SOPHIA LATJUBA Her Passion of Life
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Alexander Wang
Fashion. Beauty. Business. APRIL 2015 No.1 Alexander Wang The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Fashion. Beauty. Business. APRIL 2015 No.1 The Row The Six Who will build the powerhouse brands US $9.99 JAPAN ¥1500 of tomorrow? CANADA $13 CHINA ¥80 UK £ 8 HONG KONG HK100 A look at six of the EUROPE € 11 INDIA 800 industry’s best bets. Christopher Kane J.W. Anderson Introducing the ricky drawstring 888.475.7674 ralphlauren.com The Ricky Sunglass ARMANI.COM/ATRIBUTE 800.929.Dior (3467) Dior.com © 2015 Estée Lauder Inc. © 2015 DRIVEN BY DESIRE esteelauder.com NEW. PURE COLOR ENVY SHINE On Carolyn: Empowered Sculpt. Hydrate. Illuminate. NEW ORIGINAL HIGH-IMPACT CREME AND NEW SHINE FINISH Contents Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Alexander J.W. Wang The Row Anderson Fashion. Beauty. Business. Fashion. Beauty. Business. Fashion. Beauty. Business. Chitose Christopher Proenza Abe Kane Schouler Six Covers Photographer Nigel Parry shot the designers for the cover story during a whirlwind global tour. “To be asked to photograph the covers for the launch of the new WWD weekly is a gift to any photographer,” he said. “I’m not saying it was easy — eight designers, six days, three continents — but the jet-lag was kept at bay by meeting such great talents. Thank you WWD!” Cover Story The 168 Fashion has long been obsessed with the new, the fresh, the unexpected, never more so than now. -
Saint Laurent
presents SAINT LAURENT A Film by Bertrand Bonello Official Selection Cannes Film Festival 2014 New York Film Festival 2014 (150 min., France, Belgium, 2014) Language: English, Franch Distribution Publicity Bonne Smith Star PR 1028 Queen Street West Tel: 416-488-4436 Toronto, Ontario, Canada, M6J 1H6 Fax: 416-488-8438 Tel: 416-516-9775 Fax: 416-516-0651 E-mail: [email protected] E-mail: [email protected] www.mongrelmedia.com High res stills may be downloaded from http://www.mongrelmedia.com SYNOPSIS 1967-1976 As one of history’s greatest fashion designers entered a decade of freedom, neither came out of it in one piece. 2 CREDITS CAST Yves Saint Laurent GASPARD ULLIEL Pierre Berge JEREMIE RENIER Jacques De Bascher LOUIS GARREL Loulou De Falaise LEA SEYDOUX Anne Marie Munoz AMIRA CASAR Betty Catroux AYMELINE VALADE Monsieur Jean-Pierre MICHA LESCOT Yves Saint Laurent 1989 HELMUT BERGER Mme Duzer VALERIA BRUNI-TEDESCHI Renee VALERIE DONZELLI Talitha ASMINE TRINCA Lucienne DOMINIQUE SANDA FILMMAKERS Director Bertrand Bonello Screenplay Thomas Bidegain and Bertrand Bonello Director of Photography Josee Deshaies Production Designer Katia Wyszkop Costume Designer Anais Romand Casting Richard Rousseau First Assistant Director Elsa Amiel Script Supervisor Elodie Van Beuren Original Score Bertrand Bonello Sound Nicolas Cantin, Nicolas Moreau, Jean-Pierre Laforce Editing Fabrice Rouaud Production Manager Pascal Roussel Post-Production Supervisor Patricia Colombat Produced by Eric Altmayer, Nicolas Altmayer 3 An Interview with Bertrand Bonello How did this project begin? In November 2011, shortly after the release of L’Apollonide, Eric and Nicolas Altmayer asked me if I’d be interested in making a film about Saint Laurent. -
Fashion's Autumn/Winter 2014 Ad Campaigns | Financial Times
04/01/2020, 10:22 Page 1 of 1 Luxury goods Add to myFT Fashion’s autumn/winter 2014 ad campaigns A deconstruction of the industry’s ads for the season reveals a sombre economic mood Share Save David Hayes AUGUST 8 2014 Hemlines may once have been a cute way of monitoring the state of the economy – rather aptly, they are all over the place these days – but nothing gives a snapshot of global hard-currency health better than a flick through the September issues of the world’s glossiest fashion magazines. Landing on newsstands with a reassuringly weighty thud early this month, the current edition of US Vogue has more advertising than any other American fashion or lifestyle magazine, with a whopping 631 ad pages. Yet it is still down 4.5 per cent on last year’s Lady Gaga extravaganza of 665 pages – which in turn was down on the magazine’s peak of 727 pages of ads in 2007. The luxury sector may not have turned an economic corner – yet. And in fashion terms the mood is not exactly upbeat, either: think brown and black set against brutalist concrete architecture (Prada); corseted women hanging around in a drab hotel suite (Dior); and models trapped in a surrealist crazy golf course from hell, wearing equally disturbing knitwear (Kenzo). Yes, advertising matters, not only as a barometer of the spending trends of the fashion world, but also as a tone-setting exercise. The following images are how fashion should look this autumn/winter, straight from the designer’s eye, so take note. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
Couture Fall 2016 President of Customer Growth Partners
DAILY EDITION 6 JULY 2016 1 No Fireworks All-Star Cast New York-Bound Business at fashion retailers Calvin Klein is launching Akris will hold its spring and department stores over a digital-led campaign 2017 show during New York the Fourth of July weekend featuring Kate Moss, Margot Fashion Week in September. was a definite fizzle. PAGE 3 Robbie, Bella Hadid, Grace PAGE 13 Coddington and more. PAGE 14 Fashion. Beauty. Business. FASHION Première Class The atelier came to the runway at Chanel’s fall couture show. Karl Lagerfeld paid tribute to the premières and seamstresses who make his designs a reality — presenting them at work onstage at the Grand Palais as his models strode past in looks that included his chic new pantsuit, a lean jacket over wide cropped pants. For more on couture, see pages 4 to 10. Couture Fall 2016 Photograph by Stéphane Feugère Stéphane by Photograph 6 JULY 2016 3 RETAIL semiannual sale appeared more muted after running for nearly a month. Retailers’ Fourth of July Most retailers were “modestly more promotional” TOP 5 year-over-year as they cleared through leftover summer product to make room for fall merchandise, Weekend: No Firecracker Konik added. TRENDING Jan Rogers Kniffen, chief executive officer of the ON WWD.COM ● Retailers for the most part but at least they won’t get crushed on the profitabil- consulting firm that bears his name, said June was didn’t see as much of a traffic ity. We didn’t see that in Q1.” the best month in a long time, and that the Fourth of Amazon is more of a factor than ever, particularly July weekend was a little more promotional than last lift as Memorial Day weekend. -
Vicenzaoro Jewels & Luxury Magazine
USA $14.90 | UK £11 | EUROPE €12 Magazine &Luxury Jewels VIC E NZ A ORO 212-486-4545 GARDEN COLLECTION ROBERTOCOIN.COM 212-486-4545 GARDEN COLLECTION ROBERTOCOIN.COM 7 TABLE OF CONTENTS Issue 134 for Summer 2015 26 ≈ Massimo Izzo 80 ≈ From Fashion to Fine 70 ≈ Faraone Mennella Aperture 41 Infographics Stories 42 Red Carpet Men About Town 56 Pininfarina 16 The Richmond 26 Angle Elegance and Power, Runway Massimo Izzo with Torinese Grace 18 Watchword: Oversized 32 Me Myself and I Details Paola Strammiello 70 Faraone Mennella 20 Pink My Love 54 Word To The Wise The Stars and On Our Shelf Man Is style Stripes’ Dream 22 King of Prints 76 Roberto Coin On Inspiration and Well Done! The Creative Process Style Report 44 FKA Twigs 24 Brand New 46 DimoreStudio 30 Fascinating Facts 48 Pistoletto Last Word 34 Pure Luxury 50 Stefano Boeri 36 VO+ Files 51 Francesco Vezzoli 144 The Light of Knowledge 38 Top Event 52 Kendall Jenner by Carlotta de Bevilacqua 8 TABLE OF CONTENTS closeupstudios.com Issue 134 for Summer 2015 ≈ Hell-O-Tiki 118 Shot by Stefano Campo AnticoShot by Stefano Fashion & Jewels Trends Celebration V estiamo 64 80 Fashion 108 Versace Watches diamanti So Fresh, So Clean From Fashion to Fine jewelry Celebrating 25 Years Shot by Stefano Campo Antico 86 Wine Cellars and styled by Anita Sciacca In Vino Virtus Estate & Vintage 98 124 New Faces 112 Siegelson Rocking That 70’s Vibe The Next Generation is Made in Italy The Treasure Hunter Shot by Stefano Moro Van Wyk 136 Lifestyle Diary and styled by Rebecca Baglini Anatomy of a Red Carpet 132 Vicenzaoro Dubai 118 Four Day to Go Down in History Flagship store 12 The Brian&Barry Building SANBABILA - Milano Hell-O-Tiki. -
Vogue Italia Di Settembre: Le 100 Copertine
Leggi l'articolo su beautynews Vogue Italia di settembre: le 100 copertine Con il numero di settembre, come di consueto il più importante dell'anno, Vogue Italia presenta ai lettori un progetto unico e speciale: un numero da collezione con cento personaggi per cento copertine: modelle famose e attrici, artisti e persone della strada - tutte speciali, con la loro storia unica da raccontare. Vogue manda in edicola così ancora una volta un'edizione da collezione, in cui le copertine numerate diventano un’opera d’arte e un manifesto della moda per tutti, all’insegna della diversità. «Lo scorso aprile, quando abbiamo scelto di lasciare bianca la nostra copertina, eravamo convinti che il silenzio fosse un giusto messaggio di rispetto e pudore», scrive nel suo editoriale Emanuele Farneti, direttore di Vogue Italia. «Adesso invece, all’inizio di una nuova stagione per molti versi decisiva, pensiamo sia il momento di parlare ad alta voce di bellezza e di speranza. Per la prima volta abbiamo scattato, e stampato, cento cover. Ciascuna di loro è dedicata a una protagonista diversa: per età, aspetto fisico, colore della pelle. È il ritratto di una comunità che, pur nel giusto rispetto delle restrizioni di distanze e tempi imposte dal contesto, dopo aver diligentemente atteso ora si ritrova e ricomincia». Ci sono supermodel iconiche: Cindy Crawford, Pat Cleveland, Patti Hansen, Donna Jordan. Le top del momento: Kaia Gerber, Bella Hadid, Julia Nobis, Freja Beha Erichsen, Sasha Pivovarova, Irina Shayk, Alek Wek, Raquel Zimmermann, Saskia De Brauw, Rebecca Longendyke. Instagram star come Emily Ratajkowski e Paloma Elsesser. -
Unfold Your Talent VIA Film & Transmedia
Unfold your talent VIA University College VIA Film & Transmedia Research & Development centre FASHION FILM & TRANSMEDIA – an anthology of knowledge and practice Fashion Film & Transmedia – an anthology of knowledge and practice Editing by SPOTT trends & business Fashion Film & Transmedia VIA University College 4 Colophon Title Fashion Film & Transmedia - An Anthology of Knowledge and Practice Published by VIA Film & Transmedia Research & Development Centre Authors Rina Hansen Marie Schuller Paloma Díaz Soloaga Janet De Nardis Max Giovagnoli Stine Johansen Anja Bisgaard Gaede Sara Ingemann Holm-Nielsen Ellen Riis Editing SPOTT trends & business Proof reading Anders M. Nielsen Graphic design Inge Lynggaard Hansen Cover image Liu Zhao and Dao Chenyuan. Beijing Film Academy Copyright © VIA Film & transmedia Research & Development Centre No part of this publication may be reproduced, stored in retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or scanning, or otherwise without prior permission by the publisher. Print GP Tryk Printing samples 1,000 ISBN 978-87-999334-0-2 Publishing year 2017 First edition Create Converge Brand Dansk Bomuldskompagni/Photo by Isabel Ahlgren Deleuran, VIA Film & Transmedia Photo by Camilla Gammelgaard Kristensen, Amalie H. Bredahl, Helene Sophie Højgaard Eckholdt, Ditte Marie Rothemejer and Joanna Mikkelsen, VIA Film & Transmedia Fashion Film & Transmedia VIA University College 7 Table of contents 9 An Introduction to the Anthology on Fashion Film & Transmedia Louis Thonsgaard, Director of Studies and Research, VIA Film & Transmedia 10 Editor’s Letter by SPOTT trends & business 11 Contributors 17 The Development in Luxury Fashion Brands’ Web Presence and Use of Interactive Media Rina Hansen, Ph.D, Copenhagen Business School, marketing and omnichannel director at By Malene Birger. -
DT Page 01 April 04.Indd
www.thepeninsulaqatar.com CAMPUS | 6 MARKETPLACE | 7 ENTERTAINMENT | 12 MES students bring Oxy Qatar employees Tera Surroor: An painting contest share knowledge abysmal attempt laurels with students in upscale avatar MONDAY 4 APRIL 2016 Email: [email protected] thepeninsulaqatar @peninsulaqatar @peninsula_qatar As the world’s superpowers eye the lucrative Arctic region with growing interest, unprecedented oil spill clean-up tests in icy Finnish conditions reveal just how hazardous and challenging an accident in the Arctic’s pristine sea ice could be. RISKY ARCTIC QUESTS P | 4-5 MONDAY 4 APRIL 2016 | 03 CAMPUS DeBakey students take part in Planet Georgetown event DeBakey High School students participated in the Planet Georgetown program. Students learned about social movements and created posters about ways to improve the world for the future. One of the students said: “I really enjoyed learning about the other parts of the world and the troubles related to food, water and society standards.” NIS welcomes new teachers he teachers of Noble Internation- Tal School (NIS) welcomed the new academic year 2016-2017 and the new teachers with enthusiasm. The new and existing teachers were ad- vised to commence the new academic year with positive thoughts, tenacity and fortitude, adherence and commit- ment to make the school atmosphere homely for the students. Robin Jose, HOS, Preparatory sec- tion welcomed the gathering. Abdul Rahim, Director General, NIES, deliv- ered the presidential address. Hussain Mohammed, Chairman, and Moham- med Eesa, Vice-Chairman, addressed the gathering. Principal Shibu Abdul Rasheed, gave a short speech encour- aging them to extend their support to strive together and to work hand in hand for the betterment of the in- stitution. -
Agaborynfashiontv-Titlepage.Pdf
FASHION TV. THE HISTORY BEHIND THE TV STATION THAT EXCLUSIVELY FOCUSES ON THE PHENOMENON OF TRUE FASHION. Contents Introduction…………………………………………………………………………………….4 1. Chapter I. The history of Fashion TV. 1.1. Founder Michel Adam Lisowski…………………………………………………..6 1.2. How the Fashion TV was founded……………………………………………….10 1.3. The logo of the company………………………………………………………...14 1.4. Operation of the company, country where the Fashion TV take place…………..16 1.5. Definition of fashion……………………………………………………………..20 1.6. Television and the features, current situation of the fashion television market….24 2. Chapter II. Subjects and issues of Fashion TV. 2.1. Fashion – fashion designers in vision of Fashion TV……………………………31 2.2. Fashion Weeks – New York, Lodnon, Milano, Paris……………………………36 2.3. Big Fashion shows. Collection Falls/ Winter, Summer/Spring………………….43 2.4. Brands presented on the Fashon television………………………………………44 2.5. Questionnaire. Audience indicator of Fashion TV………………………………46 2.6. Influence Fashion TV for audience and fashion environment…………………..49 2.7. The most famous fashion models………………………………………………...54 3. Chapter III. The development of Fashion TV company. 3.1. Fashion TV evolution…………………………………………………………...60 3.2. Bars network…………………………………………………………………….62 3.3. Hotels network…………………………………………………………………..66 3.4. Fashion vodka…………………………………………………………………...69 3.5. Fashion beverages……………………………………………………………….72 3.6. Fashion champagne……………………………………………………………...73 3.7. Faashion proseco………………………………………………………………...74 3.8. Fashion water…………………………………………………………………….75 3.9. Fashion shops……………………………………………………………………78 3.10. Internert service……………………………………………………………….79 3.11. Fashion magazine……………………………………………………………..85 3.12. Plans for the future……………………………………………………………91 Ending………………………………………………………………………………………...93 Introduction The theme of this paper is the history of TV station Fashion TV dedicated to the contemporary phenomenon, fashion. I took a job writing on this subject, because fashion is one of the main hobby and passion in my life. -
Announcement
Announcement 42 articles, 2016-07-05 00:00 1 Mami Kataoka Will Direct the 2018 Biennale of Sydney Kataoka. JENNIFER YIN/BIENNALE OF SYDNEY Today the Biennale (2.06/3) of Sydney revealed that it has tapped Mami Kataoka, the chief curator of the Mori Art Museum in 2016-07-04 11:18 2KB www.artnews.com 2 Top 10 Must-See Art Exhibitions Opening in Europe in July The wealth of art exhibitions opening in Europe throughout the (0.01/3) month of July is almost as diverse as it is extensive. 2016-07-04 04:08 2KB www.blouinartinfo.com 3 Alexis Silk, 2016 Spotlight Artist Alexis Silk is breaking exciting ground with dramatic new works in blown glass and metal that are at once timeless and thought provoking. Emerging from the intersection of the artist's fascination with the human figure, passion for her molten medium, and desire for conceptual expression,... 2016-07-05 00:00 2KB artexponewyork.com 4 DAY 2 AT ARTEXPO: SPECIAL KEYNOTE, LIVE ART DEMOS & MORE Friday at Artexpo brought throngs of visitors through the gates of Pier 94 to see artwork from over 400 exhibitors from around the world, comprising more than 1,000 artists in total. The doors opened early for the event's Keynote Presentation by Pam Danziger, "Marketing Art... 2016-07-05 00:00 1KB artexponewyork.com 5 AENY 2016 Recap: Highlights from an Incredible Year That's a wrap! Artexpo New York has taken the fine-art scene by storm yet again, and we've got the sales, stories, and gorgeous collection of photos and videos to prove it. -
Il Fashion System Cinese Dal “Made in China” Al “Designed in China”
Corso di Laurea magistrale in Interpretariato e Traduzione Editoriale, Settoriale Tesi di Laurea Il Fashion System Cinese Dal “Made in China” al “Designed in China” Relatore Prof.ssa Federica Passi Correlatore Prof. Attilio Andreini Laureando Alessia Baldini Matricola 828244 Anno Accademico 2014/2015 2 摘要 写本论文的目的是为了描述和介绍时尚界奢侈品今天在中国的重要性。 论文的第一部分会简洁的介绍一下中国的时装史,以及中国开始跟欧洲的时尚界合作情况, 在这部分里我们会注意到在这个话题上中国比欧洲实在是落后了许多。 在这一章里我们也会详细描述中国对时尚本身的概念错误,中国还需要很长时间拥有标志性 的服装的构思和技术。 我们将分析从‘90 年代到今天奢侈品界在中国都有了些什么样的变化。 在这一部分里我们还会将中国的奢侈品消费者的类型进行描绘,而在报告中也可以察觉到在 近 20 年消费者的要求也逐渐改变了。 许多比较富裕的中国人都喜欢每年来欧洲购物,所以我们的奢侈品专卖店能以最佳的方式来 迎接这些贵宾是非常重要的。 本文还会针对近几年中国与欧洲时尚界的关系的话题进行了讨论: 首先是分析欧洲的大奢侈 品牌从‘90 年代起是使用了什么策略逐步进入中国市场的,接下来就是讲解第一批华人设计 师是如何能在欧洲各大城市的时尚周期间展示他们的作品的,尤其是在米兰和巴黎这两个大 城市。 论文中将会有一个章节专门介绍这些新兴的华人设计师的故事,描述他们是如何来欧洲深造 学设计的,还有他们的共同愿望,也就是把中国从一个生产国家 (Made in China) 变成一个 新的创造国家 (Designed in China). 如今,在中国许多西方时尚品牌已经开始注意到国内市场的消费量已经逐渐的下降,原因就 是同一个货品在种种的关税后,在国内的价格比欧洲的原价已经要高出很多了。 我们将会分析各大品牌为了推动国内的消费而实行调整全球价格的市场策略。 第一部分的最后一章是讲述广告在中国市场的地位,特别是近几年世界著名的时尚杂志在国 内销售的重要性,尤其是 Vogue 杂志。 本论文的第二部分将会把八篇从 Vogue China 杂志上面挑选出来关于时尚的文章翻译成意 大利文。 3 每篇文章的主题都不一样。翻译这些文章让我更了解了如今的时尚界是完全的国际化了,因 为它拥有着一个共通的语言: 不论我们是用哪国的语言写的讯息,时尚界里用的词汇还是一 样的。 最后,第三部分是专门评论翻译员的感想还有描述她在翻译这几篇文章中遇到的困难以及她 是如何走出这些困境的。 4 ABSTRACT The aim of this thesis is to analyise the fashion and luxury industry in China today. The first section of the study provides a brief summary of the history of fashion in China from the last imperial dynasty, the Qing, to the present day. I discuss the major economic, political and social changes which have taken place