DOCSLIB.ORG

Space and Myth in Surakarta Kasunanan Palace, Indonesia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Space and Myth in Surakarta Kasunanan Palace, Indonesia SPACE AND MYTH IN SURAKARTA KASUNANAN PALACE, INDONESIA A PRELIMINARY INVESTIGATION OF SPATIAL AND MYTHICAL QUALITIES OF THE PALACE AND HOW THEY RELATE TO THE POWER AND AUTHORITY OF THE K1NG/DOM By WAHYU DEWANTO (Architect) SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ARCHITECTURE & URBAN DESIGN UNIVERSITY OF TASMANIA LAUNCESTON U-S-T-R-A-L—I-A NOVEMBER 1997 STATEMENT OF AUTHENTICITY OF MATERIAL This dissertation contains no material which has been accepted for the award of any other degree or diploma in any institution and to the best of my knowledge and belief, the research contains no material previously published or written by another person, except where due reference has been made in the text of the dissertation. ahyu Dewanto Launceston, 21 November 1997 STATEMENT OF AUTHORITY OF ACCESS TO LOAN AND COPYING The University of Tasmania and its approved officers and representatives are authorised to loan or make limited copies of this dissertation for general dispersal in the interests of academic research, subject to the Copyright act 1968. Signed Wahyu Dewanto Launceston, 21 November 1997 111 abstract Surakarta Kasunanan palace, in central Java, is an important part of the heritage of the Indonesian nation. It is regarded as a centre of Javanese culture. The architecture of the palace represents the complexity of Indonesian culture, where local tradition and external social, cultural and religious influences are manifested in the form and structure. Surakarta Kasunanan palace as a whole is considered a sacred place, gives a religious impression and reflects the characteristics of the kingdom. Within the palace, each component becomes a symbol of Javanese philosophy resulting from a combination of various beliefs, including indigenous Javanese animism, Hinduism, Buddhism and Islam. This study attempts to investigate the spatial and mythical qualities of the palace and to analyse how they relate to the power and authority of the king as the centre of a Javanese Islamic kingdom. It is anticipated that this will provide an alternative approach in the study of traditional architecture, where emphasis is placed on the cultural, social and political aspects which influence the physical forms. A large portion of the work in this investigation has dealt with the arrangement of the palace. Yet, more emphasis has been placed on aspects of the relationship between people and their physical surroundings, than on the information about its physical character. In short, this research is an attempt to discover, through a variety of methods, the spiritual effects that the physical world exerts upon Javanese people. As the history of Surakarta Kasunanan palace has been the foundation of thinking about values and norms of Javanese culture in the last two centuries, so the history of its architecture has influenced the criteria that inform our view of Javanese architecture. This thesis examines the Surakarta Kasunanan palace, its history, its evolution, its built form, the myth behind the palace, and the political and social backgrounds in iv order to understand the role of the palace as a symbol of the power and authority of the king, and as a model of traditional Javanese architecture. The general purpose of the research is to address questions concerning aspects of Javanese architecture, particularly the space, layout and form of the buildings, and how these related to users' behaviour. The investigation focuses on the Surakarta Kasunanan palace and the question how the mythology surrounding it was used to reinforce the power and authority of the king. V PREFACE Surakarta Kasunanan palace, in the city commonly known as 'Solo', is a significant trace of the traditional heritage of Javanese culture. About 85 million people whose mother tongue is Javanese still admire and respect Surakarta Kasunanan palace as a manifestation of the glorious era of the Javanese kingdom in the past. Although Surakarta Kasunanan palace no longer has significant influence in a real political sense in Indonesia, it is still regarded as a centre of traditional art and culture. The architecture of the palace represents the complexity of Indonesian culture, whose local traditions and external social, cultural and religious influences are manifested in its form and structure. The palace serves as a historical link between the past and the present in terms of cultural values and social changes, and is a symbol of the traditional power and authority of the king. Surakarta Kasunanan palace as a whole is considered a sacred place, gives a religious impression and reflects the characteristics of the kingdom. Within the palace, each component becomes a symbol of Javanese philosophy resulting from a combination of various beliefs, including indigenous Javanese animism, Hinduism, Buddhism and Islam. As a Javanese architect, I believe that it is my responsibility to understand more about Javanese culture, and the roots of its architecture. Much of the architecture of Java is obscure and much is probably unknown. Some research has been done on the architecture of Surakarta Kasunanan palace, including its structure, types, style, materials and decorative elements. One of the studies on Surakarta Kasunanan palace was carried out by Timothy Earl Behrend (1982), who successfully explored the symbolic concepts of the palace. It is probably the most thorough study on the abstract concepts of the palace to date. However, no research has been conducted from an architectural point of view on the relationship between the layout and architectural design vi of the palace and the political authority of the kingdom. This study attempts to analyse the spatial and mythical qualities of the palace and to investigate how they relate to the power and authority of the king as the centre of a Javanese Islamic kingdom. It is anticipated that this will provide an alternative approach in the study of traditional architecture, where emphasis is placed on the cultural, social and political aspects which influence the physical forms. This dissertation examines the Surakarta Kasunanan palace, its history, its evolution, its built form, the myths behind the palace, and the political and social background, in order to understand the role of the palace as a symbol of the power and authority of the king. It is expected that this study will provide a different perspective, and add a new dimension, to the study of Javanese culture and Indonesian architecture. It is one way of utilising a specific knowledge of Javanese architecture in order to recollect rootedness in a tradition. Through the study of mythic realms in Javanese architecture a contribution is able to be given to the sensitivity and awareness of 'mythic power' for the architects in their modern design process. The purpose of this research is to address questions concerning specific aspects of Javanese architecture. The questions focus particularly on the space, layout and form of the buildings, and also incorporate the pattern of users' behaviour, ritual and the myth behind these elements and their connection with the power and authority of the king. How did the spatial form of the palace complex affect the power and authority of the king? This study examines the palace in detail in order to reveal the architectural concepts that lie behind this most important Javanese building complex begun in the eighteenth century. In order to complete this study, it was necessary to undertake studies in other connected fields such as history, sociology, and anthropology to gain an understanding of Surakarta Kasunanan palace and its culture. I was raised in Surakarta, and gained my degree (Ingenieur) in architecture from Sebelas Maret University, Surakarta. As a Javanese person, I inevitably have been vii influenced by the culture of Java, including the mythology and beliefs common to all Javanese. As a scholar, by doing this research, I realised that I had to approach the subject objectively in order to achieve the best possible results. During my study, I have largely confined myself to Western sources available in Australia, although some archival documents from Indonesia have been used to supply details. Maps and plans used in this study were obtained during field research and from the information from other institutions, especially the study of Studi Pengembangan Kawasan Wisata Budaya Keraton Kasunanan Surakarta, by the Department of Tourism, Post and Telecommunication; Directorate General of Tourism, and with the cooperation of the Technical Faculty of Gadjah Mada University, 1992. In the middle of my study, I went to Holland to obtain some detailed information. Many monographs and old plans from Leiden have provided detailed information for this research. Much of the data used in this research is found in many books and has become common knowledge, especially for Javanese people. For that reason, some of the data found in this dissertation may not be credited to a specific author or book. The dissertation is divided into eight chapters. The first chapter describes the background of the chosen case, sets the objectives of the research, formulates the questions, hypothesis, outline, and methodology of the research. The second chapter contains a discussion of Javanese culture and social structure in the past. It describes religion and the concept of life of Javanese people. Chapter three examines the history of the establishment of the palace and external influences -- Chinese, Indian, Islamic and European -- which played an important role in colouring the development of Surakarta Kasunanan palace. The fourth chapter describes the physical aspects of the palace; the spatial arrangement and open spaces within the complex. The underlying concept of the palace's arrangement is essential to be unfolded here because the physical layout of the palace is the main object to be examined. The fifth chapter deals with the position of the king; both as a political and spiritual leader. It examines how the Javanese people treated their kings and how the viii kings exerted their power over the people.
Load more

Recommended publications
  • The Republic of Indonesia Territorial Atlas As Geo-Literation Tools for the Adolescents
    The Republic of Indonesia Territorial Atlas as Geo-literation Tools for the Adolescents a,* b,* c d Fakhruddin Mustofa , Ellen Suryanegara , Niendyawati , Mulyanto Darmawan a Geospatial Information Agency, The Republic of Indonesia, [email protected] b Geospatial Information Agency, The Republic of Indonesia, [email protected] c Geospatial Information Agency, The Republic of Indonesia, [email protected] d Geospatial Information Agency, The Republic of Indonesia, [email protected] * Corresponding author Abstract: As an independent country and has a long history that forms The Unitary State of The Republic of Indonesia, introduction to the territory and history is very necessary for Indonesia's young generation, especially for adolescents. Various efforts were made by the Government of Indonesia to provide a territorial comprehension in order to make the younger generation understand about the circumstances of their country. One effective way is through Territorial Atlas of The Republic of Indonesia, which is the result from collaboration project between Geospatial Information Agency and Ministry of Education and Culture of Indonesia. This atlas is intended towards the benefit of teenage children, who are taking middle education level between the ages of 12-15 years. It is necessary for children at that age to be equipped with spatial intelligence related to the territorial comprehension of Indonesia, the historical development of the Republic of Indonesia, and also the natural resources potential of their country. This comprehension is needed considering that adolescence is a vulnerable age who require self-actualization, so they need to get a correct understanding of the NKRI region in order to foster the sense of nationalism.
    [Show full text]
  • Dissertation Information Service
    INFORMATION TO USERS This reproduction was made from a copy of a manuscript sent to us for publication and microfilming. While the most advanced technology has been used to pho­ tograph and reproduce this manuscript, the quality of the reproduction is heavily dependent upon the quality of the material submitted. Pages in any manuscript may have indistinct print. In all cases the best available copy has been filmed. The following explanation of techniques is provided to help clarify notations which may appear on this reproduction. 1. Manuscripts may not always be complete. When it is not possible to obtain missing pages, a note appears to indicate this. 2. When copyrighted materials are removed from the manuscript, a note ap­ pears to indicate this. 3. Oversize materials (maps, drawings, and charts) are photographed by sec­ tioning the original, beginning at the upper left hand comer and continu­ ing from left to right in equal sections with small overlaps. Each oversize page is also filmed as one exposure and is available, for an additional charge, as a standard 35mm slide or m black and white paper format.* 4. Most photographs reproduce acceptably on positive microfilm or micro­ fiche but lack clarity on xerographic copies made from the microfilm. For an additional charge, all photographs are available in black and white standard 35mm slide format.* *For more information about black and white slides or enlarged paper reproductions, please contact the Dissertations Customer Services Department. Dissertation Information Service University Microfilms International A Bell & Howell Information Company 300 N. Zeeb Road, Ann Arbor, Michigan 48106 t 8618844 Saleh, Abdul Aziz DETERMINANTS OF ACCESS TO HIGHER EDUCATION IN INDONESIA The Ohio State University Ph.D.
    [Show full text]
  • PEMIKIRAN SOEDJATMOKO TENTANG NASIONALISME Analisis Konten Dari Buku-Buku Karangan Soedjatmoko
    View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Repository Universitas Negeri Jakarta PEMIKIRAN SOEDJATMOKO TENTANG NASIONALISME Analisis Konten dari Buku-buku Karangan Soedjatmoko Ayu Rahayu 4115133797 Skripsi yang ditulis untuk memenuhi salah satu persyaratan dalam memperoleh gelar Sarjana Pendidikan PENDIDIKAN PANCASILA DAN KEWARGANEGARAAN FAKULTAS ILMU SOSIAL UNIVERSITAS NEGERI JAKARTA 2018 2 ABSTRAK AYU RAHAYU, Pemikiran Soedjatmoko tentang Nasionalisme, Analisis Konten dari Buku-buku Karangan Soedjatmoko. Skripsi. Jakarta: Program Studi Pendidikan Pancasila dan Kewarganegaraan, Fakultas Ilmu Sosial, Universitas Negeri Jakarta, Desember 2017. Penelitian ini meneliti rasa nasionalisme yang kerap digaungkan. Meski rasa nasionalisme hanya menjadi slogan semata. Orang-orang yang berbicara nasionalisme namun tidak tahu pasti arti, makna dan tindakan dari rasa Nasionalisme. Sebab, pengasahan nasionalisme dipisahkan dari sejarah bangsa. Nasionalisme tanpa melihat kembali konteks sejarah hanya menuai konflik. Untuk menghindari nasionalisme dangkal, diadakanlah penggalian gagasan dari Soedjatmoko. Penelitian ini diajukan untuk mengolah pemikiran Soedjatmoko tentang Nasionalisme. Penelitian menggunakan jenis penelitian deskriptif kualitatif. Teknik Analisis menggunakan analisis konten pada buku-buku karangan Soedjatmoko Tiga buku dipilih untuk memenuhi teknik analisis. Tiga buku karangan Soedjatmoko berjudul Kebudayaan Sosialis, Dilema Manusia dalam Pembangunan dan Pembangunan dan Kebebasan. Dari
    [Show full text]
  • Soft Religiosity Message for Indonesia from Soedjatmoko
    International Journal of Religious and Cultural Studies ISSN xxxx-xxxx Vol. 1, No. 1, April 2019, pp. 1-7 1 Soft Religiosity Message for Indonesia from Soedjatmoko Aji Dedi Mulawarman Universitas Brawijaya, MT Haryono 165 Malang, Indonesia [email protected] ARTICLE INFO ABSTRACT This article tackles the thought of Soedjatmoko as one of Indonesian Article history self-taught intellectuals. Through his writing “Human Dimension in Received 27 January 2019 Development”, “ Socialist Culture”, and “Asia in the Eyes of Revised 8 February 2019 Soedjatmoko”, an evolution of his thought from socialist' historical Accepted 1 April 2019 materialism towards soft religiousity could be portrayed. It is concluded that integrity and intellectual bravery are the strength of the Indonesian Keywords that are derived from faith and tawhid. The spirit that Islam carries Soft-Religiousity becomes the root of solution for poverty as well as applicable education Tawhid for many countries, especially in Asia. Society Intellectual Bravery This is an open access article under the CC–BY-SA license. 1. Introduction "A religion that does not speak to the basic moral problems of its time will face danger, it will gradually become irrelevant. But in the meantime it is also necessary to avoid dogmatism, because the way to translate moral judgments into wisdom is usually not one, but more than one. What might facilitate the role of religion in that is that it seems that the process of secularization has reached the final stages of the world, and that the debate over the implications of modernization is still not relevant, because in essence all countries and all nations and all cultures in the world are good those who are called modern or not, are equally unprepared to face the 21st century with all its new challenges.
    [Show full text]
  • The Mayas a Transplanted Indian Civilization
    THE MAYAS A TRANSPLANTED INDIAN CIVILIZATION by Alain Verdier In several speeches given between 1979 and 1988, indian philosopher and historian P.R. Sarkar made startling revelaons concerning the Mayan civilizaBon. According to him, the Mayan civilizaBon was a « transplanted Indian civilizaBon. It went From South India to Central America during the Chola, Pandya and Pallava dynasBes oF the Indian Middle Ages. » He specifically indicated that it first migrated to Central America during the rule oF the Pallavas. This period corresponds to the Classic Period oF the Mayan civilizaBon (4th to 10th century) which also sees a peak in large-scale construcBons and urbanism. Due to the contacts between India and America, many centuries beFore the discovery oF that conBnent by Christopher Colombus, the Indian and the transplanted Mayan civilizaBon existed side by side. Sarkar actually explained that ‘Mayadviipa’ (Mayan island), the Sanskrit name For America, came From the name oF the Mayan civilizaBon. However, while the Indians had invented the wheel several millenia beFore, the Mayas lagged behind due to the Fact that they never knew its use. Sarkar once pointed out that a true civilizaBon must have Four signs oF progress : agriculture, wheel, dress and script. According to him, many old civilizaBons disapeared From the annals oF history because they simply could not invent the wheel and could not make carts and chariots. It was For that very reason that the Mayan civilizaBon had its downFall and was Forced in subsequent Bmes to concede deFeat at the hands oF other civilizaBons. This was, he said « due to some slight deFect.
    [Show full text]
  • Acoustic Parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta
    Available online at www.sciencedirect.com ScienceDirect Procedia - Social and Behavioral Sciences 184 ( 2015 ) 322 – 327 5th Arte Polis International Conference and Workshop – “Reflections on Creativity: Public Engagement and The Making of Place”, Arte-Polis 5, 8-9 August 2014, Bandung, Indonesia Acoustic parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta a b b c Suyatno *, H. A. Tjokronegoro , IGN. Merthayasa , R. Supanggah aDepartment of Physics, Institut Teknologi Sepuluh Nopember, Surabaya, Indonesia bDepartment of Engineering Physics, Institut Teknologi Bandung, Bandung, Indonesia cDepartement of Karawitan, Institut Seni Indonesia, Surakarta, Indonesia Abstract Pendopo Mangkunegaran Surakarta is a building that has a volume of 3000 m3, a pyramid form of roof, and no walls. The objective of the research in this paper is to explore the condition of Listening Level (LL), a sub-sequence Reverberation Time (Tsub), Clarity (C80, D50) and Inter-Aural Cross Correlation (IACC) at Pendopo Mangkunegaran Surakarta. To quantify the acoustic parameters of the Pendopo, microphones were located in the area of the King, distinguished guests, dancers, and audience. The source of sound is located at the corner of where the Gamelan is played. The sound of Gamelan at the corner of the Pendopo produces a diverse distribution of sound and reverberation time in the room, especially in the center of the room. It is concluded that the acoustic quality of Pendopo building is appropriate for Javanese Gamelan performances with a well-developed spatial effect. © 20152015 The The Authors. Authors. Published Published by by Elsevier Elsevier Ltd. Ltd This. is an open access article under the CC BY-NC-ND license (Peerhttp://creativecommons.org/licenses/by-nc-nd/4.0/-review under responsibility of the Scientific).
    [Show full text]
  • Abstract Book of the 7Th International
    Abstract Book With great thanks to our sponsors TABLE OF CONTENTS Conference themes & scientific committee 26 Aspiring Geoparks Oral R. Burns, J. Moreira, D. Robinson, T. Kicklighter 29 APPALACHIAN GEOPARK PROPOSAL: HERITAGE AND HOPEFUL FUTURE IN THE MOUNTAIN STATE OF WEST VIRGINIA, USA A. Amrikazemi, M. Abbasi 30 ARAS ASPIRING GEOPARK: CONTROLLING AND FINE-TUNING RAPID DEVELOPMENT G. Fernandes, E. Castro, G. Firmino 31 THE ASPIRING GEOPARK ESTRELA, PORTUGAL: A LAND OF SCIENCE, EDUCATION AND CULTURE T. Hermansson, A. Brozinski 32 THE ASPIRING GEOPARK LAUHANVUORI REGION: FROM WOLF CAVE TO HUMMOCKS AND PUDDLES E. Vye, W. Rose 33 ASPIRING GEOPARKS IN THE UNITED STATES – MICHIGAN’S KEWEENAW PENINSULA Y. Woo, C. Song, C. Lee, C. Lim, M. Huh 34 ASPIRING GLOBAL GEOPARK WITH THE GIANT COLUMNS: MUDEUNGSAN AREA NATIONAL GEOPARK (KOREA) A. Bergengren, A. Bang Rande 35 ASPIRING TROLLFJELL GEOPARK – PROMOTING SUSTAIBALE TOURISM BASED ON EXPECTIONAL GEOLOGICAL FEATURES A. Robinson 36 AUSTRALIAN GEOTOURISM – PATHWAYS FOR FUTURE DEVELOPMENT REVEALED J. Ongoto, P.R. Palomo, S.F. Toteu 37 BARINGO ASPIRING GEOPARK IN KENYA: AN EXAMPLE OF A LOCAL COLLABORATIVE INITIATIVE BETWEEN LOCAL STAKEHOLDERS AND THE KENYAN NATIONAL COMMISSION FOR UNESCO 2 H. Herry, Z.Z.A.S. Zain, H. Samodra 38 BUSINESS SECTOR ROLE IN THE GEOPARK DEVELOPMENT: CASE STUDY OF PT BIO FARMA (PERSERO) IN THE DEVELOPMENT CILETUH GEOPARK T. The Vinh, N. Bich Ngoc, T. Hong Thinh, T. Tan Van 39 CAO BANG – AN ASPIRING GEOPARK IN A TROPICAL MATURE KARST LANDSCAPE M. Yamamoto, K. Iwai, G. Martini 40 CHANGING CONCEPT AND STRATEGY OF NATIONAL GEOPARK – THE EXAMPLE OF SAKARIJIMA-KINKOWAN NATIONAL GEOPARK (JAPAN) S.
    [Show full text]
  • Confirming the Existence of the Kingdom: the Efforts of Territorial Consolidation and Formation of Cultural Identity During
    Indonesian Historical Studies, Vol. 1, No. 2, 103-116 © 2017 Confirming the Existence of the Kingdom: The Efforts of Territorial Consolidation and Formation of Cultural Identity During the Reign of Hamengku Buwana I, 1755 – 1792 Sutarwinarmo,1* Agustinus Supriyono,2 Dhanang Respati Puguh2 1Arsip Nasional Republik Indonesia 2Master Program of History, Faculty of Humanities, Diponegoro University *Corresponding Author: [email protected] Abstract This article discusses the efforts of territorial Consolidation and formation of cultural identity during the reign of Hamengku Buwana I. This article is written using historical method and utilizing primary sources in the form of VOC archives stored in the National Archives of the Republic of Indonesia and Java manuscripts stored in Yogyakarta Sultanate, as well as secondary sources in the form of articles and books. After Giyanti Agreement in 1755, Sultan Hamengku Buwana I attempted to consolidate his territory through negotiation, dispute Received: settlement and law enforcement in order to preserve the sovereignity 30 November 2017 and territorial integrity of his kingdom. He also developed Ringgit Swargen, Yogyakarta style leather puppets that have different shape Accepted: 18 December 2017 from Surakarta style leather puppets developed by Surakarta Sunanate as one of the cultural identity of Yogyakarta Sultanate. Leather puppet show was used to control the areas that were in the territory of the Sultanate of Yogyakarta, as the leather puppet show performed outside the palace must obtain permission from the palace puppet master. The efforts of Sultan Hamengku Buwana I failed, due to the conflict that caused the war destroyed the boundaries and the peace agreement that had been made.
    [Show full text]
  • Documenting Endangered Literary Genres in Sasak, Eastern Indonesia
    Documenting endangered literary genres in Sasak, eastern Indonesia Peter K. Austin Endangered Languages Academic Programme Department of Linguistics, SOAS ANDC, Australian National University [email protected] 2013-01-30 Draft paper prepared for Indonesian Linguistics Workshop, Tokyo University of Foreign Studies, February 2013 – do not quote or cite without permission Abstract1 The island of Lombok, eastern Indonesia, is linguistically and culturally complex, with several languages being used there, including Sasak, Balinese, Kawi (a form of early modern Javanese) and Indonesian. Sasak shows wide geographical and social variation, with a system of speech levels, apparently borrowed from its western neighbours. The Sasaks also have a literary tradition of writing manuscripts on palm leaves (lòntar) in a manner similar to that of the Balinese (Rubinstein 2000, Creese 1999), and historically, the Javanese. Lombok today remains one of only a handful of places in Indonesia where reading lòntar (called in Sasak, pepaòsan) continues to be practised, however even there the number of people who are able to read and interpret the texts is rapidly diminishing. In this paper I outline the nature of the Sasak literary materials (see also Marrison 1999, 2000, Van der Meij 1996, 2002), how reading is taught, the nature of reading performances, and the role of this genre within contemporary Sasak culture. This work results from fieldwork undertaken in two locations on Lombok, and studies I have carried out with some of the few younger specialists who is able to perform lòntar reading. The paper concludes with discussion of some challenges for language documentation theory and practice (Himmelmann 2002, Woodbury 2011) that arise in the process of recording and analyzing 1 Research on Sasak has been supported at various times by the Australian Research Council, the School of Oriental and African Studies, Tokyo University of Foreign Studies and the Alexander von Humboldt Stiftung.
    [Show full text]
  • Reproduksi Budaya Dalam Pentas Kesenian Tradisional Di Balai
    Artikel Reproduksi Budaya dalam Pentas Jurnal Analisa Sosiologi Kesenian Tradisional di Balai April 2017, 6(1): 42-54 Soedjatmoko Rosyid Nukha1 Abstract The aim of this research is to know about the culture reproduction process that happen ang to know the actor on the traditional art perfromances in Soedjatmoko Hall. This is a qualitative research with case study as its approach. The data collection done by interview, participatory observation ang documentation. The primary data collected by indepth interview and participatory observation. That data being analyzed using interactive model. The data validity done by source triangulation. the art performance reproduction is being analyzed by Pierre Bourdieu‘s theory. The research found that the actors in the culture reproduction on traditional art performances include keroncong art groups, kararwitan art groups, macapat art groups and Soedjatmoko Hall. Those actor have cultural capital, social capital, symbolic capital and economic capital that supported the reproduction process. Culture reproduction in the traditional art through Keroncong Bale, Macapat Soedjatmakan, dan Klenengan Selasa Legen art performance by perform again the traditonal art. Reproduction process happen through the use of pakem and the use of symbol, the delivery of meaning in the art performance, performance‘s procedures, the songs and the materials is adjusted to the pakem. Keywords: Soedjatmoko Hall, Culture Reproduction, Art Performance. 1 Program Studi Magister Sosiologi Universitas Sebelas Maret Email: [email protected] Abstrak Penelitian ini bertujuan untuk mengetahui proses reproduksi budaya yang terjadi dan mengetahui aktor yang terlibat dalam pementasan kesenian tradisional di Balai Soedjatmoko. Jenis penelitian ini adalah kualitatif dengan strategi studi kasus.
    [Show full text]
  • La Relación Entre Las Crisis Economicas Y Las Guerras Tomo Vi
    62 130 130 SUSANA NOEMI TOMASI HISTORIA ECONÓMICA MUNDIAL LA RELACIÓN ENTRE LAS CRISIS ECONOMICAS Y LAS GUERRAS TOMO VI: EN LA EDAD MODERNA CAPÍTULO IV: ÚLTIMO CUARTO DEL SIGLO XVII 1 2 Editorial Magatem Ciudad Autónoma de Buenos Aires, Argentina Abril de 2021 Dibujo de tapa: en tinta china y plumín, acuarela y microfibras, sobre papel: denominado: “Buscando” realizado por Karina Valeria Woloj mail: [email protected] Editorial Magatem Acassuso 5808 (1440) Ciudad Autónoma de Buenos Aires Argentina TE: 011- 46822431 Mail: [email protected] 3 INTRODUCCIÓN En este último cuarto del siglo XVII, se visualiza el afán de las compañías internacionales, para abarcar el comercio (los esclavos) surgido de las colonias sojuzgadas y esquilmadas, era el negocio del siglo. Aparecían como privadas, pero casi siempre estaban tras ellas las Coronas respectivas. En África occidental la trata humana, condujo a franceses, portugueses, españoles, etc. a crear diversas compañías y fundar distintos poblados. Joaquín Portillo Pasqual del Riquelme (1), indica que “Creándose entonces la Compagnie du Cap Vert et du Senegal, y en 1664 la Compagnie des Indes Occidentales, con la idea de monopolizar durante 40 años el tráfico de carne humana, desde Cabo Verde al de Buena Esperanza con destino a las Antillas; en ella tuvo acciones el propio Voltaire. Más comedida en sus ambiciones y longevidad fue la Compagnie du Senegal (1672—1661). Sin embargo, los ingleses se les habían adelantado; estaban en Gambia desde 1608…. Fundada en 1618, la “Compañía de los aventureros reales de Africa”, obtenía en 1661 la exclusiva de la trata desde Cabe Blanco (en el Sahara Occidental) al de Buena Esperanza; y, como se deriva de su propio nombre, todos sus accionistas pertenecían a la aristocracia inglesa.
    [Show full text]
  • Batik, a Beautiful Cultural Heritage That Preserve Culture and Support Economic Development in Indonesia”
    “BATIK, A BEAUTIFUL CULTURAL HERITAGE THAT PRESERVE CULTURE AND SUPPORT ECONOMIC DEVELOPMENT IN INDONESIA” Evi Steelyana Accounting Departement, Faculty of Economics and Communication, BINUS University Jln. K.H. Syahdan No. 9, Palmerah, Jakarta Barat 11480 [email protected] ABSTRACT Batik is an icon nation for Indonesia. Batik has awarded as cultural heritage from UNESCO on October 2nd, 2009and it is significantly affected to batik industry afterward.The raising of batik industry caused some multiplier effects to economics and socio cultural in Indonesia. In many areas of industry, banking role has always beenthe man behind the scene. Banking role in Indonesia also gives some encouragement and be part of batik industry development. Many national event has been created by some banks to encourage SME in batik industry to market their product internationally. This paper will give a simple explanation how banking industry and batik industry get along together in Indonesia, especially in financial sector to enhance economics development and to preserve a nation culture.Research methodology in this paper is quantitative method. This paper will give a simple analysis through comparative analysis based on export value from batik industry, domestic use of batik,batik industry development and microcredit or loan from banking industry to SME in batik industry.Many people wearing batik to show how they do appreciate and belong to a culture.Batik also gives other spirit of nationalism which represent in Batik Nationalis.The role of batik in international diplomacy and in the world level gives significant meaning for batik as a commodity which preserve Indonesian culture. In a piece of batik cloth, embodied socio-cultural and economic values that maintain the dignity of a nation.
    [Show full text]