn’t we also shoot a crack into the Schultheiss sign above part sixties and got the original works from the Museum Ludwig for it definitely won the award for yeah where the kid was sleeping the candles the door of the Alt Berlin that’s this that was this segment that I still had left over from a wow isn’t that just a brilliantly witty idea yeah yeah when we shot the candles outside the Alt Berlin could be yeah sculpture which had fallen apart and so we transferred one print yeah that’s yeah so here you can still see the sewing process that was at the yeah exactly and then we went to Hamburg or I went to Hamburg yeah exactly you’re right onto this object that was positioned next to the Saab at the Frieze right I didn’t have to do any wallpapering I agree sewing workshop that’s the model that was the best in two thousand six Niklas also produced one of his last artistic next to the car no you just took the photos one of the best things Michael and I ever did together I’d actually quite like to have one of them that’s why we or was that the final works on the occasion of the World Cup which was at my World that was about the transfer and solving the technical question how you look quite tall there it was really good that was and the nice thing also was I mean that commissioned three that was the final against Argentina Cup Studio studio on the balcony with six seats and during the to get the screen print directly onto the thing and all that 450 451

it was slightly over-the-top become quite a drag yeah yeah there wasn’t actually any collaboration you kept out of everything and at the back we had a small office the architecture was actually so because at that time things with Zwirner were getting tighter and quite nice inside and but the complete plague was our neighbour so then yep starting off with a nice photo this has been a topic of so then I basically organised the event in the space the guy from the Bar Drei discussion so in two thousand seven we that’s a nice reflection ‘cos on the other side of the wall it says fuckface Maruam Abu Abu the fucking little shit from the Bar Drei we received the award Wrong World he hated us right from the start and thought we were small town we received the award at that time you were already back in Frankfurt looking for a space idiots who’d come to Berlin go wild from can I say the name right yeah yeah naw right from the Society for the Distortion of Culture at Rosa-Luxemburg- naw the old bull Platz in two thousand seven the whole thing was only just starting I which I thought was okay but right that’s what it was called and then at Weydinger Strasse we didn’t leave until two thousand ten that was only the beginning so two thousand seven that was when the that was the started a new Oskar-von-Miller Strasse which at the same time right but we already had the Friday Kitchen then Neueröffnung Neueröffnung also served as Dennis’ studio and I have to say in my case the we’d designed the new logo for Oskar-von-Miller Strasse Neueröffnung Neueröffnung whole move to Berlin really led me to not want to have another right with the new address but with the black square still and were food truck exhibition space like the one we’d had in Frankfurt ‘cos Berlin was already thinking about opening the Friday Kitchen there again naw Neueröffnung Neueröffnung was the title of the exhibition just chockablock with those shop spaces where you could never but this was before the first Friday Kitchen with the carpet with one computer set up inside or a white wooden panel and you yeah yeah that was before ah could never really tell what was going on in there but it was all sort right and that was the opening event was that with the we invited where I didn’t actually show anything this creativity plague Daniel Baumann to write a text we wrote a text with him but Neueröffnung Neueröffnung was also the thing with the food especially in Mitte exactly truck van which is why we did almost no events there and then printed the text on the poster and postcards yeah I found no ‘cos it said opening it says opening soon in big fat ‘cos we the shop itself with those lit-up letters that’s not what we so basically it’s this three-piece set that’s also sitting over there letters everywhere won the award for but for well it started out differently we were now so the poster announcing the event with the info text by opening soon looking for a studio space because you had to give up yours again Daniel and then there are blow-ups and smaller versions for ah okay and then I went into Nagel’s gallery ‘cos at the time I thought he example there’s a postcard version of the poster so that the text and ‘cos there was in two thousand seven was when it was like was quite cool which is why I also wanted to be represented by his becomes illegible ‘cos it’s too small and one’s a bigger version of at its worst in Mitte and round Brunnen Strasse where exactly this gallery and kept in contact with him went for dinner the poster blown up to A zero where in addition to the info text we’d this plague then also started to spread to the art rep scene to the you added a telephone conversation with Daniel where we discuss gallerists ‘cos obviously there’s an endless supply of artists and well I wanted I sort of got on quite well with him even when we and question his text to death and which actually becomes totally creative types in Berlin and the whole of Brunnen Strasse was were still here the first Sticks and then eventually I asked him fragmented plastered with new galleries like their branches and all that and if he knew of something ‘cos we were looking for a space with it fragments itself then so I was like okay I don’t wanna be a part of this but at the same Oskar-von-Miller Strasse again and then he said yeah he’d call ‘cos those were the first events time I do and so I didn’t really exhibit anything but a white carpet Frau Stehnhold Schütt ‘cos she had quite a lot that was the first one with all these drawings of all the people walking across the carpet you need to spell her name and she wanted us to put on events ‘cos she wanted to see at the opening ‘cos she owned quite a lot of real estate in Mitte and then it sort something for her five thousand euros and because what we did of the platform was and then he showed us the space and we yeah yeah yeah that’s exactly that’s quite cool and there was nothing immediately knew that we liked it and rent prices were still okay at do you remember there to see and for drinks I requested they serve red wine and the time and so then we moved in and he even took care of things right yeah exactly and that was actually a bit what made us Coke and that people could smoke what did we pay a thousand organise any events there at all ‘cos apart from that there was yeah there was something there to see though there were some four hundred no sorry six hundred nothing going on there sculptures your bags no it was more right we didn’t really feel like doing anything and so we declared no that was the that was Numerous those were those big screen six hundred the most ordinary things as events like the Friday Kitchen for prints with my Dennis Loesch brushstroke marks example but there were also those six hundred euros yeah that was your first solo exhibition at Jan Winkelmann marks so and then we obviously had two thousand euros each of us and no my first solo exhibition was Hallo Moden in two thousand six this is the sculpture now with that what did we do with that Jan Winkelsmann right that’s what was left over we’ll get to the Friday Kitchen in a bit Jan Winkelsmann that’s something else yeah we’ll get back to that anyway but we did something we did Jan Winkelsmann and how did it continue then we Nagel put our name forward for the event and was there did we pay for the transport naw yeah and then there was also the Winkelswoman this award that strange obscure organization and for that for the that’s right we paid for the transport right we should first time the space so not the first time but the space so the title one event was the Niveau Alarm Unloaded that was the Behm woman was Oskar-von-Miller Strasse and we could do whatever in there and the Rio wasn’t that a no what was the Winkelswoman’s name again but unfortunately they kind of started to put the screws on us that we’ll get to that as well Julia you had to announce eight weeks before what exactly was gonna Rio was when was that before or after Julia Winkelswoman happen in there we can move on to that directly in a minute that was also in two let’s stay structured Hank the screw had a name as well thousand seven what Lillian Engelmann two thousand seven the Niveau Alarm Unloaded was that before OVM gone wild Lillian Engelmann I broke out in hives every time I had to speak or after the Rio do you remember gone wild-man to her after I think ah okay ‘cos she was really extreme so what was the award money for after gone wild Hangmen so the that five thousand after planning Dash Snow something like that the lit-up letters top-notch but we always had good ideas in connection with the installations yeah that was actually a plan we had which is why I have a few they weren’t illuminated though were they in there we also took out a wall at the back that you could close things to say on that and it again it wasn’t really that much fun though the planning of Dash Snow we rigged it up ‘cos it was so boring although I need to add that yeah so but it was obviously extremely important and later there was both of us weren’t on the ball really our collaboration had already that’s what it looked like after we’d taken over also sorry before I forget that year also saw an attempt to produce 452 453

a record with the band and didn’t you also lose your mobile that night and we called why do you find it so great with Deborah these photos are honestly completely different I say this party gets a special edition right band rehearsal I’ve got photos of that here as well Winkelmann and left a message on his answering machine saying ‘cos of the gesture already in a state of total trance yo Tanja Schuh god a conga line as well wow amazing okay you’re a pig shirt hanging out that’s the one that had you in stitches Tanja Schuh still blond and without shoes ‘cos this was her it must’ve really been great that’s the exhibition actually reminiscent of one of the days after at I don’t remember that actually shirt hanging out and here you can see in preparation for dancing no no birthday I mean that’s the counterpart to the New Year’s party with the Oskar-von-Miller Strasse ‘cos we’d always anyway it was quite obvious that Winkelsmann really had his it’s hanging out fag in hand already nice dancing picture that one Jutta’s ex can pull some really great faces you wouldn’t believe without Roberto apparently oh yes hands full with Dennis and so we thought how could he top that off I’d say that needs to go in as well that one the faces he pulls that’s the last one take photos the day after with his next exhibition and then we had the idea that he should Marcus that one Hank your mouth there are two photos one taken in New Ulli was there as well yeah without Roberto there was one folder for the various events titled the Day After nail the Winkelswoman what the hell is going on there York and this one that that was the beer cross there cool Day After exactly in one you could see at the front to be able but go back one tell me please whose Fox Force Five record is is that my tie that one well just party photos aren’t they cool to open the door you had to cut out this little corner at the front that no that’s the great tie that Hank sent me from LA that one the floor was proper dusty there as well cool cool and I’m pissed off to this day because Winkelmann desperately mine Heide Deigert but what the hell is going on there let’s hear the sound with that yeah cool wasn’t that enriching now wanted a rectangle a square I mean and I actually wanted these yours it’s brilliant isn’t it go back one please one go on that’s just maybe that’s why that back is so white let’s see the Gelen picture go on this when you’d open the door that architectural thing I wanted brilliant yeah that I got from Niklas sorry well it’s obvious he’s snapping go back please Dalen that framed and Winkelmann was dead set against cutting a piece okay let’s look at these now ‘cos they’re extremely good yeah it’s snapping isn’t it that’s Snappy the crocodile there must be a sound recording of that somewhere the Gelen picture is great out of it but Dennis what’s become of the project then that but my eyes are closed of that night yeah definitely swastika wicked great brilliant didn’t you get your way I slept with her once but then that Niklas sent me from LA as proud as Lucifer was that Thomas just now that was the prep for the Gelen picture no that was the thing at Rahmer’s when didn’t take any pictures exactly the Yves Saint Laurent my very own pair of headphones that was Schrören that’s not that good is it it looks like sand in the black and white pictures no wasn’t possible naw Pierre Cardin yeah that’s a pretty cool trick that’s Thomas it’s not that good yeah is there a sound recording Pierre Cardin that trick’s not bad that’s Thomas Schrören okay back to the agenda what’s up next yeah that’s pretty hard to do ah yeah that’s right the Pierre Cardin it’s also no go back one please as for me we could move straight into the Rio now sand that was the party these photos are honestly really fucking good not bad either Niklas the one with the long hair Thomas Friemel okay right and then your best friends they are yeah I’d say this has potential Basti’s chin’s been drawn with a ruler from chin to collar that’s Thomas unbelievable Rio was an event at the new Oskar-von-Miller Strasse best friends Michael and Denise manned the bar Friemel with short hair bigger than the whole face that’s Michael the Rio was also a club in Berlin which was pretty well known for arrived both with wigs who’s that guy with the white scarf and the glasses Saskia that’s definitely not Thomas its wild parties and we didn’t even go there that regularly from Hamburg and some of them even from New York or wherever oh me in a GDR shirt I think that’s hollering nonstop that’s Michael there must be a sound recording of that that’s my we DJed there three times and put on surgical shoes two thousand seven that’s Doreen Mende that is check out what Saskia looks like there belt why did you right and we knew surgical slippers exactly to avoid leaving any tracks what’s his name again yeah is that Saskia Friemel had the camera the whole night Tim Berge exactly shirt with the colour of green protective paint yeah yeah Sesselchen Tim Berge and his girlfriend which is obviously precisely the there were a lot of people it was completely packed I thought that was Anne Schott Saskia hollering loudly the ex Anna Schläger because she was best friends with Saskia shoe covers stop no that’s Doreen that night we had to we had to put Joy into a cab because she was that was another word creation say all the names again that you with Sesselchen shoe covers bringing a playful aspect into it and Winkelmann had not so fast naw that’s Doreen Mende so upset that Saskia was there too invented for your ex-girlfriends and we heard that the club was gonna be demolished or they had to clear out the whole room ‘cos I was like okay well then the stop stop stop stop that’s Doreen Mende and she said that it was the best night she’d and you guys were not together anymore Sesselchen to close down for whatever reason and so we were like yeah let’s cabinets and stuff are also gonna be sculptures and then what ever had no actually just the Sesselchen right do another Clubbed Club then let’s get some original props from was really stupid on the exhibition list it just said Cabinets [TRACK 811_022] oh Denise and me ex Sesselchen the club and restage the Rio at our space and then we DJed there ah yeah and he also had this big cabinet at the front and who’s ex ex ex Frau Doktor once and produced a sound recording and when the club was no he didn’t ‘cos I moved everything around the brake-squealing was still in go back please ex ex ex oh my suit looks like it’s really suffered go back please well Frau Doktor was really called Frau Doktor though about to be torn down we went over there and got some of those looks quite nice with the cabinets brake-squealing that’s Jörn isn’t it ohgodohgod that suit has suffered well yeah but that wasn’t her real name though rods I think Winkelsmann didn’t really get our slippers though that was the handbrake yeah that’s Jörn they’re all pretty worn through though Catalina was wha no he was pissed off with you actually are we on break or what but what is he doing there are a lot more though this is just a selection Catalinchen the foot rail he was like well nice friends you got there how about I show up at I just pause every once in a while so that if something happens we Jörn Schaffaff you’d get paint stains from that wall and Katrin the foot rail from that circled the bar the projection screen the Friday Kitchen next time and order a pizza don’t lose a whole hour Schaffaff there’s there’s about ten times more there weren’t that many and this smelly styrofoam Rio sign yeah exactly you’ve trained you’ve trained yourself quite well Schaffaff let’s see them then I haven’t seen any of these don’t you see how you which right and that night the idea was born I think when that came up don’t go so fast now Knoffhoff that was a great party come on don’t hold back on their names now let’s hear the names which they wanted back though there you can see it again they’re always the same pictures Schaffaff is an art historian I’ve never seen these photos well we all know that I have many ex-girlfriends that’s clear and the golden dancing pole from the bar the surgical shoe covers yeah doesn’t matter man I was holding that record in my hand and didn’t buy it because there I have to let’s hear their names then and these lamps these horribly dusty filthy lamps but here with the scooter Thomas Schrören very young and still still without child back then I didn’t like it that bugs me to this day I don’t remember that party at all Dennis it’s a trap smoke-stained either you arrived from New York or flew in from somewhere does he have a child now what the hell is that OVM Berlin there Pierre Cardin actually the whole thing also exists as a set the only existing Björn was there as well two by two different women no one knows that one needs to go into the book that’s mine the one that Niklas gave me Clubbed Club set if you will apart from the Robert Johnson and yeah Björn was there as well and that night he told me enjoy it what’s his name Niklas party photos Hank this floor footrest was six metres long while it while your success lasts ex ex ex only joking yeah when he came back from LA and I’m still very happy with it six metres long and did you enjoy it Xaver and that’s nothing happened with me and Niki Ernst you didn’t get it Marcus well I wouldn’t well I wouldn’t put too many in there to be honest I bought that in San Francisco made of iron I enjoyed it very much and then I the title Neueröffnung ex ex we pretended to be dead sad there just do Select All ‘cos I know very well how painful that must’ve been for you and we carried we carried it by foot over to Berlin Mitte to Berlin Neueröffnung was ‘cos on the same day which was obviously ex ex ex you’re doing it very convincingly though Select All at the back there it goes in a lot further there’s a gap and then you Mitte perfect the Friday Kitchen took place for the first time and the go tell your mother that yeah no it works much faster like this ‘cos we’ve already done these can go even further we were holding it up Frankfurt crew so Friemel and Basti they came and cooked one mother you didn’t fuck there’s one of Hank that when I was looking through them before boring we’ve already we’ve already seen all these yeah the connectors weren’t even on there ah okay here Thomas Friemel with the celery I was in stitches on the floor naw obviously that’s how the human mouth is built we held it up over our heads and then it started to rain and all the and so you can either assign this to the Friday Kitchen or to this still had his long hair right there not all of them go back feet dirt started to loosen and was running into your sleeves and these photos are unbelievable no already it was already gone no no no those shoes that you just saw they were a real plague as well my very own first own mobile then under your armpits you had the whole foot but there was an idea in connection with that which was never short hair that one and so who’s Doreen Mendes oh lost it filth realised that we basically commissioned with you for your next Niklas in high spirits are you dancing or standing in the corner that’s like everyone was dancing there she’s Johann’s girlfriend now wife that was Philipp wasn’t it foot filth that had accumulated in seven years at the Rio Winkelmann exhibition we wanted you to sleep with Winkelmann’s right there the Stunde X record nice one that must’ve been a proper good party Johannes Kühn’s girlfriend with wet hair crazy and it stayed there wife Krasovska Oasis was playing ah okay why in the world is everyone shouting there and we all had that grime all that foot filth under our arms and it with the Winkelswoman alright dinner was already long over at that point didn’t Basti do this sort of fight dance with Lisa Voigt that time these are the same ones only in black and white it must’ve been dead loud just stayed there ‘cos with the Winkelswoman and take pictures of it right the Stunde X record with yeah that’s things winding down there there you can see it that was I don’t remember this yo and the the Times record they’re all my records all brilliant where we were all completely flabbergasted at how wild he can be no they’re completely different ones winding down you had to continue to hold it over your head Dennis bangs the Winkelswoman records Debbie are there any other ones in there as well everyone’s but we took yeah that’s true that was the plan for the following exhibition that needs to go in the book that’s a great picture Debbie there are more everyone hooting and hollering you couldn’t set it down 454 455

we took breaks on the way and we also interrupted our trip for the Rio is over at the basement as a kind of set and later it was on the beer was warm afterwards right there hugging each other and sobbing nothing goes anymore lunch show two more times at the Kunstverein Bielefeld in two thousand those are the dancing pictures I was only there once aw beautiful yes it does at Papa Pane eleven I think and then after that in France at the Grand Forum Hank danced really cool there with Heide Degert I was there and also in the other room where it was mostly even and I was so pissed off ‘cos no one had waited for me I was all on exactly Marcel was involved as well Moderne didn’t you try to limbo underneath the foot rail worse in the big one but one time a good band was playing there my own abandoned he just goes and opens them all but the first thing to do was to wash your hands I’ve got that would’ve been impossible but the mood was really bad ‘cos all these the crowd didn’t really you got screwed he just goes and opens them all brilliant you were there too Rio setup these pictures are quite nice as well yeah that’s the whole point get the band it was actually a sort of punk band but honestly all and then I had to toddle after you in another cab and then Dennis yeah you have to right here Apple Escape I was there too the the party was definitely not bad either go back one people wanted to hear was electronic music so it was a pretty sad comes at me and pours his hatred out over me and I didn’t even why are our pinball pictures in there and Dani was there it was really good actually that was the day after already affair I don’t remember the name of the band though know what for did you do Task no and Rouven too I think you sat inside the fridge go back one please now I remember something important in this context though about I felt really sorry for the cab driver as well yeah it’s gone already everyone was on board right those are coming up now these are the upstairs pictures ‘cos ex this night we recorded the audio track for the the Remake Club but the whole conversation exists as a recording and of course why were our pinball pictures and during lunch at Papa Pane we parked the footrest outside we had the camera upstairs we’re building our own club no who is that at our space the question would be whether we should have not that particular Force Quit and I promise I’ll never touch your computer again who’s that then is that one of your exes Dennis the Beatles ex ex is the cab on there as well conversation but a CD with audio recordings to go with the book not Preview no not Preview no that’s Dani Bellm right those ones ah right and that’s also when the other photos ex ex how it ends is since we DJed that night we had to stay till the very we could think about that yeah the other one was naw were made with the long shadow that day the ex ex end and you too Niklas yeah the hate thing wouldn’t be bad why do you have Photoshop on your computer anyway I for one that’s not Dani dismantling ex ex ex yeah I don’t have a problem with it don’t have Photoshop yes it is nice pictures great that’s it and then there are the upstairs ones of ex ex ex no Niklas didn’t Niklas left before ‘cos it’s like completely uncensored what pours out of him yeah that’s pretty obvious wow you’re right the event itself which are unfortunately all a bit hot hot no you guys no it was different Miscellaneous didn’t you wanna get coffee Marcus you’re right so why are they all in black and white then ex ex yeah yeah yeah and then there was then Hank no I think Dennis so didn’t you say you wanted to get coffee she looks completely different there and we also added the Tanja Jessek naw and Niklas had a row over a woman hang on I have to pee I did actually want to get myself a coffee yeah no not at all freezer Jessex yeah Nicole Ernst okay now we have the choice bad mood first or good mood first could you get me one as well not at all the powered speakers to play back the sound and the freezer that Tanja Jetztsex oh that’s just great how he’s dangling from there I Nicole Ernst and were sort of in a half-spat there bad mood I thought you were gonna get coffee if we’re looking at New Year’s I think she looks a bit different basically worked as a substitute for the bar could LOL yeah that was the time Dennis was throwing shots glasses at me no if we open the two thousand seven two thousand eight folder photos now no and a bouncer we also had a bouncer and he was allowed he that’s it and I think then we you were both staying with me now then let’s have a coffee first ‘cos it’ll take forever yeah that was grim could let everyone in I’ve got you guys took off without me you just left me there no we would but we haven’t finished two thousand one two thousand seven yet those were some unpleasant weather conditions as well right setup that’s it ah no the day after yeah right right we were about to leave and were getting into the I need a coffee before we still have to look at all these yeah yeah Quesi but he didn’t get it at all and there’s an audio recording we’ve already seen these cab New Year’s Eve pictures Chris that was basically the low point yeah but this is also two thousand seven Miscellaneous it rained the whole day of him and I’ve listened to bits of it and he only talks like this like ah okay they’re not bad at all these photos into the cab and then things kicked off exactly if we’re opening that folder now I’ll grab myself a coffee Miscellaneous but why aren’t we holding it over our heads there I remember yeah so they’re doing this whatever no idea what it’s all about my USB stick is broken so I scanned lots of photos I don’t know if and Dennis launched into a tirade was slagging off Niklas and first Miscellaneous with the mouldy bread in the face perfectly how that filthy water that should and how they’re connected to the Rio to the project though at some point the cab driver was like are you going to such and well I don’t think it’ll ruin the mood now yeah right and Konni Opper and Peaches came as well where are they such street and he was just like shut your gob and drive and just how many are there in the Miscellaneous a hundred and sixty-four are we gonna do Miscellaneous then maybe that’s why and so then we changed it ah yeah in Hamburg and Leipzig pouring it all out and I was like what the hell is going on here what that’s alright here again at the the green phases at the stop lights were always just long enough there’s Hank inside the fridge well that’s good the hell happened I completely missed what had happened a hundred and fifteen there are more but I’ve only got these bread glasses for everyone to make it across and we’re talking footpaths that right exactly where I documented that situation with Dennis at the Rio Club but Nicole Ernst wasn’t in the cab here now but I think there’s definitely some stuff that needs to be at the Bread Swabian make the use of trolleys impossible and there he’s gone which was completely crammed and someone was walking no Dennis was staying at mine I don’t even remember why and addressed in here Niklas that’s what I really hate about Berlin I think that was around with what looked like five kilos of pretzel sticks on a silver is she another ex of yours yeah I wasn’t there did you call me I think I was only taking pictures and didn’t carry anything ah no there tray and he just hits it and all the salt sticks guys do you remember that was in two thousand five or something that was the night of the brawl yeah those are the wet gloves ah right I remember that was when we yeah and then the camera was positioned like this someone this she fancied me exactly yeah still had that memorial outside our door jumped against the foot rail and the camera got shifted and after I think so yeah wasn’t that the night ok then I’ll go for a wee walk in the meantime what’s going on there Clegg and Gluckmann that it was only taking pictures of the ceiling for a while so now and obviously that meant instant trouble no Tim Berge had invited us ‘cos Anna Schläger was Saskia’s no don’t worry you can stay I’ve never seen that one Gluckmann and Gluckmann there are like fifty photos of only the ceiling and he got banned from the club best friend and so they paid for my trip so Miscellaneous first or what try as I might I just can’t see a swastika in there we’re gonna walk past that in a minute fuck he got banned classic Dennis specialty that was before right yeah wow that’s brilliant and what we started to say earlier but then almost forgot to that’s the one of Niklas at the Rio yeah yeah ‘cos otherwise I’ll go get myself a coffee that’s one of mine isn’t it mention although it’s really important is the pinball machine Lisa was there I didn’t get banned but I think we immediately and so then we were at mine and then Dennis had just calmed yeah yeah right right got thrown out down a bit when Niklas walks in and I went off to bed and then they no Marcus no no don’t do all of them now I sent you that yeah the pinball machine Lisa at the Rio started going at it and I was like can’t they discuss this tomorrow yes yeah that was the Medieval Madness yeah Peaches yeah no then they went out into the hall and the delete bag delivery with Roberto’s library or what was it doesn’t Lisi have another nickname I don’t remember this that was actually pretty cool ah okay FAFF exactly Lois ‘cos you were quite pissed and some time later I found cigarette stubs in the fuse box why though it’s fine FAFF Fine Art Fair Frankfurt and there’s even a trans a text that was written with the while Loisach you were pretty pissed that night no we were sitting on the stairs actually and sort of making up Delete All if you do Apple Delete it’ll go straight to the trash ah yeah right playing pinball with the statements Loisach I remember Dennis throwing shots glasses at me at the Rio once yeah where are we now they’re the first ones we transferred that to Hamburg didn’t we there you go what did I I’d left by that point we’re gonna do Miscellaneous first what’s that called again when Dennis and I would always pop up out of the ground like and Isabelle Fein got turned into Gneisenaus Strasse shots glasses yeah I didn’t understand the whole problem in the first place ‘cos Miscellaneous first Photobooth trolls Gneisenaus Strasse you were throwing shots glasses at me I I didn’t have the faintest idea that you were into Nicole Ernst nor where was what are we doing Photobooth so here’s the original Rio again ah yeah that’s right ah right here was I in any way interested in her the first thing we’ll do is close Photoshop again on my computer doesn’t really look all that different that was an endless process though those were dangerous times dangerous times with Dennis so basically Niki Ernst fancied you and that completely injured my sorry I think that was at the hotel room in London we also had a mirror and stuff like that that’s of really poor taste Dennis whenever he was drunk he got pretty pride and when I’m drunk that’s just not on ‘cos that’s not good for the computer either that was during the Frieze right a mirror there’s this projection area I’m pushing you into the freezer chest there how brutal right here that’s at the Rio with the silver tray full of pretzel sticks I was completely in the dark I was basically just open to whatever why would that be bad for the computer that was Callies’ booth right all this was in two thousand four well brutal and there in the upper right hand corner and she came and grabbed my grabbed me snogged me and if you open Photoshop too often at Art Cologne two thousand four ew vile yeah the sound was a real killer right suddenly shatter boom and these shot glasses are hitting me it wears out no I mean the exhibition that you had at Callies’ that’s the golden pole right there great shirt though I wouldn’t believe it if I wasn’t seeing it with my own eyes in the head and everywhere and later I had massive bruises no yeah not the faintest idea yuck that was our sound we DJed there I need to see it too everywhere yes it does my license only allows me to open it seven hundred it was in two thousand four I think that’s not in here that’s what the Rio looks like by day that’s what I’ve been saying that you should paint that and the crowd was really aggressive that night bruises times that’s at Alberto’s so what happened with what happened with the Rio ‘cos we ah just disgusting yeah you went wham and like proper firing them it’s like a dubplate didn’t you wanna get coffee Marcus yeah two thousand four that was showed it at our space you’re absolutely right and they got instantly pissed off and got the bouncer and and they did hit their target you’re making me think of my transponder again at Alberto’s ah yeah right we celebrated New Year’s there naw later that was ah yeah right god it was cold inside that fridge complained and then it started yeah several times and I but I was pretty drunk and at first didn’t transponder that can’t be and those lamps also had no it was warm as hell we never really I never really warmed to the Rio although it was really was just like boom oh what was that now see now it’s frozen Marcus nice haircut we also had the lamps and that’s the floor rail right there I think yeah what a blast actually a good well anyway I I apologised afterwards and we were actually crashed new hard drive that’s seriously 456 457

that was after the party yeah Aristotle yeah yeah oh yeah very subtle that’s a reference to my feckin stupid tea on DVD he thinks I race rather bleak and the cunt-string band hasn’t any oompah musik the equipment that was in two thousand seven that was basically you honestly had a visit from the police and what did they make go back please legendary passport photo when Michael scribbled jug ears on my what a waste cunt string hasn’t any oompah musik three years later of the whole thing I remember that night we got home you Roberto Denise and I passport photo a feckin stupid tea on DVD he thinks I race wow nine years later we were completely legless and Roberto was still wide awake I’m guessing you threw that scrap of paper out naw I think he races he thinks I race seven p.m. and fourteen minutes that’s a good time that was exactly one year later we were fucking loud we’d been drinking vodka the whole time ah yeah that was when Roberto looked like a corpse I’ll have to see if it’s maybe still in that box speaking of which I think he races he thinks I race not bad oh there’s my shoes the surgical slippers to the Beach Boys as well whose sausage dog is that there in Hamburg and now in Leipzig I found these business cards of wow crazy yeah Neueröffnung Neueröffnung that was I later introduced that into my own dance style as well god he was dead yours in books did take quite some time until we had it nice version here it is again and that was I think we had two or three meetings yeah that’s the real Roberto right Niklas my cards that’s the table cloth of the of the Italian restaurant here double Elvis storm and hail Campbell’s tin cans truffle ale where we tried to produce a record with the band that actually helped me a lot because it was like a new kick for all who do you mean NFA yeah ale yeah these mod dances ‘cos it was a good way to break the routine to the real Roberto is that one there who always just sits there and NFA that was the day when we wasn’t that when I was at the Paris hearts diamonds spades and clubs birches cunts and oompah but we weren’t really just suddenly throw yourself down on the ground who you can never see Niklas Schechinger Fine Art Moskau with you and Roberto was there as well and we had we pubs I have exactly two photos three photos of our band rehearsal true not bad I’d say there’s a letter missing were hungry but they only served fucking expensive food and we I’d love to publish a book of Hank’s dirty poems especially it didn’t really amount to much it was just great that’s a rabbit NSFA didn’t have any money and then we called Roberto that he should Variation Inventory it didn’t amount to much just dance all normal and then suddenly down a child Niklas Fine Art definitely bring two hundred euros ‘cos otherwise we wouldn’t Inventory Dennis that’s the white lamp I was talking about but that went on for hours though I think you made Roberto jump out of a coma or something so anyway that had have been able to pay the bill ah right that comes before the other one is the variation on the ah that one that in the end we never put up in the new Friday that was another breakthrough no he was lying upstairs that was after the Thalia NSDAB could be yeah inventory Kitchen I have to add that not only Joy was taken aback oh shit something to do with the Städel exhibition ‘cos that was the thing and afterwards we went to our place exactly the ex and on your back like a beetle yeah Roberto was sitting there and with those corduroy trousers with the model again yeah double Elvis storm and hail Campbell’s tin can power ale truffles who’s that wow isn’t that just great it’s always like you always have like as if you had a hard-on and there’s definitely a sound recording of that somewhere where was that again routes and corkscrew coils horned critters cunts and spoils that’s Nina not only Joy was taken aback but Doreen Mende also came in at he didn’t really realise but we were completely convinced that it would work there must be a sound recording of that somewhere I think I was sitting round on my own at the Diener quite a lot and no some point oh those were two leather coats Dennis’ and mine and they got stolen in Berlin then also sent them to you there it is the Bembel that’s Jan right but a proper one didn’t they cozy mods beat again a glass of vodka that is and at some point Oliver and Maike were like we have to go now careful he’s difficult A like Anderground no Wilfried must’ve been there too he joined us later mods beat again oh on the benches oh that was the model for the Städel exhibition A like Anderground Innsbruck at three minutes past six p.m. that’s OVM Gone Wild I mean look for them it was also a bit like too stoned too move oh yeah tell us about that one how was that again the joke went like this so once Golowka DJs at the Jam A naw that’s I know new glasses now in retrospect I’d almost go so far to say that for me that was but wouldn’t you agree that that was always the best moment oh I honestly don’t remember hang on it was something about Golowka service area I quite liked that arrangement I think that was in London the best night I think we were just hanging out at the space there at these mod parties where everyone was dancing all stiff and we were in stitches that time yeah it was about Golowka at a service area ah right there we did the I was also in that room we hung something wasn’t any occasion proper and suddenly you’d just get down on your knees and lie but the structure that was the Städel museum and I was thinking A side A like Anderground naw over it and were laughing a lot as well yeah and Emily Maike Oliver down on your back on the dance floor in your suit that was always about putting up a banner there yeah A side A like Anderground at some train station probably because of that and Oliver yeah go on play that again why don’t you yer twat such a great special effect looking quite good but the guy in the background has a wicked belt buckle doesn’t he took a picture from the inside no Oliver Maike I only saw that move once a modified version of it obviously when to explain to Marcus oh yes train station what’s what’s that now Niklas did it upstairs at the Molotow in St Pauli and they were and then he covered it with a serviette or what that’s probably me into the mirror look that’s in LA now terror playing this song and suddenly you were lying on the ground this is a different model where you explained to me but there were a few more things where we thought these are our into the mirror yeah that one’s already given me a few scares twitching wildly and everyone surrounding you what a great picture yeah what did I explain to you jokes that are suddenly appearing in the press into the mirror Hank and my exhibition there in the LightBox with the so Oliver Maike Emily Hank you and I cooked together it was slightly different though ‘cos there’s this video right that’s definitely at the Togo yeah glug glug glug we thought was about Peckel swinging hips Surf Champ and Joy Madonna looking good that was with Björn Marcus on the floor nice one you instantly recognise that the Surf Champ pictures the pinball and Joy exactly cooked and ate there at the space Slow Madonna this slow song where they’re dancing with their no that’s in Hamburg somewhere nearby that was during our glug glug glug camera is crooked you went and used a pinball game yeah upper bodies like this lunch break somewhere near the museum where is the one with Björn yeah pretty good I’ve got that here in my folder by Kylie Minogue the bag of sugar that was at Café Kante in Frankfurt that’s you in Berlin and that was a Funny Face no not one twenty-three okay but then we also started drinking there Kylie Minogue exactly and then also what I always did that was so one is a bit ripped the other one too and one is full at the top on the left Easter Beatle each canvas represents one game we were drinking vodka ‘cos it was after our band rehearsal also like as a continuation on the floor that has some sort of art theory about it but for the life of me I can’t whatever are we doing there who can see the Funny Face yeah and then we started listening to music and then so no idea how so that was the good mood explain it now there’s an Oskar-von-Miller Strasse poster up there I don’t see a Funny Face and filmed it from above and then basically projected the video we came up with the idea that everyone had to dance down on that was Miscellaneous me neither but it was really important ah okay I do but the two back tires of that bus onto the canvas and with paint tracked the ball movements the ground since we’re all in such a good mood now shall we do another that was we were completely convinced that was extremely good I think everyone’s queuing there waiting for their turn to take a and the laughing face great and also this was a four Miscellaneous that’s a wee man walking along there picture Daniel Richter opening and the smile of the chain and also wasn’t that the And Down but that honestly lasted a whole year that I couldn’t dance what a combination ah Galerie der Gegenwart right if you’d stood a bit further to the right it would’ve been even more where was this a four-man party anywhere without rolling around on the floor didn’t do much for my we were so convinced by that line of argument with that model eee ooh obvious and also used a different type brush for each player ah yeah right suit jackets obviously three sugar bags one ripped open and the the scraps propped up that night that’s how he is very nice a four-man party it’s addictive isn’t it like a figure there sublime first we wanted to use a different colour for each player that might until the cops showed up four of them it was crazy loud though absolutely addictive maybe maybe it was where you go for lunch at the actor’s cafeteria is when the Niki de Saint Phalle one was made where we tried to I thought it was brilliant that someone cut that out that’s in have been slightly more the sound what I did the other night in Leipzig was this break-dancing that was some hardcore art theory that was create the limerick Charlottenburg interesting we were listening to music so loudly and with this dancing style I handstand that none of us can actually do but all that matters is it was art theory something hardcore about the state of being ah right that was Lenny but we couldn’t think of any colours don’t remember how we came up with that that you get down on the floor and pretend without qualities and and and but so then these are also the piss-up photos that’s the oldest ad he’s cut out the complete figure in that one have they been lost or do you still have them And Down I once fell on my face at Oskar-von-Miller Strasse do you remember ah and that’s another good one apparently I oh come on now who can still recite the limerick unfortunately you can’t really see that in the picture they’re in LA And Down And Down just like that like a wall of cabinets fell over onto my back and then fucking hell Niki Niki de Saint Phalle and then over there on top a beam in the face and oh now here in LA And Down I lay there and suddenly everyone came running over is Photoshop opening up again Niki Niki de Saint Phalle come the yeah it was called And Down ‘cos at some point everyone was just while you were dancing or what fucking hell Niki Niki de Saint Phalle your coonty hair I shall now you and Simon and Garfunkel birches’ perches don’t go crack that was at the Gropiusbau Nitsch had an exhibition there and he yelling and down that’s how you had to dance right at the front space fucking hell gall what we can see here very clearly cunts don’t glow in the dark showed all the equipment of the Six Day Play that Dennis and I incredible at a party though there he is no but it’s not that one but nearly labelled great at one of the external events ‘cos there were these Silke Hohmann no no it was totally different but nearly why did you label the equipment I think Joy was a bit taken aback by the whole thing was celebrating her birthday Cancel Niki Niki by Hank twentieth no when was it twenty seventh of May in ninety-eight Joy was well Joy had only recently come into the group though okay so I’ll go get my coffee then anyone else for coffee ah Roberto Ohrt and I in space of May was ‘cos we were in charge of that at the Six Day Play it’s the perfect way to dance yeah ah ah okay my mother’s birthday there I see exactly that number twelve there was yours I’d love to know what was playing there yeah ah Niki Niki de Saint Phalle before last orders we hear them call let’s eee ooh to send the equipment off what the hell do I need a backdrop for yeah hey Surf Champ order at the George and Dragon always more than just one flagon and then it continued yours but for me that was also I can’t carry five cups here we have to look at this again that’s not a limerick though our limerick went like this Roberto two pale ales throw on this poem’s nonsense some light Truffle and then you took photos of it and there’s the police already they’ll give you one of those thingies that was at yours Marcus I left a little note there for you Ohrt and me in space the director’s thinking what a waste Brook carries no water try as it might cock-country as a place is yeah ‘cos right the tray 458 459

tray what a fucking mess right I remember that was very nice the whole Oskar-von-Miller Strasse situation so basically that I then circulated around on everyone’s heads yeah I’ll give you one that’s and I don’t remember we made a sound recording at this shop couldn’t continue to play such a big part in something where the Roberto didn’t make a very favourable impression that night and Dennis and I were DJing and I kind of witnessed the whole and how about some cake well yeah but as a flyer it obviously works better and we were pissing ourselves over all the stuff there the shop relationship is so unclear like this ‘cos I ‘cos I well if I did then there because he was stepping on all the girls’ feet thing also made me laugh a few times but at some point it stopped no something that doesn’t go so well together is mineral water in assistants found us a bit suspect actually and then I transcribed needed to be clear-cut compensation right then the water thing started being funny but as far as Roberto was concerned it had to tiramisu coffee the recording and wanted to publish it under the title Jodie but the and I think it’s good that you saw it that way ‘cos I wasn’t really it actually started quite gradually like from what I remember we continue in that way no not tiramisu did you do that text wasn’t nearly as able to were all sitting at the long table the New Year’s dining table the I think we made it pretty clear that we weren’t up for it anymore tiramisu I wouldn’t mind some tiramisu I didn’t think it was sparkling powerful in that context we had quite a few talks about the whole Oskar- long white for this aggro style partying that’s also something I remember ‘cos coffee you’ve been drinking this mineral water for the past two days now powerful as the original situation where we almost pissed von-Miller Strasse time as well though which were very goulash was served that was a bit I’ll go with you Marcus no the one yesterday was different this one’s got a slightly sour ourselves with laughter every two minutes disappointing and as usual we had to wait for the food the discussion that it triggered what time is it now four taste that’s what usually happens disappointing or even opened up old wounds and painted things no that’s not true it all started quite early as well Michael remember we still need the music so but I think we also had worse than they had been in my mind for example we also talked yes it all started even before the New Year’s party it already started yeah you won’t turn into a pumpkin now Niklas and maybe mention before that the end of two thousand seven about comparing things to the Factory Andy Warhol and what naw well there was for food naw we did have goulash exactly what’s going on now New Year’s Eve photos Chris was also the end of me working for you that’s when that things were like for his collaborators and all that no I remember well maybe we still had to sort of maybe that was that shit’s always annoyed me that you’d always either got so what happened at New Year’s yeah well I basically realised that more and more resentment was supposed to happen later I’m not sure we were sitting there for punched in the face or someone poured water over your head or [TRACK 811_0023] New Year’s ended and then you began planning the Tirala book and all that building up against me but behind my back which was what quite some time and the general mood was a bit like not quite made you trip at Oskar-von-Miller Strasse in Berlin exactly was so unpleasant about it and which was also why I often why there we were all a bit bored actually and Roberto just out of I mean we did that’s how we did things for many years ripping so where were we ah just quickly before New Year’s Tralala I said that we should all sit down together ‘cos it was always boredom was knocking back one wine after the other so basically each others’ shirts open now we’re going down the horse yeah that didn’t really work out we had a few talks and for some like whenever I spoke to Hank on the phone information came after one hour he was about to hit the roof while everyone else well that’s okay until you’re twenty-five now we’re going to New Year’s that was reason it didn’t feel right or wasn’t working so through about things you guys had discussed and when I spoke ‘cos it was still light outside even and suddenly the call was okay it’s over that was sort of that was now we’re going down there Marcus had just bought the horse masks you were asking for too much money to you you told me what Dennis had said and so on and what I the exact same thing happened at my wedding where he was also sort of strange ‘cos it was so absurd that that would just suddenly yeah but we haven’t finished two thousand seven yet have we New Year’s preparations started out well yeah maybe I wanted more recognition and less of having to actually wanted was for everyone to sit down together and that knocking back the wine and got completely pissed and was then be an order no we’re gonna do New Year’s two thousand seven now ah no all wrong all wrong contribute my own ideas everyone should get a chance to speak to each other face-to-face bellyaching around about how fucked up that at the Friday Kitchen not everyone at once please so shall we do New Year’s now before the did I DJ there and I couldn’t for me that was too uncertain whether I’d be able to instead of things getting passed on Chinese-whispers-style but you always had to wait for your food until Friemel eventually said yeah sorry that’s the last thing I have in two thousand seven everyone DJed say okay I can pay you on a regular basis or for each project and I that never really happened and that’s over time that created a listen what’s the matter with you ‘cos Thomas obviously felt it was sort of strange that the call would be made that now we I also have the planning of Dash Snow did I DJ there ‘cos I’ve got think then you said no then that was too uncertain for you that you certain distance to everything which Hank and I out of everyone responsible but after that never actually managed to get out of weren’t allowed to behave as wildly at parties as before that those that wasn’t all that funny either you were also one of the DJs had to make up your mind managed to eventually bridge and we kind of got closer again that role because then Roberto was going on and on for half an times were over it wasn’t all that funny but maybe we could ‘cos for a while in two thousand seven for a while at every Friday I think you were paying me ten euros an hour and then I was a ‘cos we also spoke about other things and not and there wasn’t hour about the long waiting time and the whole table went quiet all I said was do it with someone else ‘cos the Hamburg crew were we’ll just do that verbally Kitchen event at midnight on the dot I played one song from LA bit like so much mistrust between us or the feeling that there were still yeah he has a few like sore spots where he immediately loses always the most extreme Dash Snow from LA twenty marks unresolved issues hanging in the air and all that and that’s also it delayed trains for example food waiting for your food at a yeah we always heard the Hamburg lot should stop doing that so what happened was what did Nagel say this can be about more yeah that was in two thousand eight alright ‘cos you said you couldn’t pay me more and I was like what the time round this New Year’s party in two thousand seven restaurant or wherever a few issues where he immediately loses it now that it wasn’t happening anymore and to us that just seemed than just money do you remember but not at New Year’s alright but I’d like you to tell me that when you have the money felt like to me he also enjoys situations where he can have a good rant completely absurd ‘cos it was more a fun thing and I think that about more than just money no two thousand seven ‘cos that was more more towards the end you’ll pay me more because basically I’m invaluable to you as ah right two thousand seven yeah that’s that’s just his thing but what happened there was the especially aggravated Roberto the fact that someone would tell more than just the award money that we should have an event at of two thousand seven ‘cos that was the start of my time in LA and an assistant ‘cos obviously I’m totally involved and but I think the yeah typical situation so boredom nothing to do everyone sitting there him that suddenly he wasn’t allowed to be wild anymore I think the space I didn’t even have my own computer then I always had to borrow main point was that I should identify with it and think about it also I’m the only one dying to hear about this now and it was all a bit well stiff actually and already he started with the that also added to it ah yeah right the computer from Berry and Brückerl and then with then I DJed outside of my work time and contribute my own ideas and I said no about what plucking the flowers apart and throwing them across the table and I didn’t get any water over my head or anything that night or and you knew this carpenter I don’t remember his name and so over the phone or something I want this to be strictly an employer employee relationship a clear about New Year’s two thousand seven basically the old games but it was the they weren’t really called for anything then we said well okay we’ll build a replica of this wall and before it was on November ninth two thousand seven that you did that separation precisely because of all the difficulties we’d had before but you’ve already heard about it anymore especially not in that situation I did twice that was like a that I had taken these photos in which I completely erased this I did it three times in a row I wanted to clearly separate things so basically that I would come just some vague stories but again like this I don’t see it like that so the way I experienced it was that at some that night you only I remember that Roberto walking in this sort of Dash Snow piece the whole content the collages and all that stuff yeah exactly three weeks in a row and be at your disposal the whole time I was there and do my very point the splashing water thing got a bit annoying semicircle sort of drifting whacked into the DJ desk and it just slid that he had neatly pasted together were all gone and with the yeah always it was always three p.m. my time and midnight your best but nothing beyond that but you would’ve preferred or at least but you know the stories that was also the back and down wallpaper we wanted and exactly he was supposed to build a time it was important to you that I should or the person working for you but in bundled form like this because it was just nonstop the DJ desk was set up on this sort of wooden board on top of this wall with all the frames on it and then we wanted to smack our yeah should identify themselves with it beyond that so we set it up quite well I think Marcus and I also repeated the it already started with the Fahnenfleck mobile scaffold and then the board just slipped away and both so wallpaper on top of it that’s why I thought that I maybe played a song that night as well yeah yeah that was telephone thing to invite people to the New Year’s party we’d bought something at the Fahnenfleck the mixer and both record players and with records just tumbling yeah that was New Year’s though but for me that wasn’t possible that would’ve been like a fuzzy right yeah down into this basket trolley and there’s one photo of Dennis completely yeah separation ‘cos once again fuzzy boundaries and also that which then resulted in the Francis Bacon text although it was the squirting Sonja and Denise pulling out the record player I would’ve quite liked to try that actually you were there yourself wouldn’t have allowed me to have a clear head for other things actually quite half-arsed ‘cos it was also it had been done before ah the photo camera after that the music was down for half an hour yeah me too no and so that was in that situation it couldn’t work this calling people up to invite them to the New Year’s party and it right with the spraying function and then we pulled all the things back out that that thing still that was a crazy effort ah so you weren’t there but if you look at it this way it turned out pretty okay because then didn’t really feel as lively ‘cos it was simply this sort of repetition of right where Roberto instantly I’d only had it in my hand one second produced any sound was a complete miracle a crazy effort but with you it was always like it’s not lying completely no I was in LA you started the gallery something without coming up with something new that joke camera and then Roberto yeah also since I wasn’t exactly sober myself so it took for-fuckin’- smoothly on the wall and then I’d be like well that’s great if it’s not you were in LA that wasn’t until two years later though but Fahnenfleck was great I’d like to stress got sprayed a bit and obviously wanted to have it himself ever always smooth that’s just but it clings onto it really weirdly chronologically from what I remember so preparations for the two years later yeah I think at that point you had to decide whether yeah yeah the stuff we bought the horse heads and all that the that’s obviously a bit stupid especially if all the other kids also want and then there was this moment everything had been set up again yeah that would actually have been quite good New Year’s party in Berlin started when Michael came to see me you wanted to commit to more hours with Herr von Eden or decorations were really quite good and then the text was also to play with the water-spraying camera and we were playing music and I was DJing from an MP3 player that was hard work we had to measure every single Dash Snow in Hamburg and we went to the Fahnenfleck and could hardly something or at least the question was sort of that you needed wallpapered onto the bar and it actually still exists with all the yeah but you could just get your own stuff for a New Year’s party for the first time and there was a problem because it runs at twice frame with a yardstick content ourselves because of all the great stuff they sold there more money and I think I couldn’t stains and all that which is very nice yeah and then these two and then that weapon instrument was too small for him and didn’t the speed and so produces like Mickey Mouse sound and I didn’t and so why didn’t we do it in the end content ourselves I don’t think it didn’t work out ‘cos of the money actually it had heads were used these two horse heads really do it anymore and the know how to fix it and was trying to concentrate and suddenly I well because I’m not sure either like half a year later Nagel said to among other things we bought two giant horse masks fake sugar more to do with where to set the boundaries so to speak and where did these come from now the weapon instrument see how from above me you guys are really stupid bags and other basically your expectations versus what I was willing to give from Fahnenfleck and then gradually things were starting to escalate water stupid fake sugar bags didn’t we also have so there was the phase following two thousand what an idiot right and I remember that pissed me off as well ‘cos as a precaution stream like a wild stream like a waterfall the water running down that he’d like to see something other than just like illuminated sugar bags that are impossible to rip open six for me was like an orientation phase so as I often I thought I Fahnenfleck is this joke shop I’d even taken a spare T-shirt and shirt and and then Roberto my face and then I look up and Roberto’s standing there with the letters that you can’t rip open Callies fell for it and so equipped with an basically don’t know where to take things from here if our working party supply and flag shop in Hamburg pretty evil bottle and again on the whole system and everything and at that call him I’d like to hear him say that again entire set of table cloths serviettes the Bavarian diamond pattern method over the past years had been based on producing as a strangely there are only very few photos of that New Year’s ‘cos then poured out an entire one-litre bottle over my head I mean point it was just a knee-jerk reaction I just slapped him with my Christian Nagel exactly and then this one here he cut out all the just for you Niklas group or many people had always been involved in the working the digital cameras sort of ran out of batteries or something could it was New Year’s it was minus four degrees outside but alright flat hand heads and moved them down me or Niklas process and I before anything else I now had to find out where that be I came equipped so I changed my shirt and again three minutes where oh really the tables were set all in white we just quickly put a new table cloth to take things which is also why for me it was it felt strange that Chris took tons of photos this is only a small selection now later in the face yeah where Niklas would be sitting I should pay anyone that much money and how it should be and when we came in with the two horse masks Roberto was that was pretty in the face which one that was really nice charged and whether I’d be able to afford it and all that immediately up for it and wanted to take it wanted to put it one and that was just annoying ‘cos I only had wet clothes and on New yeah Dash Snow Herzog’s Dash and you also had a Bavarian paper cup and and and at the same time for me it was also the lesson I’d learned from wanted to put it on himself and as these things go the horse mask Year’s that’s quite grim ‘cos of the cold wasn’t that slightly different though that was I saw that as well you 460 461

went up to Roberto and were like stop this shit now well I was never a part of that I don’t remember if you separated the Rüsselsheim girl combo party and then I said to my architects oh dear I think yeah I just ‘cos I was so shocked all that water over my head suddenly yes you were yes I did at some point I separated you at some point I had to where I DJed get back home yeah or what have you got for two thousand seven Dennis that slap was just an instant defensive reaction me neither separate you were celebrating their thirtieth birthdays together at this what’s it I have to go home and check on my boys two thousand seven is done didn’t that also kill something in the stereo system so ripping open each other’s shirts and all that but so we didn’t actually have a real fistfight called again no during that time I had I was also pretty tired of this whole party so in two thousand eight I was invited by the Kunstverein there I don’t know all I know is that you ran off yeah that was an inside thing anyway not a real one the Rind terror stuff and also dropped out of the whole Hearts Are Trumps was this I think on a monthly basis they were hosting this artist talk that was that was no that was more between you two actually there was a lot of pushing around and grabbing each other and no next door on the left the Candy thing ‘cos it suddenly seemed like a tired old ritual thing and I noticed that the director the head of the Kunstverein I think the slap I still saw I think you had you were pissed off ‘cos of that’s not true screaming at each other and all that and after that the party was Candy Bar Candy Club or whatever very ritualised and especially in Hamburg whenever I was there Cruz Martinez wasn’t there anymore the stereo as well and went over to Roberto and told him Roberto Friemel maybe kinda down Candy like sort of dull and old like same old same old always down the bye-bye Martinez stop this shit now and while you were saying it Roberto poured out once I after that it was over and I was there ‘cos of Lisa but didn’t actually have any any of my same path I think that was during that time she was bye-bye Martinez already in Barcelona and yeah her more water over you from behind but we did have this phase where just for a laugh we and then and then we went inside and it was still and all quiet so no more friends there with me although I have pretty good memories of that in Hamburg we did post was now vacant and so together with Daniel Baumann I yeah we said we should make club clothes ‘cos otherwise our losses music and then this sort of like a discussion round formed almost yes me play a lot of cards but it was sort of it was sometimes I really decided to hold an inaugural speech as the new director of the and that’s when you slapped him would be too great like a group and then I remember that you arrived much later though miss it because to me it felt like I had so much time on my hands Kunstverein and so that’s how it was announced Michael Riedel exactly that’s how it was yeah exactly ‘cos we were costing each other too much money Roberto was still there I remember that yes me and also just spent a lot of relaxed time with friends without the will be delivering the inaugural address as new director and it was that’s how I remember it but I have to add I was pretty the time we went in tracksuits to the to the Roberto was there yeah me whole working atmosphere which I now never have anymore now quite a good turnout for an artist talk blimey harbour he partook in the fighting and that was everyone knew each other they were all old mates whenever I see my friends it’s also about work right I was there too that’s Roberto there on the left to some opening god what a shouting match and I was on my own and so didn’t have anything else to do and so the dangerous Hamburg boys just spent shitloads of time there the place is filling up yeah yeah yeah but anyway that night the whole thing had sort of a he could hardly speak though so I drank I was drinking vodka and DJing no drinking vodka and playing cards and to me it sometimes felt like this mindless time- and the text we’d written was also quite good it was a kind of what the hell does Peik have there different character just stammering playing records and at some point the fuse just blows and then I killing activity but sometimes we did manage to break out of the repositioning of the Kunstverein as and institution with a special he also got his fair share during the whole thing yeah especially since the basic vibe wasn’t as homogenous well Roberto already like one hour before the whole water thing started making up party games by myself and one of them was routine and there was also this point why not just bring that up focus on Frankfurt and the way the inaugural address was there on the right that’s you Marcus with the bottle completely anymore ‘cos we got together that night but some of us hadn’t started Roberto already had to sit down someone was talking my ear off was standing opposite me like here while we’re at it there was this incident at a Babu game delivered was that either me or Daniel would read off a paragraph drenched already seen each for a long time and I think I don’t know how it got to that yeah yeah and I remember that then Denise that she really with his mouth open and at some point I put my finger in his mouth the jury the grand jury was called together and the person who wasn’t reading would try to reiterate what had yeah well I was breathing fire at that point I know how it was I was I was actually kind of holding back that interfered and sort of came forward with this reproach against which is really a horrible feeling when you get a whole finger in right where the grand jury was called together been read and then that was the voice recognition programme I stayed completely dry that night fortunately night I couldn’t really get into the mood and didn’t really feel like the aggressiveness of the Hamburg lot and it was also actually your mouth and that had such an extreme effect that I then went right was then also projected onto the wall and there was like a round I also got away quite lightly ‘cos I was I stayed in the background enjoying the party ‘cos Lisa and I had just had some quite big specifically directed at me which was completely absurd inmy and did it with everyone but no verdict was ever spoken for discussion which they stopped way too early though because wasn’t really that trouble and I wasn’t really like in a happy mood actually and opinion ‘cos I felt like I was sort of the victim a bit Games for When You’re Alone the adult version there was there was a lot of interest but for some reason there was not but there was also something between you two ‘cos there was till midnight I’d hardly drunk anything and only started after the but what do you mean by Hamburg lot actually yeah that was really mad and then things got really wild I think I but that was very memorable that Niklas me the Red One Roberto enough time to properly discuss things a great hullabaloo when it I couldn’t believe my eyes you were fireworks and all that to kinda get into the swing of things a bit and yeah at the hotdog stand with the do-it-yourself hotdogs I think I started were involved were for like four months wasn’t the title for that Kunste zur Text running around I don’t remember why and then you ran outside I spent quite a lot of time hiding from Roberto ‘cos with the whole me and Niklas and Roberto splashing the ketchup about and then the dance floor was full of Sven there was Kunste zur Text was mentioned in the inaugural speech that was what Michael just started talking about right water thing anyway I wasn’t really up for that anyway and was Roberto ketchup and then ah yeah like from behind against the backs of Sven we hadn’t fallen out with each other but everyone was yeah I think that was already it and as a result what happened yeah kinda hiding a little and then Roberto was causing trouble again but I’m really no I never knew we had this reputation people’s knees and just kind of sat them down and some of them constantly in a bad mood next was that Daniel Birnbaum said to me I should actually apply let me just say briefly generally I found the atmosphere wasn’t and I think Michael you’d got it again and had this wild look on and then it was kind of right into the ketchup I don’t remember yeah for the job I had a pretty great list of referees and actually tried to bad I remember I was dancing up on the pay desk at some point your face and I was hiding kinda joking around a little and then you you’re not from Hamburg though I wasn’t even there yet at that point and Timo constantly calling Roberto and Roberto would never and in the end it was between me and another candidate on that narrow thing at the front where Anka and Hanne were looked at me and I was like whoa whoa and then ran off and you yes I am I that was at half nine answer his phone who was the other candidate manning the door the whole time so the overall mood music and came after me ‘cos this this my running away instantly triggered I thought that referred to the Hamburg lot not people from Leipzig it must’ve been really early and I was asked to sort of mediate between them Holger Grube Ventura who’s still the director now people were dancing it wasn’t like your hunting instinct I think Marcus that was when you were still living in Gera no no you were there already it must’ve been later my brand new yeah we made you right the one who’s treated four women badly yeah yeah that was kind of now Leipzig finally gets a mention for the first time cashmere jumper I had to throw in the bin afterwards and then that was half as a joke though what just some dull party but then this this being aggressive just for it was like it’s one of them after him sort of and in that state ‘cos it was already four in the morning or someone came up to me and he was angry and he sort of pushed the two of us as the grand jury yeah the sake of it effect started which it has to be said was initiated by the whole situation was so dead serious whatever it was already relatively late no one was seeing things me and then I cut my hand a little bit on some glass that was lying right there’s a photo as well what more detail please go on Roberto when he was stepping on people’s feet and then I ran outside and was holding the door shut from outside clearly anymore and so it was just left at that and everyone sort of on the floor and had a little bit of bleeding going on and I was like communication consisted of these endless emails Holger Grube Ventura has treated four women badly I constantly had girls come up to me I still thought we were having fun I was still laughing trotted off home one way or the other look I’m bleeding I’m bleeding and as a result Dennis instantly had yeah yeah it was half a joke but eventually turned serious why so many four so a type of vandalism like a destructive element that was there was nothing funny in it yeah my poor victim kicked out out of solidarity yeah suddenly it was dead serious I don’t know introduced and the thing with the held the door from outside and but you had such momentum and then really yeah that was strange and that also marked the end of the card who’s told you that although it needs to be said that during this whole time Roberto vroom you came shooting out and I ran away already kinda scared I did feel sorry for you when I saw you out there in the street yeah yeah and I was honestly pleased as punch that I as if I that games definitely for a year and a half which women was getting it too ‘cos you were in quite a wild state actually and you came after me actually I could actually have my victims kicked out if they merely tried to yeah I think Doreen Mende said it well it gets to the point where you just react and in full flight pulled my foot backwards out from underneath that was brutal you’re right defend themselves a little but later he was allowed back in and but honestly my routine during that time was Mondays play cards ah and then he’d get it back and then it was going back and forth me and it was brutal how I smashed to the pavement it really hurt and for two days I had we sorted things out and that night I snogged Katrin Heydekamp at the seamen’s mission and table tennis then Wednesdays meet did she say hordes of or four and I think the thing with the pouring out water over other people but it didn’t end there did it ‘cos we saw the whole thing from inside like what the hell was I think which was also very funny I think there are photos of that up at the Pudel maybe also on Thursdays meet at the Galeron for four so in retrospect most of the time at Oskar-von-Miller Strasse the and then from the pain as well I was suddenly livid especially my that now as well a card game then Fridays and Saturdays it was the weekend so I call her do you wanna call her parties were always in the middle of summer when it was always sense of fairness ‘cos I was innocent ‘cos I hadn’t even taken I honestly had like this four centimetre scrape bruise on my leg which got me all riled up again was out and about or call Holger just scorching hot part in all the trouble which I have to admit was an exception ‘cos and had difficulties getting up the stairs ‘cos it hurt so much is she one of your exes or what playing boule playing cards no Doreen but we didn’t pay attention to the weather there either that was normally I wasn’t really I was always up for stuff like that but you’re okay now right no not that but he should’ve been snogging Lisa party that was actually I’m sure she knows what she’s saying she’s not one to talk shite always you’re no choirboy now I’m okay but then what was also really extreme for me was it had nothing to do with her though she was obviously there that okay let’s think about our readers now is she you think you’ve never been one to pass up a good round of fun ‘cos during the following days I had people I met in Berlin had night okay our readers let’s think about our readers usually not so anyway then he took over the Kunstverein and but we had this discussion later at the very end ‘cos after our right and so I came back and kinda stopped you and tried to talk to them ask me what was the matter with me and then Beate Bauer yeah true but it was kind of I think we’re done with two thousand seven since then it’s been going the same as always little incident the party just abruptly ended and then this massive you actually I wanted to punch you but then I couldn’t bring myself also called me up or something and asked me what was wrong but I was later blamed for all that and it got lumped together two thousand eight it’s become a place that you actually don’t go to anymore shouting match ensued inside the space and the main point of to do that and didn’t want to and so I was pushing you up against with me and then this thing went round ‘cos two months prior to with the New Year’s thing and everyone was saying that I had a in two thousand eight things are thinning out thin thinner the Miscellaneous discussion was that it wasn’t cool to do that to each other so the window and tried to come up with the meanest possible things this there was this party in Rüsselsheim where I had behaved problem and I couldn’t deal with things anymore and was drinking thinnest Francis Bacon was still in two thousand seven anyway Miscellaneous two thousand eight that you could play these jokes on other people but not inside to say to you sort of as a quite aggressively too much and when I drank I got aggressive and all that although so what’s Francis Bacon then blimey the group which was also a stupid that was bollocks that was the and then you said go transcribe your texts yourself next time that was pretty crazy though it was only this one party two or three months before and then at well the text we mentioned earlier the invitation text for the New one picture biggest mistake no it was something different I said but you were just trying to pulling people around and stuff New Year’s I was actually really quiet and standing off to the side Year’s party wow that is scanty let’s take a closer look at this but I also found that in the past the parties hadn’t been like get away and kinda pushing me away and I kept grabbing you what is the matter with you Niklas and that really pissed me off ‘cos in retrospect it was all painted ah right the one we danced on yeah let’s take a closer look completely destroying each other like it happened that night ‘cos and obviously people were watching us from inside or through Niklas these false allegations were made but I really respect Michael for and that then we pasted the text to the bar so the New Year’s party that’s Roberto in Berlin yeah now things are getting scanty nothing I mean the window pane and that marked this break in the party and it that time I’d just completely lost all my inhibitions from my I think a week later you called me up and sort of confirmed my we just talked about happened during that time is that possible don’t you remember how we used to rip the buttons off each was like this wound lots of people had already left anyway ‘cos it viewpoint I wasn’t actually being aggressive just a kind of game version and said you were really sorry for the physical aggression ah okay except for the the DJ boat party other’s best shirts was so wild I was laughing the whole time but it’s not completely clear so if that’s true and then I’ve got Miscellaneous and then there’s the inaugural I’ll pull it out wait I’ll pull mine out yeah that’s true I had to separate you two there was just vodka involved I was relatively on my own there in I was worried sick in Los Angeles I was worried to death ‘cos the address that I held at the Frankfurter Kunstverein yeah I remember having whole vodka bottles poured out over my head really Rüsselsheim so from the start the girls were organising this party day after I received all the reports via email about the New Year’s let’s do that then although wasn’t Filmed Film in New York also in two thousand 462 463

eight so two thousand four to two thousand well we could just cook there be our chef and then we’d always invite more people Achim made schnitzel for the Michael Beutler opening yep souvenir souvenir yeah don’t you have that on there we don’t have anything on the projector now though along as many as we could and then Ulli cooked for the first time really that’s Ulli so you were just sitting next to these two women and suddenly in connection with two thousand eight I’m sure there’s a photo of Guggenheim ran on until last year and whatsit once designed really nice posters Dirk Herzog’s son there he is that’s Ulli Wulff ‘cos we used Ulli’s mobile to do it they started making out me with the pilot yeah right yum tasty yum tastee there I there I was I there there no and with this long distance method we also with Roberto Hank yeah crazy something’s going seriously wrong there you’re right Filmed Film was in two thousand eight we can do that at the end yum tastee was I there yeah there and me in LA played cards with Marcus in Leipzig Laura Tonke blimey now we could actually squeeze in the Berlin Friday Kitchen again blimey nice one indeed yeah ‘cos that was the time we saw the fake Hank in Hamburg I don’t live in Leipzig I don’t know why you guys have who’s that what was that boat party then I don’t know that action ‘cos in two thousand eight it was pretty I’ve seen him a lot recently oh yeah to Ulli’s ex we were there was this opening organised by Portikus and the it started in two thousand seven and in two thousand eight things who is he oh Werner Brand let’s see who else was there ah Barbara Das Scharfe Eck Friday Kitchen took place on a boat for the first time started with maybe I’ve got them here somewhere no Alexander Wolf and then Achim had then Achim was suddenly right there wasn’t she one of the Bauer sisters Das Scharfe Eck in Frankfurt oh yeah the nice picture should be in there where I my scooter called us up and then at the HAU did that’s the fake Hank ah was that that the Barmer didn’t Miss Le Bomb make deep-fried Mars bars once yeah was on the table and what’s that but there was also a fake Hank who sometimes showed up at the that was the Barmer brilliant did the boat move that’s right the Hebbel am Ufer theatre he did a Friday Kitchen there so we Swabian restaurant do you remember Barmer Insurance I missed that one I was already gone then Manta Schneider no it was moored in one spot I mean we also ‘cos basically it was just the Friday Kitchen people sort of went on tour and at some point I said no I don’t wanna do yeah that rock musician wasn’t I honestly you with the full beard Dennis yeah well that wasn’t really again who would just play some music work at the bar which is this anymore it’s just too much work always with the all that bother exactly I’m drinking from the bottle now no Reuter you guys are wearing the same jumper there let’s do Dutronc why cooking sometimes took a backseat I remember the one one what’s that picture there at the back exactly not directly from the bottle no but similar ones looks like a great party though emergency idea when we didn’t have a cook and basically still from the Friday Kitchen it it says New York on top that’s all whatsit what band was he in again and did that work Hearts Are Trumps via Skype you’re right god how sad wanted to cook taken out of the book Bianca Schöning is dead now yeah it was a bit tricky we had to show you the cards on Skype right there you could briefly see the horse mask again this was supposed to become the album cover for the Jacques order pizza and the glasses portraits why looking quite good it still exists Dutronc CD that I’ve promised Wilfried Kühn since we ordered pizza yeah that was always going on parallel to the other stuff I think she had a stroke Barmer and Andi Diefenbach said to me that thing I should definitely show since four hundred years ago Dirk von Lutzow so you asked loads and loads of people if they could put on your who is she and what was that the bar or what that thing as an exhibit since eighty-seven or eighty-five eighty-six I’ve but then sold it at a profit at the space glasses and then took photos of them guest at the Friday Kitchen no the dance floor as a sculpture or what or maybe even thirty-nine right exactly Winkelsmann Jan Ullmer little side story about Jan Ullmer yeah yeah with the red stain and all well let’s see that then but the delivery service guys were so annoyed ‘cos there were seven yeah so where was I but you didn’t do it and this is the legendary based in Charlottenburg Klaus Richter I was in Switzerland and went for a swim one night at this thermal let’s see Beate I just left it standing there wow I was there for that and later that was published as a book Guggenheim spa and you’re not allowed to talk at night so I’m floating around so and this was the exhibition why wow we always had to order at least fifteen in one go otherwise he right in the warm water and suddenly I hear a voice next to me going Hank’s exhibition I’ve seen these ‘cos I found it too dirty I didn’t like it for some reason don’t tell me that’s not photoshopped wouldn’t have come but the week before we’d done some pizza why ‘cos when you take it take it home with you you have all these Michael and at first I thought it was Denise doing a fake voice and yippee there’s three of my pictures on the wall and why did he like it no testing on different days and at different locations to find the best people goggling at you in your home talking to me in a man’s voice Michael and I turn around and look Hank’s true belter of an exhibition ‘cos that’s exactly the kind of stuff he does that’s one aha and there’s steam everywhere and you can only make out sort of that’s quite nice so why didn’t he do it then the one on the left look how his cheeks bulge out we looked like pizzas ourselves by the end of it I thought the Form Alde Hütt was better as far as its groaner shadowy outlines of people and he comes closer his glasses all Lothar there was the Eckerer’s his name right and when I was still in LA you emailed me about this during potential steamed up like what are you doing here and then it’s Jan Ullmer’s Lothar Tirala Veit Lörs is that the Red One Eckerer that time someone’s mother not Doreen Mende’s this time but yeah Gogglehome sitting next to me at some thermal spa somewhere in Switzerland help no but Tanja Schuh is doing a good dance move there Eckerererererer someone else’s what’s her name someone Italian oh that time Björn made his famous melon curry sounds horrible but who the heck is Jan Ullmer Philip Zeiser there we’d invited Niklas Belenius to come and make Köttbullar Eckerer Gabriela Volanti but doesn’t taste half bad that guy that was some crazy shit Axel Huber and the Beethoven jumpers and that night was really great and crammed brother of Achim Lengererererer Gabriela Gabriela Molanti’s mum had cooked pasta sauce Björn Dahlem mate this guy beautiful god what does he even look like I’ve never seen the guy the one on the left his cheeks bulge out right and she shipped it but it never arrived that’s what I mean yeah in the other folder only the white one’s left Tina Schrott Thomas Winkler everyone there do you have a full beard there Dennis it never arrived and then you went and got like instant Maggi it says Dahlem on my paper guillotine by the way yeah in the other folder beautiful Niklas Belenius he looks like Michael Jackson yeah instant instant soup I took that picture yeah good ol’ Jal Ullmer didn’t Bertolozzi want one of them or something true but glued on right we went to Galeria Kaufhof and bought like pots and pots of Jakob Zoche Jan Ullmer is a lullmer and the Medieval Madness bollocks naw this instant sauce and no one even noticed that was Jakob with his Riot that’s Jan Ullmer there on the left that’s Durrrrk Herzog and that’s Medieval Madness it’s really true you’ve got so much got such a full beard on the Berlin Friday Kitchen it needs to be said the way it all and T-shirt underneath Transnational Republic T-shirt Jan Ullmer and there we were getting pretty good towards the end with the yes he does yeah only on the chin though started was that we got invited by the Appartement that’s a great suit who was sitting next to you at the hot springs mad yeah that party was pretty good actually exactly they’d respect Ullmer Jan that’s right you had to shoot into this castle and then everything would start yeah yeah quite good this fashion boutique Guido Baudach that’s Ullmer Jan that’s right to shake does he still have the gallery don’t know I listened to it again on the way back to Berlin in the car above above Guido Baudach and they had the apricot no what was that that not bad yeah yeah and it sounded like fun to do the Friday Kitchen there once a month and that then Gregor schnapps yeah and this is what Hank’s been saying ‘cos then we let Hank and then are you still with them yeah so that was it Virginie and Thomas came and Achim and we set everything up no the apricot schnapps the the DJ the gnomes no I think for one evening and then took everything home with us afterwards so come on let’s shake it off a bit I’ve dozed off a bit these two girls are kissing there are two girls kissing wasn’t that at so two thousand nine which in retrospect I thought just seemed like too much work and Ulli what do you mean shake it off no they’re not that’s some crazy shit there someone wanted they were serving poppy seed whatsit and wasn’t there anything else in two thousand eight I though the I think we did that four times and then it became clear that it was that’s the guy from the Muppet Show with the hair sticking out the well with some songs and slogans a bit of a pick-me-up yes they are Henry Vincent was shouting around that if someone gave him a Filmed Film exhibition at Zwirner in New York was in the same just too much work that way and didn’t make any sense I think scientist’s assistant I’m all tired now that’s Beate Bauer’s sister what’s her name again Renate knife he knew how to make pure heroin out of it year l that was in two thousand before we had the space at Weydinger Beaker so what did we do there no he made opium right in two thousand eight I was also in New York Strasse two thousand six or seven is that Ulli so Hank I invited Hank from LA always three songs wasn’t it no we Ulrike naw pure heroin man he said where you wanted to call a lawyer yeah exactly no Beaker’s his name said we had a DJ from LA from midnight to ten past twelve no there he’s walking around and like with a knife constantly are there no photos of that and that was mimimimimimi what schnapps are you talking about exactly or from three p.m. to ten past three my time Andrea scratching at it all the people I told about it were like have the show shut down and you had to be careful with the walls and about not getting the one that whatshername brought Olivia Berkenheimer yeah and then Hank would always play two songs and of course yeah and he he no then he hung them up upside down on all the lamps and yeah well no need to go quite that far yeah that was a fucked anything dirty and stuff rowan berry schnapps that was always linked to ‘cos that was the time when everyone Friemel and then these lamps were hanging everywhere so that his heroin up stunt you could’ve really just told me that you were gonna do it what a bore those events were such a bore rowan berry schnapps was suddenly using their mobiles to DJ or it was the beginning of not that either could drip out of them ‘cos I mean I’m the last person to then say no but lots of people right Guido and Katja Barth brought it that and so I’d ask everyone at the Friday Kitchen to be quiet and yes that’s Andrea I went out with her not too long ago right that was also our forehead-round thing was in two thousand eight right Hank I remember someone once threw yeah and where did they get it from from Olivia Berkenheimer then the phone would ring and it was Hank and then we’d have a no utter nonsense yeah more or less no from a specialised schnapps dealer quick chat about what he’d been up to and then he’d play three that’s Andrea there on the left that’s Henry Vincent I’m looking forward to two thousand nine what did they do but she also brought homemade schnapps once songs Angelika yeah in two thousand eight I was in Los Angeles threw a knife at the wall a real punisher wicked Edeka yeah I do actually have the pictures here but we’ve already seen them really so that’s it already no wicked story you see there the two girls are kissing contemporary artist that was in two thousand eight what Usch wicked and Hank was sitting next to them and they were snogging like and that’s Jobst isn’t it yeah the forehead-round exhibition with the card game at the Appartement someone threw a knife against the wall they served schnitzel there once people even danced mad like really extreme or someone like Manfred Peckel ah okay I don’t know and once we asked Dirk Herzog whether he’d like to Achim was cooking that night wicked now we’re getting now we’re pulling out real killers and you let them take a picture of you sitting there no that’s Jobst 464 465

Henry and me who’s wearing the bag there what’s this then something completely different Friday Kitchen or we could just stop here if you want I don’t believe that photo was taken Handy no idea so it easily got seven hundred square metres and before Frankfurt I finished my doctoral dissertation which I’d like to mention here no honestly it’s really great no ‘cos when I store it somewhere it just saves the date of the Henry Vincent Krox Frankfurt Neff pretending to cook I think I sent you these as well well then you didn’t get it import you and Dennis before Krox had I’ve heard they were these two Spanish guys brilliant which you hereby have it’s like Transformers without images not true it still saves it after that yeah and they had this giant club with all sorts of entertainment but that’s it right only the sound right not true are those the the the Andy Warhol screen prints at some point they ran out of dosh and then the whole thing sat well FK Dennis was actually quite a winner to be honest so well I’m in a bit of a slump right now it’s just constantly back and forth about the Seismic Bomb just not true exactly empty with bare floors and all you just had to do this and it went Michael two thousand nine me too unbelievable just do Apple One exactly ffffffff and there at the front where we had the kitchen we had to no in two thousand eight I also tore my Achilles tendon my big project lasted ten years from two thousand three to two Format Hard Drive anything you guys think is really important that two thousand six February twenty-seventh and it was so nice when he said the way he introduced himself in prime it with wall primer sealer to even be able to cook there that ah really thousand thirteen so I’ll go to the hotel for a bit then I’d quite like to we still ought to mention go to Information again please Berlin was really nice was a massive room weren’t you there when it happened the fatsters are in a slump Guggenheim we’ve covered but I’d actually like to have that in one point four megabytes go back one Das Scharfe Eck naw the Hamburg lot who else the book like six select portraits so of us in this case or rather you further down hi I’m Henry Vincent contemporary artist Jason Rhoades Pettibon and I think you were there once as well hang on could I just quickly guys ‘cos I’m not actually visible in it and another one that’s a giant image though and so on maybe Anne-Katrin Ahrens yeah well I’ve still got the postcards to contribute the postcards that must be it one point four megabytes what a tosser there’s the white lamp again Lisa Herfeld playing indoor football I’ll just quickly go online yeah ah yeah right the postcards further down yeah Das Scharfe Eck already existed at that time we’d always we’d let me think now it’s two thousand thirteen right I’ll just quickly go for a walk by myself postcards still says February twenty-seventh two thousand six what about the white lamp always invite people to show one or two things and I invited Ulli as did it like like this we have exactly five beers left Niklas’ opening has to be included as well additional information it’s somehow disappeared well who obviously had to go and invite whatever fifty-eight people now it’s two thousand thirteen it was my mum’s seventieth birthday well then I’ll miss out as usual we didn’t include the posters now but whatever it was in two thousand six I’d like to have it it went AWOL in Berlin somewhere or however many this year so in two thousand eight my mum turned sixty-five why Roberto’s not here anymore it works out just fine now I’ll quickly run over to the hotel and get a jumper I’m a bit cold then why though what else do you wanna know just paint a black one white then that’s the first time Lisa Herfeld has appeared in the photos as far that’s correct I’m in a slump too yeah shall we have a break for an hour two thousand six no it was much bigger so this is Bar Drei now as I’m aware I don’t even remember where she celebrated it how strange yeah two thousand six isn’t possible ‘cos that was when the beam was across the street that was the Friday Kitchen in Berlin where we I think in two that poster with the names was actually pretty good by the way have you got a ball I’ll be right back I’m just grabbing a jumper in there ah right there I’m actually riding in there thousand five we had this curtain for the mountain I think you so Friday Kitchen are we now basically no I thought it was supposed to be thirty-six degrees today yeah look there it is that’s obviously a nuisance there’s it is Hank we drove with the Bar Drei with the scooter into the Bar Drei weren’t even there for that for the mountain exhibition at the old that’s a flyer ah yeah that’s right play football see you in a minute yeah the beam was in there in two thousand six yeah Palast der Republik no with the Friday Kitchen when was that thing when we were at first the Simpsons that’s right none of you were at the Schirn exhibition definitely not for a whole year though or was it eee ooh unbelievable yeah I was I organizing part of the move at the time Tirala’s first Simpsons and then yes I was I was there and even got a guided tour not in February and the guy was livid right we had to take something from A to B for that I don’t want to explain that if we could just go out in the courtyard now and kick a ball around true if that’s two thousand whatsit that’s just so cool Jan Matthé please do for a bit by you my trousers are ripped there with the motor still running Jan Matthé exactly and we only built the white bar in there and no I don’t want to kick a ball around with Eddie what was that yeah this white thing to cook on nothing else and Björn Dahlem built that was unbelievably grim at Tirala’s house you actually want to play football now yeah helicopter shot yeah the benches yeah exactly that was at Tirala’s house we could also walk over there and have something to eat Eddie Argos Eddie Artless there the WMF cube is in there wow that’s amazing do you think Winkler could fly with those shoes the best thing was when the helicopters had to deliver all the do we have a ball here I was yeah in the past seven years I’ve only been to Frankfurt and not the beam but didn’t he come running they can make coffee they make a wicked coffee those shoes and artificial snow because that downhill race was taking place in if we eat now afterwards we’ll really feel twice that was way before well I didn’t really get very far inside you know Attila don’t you Kitzbühel yeah then we’ll just carry on tomorrow that’s not a lot never mind the beam now you didn’t get very far inside no Kitzbühel exactly yeah I’m worried though that then we’ll run out of time that’s not a lot but the letters are already there on it could it be that in the Südtstadt I managed to drive in further Michael wasn’t there not even once in his life and there was this constant helicopter noise and constantly tons well it’s already thinning out now I was here loads of times at least three times to DJ with Eddie yeah but didn’t you at least rev up your engine properly a few times yes of course and tons of snow falling from the sky but only in one area yeah Artless for the wedding there’s one lying there I would’ve backed up into the place maybe once or something that was a bit fast now we can decide if we the reading have you managed to find out oh wow that’s brilliant pity that you can’t really see that it’s the Fedi okay let’s go back to two thousand four and tell everything again a one hour break and then go for food the reading and then when my cider poems were read by those naw so now back house let’s see what comes up here now Bar Drei Lose see if we’ve forgotten something well we could still go on for a little actors your desk yes you can there’s the Drei above the door Kerstin Lose yeah I’d say we still do the games today what do you say ah yeah right back house at Oskar-von-Miller Strasse ah yeah you’re right I need that one that needs to go in the book Kerstin Loser no we’re in two thousand nine now yeah okay ah yeah right yours you had one as well with red wine it’ll get even better poem don’t go so fast Marcus we’re almost out of topics we can still get through a bit more today yeah Friemel beardless no way eee ooh I don’t believe this no beat Fedi’s band played there ah right are we almost through with everything yeah but we still that’s an important chapter the games I was at the Oskar-von-Miller Strasse wedding and now and in the good old Bosch that’s the counterpart to Niklas with the beer bottles how’s he doing anyway wanted to do all the Games for When You’re Alone we could also play a game of cards Rüsselsheim at the party thirty years of Rüsselsheim girls where the hell do you see anything Bosch there Hank no one is going to believe this that looks like Photoshop that go back one go back who are they the games I think that’s actually the final point so we have no the washing machine looks like Photoshop unbelievable that it doesn’t break no idea they were all wearing hats it’s half five we could call the Fichtekränzi what’s going on with Hearts Are Trumps anyway [TRACK 811_0024] the dishwasher that honestly looks like Photoshop English people yeah but we could also see if we I’m completely done with it right check out the front wheel it looks like it’s been artificially inserted Klaus Zwangsleitner so what about two thousand ten two thousand ten two thousand shall we also broach that topic again discuss why that didn’t work we’ve now reached part three Friemel with beard in Zwangsleitner twelve and thirteen out again the exciting Conference of Anecdotes that looked pretty good yeah Berti Kress in two thousand nine there was the theatre piece in Rüsselsheim Babu is pretty good but Hearts Are Trumps good morning that was the best spot in the kitchen in the corner ah yeah so that was that that’s a pinball photo and in two thousand ten we have Miscellaneous for two thousand naw I’m not that fussed to be honest we could watch a few more good morning unless Beate was baking something wow brilliant right we were trying out a different pinball machine but it didn’t nine there isn’t even a Miscellaneous the Deo Record Store was videos Marcus is no longer with us who are they I made sure ‘cos five of us lifted it up on the table and then nobody even come close to Medieval Madness in two thousand ten poster walls or let’s watch the new Bond Marcus is still sleeping Dennis do you see the lamp hanging up there wanted nobody wanted to take it down for me and then but it was fun too what seen it Hank Schmidt in der Beek that’s the one or what nice one it was fun but it didn’t come close the poster battle at the Deo record store how is it Marcus is still waiting to be kicked out of the hotel room by the that’s the one that one’s pretty good yeah Björn Dahlem ordered a wheat beer there was one ball it had one ball in a wheel did Fedi did Fedi what cool cleaning lady and a beautiful boomerang and it obviously came in a giant glass it looked like a flower vase play live Dennis Loesch versus Michael S Riedel the Daniel Craig one right she was pretty though was yours also that pretty I see the boomerang full of beer that did sort of like pressure fuelling he played live what about Niklas‘ gallery the most recent one here Kvelwetits [unintelligible] and what’s that record hanging there are they fighting or dancing yeah was that at the end or the beginning of the night Feder from Munich that was great yeah exactly the opening of the gallery was in two thousand nine what’s it called Golden Eye no what’s it called again what was going on there there at the very end that was pretty good yeah ah yeah right Gone Is Gone I don’t remember this they’re dancing that is really cool Tina Schott what was we still need to talk about Niklas’ gallery Niklas maybe Live Is Live someone had smashed the door in they’re dancing can’t you see that FK Dennis giant bottle of Bärwurz just leave him be if for once he has to take a shit Live is Live that was horrible when they smashed in our door and who’s the girl with Fecht Denis there you can more or less see it to be honest I oh for fuck’s sake it’s Skyfall when was this though I don’t remember this that looks brutal that’s Andrea or Renate Andrea right and so this is the big Friday Kitchen now god so much dust tomorrow ‘cos tomorrow we won’t be able to dedicate enough time Skyfall right and they did it with the stone that was lying in front of it or what she’s one of the two women who were making out ah that’s the new what the dust accumulation rate was like yeah and that’s how to this maybe and how is it probly wasn’t it that’s those two pictures are a real marvel Michael called it Wild Style ‘cos we moved to Karl Marx Allee into it that’s not the floor that’s actually hanging from the ceiling and so we can see ‘cos there’s really not a whole lot left two thousand nice it’s great thanks for the info no it’s really nice and it survived I’ve only got them in black and white the former Café Warschau inside there inside the gob they’d installed a fog machine eleven one film I really recommend is Iron Man it’s the bomb wasn’t it shouldn’t you be able to see on the picture when the brilliant I need them 466 467

babies like some crack junkies that looks so chavvy exactly and Friemel was heating it up more and more so that it that’s Zehetner and Pilli a mouse barricade right Dennis didn’t we build a mouse barricade that’s Friemel but who’s that in the blue I need them rarely have I check out my head how red it is there ‘cos I was would suck suck it in with even more force and Jodie in the living room once that was our mission commando that’s beautiful continuously laughing extremely hard so how many at once did he have on him then so did we build those record shelves ourselves guys where was this and everyone had to muck in or what does it have the but that was obviously also a summer idea I think Marcus had two at the same time they’re just some random shelves that I found somewhere couldn’t that be that we built that in the living room the mouse Hank’s tape player wow that’s beautiful yeah can be done in winter as well though his chest is made out of leather the front door is closed barricade bathtub oh no one of the Lunsen covers Hank but in summer there are more parties available I think at some point we also tried using bigger glasses but that cool is that the mouse barricade and Niklas that thing you see there sitting in the shit water is now yeah check out Dennis didn’t work Bob Dylan it was like wooden boards sitting in your living room and there you’ve already woken up again lots of screwing going on there unbelievable imagine you fall asleep with that thing yeah everyone had to wear a hat is that how a mouse barricade works no way morning a new Hurttig is being put back together imagine that was a flower vase the real Roberto again naw yes morning ah now if you leave it on there for too long ah the peace and quiet the following day the real Roberto not really you never told me that before that’s a screen print of the Warhol Shooting then it hurts like hell what the hell is that yeah I think the mouse would just climb over it your TV sits on top of it I’d say that cactus has dried out wouldn’t you say if tears open your skin that’s me outside oh I’ve never seen this one that’s rubbish ew ew ew no that’s the way they look they have leaves that are that thick it sucks it in like mad Beate crazy how skinny he was there right that was that was the brain fart ‘cos it would just directly wow brilliant Marcus and afterwards we went to yours and Anja Stoffel still round and rosy-cheeked yeah that’s Michael everyone had to wear a hat come rushing back ah yeah here it is I’m throwing that out straight away is it those ones now okay the day after what’s that CD there ah yeah or you didn’t get anything to eat god that was vile what does Niklas have yeah they’re coming now afterwards we drove to yours and wore these pillows on our heads quiet even Paula that’s the shit running out there it’s a stand like a stand to set the TV on top of ah excellent like Napoleon and played records that’s the Stuckrad-Barre Blackbox or else you didn’t get anything to eat godohgod the plumber’s snake wow right that’s right vodka Gorbatschow yeah that’s Jakob Zoche was there as well here’s video this is now the Grappa Game and afterwards we went to yours that was in two thousand four thereabouts manuscript that apple strudel with vanilla ice cream was fucking good we were just like out out with it I mean you try and lift a whole is that a video first thing we did was shave those legs right and that was the white cosy Ja-Disco piccolo and red wine Dennis true bucket full of shit yeah that’s a video that’s why yeah all alone all those alcoholic beverages doesn’t that constantly slosh against I hate the videos Friemel shaving Marcus’ legs Blow Me cigarettes these are Games for When You’re Alone Roberto’s kinda lost his mood though all the shit made it even heavier and there the snake is pushing in with cream cheese or what this is not really all that but the best one’s coming now at Friemel’s that was that’s Lia now that was at your birthday party either your what’s going on with Roberto nonstop getting his picture taken no shit weighs the same as water it’s called an auger looks like it and then Marcus got but the conversation was like thirtieth there so how did that flow back then I remember the motor that pushes it in that’s not Friemel though you can burn yourself doing this though yeah that was the first party we had there he was dead on his feet there that wasn’t the mouse barricade we just closed that off there it makes it clatter through there isn’t that like taking drugs if you have to shave first yeah well thirtieth or thirty-first and a sober Jodie we closed that off ‘cos there was stuff in the back there yeah alright then you explain what that what we’re looking at here but what you see there is not a burn mark it’s more like a love bite go back please yeah that’s a shit barricade that’s Mr Snake himself alright I’ll explain so Thomas Friemel and I were crazy shit Luzi Stahl had already arrived as well those are stills at the back we had like art that we didn’t need any longer was it at night or what yeah go on and the conversation was more along the lines of can we also do Luzi Stahl and Lia ah yeah right they’re videos shall we have a look the shit dam that was cutting hair I this was introduced by Thomas and me with Thomas during our it here can we also do it there could we maybe also do it here on crazy yeah go on there that’s the water flowing back or what there are several haircutting series Beate cutting Achim’s hair surfing holiday in western France this body part and then at some point Friemel wanted to use the I was a bit scared of Luzi Stahl ‘cos she danced with me like well no yeah exactly it flowed out there again ‘cos the basement was the and I think you cutting Hank’s quick interruption the dart board soles of his feet like she was suddenly the man go on let’s have a look lowest point no Daniel Nikolau’s in Salzburg western France not the South of France but we never threw darts at each other did we ah wasn’t that the time when the stereo blew as well I knew they would be boring videos god ah yeah that’s right can also make a different sound no exactly just continue the film just keep going I can still smell it now hair or and why is this always interspersed with card games that was the phase where we were a bit more looser with our us dancing that smell was honestly vile the upper floors of the house afterwards you tell the story with the dart board so did only Thomas and I do this or what no one else trousers I sent Friemel this by email the good old parka the upper floors of the house I think that’ll come up again in a minute anyway I didn’t participate is that actually me in the white shirt okay but that didn’t come out of the sink thingy out of the sink pipe Oskar-von-Miller Strasse that was a nice present your mum made you god how it’s sucked in there is that Hartmut plumber’s snake I was upstairs and you see up there a pipe goes into the sink and who’s that standing out by the rubbish this one now how it gets sucked in all red that’s me plumber’s snake there must be this one photo somewhere of us no I remember how it was it slipped into the washing machine and no way to tell film right there are alcoholic drinks that when you set them on fire that’s the other one naw carrying up all the water from down there the washing machine drained into the sink and it went inside the the building with the studios in Frankfurt and then put your hand over the glass and shake it the skin gets that’s the upper arm I think you guys weren’t even there at the same time upstairs it the washing machine was full of shit water who’s in the space at the top now by the way sucked into the glass the upper arm Michael concentrating really hard ‘cos Luzi was leading right it was still raining then that’s not true Meiken is like cupping yeah yeah yeah ah yeah right here that was in the basement of course actually renting it god look at those balloons that’s Silke Hohmann into the glass call Thomas quite a small party though man that was the absolute worst did you continue to use it afterwards where you went mental that time exactly and so then we started using all parts of our bodies not and then afterwards nice and yeah yeah and didn’t you didn’t you pour the shit water into the sewer drain ninety-five degrees just fell over flat just use the hand to shake it but also our legs and back and so I’m sure it’s still visible wow that’s a great picture no there it was ninety-five degree shit yeah on and so forth yeah Paula and that’s directly but I mean in the entrance area and then shook it so this what you it probably does hurt quite a bit is she already thirteen now or what exactly that was the problem you had to it just kept flowing back but who is or was that the wedding yeah and for the skin on certain hairy body parts to get sucked into ayayay Paula’s thirteen now right the person who took these pictures should definitely get the that’s at the front building the glass you have to remove the hair first like on my calf there god that’s disgusting she’ll start going to clubs soon didn’t we also have mice at some point that we then took to that Pulitzer price don’t you think Oskar-von-Miller Strasse ‘cos otherwise they get burned on the soles of your feet god oh my Mr Bean and that’s a great book there this porn parking garage and set them free but who’s who’s who’s that with the blue we’ve already seen these exactly which doesn’t taste so nice either the most important part was that you had to drink if afterwards magazine where we stuck that thing on the cover do you yeah there were mice in the basement of the rear building definitely not Björn Oskar-von-Miller Strasse 16 ‘cos otherwise it wouldn’t be properly sealed off that’s crack that is remember that thing we basically had everything at some point we had wasps that’s Niklas front view that house was a bit of a fetish actually and I think we even it’s worse than crack right is the front door closed mice no definitely it’s a sculpture yep he’s got leather feet someone has to keep an eye on that my reggae records are there mice I know I was there but definitely didn’t help it’s the main check out how tightly his fist is clenched New York crack that is I closed it and what was going on there again ants is that you it’s a shrine and you’d never done that before or what what forces are at play there anyway a great mood was going on ants yeah in the kitchen we had ants that was crazy no no well it gets sucked in awfully hard there’s air inside the glass which creates a vacuum but what was the occasion right is that Björn the washing machine we already had the Friday Kitchen upstairs there that’s what makes it fun cupping it’s like cupping whatshisface had oh don’t remember anties that got and that towel I still have at home unbelievable yeah I wouldn’t go so far to call it a shrine third knee yeah but I mean on the leathery soles of your foot you can’t someone was cooking right anties in the kitchen exactly the Knoll table but so many photos I mean I think we even did it on the soles of our feet those are not leathery soles though well a little bit yeah we were in high spirits there I think we also have a sound a birthday guitar well it’s the dedicated folder for that as well there’s some really vile photos coming up now could he still walk afterwards recording of that that was some kind of special occasion my birthday the first whatsit test House are we going to the Fichtekränzi later yeah and who’s the other man there with the classic party hats obligatory where is my guitar by the way House okay so that was that yeah I don’t know what drinks are in there though you can only see it a little bit Roberto right the mice they were sometimes also upstairs in the flat always no idea oh that wool blanket is fucked that was nice is that how they make that loquat drink oh Roberto more at night when you were sitting around on your own in the you did actually have a lot of time like you actually built this water very pleasant exactly but actually the loquats are Thomas Friemel’s calf water oh no living room they’d just run past barricade with these clamps and all sorts of stuff what else have I got the medical assistant that’s not Friemel’s nipple that’s Günter Zehetner right we had mice in the living room right there there we’re building that’s Thomas ah true you actually named it House Views 468 469

let’s have a quick look through that as well Bar Oppenheimer only that no one pays attention to your bandage if it’s a nude shot does that bed still exist you’re sitting by yourself in a restaurant and then you start playing Year’s mod party in Hamburg what is it ah that one we sent Marcus these that was in Sweden yeah games with yourself because you don’t know anyone there at the Thalia they’re Dennis’ photos yeah of course and for some reason we just scrunched it up and yeah but approximately is the glass still attached there to Friemel’s foot or what I don’t have that one at the Thalia and there no they’re yours put it with the rest of the rubbish definitely at least seven years ago in the garden at Denise’s parents and then it was always like the idea of mis-buttoning your shirt big dance floor which was pretty crammed they’re mine and then some rats got lost in it and why is this so red shame but with the Button with the Mis-Buttoning Game didn’t we also yeah and there we were like there we said ‘cos whatsit ‘cos Steff mine were and then it was lying there for two years ‘cos the only colour Björn’s ink-jet printer could print in was red yeah we decorated that have a version for more than one player for that in Quadrophenia at one point says she’d like to dance close to Ace they’re mine and the Twilight was underneath the fridge there’s those streaks as well what there are photos of us buttoning each other Face and so then we wanted to do the same and since we couldn’t they’re yours the fridge was was the Twilight Zone yeah yeah and what’s Hands Up yeah really determine who the Ace Face there was we decided it should these are mine this was when Nitsch had the exhibition yeah very nice red wine we’d also use it as a means to try and establish contact with other be the tallest on the dance floor are they still back in Trebur actually and the Twilight that term is from the film Nosnoi Dosor and that came from waterskiing those pains you got from okay people and later there was the Open Fly one ‘cos very often it’s the case that one one person is especially tall they’re still in Trebur yeah that’s right waterskiing or what shall we start with the games then right and kinda towers over everyone else I can get them if you want I see no we’d both brought them with us yes please Open Fly exactly and that one had to be the Ace Face and at the Thalia there was if you need to make space there Michael what were those photos now with Vienna the Vienna I always thought one of you had only done it as a fake yeah good idea which was obviously aimed at wanting someone to come up to one guy who was easily like three heads taller than everyone else I don’t need more space but it would make my dad happy if you preparations no no that was real we don’t have any pictures on that right you and go excuse me your fly is open we always loved playing and so we all crowded around him got them out of there yeah okay alright so in connection with the postcards we should actually talk doesn’t matter that but the rules of the game also say that you have to try so the we’ll go there together open up Portrait about One and Three Chairs again yes Marcus has some exactly person who’s closest to the yeah or you can go by yourself Portrait is one of Dennis’ folders I think or Hank’s postcards and Dennis and Roberto’s I’ve got printouts there’s photos of that as well yeah no no ah okay it’s hanging up on the wall in Roberto’s guest bed in his office let’s just go down the list and also what also plays into it just like with the dancing was basically almost touch them you afraid the Dandy room the game list contradicting these mod rules that we’d actually completely yeah the touching was a bit ten deutschmarks that’s the Dandy right Hank game list internalised like to have some kind of flaw on your clothes forbidden I think that was the Blackbox Dennis feeling Michael’s pulse yeah go on Games for When You’re Alone how did that term come about that was I think the first and coolest stunt Niklas and I pulled in that was part of the problem of this game that the tallest guys very the floor that was in Vienna yeah you it’s yours isn’t it anyway Hamburg that we so that I was wearing a black suit a white shirt often were also the strongest and often that could get you into a bit preparations for the Shroud of Turin there’s the sleepers you got that one didn’t you well like all good things it was born out of boredom and white underpants to enhance it more and then left my fly open of a tricky situation especially on a less than crowded dance floor no Secession I think that was the Secession yeah no I never got that one you were you brought it up at some point and then we went out and you documented the whole thing with yeah not the one at the Thalia though he wasn’t strong he was you think that’s a really good picture but what are you standing in front of there not on the postcard I Games for When You’re Alone ‘cos I was living in Hamburg on your camera shame though that the night in itself wasn’t all that completely harmless I remember how he literally looked down on yeah yeah mean where was the photo taken I mean my own good it was a bit underwhelming in most places kinda empty but us and although the dance floor was relatively empty he had this you’re right those are the boards these are the boards already that one too in Sweden right yeah we were constantly approached in bars in this slightly quizzical cluster of three four people around him yeah yeah somewhere so there were billions of ideas on how to entertain oneself when manner like your fly is open uncomfortably close that slide projector was still sitting in the corner there for over ten that one too that is outside somewhere though right you’re alone and just a fraction of these ideas were actually outlined what was nice though was that you didn’t close it but just thanked that was the funny part as well the difference in size years later I see it at every party they’ll all eventually be included in the rororo monograph in front of some shrubbery right in writing so I assume the ones we’re gonna list and mention now them for pointing it out yeah yeah exactly ‘cos you’re so much taller than me Niklas yeah Caroline charcoal oven or something are only a tiny part of the ones we actually developed/ realized in what other Games for When You’re Alone did we have then yeah the shortest which is why in comparison to you it was even yeah so that’s it wait I remembered it being a lot more basic though Stummel no what was her name again that’s horrible with those things in the background the end I also remember the so-called Games for When You’re Games for When You’re Alone exactly it was already quite fucked though that’s just ten centimetres of Zachert that was at the service area shortly before Hamburg okay scans Alone box containing a die and a vodka bottle I think the fake cigarette was also a Game for When You’re Alone and at the Café Burger I remember for example that the tallest the German master Hans Thoma the favourite artist of the Zachert would be leading too far now oh yeah you’re right and whenever you rolled a six you could take the cigarette that looks like it’s lit but always stays in the same spot was he was this two metre guy built like a tank this Afro-American Germans Stummel yeah a sip so to speak doesn’t really glow fellow citizen who we were almost too intimidated to get too close who Boobs although that was pretty good whenever you didn’t roll a six you could yeah to ‘cos he actually looked really aggressive and it would’ve been here these photos are great I’d never seen them before that’s also Tits brilliant that was schnapps glass vodka bottle and a die that was sort of quite conspicuous to snuggle up to him on the dance floor that the preparations for Vienna me with the canvases so that’s the haircut I want again ah that’s that one’s mad right that’s a great game was a tricky one I’ve never seen these either that one you don’t see at all how high up I am there what else was there what else was in that game box for when yeah where else did we play that one oh Miscellaneous yeah yeah that’s brilliant you’re alone that’s a great game where did it start anyway Miscellaneous really that’s Gabi isn’t it it was actually more of an idea well that obviously came up in the context of this smoking ban at this New Year’s party what’s that called by your finger what was that called just now that was the first time in LA in ninety-seven that was yeah Gabi was pushing me up against there with a broom ‘cos you well there was one set for Games for When You’re Alone in Germany and then you could first of all provoke people by that started I remember perfectly ‘cos that was at this New Year’s that was take-off yeah let’s do it couldn’t get up there to to fill all the holes Ravensburger standing inside with a cigarette party in Hamburg at the Thalia Fabrice and Mateata moving to Berlin birthday scooter pictures yeah but what else did the set contain allows you to meet lots of people as well bouncers and the like was that the one with the blue face what was that just now Vienna or what I’ve learned how to do it now and that’s why the ladder was standing on those stairs and it was we should pitch the idea to Ravensburger don’t you think Games for When You’re Alone I don’t know for me another Game exactly and that must’ve been the Twilight could that be yeah really narrow were there any other Games for When You’re Alone in that box for When You’re Alone was also that over a certain period I had so that was in two thousand three then not really yeah yeah we padded it in that box I don’t know this photo series made of me where I’d have something in my that was a pretty lame New Year’s party and so we thought but the it sort of looks like cool and right there was this five-metre drop and it was so steep that I and it contained instructions and I think there was one called the mouth in every picture so either a cigarette an apple and very I’d only just moved to Hamburg I’d just moved to Hamburg so that Twilight that was before the tree was felled executable Unix file was always on the point of falling over backwards that’s why Gabi button game as well sublime was the chewing gum obviously that you couldn’t see must’ve been New Year’s someone’s opened the lid of the rubbish bin we’ve done that was pressing me against it with the broomstick the button game right the button game was legendary that is sublime two thousand yeah that was it okay then I’ve also got some postcards but not too never ever would I have done that that happened quite frequently though when you were out those that’s extremely sublime two thousand four or five what is the Twilight many so that I could spackle things at the same time you see going out games right yeah I well that you photograph yourself in a way that you’ve yeah could be at some point the Twilight became the standard expression for at the Hohlraum that looks hellish yeah so there’s the Games for When You’re Alone and the always got something in your mouth so here I have air in my two thousand two many things that were shady there’s promise you’ll never do that again Niklas Dancing Game mouth that and where was that upstairs at the Thalia no we had different things we had Psychedelic Sally ah you just took photos of them five metres okay let’s slow down so the Games for When You’re Alone oh yes and a whole lot of it what do you remember why yeah of course Björn and I took nude shots of ourselves ‘cos we well maybe well it was quite a drop yeah notably no we were all staying with Didi though which was a paint pot both had you’re if you fall that far you’re dead that’s for sure there was the Button Game and the way it was played was that yeah so that people could see it yeah exactly yeah ugh vile cement steps you had to try and button the button of your left arm with the hole cool and we met up with Didi before that was a paint pot we opened after three years ‘cos accidentally we were both wearing bandages on the foot and yeah on the right and the other way round right so what other games did we have no idea he on his arm achoo yeah but that’s not all you also had to button all your other buttons air in your mouth cool the dancing games were obviously due to the bad music and then there were the leaves what did he bless you Hank into a wrong hole so that you had to like a version of Twister with that’s actually all I can think of in connection with this right now so then we had the Crowded Game or maybe the other Dancing the leaves with the rats inside it no the foil was the thing with the he had to wear this bandage for joint recovery and so then we achoo without the board Games for When You’re Alone I think we’re through with that then Game before ‘cos we also had one dancing game where so if the foil and the leaves took nude shots ‘cos we thought that well we just wanted to show bless you did you catch cold I think for us that have we mentioned Dancing Next to the Tallest that was a great you were somewhere together and the music was bad but you the leaves were rotting and the foil off our bandages here that’s another cool photo for a while that game was quite a success game didn’t just want to stand around either the call was okay one of us dead rats yeah yeah wow horrific yeah we played that a lot a great game has to dance now and when the next song comes on it’s the next the foil also had La Folie and so we were like okay let’s take nude shots yeah but who is that basically the Games for When You’re Alone were more like an that’s the party games now though person’s turn no matter what song it is yeah La Folie was called La Folie ‘cos it that was the foil from the when was this Friemel idea ‘cos you’re in the company of other people but you’re isolated I remember exactly how that came up that was at that lame New right 470 471

and we even sort of intensified that although I didn’t really catch I love that game to talk like these like typical pensioners Marcus Amnesia yeah not Nuremberg on that the rule was that you had to dance really passionately one round of Crowded and at first he didn’t get it and didn’t know why oh yeah a very good game and the night we introduced that it was sort of like contagious like I’ve never been to Nuremberg oh yes I’ve yeah that rule passed you by ‘cos you’re always such a passionate you’re confusing that with something that’s a different one so I said something like naw tomorrow I’m staying on board I’m what do you have there on your face the measles suddenly everyone was playing it where are we by the way dancer anyway no that’s a different game not going ashore after all I’ve quickly brushed my teeth is it gone yeah France no matter what they’re playing Denise wanna come play the Crowded game with me yeah yeah more or less everyone behaving all mental we’re in Lower Franconia somewhere exactly so sometimes the conditions were really tough ‘cos if no I like that better than dancing to songs you don’t statements like that great game also had its origins in Hamburg I think everyone who was laughing at first eventually joined in and were in Lower Franconia didn’t we have a beer there last night one else was dancing yet and they were only playing shite and then we had I’ll play one round yeah also like yeah so where are you from then are you also friends and where’s that man gone now the even tougher rule though was that was introduced ‘cos yeah is that it already yeah yours smells at another lame party and with what man you mean ‘cos Niklas otherwise you’d just be standing there and go sort of like this a bit no not everyone at once did you just brush your teeth with a toothbrush then right right wasn’t there a man sitting here just a second ago and so you also had to be in the centre of the dance floor can we do some more in-depth philosophising about the Crowded me too pass me a glass of water please no with my finger whose party was it anyway bollocks yeah ‘cos it was empty Game I’d like that there’s no water left tomorrow I’m not going tomorrow I’m staying and with that finger you that was an external party that skinny man often it was still empty yeah yeah the in-depth philosophising about the Crowded Game is now on board I’m not going ashore and with that finger you also smeared toothpaste all around your Dennis we could play that on the train later wha and then you had to get through it through the song finished right mouth then I wouldn’t mind that at all and also we could just sit in separate it’s just been the four of us the whole time well the reason we actually invented this was ‘cos we were simply I can only remember this one situation in Berlin as well where else that’s how the game works could we just refrain from the comments here parts of the train there was no man you’re hallucinating spending too much time hanging around at parties where you did we play that though am I doing it right yeah we won’t comment on the fact that you have toothpaste yep Stefan were just bored and also we all had a tendency to be a bit stiff we could if you want we could play one round a bit closer together obviously a bit closer and cocktails we were everywhere who’s that man anyway yeah look his pens and all his stuff are still there sometimes a lot of it obviously has to do with the lame German party culture drinking cocktails right in Hamburg with Niklas at a party so who did you say that guy was that’s my stuff naw that’s how all these games were born that just needs to be plainly uff Hank where’s Roberto got to now but these are my pens these are my pens and my computer naw said for once uff I hope I won’t get seasick yeah Niklas like that where you there too that was Roberto but wasn’t there this man the one with the lists the whole time sometimes many of them you definitely need to sway a bit naw that was Roberto and all that you maybe stop your Germany bashing now I’m not sure that’s one my favourite games and obviously also boring and then the game began that I started ah Roberto he’s this no no way you maybe the Crowded Game was that was born exactly for that reason ‘cos I’m feeling slightly queasy to have amnesia and couldn’t remember anything and then it that was Marcus so then my memory is deceiving me you maybe that place was so empty you have to immerse yourself in the situation obviously started that creates some great conversation difficulties is he that hello and we did have quite demanding standards in music we always we were always moaning and we were bored and in ah right you start getting to know yourself all over again ‘cos you’ve Marcus I don’t remember that no no no those situations it was good that we had these games up our is that the lemon’s just a gesture isn’t it forgotten who you are and who the other person is and try and man could you clear the table please and danced even more rarely if the music was bad sleeves Marcus claims he’s plucked it himself sort of lie yourself out of that situation I don’t think his name was Marcus stop that’s not entirely correct it was also that sometimes you’d just yeah right exactly our fourth man’s already left he already left two days ago I’ll have another coffee need a bit of yeah you can eat it whenever the other person asks you something you quickly have hang on I’ve never been to this restaurant I had a lot of really bad luck in that game if I may say so myself imagine at a giant reggae party yeah maybe not eat it to make something up so to speak but he was already gone yesterday Michael you’ve missed it now we just played a nice round of you always got stuck with In-A-Gadda-Da-Vida I just remembered another game Cruise Ship which reminds me of another game and the game can only work if two people are in on it and one tries Marcus isn’t one of us called Marcus I mean it’s not impossible Amnesia you always had to do seventeen minutes oh that was a good one this is great to help the other one out of his predicament so to speak ‘cos he could be I’ll read it later I always had to do seventeen minutes maxi-version unpleasant that was one of the last games that resulted from that theme Amnesia can’t remember anything but you can’t let other good friends in you’re Marcus ah so much fun I wish we could keep on playing by the way is In-A-Gadda-Da-Vida is that a slip of the tongue the I don’t know that one Amnesia on it ‘cos otherwise the game wouldn’t work and then Roberto for am I Marcus what pen or did I misunderstand something there we played it in Hamburg but Amnesia is that’s a proper good one New Year’s when was it example comes up to us and then it starts like who is that guy why he’s that art teacher from Barmbek what game In-A-Gadda-Da-Vida and it only works in Hamburg only works in Hamburg that came up for the first time with Marcus and me is he chewing my ear off yeah why what does that mean once we were we were kind of fed up with all the bars there and yeah New Year’s though that creates a nice situation in a group of people none of whom well if you say so yeah it’s addictive recently I heard that it meant in the garden of Eden but like were like okay let’s go somewhere else for a change and then we great Amnesia who remembers that one knows what’s going on and don’t don’t know you that well and why why are we asking ourselves who Marcus is again but you get to this point where you realise how far you could take it no I think that’s just the title went into some strange club on the Reeperbahn and eventually yeah and then we have the Yes But What If we have the Doubter are then asking themselves why you’re constantly going into great ‘cos one of us is missing it’s mad it’s the title yeah ‘cos it also says on the record but we got bored in there as well we were just propping up the bar which was suddenly really popular detail and stuff like that we have this recording though don’t we it’s just a thin line that determines whether it’ll work mumbled when they wrote it down at this cocktail bar and at some point it felt like on a cruise ship I never and the high point of that Dennis experienced at that New Year’s is one of us missing so much fun yeah I think so so and ‘cos it wasn’t moving you had to provide that part yourself who can basically get really excited about something and says party with Hanne wha there’s this great joke where we get together every ten years to or when they typed it the movement and so then we were sitting at the bar swaying things like yeah great and then the next moment goes yeah but that was incredible that was I don’t remember there being five of us celebrate someone’s birthday he also sings in the garden of Eden though back and forth and the glasses were also sliding around a bit like hang on that could also somehow go wrong and well the classic pray tell just a second ago he was still here right we get we get together so it got really difficult when they were playing electronic music the in heavy seas and also we were also only talking about cruise was the thing with the Jägermeister that was we were playing it the entire night were there five of us I thought there were only four of us I’m not sure jokes are in order now game didn’t work then related topics with the Jägermeister yeah oh Jägermeister oh but how will I be no one knew anyone who we it’s a good one though ‘cos it’s exactly that makes reference to I what other game was good that’s a good one feeling tomorrow nobody knew anyone anymore you were there as well us here hope I’ll get it together now the Crowded Game yeah it’s quite good and in that context there it worked quite well and that existed pretty soon we had an endless range of variations also stuff like why Cologne by the way or can anyone tell me so from the beginning Dennis Loesch joke conference the Crowded Game I didn’t get that I like that one on this obviously where I am Michael where at the end one guy says at the age of eighty they all meet I remember exactly where that was born now I also quite like it I only experience that one from a distance but Marcus do you remember how I was always really good at wha one last time for someone’s birthday and they always go to the in Vienna well if you want we could play one round now it’s really simple I can’t think of any others right now and then Hanne said Hanne said ‘cos she’s a psychologist you hello same restaurant in Friedrichshain in this in this in this bar pour us another one go on this interruption think this is just for fun so who’s playing now are you even playing a Jew a Muslim and a Christian or what which was empty and then you had to pretend it was crowded smell your glass first to interrupt yourself so to speak in the middle of your own yeah exactly you think this is just a game but it’s real do you what are we playing no just you Friemel well us exactly my glass smells just fine momentum and say oh but what else could happen what are the understand do you understand what is it we’re playing hey hey hey hey hey and we were a group of four or five people or however many it smells of dishwasher a bit consequences yeah and Hanne believed us am I a smoker Niklas not me though people we were are and at first we were sitting really closely the place had a bit of a club atmosphere going on that’s Loriot isn’t it Hanne has this really deadpan sense of humour sometimes no idea those weren’t lying here a second ago aren’t you Friemel ah you’re not and then they go for forty years together at the bar and then up the stairs you’re really good at this cruise ship talk no but I can’t think of any other specific ones now well Hanne believed us so you’re sitting no we’ve come together here in Nuremberg the they go to the same restaurant for someone’s birthday for this the stairs just how you’d imagine it so Jägermeister was that it was just a game which had become reality now naw four of us birthday and at the end one of them goes it’s an eightieth birthday went up the stairs the empty stairs like that can’t you smell that Hank that could be worked with everything though we’ve got our wires crossed Frankfurt and he says let’s go to the Grand Tavern this time we’ve never I mean what it could be played with everything but I I’d like to come up with one in that situation it was so good when she said so you think this is Frankfurt been there which is actually the punch line straight in ‘cos they’ve five people could’ve on the inside specific one that we said just a game Lower Franconia always gone there before ‘cos the waitress is so beautiful and five people walking down together and well the the place looked like what you’d imagine the Aida wasn’t there one that went brilliant song oh but what will they play who said that Lower Franconia the schnitzels are really big and ‘cos you can get up the stairs constituting this crowd of people looks like which is next Hanne do you wanna play a game we’re playing Amnesia yeah to talk about the Akademie Isotrop with your walker and at that last birthday gathering they ask the important thing when playing the Crowded Game is that at this pseudo yeah but there were really what are the rules and then Hanne said ah right and you think impossible look at that weather out there themselves they say let’s go to the Grand Tavern regular intervals someone has to moan it’s so cramped in here this pseudo half-empty strange people and then we had we yeah we excessively it’s just a game ‘cos you’re constantly learning new things about summer the Grand Tavern no it’s so crowded thought yeah of course we’re on a cruise ship now we had some real classics well nothing you can do now people so it can’t be isotropic go to the Grand Tavern ‘cos we’ve never been Denise and I sometimes play that at our flat and the cruise ship conversations nothing you can do it’s gone what’s gone is gone then the Jersey ah right so we’ve come together here in Nuremberg pretty good yeah oh yeah Timo we had Timo the Red One in stitches ‘cos we started Swap we’ve already talked about that and that’s what you want as well Nuremberg that’s Alzheimer’s 472 473

‘cos they’re senile the game is best played wearing Clarks every ten minutes calculator function I didn’t want to say it could you could you do the calculator so that sort out who it’s a pretty good joke if you tell it properly I agree in the face whack and at some point we said okay we’ll stop on yours yeah I can also do a Bum Number attention attention it’s coming now and then you start so should we call the game Alzheimer’s or Amnesia then then we had the Slapping Game now ‘cos it was honestly so it honestly set your ear on fire and on the touch screen ones you have to lose the trousers though yeah you show the magic trick Amnesia that was shit everything yeah the modern ones it actually works on the laptop as well another one I really liked was the magic trick you guys introduced I Amnesia that was brilliant ignited your ear maybe it’ll work anyway yeah wasn’t so good at it with the finger on the edge of the table Amnesia is memory loss caused by a trauma though that got completely out of hand and so then we stopped the game and later Marcus he’d been a so you the important thing is the calculator function Bum Poems new text production oh yeah yeah really stupid that was bit preoccupied with himself or whatever and didn’t realise that otherwise you’ll end up calling someone Bum Poems where you magically move your finger around with the other hand Amnesia International I thought it was great we’d long stopped playing the game yeah yeah yeah Oliver Buhlers played along with great enthusiasm a grand game that was in England yeah that’d be cool funny too Dennis now right yeah he participated as well it was only good in the company of other people and in the meantime we we’d met this sculpture student from Saint no I have hang on one I have fourteen thousand no more one oh I think the first one that came up was that this severed it’s just a really great game yeah Martins College and he was just standing there chatting to us ‘cos hundred forty-two thousand five hundred seventy-eight divided by ninety-six but it’s round no zeros at the beginning the thumb I can imagine so the rules were you’re allowed to slap each other no matter he wanted to study at the Städel he wanted to get into the Städel three hundred and sixty-nine oh I’ll have to work that out that’s neat and clean the severed index finger a grand game now that now that we’ve played both a bit I actually where and when poor guy okay I wanna do it too now maybe it just works with a Samsung neat and clean ah yeah right like it better than Cruise Ship right but in the end it was only that we were always together and then Marcus joined the group again and then we introduced with the new one Hank we both have the same one ninety-six the severed index finger well you can’t really play Cruise Ship for that long but you could anyway and it couldn’t really confuse other people couldn’t even him to Marcus and by gave his name and then he just lit into his new is important Marcus with the new one you’ve had for the past we already established that yesterday though that I’m the cleanest the trick there is obviously also combine Cruise Ship and Amnesia then it gets really fun get confused face seventeen years out of everyone look this is the index finger why’s the floor swaying like this and the best horrific I have nothing this is fun yeah but you can see that that’s a fat thumb though why am I on a ship which was kind of stupid this is so and so he studies sculpture at Saint Martins College nothing so then I’ve won and so Niklas Schechinger is our Bum Number champion the trick the trick with the table edge trick is obviously that you that are we on a ship I remember thought there were a few situations with Marcus whack nothing calculator yeah it only seems like you’re moving your other finger with the upper impossible yeah and he’d really like to switch to the Städel bamm calculator function let’s you and me play one round yeah but he had a zero at the beginning hand while actually the lower hand itself is moving the finger along you have to start off lightly until the other person realises like that when we were in the company of people we’d only just met that was actually the best part though when people who weren’t in let’s play one round with the calculator yeah doesn’t matter though ah that’s how it works you’re playing Cruise Ship yeah but that’s the perfect setting the know or who you only knew a little were present this is the calculator Niklas ah I liked the photos behind the column where one person would hide yeah ‘cos that was the setting actually that’s the calculator you do have calculator don’t you yeah how did you behind it and then you’d take a photo of the column and then show and out of nowhere the best thing was that when you’d been slapped they were yeah on the calculator exactly can you let us in on it I didn’t describe it very well it to someone later and say that’s me kaboom completely flabbergasted ‘cos you didn’t react you didn’t react what have you got what demonstrate please that game finally needs a proper name now this slap someone lands this slap on me and I’m thinking ‘cos appropriately ‘cos you knew it was part of the game and then they oh that’s Friemel calling now shit now I have to check first missed how you did that Marcus can never do it you know Portrait the game obviously demands as well that you don’t take revenge were like what the hell is going on here call he’s done it before demonstrate Portrait immediately ‘cos otherwise it’d be kinda lame but a few times you when we were in a group of three or whatever eighty-five thousand six hundred ninety-four he went back to the hotel earlier last night now things are getting mental here now Friemel there were or how about the Column Game right and then you’d suddenly whack me out of nowhere not bad and now the readers can try it out for themselves different variations of that though so move horizontally well yeah but which means you have to live with the humiliation that you’ve just well yeah if Friemel knew that Michael’s got his bum on the mobile right now they need the latest Samsung mobile though right it doesn’t necessarily have to be a column though received and then you kinda think alright what was that now my number was difficult ‘cos it had this this whatsit dash in the latest Samsung but without the finger yeah it also works inside a wardrobe yeah and especially that’s only one part of the game it’s not really everyone was completely flabbergasted by the first between yeah and we’ll provide clear instructions for the games later no you can obviously let it disappear and then it reappears in a ah yeah right Hide and Seek no an action but in that moment you remember ah alright there was the first was like good day sir that was the idea yeah different place just Hide this game but then you’re not allowed to usually you don’t react in ‘cos a slap is so humiliating ask him to give us the Bum Number yeah yeah and another classic is transfer one finger from one hand over I’ve always thought of it as invisible portraits a normal way but wait for a situation where you can land one on it’s disgusting with the open hand is just so provocative hello yeah Niklas but I think that already sounded quite good and then we had the ah yeah that’s a great one I’d also go for Portraits the other person out of nowhere from head to ass the Bum Number I thought that was a also great what a picture right magic tricks wait Portrait Game which was a challenge ‘cos in that instant you had to change your game you could almost do that as a Game for When what oh let’s see it ah that’s a good one a really good one I’ve pissed my Portrait Game chip first and remember that it’s a game ‘cos at first youthink but it’s obviously more fun with more people I have them sitting here right next to me It’s Magic that was called pants over that one although is it actually a game though in that sense does it belong that’s I mean what the hell is this now I remember the worst the that was with that I think we’ve already mentioned that the idea of Thomas with his nose next to his mobile and Michael that suddenly started that we could you hold still please ‘cos to the game category or isn’t it more of a nice series like the worst moment was ‘cos Marcus also underestimated how hard with the calculator from the Fürstin naw sitting with his arse on mine hello yeah it was pretty good ah great no Maga make a film scooter pictures or whatever his slap was Gräfin vom glad to hear it I hope nice glad to hear it it’ll come back again okay It’s Maga Maga now do it again the second finger has to be kept still exactly how yeah well the boundaries are obviously fuzzy here it has to be hard though Gräfin vom Naschmark speak soon bye Thomas Hank your turn Maga it landed those are great photos it’s not really a game it’s more something like the scooter photos was this one time at foosball at the foosball table and I was Naschmarkt so yeah now you have to sit on it Maga hang on and then well the boundaries are fuzzy here scooter the Scooter Photos concentrating really hard and had just got the ball and was just that we nicked ‘cos that’s actually that’s also quite a good story like with the result Maga yeah game is also quite nice about to shoot and all of a sudden it just felt like I a lamp had I think it’s in the old book yeah but you don’t type in the result now Maga simply like this or or as an intermediate step true dropped on my head ‘cos he struck me really hard and I didn’t this story sit on it that we invented these magic tricks and basically on a level where nice one Quadrophenia know what was going on yeah although hang on no that was in two thousand three up there is I didn’t see that before you could say I mean where people would be surprised ‘cos the at the beginning there was a lot of whatsit napkins Scooter Photos is obviously also a game yeah Marcus has somewhat coarse motor skills yeah that was during that was after the exhibition at the Secession Niklas do the Bum Number tricks were so how to put it yeah okay so then Scooter Photos is also a game did I just get hit by lightning or what no no completely wrong my very first Bum Number so basic at the restaurant through through your ear through your brain and to sit down on everything like it’s a scooter or something I’d sometimes someone just landed a frontal one on my head before then wasn’t it well you’re practiced though I’m playing this for the first time today ‘cos they weren’t actual tricks out the other ear just posing posing on all kinds of things like you’re a mod on your those really hurt as well and I also remember really well with the yeah that was on a really early trip to Vienna when we wanted to Syntax Error it wasn’t really concealed let’s put it like that it was pretty obvious the magic cloth is also cool you just one finger and then cover it scooter in Quadrophenia different variations where you’re sitting around harmoniously with play there as the Jam or something no not Syntax Error look I also had this dash here that’s one two how they worked with a cloth I’ll demonstrate it with this hat now hoo hoo hoo and always the classic pose hands on both handles so you can complete strangers ah right at the Schikaneder yeah that’s good you’ve got seven hundred eighty-four thousand yeah so one of them a classic was the one then accelerate and change gears and that’s it and you have to be yeah and stayed at Georg Otto’s flat no seven the beer trick the finger’s gone sitting on something and that would just be the first one and then nothing for a while Georg Otto no seven hundred thirty-seven thirty-eight thirty-nine sixty the finger’s gone yeah and three weeks or four weeks later you’d get the revenge and you Georg Wasner seven million no seventy-eight million four hundred four hundred thirty-nine sixty also a good one right cool game had to think really hard for a moment like why did I get slapped yeah Georg Wasner fifty-one thousand two hundred eighty-six I’d say Niklas has set yeah exactly where suddenly like by magic all the numbers in many of them were invented at dinners and stuff though and you had to squat right now and I think I slightly overdid it when I played the game with and the game works like this a big calculator and you have to sit the score quite high between had disappeared yeah ‘cos napkins just make the perfect magic cloths squat someone who wasn’t in the know on it with your arse and then see what number comes up correct yeah you make your hand into a fist with a hole in it and then you stuff depends exactly that was a big no-no and whoever gets the biggest number wins I wanna see that that one never ceases to amaze people a napkin in there until it’s disappeared with your legs bent and so I whacked him one right that’s actually correct yeah ‘cos it’s the only one that actually works over the phone as and let it drop to the ground and then hold both your hands up on on top of mail boxes for example you don’t have to squat when I was just about to say that that was the best my best experience I never played that one I’m jealous sounds good so roundabout eighty million well yeah you’re sitting on them from what I remember when we were playing it in London when that’s a beautiful one yeah what technique did you use did you tense your ass muscles but in that context I remember several faces of people who just at the Baudach opening I think we spent the whole night doing true but the bent legs were important we were there at the for the Frieze or whatever it also works with your mobile doesn’t it or what looked at me blankly ‘cos they weren’t sure if this was it or where magic tricks and Clarks yeah we can do it with your mobile no I kinda rolled over a bit the joke was supposed to be in this or if it was actually a magic some of the tricks we had were actually quite astounding though and Clarks and then inside the group we were basically just brutal and always it doesn’t work with mine rolled over why are we playing this with my mobile anyway trick but it was actually a pretty good way to that actually where people were truly gobsmacked which is and Clarks in the yes it does you have to with the calculator I’ll try you have to go to ‘cos yours stinks anyway well yeah you had to do a proper lead-in obviously quite a good way to jolly people along 474 475

the cigarette you need good eyes for that you can’t drink a bottle of Astra during yeah Doctors and Nurses the cigarette that magically disappeared the game or play in some dimly lit bar and then you bought this what’s the Doubter again alright and then rubbing the coin in this magic card set but they were too complicated for us to be able the Doubter was the oh nice Jägermeister no we also had this kind of dice game rubbing the coin in to do them Jägermeister Mäxchen the cigarette one was introduced by Daniel Herrmann we had a magic card set Jägermeister oh but how will I feel tomorrow no where you had roll the dice to determine what you had to do yeah that’s right bamm bamm bamm bamm bamm bamm Michael did also a nice one and stuff like that that’s right magic cards there are endless variations yeah but You Can’t Be Sure was sort I’d say coffee bamm bamm bamm we had this of an add-on to all kinds of stories and then we had Keep Up the call it a day yeah exactly Michael had this magic card set with the tricks Spirit final words bamm bamm bamm ah yeah the yellow one with the wasps I’ve still got that one Dumb It Down Keep the Spirits Up yeah bamm bamm bamm bamm bamm bamm naw Dumb It Down Keep the Spirits Up final words bamm bamm bamm bamm bamm bamm okay let’s move on which would actually be a fitting title for all the games bye-bye there’s another variation of the lowly magic trick that I also always okay move on Dumb It Down Keep the Spirits Up that was quite nice at the last Conference of Anecdotes like to watch at Remo’s Italy in Hamburg we’d often do this one so that’s almost it already the only other thing is this Talking About maybe as a little side-note anecdote the one about the postcard say again trick together which was basically someone would put something Films Like They’re Your Own Experience from New York that we sent Roberto at the last Conference of Anecdotes at least in the print version into their mouth also a pretty good one oh yes the end is really nice yeah we’ve not done all of them for example we haven’t where we played on my scatterbrainedness so to speak that’s why it would be nice if we didn’t have to come up with it and then puff out their cheeks and then press into the puffed out Talking About Films Like They’re Your Own Experience that was just mad that was stark-naked madness that was ourselves cheek and then the person sitting next to them had a puffed out also very nice it was pretty funny actually in light of how much of a scatterbrain I yeah cheek and would pull it out so am we sent a fake postcard to Roberto how did it go again exactly we that could be very impressive for people ‘cos basically tell us one Hank no not a postcard we can read it later we were already a well rehearsed team and pulled that trick out so basically tell people the plot of the film but as the in the role of a letter no it was sort of like we haven’t talked about this and that and that of nowhere the first-person narrator a letter yet and now we won’t never mind naw we can’t describe that now yeah there was this one night when we were at the Fichtekränzi with which was basically a love letter I’d written to Anka but put in the doesn’t matter read it out anyway and people can see that you didn’t arrange it before and are really Hank and we were telling each other scenes from Quadrophenia wrong envelope with Roberto’s address on it and in the letter there I didn’t get that now impressed for at least four hours straight as if we’d lived them a week ago was like half-intimate so to speak stuff about all kinds of things or something along those lines cool and we were when we were in New York and also some of them were like the lamest ones stuff like I was at and Roberto pissed himself for several years didn’t we sort of didn’t we say yesterday after our eighth glass of take photos yeah the public baths today the public bath house or something along and was always teasing Marcus about how stupid he is cider that we would that everyone could tell the others their their yeah you two do it those lines but it was all on purpose favourite part again I don’t think Hank knows what we’re talking about right now exactly like all the scenes the other day I went somewhere on my and we knew that all those years we were actually playing him recount it yes he knows full well scooter ‘cos we’d done it on purpose from the book I just know where it starts I know another one I know another one when Marcus said he’d I think that was my favourite game recall them from the yeah or in general on the right no left like more sauce shouldn’t we finally reveal it to Roberto as a present for his next so this is how it ended certain things will remain a secret yeah but we both have to be we both have to be in it yeah mad one birthday yeah read them out anyway but read them out anyway yeah yeah I remember that night as well it started out really slowly and then it he did get it for his birthday ah okay left cheek is open got sicker and sicker and then we also started telling James Bond I would’ve loved to see that well yeah I’d say those are nice final words and then films like you’d experienced them yourself which was obviously briefly looked completely astounded and then moved on to the yeah now you Hank brilliant next point on the agenda yeah no it already has to already and and we had the Tapping Bum Water Game muttering something under his breath what’s your name again my train leaves at five twenty before a dancing game that one and the thing with the cards mine at six twenty-two Hank didn’t do it properly that’s a dancing game actually or yeah a club game I think that wasn’t such a nice birthday present I think that’s exactly one train later that mine no it doesn’t work the whole time I keep sliding off this ah that was great that should actually be a game we could play so I’ll be hanging around at the station Hank has did you did you not wanna do it and that basically worked it was it was mainly based on pretending more often wouldn’t you say do you have to take that one • yes I did but I can’t get into it right now to tap more beer into your glass from the asses of strangers who well yeah it doesn’t work that often and maybe in this context with Michael in New York we were at were also in the club so you’d do this tapping motion and the idea if I now get a postcard like that obviously my first thought will be this magic shop where I bought a deck of marked cards and then in itself was actually pretty disgusting to imagine and on top of the main reason that worked so well was that Roberto had sort of we played Hearts Are Trumps with that card deck for the next two it you had to move up really close to some stranger’s ass and seen you fiddling with the letters with the different letters three years and when it were kinda piddle moving around and that was a little it was very we should ask him if he’s still got it that’s not true entertaining and it was also about establishing contact but it was wasn’t there a story leading up to this yes it is and when I finally revealed it Roberto was so completely also very entertaining ‘cos it kinda broke the ice no idea appalled did we meet that many people through that that you actually did get something mixed up yeah especially since you were still losing all the time I never met anyone doing that no no no yeah I was still losing all the time ‘cos it’s hard to see where the I’ve never met anyone through that either impossible cards are different to the other ones but regardless of that it briefly didn’t result in any lasting friendships no Roberto was always taking the piss out of Marcus for being felt like Roberto was deeply disappointed in us as human beings naw such a scatterbrain a bit I think that’s why cool naw I think we were in high spirits and just wanted to send Roberto a so which cards were they naw postcard the same cards you also painted in LA but sometimes we got into trouble that’s the third time now guys ah the classic ones no lasting trouble either though it’s like a nervous tic always like it had this kind of sun wheel on the back no long-lasting damage and you also had to sing while doing it this have you kept any more games from us Michael yeah song Tapping Bum Water no not that I know of a small one have you crossed off all the games then Michael okay yeah with these marks on it almost yeah I’ve only got two sayings left that we used to employ I’m all out as well we also took photos at some point where we and you had to look really carefully tell us the sayings we used to employ measured our bellies but they don’t exist anymore yeah one of them was you don’t know that for sure not a game which of the rays was missing or wasn’t missing that was also a great game not a game yeah that’s obviously not for your which is a bit similar to the Doubter actually more of an experiment 476 477

Index of persons

a band a landlord a young curator an Italian Arita beer Marcus Brehm a banker a loser a young man Anarchists Arndt Beethoven Bridget Riley a banker in London a lot of people a young woman Andi Arnulf beginners Brigitte Bardot a Bavarian a madman Ace Andi Diefenbach Art Brut Behm British artists a beautiful girl a man Ace Face Andi Edler art historian Belgians Britta a Bitch a mate of Fabrice’s Ace Face number one Andi Elliott artists Bella Bronxi a boxer a Muslim Achilles Andre Asian Bella’s friend brothel icon a brothel owner a nice group Achim André Assad Bene brothel owners a candidate a normal one Achim Engerer André Breton assclowns Benito brothel owners in Frankfurt a champagne and cocaine a numpty Achim Lengerer Andre Porta assistants Benjamin brother of Achim head a painter Achim Lengererererer Andrea Ata Benjamin himself Lengererererer a child a party animal Acrylic Monkey Andrea or Renate Attila Benjamin von Stuckrad-Barre brother of one of the guests a child in a tank a passerby actors Andreas audience Benno Engel Brückerl a Christian a passionate dancer Adler Andreas Dorau Augustiner Berlin Dennis Brunett a colleague a person Adolf Andreas Hofer auntie Maren Bernhard Martin Bruni a colonel a pig Adolf Dürer Andreas Hund Austrians Bernie Schreiner Bruno Brunett a completely weird girlfriend a pimp Adriano Celentano Andy Hope Avud El Massad Berry Bubbles or whatever that was a plonker African Andy Warhol Axel Berry and Brückerl budding business artist a copy writer with Saatchi and a poor sod Agath Anette Axel Huber Berti Kress builders Saatchi a porn guy agents Angela Axel John Wieder Bertolozzi Bülow a couple a potential girlfriend aggravated Roberto Angela from Zwirner babies Beuschel Burckhart a couple who wanted to could a potential girlfriend for you aggressive one Angelika baby Beuys Buri’s nephew help us out a proper control freak Alberto Anita Bagel Bianca bus driver a designer a proper twat Alex Anja band Bianca Karger Bush a different character a punk Alexander Wolf Anja Cioska Banjo Bianca Schöning business artist a DJ from L.A. a real mod Alexandra Anja Stoffel Barbara bikers businessman a doctor a really diplomatic guy Alexandra from Saarbrücken Anja Tschoska Barbara Standwick Bill Marley Butzer a family a really sex woman Alina Anka Barbara Streisand Bim Bam Butzler a few people a ruffian Alina Grumiller Anka and Hanne Barbara Vatter Binde group Callies a football pro a shite optician Alina Grumller Anka’s friend Barbara Wolff Birnbaum Calvin Klein a foursome a smoker Alina Grummler Anke Rausch Barbara’s friend Björn Campbell a frequent visitor there a sober Jodie all kinds of people Anna Schläger Bärbel Vischer Björn and Michael Carl Larsson a friend of Caroline’s a Spanish DJ all mods Anne Bärbele Björn Dahlem Carlos a friend of Gabi’s a specialised schnapps all the football intellectuals Anne Schott Barry Weisse Björn Renner Carlotte Corday a friend of Roberto’s dealer all the guests Anne-Katrin Ahrens Barry White Björn’s girlfriend Carmen a friend of Thomas Friemel’s a strange guy all the people another Bella Barschel Blau Caroline a girl a stuntman all these people another colleague from Barud El Amassad blond guy Caroline Zacheiß a girl and another girl a supplicant all those actors Aachen Baselitz blue blue Björn Caroline Zachert a girl with a blue beach ball a thief all those actors who were another guy bass player Blumfeld Caroline’s friend and a red bikini a third person constantly changing their another hairdresser bastard BMW driver Catalina a grandma a third person unfortunately clothes another Zeil punk Basti Bob Dylan Catalina Nikulesku a great mod whose name I can’t amazing Hank Anthrax Baudach Bob Haley Catalinchen a group remember American Indian Anton Kern Baugust Bode Catherine Chevalier a group of four a thousand five hundred American Indians Antonia Bavarian Bogenschütz Cathrin a group of four artists people an African any guy from the Zosch Bayrle Bond Cecil Beaton a group of people none of a tit groper an American Indian any of the women Beardsley Boobs Charles whom knows what’s going on a typical Finnish person an American plain clothes cop Anya Shane Beastie Boys Bormuth Charles Bukowski a group of policemen a typical Trebur lad an art historian Anya Sheade Beat Ben both my grans Charlotta a group of young people a very military person an artist Aphex Twin Beate both of you guys chavs a gspusi a whole cavalry an artist collective Arab Beate Bauer boy chavy youth gang a guest a woman an elderly version of Hank architects Beate Bauer’s sister boyfriends chick a hairdresser a woman standing on the an English band Arctic Monkeys Beatles boys chicks a Haubruck table an incredible four-person Arendt beautiful women Brazilians Chief Constable Bode a Jew a World Champion combo Aristotle Beckenbauer bread Swabian child 478 479 Personen children of heights Dürkopp few other students Gelen Hank in the white shoes hootchie gsmoochie Chille Denise’s ex Durrrrk Herzog few women gentlemen Hank inside the fridge Höpfel Chilli Denise’s ex boyfriend Dutronc fifteen cops Georg Hank Schmidt in der Beek hordes Chris Denise’s last three boyfriends Duwenhögger fifteen cops in full riot control Georg Otto Hank up in the tree horror bitch Chris Rehberger Denise’s parents E T gear Georg Otto’s brother Hank’s girl Housebrok Christian Dior Denne each player fifty people Georg Wasner Hankg gluing Beate’s cup Huddel Christian Nagel Dennerlein Easybeats Lisa fifty-eight people George together Hugh Pocock Christian Opitz Dennis Ebby Thust Figgen Georges Perec Hankl Hugo Ball Christoph Dennis Alt Eckart Ehlers Figgen und Rosen Gerd Zink Hannah Arendt Hurttig Christoph Bloom Dennis and co Eckerer filmmaker Gerhard Merz Hanne I Christoph Blum Dennis and his haircuts Eckerererererer fire brigade squad leaders Germans Hanne and Rouven Ian Dury Christoph Ernst Dennis and Niklas Ecki Ehlers five DJs Gernhardt Hans Ida Red Christoph Jantos Dennis and Thomas Eddie five of us Gernhardt whatsit Hans Thoma Iggy Pop and the Stooges Christoph Weber Dennis as a child Eddie Argos five people giant numpty Hans Weigand Ilya Kabakov Christopher Dennis at his best Eddie Artless five people walking down Gilbert Hans what’s his last name In Crowd Park Avenue Christopher Wool Dennis feeling Michael’s Edeka together Gilbert and George Hardy Playground Research One chubby Heidi pulse eight people five young people Gin Ladies Hardy Huck Six Twelve Clara Schumann Dennis Hank and Niklas eight Polish guys five-year-old Gin Ladies on DCA Harry Ingrid Claus Dennis Loesch eighty people Flo girl Hartmut Ingrid Steeger Clegg Dennis Loesch and his bob eight-year-old football guy Girl with Ball Hartmut Holzschuh Inka Clegg and Glückmann Dennis Loesch and Michael Eintracht football player girlfriend Hartmut Rausch Inka Harvers clown Riedel Ela football-head globehead Hasse the Lip Inspiral Carpets colleague Dennis Loesch versus Elan foreigners Gluckmann Haubrok International Noise complete strangers Michael S Riedel Eleseley founder of the Deutsches God Haubruck Conspiracy concept Roberto Dennis Los Elesley Museum Goebbels Haudruff Iron Man Coneheads Dennis now eleven people four artists Goering Hauruck Isabella Gütlein contemporary artist Dennis Sonja and Denise Elisabeth four of us Goldt Haurunter Isabelle cool guys Dennis with a cigarette Elisabeth Schweeger four people Golowka he Isabelle as a hippie cool mod wedged into his double chin Elise four protagonists gone wild Hangmen Heide Degert Isabelle Fein cop Dennis with the long hair Elisle four women gone wild-man Heide Deigert Isabelle Graw copy giant Dennis’ ex ex ex ex ex Elke Krystufek four-year-olds good friends Heidelberg GIs Isabelle Schmidt in der Beek Costa Dennis’ gspusi Ellen Sturtevant Fox Force Five good ol’e Jan Ullmer Heidi Ischinger Costner Dennis’ gspusi the current Elvis Francesca Gorbatschow Heidi Duis Isermann creative types one Emily Francis Bacon Gordon Matta Clark Heidi Duis’ boyfriend Italian creative types in Berlin der Gute Mann Eminem Frank Gormbly Heile Italians critics Devo Engel Frank Bardonner Gräfin Heimo Jack Cruz Martinez Diane Kruger Engel’s son Frankfurt notables gran Heimo Zobernig Jack Tilton Cue Diderot English people Franz West grandpa Heiner Jacob Dittmann cunt Didi Englishman Frau Bormuth Graw Heiner Blum Jacob Dittmann’s mates curators Die Goldenen Zitronen Enno Frau Doktor great guy Heinz Jacques Charlier dad Diefenbach Eric Frau Rauscher Gref Völsings Helmut Kohl Jacques Dutronc dadaist Dieter Rahner Ericson Frau Stehnhold Schütt Gregor Hendrik Ja-Flat Dennis Dalen Dieter Roth Ericson Krüger Frau Viciello Gregor Maria Schubert Hendrix Jägermeister dandies different goal scorers Erik Frau Witte Schwitte Gregor Schubert Hennes Jakob dandy director Erik Maisenhälder Fred Gregor Schubert and Michael Henry Vincent Jakob Zoche Dani director of the Marstall Etienne Fred Perry Riedel united together her children James Bond Dani Bellm director of the museum in Eva freestyle Marcus grimers her dad Jan Daniel Mannheim Eve Freia Gropius her friend Jan Lotter Daniel Baumann Dirk Evelyn Friedrich group of policemen her mother Jan Matthé Daniel Birnbaum Dirk Fleischmann everyone Friedwald Harms group of young people on the her parents Jan Ullmer Daniel Blau Dirk Herzog eww Dennis Friemel terrace Hermann Jan Winkelmann Daniel Cohn Bendit Dirk Herzog’s son ex ex ex Friemel and Hank inside the groups of retired people Hermann Nitsch Jan Winkelsmann Daniel Craig Dirk von Lutzow ex-boyfriend dumbwaiter gsmoochie Herr Dilger janitor Daniel Dilger dirtbag ex-grilfriend Friemel beardless gspusi smoochie Herr Engel Jankowski Daniel Herrmann Discoboys Fabian Friemel with beard guest at the Friday Kitchen Herr von Eden Jantos Daniel Nicolau Fabrice and DJ Fabian Schubert Friemel’s Freia guests Herrmann Jarvis Mateata Niklas Hank Dennis DJ Diamond Fabrice friend of Caroline’s Guggenheim Hertz Jason me and Marcus and the DJs Fabrice and Mateata friend of Thomas Friemel’s Guido Herzog Jason Rhoades photographer doctor Fabrice de Feo’s girlfriend at friends Guido and Katja Barth heterosexual men Jason Rocks Daniel Nikolaou as a Jew Doctors the time friends of Torben Jensen‘s Guido Baudach Hieronymus Bosch Jauch Daniel Nikolau Dodo Fabrice from Paris from Saarbrücken Guido Bohr hippie JC Daniel Nikoulai Dodt Fabrice’s friend from Paris fuckface Gunde hippie Michi Jean Claude Daniel Richter Doreen Fahnenfleck fuckin’ Stunde X Gunnar Hirsch Jean Paul Gaultier Darth Vader Doreen Mende fairy Fung un Föng Gunnar und Alexandra his best friend Jeff Koons Dash Snow Dorothea fake audience members funny Lutz Günther his girlfriend Jens Völker Dave Dorothee fake Hank Fürstin Günther Zehtner his girlfriend at the time Jeppe Hein David Dorothee Baer Bogenschütz Falckenberg Gabber Guy his little sister Jessex David Bowie Dorothee Brehm Family Guy Gabber Phillip guy at the bar his son jesus David Television Bogenschütz Family Man Gabber Thomas Guy Debord Hitler Jesus Christ David Zwirner Double Klaus famous people Gabi guys hobby ornithologist Jim Isermann Davidoff Double Klaus from the famous people from the art Gabi Senn Haegue Yang Hofer Jimmy De Feo optician’s workshop in world Gabriela handball player Hohmann Jobst Debbie Kreuzberg fat Achim Gabriela Molanti Handy Holger Jochen Distelmeyer Deborah drag queen Fecht Gabriela Molanti’s mum Hank Holger Grube Ventura Jochen Volz Debord Draschan Feder Gabriele Senn Hank and Joy Holger Kraft Jockel Dittmann Denise driver Feder from Munich Gaius Hank and Nick Hollis Frampton Jodie Denise and I drug faces Federico Sanchez galerists Hank Dennis and me Holz Jodie Winkler Denise and Sonja drummer Fedi Gambrinus Hank during his quick break Holzschuh Jodie Winkler as an old Denise Mawila Duchamp Felicia Herschaft Garfunkel Hank hiding from Friemel Homer woman Denise who’s slightly scared Duddel few girls gay men Hank in his red-checked shirt Hons Joe Maccaroni 480 481 Personen

Joe Marconi Kerstin Klose Loriot Marion Mayer Michael two Nickel one of our telephone DJs jogging Hurttig Kerstin Loose Lose Marisa Michael whatshisface Nicki and the Navigators one of the Bauer sisters Johann König Kerstin Lose Lothar Marit Behm Michael Wink Nicki Ernst one of the biggest pimps Johann König’s girlfriend Kev lots of drunk people Marius Babias Michaela Binder Nico one of the two women who Johann’s girlfriend Kevin lots of faces Mark Michaela Spohn Nico and the Navigators were making out Johanna Kevin Costner lots of people Marko Illnicki Michaela’s friend Nicola one of these five people Johanne Kiese lots of women Markus Michal S Riel Nicola Torke one of those rose vendors Johannes Kike Lou Reed Markus Arndt Miche Nicola Torte one of us Johannes Kühn’s girlfriend Kiki Lou Reedel Markus Schultze Michi Nicole Ernst one person John Kim Basinger loud Lutz Markus Schulz Mickey Mouse Nicole Ernst’s father one proper mod John Axel Kim Fowley Louisa Markus Schulze Micky Nigel one to pass up a good round John Cage Kim Light Louise Kubelka Markus Ziksay Milho Niki de Saint Phalle of fun John Lennon Kinski Lucifer Martha Ivers Mirek Macke Niki Ernst only very few people John Visineff Kippenberger Lucy McKenzie Martin Miriam Niklas Opel John Wieder Kirkeby Ludwig Martin Holzschuh Miriam Glinka Niklas all in white Opitz John’s Children Klaus K Lulic Martin Macella Miriam Glinker Niklas and I Oppenheimer Johnny Knoxville Klaus K and the dandies Lutz Martin Neumaier Miroslav Klose Niklas and Isabelle optician Johnson Robert Klaus Richter Lutz Krüger Martinez Miss Behm Niklas and Michael ordinary guests Jojo Klaus Zwangsleitner Lutz’s ex Maruam Abu Abu Miss Le Bomb Niklas Belenius organisers Jojo Miriam Klose Luzi Stahl and Lia Mary Hyden Missy Niklas celebrating like a Osama Bin Laden Jokel Knight Landsman Luzi Stahl or Stein mate Mister Eden World Champion Oskane vom Muller Jokel Dittmann Knoffhoff Luzie Mateata mod Niklas Dennis Hank Marcus Oskar Jonas Koko Schamhaari Luzie Stahl mates Mod Mare Monotones and me Oskar von Miller Jonas Leihener König Luzie Stein Matthias Mods Niklas in high spirits Osmi Jonathan Meese Konni Opper Mac Matthias Herrmann Mohr Niklas Marcus and I other band Jonathan Monk Konrad Machkeintheater Matthias Mühling Moos Niklas Schechinger other bands Jörg Gönnar Konrad Hasse Machtheater Matthias Tekiukuosama more than five people Niklas Schechinger as Hank other men Jörg Siedel Konstante Gregor Machttheater Matthias Tetiukosama Moses Schmidt in der Beek other people Jörn Konstanze de Valentin Witt Mack Matthias Vatter Mr. Bean Niklas the terrier other women Jörn Schaffaff Konstanze de Valentin Witt’s Madame Schlitte Matthias Vatter’s ex-girlfriend Mr. Eden Niklas with a crew cut Otto’s brother Joschka Fischer brother Madhiata Tiravanoklou Matthias Voigt Mr. Kenzia Niklas’ parents our band José Konstanze Gregor Madiata Matze Mr. Schmidt in der Beek Nikolaus Hirsch our bass player journalist Konstanze Krehan Madihata Mauritz Mr. Snake Nikoulai our bombshell from journalist from Rüsselsheim Korbun Madihata Tiravanoklou Max Mr. Snake himself Nina Stockholm Joy Krebber Madonna Max Goldt Müller Nina Hager our fourth man JP Ruffin Kristina Madriata Max Hollein mum nine guys our friend Juddel Krox Madtheater Max Planck mum and dad Loesch nine of us our friends Jugert Krüger Magritte Mäxchen mummy nine people our guest DJs Jule Kracht Kubrick Mahadatja Maximilian Otto my architects nineties Dennis our hobby ornithologist Niklas Juli Kylie Minogue Maike Maximilian Schmidt in der my best friend Nitsch Schechinger Juli Susin Ladies Maike Abetz Beek my boy Nitsch’s secretary our neighbor Julia Lady Gaga Maiken McLaren my boys no one our new drummer Julia Lüthen landlord Maketheatre me and Lisa working behind my cousin nobody our readers Julia Winkelswoman Langer Makus the bar my dad Norbert Carlos our saviour Julien Opi Lars Maleatti Meichsner my father Norbert Karl our translators Jupiter Zombie Lauber Malvatti Meike Behm my favourite partner in crime not one of those pimp types OVM sixteen Jürgen Laura Kuch man Meixner and Dennerlein when it comes to excessive numpties owner Jürgen Fahlbusch Laura Tonke manager members partying nurses paisley Björn Jürgen Teller Lauter Mandla Men from Ladies’ Room my friend Nurses panel Dennis just dull ordinary guys leader Mandla Reuter Mercedes my friend who helps me Oasis Panhans just one person on their own Leni Riefenstahl Manfred Peckel Merlin my friend who helps me with Ol Panhans Bühler just some twat Lenny Manfred Peckl Merlin Carpenter all my things old bitch Paolo just someone Lesley Manta Schneider Merzen my gran old crew Papa Pane Jutta Lia many guests Micha my grandpa old Haubrok Patrick Schott Jutta Kot-curs Lia Henning many people Micha Binder my master’s student old hippie Paul Jutta Zimmermann Lillian Engelmann Marat Michael my mother old lady Behm Paul Breitner Jutta’s ex Limbach Marc Michael and Denise my mum Old Shatterhand Paul Cook Kabel Limbeutel Marc O Michael and I my niece old woman Paul Weller Kaiser Chiefs Linda Marc Oswald Michael as an artist my parents older guy Paula Kamerakino Linda Pettibon Marcel Michael Beutler my poor victim Ole Heydekamp Paulina Polly Karin Lisa Marcel Duchamp Michael Callies my sister Oliver Peckl Karl Marx Lisa Herfeld Marcel Härtel Michael concentrating really Nadar Oliver and Maike Peik Karl May Lisa Joghurt Marcel Schwegler hard ‘cos Luzi was leading Nadar Safari Oliver Buhlers people Karl Valentin Lisa number one Marco Lulic Michael Dodt Nadja Auermann Oliver Drescher people at the HfG Karoline Stille Lisa number two Marcus Michael in New York Nadja Issar Oliver Flössel people from Frankfurt Kasper König Lisa on the left Niklas on the Marcus Amnesia Michael Jackson naked people Oliver Maike Emily Hank you people from Leipzig Kasper’s son right Marcus Arndt Michael Korbun Napoleon and I people in Berlin Katarina Lisa talking my ear off Marcus Heinicke Michael Krebber Narcissus Olivia Berkenheimer people sitting at tables Katarina Hagemann Lisa Voigt Marcus Hurttig Michael Neff Navratilova Olsch outside Katarina something little Dennis Marcus just staggering Michael one Nazi Olsch’s man people with moral courage Kati little kids around Michael Orgel Nazis On Kawara Pernilla Kati Seibert little Niklas Marcus Wasner Michael Paris Neff one girl Pernilla Renner Katja Barth Loesch Marcus’ best friend Michael Pfrommer Neil Young one guy persons Katrin Lohrey Marcus’ victim Michael Riedel Neumaier one guy who was completely Peter Cook Katrin Heydekamp Loisach Maren Michael S Riedel Neumeier’s girlfriend stoked Peter Frampton Katrin Lea Tag Lola Montez Margit Michael S Riedel of Oskar- New Mod one man Peter Lütje Ken London mods Margit Brehm von-Miller Strasse 16 New Romantics one mother you didn’t fuck Peter Maffay Kerstin Lord of the Rings Margit Brehme Michael Schneider New Year’s princess one of Marcus’ victims Pettibon Kerstin Anders Lore Margit Marion Mayer Michael Thomas and I nice guy one of my dad’s mates from Pfrommer Kerstin Cmelka Lorelei Maria Michael three Nick the army Phil 482 483 Personen Personen

Philip Plessmann Robbe Scooter special guests head the boss of the brothel next the flight attendant the immigrant workers face that could’ve been the stuntman this two metre guy built like two-hundred-pound you and Simon and Garfunkel Philip Zaiser Robert Scotch spectators that chubby film maker from door the founder the Impact anyone the stupid cow a tank seventeen-year-old skinhead you beginners Philip Zeiser Robert Bock Scott Spy the Städel the bouncer the founder of the museum of the Isar-Man the one with the spiky hair the Surf Champ this woman Uli you guys Philipp Robert Burckhart Scott Miles Stahl that contorted face the bouncer from the German technology the Italians the one with the suit for one the Swedish girl this woman who does that Ulli young writer Philli Robert Carlos Sean stars that cunt Marquee the four of us the Jam hundred sixty-nine marks the Swedish one whatsit Ulli’s ex your best friends Phillip Robert Gernhardt Sean Michael Winston Stasi that dreadlock guy the bouncers the French guy the janitor the one with the Une Habit the sweetie Thomas Ulrike your cousin Phillip Zaiser Robert Johnson Seb Stefan that fairy guy the boyfriend of Jutta the French woman the jeweller’s bladibla The Talbots Thomas and Gregor and undocumented workers your daughter photographer Robert Johnson DJ Sebastian Stefan and Frank that fat cow Zimmermann the fucking little shit the Jewish girl the one with the wig the tall figure on the left Virginie Ursula your exes Pia Robert Salser Sebastian Gregor Stefan Beck that fraud the bride the fucking little shit from the the junkie the organiser owner the taller one Thomas Atzert Ursula Meier your ex-girlfriend Pierre Cardin Robert Salzer Sebastian Kelk Stefan Behlau that gay the brother Bar Drei the kid the organisers the tallest Thomas Dairymade Ursula Meyer your father Pierre Legyement Robert Speranza Sebastian Klöckner Stefan globehead Limbach that girl from the HfG the brother of one of the the fucking pig The Kids the original team the Tallest Thomas Draschan Ursula Schöndeling your film professor Pierre Lygelent Roberto secretary of the Oskar-von- Stefan Kater that girl who’s a friend of guests the Führer The Kinks the other band the tallest guys Thomas Friemel us four your friend Pietro Aretino Roberto and Hank Miller Strasse Stefan Limbach Caroline’s the brunette one the gallerist from Hauser and the landlord the other bands the teacher Thomas Schrören Usch your friend from Berlin Pilli Roberto and Tanja Schuh Seidemann Stefan Limbeutel that guy the bus driver Wirth the leader the other candidate the team Thomas Seidemann Utah Dakota your friends Pilli Madariaga Roberto in his denim look Senn Stefan Thater that guy again the cab driver the gallerist from New York the Licker of Sachsenhausen the other guy the three of us Thomas Winkler Uwe Liebscher your friends from the Pink Floyd Roberto Ohrt Sergej Stefan Wieland that guy stumbling around the camera crew the gallerists the Lip the other mods the Times Thomas Zielinski Valentin commune Podewil’s wife Roberto Ohrt and I in space Sergej Jensen Steff there the camera crew from Sat the German the Lone Wolf of Barmbek the other officers the transcriber Thorsten Valerie your friends who you’ve Pöhler rock Johanna Sesselchen Steff in Quadrophenia that guy there Eins the German master the Lonsdale Reggae Mate the other painters The Tuborgs Thorsten Eichler Valerie Siehtsie sort of created something police men Rocko Schamoni seventeen-year-old skinhead Steff Zukall that Ischinger guy the chefs the German national team the looker the other person the two British artists those actors vampire extraordinary with police officer Rod Stewart several girls Steffi that man the cherry girl the girl at the door who the lovely Dalen the owner the two polic those chavs Vatter your girl policeman Rogers several people Stella that married woman the chick thought her earlobe was the Luser the owner of the brothel the U-Boat Sailors those circus people Vatter’s girlfriend your gran Polish people Rolling Stones she Stephan that mod the children ripped because it was the main suspect the owner of the club the viewing public those guys Veit Lörs your grandma political actionists Roman Sheade Stephan Golowka that old bitch the Chille bleeding a little the maker of the M Fifty-Five the people the waitress those people Velvet Underground and Nico your grandpa Pölzig Roman Aul shit Michael Steve Marriott that one the Chords the girl with Fecht the man the people who help you and the weirdo those weird sixties types vendors your grandpa from Pombode Roman in der Stroth shite Robert stinky mods that one guy the chubby one the girlfriend the manager make things possible for you the Who those young guys Veronique Czechoslovakia poor taste Dennis Roman the madman Sidney Sam Stoffel that one policeman the cleaning ladies the girlfriend of the guy who the manager at the Buffalo the person in charge the Winkelswoman three people Verve your mother pop stars Roman’s girl Silke Stohl that one there the cleaning lady lives with Tina Schott store the person who took these the Wolf of Barmbek three Polish guys victim your niece Popeye Roman’s girlfriend Silke Hohmann Stones that PG guy the coffeemaker the girlfriends the massive git pictures the woman ahead of us in the three thousand people Virginie your normal self Popslut Ronaldo Silke Wagner Stooges that professor the complete plague the girls the medical assistant the photographer queue thug faces Vivaldi your parents’ portrait painter Rosa Luxemburg Simon Störer that relatively pointless group the concert concert booking the glass lifter the members of the Factory the pimpdaddy of the pimps the woman from the Messe Tim Berge Vivaldo your sister postmen Rosemarie Trockel Simon and Garfunkel Strokes that rock musician guy the gnomes the men the plainclothes police leader the woman in the pink dress Timo Vivienne your students pretty Hans Rosen Simon Starling structured Hank that skinny man the conductor the God The Men From Unkel the plumber the woman who everyone Tina Kohlmann VJs at the Robert Johnson your wife princess Rosi Simone Zahn Stuckrad-Barre that Spanish guy the Coneheads the grand jury the Mods the police wants to get rid off now Tina Schott Vroni Yugos Prinzhorn Rouven singer students that Spanish guy who had like the coolest ones the Greek the Monks the police officer the woman who sold pretzels Tina Schrott Wade Yves Saint Laurent proper mod Rouven Schmitt Sister George Stummel three teeth left the cop the Greek stonemason the monks the Polish the women Tina’s ex boyfriend Wagner Yvonne Prosecco Roxi six people Stunde X that uptight sound guy the copper the Greek stonemason on the monks in Salzburg the Polish guy the wrong fans Tiramanoklou Walther König Zachert Psychedelic Sally Roxy Music sixties team Suhrkamp that woman the coppers Greece the most annoying person the Polish people the Zwölf Apostel Titan Warhol Zehetner and Pilli psycho Roy Black skinhead Suhrkamp’s son that woman I don’t know the cops the group alive the postmen their bouncers Titans Wasner Zeiser puke Michael Roy Lichtenstein skinhead Didi Suhrkamp’s unhappy son that woman whoever she was the crowd the group around Michael S the most beautiful the press their impersonators Tits Wade Guyton Zickler Purple Hearts Rrose Sélavy Skinhead John Supermod that woman with her crate the cunt-string band Riedel the most beautiful women the pros and the contras these guys Titts we Zielinski Q Rubi sleeping Marcus Supermod Image the actors the curator the guests the most interesting character the prostitutes these homeless guys Titz Weibel Ziggy Queen of Japan Rubi Bubbles Rhoades sleeping people Superpunk the African guy the curators the guests of the people who the most interesting out of the protagonists these people Tobias Weller Ziggy Stardust Quesi Rubi Rubi Bubble Small Faces Surf Champ the alternative leftist scene the curators of Luftraum nobody knew the group the puppeteer these professionals Tobias Rehberger Werner Brand Zipp Rahmer Ruby snogging Lisa surfer boy the American Indians the current director of the the guy from Berlin the mystery model the RAF these two boys Tom West Zobernig Rainer Ruby Bubble so many people surfer boy type the Amish Schauspielhaus the guy from Swabia the Navigators the real Roberto these two chavs Tom Diamond West Coast Pop Art Zobernig’s class Rainer Neumayer Rumbling Thomas Sol LeWitt Susanna the angry Niklas the Dairymaid the guy from the Muppet the new director the really tall black fairy these two girls Tom Wesselmann whatsherface Zoche Rainer the footballer Rüsselsheim girls some Brazilians Susanna Otis the art crowd the Daltons Show the new director of the the Red One these two guys Tommy Diamond whatshername Zombie Rainer what’s his name again Saatchi some French guy Susanne Schön the artist Michael Riedel the dandies the guy Hugh who did the Kunstverein the Remains these two Spanish guys Tony Sheridan whatshisface Zwangsleitner Rainhardt Sabrina some French theatre guy Susanne Titts the artists’ collective the dandy water thing for the toilet the object of desire the rockabillies these two women Tony Sheridan’s son whatshisname Zwirner random people Sally some guerrilla fighter Susanne von Hoffmannsdorf the assistant the Dandy the guy of the Bar Drei the old bird the Rodgau Monotones they top mod when The Who were later rapper Salvador some jobless guys Susi von Hoffmannstal the assistant who hit on Basti the Dark Lord the guy on the left the old bull the Rodgau Montones thief Torben Jensen building up their supermod Ray Salvador Dali some of the members at Sven the Attack the director the guy that always DJs in the old Dadaist the Rolling Stones Thilo Torke image Raymond Salzer Konstablerwache Sylvie the audience the Disco Boy Unkel and everywhere the old hippie the rose vendor thirty or forty people Torsten Fenzlau whizzes Raymond Pettibon Sandra Ackermann some of those clever Talbots the audience member the DJ the guy who brought us the old ladykiller the Roy Lichtenstein girl thirty or forty people at the tough guy whizzes on the computer Raymond Roussel Sandra Danicke Austrians tall guy the authorities the DJ at the Tanzhalle the seats from a pub in the oldest student at the HfG the Rüsselsheim girl combo party tourists who real killers Sandra from Saarbrücken some other nutter Tamo’s girlfriend the bad guy the DJs Sachsenhausen that he the one from Munich the sceptic this Afro-American fellow Tracey Wiegand really big artists Sandra Hahmann some people Tanja the baker the doctor wanted to sell the one from the MMK the Schott sisters citizen Trio Wieland Redondo Beat Sandra Kranich some plainclothes police Tanja Jesek the band The Doubter the guy who did the well the one from the Wacker Café the scientist’s assistant this Bastard Trisha wife Reggae Man Sandy Shaw some Polish lads Tanja Jessek the bar man the drag queen the guy who in the other one the one from Vienna The Seeds Them Who this big strong Turkish guy Trisha Donnelly Wilfried Regina Sarah some twat Tanja Jetztsex the bar owner the drummer was sitting on the ground with the one I mean Riot In Crowd Park Avenue with a shaved head Troy Wilfried Kühn regulars Sarah Ortmeier some woman Tanja Schuh the Bauer sisters the dumbwaiter all the flyers in front of him the one in front Playground Research One this BMW driver TV crew Wilhelm Reich Rehberger Sascha some woman from the job Tanja Schuh still blond and the Beach Boys the dummy the guy who lent us the chairs the one in Karlsruhe Six Twelve this chick TV Personalities Willi Reiser Sascha Knoche centre without shoes the Beaker the Emperor the guy who looks like me the one in the middle the Seismic Bomb this crowd of people twat Willy Remains Sascha Knochen someone Tanya Lübber the beginner the entire sixties team the guy who makes the one on the left the selector this girl from the south twelve people Winkelmann Renate Sascha Langer someone falling on top of tasty modette the Behm woman the ex everything move too fast the one that took out his teeth the short one this guy twins Winkelmann’s wife Renate Voigt Sascha Pole someone else Tauss the Belgians the fake Hank the guy who played Friemel the one who brought Pettibon the Simpsons this guy living above our two actors Winnetou Renée Green Saskia someone from Northern teacher the best looking guys in the the fans the guy who’s arresting me to Munich the singer rehearsal space two boys Witch Renner Saskia’s best friend England teenagers school the fart there the one with that thingy the single this mod two different women Wolfgang retired people Satan someone from The Who telephone DJs the big-headed one the fat friend the guy who’s like get out the one with the arrow the sister this older guy two figures in the videos Wolfgang Beuschel Reuter Schaffaff someone in Los Angeles Television Personalities the black bouncer the fat lady stop causing trouble pointing up the sister who’s bronzing this one guy coming in and two friends Wolle Ricardo Ronci Schalke fans someone named Luzie Stein ten foreigners the Blacktrones the fat one the hairdresser the one with the chubby her face trying to sell a gold necklace two guests Wolle’s girlfriend Richard Schamhaari someone who could help ten people the blind the fatsters the Hamburg lot cheeks the Situationists this one poor mad sod two guys woman Richard Barnes Schiller us out terror woman the bloke the favourite the Head of Museum the one with the Clarks the sneezing guy this one woman two hundred people woman in the pink dress Rico Roll Schneider Sonia Thai model the blond guy the favourite artist of the Services the one with the glasses the speaker this really shitfaced guy two men wonderful woman Riedel Schnittlauch Sonja Hohlmann that art historian woman the blond one Germans the head of the Kunstverein the one with the hairdo the sponsors this sculpture student from two people Wurschti Ringo Schröder Sonja Hohmann that art teacher from Barmbek the blonde the Finnish girl the helpless the one with the hat the stonemason on Greece Saint Martins College two policemen Xandi Rirkrit Tiranisha Schrören Sonja Umstätter that Austrian guy the blue face the Finnish girl at the bar the hippest the one with the long hair the strange assistant this sort of duo two pretty women Xandi Korb Rirkrit Tiravanija Schumacher Sony Ericsson that bitch the blue faces the first man The Hitchhiker the one with the nondescript the Streets this sort of expert on Gordon two thousand cunts Yilmaz Rita Schweeger Spanish DJ that cement mixer the Bollock Brothers the first one the homeless people face the students from the Matta Clark two women Yilmaz Cievior Rob Bailey Schwitte spaz that champagne and cocaine the bombshell the Flashmen the horror bitch the one with the nondescript Zobernig class this TV crew from Polilux two women walking past you 484 485

Chronology of events

2000 2006 2011 ‘Turiner Grabtuch’ (Shroud of Turin) – talk given to Heimo Zobernig’s art Oskar – publication of the first edition of the Oskar book class at Vienna’s Academy of Fine Arts Two buildings are rented at Oskar-von-Miller Strasse in Frankfurt am Christopher Wool – restaging of an exhibition by Christopher Wool Kontext Form Troja (Context Form Troy) – reconstruction of Oskar-von- Falsche Jugend (Fake Youth) – staging of a group photograph for the Time Bank Robbery – staging of a robbery at Julieta Aranda’s and Anton Main. (Secession, Vienna) Miller Strasse 16 at the Secession in Vienna with life-sized images of its exhibition Les Grandes Spectacles at the Museum der Moderne in Vidokle’s Time Bank exhibition at Portikus (Frankfurt) events from the years 2000 to 2002 Salzburg Beginning of the exhibition space Oskar-von-Miller Strasse 16 Club[b]ed Club – series of regular events based on the restaging of Spekulative Ausstellung einer im original stattfindenden Zukunft Internationaler Frühschoppen (Meet the Press) – re-creation of a TV talk ‘Die Situationistischen Internationalen’ (The Situationist Internationals) club nights (Robert Johnson, Offenbach; Atomic Café, Munich; Mod (Speculative exhibition of a future taking place in reality) – demolition of show – talk given by Roberto Ohrt about the covers of post-situationist Jim Isermann – reinstallation of an exhibition by Jim Isermann (Portikus) Weekender, Unkel; Zosch Club, Berlin; Revolver Club, Hamburg; Club the Oskar-von-Miller Strasse 16 replica at the Secession in Vienna publications Eleven, Cologne) Demolition of both buildings at Oskar-von-Miller Strasse 16 (Frankfurt) Oppenheimer Bar – re-creation of the Bar Oppenheimer (Frankfurt) New Year’s Eve party Filmed Film –presentations of film re-recorded during cinema screenings Conferenced Conference – two-day conference at the Hotel Blauer Bock Blackbox – transcription of a reading by Benjamin von Stuckrad-Barre in Munich 2013 and re-printing of Barre’s book Blackbox Opel – reproduction of the Oskar-von-Miller Strasse 16 rear wall 2004 Oskar-von-Miller Strasse 16 (textile) – presentation of the textile tent at In girum imus nocte et consumimur igni – first showing of the French Production of Thirteen Catalogues the Fine Art Fair Frankfurt Anekdotenkonferenz (Conference of Anecdotes) – three-day conference original by Guy Debord with live German dubbing by Roberto Ohrt NOSNHO.-..... (ROBERT-JOHNSON) – upside-down replica of the of shared recollections with the aim of chronicling the events that Yesterday – Ladies’ Room Party at the Dirt (Berlin) Robert Johnson club with music played backwards (Galerie Michael Inauguration of the Friday Kitchen in Berlin happened at Oskar-von-Miller Strasse 16 between 2003 and 2011 Teil 1 (Part 1) – retrospective Neff, Frankfurt) New Year’s Eve party Legendary Orgasm – wall paintings and live appearance of the band Inauguration of the Friday Kitchen 2007 2014 when The Who were later building up their supermod image; start of the band tour with shows at the Golden Pudel Club, and the Tanzhalle 2002 False Portikus / False Frieze Art Fair Catalogue – presentation of false St. Pauli in Hamburg, the Podewil Festival in Berlin, the Atomic Café in Portikus exhibitions (2000 – 2002) at the Frieze Art Fair in London and Oskar-von-Miller Strasse 16 continues at its new space at Weydinger Oskar – publication of the second edition of Oskar Munich and many others publication of the False Frieze Art Fair Catalogue Strasse 20 in Berlin Gilbert & George (Gert & Georg) – mimic of the English artist duo during their exhibition opening at Portikus Fung un Föng Feuern Feuern Nö – re-naming of a food truck SK N E ST SSE – installation of illuminated letters on the façade 2001 of Oskar-von-Miller Strasse 16 at Weydinger Strasse 20 in Berlin Max Goldt + Robert Gernhardt – reenactment of a reading given by Max Union Jack – later presented at the Frieze in London in 2006 Goldt and Robert Gernhardt Poster and post card exhibition Lola Montez – re-creation of the Lola Montez club in Frankfurt with Oskar book presentations – Neuer Aachener Kunstverein, Kunstverein various telephone DJs Zweiseitige Uhr mit entgegengesetzten Laufrichtungen und variabler Hamburg, Filmmuseum Frankfurt, Galerie Gabriele Senn (Vienna), Club[b]ed Club (Rio) Geschwindigkeit (Double-sided clock with contrary running directions Galerie Dépendance (Brussels) Disco Wilhelm Reich Version Frankfurt M. – a modified version of the and variable velocity) – installation on the Oskar-von-Miller Strasse 16 New Year’s Eve party video Disco Wilhelm Reich produced in collaboration with Marko Lulic façade ‘Dandy and Dandyisme’ – talk given to Michael Krebber’s art class at the Städel in Frankfurt How You Look At It – film presentation with filmed films OvMS 16 2000–2002 – duplication of the exhibition space’s rear wall 2008 with a radio programme consisting of sound recordings produced during 30.02.2004 – beginning of a poster series with unrealistic dates Warhol Shooting – reenactment of Cecil Beaton’s group shot Andy prior events Warhol and members of the Factory; in collaboration with Ursula Meier Roberto Ohrt – room description of Roberto Ohrt’s living room Antrittsrede als neuer Leiter des Frankfurter Kunstvereins (Inaugural Carl Larsson – installation of Carl Larsson’s signature on a lake speech as new director of the Frankfurter Kunstverein) in collaboration Moving Walls – imitation of an exhibition by Jeppe Hein (Galerie Michael SK N E ST SSE – installation of illuminated letters on the façade with Daniel Baumann Neff, Frankfurt) Beginning of the historicisation of Oskar-von-Miller Strasse 16 based on of Oskar-von-Miller Strasse 16 accumulated visual material and sound recordings Illustration Subtropen – advertising texts on public billboards are re- 2010 painted. New Year’s Eve party 2005

Damenkloparty (Ladies’ Room Party) – during an exhibition by Rirkrit The space at Weydinger Strasse 20 in Berlin is given up Tiravanija at Portikus 2003 Hallo Moden – opening of a fashion shop with second-hand clothing donated by well-known personalities from the art world Oskar-von-Miller Strasse 16 is continued at a rented building at Mainzer Wassertest (Watertest) – the water that is part of an installation at the Landstrasse 105 in Frankfurt. neighbouring Portikus is re-directed to flush the toilet at Oskar-von-Miller Anekdotenkonferenz (Conference of Anecdotes) – two-day conference Closing event at Oskar-von-Miller Strasse 16 (Frankfurt) Strasse 16; in collaboration with Jason Rhoades and Hugh Pocock. of shared recollections with the aim of chronicling the events that happened at Oskar-von-Miller Strasse 16 between 2000 and 2003 New Year’s Eve party 486 487

Recordings – written and unwritten texts

Anekdotengitter so hieß das Jodie played in a hotel room in London. (A Grid of Anecdotes is what it was called) 55 minutes, [?], 2008, Hamburg _Published as a poster (2007) 957 minutes, June 14–16 2013, Nidda Strasse 84, Frankfurt Live recording of a visit to a party supply shop. Michael Riedel invites Dennis Loesch, Hank Schmidt in der Beek, Niklas _Unpublished Franz West Schechinger, Marcus Hurttig, Roberto Ohrt and Daniel Herrmann to 877 minutes (excerpt), January 2–3, 2003, Oskar-von-Miller Strasse 16, a three-day conference. The text comprises a collection of anecdotes Frankfurt about Oskar-von-Miller-Strasse 16 (2003-2013) and the continuation of Glasgow the 2003 Conference of Anecdotes. Franz West is an excerpt from the text Grid of Anecdotes, published in 54 minutes, February 12, 2008, Lewis Glucksman Gallery, Cork _Published in Oskar (2013) False Frieze Yearbook (2004). _Published in the form of a poster (2006) Live recording of the installation of Warhol’s Cow Wallpaper for the exhibition The Eternal Now at Lewis Glucksman Gallery (2008). Biennale _Published as a text object (2008) 52 minutes, June 1, 2011, Portikus, Frankfurt Neugerriemschneider On the opening night of the 54th Venice Biennale in 2011, Michael 3 minutes, September 28, 2003, Secession, Vienna Lucas Cranach Riedel walks into the exhibition Time Bank by Julieta Aranda and Anton Recording of a guided tour through the exhibition Context, Form, Troy at 78 minutes, September 12, 2007, Weydinger Strasse 20, Berlin Vidokle at Frankfurt’s Portikus and openly puts the money shown as part the Secession in Vienna (2003). of the exhibition into a sports bag; as a result, the exhibition guard locks _Published in the form of a poster (2006) Transcript of a game on the pinball machine Medieval Madness the main door. Locked in with Riedel is an Italian couple who demand to accompanied by a conversation about the advertising campaign for the be released immediately and refuse to wait for the arrival of the police. Lucas Cranach exhibition at the Städel Museum in Frankfurt (2007). Biennale is the transcript of the sound recording of the action. Coverdesign _Published in the form of a poster (2008) _Published in the form of a poster (2012) 21 minutes, June 15, 2001, Galerie Michael Neff, Frankfurt

Recording of a video presentation titled Moving Walls at Galerie Michael Francis Bacon Neff, where the gallerist states: Marcus 141 minutes, December 11, 2007, Bernhard-Nocht Strasse 60, Hamburg `well hang on darling this is still my living room and I can fuck in here 73 minutes, October 10, 2008, Kunstverein Frankfurt and By phone, Marcus Hurttig and Michael Riedel invite guests to a party on that’s true Transcript of the Inaugural speech as new director of the Frankfurter New Year’s Eve 2007/ 08 at Oskar-von-Miller Strasse 16 at Weydinger can do in here whatever I please so if anyone else wants to fuck in here Kunstverein that Michael Riedel gave together with Daniel Baumann, Strasse 20 in Berlin. Francis Bacon is the recording of these only semi- they should come out and say it’ and in which Riedel articulated a possible change of direction for the motivated telephone conversations. _Published in the form of a poster (2006) institution. The inaugural speech was read off by one of them, recited _Published as a text object (2007) from memory by the other, then transcribed by the voice-recognition software iListen and projected onto the wall behind the speakers. Sendung _The text of the speech, a transcript of the event, and the text produced (Broadcast) by iListen were published in Meckert (2009), Perlstein (2011), and as a SK N E ST SSE (This text was also published under the title Internationaler poster (2011) 61 minutes, April 2, 2007, Oskar-von-Miller Strasse 16 at Weydinger Frühschoppen (Meet the Press)) Strasse 20, Berlin; a Skype conversation between Berlin and Basel 317 minutes (excerpt), February 7, 2006, Virchowsaal, Berlin

Niki de Saint-Phalle Asked to describe Oskar-von-Miller Strasse 16, Daniel Baumann writes The German political talkshow Internationaler Frühshoppen (Meet the 47 minutes, May 3, 2007, Kunsthalle Hamburg the text ‘Duplication and something in between or not’. SK N E Press) is re-staged with Brian O’Doherty, Gerhard Merz, Michael S. ST SSE documents a Skype conversation with Daniel Baumann that Riedel, Jeppe Hein, Michael Neff, Wilfried Kühn and Achim Lengerer Niki de Saint-Phalle documents the search for a limerick on the night of is broken up several times due to technical problems. Despite this, and and Marcel Bugiel as the host. Sendung documents the proceedings a Daniel Richter opening at the Kunsthalle Hamburg. without much effort, the participants manage to entirely de-formulate his and was later published as a booklet accompanying Achim Lengerer’s _Published in Printed and Unprinted Posters (2008) and Perlstein (2011) text. video recording of the show. _Published in Perlstein (2011) and as a poster (2007) _Published as a poster (2006) and in Tirala (2006)

France 327 minutes, October 13, 2006, Frieze Art Fair, London George Grosz Fung un Föng 57 minutes, October 11, 2006, Holiday Inn, London 14 minutes, September 8, 2004, Oskar-von-Miller Strasse 14, Frankfurt Multiple-hour live recording of sales conversations at the booth of Walther König art bookshop at the Frieze Art Fair in 2006. Transcript of a recording of one of many Hearts Are Trumps games Fung un Föng feuern feuern nö is an attempt at re-arranging the _Published in Printed and Unprinted Posters (2008) labelling ‘Neueröffnung Neueröffnung’ on a food truck into 488 489 Recordings – written and unwritten texts new words. _Published in Tirala (2006) Steve Cunningham they find the spot where the booth of Gabriele Senn _Published in Tirala (2006) will be located, which will be labeled H4 during the fair. Here, sitting on four chairs, they describe the surrounding Regent’s Park and record Rhoades’ Crap their descriptions. The recording titled One and Three Chairs, together Food 307 minutes, June 23, 2005, David Zwirner Gallery, New York with its transcript and photographic illustrations, are later all used in the 246 minutes, June 25, 2004, Freitagsküche (Friday Kitchen), Oskar-von- installation by Michael Riedel under the same title. Miller Strasse 16, Frankfurt Rhoades’ Crap documents the dismantling process of the Neo Rauch _Published as a poster and as part of the installation One and Three exhibition Renegaten (Renegades) in 2005. Chairs (2005) Transcript of a recording from one of many Friday Kitchen events which, _Published as a poster (2005) and in Neo (2005) among other things, includes a film presentation of Food (Robert Frank, 1972). One and Three Chairs _Published in Tirala (2006) Wenn man jetzt vier Bilder mehr unterbringen muss sozusagen 116 minutes, January 3, 2005, Lenin Museum, Moscow weil das Projekt danach ist dann hätten wir jetzt zwei Möglichkeiten (If we now have to fit in four more pictures basically because that’s what For Michael Riedel’s participation in the 2005 Moscow Biennale, Marcus André Butzer the project dictates then we’d now have two options) Hurttig, Denise Mawila, Hank Schmidt in der Beek, and Michael Riedel 34 minutes, March 4, 2005, at Galerie Guido W. Baudach, Berlin 323 minutes, February 22, 2005, Strausberger Platz 4, Berlin sit down on four chairs, from where they describe a room at the Lenin Museum which is, at that point, still empty. The production of this text Text documenting the setup of the exhibition Haselnuß (Hazelnut) by One of a series of meetings about the Aedes catalogue takes place in is linked to Michael Riedel’s installation One and Three Chairs, which André Butzer (2005). the offices of a graphic design agency. At the meeting, graphic design translates a work by Joseph Kosuth with the same title and corrects _Published in Tirala (2006) matters are discussed. Afterwards the recording device is left in the Kosuth’s original dictionary entry on ‘chair’. meeting room and then taken home by one of the members of staff. _Published in Tirala und as part of the installation One and Three Chairs There, it is left at the coat rack where, after two hours, it finally switches (2006) Vier Stühle off. (Four Chairs) _Published in Kühn Malvezzi (2005) 71 minutes, January 9, 2006, Hotel Goldener Schlüssel, room 226, Bern One and Three Chairs 57 minutes, January 6, 2005, Oskar-von-Miller Strasse 16, Frankfurt Following an invitation by the director of the Kunsthalle Bern, Phlippe Das Problem ist halt wenn ich hier stelle reagiert das da hinten mit Pirotte, Niklas Schechinger, Roberto Ohrt, Marcus Hurttig, Hank Schmidt (Well the problem is if I adjust something here it reacts back there as In the guestroom at Oskar-von-Miller Strasse 16 Denise Mawila, Marcus in der Beek and Michael S. Riedel sit down on four chairs, from where well) Hurttig and Michael Riedel dimly remember their description of the Lenin they describe the room they’re in. On the evening of the same day, 227 minutes, March 3, 2005, Heidelbeger Strasse 65-66, Berlin Museum on the occasion of Michael Riedel’s participation in the Moscow the group remembers their recorded descriptions of the Aaresaal at Biennale (2005). the Kunsthalle Bern, this time sitting in a dimmed hotel room at the The print office commissioned with the printing of the Aedes catalogue _Published in the form of a poster (2005) Hotel Goldener Schlüssel. The text at hand, which was later shown in agrees to have the activities of its print room recorded. connection with Michael Riedel’s installation One and Three Chairs, is a _Published in Kühn Malvezzi (2005) transcript of these recorded recollections. In Roten Sachen _Published as a poster and as part of the installation One and Three (In A Red Wagon) Chairs (2006) Wenn die Neigung und dann der Druck ja und dann hält der das zu 41 minutes, November 25, 2002, Cineplex Aachen lange fest (If it slants and then the print yeah and then it holds it for too long) In Roten Sachen documents a repeated visit to the cinema to see the Robert Johnson 217 minutes, March 4, 2005, Buschkrugallee 33, Berlin film Red Dragon. The information obtained during the first visit serves 264 minutes, January 23, 2004, at the cash desk of the Roberto as the basis for a conversation during the second one. The on-screen Johnson Club, Offenbach A recording device is carried around by a member of staff during the action is anticipated in the form of loud interjections. production process at the bookbindery where—among other things— _Published as a poster (2004) and in Tirala (2006) This text typed from back to front word by word, appeared under the work on the Aedes catalogue is being carried out. The workday ends title Johnson Robert in a publication accompanying the 2004 exhibition 217 minutes into the recording, and the device is given to one of the NOSNHO.-...... (ROBERT-JOHNSON) and documents a Saturday night secretaries who then switches it off. Roberto Ohrt at the cash desk of the Robert Johnson club. _Published in Kühn Malvezzi (2005) 210 minutes, October 22–24, 2004, Kastanienallee 27, Hamburg _Published in Tirala (2006) Recording created in Roberto Ohrt’s flat during his absence and So Farbe als Thema haben wir eine ganze Menge centered around a description of his living room under diffuse lighting Three Wishes (So regarding colour we have a lot of options) conditions and from the vantage point of his green sofa. 22 minutes, February 9, 2002, a Chinese restaurant, Rüsselsheim 325 minutes, March 2, 2005, Stadtbahnbogen 593, Berlin _Published in Tirala (2006)

This text is based on a recording that documents the process A sales assistant in the architecture section of a book shop selling the April of transcribing the lyrics from the Chocolat Art LP by Television Aedes catalogue carries around a recording device for one day. The 14 minutes, March 5, 2004, office of the Roberto Johnson, Goethering Personalities shortly before a concert of the band when The Who were recording documents several conversations with customers and on the 54, Offenbach later building up their supermod image in 2002. telephone, as well as the shop assistant’s lunch break at a nearby café. _Published as a poster (2004) and in Tirala (2006) _Published in Kühn Malvezzi (2005) _Published in the form of a poster (2004)

Three Wishes Three Wishes Jackanory Clockwork Orange 62 minutes, February 16, 2002, Sharp, Frankfurt 3 minutes, January 1, 2005, Oskar-von-Miller Strasse 16, Frankfurt 37 minutes, March 26, 2001, Frankfurt

Transcript of a recording of the transcription process of Three Wishes. _Published in the form of a poster (2005) _Published in the magazine Monopol (2005) _Published in Tirala (2006)

Neo Rauch Makes Paintings Alles Komma was gut tut Michael 34 minutes, November 22, 2005, David Zwirner Gallery, New York (Everything comma that does you well) 18 minutes, February 14, 2004, Galerie Michael Neff gallery, Frankfurt 91 minutes, November 5, 2001, Frankfurt At the request of David Zwirner and assisted by Marcus Hurttig, Michael Due to technical problems, the recording for the text Michael Riedel gives the gallery staff a guided tour through his exhibition Neo. Recording of a cloak-and-dagger operation during which texts on inner- unexpectedly ends after only a few minutes. The text is left incomplete. _Published in Tirala (2006) city billboards are overwritten. _Published in Tirala (2006) _Published as a poster (2004) and in the magazine Subtropen (2001)

One and Three Chairs Moritz von Uslar 79 minutes, September 21, 2005, Regent’s Park, London Aaron Street — Argyle Cres 49 minutes, February 8, 2001, Theater Aachen 429 minutes, ? 2003, Detroit For part two of One and Three Chairs, Marcus Hurttig, Hank Schmidt Live recording of a reading by Michael Riedel based on a reading by in der Beek, Roberto Ohrt, and Michael Riedel visit the place where, Aaron Street — Argyle Cres is based on a recording of a navigation Benjamin von Stuckrad-Barre. four weeks later, the pavilion of the Frieze Art Fair will stand. Aided by system giving directions to the first 25 streets listed on the street register During the time period between 1997 and 2007, a total of 85,645 minutes (60 days) of recorded material was produced; so far 12,235 minutes ( 9 days) of this material have been transcribed, a process which took 45 days. 490 491 Recordings – written and unwritten texts of the Rand McNally Detroit City Map to be driven to one after the other. Jeppe Hein’s exhibition Moving Walls. 30 minutes, April 4, 2000 _Published in ABCDetroit (2003) _Published in Tirala (2006) Recording of the weather report forecasting the weather for April 5, 2000. Fotografenstimme Christopher Wool _Published in the form of a column in Büchner (2000) (Photographer’s voice) 148 minutes, September 13, 2001, the Secession, Vienna 161 minutes, February 15, 2004, Oskar-von-Miller Strasse 16, Frankfurt _Published in the form of a poster (2004) Recording of a guided tour through the exhibition Christopher Wool at Tropfen the Secession in Vienna (2001). (The Drop) _Published in the form of an installation as part of the exhibition 148 minutes, July 19, 2000, Mörfelder Landstrasse 163, Frankfurt Buchpräsentation Christopher Wool by Michael Riedel and Achim Lengerer at Gabriele (Book presentation) Senn gallery in Vienna (2001) _Unpublished 67 minutes, Oskar-von-Miller Strasse 16, Frankfurt

On the occasion of the launch of Oskar, a book presentation is held Telefonbuch Hundertfünfundsechzig mal zweihundertvierzig with Michael Riedel, Achim Lengerer, Dennis Loesch, Marcus Hurttig (Telephone book) (One hundred sixty-five times two hundred forty) and Roberto Ohrt as participants in a round table discussion and with 187 minutes, December 9, 2001, Oskar-von-Miller Strasse 16, Frankfurt 90 minutes, July 6, 2000 Thomas Friemel serving as their audience. The motivation for this presentation, which was a non-public event, was to produce a text which Telefonbuch gives an account of an extensive number of telephone _Published in the form of a column in Büchner (2000) would then be re-staged by six actors at a later point and in a different conversations that were made to invite friends to a New Year’s party at place. Oskar-von-Miller Strasse 16. _Published in the form of a poster (2003) _Published in Oskar (2003) Heldenplatz II 148 minutes, August 29, 2000

Anekdotengitter Boppard _Published in Heldenplatz II (2000) (Grid of Anecdotes) 154 minutes, December 30, 2001, on a Deutsche Bahn train 877 minutes, January 2–3, 2003, Conference of Anecdotes, Oskar-von- Miller Strasse 16, Frankfurt Boppard documents a train ride from Unkel to Frankfurt transporting Heldenplatz I back a number of stolen props that are later used for the Club(b)ed Club 229 minutes, December 31, 1999, Heldenplatz, Vienna Michael Riedel and Dennis Loesch invite Hank Schmidt in der Beek, Remake Unkel. Niklas Schechinger, Marcus Hurttig, Roberto Ohrt, and Daniel Herrmann _Published in Oskar (2003) _Published in Heldenplatz I (2000) to a two-day Conference of Anecdotes. The resulting text is a collection of anecdotes about the events at Oskar-von-Miller Strasse 16 that took place between 2000 and 2003. Blackbox _Published in Oskar (2003) and Oskar (2013); 127 minutes, October 19, 2000, Batschkapp, Frankfurt Alphabetical arrangement of words from the first 40 pages of the 250- page text was also published in the form of a poster (2010) Live recording of a reading by Benjamin von Stuckrad-Barre at the Batschkapp in Frankfurt . _Published in Blackbox (2000) and Oskar (2003) Michael Krebber 377 minutes, January 17, 2002, Coma Woche, Hamburg die Oppenheimer Following an invitation by Michael Krebber and as part of a series of 78 minutes, August 23, 2000, Bar Oppenheimer, Frankfurt talks, Michael Riedel delivers an erroneous and incomplete version of his talk Dandysme (Friedrich Heubach, Michael Krebber) previously Documentation of a night at the Bar Oppenheimer. recorded in Hamburg. _Published as a text object (2000) and in Oskar (2003) _Published in Tirala (2006)

eintausendsechshundertachtundvierzig Mark eins Vier gegen vier (one thousand six hundred forty-eight marks and one pfennig) (Four against four) 67 minutes, June 30, 2000, Oskar-von-Miller Strasse 16, Frankfurt 114 minutes, April 10, 2002, Hartplatz, Frankfurt One thousand six hundred forty-eight marks and one is the total sum Recording of a football match. of all the money mentioned during a recording of bar conversations at _Unpublished Oskar-von-Miller Strasse 16. _Published in Oskar (2003)

Neil Young 28 minutes, June 20, 2001, Frankfurt Scheissen und Brunzen (Shitting and Pissing) As anticipated, a recording device brought to a Neil Young concert 31 minutes, April 24, 2000, Zoeppritzstrasse 16, Garmisch- has to be left at the door, where it records the material for the text Neil Partenkirchen Young. _Published in Tirala (2006) The modified version of the text scheissen und brunzen by Konrad Bayer and Gerhard Rühm (1958) is based on a recording that documents the process of memorising the aforementioned text. Deutsch—Tedesco _Published in Scheissen und Brunzen (2000/ 2004), Texte zur Kunst (German—Tedesco) (2002) and Tirala (2006) 2002

Collection of texts. Wenn sie die Aufnahme wiederholen möchten _Published in Deutsch—Tedesco (2002) (If you would like to take the photo again) 11 minutes, August 31, 2000, Fotovision, Frankfurt

Wie die Wände Text based on a recording at a public photobooth. (Like the walls) _Published in Tirala (2006) 36 minutes, April 25, 2001, Gallerie Michael Neff, Frankfurt

Underneath two cardboard boxes, Michael S. Riedel and Achim Von Frankreich ziehen heute Nacht Wolken nach Deutschland Lengerer enter Michael Neff’s gallery in Frankurt with the aim of imitating (Tonight clouds from France will be heading into Germany) This is the account of Oskar-von-Miller Strasse 16 (2000–2011), an art space that became renowned as a gigantic replication device. With the call of ‘record, label, play back’, a group of young artists reiterated the language of a city’s cultural offerings—often without a full understanding of what they were reciting, but always with an acute aesthetic interest in the faults of transmission and transference. This book itself is a product of such practices. Scores of audio and visual materials, partly in the form of transcripts from two Conferences of Anecdotes, chronicle the group’s eleven years of Trojan activities: a natural force uncontri- ved amidst the staging of innumerable cultural endeavours.

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