Memaknai Bentuk Rupa Lambang Keraton Mangkunegaran
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Space and Myth in Surakarta Kasunanan Palace, Indonesia
SPACE AND MYTH IN SURAKARTA KASUNANAN PALACE, INDONESIA A PRELIMINARY INVESTIGATION OF SPATIAL AND MYTHICAL QUALITIES OF THE PALACE AND HOW THEY RELATE TO THE POWER AND AUTHORITY OF THE K1NG/DOM By WAHYU DEWANTO (Architect) SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DEPARTMENT OF ARCHITECTURE & URBAN DESIGN UNIVERSITY OF TASMANIA LAUNCESTON U-S-T-R-A-L—I-A NOVEMBER 1997 STATEMENT OF AUTHENTICITY OF MATERIAL This dissertation contains no material which has been accepted for the award of any other degree or diploma in any institution and to the best of my knowledge and belief, the research contains no material previously published or written by another person, except where due reference has been made in the text of the dissertation. ahyu Dewanto Launceston, 21 November 1997 STATEMENT OF AUTHORITY OF ACCESS TO LOAN AND COPYING The University of Tasmania and its approved officers and representatives are authorised to loan or make limited copies of this dissertation for general dispersal in the interests of academic research, subject to the Copyright act 1968. Signed Wahyu Dewanto Launceston, 21 November 1997 111 abstract Surakarta Kasunanan palace, in central Java, is an important part of the heritage of the Indonesian nation. It is regarded as a centre of Javanese culture. The architecture of the palace represents the complexity of Indonesian culture, where local tradition and external social, cultural and religious influences are manifested in the form and structure. Surakarta Kasunanan palace as a whole is considered a sacred place, gives a religious impression and reflects the characteristics of the kingdom. -
Bělahan and the Division of Airlangga's Realm
ROY E. JORDAAN Bělahan and the division of Airlangga’s realm Introduction While investigating the role of the Śailendra dynasty in early eastern Javanese history, I became interested in exploring what relationship King Airlangga had to this famous dynasty. The present excursion to the royal bathing pla- ce at Bělahan is an art-historical supplement to my inquiries, the findings of which have been published elsewhere (Jordaan 2006a). As this is a visit to a little-known archaeological site, I will first provide some background on the historical connection, and the significance of Bělahan for ongoing research on the Śailendras. The central figure in this historical reconstruction is Airlangga (991-circa 1052 CE), the ruler who managed to unite eastern Java after its disintegration into several petty kingdoms following the death of King Dharmawangśa Těguh and the nobility during the destruction of the eastern Javanese capital in 1006 (Krom 1913). From 1021 to 1037, the name of princess Śrī Sanggrāmawijaya Dharmaprasādottunggadewī (henceforth Sanggrāmawijaya) appears in sev- eral of Airlangga’s edicts as the person holding the prominent position of rakryān mahāmantri i hino (‘First Minister’), second only to the king. Based on the findings of the first part of my research, I maintain that Sanggrāmawijaya was the daughter of the similarly named Śailendra king, Śrī Sanggrāma- wijayottunggavarman, who was the ruler of the kingdom of Śrīvijaya at the time. It seems plausible that the Śailendra princess was given in marriage to Airlangga to cement a political entente between the Śailendras and the Javanese. This conclusion supports an early theory of C.C. -
Sustainable Tourism Approach in Trowulan Heritage Destination – Mojokerto, East Java
Sustainable Tourism Approach in Trowulan Heritage Destination – Mojokerto, East Java 1st Diena Mutiara Lemy1, 2nd Elang Kusumo2 {[email protected], [email protected]} Universitas Pelita Harapan, School of Hospitality and Tourism, UPH Tower D 3rd floor Lippo Village Karawaci Tangerang Indonesia1,2 Abstract. Trowulan as one of cultural heritage tourism sites in Indonesia has a strategic role in building the national identity, considering that Trowulan is the center of Majapahit, a large kingdom around the 13th century whose territory covered the territory of the present Indonesia to the Malay peninsula. The Trowulan site is currently under the management of the East Java Cultural Heritage Preservation Center (BPCB), Directorate General of Culture, Ministry of Education and Culture. The focus of BPCB in managing this site is Rescue, Secure, Maintenance and Development of cultural heritage. Some problems related to the discovery of cultural heritage objects and interest conflicts of local people in earning a living in the land area become critical issues that should be addressed. Based on the description above, this paper reviews the Sustainable Tourism approach to help overcome the problems in Trowulan. Keywords: sustainable tourism, Trowulan, cultural heritage tourism, Majapahit kingdom 1 Introduction Majapahit Kingdom (Majapahit) is one of powerful kingdoms in Indonesia. Founded by Raden Wijaya in 1293 AD, Majapahit reached its peak in 1350 - 1389 under King Hayam Wuruk [1]. The center of Majapahit, based on the results of research and archaeological remains, is the Trowulan site. Trowulan Site is a very important historical area. The Trowulan site is located 70 km southwest of Surabaya in the Trowulan District area (Mojokerto Regency, East Java). -
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Advances in Social Science, Education and Humanities Research, volume 552 Proceedings of the 4th International Conference on Arts and Arts Education (ICAAE 2020) Life Values in Gapura Bajangratu Katrin Nur Nafi’ah Ismoyo1,* Hadjar Pamadhi 2 1 Graduate School of Arts Education, Yogyakarta State University, Yogyakarta 55281, Indonesia 2 Faculty of Languages and Arts, Yogyakarta State University, Yogyakarta 55281, Indonesia *Corresponding author. Email: [email protected] ABSTRACT This study employed the qualitative research method with Hans-George Gadamer’s semiotic approach and analysis based on Jean Baudrillard’s hyperreality. According to Gadamer, truth can be obtained not through methods, but dialectics, where more questions may be proposed, which is referred to as practical philosophy. Meanwhile, Jean Baudrillard argues that “We live in a world where there is more and more information, and less and less meaning …”. This paper discusses the life values of Gapura Bajang Ratu in its essence, as well as life values in the age of hyperreality. Keywords: Gapura Bajangratu, life values, hyperreality, semiotics 1. INTRODUCTION death of Bhre Wengker (end 7th century). There is another opinion regarding the history of the Bajangratu Gapura Bajangratu (Bajangratu Temple) is a Gate which believe it to be one of the gates of the heritage site of the Majapahit Kingdom which is located Majapahit Palace, due to the location of the gate which in Dukuh Kraton, Temon Village, Trowulan District, is not far from the center of the Majapahit Kingdom. Mojokerto Regency, East Java. Gapura Bajangratu or This notion provides historical information that the the Bajangratu Gate is estimated to have been built in Gapura gate is an important entrance to a respectable the 13-14th century. -
Acoustic Parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta
Available online at www.sciencedirect.com ScienceDirect Procedia - Social and Behavioral Sciences 184 ( 2015 ) 322 – 327 5th Arte Polis International Conference and Workshop – “Reflections on Creativity: Public Engagement and The Making of Place”, Arte-Polis 5, 8-9 August 2014, Bandung, Indonesia Acoustic parameter for Javanese Gamelan Performance in Pendopo Mangkunegaran Surakarta a b b c Suyatno *, H. A. Tjokronegoro , IGN. Merthayasa , R. Supanggah aDepartment of Physics, Institut Teknologi Sepuluh Nopember, Surabaya, Indonesia bDepartment of Engineering Physics, Institut Teknologi Bandung, Bandung, Indonesia cDepartement of Karawitan, Institut Seni Indonesia, Surakarta, Indonesia Abstract Pendopo Mangkunegaran Surakarta is a building that has a volume of 3000 m3, a pyramid form of roof, and no walls. The objective of the research in this paper is to explore the condition of Listening Level (LL), a sub-sequence Reverberation Time (Tsub), Clarity (C80, D50) and Inter-Aural Cross Correlation (IACC) at Pendopo Mangkunegaran Surakarta. To quantify the acoustic parameters of the Pendopo, microphones were located in the area of the King, distinguished guests, dancers, and audience. The source of sound is located at the corner of where the Gamelan is played. The sound of Gamelan at the corner of the Pendopo produces a diverse distribution of sound and reverberation time in the room, especially in the center of the room. It is concluded that the acoustic quality of Pendopo building is appropriate for Javanese Gamelan performances with a well-developed spatial effect. © 20152015 The The Authors. Authors. Published Published by by Elsevier Elsevier Ltd. Ltd This. is an open access article under the CC BY-NC-ND license (Peerhttp://creativecommons.org/licenses/by-nc-nd/4.0/-review under responsibility of the Scientific). -
Confirming the Existence of the Kingdom: the Efforts of Territorial Consolidation and Formation of Cultural Identity During
Indonesian Historical Studies, Vol. 1, No. 2, 103-116 © 2017 Confirming the Existence of the Kingdom: The Efforts of Territorial Consolidation and Formation of Cultural Identity During the Reign of Hamengku Buwana I, 1755 – 1792 Sutarwinarmo,1* Agustinus Supriyono,2 Dhanang Respati Puguh2 1Arsip Nasional Republik Indonesia 2Master Program of History, Faculty of Humanities, Diponegoro University *Corresponding Author: [email protected] Abstract This article discusses the efforts of territorial Consolidation and formation of cultural identity during the reign of Hamengku Buwana I. This article is written using historical method and utilizing primary sources in the form of VOC archives stored in the National Archives of the Republic of Indonesia and Java manuscripts stored in Yogyakarta Sultanate, as well as secondary sources in the form of articles and books. After Giyanti Agreement in 1755, Sultan Hamengku Buwana I attempted to consolidate his territory through negotiation, dispute Received: settlement and law enforcement in order to preserve the sovereignity 30 November 2017 and territorial integrity of his kingdom. He also developed Ringgit Swargen, Yogyakarta style leather puppets that have different shape Accepted: 18 December 2017 from Surakarta style leather puppets developed by Surakarta Sunanate as one of the cultural identity of Yogyakarta Sultanate. Leather puppet show was used to control the areas that were in the territory of the Sultanate of Yogyakarta, as the leather puppet show performed outside the palace must obtain permission from the palace puppet master. The efforts of Sultan Hamengku Buwana I failed, due to the conflict that caused the war destroyed the boundaries and the peace agreement that had been made. -
POLITIK KOLONIAL DAN PERKEMBANGAN SENI TARI DI PURO PAKUALAMAN PADA MASA PEMERINTAHAN PAKU ALAM IV (1864-1878) Oleh : HY
POLITIK KOLONIAL DAN PERKEMBANGAN SENI TARI DI PURO PAKUALAMAN PADA MASA PEMERINTAHAN PAKU ALAM IV (1864-1878) Oleh : HY. Agus Murdiyastomo ABSTRAK Pusat budaya di Yogyakarta selama ini yang lebih banyak diketahui oleh masyarakat adalah Kraton Kasultanan Yogyakarta, tetapi sesungguhnya selain Kraton Kasutanan masih terdapat pusat budaya yang lain yaitu Pura Paku Alaman. Di Kadipaten telah terlahir tokoh-tokoh yang sangat memperhatikan kelestarian budaya Jawa khususnya seni tari tradisi. Salah satunya adalah Kanjeng Gusti Pangeran Adipati Aryo Paku Alam IV, yang pada masa ia berkuasa, budaya Barat yang dibawa oleh kaum kolonialis melanda daerah jajahan. Hadirnya budaya asing tentu sulit untuk ditolak. Namun demikian denga piawainya KGPAA Paku Alam IV, justru mengadopsi budaya Barat, tetapi ditampilkan dengan rasa dan estetika Jawa, dalam bentuk tari klasik. Sehingga pada masanya lahir repertoar tari baru yang memperkaya seni tari tradisi. Penelitian ini bertujuan untuk mengungkap perkembangan seni tari di Pura Pakualaman pada masa pemerintahan KGPAA Paku Alam IV, dan hal-hal apa yang melatarbelakangi penciptaannya. Dalam rangka mewujudkan rekonstruksi ini dilakukan dengan metode sejarah kritis, yang tahapannya meliputi Pertama, Heuristik, atau pencarian dan pengumpulan sumber data sejarah, yang dalam hal ini dilakukan di BPAD DIY, dan di Perpustakaan Pura Pakualaman. Di kedua lembaga tersebut tersimpan arsip tentang Paku Alaman, dan juga naskah- naskah yang berkaitan dengan penciptaan tari. Kedua, Kritik, atau pengujian terhadap sumber-sumber yang terkumpul, sumber yang telah terkumpul diuji dari segi fisik untuk memperoleh otentisitas, kemudian membandingkan informasi yang termuat dengan informasi dari sumber yang berbeda, untuk memperoleh keterpercayaan atau kredibilitas. Ketiga, Interpretasi yaitu informasi yang ada dikaji untuk diangkat fakta-fakta sejarahnya, yang kemudian dirangkai menjadi sebuah kisah sejarah. -
Potency Exploration of Trowulan Cultural Heritage Area As Educational Facility
Potency Exploration of Trowulan Cultural Heritage Area as Educational Facility Retno Eka Pramitasari, Nur Muflihah Universitas Hasyim Asy’ari, Jombang, Indonesia Keywords: Exploration, Cultural Heritage, Educational Facility. Abstract: Trowulan is a very popular cultural heritage area in Mojokerto city and designated as a National Tourism Strategic Area which is thick with cultural and historical elements. The purpose of this study to explore the tourism and cultural heritage potency in Trowulan area as education facility. The object of this research is the existing cultural heritage in the Trowulan area including Bajang Ratu Gate, Petirtaan Tikus, Brahu Temple and Majapahit Information Center. This study used descriptive research with a qualitative approach and sampling techniques using purposive sampling techniques. The results of this study indicated that the majority of visitors who are student-certified were 52.5%, the response of visitors related to the perception of the attractiveness of the tourist environment was 62.1% very interesting, and the perception of tourist accessibility to visitors responds 76.4% supported this condition. Visitors expressed satisfaction with the facilities and activities in the tourism object. This proved that the Trowulan cultural heritage area can be used for holidays and educational facility. 1 INTRODUCTION the potency as a tourism place, a media of educating both history and culture. Likewise with people in Indonesia is a country that is rich in history and several large cities, there are among them who do not culture in the past, namely the existence of kingdom know the historical sites and religious tourism in spread among others the Majapahit kingdom, Trowulan. -
ISLAMIC NARRATIVE and AUTHORITY in SOUTHEAST ASIA 1403979839Ts01.Qxd 10-3-07 06:34 PM Page Ii
1403979839ts01.qxd 10-3-07 06:34 PM Page i ISLAMIC NARRATIVE AND AUTHORITY IN SOUTHEAST ASIA 1403979839ts01.qxd 10-3-07 06:34 PM Page ii CONTEMPORARY ANTHROPOLOGY OF RELIGION A series published with the Society for the Anthropology of Religion Robert Hefner, Series Editor Boston University Published by Palgrave Macmillan Body / Meaning / Healing By Thomas J. Csordas The Weight of the Past: Living with History in Mahajanga, Madagascar By Michael Lambek After the Rescue: Jewish Identity and Community in Contemporary Denmark By Andrew Buckser Empowering the Past, Confronting the Future By Andrew Strathern and Pamela J. Stewart Islam Obscured: The Rhetoric of Anthropological Representation By Daniel Martin Varisco Islam, Memory, and Morality in Yemen: Ruling Families in Transition By Gabrielle Vom Bruck A Peaceful Jihad: Negotiating Identity and Modernity in Muslim Java By Ronald Lukens-Bull The Road to Clarity: Seventh-Day Adventism in Madagascar By Eva Keller Yoruba in Diaspora: An African Church in London By Hermione Harris Islamic Narrative and Authority in Southeast Asia: From the 16th to the 21st Century By Thomas Gibson 1403979839ts01.qxd 10-3-07 06:34 PM Page iii Islamic Narrative and Authority in Southeast Asia From the 16th to the 21st Century Thomas Gibson 1403979839ts01.qxd 10-3-07 06:34 PM Page iv ISLAMIC NARRATIVE AND AUTHORITY IN SOUTHEAST ASIA © Thomas Gibson, 2007. All rights reserved. No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published in 2007 by PALGRAVE MACMILLAN™ 175 Fifth Avenue, New York, N.Y. -
Higher Education for Technology and Innovation Project: Institute
Initial Environmental Examination August 2020 Indonesia: Higher Education for Technology and Innovation Project Institute Teknologi Sepuluh November, Surabaya Prepared by the Government of Republic of Indonesia’s Ministry of Education and Culture for the Asian Development Bank. CURRENCY EQUIVALENTS (as of 04 August 2020) Currency unit – Rupiah (Rp) KN1.00 = $ 0.00006799 $1.00 = Rp 14,708 ABBREVIATIONS ADB - Asian Development Bank AMDAL - Analisis Mengenai Dampak Lingkungan (Analysis of Environmental Impact) ANDAL - Analisis Dampak Lingkungan (Environmental Impact Assessment) BOD - Biological Oxygen Demand CEMP - Contractor’s Environmental Management (and Monitoring) Plan COD - Chemical Oxygen Demand DELH - Dokumen Evaluasi Lingkungan Hidup (Environmental Evaluation Document) DLH - Dinas Lingkungan Hidup [Environmental Agency] DO - Dissolved Oxygen EIA - Environmental Impact Assessment EMC - Environmental Monitoring Checklist (of ADB) EMP - Environmental Management Plan EMMP - Environmental Management and Monitoring Plan GOI - Government of Indonesia GRM - Grievance Redress Mechanism GRC - Grievance Redress Committee HETI - Higher Education for Technology and Innovation HEI - Higher Education Institutions HIV - Human Immunodeficiency Virus HM - Hazardous Material(s) HW - Hazardous Waste(s) IA - Implementing Agency IEE - Initial Environmental Examination IFC EHS International Finance Corporation Environmental Health and Safety KEPMEN - Keputusan Menteri (Ministerial Decree) KEPRES - Keputusan President (Presidential Decree) MENLH(K)/ - -
Javanese Local Wisdom in Wedhatama
i ii JAVANESE LOCAL WISDOM IN WEDHATAMA PART I iii Laws of the republic of Indonesia No.19 of 2002 concerning Copyright Copyright Scope 1. Copyright is an exclusive right for an Author or a Copyright Holder to announce or reproduce his Work, which arises automatically after a work is born without reducing restrictions in accor- dance with applicable laws and regulations. Criminal Provisions 1. Anyone who intentionally or without the right to commit acts as referred to in Article 2 para- graph (1) or Article 49 paragraph (1) and paragraph (2) shall be sentenced to a minimum impris- onment of 1 (one) month each and / or a minimum fine Rp. 1,000,000.00 (one million rupiah), or a maximum imprisonment of 7 (seven) years and / or a maximum fine of Rp. 5,000,000,000.00 (five billion rupiah). 2. Anyone who intentionally broadcasts, exhibits or sells to the public a Work or goods resulting from infringement of Copyright or Related Rights as referred to in paragraph (1) shall be sen- tenced to a maximum of 5 years and / or a maximum fine of Rp. 5.00,000,000.00 (five hundred million rupiah). iv JAVANESE LOCAL WISDOM IN WEDHATAMA PART I DR. ESTI ISMAWATI, M.PD DR. WARSITO, M.PD TRANSLATOR: DRA. SRI HARYANTI, M.HUM v First published 2021 by Gambang Buku Budaya Perum Mutiara Palagan B5 Sleman-Yogyakarta 55581 Phone: +62 856-4303-9249 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission inwriting from the publishers. -
Batik, a Beautiful Cultural Heritage That Preserve Culture and Support Economic Development in Indonesia”
“BATIK, A BEAUTIFUL CULTURAL HERITAGE THAT PRESERVE CULTURE AND SUPPORT ECONOMIC DEVELOPMENT IN INDONESIA” Evi Steelyana Accounting Departement, Faculty of Economics and Communication, BINUS University Jln. K.H. Syahdan No. 9, Palmerah, Jakarta Barat 11480 [email protected] ABSTRACT Batik is an icon nation for Indonesia. Batik has awarded as cultural heritage from UNESCO on October 2nd, 2009and it is significantly affected to batik industry afterward.The raising of batik industry caused some multiplier effects to economics and socio cultural in Indonesia. In many areas of industry, banking role has always beenthe man behind the scene. Banking role in Indonesia also gives some encouragement and be part of batik industry development. Many national event has been created by some banks to encourage SME in batik industry to market their product internationally. This paper will give a simple explanation how banking industry and batik industry get along together in Indonesia, especially in financial sector to enhance economics development and to preserve a nation culture.Research methodology in this paper is quantitative method. This paper will give a simple analysis through comparative analysis based on export value from batik industry, domestic use of batik,batik industry development and microcredit or loan from banking industry to SME in batik industry.Many people wearing batik to show how they do appreciate and belong to a culture.Batik also gives other spirit of nationalism which represent in Batik Nationalis.The role of batik in international diplomacy and in the world level gives significant meaning for batik as a commodity which preserve Indonesian culture. In a piece of batik cloth, embodied socio-cultural and economic values that maintain the dignity of a nation.