ANNUAL REPORT KODE ETIK CODE of ETHICS Atif
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Indonesia in View a CASBAA Market Research Report
Indonesia in View A CASBAA Market Research Report In Association with Table of Contents 1. Executive Summary 6 1.1 Large prospective market providing key challenges are overcome 6 1.2 Fiercely competitive pay TV environment 6 1.3 Slowing growth of paying subscribers 6 1.4 Nascent market for internet TV 7 1.5 Indonesian advertising dominated by ftA TV 7 1.6 Piracy 7 1.7 Regulations 8 2. FTA in Indonesia 9 2.1 National stations 9 2.2 Regional “network” stations 10 2.3 Local stations 10 2.4 FTA digitalization 10 3. The advertising market 11 3.1 Overview 11 3.2 Television 12 3.3 Other media 12 4. Pay TV Consumer Habits 13 4.1 Daily consumption of TV 13 4.2 What are consumers watching 13 4.3 Pay TV consumer psychology 16 5. Pay TV Environment 18 5.1 Overview 18 5.2 Number of players 18 5.3 Business models 20 5.4 Challenges facing the industry 21 5.4.1 Unhealthy competition between players and high churn rate 21 5.4.2 Rupiah depreciation against US dollar 21 5.4.3 Regulatory changes 21 5.4.4 Piracy 22 5.5 Subscribers 22 5.6 Market share 23 5.7 DTH is still king 23 5.8 Pricing 24 5.9 Programming 24 5.9.1 Premium channel mix 25 5.9.2 SD / HD channel mix 25 5.9.3 In-house / 3rd party exclusive channels 28 5.9.4 Football broadcast rights 32 5.9.5 International football rights 33 5.9.6 Indonesian Soccer League (ISL) 5.10 Technology 35 5.10.1 DTH operators’ satellite bands and conditional access system 35 5.10.2 Terrestrial technologies 36 5.10.3 Residential DTT services 36 5.10.4 In-car terrestrial service 36 5.11 Provincial cable operators 37 5.12 Players’ activities 39 5.12.1 Leading players 39 5.12.2 Other players 42 5.12.3 New entrants 44 5.12.4 Players exiting the sector 44 6. -
Daftar Pustaka
DAFTAR PUSTAKA A.Referensi Buku Arifin, Anwar. Sistem Penyiaran Indonesia. Jakarta: Pustaka Indonesia untuk Fakultas Ilmu Komunikasi Universitas Persada Indonesia Y.A.I, 2012. Armando, Ade.Televisi Jakarta Di Atas Indonesia. Yogyakarta: Bentang, 2011. Djamal, Hidajanto, dan Andi Fachrudin. Dasar-Dasar Penyiaran, Sejarah, Organisasi, Operasional dan Regulasi. Jakarta: Kencana Prenada Media Group, 2011. Judhariksawan. Hukum Penyiaran. Jakarta: Rajagrafindo Persada, 2010. M.A, Morissan. Manajemen Media Penyiaran. Jakarta: Kencana Prenada Media Group, 2008. Marzuki, Mahmud, Peter. Penelitian Hukum, Edisi Pertama, Cetakan ke-2. Jakarta: Kencana Prenada Media, 2006. Masduki. Regulasi Penyiaran Dari Otoriter ke Liberal. Yogyakarta: LKis, 2007. McQuail, Dennis. Teori Komunikasi Massa. Jakarta: Erlangga, 1987. Mufid, Muhammad. Komunikasi dan Regulasi Penyiaran. Jakarta: Kencana Prenada Media Group, 2005. Mulgan, Geoff. Politik dalam Sebuah Era Anti-Politik, Jakarta: Yayasan untuk Indonesia. 1993. Nugroho, Y., Siregar, MF., Laksimi, S. (2012). Memetakan Kebijakan Media di Indonesia (Edisi Bahasa Indonesia). Laporan. Bermedia, Memberdayakan Masyarakat: Memahami kebijakan dan tatakelola media di Indonesia melalui kacamata hak warga negara. Kerjasama riset antara Centre for Innovation Policy and Governance dan HIVOS Kantor Regional Asia Tenggara, didanai oleh Ford Fondation. Jakarta: CIPG dan HIVOS. Putra, Fadillah. Partai Politik dan Kebijakan Publik, Yogyakarta: Averroes Press- Pustaka Pelajar, 2003. Rachbini, J, Didik. Ekonomi Politik, Paradigma dan Teori Pilihan Publik, Jakarta: Ghalia Indonesia, 2002. Rianto, Puji dkk. Kepemilikan dan Intervensi Siaran. Yogyakarta: Pemantau Regulasi dan Regulator Media, 2014. 118 Rivers L. William. Media Massa dan Masyarakat Modern Jakarta: Prenada Media, 2004. Rodman, George. Mass Media In a Changing World. United States: The McGraw-Hill, 2006. Siregar, Effendi, Amir. Mengawal Demokratisasi Media: Menolak Konsentrasi, Membangun Keberagaman. -
Bab 2 Industri Dan Regulasi Penyiaran Di Indonesia
BAB 2 INDUSTRI DAN REGULASI PENYIARAN DI INDONESIA 2.1. Lembaga Penyiaran di Indonesia Dalam kehidupan sehari-hari, istilah lembaga penyiaran seringkali dianggap sama artinya dengan istilah stasiun penyiaran. Menurut Peraturan Menkominfo No 43 Tahun 2009, yang ditetapkan 19 Oktober 2009, lembaga penyiaran adalah penyelenggara penyiaran, baik Lembaga Penyiaran Publik, Lembaga Penyiaran Swasta, Lembaga Penyiaran Komunitas, maupun Lembaga Penyiaran Berlangganan yang dalam melaksanakan tugas, fungsi dan tanggungjawabnya berpedoman pada peraturan perundangan yang berlaku. Jika ditafsirkan, lembaga penyiaran adalah salah satu elemen dalam dunia atau sistem penyiaran. Dengan demikian walau lembaga penyiaran bisa dilihat sebagai segala kegiatan yang berhubungan dengan pemancarluasan siaran saja, namun secara implisit ia merupakan keseluruhan yang utuh dari lembaga-lembaga penyiaran (sebagai lembaga yang memiliki para pendiri, tujuan pendiriannya/visi dan misi, pengelola, perlengkapan fisik), dengan kegiatan operasional dalam menjalankan tujuan-tujuan penyiaran, serta tatanan nilai, dan peraturan dengan perangkat-perangkat regulatornya. Sedangkan stasiun penyiaran adalah tempat di mana program acara diproduksi/diolah untuk dipancarluaskan melalui sarana pemancaran dan/atau sarana transmisi di darat, laut atau antariksa dengan menggunakan spektrum frekuensi radio melalui udara, kabel, dan/atau media lainnya untuk dapat diterima secara serentak dan bersamaan oleh masyarakat dengan perangkat penerima siaran. Sedangkan penyiaran adalah kegiatan pemancarluasan -
Pt Mahaka Media Tbk. Dan Entitas Anak
DAFTAR ISI 06 PROFIL PERSEROAN CORPORATE PROFILE Visi Misi & Filosofi 8 Vision Mission & Philosophy Sekilas Mahaka Media 10 Mahaka Media at a Glance Jejak Langkah Perseroan 14 Corporate Milestone Bidang Usaha 18 Line of Business Struktur Organisasi 20 Organization Structure Diagram Mahaka Media & Entitas Anak 2015 22 Mahaka Media Chart & Subsidiaries 2015 Struktur Kepemilikan Saham 24 06 Share Ownership Structure Kronologis Pencatatan Saham 25 Share Listing Chronology Kapitalisasi Pasar 25 Market Capitalization Komposisi Pemegang Saham 26 Shareholder Composition Informasi Harga Saham Dalam 2 (Dua) Tahun Terakhir 27 Stock Price Information The Last 2 (Two)Years Harga Saham 27 Quaterly Stock Price Ikhtisar Keuangan 28 Financial Highlights 2011-2015 34128 34 LAPORAN MANAJEMEN MANAGEMENT REPORT Sambutan Komisaris Utama 36 Foreword from The President Commissioner Dewan Komisaris 40 Board of Commissioners Laporan Direktur Utama 44 Report from The President Director Dewan Direksi 50 Board of The Directors 64 Kode Etik 54 Code of Ethics 1 Sumber Daya Manusia 58 Human Resources Data Karyawan 59 Employees Data Penghargaan & Sertfikasi 61 Award & Certification 64 TINJAUAN OPERASIONAL OPERATING REVIEW Prospek Usaha 2016 66 Business Prospect 2016 ii Mahaka Media Annual Report 2015 TABLE OF CONTENTS KINERJA 2015 72 2015 PERFORMANCE PT Republika Media Mandiri (Harian Republika) 76 PT Pustaka Abdi Bangsa (Republika Penerbit) 80 PT Republika Media Visual (RMV) 86 PT Avabanindo Perkasa (Mahaka Advertising) 92 PT Media Golfindo (Golf Digest) 96 PT Metromakmur -
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Advances in Social Science, Education and Humanities Research, volume 136 2nd International Conference on Social and Political Development (ICOSOP 2017) The Power of the Screen: Releasing Oneself from the Influence of Capital Owners Puji Santoso Muhammadiyah Sumatera Utara University (UMSU) Email: [email protected] Abstract— Indonesia’s Media has long played a pivotal role in every changing. The world’s dependence on political, economic, and cultural changes leads the media playing an active role in the change order. It is not uncommon that the media has always been considered as an effective means to control changes or the process of social transformation. In the current era of reformation, the press, especially television industry has been experiencing rapid development. This is triggered by the opportunities opened for capital owners to invest their money into media business of television. Furthermore, the entrepreneurs or the capital owners capitalize the benefits by establishing several media subsidiaries. They try to seize the freely opened opportunity to create journalistic works. The law stipulates that press freedom is a form of popular sovereignty based on the principles of democracy, justice, and legal sovereignty. The mandate of this law indicates that press freedom should reflect people’s sovereignty. The sovereign people are the people in power and have the power to potentially develop their life-force as much as possible. At present, Indonesia has over 15 national television stations, 12 of which are networked televisions, and no less than 250 local television stations. This number is projected to be increasing based on data on the number of lined up permit applicants registered at the Ministry of Communications and Information office (Kemenkominfo) or at the Indonesian Broadcasting Commission (KPI) office both at the central and regional levels. -
Rethinking National Identity in an Age of Commercial Islam: the Television Industry, Religious Soap Operas, and Indonesian Youth
Rethinking National Identity in an Age of Commercial Islam: The Television Industry, Religious Soap Operas, and Indonesian Youth by Inaya Rakhmani, S.Sos (UI), MA (UvA) This thesis is presented for the degree of Doctor of Philosophy at Murdoch University 2013 I declare that this thesis is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary institution. ………………………………………….. Inaya Rakhmani ii ABSTRACT This thesis is about what it means to be Indonesian in an age of commercial Islam. It set out to understand the growing trend of “Islamisation” in Indonesian television after the end of the authoritarian New Order regime (1962 to 1998), which coincided with the rise of Islamic commodification in other sectors (Fealy, 2008). To achieve this, the thesis looks at the institutional practices, Islamic representation, and the reception of the most-watched television format with an Islamic theme, sinetron religi (religious drama). Studies on Indonesian television so far have focused on its structure, construct, and audience as separate entities (e.g. Sen & Hill, 2000; Kitley, 2000; Ida, 2006; Barkin, 2004; Loven, 2008). This thesis is the first research on Indonesian television that understands the institutional frameworks, identity constructs, and its reception as a whole. As the industry’s livelihood is determined by advertising revenue that relies on audience ratings, it is in the interest of the television stations to broadcast Islamic symbols that are acceptable to the general, “national” viewers. This study takes a look into the tension between Islamic ideologies and commercial interest in the practices that surround sinetron religi. -
Master Thesis
Master Thesis Kungliga Tekniska Högskolan Media Management Master Program Utilization of New Media by Traditional Media Companies in Indonesian Media Industry Charlie Tjokrodinata Degree project in: Media Management i Supervisor: Dr Christopher Rosenqvist - SSE ii Abstract – English The rise of social media represents a new challenge to the traditional media industry. Some traditional media companies either shy away on the idea of utilizing social media to enhance their services, but many others actually embrace this as an opportunity to reposition themselves within the industry. This study tries to figure out the extent of the proliferation of social media by the traditional players. The research approach focused on case study methodology through quantitative and qualitative methods. Record analysis of social media utilization by the traditional media companies represented the quantitative method. As many as 483 media companies from radio, television and printed media companies were sampled, they are companies under twelve national media conglomerates and one largest independent media group in Indonesia. Availability and a few simple statistics of web sites and three most popular social media platforms were recorded. The interviews with three different media companies and observations represented the qualitative method. The purpose is to understand the background motives of the social media utilization. The study reveals that utilization of web sites and social media platforms by the traditional media companies is quite extensive. The result revealed that 72% media companies have a web site, and more than 90% have Facebook accounts. Twitter, while not as popular as Facebook, still has as much as 73.6% of sampled media companies joining the platform. -
The League of Thirteen Media Concentration in Indonesia
THE LEAGUE OF THIRTEEN MEDIA CONCENTRATION IN INDONESIA author: MERLYNA LIM published jointly by: PARTICIPATORY MEDIA LAB AT ARIZONA STATE UNIVERSITY & 2012 The league of thirteen: Media concentration in Indonesia Published jointly in 2012 by Participatory Media LaB Arizona State University Tempe, Arizona United States & The Ford Foundation This report is Based on the research funded By the Ford Foundation Indonesia Office. This work is licensed under a Creative Commons AttriBution-NonCommercial-NoDerivs 3.0 Unported License How to cite this report: Lim, M. 2012. The League of Thirteen: Media Concentration in Indonesia. Research report. Tempe, AZ: Participatory Media LaB at Arizona State University. AvailaBle online at: http://www.puBlic.asu.edu/~mlim4/files/Lim_IndoMediaOwnership_2012.pdf. THE LEAGUE OF THIRTEEN: MEDIA CONCENTRATION IN INDONESIA By Merlyna Lim1 The demise of the Suharto era in 1998 produced several positive developments for media democratization in Indonesia. The Department of Information, once led By the infamous Minister Harmoko was aBandoned, followed By several major deregulations that changed the media landscape dramatically. From 1998 to 2002, over 1200 new print media, more than 900 new commercial radio and five new commercial television licenses were issued. Over the years, however, Indonesian media went ‘Back to Business’ again. Corporate interests took over and continues to dominate the current Indonesian media landscape. MEDIA OWNERSHIP From Figure 1 we can see that the media landscape in Indonesia is dominated By only 13 groups: the state (with public status) and 12 other commercial entities. There are 12 media groups (see Table 1) have control over 100% of national commercial television shares (10 out of 10 stations). -
The Influence of Politicians on Television Content in Post
Jurnal Ilmu Sosial dan Ilmu Politik, Volume 20, Issue 3, March 2017 Jurnal Ilmu Sosial dan Ilmu Politik Volume 20, Issue 3, March 2017 (204-220) ISSN 1410-4946 (Print), 2502-7883 (Online) The Infl uence of Politicians on Television Content in Post-Authoritarian Indonesia Morissan• Abstract The downfall of the last authoritarian ruler in May 1998 marked the beginning of the transition to democracy in Indonesia. Before 1998, the autocratic government fi rmly monitored media content for decades. With the current broadcast liberalization, Indonesian televisions can produce almost any kind of program contents. However, a question arises, who actually controls television content in the era of liberalization? How do political and economic factors infl uence television workers in shaping content? This empirical research intends to focus on the infl uence politicians have on television program content in four elections in post-authoritarian Indonesia. The research question is: how do politicians infl uence television workers in shaping their content? The question needs a qualitative descriptive answer from various sources, including interviews with around 100 television workers in the 10 largest TV stations, participant observations, documents, television reports, and other data sources. Research fi ndings reveal that the relationship between politicians and television intensifi ed ahead and during political campaigns. Most television stations had conducted a relatively fair and nonpartisan coverage of the 2004 and 2009 election, but unfair and partisan in the 1999 and 2014 elections. Keywords: politicians; television; elections; post-authoritarian; Indonesia. Abstrak Terjatuhnya rezim otoriter pada bulan Mei 1998 menandai dimulainya transisi menuju demokrasi di Indonesia. Sebelum tahun 1998, pemerintah otokratis memonitor konten media selama beberapa dekade. -
Media and the Vulnerable in Indonesia
Media and the vulnerable in Indonesia: Accounts from the margins Report Series Engaging Media, Empowering Society: Assessing Media Policy and Governance in Indonesia through the Lens of Citizens’ Rights Oleh A joint research project of Yanuar Nugroho Leonardus K. Nugraha Shita Laksmi Mirta Amalia Dinita Andriani Putri Supported by Dwitri Amalia Media and the vulnerable in Indonesia: Accounts from the margins. Published in Indonesia in 2013 by Centre for Innovation Policy and Governance Jl. Siaga Raya (Siaga Baru), Komp BAPPENAS No 43. Pejaten Barat, Pasar Minggu , Jakarta Selatan 12130 Indonesia. www.cipg.or.id Cover designed by FOSTROM (www.fostrom.com); all rights reserved. Except where otherwise noted, content on this report is licensed under a Creative Commons Attribution 3.0 License Some rights reserved. How to cite this report: (Nugroho, et al., 2012) - Nugroho, Y., Nugraha, LK., Laksmi, S., Amalia, M., Putri, DA., Amalia, D., 2012. Media and the vulnerable in Indonesia: Accounts from the margins. Report Series. Engaging Media, Empowering Society: Assessing media policy and governance in Indonesia through the lens of citizens’ rights. Research collaboration of Centre for Innovation Policy and Governance and HIVOS Regional Office Southeast Asia, funded by Ford Foundation. Jakarta: CIPG and HIVOS. Centre for Innovation Policy and Governance i Media and the vulnerable in Indonesia: Accounts from the margins Acknowledgements The research was funded by the Ford Foundation Indonesia Office and undertaken by the Centre for Innovation Policy and Governance (CIPG), Jakarta and HIVOS Regional Office Southeast Asia Principal Investigator : Dr. Yanuar Nugroho, University of Manchester Co-investigator (CIPG), Coordinator : Mirta Amalia Co-investigator (HIVOS) : Shita Laksmi Researchers (CIPG) : Leonardus Kristianto Nugraha Dinita Andriani Putri Dwitri Amalia Academic Advisors : Dr. -
Indonesia Media and Telecoms Landscape Guide November 2012
1 Indonesia Media and Telecoms Landscape Guide November 2012 2 Index Introduction…………………………………………………………….……….3 Media overview……………………………………………………………….16 Media groups………………………………………………………………….30 Radio overview………………………………………………………………..39 Radio networks………………………………………………….…………….44 Television overview……………………………………………….…………..66 Television networks…………………………………………………………...74 Print overview………………………………………………………………….98 Newspapers…………………………………………………………………..103 Magazines…………………………………………………………………….121 Online media………………………………………………………………….124 News weBsites………………………………………………………………..128 Traditional and informal channels of communication……………………..131 Media resources………………………………………………………………133 Telecoms overview…………………………………………………………...141 Telecoms companies…………………………………………………………145 3 Introduction Indonesia is the largest and most populous country in Southeast Asia. It has become an economic and political powerhouse in the region, with a growing international profile. This chain of more than 6,000 inhabited islands had an estimated population of 242 million people in 2011, according to the World Bank. More than half the population lives on the island of Java, where the capital Jakarta is situated. This large island of 140 million people is one of the most densely populated places on earth. The overthrow of President Suharto in 1998 ended six decades of authoritarian rule. It ushered in a new era of democracy, freedom of speech and economic prosperity. The local media has blossomed in this environment. Over 1,500 private radio stations and more than -
Jurnal Ilmiah Komunikasi Analisa Program Metropolis Di Jak TV
Jurnal Ilmiah Komunikasi Analisa Program Metropolis di Jak TV Sinta Nur Alifah1, Mustopa2 1,2Sekolah Tinggi Ilmu Komunikasi Indonesia Maju Jln. Harapan Nomor 50, Lenteng Agung – Jakarta Selatan 12610 Telp: (021) 78894045, Email: [email protected], [email protected] Abstrak Program Metropolis adalah acara magazine yang menayangkan tentang kehidupan realita malam di Jakarta kaum middle up atau menengah ke atas. Sejak bulan Ramadhan konten Metropolis diubah menjadi tayangan kaum bawah atau marginal seperti realita Manusia Gerobak. Penelitian ini bertujuan untuk mengetahui, serta menganalisis apa saja yang mempengaruhi dalam pembuatan program Metropolis di Jak TV dan pengaruhnya terhadap rating and share pada tahun 2016. Metode yang digunakan dalam penelitian ini adalah kualitatif, dengan studi kasus. Data penelitian didapatkan wawancara, observasi dan, dokumentasi. Wawancara dilakukan terhadap informan. Sementara data sekunder diperoleh dari studi dokumen, buku, dan artikel. Hasil penelitian menunjukan bahwa, ide awalnya program Metropolis yaitu mengenai tentang kehidupan malam yang terjadi di Ibu Kota Jakarta. Kemudian konten diubah ketika memasuki bulan Ramadhan yang mengangkat tema-tema kaum marginal. Konsep program Metropolis dibuat berdasarkan tiga hal, brainstorming yang dilakukan oleh produser, PA, serta tim kreatif, dan berdasarkan permintaan dari manajemen. Pada saat episode Manusia Gerobak rating pada program Metropolis mengalami kenaikan tertinggi. Hal ini menunjukan bahwa viewers lebih menyukai tema kaum marginal dibandingkan tema kehidupan malam. Program Metropolis menampilkan host dengan kriteria seperti, perempuan dewasa, tampilannya harus sensual (tidak memakai baju yang terbuka), pembawaan body language serta suara yang menarik. Segmentasi pada program Metropolis saat ini yaitu A, B, dan C (kelas atas, kelas menengah atas dan kelas menengah ke bawah).