Galerie Magazine, March 2019
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Fashion's Autumn/Winter 2014 Ad Campaigns | Financial Times
04/01/2020, 10:22 Page 1 of 1 Luxury goods Add to myFT Fashion’s autumn/winter 2014 ad campaigns A deconstruction of the industry’s ads for the season reveals a sombre economic mood Share Save David Hayes AUGUST 8 2014 Hemlines may once have been a cute way of monitoring the state of the economy – rather aptly, they are all over the place these days – but nothing gives a snapshot of global hard-currency health better than a flick through the September issues of the world’s glossiest fashion magazines. Landing on newsstands with a reassuringly weighty thud early this month, the current edition of US Vogue has more advertising than any other American fashion or lifestyle magazine, with a whopping 631 ad pages. Yet it is still down 4.5 per cent on last year’s Lady Gaga extravaganza of 665 pages – which in turn was down on the magazine’s peak of 727 pages of ads in 2007. The luxury sector may not have turned an economic corner – yet. And in fashion terms the mood is not exactly upbeat, either: think brown and black set against brutalist concrete architecture (Prada); corseted women hanging around in a drab hotel suite (Dior); and models trapped in a surrealist crazy golf course from hell, wearing equally disturbing knitwear (Kenzo). Yes, advertising matters, not only as a barometer of the spending trends of the fashion world, but also as a tone-setting exercise. The following images are how fashion should look this autumn/winter, straight from the designer’s eye, so take note. -
Large Print Guide
Large Print Guide You can download this document from www.manchesterartgallery.org Sponsored by While principally a fashion magazine, Vogue has never been just that. Since its first issue in 1916, it has assumed a central role on the cultural stage with a history spanning the most inventive decades in fashion and taste, and in the arts and society. It has reflected events shaping the nation and Vogue 100: A Century of Style has been organised by the world, while setting the agenda for style and fashion. the National Portrait Gallery, London in collaboration with Tracing the work of era-defining photographers, models, British Vogue as part of the magazine’s centenary celebrations. writers and designers, this exhibition moves through time from the most recent versions of Vogue back to the beginning of it all... 24 June – 30 October Free entrance A free audio guide is available at: bit.ly/vogue100audio Entrance wall: The publication Vogue 100: A Century of Style and a selection ‘Mighty Aphrodite’ Kate Moss of Vogue inspired merchandise is available in the Gallery Shop by Mert Alas and Marcus Piggott, June 2012 on the ground floor. For Vogue’s Olympics issue, Versace’s body-sculpting superwoman suit demanded ‘an epic pose and a spotlight’. Archival C-type print Photography is not permitted in this exhibition Courtesy of Mert Alas and Marcus Piggott Introduction — 3 FILM ROOM THE FUTURE OF FASHION Alexa Chung Drawn from the following films: dir. Jim Demuth, September 2015 OUCH! THAT’S BIG Anna Ewers HEAT WAVE Damaris Goddrie and Frederikke Sofie dir. -
SOPHIA LATJUBA Her Passion of Life
MAGAZINE OF SENAYAN CITY winter 2017 Beautiful Young Mothers SABAI DIETER MORSCHEK MIKAILA PATRITZ YASMINE WILDBLOOD Winter Travel To Reykjavik SOPHIA LATJUBA HER PASSION OF LIFE A Celebration of Festive season in-Chief ED ITOR EKSEKUTIF Halina E-MAIL PROMOSI DAN IklaN E-mail: [email protected] Call Center: 021-7278 1000 DIterbItkaN OLEH Senayan City BEKERJA SAMA DENGAN MRA Media Special Project Division Wisma MRA Jl. TB. Simatupang HNALI A No.19 Cilandak Barat mark ETING dirECTOR SENAYAN citY Jakarta Selatan 12430 Tel: (021) 2765-1717/18 A Celebration Of Festive Seasons. Menjelang akhir tahun, sejumlah persiapan menyambut. Natal, Tahun Baru, dan Imlek TIM EDItorIAL adalah rangkaian perayaan yang ditunggu-tunggu hingga tahun Miranti M. Lemy Eddy Sofyan depan. Oleh sebab itu, kami menyajikan sejumlah artikel yang Agung C. Widi Insan Obi mengangkat berbagai event istimewa tersebut sebagai topik Firisa Ardianti Saffie Adjie Badas dalam edisi winter 2017 ini. Anda akan menemukan the latest Kiky Septika Anjani Iqbal trend untuk Cruise Collection dan rekomendasi kami tentang Aristya Rizky Badzlina Veby Citra gaya earthy tone untuk tahun 2018. Gusti Aditya Abiprasiasti Dalam edisi ini, sebagai cover, kami menampilkan iconic Bungbung Mangaraja Riza Adam Buchori telented figures yang juga merupakan ibu dan anak yang Hadi Cahyono berprestasi yang kisahnya juga dapat Anda simak dalam cover story. Simak juga laporan kami mengenai sejumlah new spots di Senayan City yang wajib Anda kunjungi, serta liputan mendalam dari perhelatan JFW 2018 yang diikuti oleh kisah sukses sejumlah Jakarta Fashion Week 2017. Ikuti kisah sukses COVER sejumlah profil tokoh desainer fashion yang kini tengah menjadi Model: Sophia Latjuba the talk of the town untuk referensi Anda. -
Vogue Italia Di Settembre: Le 100 Copertine
Leggi l'articolo su beautynews Vogue Italia di settembre: le 100 copertine Con il numero di settembre, come di consueto il più importante dell'anno, Vogue Italia presenta ai lettori un progetto unico e speciale: un numero da collezione con cento personaggi per cento copertine: modelle famose e attrici, artisti e persone della strada - tutte speciali, con la loro storia unica da raccontare. Vogue manda in edicola così ancora una volta un'edizione da collezione, in cui le copertine numerate diventano un’opera d’arte e un manifesto della moda per tutti, all’insegna della diversità. «Lo scorso aprile, quando abbiamo scelto di lasciare bianca la nostra copertina, eravamo convinti che il silenzio fosse un giusto messaggio di rispetto e pudore», scrive nel suo editoriale Emanuele Farneti, direttore di Vogue Italia. «Adesso invece, all’inizio di una nuova stagione per molti versi decisiva, pensiamo sia il momento di parlare ad alta voce di bellezza e di speranza. Per la prima volta abbiamo scattato, e stampato, cento cover. Ciascuna di loro è dedicata a una protagonista diversa: per età, aspetto fisico, colore della pelle. È il ritratto di una comunità che, pur nel giusto rispetto delle restrizioni di distanze e tempi imposte dal contesto, dopo aver diligentemente atteso ora si ritrova e ricomincia». Ci sono supermodel iconiche: Cindy Crawford, Pat Cleveland, Patti Hansen, Donna Jordan. Le top del momento: Kaia Gerber, Bella Hadid, Julia Nobis, Freja Beha Erichsen, Sasha Pivovarova, Irina Shayk, Alek Wek, Raquel Zimmermann, Saskia De Brauw, Rebecca Longendyke. Instagram star come Emily Ratajkowski e Paloma Elsesser. -
Unfold Your Talent VIA Film & Transmedia
Unfold your talent VIA University College VIA Film & Transmedia Research & Development centre FASHION FILM & TRANSMEDIA – an anthology of knowledge and practice Fashion Film & Transmedia – an anthology of knowledge and practice Editing by SPOTT trends & business Fashion Film & Transmedia VIA University College 4 Colophon Title Fashion Film & Transmedia - An Anthology of Knowledge and Practice Published by VIA Film & Transmedia Research & Development Centre Authors Rina Hansen Marie Schuller Paloma Díaz Soloaga Janet De Nardis Max Giovagnoli Stine Johansen Anja Bisgaard Gaede Sara Ingemann Holm-Nielsen Ellen Riis Editing SPOTT trends & business Proof reading Anders M. Nielsen Graphic design Inge Lynggaard Hansen Cover image Liu Zhao and Dao Chenyuan. Beijing Film Academy Copyright © VIA Film & transmedia Research & Development Centre No part of this publication may be reproduced, stored in retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or scanning, or otherwise without prior permission by the publisher. Print GP Tryk Printing samples 1,000 ISBN 978-87-999334-0-2 Publishing year 2017 First edition Create Converge Brand Dansk Bomuldskompagni/Photo by Isabel Ahlgren Deleuran, VIA Film & Transmedia Photo by Camilla Gammelgaard Kristensen, Amalie H. Bredahl, Helene Sophie Højgaard Eckholdt, Ditte Marie Rothemejer and Joanna Mikkelsen, VIA Film & Transmedia Fashion Film & Transmedia VIA University College 7 Table of contents 9 An Introduction to the Anthology on Fashion Film & Transmedia Louis Thonsgaard, Director of Studies and Research, VIA Film & Transmedia 10 Editor’s Letter by SPOTT trends & business 11 Contributors 17 The Development in Luxury Fashion Brands’ Web Presence and Use of Interactive Media Rina Hansen, Ph.D, Copenhagen Business School, marketing and omnichannel director at By Malene Birger. -
DT Page 01 April 04.Indd
www.thepeninsulaqatar.com CAMPUS | 6 MARKETPLACE | 7 ENTERTAINMENT | 12 MES students bring Oxy Qatar employees Tera Surroor: An painting contest share knowledge abysmal attempt laurels with students in upscale avatar MONDAY 4 APRIL 2016 Email: [email protected] thepeninsulaqatar @peninsulaqatar @peninsula_qatar As the world’s superpowers eye the lucrative Arctic region with growing interest, unprecedented oil spill clean-up tests in icy Finnish conditions reveal just how hazardous and challenging an accident in the Arctic’s pristine sea ice could be. RISKY ARCTIC QUESTS P | 4-5 MONDAY 4 APRIL 2016 | 03 CAMPUS DeBakey students take part in Planet Georgetown event DeBakey High School students participated in the Planet Georgetown program. Students learned about social movements and created posters about ways to improve the world for the future. One of the students said: “I really enjoyed learning about the other parts of the world and the troubles related to food, water and society standards.” NIS welcomes new teachers he teachers of Noble Internation- Tal School (NIS) welcomed the new academic year 2016-2017 and the new teachers with enthusiasm. The new and existing teachers were ad- vised to commence the new academic year with positive thoughts, tenacity and fortitude, adherence and commit- ment to make the school atmosphere homely for the students. Robin Jose, HOS, Preparatory sec- tion welcomed the gathering. Abdul Rahim, Director General, NIES, deliv- ered the presidential address. Hussain Mohammed, Chairman, and Moham- med Eesa, Vice-Chairman, addressed the gathering. Principal Shibu Abdul Rasheed, gave a short speech encour- aging them to extend their support to strive together and to work hand in hand for the betterment of the in- stitution. -
Il Fashion System Cinese Dal “Made in China” Al “Designed in China”
Corso di Laurea magistrale in Interpretariato e Traduzione Editoriale, Settoriale Tesi di Laurea Il Fashion System Cinese Dal “Made in China” al “Designed in China” Relatore Prof.ssa Federica Passi Correlatore Prof. Attilio Andreini Laureando Alessia Baldini Matricola 828244 Anno Accademico 2014/2015 2 摘要 写本论文的目的是为了描述和介绍时尚界奢侈品今天在中国的重要性。 论文的第一部分会简洁的介绍一下中国的时装史,以及中国开始跟欧洲的时尚界合作情况, 在这部分里我们会注意到在这个话题上中国比欧洲实在是落后了许多。 在这一章里我们也会详细描述中国对时尚本身的概念错误,中国还需要很长时间拥有标志性 的服装的构思和技术。 我们将分析从‘90 年代到今天奢侈品界在中国都有了些什么样的变化。 在这一部分里我们还会将中国的奢侈品消费者的类型进行描绘,而在报告中也可以察觉到在 近 20 年消费者的要求也逐渐改变了。 许多比较富裕的中国人都喜欢每年来欧洲购物,所以我们的奢侈品专卖店能以最佳的方式来 迎接这些贵宾是非常重要的。 本文还会针对近几年中国与欧洲时尚界的关系的话题进行了讨论: 首先是分析欧洲的大奢侈 品牌从‘90 年代起是使用了什么策略逐步进入中国市场的,接下来就是讲解第一批华人设计 师是如何能在欧洲各大城市的时尚周期间展示他们的作品的,尤其是在米兰和巴黎这两个大 城市。 论文中将会有一个章节专门介绍这些新兴的华人设计师的故事,描述他们是如何来欧洲深造 学设计的,还有他们的共同愿望,也就是把中国从一个生产国家 (Made in China) 变成一个 新的创造国家 (Designed in China). 如今,在中国许多西方时尚品牌已经开始注意到国内市场的消费量已经逐渐的下降,原因就 是同一个货品在种种的关税后,在国内的价格比欧洲的原价已经要高出很多了。 我们将会分析各大品牌为了推动国内的消费而实行调整全球价格的市场策略。 第一部分的最后一章是讲述广告在中国市场的地位,特别是近几年世界著名的时尚杂志在国 内销售的重要性,尤其是 Vogue 杂志。 本论文的第二部分将会把八篇从 Vogue China 杂志上面挑选出来关于时尚的文章翻译成意 大利文。 3 每篇文章的主题都不一样。翻译这些文章让我更了解了如今的时尚界是完全的国际化了,因 为它拥有着一个共通的语言: 不论我们是用哪国的语言写的讯息,时尚界里用的词汇还是一 样的。 最后,第三部分是专门评论翻译员的感想还有描述她在翻译这几篇文章中遇到的困难以及她 是如何走出这些困境的。 4 ABSTRACT The aim of this thesis is to analyise the fashion and luxury industry in China today. The first section of the study provides a brief summary of the history of fashion in China from the last imperial dynasty, the Qing, to the present day. I discuss the major economic, political and social changes which have taken place -
Le V E L E L E V
dior.com - 020 7172 0172 No 11 G A R AGE Magazine FALL/WINTER 2016 LEVEL_ELEVEN GARAGE N o 11 Karl Lagerfeld Robert Longo Willow Smith George Lucas BCBN 9 9 6 6 PRINTED IN GERMANY — UK £ IN GERMANY PRINTED Scan Unlock this 9 9 Willow’s cover 10 Snapchat Lens! Garage Cover 11 v323 final .indd 7-9 15.08.16 09:29 UK_GARAGE 240x326_SP1_FW16.indd 1 22/07/2016 11:34 A Bi-Annual Fashion and Art Magazine MEDIA KIT November 2016 GARAGE Magazine is a biannual contemporary art and fashion publication founded by Dasha ZHUKOVA in 2011, taking its name from Moscow’s Garage Museum of Contemporary Art, which Zhukova founded in 2008. The magazine instigates collaborations between leading forces in the worlds of contemporary art and fashion, also embracing digital media through a groundbreaking smart-phone application. THE MEDIUM GARAGE Magazine International and GARAGE Russia Jeff Koons’ first digital sculpture Animated collaboration exclusively for GARAGE No. 7 with Marvel for GARAGE No. 10 Magazine. Each of the Marvel covers of GARAGE No. 10 can be activated by the app to see a super-heroic animation. Readers can download the GARAGE Mag App for iOS or Android for free. Scan pages of the print issue to activate exclusive digital content including videos, in page animation, 3D Augmented Reality & behind the scenes footage. GAR AGE Magazine Team Thessaly LA FORCE Dasha ZHUKOVA Editor in Chief Editorial Director Charlotte STOCKDALE and Katie LYALL (Chaos Fashion) Creative Directors at Large Michael POLSINELLI Phoebe ARNOLD Editorial Director Fashion Director Giorgio PACE Fabio MONTOBBIO Publisher at Large Italy Agent Artwork Adam McEWEN Audience GARAGE readers are culturally savvy, passionate individuals. -
Super Saturday Not So ‘Super’ ● Discounts Are Expected to Be Deeper in This Last Week Leading to the Christmas and Hanukkah Holiday Celebrations
DAILY EDITION DECEMBER 20, 2016 1 All Women Photo Op Beauty Band Maria Grazia Chiuri chose Miuccia Prada talks about Former Revlon ceo Alan Brigitte Lacombe to shoot Fondazione Prada’s new Ennis has formed Glansaol to Dior’s spring ad campaign. photo “Observatory.” acquire small beauty brands. Page 7 Page 10 Page 11 Fashion. Beauty. Business. BUSINESS Super Saturday Not So ‘Super’ ● Discounts are expected to be deeper in this last week leading to the Christmas and Hanukkah holiday celebrations. BY VICKI M. YOUNG WITH CONTRIBUTIONS FROM JEAN E. PALMIERI, KARI HAMANAKA AND SHARON EDELSON Most retailers generally got what they wanted over Super Saturday weekend — a pickup in traffic and sales to help with the holiday selling season. But the weekend wasn’t quite the knockout retailers hoped for because of frigid weather and snow and ice storms in a lot of the country. Now the key question is whether the last-minute rush over the CONTINUED ON PAGE 9 BEAUTY Bobbi Brown Ends a Chapter ● The makeup artist will be leaving her namesake company, and Peter Lichtenthal will oversee the business in her stead. Sleep BY PETE BORN Bobbi Brown is turning the page on 25 years of her career by leaving her cosmet- ics brand. The owner of Bobbi Brown Cosmet- ics, Estée Lauder Companies Inc., said Monday that Brown will be leaving the company by the end of the year. Peter Lichtenthal, global brand president, will No More continue to oversee the business. These clothes aren’t just for bedtime. Taking cues from innerwear and Brown was not available for an interview loungewear classics, designers bring ease and elegance to all hours of the at press time, but she issued a statement that the celebration of brand’s 25th anniver- day and night. -
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Exploring Symbolism in Masstige Brand Advertising Within the Discursive Context of Luxury: a Semiotic Analysis
1 Exploring Symbolism in Masstige Brand Advertising Within the Discursive Context of Luxury: A Semiotic Analysis Keji Adebeshin A dissertation submitted to Auckland University of Technology in partial fulfilment of the requirements for the degree of Master of Business (MBus) 2015 Department of Marketing, Advertising, Retail and Sales 2 TABLE OF CONTENTS ATTESTATION OF AUTHORSHIP ............................................................................... 3 LIST OF FIGURES .......................................................................................................... 4 LIST OF TABLES ............................................................................................................ 5 ACKNOWLEDGEMENTS .............................................................................................. 6 ABSTRACT ...................................................................................................................... 7 CHAPTER 1 – INTRODUCTION ................................................................................... 9 1.1 Research Background.............................................................................................. 9 1.1.1 Introduction to Luxury Identifiers .................................................................... 9 1.1.2 Defining Masstige Brands .............................................................................. 10 1.2 Research Objective................................................................................................ 11 1.3 Research Methodology: